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lloydmst
Lloyd Mst
(;´༎ຶٹ༎ຶ`)
🟢 BSRXV – 15 Years of Butter Sessions. Disc three / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥🎧
📷 by @will.neill
💽 mastering by @coreykikos
⛏️ typeface Herbik by @daniel_veneklaas via @counter__forms
💋
🟢 BSRXV – 15 Years of Butter Sessions. Disc three / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥🎧
📷 by @will.neill
💽 mastering by @coreykikos
⛏️ typeface Herbik by @daniel_veneklaas via @counter__forms
💋
🟢 BSRXV – 15 Years of Butter Sessions. Disc three / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥🎧
📷 by @will.neill
💽 mastering by @coreykikos
⛏️ typeface Herbik by @daniel_veneklaas via @counter__forms
💋
🟢 BSRXV – 15 Years of Butter Sessions. Disc three / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥🎧
📷 by @will.neill
💽 mastering by @coreykikos
⛏️ typeface Herbik by @daniel_veneklaas via @counter__forms
💋
🟢 BSRXV – 15 Years of Butter Sessions. Disc three / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥🎧
📷 by @will.neill
💽 mastering by @coreykikos
⛏️ typeface Herbik by @daniel_veneklaas via @counter__forms
💋
⚫️ BSRXV – 15 Years of Butter Sessions. Disc two / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥🎧
📷 by @will.neill
💽 mastering by @coreykikos
⛏️ typeface Herbik by @daniel_veneklaas via @counter__forms
💋
⚫️ BSRXV – 15 Years of Butter Sessions. Disc two / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥🎧
📷 by @will.neill
💽 mastering by @coreykikos
⛏️ typeface Herbik by @daniel_veneklaas via @counter__forms
💋
⚫️ BSRXV – 15 Years of Butter Sessions. Disc two / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥🎧
📷 by @will.neill
💽 mastering by @coreykikos
⛏️ typeface Herbik by @daniel_veneklaas via @counter__forms
💋
⚫️ BSRXV – 15 Years of Butter Sessions. Disc two / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥🎧
📷 by @will.neill
💽 mastering by @coreykikos
⛏️ typeface Herbik by @daniel_veneklaas via @counter__forms
💋
⚫️ BSRXV – 15 Years of Butter Sessions. Disc two / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥🎧
📷 by @will.neill
💽 mastering by @coreykikos
⛏️ typeface Herbik by @daniel_veneklaas via @counter__forms
💋
🟤 BSRXV – 15 Years of Butter Sessions. Disc one / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥🎧
📷 by @will.neill
💽 mastering by @coreykikos
💋
🟤 BSRXV – 15 Years of Butter Sessions. Disc one / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥🎧
📷 by @will.neill
💽 mastering by @coreykikos
💋
🟤 BSRXV – 15 Years of Butter Sessions. Disc one / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥🎧
📷 by @will.neill
💽 mastering by @coreykikos
💋
🟤 BSRXV – 15 Years of Butter Sessions. Disc one / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥🎧
📷 by @will.neill
💽 mastering by @coreykikos
💋
Exterior Monologue Risograph catalog available for purchase this weekend at BUILD ENVIRONMENT book fair taking place at @threefivefivethree. Presented by @___office and @thresholdprojects
📍35-53 Emma St, Collingwood
Sweetest collab 🤎🟫🟤
Exterior Monologue Risograph catalog available for purchase this weekend at BUILD ENVIRONMENT book fair taking place at @threefivefivethree. Presented by @___office and @thresholdprojects
📍35-53 Emma St, Collingwood
Sweetest collab 🤎🟫🟤
Exterior Monologue Risograph catalog available for purchase this weekend at BUILD ENVIRONMENT book fair taking place at @threefivefivethree. Presented by @___office and @thresholdprojects
📍35-53 Emma St, Collingwood
Sweetest collab 🤎🟫🟤
Exterior Monologue Risograph catalog available for purchase this weekend at BUILD ENVIRONMENT book fair taking place at @threefivefivethree. Presented by @___office and @thresholdprojects
📍35-53 Emma St, Collingwood
Sweetest collab 🤎🟫🟤
🌌 A logo I designed for @recess.net.au a few years ago—forgotten but now dusted off for Recess’s curation of 𝘏𝘶𝘥𝘥𝘭𝘦, a new film by Avni Dauti and Rebecca Dauti, which launched on February 10, 2025.
