
True Journal #12
Redistribution
Featuring The Disease by Catherine Lacey, published for the first time.
@truephotojournal @catherinelacey_ @mack_publishing
Distribution explores the tension between environments that overwhelm with density, and patterns that slowly emerge through repetition, accumulation and framing. I made the project rather conventionally. The archive of images I used to sequence and edit the book developed from desired themes, processes and locations. My process for photographing was a combination of seeking specifically, finding organically and sometimes fabricating scenarios entirely.
Working from this growing archive, Distribution sorts images and material based on thematic, subject and narrative cohesion. I also wanted there to be randomness and detours. Like a lot of people, I search for patterns in the world, not only to establish familiarity and relationships, but also to give structure to my frameworks and ideas about why things are the way they are (and, subsequently, how they came to be and how they might be).
During the book-printing process, when one makes adjustments to the image on the page, the printing machine needs to burn ink in order to gradually adjust the ink density and to reflect these changes. A lot of paper is required to do this, so the same sheets of paper are fed through the machines again and again in order to reduce waste. During this process, new image collages are generated by chance. These waste by-products—the overprints—are seductive, and many people save them, as did I. The pages that follow Catherine’s story consist mostly of scans of overprints. In the case of Distribution, this process results in a type of re-sorting of that initial pool of images, a way of mixing the images together again. Here, the re-sorted images are once again sorted and mixed with some new images l’ve been working with since I finished the book.
Mega thanks always to @peter_hughes @luke_gaffney for keeping a great publication going

True Journal #12
Redistribution
Featuring The Disease by Catherine Lacey, published for the first time.
@truephotojournal @catherinelacey_ @mack_publishing
Distribution explores the tension between environments that overwhelm with density, and patterns that slowly emerge through repetition, accumulation and framing. I made the project rather conventionally. The archive of images I used to sequence and edit the book developed from desired themes, processes and locations. My process for photographing was a combination of seeking specifically, finding organically and sometimes fabricating scenarios entirely.
Working from this growing archive, Distribution sorts images and material based on thematic, subject and narrative cohesion. I also wanted there to be randomness and detours. Like a lot of people, I search for patterns in the world, not only to establish familiarity and relationships, but also to give structure to my frameworks and ideas about why things are the way they are (and, subsequently, how they came to be and how they might be).
During the book-printing process, when one makes adjustments to the image on the page, the printing machine needs to burn ink in order to gradually adjust the ink density and to reflect these changes. A lot of paper is required to do this, so the same sheets of paper are fed through the machines again and again in order to reduce waste. During this process, new image collages are generated by chance. These waste by-products—the overprints—are seductive, and many people save them, as did I. The pages that follow Catherine’s story consist mostly of scans of overprints. In the case of Distribution, this process results in a type of re-sorting of that initial pool of images, a way of mixing the images together again. Here, the re-sorted images are once again sorted and mixed with some new images l’ve been working with since I finished the book.
Mega thanks always to @peter_hughes @luke_gaffney for keeping a great publication going

True Journal #12
Redistribution
Featuring The Disease by Catherine Lacey, published for the first time.
@truephotojournal @catherinelacey_ @mack_publishing
Distribution explores the tension between environments that overwhelm with density, and patterns that slowly emerge through repetition, accumulation and framing. I made the project rather conventionally. The archive of images I used to sequence and edit the book developed from desired themes, processes and locations. My process for photographing was a combination of seeking specifically, finding organically and sometimes fabricating scenarios entirely.
Working from this growing archive, Distribution sorts images and material based on thematic, subject and narrative cohesion. I also wanted there to be randomness and detours. Like a lot of people, I search for patterns in the world, not only to establish familiarity and relationships, but also to give structure to my frameworks and ideas about why things are the way they are (and, subsequently, how they came to be and how they might be).
During the book-printing process, when one makes adjustments to the image on the page, the printing machine needs to burn ink in order to gradually adjust the ink density and to reflect these changes. A lot of paper is required to do this, so the same sheets of paper are fed through the machines again and again in order to reduce waste. During this process, new image collages are generated by chance. These waste by-products—the overprints—are seductive, and many people save them, as did I. The pages that follow Catherine’s story consist mostly of scans of overprints. In the case of Distribution, this process results in a type of re-sorting of that initial pool of images, a way of mixing the images together again. Here, the re-sorted images are once again sorted and mixed with some new images l’ve been working with since I finished the book.
Mega thanks always to @peter_hughes @luke_gaffney for keeping a great publication going

True Journal #12
Redistribution
Featuring The Disease by Catherine Lacey, published for the first time.
@truephotojournal @catherinelacey_ @mack_publishing
Distribution explores the tension between environments that overwhelm with density, and patterns that slowly emerge through repetition, accumulation and framing. I made the project rather conventionally. The archive of images I used to sequence and edit the book developed from desired themes, processes and locations. My process for photographing was a combination of seeking specifically, finding organically and sometimes fabricating scenarios entirely.
Working from this growing archive, Distribution sorts images and material based on thematic, subject and narrative cohesion. I also wanted there to be randomness and detours. Like a lot of people, I search for patterns in the world, not only to establish familiarity and relationships, but also to give structure to my frameworks and ideas about why things are the way they are (and, subsequently, how they came to be and how they might be).
During the book-printing process, when one makes adjustments to the image on the page, the printing machine needs to burn ink in order to gradually adjust the ink density and to reflect these changes. A lot of paper is required to do this, so the same sheets of paper are fed through the machines again and again in order to reduce waste. During this process, new image collages are generated by chance. These waste by-products—the overprints—are seductive, and many people save them, as did I. The pages that follow Catherine’s story consist mostly of scans of overprints. In the case of Distribution, this process results in a type of re-sorting of that initial pool of images, a way of mixing the images together again. Here, the re-sorted images are once again sorted and mixed with some new images l’ve been working with since I finished the book.
Mega thanks always to @peter_hughes @luke_gaffney for keeping a great publication going

