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mess_ltd
Melbourne Electronic Sound Studio
A Decade of MESS: Past, Present, Future
🎛 🎹 🎚 🎛 🎹 🎚
Hundreds of rare and iconic synthesisers at your fingertips. Learn. Play. Record.
Until May 31, every dollar you give to MESS is DOUBLED!!!
Creative Australia will match donations dollar for dollar, up to $50k, and every cent will go directly to making MESS accessible to the people who need it most. Workshops, subsidised course places, increased pathways into the creative process. Because everyone should have access to creativity.
This is a rare opportunity to DOUBLE your impact.
Donate now at mess.foundation/messforall
Before May 31!!
#MESSForALL #Plus1 #DonateNOW
Time is an incredible thing.
Past, present and future are not disconnected ideas. Like feedback in an audio circuit, each informs the other in dynamic ways.
MESS exists at that fulcrum. We house the stories of Australian electronic music innovation and experimentation — stories that explain, in part, the extraordinary richness of the form in this country today. We look back to enrich the present, so the future of creativity belongs to everyone.
On April Fools’ Day 2026, that feedback circuit turns ten.
~
A Decade of MESS: Past, Present, Future
Stay tuned on our socials and subscribe to our mailing list as we roll out our 10-year celebrations across 2026–2027. Link in bio.
Artwork by @lloydmst
In celebration of A Decade of MESS: Past, Present, Future, we’re launching a new series of workshops! 🎛️
Synth 101 is designed for complete beginners, taught in a supportive group learning environment in the MESS education space. Working in pairs, you’ll learn how to create and shape sound using core building blocks such as oscillators, filters and envelopes.
Coming up:
🔊 Tuesday, May 12
🔊 Saturday, May 30
Demystify synthesis, learn the fundamentals alongside peers and connect with MESS’s extended community of electronic music makers.
Tickets via the link in bio.
Artwork by @yeevz_
What a treat it was to show the inimitable @profbriancox around the new @mess_ltd @fed.square So lovely to meet someone so passionate about the universe and synthesizers as an amazing sub set of that universe!!! Please come back soon!
MESS has always believed that creativity is for everyone. Not just those who can afford it.
We’re working hard to expand our educational programs and reach people who face real barriers to the creative process, whether that’s financial, social, geographic, or beyond.
Until May 31st, all donations are matched dollar for dollar up to $50k by Creative Australia. Every dollar you give goes directly to this work to expand access to the creative process for more people than ever before.
Donate now at mess.foundation/messforall and DOUBLE YOUR IMPACT
#MESSFORALL #Plus1
Thanks to MESS Co-Founders @byronscullin and @foxalot for joining us on @3rrrfm yesterday to reflect on a decade of Melbourne Electronic Sound Studio @mess_ltd 👾
Home to one of the world’s most comprehensive synthesiser collections, MESS is a space that encourages play and exploration. Be sure to drop by their new digs in the heart of the city at @fed.square and don’t forget until May 31, every dollar given to MESS will be doubled and go towards broadening access to music and creative education.
Listen back to our chat via the link in bio.
Happy May the Fourth, friends! 💫 This Star Wars Day, @MESS_ltd co-founder Byron Scullin is here to show you around the ARP 2600 – the synthesiser that sound designer Ben Burtt used to create the voice of R2D2.
🌟 bonus fun fact, Ben Burtt also created the voice of Wall-E 🤖
If you’re interested in checking out more of MESS’s (Melbourne Electronic Sound Studio) collection of rare and vintage electronic instruments, they run tours and workshops – and you can also join as a MESS member to have ongoing access to their amazing collection 🙌🏼
🎥 image of Ben Burtt credit: Lucasfilm. Footage credits: Star Wars, Wall-E and Ben Burtt interview credit: Roadtrip Nation
ROS BANDT: PROGRAMME NOTE | SONOROUS XIII
Ahead of Sonorous XIII tonight, learn from the internationally acclaimed sound artist pioneering new forms of sonic art, Ros Bandt (@rosbandt).
Tonight spans fifty years of practice, in which Ros explores the elasticity of time in her reconstruction of a patch she first developed for the VCS3 Putney in 1972, an indeterminate graphic score for flute and synthesizer drawn from the I Ching.
Outside of that, you can expect anything from a duet of sea urchins devouring kelp in Greece to Aeolian harps recorded in Moonbi, New South Wales.
"Consider your whole body as a haptic visceral listening chamber."
Read the full programme note at the link in bio.
SONOROUS XIII | 7pm, Thu 30 April [SOLD OUT]
Ros Bandt and Vijay Thillaimuthu
@melbrecital
ROS BANDT: PROGRAMME NOTE | SONOROUS XIII
Ahead of Sonorous XIII tonight, learn from the internationally acclaimed sound artist pioneering new forms of sonic art, Ros Bandt (@rosbandt).
Tonight spans fifty years of practice, in which Ros explores the elasticity of time in her reconstruction of a patch she first developed for the VCS3 Putney in 1972, an indeterminate graphic score for flute and synthesizer drawn from the I Ching.
Outside of that, you can expect anything from a duet of sea urchins devouring kelp in Greece to Aeolian harps recorded in Moonbi, New South Wales.