Screening every evening 7–8pm (until 31st March 2025) at Federation Square, Narrm Melbourne and screening online 10th February - 9th March 2025
Film commissioned by MAP Co @fed.square and RECESS
@avnidauti @rebeccadauti
Check out:
recess.net.au
&
https://www.recess.net.au/projects/huddle
🌌 A logo I designed for @recess.net.au a few years ago—forgotten but now dusted off for Recess’s curation of 𝘏𝘶𝘥𝘥𝘭𝘦, a new film by Avni Dauti and Rebecca Dauti, which launched on February 10, 2025.
Screening every evening 7–8pm (until 31st March 2025) at Federation Square, Narrm Melbourne and screening online 10th February - 9th March 2025
Film commissioned by MAP Co @fed.square and RECESS
@avnidauti @rebeccadauti
Check out:
recess.net.au
&
https://www.recess.net.au/projects/huddle
🌌 A logo I designed for @recess.net.au a few years ago—forgotten but now dusted off for Recess’s curation of 𝘏𝘶𝘥𝘥𝘭𝘦, a new film by Avni Dauti and Rebecca Dauti, which launched on February 10, 2025.
Screening every evening 7–8pm (until 31st March 2025) at Federation Square, Narrm Melbourne and screening online 10th February - 9th March 2025
Film commissioned by MAP Co @fed.square and RECESS
@avnidauti @rebeccadauti
Check out:
recess.net.au
&
https://www.recess.net.au/projects/huddle
🌌 A logo I designed for @recess.net.au a few years ago—forgotten but now dusted off for Recess’s curation of 𝘏𝘶𝘥𝘥𝘭𝘦, a new film by Avni Dauti and Rebecca Dauti, which launched on February 10, 2025.
Screening every evening 7–8pm (until 31st March 2025) at Federation Square, Narrm Melbourne and screening online 10th February - 9th March 2025
Film commissioned by MAP Co @fed.square and RECESS
@avnidauti @rebeccadauti
Check out:
recess.net.au
&
https://www.recess.net.au/projects/huddle
🌌 A logo I designed for @recess.net.au a few years ago—forgotten but now dusted off for Recess’s curation of 𝘏𝘶𝘥𝘥𝘭𝘦, a new film by Avni Dauti and Rebecca Dauti, which launched on February 10, 2025.
Screening every evening 7–8pm (until 31st March 2025) at Federation Square, Narrm Melbourne and screening online 10th February - 9th March 2025
Film commissioned by MAP Co @fed.square and RECESS
@avnidauti @rebeccadauti
Check out:
recess.net.au
&
https://www.recess.net.au/projects/huddle
A couple of Wednesdays ago – on the invitation of the curators of Next in Audio at @artscentremelbourne (@amruta_nargundkar , @weirdalpianobar , @ryan.powderly ) – we spoke to the spatiality of sound (as distinct from audio) … and followed it with our first spatial captioning experiment, using the new multiple instance functions of the live captioning tool that @lloydmst has been developing in collaboration with @j4k3b0n1n.
It was a thrill and a privilege to do this for the very first time in collaboration with more than 30 workshop attendees; to witness and prod its possibilities together. Thank you to everyone who came and embraced this exercise with openness and spirit! (And thanks to @weirdalpianobar and Sam for letting us shunt two dozen screens around the studio without shedding a single drop of perspiration.)
In the video slide (sixth in the carousel), some people walk around the workshop space with balloons, brushes, radios and other instruments. On various screens, meanwhile, captions describe either the prerecorded sounds or those being newly and spontaneously created in the room.
Hot on the heels of this, we'll be collaborating on a (remote) spatial captioned performance with @ecstatic.magic and @whiskeysaurus this week. It'll take place at MIT Spatial Sound Lab, on the traditional lands of the Wampanoag Nation and Massachussetts people; we'll be languaging sounds from the unceded Country of the Wurundjeri-willam.
Access Lab & Library is supported by the Victorian Government through Creative Victoria. #creativestate @creative_vic
Image descriptions in alt text. Photos by @infojewels.
#writing #captioning #spatial #spatialaudio #spatialsound #livecaptions #lovecaptions #access #accessibility #sensory
A couple of Wednesdays ago – on the invitation of the curators of Next in Audio at @artscentremelbourne (@amruta_nargundkar , @weirdalpianobar , @ryan.powderly ) – we spoke to the spatiality of sound (as distinct from audio) … and followed it with our first spatial captioning experiment, using the new multiple instance functions of the live captioning tool that @lloydmst has been developing in collaboration with @j4k3b0n1n.