True Journal #12
Redistribution
Featuring The Disease by Catherine Lacey, published for the first time.
@truephotojournal @catherinelacey_ @mack_publishing
Distribution explores the tension between environments that overwhelm with density, and patterns that slowly emerge through repetition, accumulation and framing. I made the project rather conventionally. The archive of images I used to sequence and edit the book developed from desired themes, processes and locations. My process for photographing was a combination of seeking specifically, finding organically and sometimes fabricating scenarios entirely.
Working from this growing archive, Distribution sorts images and material based on thematic, subject and narrative cohesion. I also wanted there to be randomness and detours. Like a lot of people, I search for patterns in the world, not only to establish familiarity and relationships, but also to give structure to my frameworks and ideas about why things are the way they are (and, subsequently, how they came to be and how they might be).
During the book-printing process, when one makes adjustments to the image on the page, the printing machine needs to burn ink in order to gradually adjust the ink density and to reflect these changes. A lot of paper is required to do this, so the same sheets of paper are fed through the machines again and again in order to reduce waste. During this process, new image collages are generated by chance. These waste by-products—the overprints—are seductive, and many people save them, as did I. The pages that follow Catherine’s story consist mostly of scans of overprints. In the case of Distribution, this process results in a type of re-sorting of that initial pool of images, a way of mixing the images together again. Here, the re-sorted images are once again sorted and mixed with some new images l’ve been working with since I finished the book.
Mega thanks always to @peter_hughes @luke_gaffney for keeping a great publication going

True Journal #12
Redistribution
Featuring The Disease by Catherine Lacey, published for the first time.
@truephotojournal @catherinelacey_ @mack_publishing
Distribution explores the tension between environments that overwhelm with density, and patterns that slowly emerge through repetition, accumulation and framing. I made the project rather conventionally. The archive of images I used to sequence and edit the book developed from desired themes, processes and locations. My process for photographing was a combination of seeking specifically, finding organically and sometimes fabricating scenarios entirely.
Working from this growing archive, Distribution sorts images and material based on thematic, subject and narrative cohesion. I also wanted there to be randomness and detours. Like a lot of people, I search for patterns in the world, not only to establish familiarity and relationships, but also to give structure to my frameworks and ideas about why things are the way they are (and, subsequently, how they came to be and how they might be).
During the book-printing process, when one makes adjustments to the image on the page, the printing machine needs to burn ink in order to gradually adjust the ink density and to reflect these changes. A lot of paper is required to do this, so the same sheets of paper are fed through the machines again and again in order to reduce waste. During this process, new image collages are generated by chance. These waste by-products—the overprints—are seductive, and many people save them, as did I. The pages that follow Catherine’s story consist mostly of scans of overprints. In the case of Distribution, this process results in a type of re-sorting of that initial pool of images, a way of mixing the images together again. Here, the re-sorted images are once again sorted and mixed with some new images l’ve been working with since I finished the book.
Mega thanks always to @peter_hughes @luke_gaffney for keeping a great publication going

I’ve been fortunate to have some people I really respect review Distribution over the past few months. I’ve linked directly to the reviews in a highlight reel. I’m working on some writing to respond to these that I will share soon. Very grateful to the following people for taking the time to look closely.
Yukihito Kono @yukihitokono writing on @iack.studio
Olga Yatskevich writing on @collector_daily
Brad Feuerhelm @ordinarylight writing on @americansuburbx
I put links to reviews published on @brooklynrail @atmos and @anothermagazine as well.
Distribution is available through @mack_publishing and various art book sellers.

I’ve been fortunate to have some people I really respect review Distribution over the past few months. I’ve linked directly to the reviews in a highlight reel. I’m working on some writing to respond to these that I will share soon. Very grateful to the following people for taking the time to look closely.
Yukihito Kono @yukihitokono writing on @iack.studio
Olga Yatskevich writing on @collector_daily
Brad Feuerhelm @ordinarylight writing on @americansuburbx
I put links to reviews published on @brooklynrail @atmos and @anothermagazine as well.
Distribution is available through @mack_publishing and various art book sellers.

I’ve been fortunate to have some people I really respect review Distribution over the past few months. I’ve linked directly to the reviews in a highlight reel. I’m working on some writing to respond to these that I will share soon. Very grateful to the following people for taking the time to look closely.
Yukihito Kono @yukihitokono writing on @iack.studio
Olga Yatskevich writing on @collector_daily
Brad Feuerhelm @ordinarylight writing on @americansuburbx
I put links to reviews published on @brooklynrail @atmos and @anothermagazine as well.
Distribution is available through @mack_publishing and various art book sellers.

I’ve been fortunate to have some people I really respect review Distribution over the past few months. I’ve linked directly to the reviews in a highlight reel. I’m working on some writing to respond to these that I will share soon. Very grateful to the following people for taking the time to look closely.
Yukihito Kono @yukihitokono writing on @iack.studio
Olga Yatskevich writing on @collector_daily
Brad Feuerhelm @ordinarylight writing on @americansuburbx
I put links to reviews published on @brooklynrail @atmos and @anothermagazine as well.
Distribution is available through @mack_publishing and various art book sellers.

I’ve been fortunate to have some people I really respect review Distribution over the past few months. I’ve linked directly to the reviews in a highlight reel. I’m working on some writing to respond to these that I will share soon. Very grateful to the following people for taking the time to look closely.
Yukihito Kono @yukihitokono writing on @iack.studio
Olga Yatskevich writing on @collector_daily
Brad Feuerhelm @ordinarylight writing on @americansuburbx
I put links to reviews published on @brooklynrail @atmos and @anothermagazine as well.
Distribution is available through @mack_publishing and various art book sellers.

