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So excited to announce the release of this trailer and the addition of Lightning McQueen to the Rocket League roster! Our incredibly talented team built, animated and brought this world to life in Unreal Engine from pre-viz to final pixel. Such an honor and unique opportunity to play with Pixar royalty in the Rocket League arena. High praise and thank you to everyone involved!

#ad From the minds of artists and AI futurists John Cranston and Ryan McNeely comes "Behind That Door", VisualCreatures' participate in A.I.RHEADS SCAREFEST. If you thought it was just a festival for these two titans of artistry, follow the link in bio to see how you can join the contest. #airheadsscarefest
NO PURCHASE NECESSARY. Void where prohibited. Entry period 10/24/23–11/6/23; public voting period 10/24/23–11/7/23. Open to legal US res. (incl. DC); 18+. To enter, use AI tools/platform to create entry and upload to airheadsscarefest.com. Limit: 1 entry/person; 1 vote/person. For prizes, restrictions, and Official Rules: airheadsscarefest.com/rules.Sponsor: Perfetti van Melle USA, Inc., 3645 Turfway Road, Erlanger, KY 41018.

#ad John Cranston and Ryan McNeely have harnessed their artistic powers, along with artificial intelligence, to kick off the A.I.RHEADS SCAREFEST with a short film by VisualCreatures. With its creation, the world is sure to accept what they’ve been saying since 2003: AI is the future, and it’s super scary. #airheadsscarefest @airheadscandy Link in bio!

Come down to Visual Creatures and check out our new LED volume, powered by Monolith, on our motion capture and virtual production stage.Link in bio for more info on The Viz Lab!

VisualCreatures partnered with The Mill on the 2d cel fx animation and digital matte paintings for this amazing cinematic and the Valorant franchises first release in China!

We broke out a lot of pens and drew both frame by frame cel animated fx and digital matte paintings that were projected on to 3d geometry.

So many talented folks were involved in bringing this massive cinematic trailer to life, on both the Creature and The Mill side, and we are so excited to be a part of it.

Very excited to have Scott on our team!Link to article in bio.

We are so proud of our VFX work on Cherry, directed by @therussobrothers. As the sole VFX vender for a range of effects including huge simulated explosions, matte paintings, set extensions, CG, beauty work and 3D animation, we ventured into unknown territory executing remotely while everyone was working from home during lockdown.
Check out the film that will make you never want to try heroin, but maybe make you a little bit want to try robbing a bank.

Links in our bio!

Check out the premiere of the trailer for Citadel, a 6 part series for Amazon Prime from Joe and Anthony Russo and our partners at AGBO.  Series premieres April 28th and we hope you’ll tell all your friends, family, loved ones and strangers on the street to check out the VFX and look dev work VisualCreatures was a part of.

Big shout out to the hard work and talent our team has been putting in to this!

Behind the scenes from our Fall Guys Trailer!

On the surface this project looks much like the other work we do here at VC. But under the hood we were trying something that had never been done before. In just weeks we raced against time to set up a system to get CG passes out of Unreal Engine and into a traditional compositing pipeline enabling us to combine CG from a game engine into live action plate photography. It was no easy feat but to Unreal’s credit we were able to quickly develop tools and workflows to be able to create the CG passes we needed. This allowed us to to iterate color, lighting, textures and animation at the speed required to deliver the trailer before the premiere at Summer Games Fest. Special thanks to this incredible team for accomplishing this momentous feat.

Fall Guys pushed us to find out how game changing Unreal Engine is in a post production pipeline.

Compositing in-engine animations in to live action plates is something we hadn’t seen achieved before, but by developing and building tools to enable working with a live composite, creating a shadow catcher and taking advantage of the ability to change lighting, textures, colors and more all on the fly really proved to us that this is the workflow for us.

Academy Award–nominated director Zachary Heinzerling and Story Syndicate partnered with VisualCreatures on the design, animation and look development that helped tell the story of a group of Sarah Lawrence students who found themselves under the spell of an abusive cult leader.

A collage of visuals including cel animation, 2d motion graphics, photo treatments, main title design and stop motion
helped tell the gut wrenching story in this 3-part series streaming now on Hulu.

Academy Award–nominated director Zachary Heinzerling and Story Syndicate partnered with VisualCreatures on the design, animation and look development that helped tell the story of a group of Sarah Lawrence students who found themselves under the spell of an abusive cult leader.

A collage of visuals including cel animation, 2d motion graphics, photo treatments, main title design and stop motion
helped tell the gut wrenching story in this 3-part series streaming now on Hulu.

Academy Award–nominated director Zachary Heinzerling and Story Syndicate partnered with VisualCreatures on the design, animation and look development that helped tell the story of a group of Sarah Lawrence students who found themselves under the spell of an abusive cult leader.

A collage of visuals including cel animation, 2d motion graphics, photo treatments, main title design and stop motion
helped tell the gut wrenching story in this 3-part series streaming now on Hulu.

Hi all! We’re back! Well, we never left. We‘ve been here all along making cool shit we’re really excited to share, and we’re in an amazing new space we’d love for you to come see,

We just decided to start fresh.

Ahhhh. Feels good.


See you soon!
- The Creatures