It was a thrill and a privilege to do this for the very first time in collaboration with more than 30 workshop attendees; to witness and prod its possibilities together. Thank you to everyone who came and embraced this exercise with openness and spirit! (And thanks to @weirdalpianobar and Sam for letting us shunt two dozen screens around the studio without shedding a single drop of perspiration.)
In the video slide (sixth in the carousel), some people walk around the workshop space with balloons, brushes, radios and other instruments. On various screens, meanwhile, captions describe either the prerecorded sounds or those being newly and spontaneously created in the room.
Hot on the heels of this, we'll be collaborating on a (remote) spatial captioned performance with @ecstatic.magic and @whiskeysaurus this week. It'll take place at MIT Spatial Sound Lab, on the traditional lands of the Wampanoag Nation and Massachussetts people; we'll be languaging sounds from the unceded Country of the Wurundjeri-willam.
Access Lab & Library is supported by the Victorian Government through Creative Victoria. #creativestate @creative_vic
Image descriptions in alt text. Photos by @infojewels.
#writing #captioning #spatial #spatialaudio #spatialsound #livecaptions #lovecaptions #access #accessibility #sensory
A couple of Wednesdays ago – on the invitation of the curators of Next in Audio at @artscentremelbourne (@amruta_nargundkar , @weirdalpianobar , @ryan.powderly ) – we spoke to the spatiality of sound (as distinct from audio) … and followed it with our first spatial captioning experiment, using the new multiple instance functions of the live captioning tool that @lloydmst has been developing in collaboration with @j4k3b0n1n.
It was a thrill and a privilege to do this for the very first time in collaboration with more than 30 workshop attendees; to witness and prod its possibilities together. Thank you to everyone who came and embraced this exercise with openness and spirit! (And thanks to @weirdalpianobar and Sam for letting us shunt two dozen screens around the studio without shedding a single drop of perspiration.)
In the video slide (sixth in the carousel), some people walk around the workshop space with balloons, brushes, radios and other instruments. On various screens, meanwhile, captions describe either the prerecorded sounds or those being newly and spontaneously created in the room.
Hot on the heels of this, we'll be collaborating on a (remote) spatial captioned performance with @ecstatic.magic and @whiskeysaurus this week. It'll take place at MIT Spatial Sound Lab, on the traditional lands of the Wampanoag Nation and Massachussetts people; we'll be languaging sounds from the unceded Country of the Wurundjeri-willam.
Access Lab & Library is supported by the Victorian Government through Creative Victoria. #creativestate @creative_vic
Image descriptions in alt text. Photos by @infojewels.
#writing #captioning #spatial #spatialaudio #spatialsound #livecaptions #lovecaptions #access #accessibility #sensory
A couple of Wednesdays ago – on the invitation of the curators of Next in Audio at @artscentremelbourne (@amruta_nargundkar , @weirdalpianobar , @ryan.powderly ) – we spoke to the spatiality of sound (as distinct from audio) … and followed it with our first spatial captioning experiment, using the new multiple instance functions of the live captioning tool that @lloydmst has been developing in collaboration with @j4k3b0n1n.
It was a thrill and a privilege to do this for the very first time in collaboration with more than 30 workshop attendees; to witness and prod its possibilities together. Thank you to everyone who came and embraced this exercise with openness and spirit! (And thanks to @weirdalpianobar and Sam for letting us shunt two dozen screens around the studio without shedding a single drop of perspiration.)
In the video slide (sixth in the carousel), some people walk around the workshop space with balloons, brushes, radios and other instruments. On various screens, meanwhile, captions describe either the prerecorded sounds or those being newly and spontaneously created in the room.
Hot on the heels of this, we'll be collaborating on a (remote) spatial captioned performance with @ecstatic.magic and @whiskeysaurus this week. It'll take place at MIT Spatial Sound Lab, on the traditional lands of the Wampanoag Nation and Massachussetts people; we'll be languaging sounds from the unceded Country of the Wurundjeri-willam.
Access Lab & Library is supported by the Victorian Government through Creative Victoria. #creativestate @creative_vic
Image descriptions in alt text. Photos by @infojewels.
#writing #captioning #spatial #spatialaudio #spatialsound #livecaptions #lovecaptions #access #accessibility #sensory
A couple of Wednesdays ago – on the invitation of the curators of Next in Audio at @artscentremelbourne (@amruta_nargundkar , @weirdalpianobar , @ryan.powderly ) – we spoke to the spatiality of sound (as distinct from audio) … and followed it with our first spatial captioning experiment, using the new multiple instance functions of the live captioning tool that @lloydmst has been developing in collaboration with @j4k3b0n1n.