I’ve been fortunate to have some people I really respect review Distribution over the past few months. I’ve linked directly to the reviews in a highlight reel. I’m working on some writing to respond to these that I will share soon. Very grateful to the following people for taking the time to look closely.
Yukihito Kono @yukihitokono writing on @iack.studio
Olga Yatskevich writing on @collector_daily
Brad Feuerhelm @ordinarylight writing on @americansuburbx
I put links to reviews published on @brooklynrail @atmos and @anothermagazine as well.
Distribution is available through @mack_publishing and various art book sellers.

I’ve been fortunate to have some people I really respect review Distribution over the past few months. I’ve linked directly to the reviews in a highlight reel. I’m working on some writing to respond to these that I will share soon. Very grateful to the following people for taking the time to look closely.
Yukihito Kono @yukihitokono writing on @iack.studio
Olga Yatskevich writing on @collector_daily
Brad Feuerhelm @ordinarylight writing on @americansuburbx
I put links to reviews published on @brooklynrail @atmos and @anothermagazine as well.
Distribution is available through @mack_publishing and various art book sellers.

Nearly 10 years ago in Replica Man #3 with @brian__molloy
@replicamanmagazine @nicola.kast @adamszabohair @jonas_kloch @guari1x

Nearly 10 years ago in Replica Man #3 with @brian__molloy
@replicamanmagazine @nicola.kast @adamszabohair @jonas_kloch @guari1x

Nearly 10 years ago in Replica Man #3 with @brian__molloy
@replicamanmagazine @nicola.kast @adamszabohair @jonas_kloch @guari1x

Nearly 10 years ago in Replica Man #3 with @brian__molloy
@replicamanmagazine @nicola.kast @adamszabohair @jonas_kloch @guari1x

Nearly 10 years ago in Replica Man #3 with @brian__molloy
@replicamanmagazine @nicola.kast @adamszabohair @jonas_kloch @guari1x

Nearly 10 years ago in Replica Man #3 with @brian__molloy
@replicamanmagazine @nicola.kast @adamszabohair @jonas_kloch @guari1x

Nearly 10 years ago in Replica Man #3 with @brian__molloy
@replicamanmagazine @nicola.kast @adamszabohair @jonas_kloch @guari1x

Nearly 10 years ago in Replica Man #3 with @brian__molloy
@replicamanmagazine @nicola.kast @adamszabohair @jonas_kloch @guari1x

Nearly 10 years ago in Replica Man #3 with @brian__molloy
@replicamanmagazine @nicola.kast @adamszabohair @jonas_kloch @guari1x

Nearly 10 years ago in Replica Man #3 with @brian__molloy
@replicamanmagazine @nicola.kast @adamszabohair @jonas_kloch @guari1x

Doja Cat - scans from Present Space #4
with @dojacat @presentspacemag @duque.j @nimahabibzadeh @dojacat @jackharlow
styling @brettalannelson
hair @jstayready__
make up @yad1m
nails @sacciadidthat
sets @spencervroomanstudio
production @ctdinc
photo team @leemorganphoto
post @imgnstudio
photo studio @forgela

Doja Cat - scans from Present Space #4
with @dojacat @presentspacemag @duque.j @nimahabibzadeh @dojacat @jackharlow
styling @brettalannelson
hair @jstayready__
make up @yad1m
nails @sacciadidthat
sets @spencervroomanstudio
production @ctdinc
photo team @leemorganphoto
post @imgnstudio
photo studio @forgela

Doja Cat - scans from Present Space #4
with @dojacat @presentspacemag @duque.j @nimahabibzadeh @dojacat @jackharlow
styling @brettalannelson
hair @jstayready__
make up @yad1m
nails @sacciadidthat
sets @spencervroomanstudio
production @ctdinc
photo team @leemorganphoto
post @imgnstudio
photo studio @forgela

Doja Cat - scans from Present Space #4
with @dojacat @presentspacemag @duque.j @nimahabibzadeh @dojacat @jackharlow
styling @brettalannelson
hair @jstayready__
make up @yad1m
nails @sacciadidthat
sets @spencervroomanstudio
production @ctdinc
photo team @leemorganphoto
post @imgnstudio
photo studio @forgela

Doja Cat - scans from Present Space #4
with @dojacat @presentspacemag @duque.j @nimahabibzadeh @dojacat @jackharlow
styling @brettalannelson
hair @jstayready__
make up @yad1m
nails @sacciadidthat
sets @spencervroomanstudio
production @ctdinc
photo team @leemorganphoto
post @imgnstudio
photo studio @forgela

Doja Cat - scans from Present Space #4
with @dojacat @presentspacemag @duque.j @nimahabibzadeh @dojacat @jackharlow
styling @brettalannelson
hair @jstayready__
make up @yad1m
nails @sacciadidthat
sets @spencervroomanstudio
production @ctdinc
photo team @leemorganphoto
post @imgnstudio
photo studio @forgela

I have a print of this photograph available through the @cpca.studio fundraiser now through May 11th for $150. Organized by the great @carmen.winant
www.columbusprintedarts.org/printfundraiser2026
Prints that follow:
Sharon Hayes
@gregoryhalpern
@susanmeiselas
@erinjanenelson
@jamescwelling
@matthewconnors_
@melissa_catanese
@leemarymanning
@robertsonmariah
@christian.patterson
@carmen.winant
@lahubbs
@flatfix.biz

