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mattyower
Matty
NYC | LA
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
BIG THINGS COMING!!! We’re officially 1 of 5 finalists in the @musicbed spec ad competition.
We poured our hearts & socks into this one — and now we’re in it to win it. Final decision from the judges drops April 18th.
Thanks to the stellar cast and crew @sonyeeahh @clear_soup @harrison_stag @camera_villain_ @me_muhammad_burhan
@lukeafuller @sofiasbk535 @nycinerentals and many more
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
@luvlou._ X @jordyzsimpson
Shot on location earlier this year in Australia.
@pierretoussaint
@jordyzsimpson
@luvlou._ X @jordyzsimpson
Shot on location earlier this year in Australia.
@pierretoussaint
@jordyzsimpson
@luvlou._ X @jordyzsimpson
Shot on location earlier this year in Australia.
@pierretoussaint
@jordyzsimpson
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Instagram Stories geheim ansehen
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Vorteile von Anonstories
IG Stories privat entdecken
Behalten Sie Instagram-Updates diskret im Blick, schützen Sie Ihre Privatsphäre und bleiben Sie anonym.
Privater Instagram Viewer
Sehen Sie Profile und Fotos anonym an, ganz einfach mit dem Private Profile Viewer.
Kostenloser Story Viewer
Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Häufig gestellte Fragen
Anonymität
Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Gerätekompatibilität
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
Sicherheit und Datenschutz
Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Keine Registrierung
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Unterstützte Formate
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Kosten
Der Dienst ist kostenlos nutzbar.
Private Accounts
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateiverwendung
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Wie es funktioniert
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.