It was a thrill and a privilege to do this for the very first time in collaboration with more than 30 workshop attendees; to witness and prod its possibilities together. Thank you to everyone who came and embraced this exercise with openness and spirit! (And thanks to @weirdalpianobar and Sam for letting us shunt two dozen screens around the studio without shedding a single drop of perspiration.)
In the video slide (sixth in the carousel), some people walk around the workshop space with balloons, brushes, radios and other instruments. On various screens, meanwhile, captions describe either the prerecorded sounds or those being newly and spontaneously created in the room.
Hot on the heels of this, we'll be collaborating on a (remote) spatial captioned performance with @ecstatic.magic and @whiskeysaurus this week. It'll take place at MIT Spatial Sound Lab, on the traditional lands of the Wampanoag Nation and Massachussetts people; we'll be languaging sounds from the unceded Country of the Wurundjeri-willam.
Access Lab & Library is supported by the Victorian Government through Creative Victoria. #creativestate @creative_vic
Image descriptions in alt text. Photos by @infojewels.
#writing #captioning #spatial #spatialaudio #spatialsound #livecaptions #lovecaptions #access #accessibility #sensory
A couple of Wednesdays ago – on the invitation of the curators of Next in Audio at @artscentremelbourne (@amruta_nargundkar , @weirdalpianobar , @ryan.powderly ) – we spoke to the spatiality of sound (as distinct from audio) … and followed it with our first spatial captioning experiment, using the new multiple instance functions of the live captioning tool that @lloydmst has been developing in collaboration with @j4k3b0n1n.
It was a thrill and a privilege to do this for the very first time in collaboration with more than 30 workshop attendees; to witness and prod its possibilities together. Thank you to everyone who came and embraced this exercise with openness and spirit! (And thanks to @weirdalpianobar and Sam for letting us shunt two dozen screens around the studio without shedding a single drop of perspiration.)
In the video slide (sixth in the carousel), some people walk around the workshop space with balloons, brushes, radios and other instruments. On various screens, meanwhile, captions describe either the prerecorded sounds or those being newly and spontaneously created in the room.
Hot on the heels of this, we'll be collaborating on a (remote) spatial captioned performance with @ecstatic.magic and @whiskeysaurus this week. It'll take place at MIT Spatial Sound Lab, on the traditional lands of the Wampanoag Nation and Massachussetts people; we'll be languaging sounds from the unceded Country of the Wurundjeri-willam.
Access Lab & Library is supported by the Victorian Government through Creative Victoria. #creativestate @creative_vic
Image descriptions in alt text. Photos by @infojewels.
#writing #captioning #spatial #spatialaudio #spatialsound #livecaptions #lovecaptions #access #accessibility #sensory
A couple of Wednesdays ago – on the invitation of the curators of Next in Audio at @artscentremelbourne (@amruta_nargundkar , @weirdalpianobar , @ryan.powderly ) – we spoke to the spatiality of sound (as distinct from audio) … and followed it with our first spatial captioning experiment, using the new multiple instance functions of the live captioning tool that @lloydmst has been developing in collaboration with @j4k3b0n1n.
It was a thrill and a privilege to do this for the very first time in collaboration with more than 30 workshop attendees; to witness and prod its possibilities together. Thank you to everyone who came and embraced this exercise with openness and spirit! (And thanks to @weirdalpianobar and Sam for letting us shunt two dozen screens around the studio without shedding a single drop of perspiration.)
In the video slide (sixth in the carousel), some people walk around the workshop space with balloons, brushes, radios and other instruments. On various screens, meanwhile, captions describe either the prerecorded sounds or those being newly and spontaneously created in the room.
Hot on the heels of this, we'll be collaborating on a (remote) spatial captioned performance with @ecstatic.magic and @whiskeysaurus this week. It'll take place at MIT Spatial Sound Lab, on the traditional lands of the Wampanoag Nation and Massachussetts people; we'll be languaging sounds from the unceded Country of the Wurundjeri-willam.
Access Lab & Library is supported by the Victorian Government through Creative Victoria. #creativestate @creative_vic
Image descriptions in alt text. Photos by @infojewels.