I have a print of this photograph available through the @cpca.studio fundraiser now through May 11th for $150. Organized by the great @carmen.winant
www.columbusprintedarts.org/printfundraiser2026
Prints that follow:
Sharon Hayes
@gregoryhalpern
@susanmeiselas
@erinjanenelson
@jamescwelling
@matthewconnors_
@melissa_catanese
@leemarymanning
@robertsonmariah
@christian.patterson
@carmen.winant
@lahubbs
@flatfix.biz

I have a print of this photograph available through the @cpca.studio fundraiser now through May 11th for $150. Organized by the great @carmen.winant
www.columbusprintedarts.org/printfundraiser2026
Prints that follow:
Sharon Hayes
@gregoryhalpern
@susanmeiselas
@erinjanenelson
@jamescwelling
@matthewconnors_
@melissa_catanese
@leemarymanning
@robertsonmariah
@christian.patterson
@carmen.winant
@lahubbs
@flatfix.biz

I have a print of this photograph available through the @cpca.studio fundraiser now through May 11th for $150. Organized by the great @carmen.winant
www.columbusprintedarts.org/printfundraiser2026
Prints that follow:
Sharon Hayes
@gregoryhalpern
@susanmeiselas
@erinjanenelson
@jamescwelling
@matthewconnors_
@melissa_catanese
@leemarymanning
@robertsonmariah
@christian.patterson
@carmen.winant
@lahubbs
@flatfix.biz

I have a print of this photograph available through the @cpca.studio fundraiser now through May 11th for $150. Organized by the great @carmen.winant
www.columbusprintedarts.org/printfundraiser2026
Prints that follow:
Sharon Hayes
@gregoryhalpern
@susanmeiselas
@erinjanenelson
@jamescwelling
@matthewconnors_
@melissa_catanese
@leemarymanning
@robertsonmariah
@christian.patterson
@carmen.winant
@lahubbs
@flatfix.biz

I have a print of this photograph available through the @cpca.studio fundraiser now through May 11th for $150. Organized by the great @carmen.winant
www.columbusprintedarts.org/printfundraiser2026
Prints that follow:
Sharon Hayes
@gregoryhalpern
@susanmeiselas
@erinjanenelson
@jamescwelling
@matthewconnors_
@melissa_catanese
@leemarymanning
@robertsonmariah
@christian.patterson
@carmen.winant
@lahubbs
@flatfix.biz

I have a print of this photograph available through the @cpca.studio fundraiser now through May 11th for $150. Organized by the great @carmen.winant
www.columbusprintedarts.org/printfundraiser2026
Prints that follow:
Sharon Hayes
@gregoryhalpern
@susanmeiselas
@erinjanenelson
@jamescwelling
@matthewconnors_
@melissa_catanese
@leemarymanning
@robertsonmariah
@christian.patterson
@carmen.winant
@lahubbs
@flatfix.biz

I have a print of this photograph available through the @cpca.studio fundraiser now through May 11th for $150. Organized by the great @carmen.winant
www.columbusprintedarts.org/printfundraiser2026
Prints that follow:
Sharon Hayes
@gregoryhalpern
@susanmeiselas
@erinjanenelson
@jamescwelling
@matthewconnors_
@melissa_catanese
@leemarymanning
@robertsonmariah
@christian.patterson
@carmen.winant
@lahubbs
@flatfix.biz

I have a print of this photograph available through the @cpca.studio fundraiser now through May 11th for $150. Organized by the great @carmen.winant
www.columbusprintedarts.org/printfundraiser2026
Prints that follow:
Sharon Hayes
@gregoryhalpern
@susanmeiselas
@erinjanenelson
@jamescwelling
@matthewconnors_
@melissa_catanese
@leemarymanning
@robertsonmariah
@christian.patterson
@carmen.winant
@lahubbs
@flatfix.biz

I have a print of this photograph available through the @cpca.studio fundraiser now through May 11th for $150. Organized by the great @carmen.winant
www.columbusprintedarts.org/printfundraiser2026
Prints that follow:
Sharon Hayes
@gregoryhalpern
@susanmeiselas
@erinjanenelson
@jamescwelling
@matthewconnors_
@melissa_catanese
@leemarymanning
@robertsonmariah
@christian.patterson
@carmen.winant
@lahubbs
@flatfix.biz

I have a print of this photograph available through the @cpca.studio fundraiser now through May 11th for $150. Organized by the great @carmen.winant
www.columbusprintedarts.org/printfundraiser2026
Prints that follow:
Sharon Hayes
@gregoryhalpern
@susanmeiselas
@erinjanenelson
@jamescwelling
@matthewconnors_
@melissa_catanese
@leemarymanning
@robertsonmariah
@christian.patterson
@carmen.winant
@lahubbs
@flatfix.biz

I have a print of this photograph available through the @cpca.studio fundraiser now through May 11th for $150. Organized by the great @carmen.winant
www.columbusprintedarts.org/printfundraiser2026
Prints that follow:
Sharon Hayes
@gregoryhalpern
@susanmeiselas
@erinjanenelson
@jamescwelling
@matthewconnors_
@melissa_catanese
@leemarymanning
@robertsonmariah
@christian.patterson
@carmen.winant
@lahubbs
@flatfix.biz

I have a print of this photograph available through the @cpca.studio fundraiser now through May 11th for $150. Organized by the great @carmen.winant
www.columbusprintedarts.org/printfundraiser2026
Prints that follow:
Sharon Hayes
@gregoryhalpern
@susanmeiselas
@erinjanenelson
@jamescwelling
@matthewconnors_
@melissa_catanese
@leemarymanning
@robertsonmariah
@christian.patterson
@carmen.winant
@lahubbs
@flatfix.biz