"Consider your whole body as a haptic visceral listening chamber."
Read the full programme note at the link in bio.
SONOROUS XIII | 7pm, Thu 30 April [SOLD OUT]
Ros Bandt and Vijay Thillaimuthu
@melbrecital
ROS BANDT: PROGRAMME NOTE | SONOROUS XIII
Ahead of Sonorous XIII tonight, learn from the internationally acclaimed sound artist pioneering new forms of sonic art, Ros Bandt (@rosbandt).
Tonight spans fifty years of practice, in which Ros explores the elasticity of time in her reconstruction of a patch she first developed for the VCS3 Putney in 1972, an indeterminate graphic score for flute and synthesizer drawn from the I Ching.
Outside of that, you can expect anything from a duet of sea urchins devouring kelp in Greece to Aeolian harps recorded in Moonbi, New South Wales.
"Consider your whole body as a haptic visceral listening chamber."
Read the full programme note at the link in bio.
SONOROUS XIII | 7pm, Thu 30 April [SOLD OUT]
Ros Bandt and Vijay Thillaimuthu
@melbrecital
ROS BANDT: PROGRAMME NOTE | SONOROUS XIII
Ahead of Sonorous XIII tonight, learn from the internationally acclaimed sound artist pioneering new forms of sonic art, Ros Bandt (@rosbandt).
Tonight spans fifty years of practice, in which Ros explores the elasticity of time in her reconstruction of a patch she first developed for the VCS3 Putney in 1972, an indeterminate graphic score for flute and synthesizer drawn from the I Ching.
Outside of that, you can expect anything from a duet of sea urchins devouring kelp in Greece to Aeolian harps recorded in Moonbi, New South Wales.
"Consider your whole body as a haptic visceral listening chamber."
Read the full programme note at the link in bio.
SONOROUS XIII | 7pm, Thu 30 April [SOLD OUT]
Ros Bandt and Vijay Thillaimuthu
@melbrecital
It was a privilege to host French composer Jean-Philippe Gross (@jeanphilippe_gross) at the MESS studio this year.
Here he is exploring the delightfully intriguing Serge Paperface!
Thanks for visiting, Jean-Philippe!
Make a booking with the Serge Paperface yourself via the link in bio.
Synth 101 (Women, Trans & Gender Diverse) is a hands-on introductory workshop for people who want to get started making and shaping sound with synthesisers.
Working in pairs, attendees gain hands-on experience with plenty of opportunity to experiment, ask questions and learn by doing.
Coming up:
🔊Tuesday, May 19
🔊Saturday, June 6
No prior experience is needed, curiosity is the only prerequisite!
Tickets via the link in bio.
Artwork by @yeevz_
The Roland Jupiter-6 has arrived. 🪐
Often overshadowed by its big brother, the JP-6 is a powerhouse in its own right: 12 analog oscillators, 6 voices, and that classic Roland warmth. It’s also a piece of history as one of the first synths used to demonstrate MIDIin 1983 — alongside the Sequential Circuits Prophet-600.
Now available to book and play.
Link in bio.
The Roland Jupiter-6 has arrived. 🪐
Often overshadowed by its big brother, the JP-6 is a powerhouse in its own right: 12 analog oscillators, 6 voices, and that classic Roland warmth. It’s also a piece of history as one of the first synths used to demonstrate MIDIin 1983 — alongside the Sequential Circuits Prophet-600.
Now available to book and play.
Link in bio.
Big thank you to everyone who joined us for a Studio Tour last month. 🎛️
A lot of ground was covered in half an hour. Synthesisers rescued from a skip bin outside a closing university music department. A composer who took over the Grainger Museum in the 1960s — because he wanted to share his instruments. The only working VCS1 in the world, which Nine Inch Nails' Alessandro Cortini once stumbled across here and ended up recording a track with.
None of it is behind glass. All of it is available to book and play. Thanks for coming and learning the rich histories behind these wonderful machines.
Next tour is coming up soon — spots go fast so join our mailing list to be the first to know.
🔗 Link in bio
Big thank you to everyone who joined us for a Studio Tour last month. 🎛️
A lot of ground was covered in half an hour. Synthesisers rescued from a skip bin outside a closing university music department. A composer who took over the Grainger Museum in the 1960s — because he wanted to share his instruments. The only working VCS1 in the world, which Nine Inch Nails' Alessandro Cortini once stumbled across here and ended up recording a track with.
None of it is behind glass. All of it is available to book and play. Thanks for coming and learning the rich histories behind these wonderful machines.
Next tour is coming up soon — spots go fast so join our mailing list to be the first to know.
🔗 Link in bio
Big thank you to everyone who joined us for a Studio Tour last month. 🎛️
A lot of ground was covered in half an hour. Synthesisers rescued from a skip bin outside a closing university music department. A composer who took over the Grainger Museum in the 1960s — because he wanted to share his instruments. The only working VCS1 in the world, which Nine Inch Nails' Alessandro Cortini once stumbled across here and ended up recording a track with.
None of it is behind glass. All of it is available to book and play. Thanks for coming and learning the rich histories behind these wonderful machines.
Next tour is coming up soon — spots go fast so join our mailing list to be the first to know.
🔗 Link in bio
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