#writing #captioning #spatial #spatialaudio #spatialsound #livecaptions #lovecaptions #access #accessibility #sensory
A couple of Wednesdays ago – on the invitation of the curators of Next in Audio at @artscentremelbourne (@amruta_nargundkar , @weirdalpianobar , @ryan.powderly ) – we spoke to the spatiality of sound (as distinct from audio) … and followed it with our first spatial captioning experiment, using the new multiple instance functions of the live captioning tool that @lloydmst has been developing in collaboration with @j4k3b0n1n.
It was a thrill and a privilege to do this for the very first time in collaboration with more than 30 workshop attendees; to witness and prod its possibilities together. Thank you to everyone who came and embraced this exercise with openness and spirit! (And thanks to @weirdalpianobar and Sam for letting us shunt two dozen screens around the studio without shedding a single drop of perspiration.)
In the video slide (sixth in the carousel), some people walk around the workshop space with balloons, brushes, radios and other instruments. On various screens, meanwhile, captions describe either the prerecorded sounds or those being newly and spontaneously created in the room.
Hot on the heels of this, we'll be collaborating on a (remote) spatial captioned performance with @ecstatic.magic and @whiskeysaurus this week. It'll take place at MIT Spatial Sound Lab, on the traditional lands of the Wampanoag Nation and Massachussetts people; we'll be languaging sounds from the unceded Country of the Wurundjeri-willam.
Access Lab & Library is supported by the Victorian Government through Creative Victoria. #creativestate @creative_vic
Image descriptions in alt text. Photos by @infojewels.
#writing #captioning #spatial #spatialaudio #spatialsound #livecaptions #lovecaptions #access #accessibility #sensory
A couple of Wednesdays ago – on the invitation of the curators of Next in Audio at @artscentremelbourne (@amruta_nargundkar , @weirdalpianobar , @ryan.powderly ) – we spoke to the spatiality of sound (as distinct from audio) … and followed it with our first spatial captioning experiment, using the new multiple instance functions of the live captioning tool that @lloydmst has been developing in collaboration with @j4k3b0n1n.
It was a thrill and a privilege to do this for the very first time in collaboration with more than 30 workshop attendees; to witness and prod its possibilities together. Thank you to everyone who came and embraced this exercise with openness and spirit! (And thanks to @weirdalpianobar and Sam for letting us shunt two dozen screens around the studio without shedding a single drop of perspiration.)
In the video slide (sixth in the carousel), some people walk around the workshop space with balloons, brushes, radios and other instruments. On various screens, meanwhile, captions describe either the prerecorded sounds or those being newly and spontaneously created in the room.
Hot on the heels of this, we'll be collaborating on a (remote) spatial captioned performance with @ecstatic.magic and @whiskeysaurus this week. It'll take place at MIT Spatial Sound Lab, on the traditional lands of the Wampanoag Nation and Massachussetts people; we'll be languaging sounds from the unceded Country of the Wurundjeri-willam.
Access Lab & Library is supported by the Victorian Government through Creative Victoria. #creativestate @creative_vic
Image descriptions in alt text. Photos by @infojewels.
#writing #captioning #spatial #spatialaudio #spatialsound #livecaptions #lovecaptions #access #accessibility #sensory
Three weeks ago, in the midst of planning our next steps as Access Lab & Library, we spent an hour or two with Nelly Kate – experimenting with live performance and collective captioning across about 17,000km ... or a few milliseconds of time displacement over our internet connections.
Nelly Kate is one of our dear collaborators on ~~~~~“...derelict in uncharted space...” and a Massachusetts-based access coconspirator deeply driven by sense, time and magic. For this performance workshop, she drew a sonic world from synthesisers, tape, signal processors and voice. In Naarm, we replicated it on loudspeakers as we each captioned it in real-time, using the tool developed for October’s show.
Here are some short excerpts of the performance – we’re calling these experiments ‘smalls’, and plan on sharing more of them as we attempt various things over coming years, months, hours. Lloyd and Fayen are currently visiting Nelly in Boston for of a series of workshops and discussions this week, exploring tactile printing, captioning, spatial sound, access-driven XR, sonification and publishing.
We undertake this work and these experiments with the heavy knowledge that we are in the throes of multiple mass disabling events. Mindful of our communities, we look forward to a week of connecting with our peers and bringing you some promising new developments on ALL’s future very soon.