I have a print of this photograph available through the @cpca.studio fundraiser now through May 11th for $150. Organized by the great @carmen.winant
www.columbusprintedarts.org/printfundraiser2026
Prints that follow:
Sharon Hayes
@gregoryhalpern
@susanmeiselas
@erinjanenelson
@jamescwelling
@matthewconnors_
@melissa_catanese
@leemarymanning
@robertsonmariah
@christian.patterson
@carmen.winant
@lahubbs
@flatfix.biz

album art for my talented friend @chelseahodson_
Philosophy is out now, it’s really good
Album layouts by @markmccoyart

album art for my talented friend @chelseahodson_
Philosophy is out now, it’s really good
Album layouts by @markmccoyart

album art for my talented friend @chelseahodson_
Philosophy is out now, it’s really good
Album layouts by @markmccoyart

album art for my talented friend @chelseahodson_
Philosophy is out now, it’s really good
Album layouts by @markmccoyart

Very excited to be in Tokyo this weekend do a talk and book launch at @skwat.site with @yukihitokono 🌹
Talk will be in English and Japanese
Details below:
Tickets:https://daniel-shea-distribution-talk-20260418.peatix.com
We are pleased to host a talk by New York–based artist Daniel Shea at SKAC (SKWAT KAMEARI ART CENTRE), Tokyo.
This event is presented in conjunction with the publication of his new book DISTRIBUTION, released in 2025 by MACK. Beginning with the motif of a forest, the work unfolds through the figure of an American woman and expands into larger collectives and urban environments, articulated through the sequence of the photobook.
The conversation will be held with photographer Yukihito Kono, who also runs the space IACK, tracing the structure and development of the work.
A book signing for DISTRIBUTION will follow the talk.
-—
date: Sat 18 April 2026
time: talk 2-4pm / booksigning 4-5pm
venue: SKAC(SKWAT KAMEARI ART CENTRE)
3-26-4 Nishikameari Katsushika-ku Tokyo 125-0002 JAPAN [MAP]
Admission: Free / Reservation required for the talk
Japanese–English interpretation available
Speaker: Daniel Shea (Artist), Yukihito Kono (Founder of IACK, Photographer)
Organise: @twelvebooksdistribution
Support: @mack_publishing @skwat.site

Very excited to be in Tokyo this weekend do a talk and book launch at @skwat.site with @yukihitokono 🌹
Talk will be in English and Japanese
Details below:
Tickets:https://daniel-shea-distribution-talk-20260418.peatix.com
We are pleased to host a talk by New York–based artist Daniel Shea at SKAC (SKWAT KAMEARI ART CENTRE), Tokyo.
This event is presented in conjunction with the publication of his new book DISTRIBUTION, released in 2025 by MACK. Beginning with the motif of a forest, the work unfolds through the figure of an American woman and expands into larger collectives and urban environments, articulated through the sequence of the photobook.
The conversation will be held with photographer Yukihito Kono, who also runs the space IACK, tracing the structure and development of the work.
A book signing for DISTRIBUTION will follow the talk.
-—
date: Sat 18 April 2026
time: talk 2-4pm / booksigning 4-5pm
venue: SKAC(SKWAT KAMEARI ART CENTRE)
3-26-4 Nishikameari Katsushika-ku Tokyo 125-0002 JAPAN [MAP]
Admission: Free / Reservation required for the talk
Japanese–English interpretation available
Speaker: Daniel Shea (Artist), Yukihito Kono (Founder of IACK, Photographer)
Organise: @twelvebooksdistribution
Support: @mack_publishing @skwat.site

Very excited to be in Tokyo this weekend do a talk and book launch at @skwat.site with @yukihitokono 🌹
Talk will be in English and Japanese
Details below:
Tickets:https://daniel-shea-distribution-talk-20260418.peatix.com
We are pleased to host a talk by New York–based artist Daniel Shea at SKAC (SKWAT KAMEARI ART CENTRE), Tokyo.
This event is presented in conjunction with the publication of his new book DISTRIBUTION, released in 2025 by MACK. Beginning with the motif of a forest, the work unfolds through the figure of an American woman and expands into larger collectives and urban environments, articulated through the sequence of the photobook.
The conversation will be held with photographer Yukihito Kono, who also runs the space IACK, tracing the structure and development of the work.
A book signing for DISTRIBUTION will follow the talk.
-—
date: Sat 18 April 2026
time: talk 2-4pm / booksigning 4-5pm
venue: SKAC(SKWAT KAMEARI ART CENTRE)
3-26-4 Nishikameari Katsushika-ku Tokyo 125-0002 JAPAN [MAP]
Admission: Free / Reservation required for the talk
Japanese–English interpretation available
Speaker: Daniel Shea (Artist), Yukihito Kono (Founder of IACK, Photographer)
Organise: @twelvebooksdistribution
Support: @mack_publishing @skwat.site

Very excited to be in Tokyo this weekend do a talk and book launch at @skwat.site with @yukihitokono 🌹
Talk will be in English and Japanese
Details below:
Tickets:https://daniel-shea-distribution-talk-20260418.peatix.com
We are pleased to host a talk by New York–based artist Daniel Shea at SKAC (SKWAT KAMEARI ART CENTRE), Tokyo.
This event is presented in conjunction with the publication of his new book DISTRIBUTION, released in 2025 by MACK. Beginning with the motif of a forest, the work unfolds through the figure of an American woman and expands into larger collectives and urban environments, articulated through the sequence of the photobook.
The conversation will be held with photographer Yukihito Kono, who also runs the space IACK, tracing the structure and development of the work.
A book signing for DISTRIBUTION will follow the talk.
-—
date: Sat 18 April 2026
time: talk 2-4pm / booksigning 4-5pm
venue: SKAC(SKWAT KAMEARI ART CENTRE)
3-26-4 Nishikameari Katsushika-ku Tokyo 125-0002 JAPAN [MAP]
Admission: Free / Reservation required for the talk
Japanese–English interpretation available
Speaker: Daniel Shea (Artist), Yukihito Kono (Founder of IACK, Photographer)
Organise: @twelvebooksdistribution
Support: @mack_publishing @skwat.site