@ecstatic.magic @fkxde @infojewels
(image descriptions in alt text)
[reposted from @accesslabandlibrary]
Three weeks ago, in the midst of planning our next steps as Access Lab & Library, we spent an hour or two with Nelly Kate – experimenting with live performance and collective captioning across about 17,000km ... or a few milliseconds of time displacement over our internet connections.
Nelly Kate is one of our dear collaborators on ~~~~~“...derelict in uncharted space...” and a Massachusetts-based access coconspirator deeply driven by sense, time and magic. For this performance workshop, she drew a sonic world from synthesisers, tape, signal processors and voice. In Naarm, we replicated it on loudspeakers as we each captioned it in real-time, using the tool developed for October’s show.
Here are some short excerpts of the performance – we’re calling these experiments ‘smalls’, and plan on sharing more of them as we attempt various things over coming years, months, hours. Lloyd and Fayen are currently visiting Nelly in Boston for of a series of workshops and discussions this week, exploring tactile printing, captioning, spatial sound, access-driven XR, sonification and publishing.
We undertake this work and these experiments with the heavy knowledge that we are in the throes of multiple mass disabling events. Mindful of our communities, we look forward to a week of connecting with our peers and bringing you some promising new developments on ALL’s future very soon.
@ecstatic.magic @fkxde @infojewels
(image descriptions in alt text)
[reposted from @accesslabandlibrary]
Three weeks ago, in the midst of planning our next steps as Access Lab & Library, we spent an hour or two with Nelly Kate – experimenting with live performance and collective captioning across about 17,000km ... or a few milliseconds of time displacement over our internet connections.
Nelly Kate is one of our dear collaborators on ~~~~~“...derelict in uncharted space...” and a Massachusetts-based access coconspirator deeply driven by sense, time and magic. For this performance workshop, she drew a sonic world from synthesisers, tape, signal processors and voice. In Naarm, we replicated it on loudspeakers as we each captioned it in real-time, using the tool developed for October’s show.
Here are some short excerpts of the performance – we’re calling these experiments ‘smalls’, and plan on sharing more of them as we attempt various things over coming years, months, hours. Lloyd and Fayen are currently visiting Nelly in Boston for of a series of workshops and discussions this week, exploring tactile printing, captioning, spatial sound, access-driven XR, sonification and publishing.
We undertake this work and these experiments with the heavy knowledge that we are in the throes of multiple mass disabling events. Mindful of our communities, we look forward to a week of connecting with our peers and bringing you some promising new developments on ALL’s future very soon.
@ecstatic.magic @fkxde @infojewels
(image descriptions in alt text)
[reposted from @accesslabandlibrary]
Three weeks ago, in the midst of planning our next steps as Access Lab & Library, we spent an hour or two with Nelly Kate – experimenting with live performance and collective captioning across about 17,000km ... or a few milliseconds of time displacement over our internet connections.
Nelly Kate is one of our dear collaborators on ~~~~~“...derelict in uncharted space...” and a Massachusetts-based access coconspirator deeply driven by sense, time and magic. For this performance workshop, she drew a sonic world from synthesisers, tape, signal processors and voice. In Naarm, we replicated it on loudspeakers as we each captioned it in real-time, using the tool developed for October’s show.
Here are some short excerpts of the performance – we’re calling these experiments ‘smalls’, and plan on sharing more of them as we attempt various things over coming years, months, hours. Lloyd and Fayen are currently visiting Nelly in Boston for of a series of workshops and discussions this week, exploring tactile printing, captioning, spatial sound, access-driven XR, sonification and publishing.
We undertake this work and these experiments with the heavy knowledge that we are in the throes of multiple mass disabling events. Mindful of our communities, we look forward to a week of connecting with our peers and bringing you some promising new developments on ALL’s future very soon.
@ecstatic.magic @fkxde @infojewels
(image descriptions in alt text)
[reposted from @accesslabandlibrary]
Three weeks ago, in the midst of planning our next steps as Access Lab & Library, we spent an hour or two with Nelly Kate – experimenting with live performance and collective captioning across about 17,000km ... or a few milliseconds of time displacement over our internet connections.
Nelly Kate is one of our dear collaborators on ~~~~~“...derelict in uncharted space...” and a Massachusetts-based access coconspirator deeply driven by sense, time and magic. For this performance workshop, she drew a sonic world from synthesisers, tape, signal processors and voice. In Naarm, we replicated it on loudspeakers as we each captioned it in real-time, using the tool developed for October’s show.
Here are some short excerpts of the performance – we’re calling these experiments ‘smalls’, and plan on sharing more of them as we attempt various things over coming years, months, hours. Lloyd and Fayen are currently visiting Nelly in Boston for of a series of workshops and discussions this week, exploring tactile printing, captioning, spatial sound, access-driven XR, sonification and publishing.
We undertake this work and these experiments with the heavy knowledge that we are in the throes of multiple mass disabling events. Mindful of our communities, we look forward to a week of connecting with our peers and bringing you some promising new developments on ALL’s future very soon.
@ecstatic.magic @fkxde @infojewels
(image descriptions in alt text)
[reposted from @accesslabandlibrary]
@simulaa_ architecture cards 01/03
Lettering: @amyyu_amyme
Printing: @pinkyprint.co
💿🥕
@simulaa_ architecture cards 01/03
Lettering: @amyyu_amyme
Printing: @pinkyprint.co
💿🥕
@simulaa_ architecture cards 01/03
Lettering: @amyyu_amyme
Printing: @pinkyprint.co
💿🥕
@simulaa_ architecture cards 01/03
Lettering: @amyyu_amyme
Printing: @pinkyprint.co
💿🥕
@simulaa_ architecture office stationary and ID.
Lettering: @amyyu_amyme
Printing: @pinkyprint.co
Photo 01 by Simulaa
💿🥕
@simulaa_ architecture office stationary and ID.
Lettering: @amyyu_amyme
Printing: @pinkyprint.co
Photo 01 by Simulaa
💿🥕
Touching Feeling Writing: Writing in the Expanded Field, Volume 4. Responding to @paul.yore's exhibition WORD MADE FLESH at @acca_melbourne in 2022. (Digital publication, 1/3)
Visit: touchingfeeling.acca.melbourne
The homepage is a unique bricolage quilt made by cutting and sewing fragments of writers' texts on every visit. It is informed by the cut-up poetry technique developed by Dadaists and used by William S. Burroughs. Thanks and appreciation go to all the writers, editors, and coding wizard @j4k3b0n1n 🧙🏼♂️💜
Development by:
@j4k3b0n1n
Editors:
@lucindastrahan and @de.loniiiiiiii
ACCA curator and head of publications:
@elysegoldfinch_
Writers:
@ange_e_crawford
@migdann
@rachelkeirsmith
@josephinemead
@nasimulacrum
@residualshanty
@operation_escargot
@michaelajbear
Shari Kocher
Sofia Stavrou
Sound design:
@rebecca_bracewell
Videography:
@sofiemcclure
Supported by:
@acca_melbourne
@non_fictionlab
Touching Feeling Writing: Writing in the Expanded Field, Volume 4. Responding to @paul.yore's exhibition WORD MADE FLESH at @acca_melbourne in 2022. (Digital publication, 1/3)
Visit: touchingfeeling.acca.melbourne
The homepage is a unique bricolage quilt made by cutting and sewing fragments of writers' texts on every visit. It is informed by the cut-up poetry technique developed by Dadaists and used by William S. Burroughs. Thanks and appreciation go to all the writers, editors, and coding wizard @j4k3b0n1n 🧙🏼♂️💜
Development by:
@j4k3b0n1n
Editors:
@lucindastrahan and @de.loniiiiiiii
ACCA curator and head of publications:
@elysegoldfinch_
Writers:
@ange_e_crawford
@migdann
@rachelkeirsmith
@josephinemead
@nasimulacrum
@residualshanty
@operation_escargot
@michaelajbear
Shari Kocher
Sofia Stavrou
Sound design:
@rebecca_bracewell
Videography:
@sofiemcclure
Supported by:
@acca_melbourne
@non_fictionlab
Touching Feeling Writing: Writing in the Expanded Field, Volume 4. Responding to @paul.yore's exhibition WORD MADE FLESH at @acca_melbourne in 2022. (Digital publication, 1/3)
Visit: touchingfeeling.acca.melbourne
The homepage is a unique bricolage quilt made by cutting and sewing fragments of writers' texts on every visit. It is informed by the cut-up poetry technique developed by Dadaists and used by William S. Burroughs. Thanks and appreciation go to all the writers, editors, and coding wizard @j4k3b0n1n 🧙🏼♂️💜
Development by:
@j4k3b0n1n
Editors:
@lucindastrahan and @de.loniiiiiiii
ACCA curator and head of publications:
@elysegoldfinch_
Writers:
@ange_e_crawford
@migdann
@rachelkeirsmith
@josephinemead
@nasimulacrum
@residualshanty
@operation_escargot
@michaelajbear
Shari Kocher
Sofia Stavrou