Very excited to be in Tokyo this weekend do a talk and book launch at @skwat.site with @yukihitokono 🌹
Talk will be in English and Japanese
Details below:
Tickets:https://daniel-shea-distribution-talk-20260418.peatix.com
We are pleased to host a talk by New York–based artist Daniel Shea at SKAC (SKWAT KAMEARI ART CENTRE), Tokyo.
This event is presented in conjunction with the publication of his new book DISTRIBUTION, released in 2025 by MACK. Beginning with the motif of a forest, the work unfolds through the figure of an American woman and expands into larger collectives and urban environments, articulated through the sequence of the photobook.
The conversation will be held with photographer Yukihito Kono, who also runs the space IACK, tracing the structure and development of the work.
A book signing for DISTRIBUTION will follow the talk.
-—
date: Sat 18 April 2026
time: talk 2-4pm / booksigning 4-5pm
venue: SKAC(SKWAT KAMEARI ART CENTRE)
3-26-4 Nishikameari Katsushika-ku Tokyo 125-0002 JAPAN [MAP]
Admission: Free / Reservation required for the talk
Japanese–English interpretation available
Speaker: Daniel Shea (Artist), Yukihito Kono (Founder of IACK, Photographer)
Organise: @twelvebooksdistribution
Support: @mack_publishing @skwat.site

Very excited to be in Tokyo this weekend do a talk and book launch at @skwat.site with @yukihitokono 🌹
Talk will be in English and Japanese
Details below:
Tickets:https://daniel-shea-distribution-talk-20260418.peatix.com
We are pleased to host a talk by New York–based artist Daniel Shea at SKAC (SKWAT KAMEARI ART CENTRE), Tokyo.
This event is presented in conjunction with the publication of his new book DISTRIBUTION, released in 2025 by MACK. Beginning with the motif of a forest, the work unfolds through the figure of an American woman and expands into larger collectives and urban environments, articulated through the sequence of the photobook.
The conversation will be held with photographer Yukihito Kono, who also runs the space IACK, tracing the structure and development of the work.
A book signing for DISTRIBUTION will follow the talk.
-—
date: Sat 18 April 2026
time: talk 2-4pm / booksigning 4-5pm
venue: SKAC(SKWAT KAMEARI ART CENTRE)
3-26-4 Nishikameari Katsushika-ku Tokyo 125-0002 JAPAN [MAP]
Admission: Free / Reservation required for the talk
Japanese–English interpretation available
Speaker: Daniel Shea (Artist), Yukihito Kono (Founder of IACK, Photographer)
Organise: @twelvebooksdistribution
Support: @mack_publishing @skwat.site

Very excited to be in Tokyo this weekend do a talk and book launch at @skwat.site with @yukihitokono 🌹
Talk will be in English and Japanese
Details below:
Tickets:https://daniel-shea-distribution-talk-20260418.peatix.com
We are pleased to host a talk by New York–based artist Daniel Shea at SKAC (SKWAT KAMEARI ART CENTRE), Tokyo.
This event is presented in conjunction with the publication of his new book DISTRIBUTION, released in 2025 by MACK. Beginning with the motif of a forest, the work unfolds through the figure of an American woman and expands into larger collectives and urban environments, articulated through the sequence of the photobook.
The conversation will be held with photographer Yukihito Kono, who also runs the space IACK, tracing the structure and development of the work.
A book signing for DISTRIBUTION will follow the talk.
-—
date: Sat 18 April 2026
time: talk 2-4pm / booksigning 4-5pm
venue: SKAC(SKWAT KAMEARI ART CENTRE)
3-26-4 Nishikameari Katsushika-ku Tokyo 125-0002 JAPAN [MAP]
Admission: Free / Reservation required for the talk
Japanese–English interpretation available
Speaker: Daniel Shea (Artist), Yukihito Kono (Founder of IACK, Photographer)
Organise: @twelvebooksdistribution
Support: @mack_publishing @skwat.site

Very excited to be in Tokyo this weekend do a talk and book launch at @skwat.site with @yukihitokono 🌹
Talk will be in English and Japanese
Details below:
Tickets:https://daniel-shea-distribution-talk-20260418.peatix.com
We are pleased to host a talk by New York–based artist Daniel Shea at SKAC (SKWAT KAMEARI ART CENTRE), Tokyo.
This event is presented in conjunction with the publication of his new book DISTRIBUTION, released in 2025 by MACK. Beginning with the motif of a forest, the work unfolds through the figure of an American woman and expands into larger collectives and urban environments, articulated through the sequence of the photobook.
The conversation will be held with photographer Yukihito Kono, who also runs the space IACK, tracing the structure and development of the work.
A book signing for DISTRIBUTION will follow the talk.
-—
date: Sat 18 April 2026
time: talk 2-4pm / booksigning 4-5pm
venue: SKAC(SKWAT KAMEARI ART CENTRE)
3-26-4 Nishikameari Katsushika-ku Tokyo 125-0002 JAPAN [MAP]
Admission: Free / Reservation required for the talk
Japanese–English interpretation available
Speaker: Daniel Shea (Artist), Yukihito Kono (Founder of IACK, Photographer)
Organise: @twelvebooksdistribution
Support: @mack_publishing @skwat.site

@Adidas Evo SL SS26
Talent @kamcasey @tillygw @onetwofreeman @inmazanoguera @tamaraputriv @jaemin_jamess
Agency @the_midnight_club
Agency & Creative team @nonono.design @osheajoe @_rimashah
Production @newmoonproductions @simonpaulwhittard
Stylist @karlmond
Movement Director @joegreyadams
Hair and Make Up @itziarnzang
Lighting & DT @freddie.hare @dusan_le_bam @dani_wallwork @popdigitalbarcelona
Retouch @simon.priestley @imagine.ldn @gemmadeen
Thank you @ldvcschlr @steelebonus @bethenmorson @minititleltd

@Adidas Evo SL SS26
Talent @kamcasey @tillygw @onetwofreeman @inmazanoguera @tamaraputriv @jaemin_jamess
Agency @the_midnight_club
Agency & Creative team @nonono.design @osheajoe @_rimashah
Production @newmoonproductions @simonpaulwhittard
Stylist @karlmond
Movement Director @joegreyadams
Hair and Make Up @itziarnzang
Lighting & DT @freddie.hare @dusan_le_bam @dani_wallwork @popdigitalbarcelona
Retouch @simon.priestley @imagine.ldn @gemmadeen
Thank you @ldvcschlr @steelebonus @bethenmorson @minititleltd

@Adidas Evo SL SS26
Talent @kamcasey @tillygw @onetwofreeman @inmazanoguera @tamaraputriv @jaemin_jamess
Agency @the_midnight_club
Agency & Creative team @nonono.design @osheajoe @_rimashah
Production @newmoonproductions @simonpaulwhittard
Stylist @karlmond
Movement Director @joegreyadams
Hair and Make Up @itziarnzang
Lighting & DT @freddie.hare @dusan_le_bam @dani_wallwork @popdigitalbarcelona
Retouch @simon.priestley @imagine.ldn @gemmadeen
Thank you @ldvcschlr @steelebonus @bethenmorson @minititleltd

@Adidas Evo SL SS26
Talent @kamcasey @tillygw @onetwofreeman @inmazanoguera @tamaraputriv @jaemin_jamess
Agency @the_midnight_club
Agency & Creative team @nonono.design @osheajoe @_rimashah
Production @newmoonproductions @simonpaulwhittard
Stylist @karlmond
Movement Director @joegreyadams
Hair and Make Up @itziarnzang
Lighting & DT @freddie.hare @dusan_le_bam @dani_wallwork @popdigitalbarcelona
Retouch @simon.priestley @imagine.ldn @gemmadeen
Thank you @ldvcschlr @steelebonus @bethenmorson @minititleltd

@Adidas Evo SL SS26
Talent @kamcasey @tillygw @onetwofreeman @inmazanoguera @tamaraputriv @jaemin_jamess
Agency @the_midnight_club
Agency & Creative team @nonono.design @osheajoe @_rimashah
Production @newmoonproductions @simonpaulwhittard
Stylist @karlmond
Movement Director @joegreyadams
Hair and Make Up @itziarnzang
Lighting & DT @freddie.hare @dusan_le_bam @dani_wallwork @popdigitalbarcelona
Retouch @simon.priestley @imagine.ldn @gemmadeen
Thank you @ldvcschlr @steelebonus @bethenmorson @minititleltd

@Adidas Evo SL SS26
Talent @kamcasey @tillygw @onetwofreeman @inmazanoguera @tamaraputriv @jaemin_jamess
Agency @the_midnight_club
Agency & Creative team @nonono.design @osheajoe @_rimashah
Production @newmoonproductions @simonpaulwhittard
Stylist @karlmond
Movement Director @joegreyadams
Hair and Make Up @itziarnzang
Lighting & DT @freddie.hare @dusan_le_bam @dani_wallwork @popdigitalbarcelona
Retouch @simon.priestley @imagine.ldn @gemmadeen
Thank you @ldvcschlr @steelebonus @bethenmorson @minititleltd

@Adidas Evo SL SS26
Talent @kamcasey @tillygw @onetwofreeman @inmazanoguera @tamaraputriv @jaemin_jamess
Agency @the_midnight_club
Agency & Creative team @nonono.design @osheajoe @_rimashah
Production @newmoonproductions @simonpaulwhittard
Stylist @karlmond
Movement Director @joegreyadams
Hair and Make Up @itziarnzang
Lighting & DT @freddie.hare @dusan_le_bam @dani_wallwork @popdigitalbarcelona
Retouch @simon.priestley @imagine.ldn @gemmadeen
Thank you @ldvcschlr @steelebonus @bethenmorson @minititleltd

@Adidas Evo SL SS26
Talent @kamcasey @tillygw @onetwofreeman @inmazanoguera @tamaraputriv @jaemin_jamess
Agency @the_midnight_club
Agency & Creative team @nonono.design @osheajoe @_rimashah
Production @newmoonproductions @simonpaulwhittard
Stylist @karlmond
Movement Director @joegreyadams
Hair and Make Up @itziarnzang
Lighting & DT @freddie.hare @dusan_le_bam @dani_wallwork @popdigitalbarcelona
Retouch @simon.priestley @imagine.ldn @gemmadeen
Thank you @ldvcschlr @steelebonus @bethenmorson @minititleltd

@Adidas Evo SL SS26
Talent @kamcasey @tillygw @onetwofreeman @inmazanoguera @tamaraputriv @jaemin_jamess
Agency @the_midnight_club
Agency & Creative team @nonono.design @osheajoe @_rimashah
Production @newmoonproductions @simonpaulwhittard
Stylist @karlmond
Movement Director @joegreyadams
Hair and Make Up @itziarnzang
Lighting & DT @freddie.hare @dusan_le_bam @dani_wallwork @popdigitalbarcelona
Retouch @simon.priestley @imagine.ldn @gemmadeen
Thank you @ldvcschlr @steelebonus @bethenmorson @minititleltd

@Adidas Evo SL SS26
Talent @kamcasey @tillygw @onetwofreeman @inmazanoguera @tamaraputriv @jaemin_jamess
Agency @the_midnight_club
Agency & Creative team @nonono.design @osheajoe @_rimashah
Production @newmoonproductions @simonpaulwhittard
Stylist @karlmond
Movement Director @joegreyadams
Hair and Make Up @itziarnzang
Lighting & DT @freddie.hare @dusan_le_bam @dani_wallwork @popdigitalbarcelona
Retouch @simon.priestley @imagine.ldn @gemmadeen
Thank you @ldvcschlr @steelebonus @bethenmorson @minititleltd

@Adidas Evo SL SS26
Talent @kamcasey @tillygw @onetwofreeman @inmazanoguera @tamaraputriv @jaemin_jamess
Agency @the_midnight_club
Agency & Creative team @nonono.design @osheajoe @_rimashah
Production @newmoonproductions @simonpaulwhittard
Stylist @karlmond
Movement Director @joegreyadams
Hair and Make Up @itziarnzang
Lighting & DT @freddie.hare @dusan_le_bam @dani_wallwork @popdigitalbarcelona
Retouch @simon.priestley @imagine.ldn @gemmadeen
Thank you @ldvcschlr @steelebonus @bethenmorson @minititleltd

@Adidas Evo SL SS26
Talent @kamcasey @tillygw @onetwofreeman @inmazanoguera @tamaraputriv @jaemin_jamess
Agency @the_midnight_club
Agency & Creative team @nonono.design @osheajoe @_rimashah
Production @newmoonproductions @simonpaulwhittard
Stylist @karlmond
Movement Director @joegreyadams
Hair and Make Up @itziarnzang
Lighting & DT @freddie.hare @dusan_le_bam @dani_wallwork @popdigitalbarcelona
Retouch @simon.priestley @imagine.ldn @gemmadeen
Thank you @ldvcschlr @steelebonus @bethenmorson @minititleltd

@Adidas Evo SL SS26
Talent @kamcasey @tillygw @onetwofreeman @inmazanoguera @tamaraputriv @jaemin_jamess
Agency @the_midnight_club
Agency & Creative team @nonono.design @osheajoe @_rimashah
Production @newmoonproductions @simonpaulwhittard
Stylist @karlmond
Movement Director @joegreyadams
Hair and Make Up @itziarnzang
Lighting & DT @freddie.hare @dusan_le_bam @dani_wallwork @popdigitalbarcelona
Retouch @simon.priestley @imagine.ldn @gemmadeen
Thank you @ldvcschlr @steelebonus @bethenmorson @minititleltd

@Adidas Evo SL SS26
Talent @kamcasey @tillygw @onetwofreeman @inmazanoguera @tamaraputriv @jaemin_jamess
Agency @the_midnight_club
Agency & Creative team @nonono.design @osheajoe @_rimashah
Production @newmoonproductions @simonpaulwhittard
Stylist @karlmond
Movement Director @joegreyadams
Hair and Make Up @itziarnzang
Lighting & DT @freddie.hare @dusan_le_bam @dani_wallwork @popdigitalbarcelona
Retouch @simon.priestley @imagine.ldn @gemmadeen
Thank you @ldvcschlr @steelebonus @bethenmorson @minititleltd

@Adidas Evo SL SS26
Talent @kamcasey @tillygw @onetwofreeman @inmazanoguera @tamaraputriv @jaemin_jamess
Agency @the_midnight_club
Agency & Creative team @nonono.design @osheajoe @_rimashah
Production @newmoonproductions @simonpaulwhittard
Stylist @karlmond
Movement Director @joegreyadams
Hair and Make Up @itziarnzang
Lighting & DT @freddie.hare @dusan_le_bam @dani_wallwork @popdigitalbarcelona
Retouch @simon.priestley @imagine.ldn @gemmadeen
Thank you @ldvcschlr @steelebonus @bethenmorson @minititleltd

Joe and Finn in U la Repubblica
@u_repubblica with @efarneti @benkelwaystudio @giovannidariolaudicina
models @joe_bo_11omer @finnsoutter
styling @ganio
style assistant @laura_gimenez_jimenez
hair @michalbielecki_
photo @marlee_m_p @jeannelelouarn
casting @dmcasting
production @apstudioinc

Joe and Finn in U la Repubblica
@u_repubblica with @efarneti @benkelwaystudio @giovannidariolaudicina
models @joe_bo_11omer @finnsoutter
styling @ganio
style assistant @laura_gimenez_jimenez
hair @michalbielecki_
photo @marlee_m_p @jeannelelouarn
casting @dmcasting
production @apstudioinc

Joe and Finn in U la Repubblica
@u_repubblica with @efarneti @benkelwaystudio @giovannidariolaudicina
models @joe_bo_11omer @finnsoutter
styling @ganio
style assistant @laura_gimenez_jimenez
hair @michalbielecki_
photo @marlee_m_p @jeannelelouarn
casting @dmcasting
production @apstudioinc

Joe and Finn in U la Repubblica
@u_repubblica with @efarneti @benkelwaystudio @giovannidariolaudicina
models @joe_bo_11omer @finnsoutter
styling @ganio
style assistant @laura_gimenez_jimenez
hair @michalbielecki_
photo @marlee_m_p @jeannelelouarn
casting @dmcasting
production @apstudioinc

Joe and Finn in U la Repubblica
@u_repubblica with @efarneti @benkelwaystudio @giovannidariolaudicina
models @joe_bo_11omer @finnsoutter
styling @ganio
style assistant @laura_gimenez_jimenez
hair @michalbielecki_
photo @marlee_m_p @jeannelelouarn
casting @dmcasting
production @apstudioinc
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
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