Sound design:
@rebecca_bracewell
Videography:
@sofiemcclure
Supported by:
@acca_melbourne
@non_fictionlab
Touching Feeling Writing: Writing in the Expanded Field, Volume 4. Responding to @paul.yore's exhibition WORD MADE FLESH at @acca_melbourne in 2022. (Digital publication, 1/3)
Visit: touchingfeeling.acca.melbourne
The homepage is a unique bricolage quilt made by cutting and sewing fragments of writers' texts on every visit. It is informed by the cut-up poetry technique developed by Dadaists and used by William S. Burroughs. Thanks and appreciation go to all the writers, editors, and coding wizard @j4k3b0n1n 🧙🏼♂️💜
Development by:
@j4k3b0n1n
Editors:
@lucindastrahan and @de.loniiiiiiii
ACCA curator and head of publications:
@elysegoldfinch_
Writers:
@ange_e_crawford
@migdann
@rachelkeirsmith
@josephinemead
@nasimulacrum
@residualshanty
@operation_escargot
@michaelajbear
Shari Kocher
Sofia Stavrou
Sound design:
@rebecca_bracewell
Videography:
@sofiemcclure
Supported by:
@acca_melbourne
@non_fictionlab
Some wearables for @inner_varnika I.V.X, limited for the finale: 🍋 + 🍭
^^^^^^^^^^^^^^^^^^^^^^^^^^^
Thanks @cosmo.36 and @josephinemead for their contribution/collaboration. 💚
Some wearables for @inner_varnika I.V.X, limited for the finale: 🍋 + 🍭
^^^^^^^^^^^^^^^^^^^^^^^^^^^
Thanks @cosmo.36 and @josephinemead for their contribution/collaboration. 💚
Some wearables for @inner_varnika I.V.X, limited for the finale: 🍋 + 🍭
^^^^^^^^^^^^^^^^^^^^^^^^^^^
Thanks @cosmo.36 and @josephinemead for their contribution/collaboration. 💚
Some wearables for @inner_varnika I.V.X, limited for the finale: 🍋 + 🍭
^^^^^^^^^^^^^^^^^^^^^^^^^^^
Thanks @cosmo.36 and @josephinemead for their contribution/collaboration. 💚
Some wearables for @inner_varnika I.V.X, limited for the finale: 🍋 + 🍭
^^^^^^^^^^^^^^^^^^^^^^^^^^^
Thanks @cosmo.36 and @josephinemead for their contribution/collaboration. 💚
Sometimes When The Curtains Are Open We Wave At Each Other (2022). A collaborative website publication with @muckletimes (Fayen d’Evie) initiated from a conversation around ekphrastic description. Approached as a method or exercise that provides a moment for pause, to mirror and reflect, the conversation expands to descriptions of physical surrounds (Reflection), references dug up and repurposed to provide context and knowledge (Matter) and ekphrastic descriptions written during the exchanges (Refraction). Text to speech audio was created using AI; these are ekphrastic descriptions of our (She/They and He/They) voices. The project explores description as a creative method.
Commissioned by @liminalmag and edited by Jon Tjhia (http://informationjewllery.com)
Part of a practice based research enquiry, within the comm des MA program at RMIT.
View: http://lloyd-mst.com/liminal
See other contribution from ‘Mirror’ 2022: https://www.liminalmag.com/mirror
Edited by Jon Tjhia for @liminalmag ‘Mirror’ issue 2022
Web development by amazing @nicole__holy @nh___nh___
Thanks to @muckletimes for your support and mentorship, and @adammcruickshank for supervision and encouragement.
Sometimes When The Curtains Are Open We Wave At Each Other (2022). A collaborative website publication with @muckletimes (Fayen d’Evie) initiated from a conversation around ekphrastic description. Approached as a method or exercise that provides a moment for pause, to mirror and reflect, the conversation expands to descriptions of physical surrounds (Reflection), references dug up and repurposed to provide context and knowledge (Matter) and ekphrastic descriptions written during the exchanges (Refraction). Text to speech audio was created using AI; these are ekphrastic descriptions of our (She/They and He/They) voices. The project explores description as a creative method.
Commissioned by @liminalmag and edited by Jon Tjhia (http://informationjewllery.com)
Part of a practice based research enquiry, within the comm des MA program at RMIT.
View: http://lloyd-mst.com/liminal
See other contribution from ‘Mirror’ 2022: https://www.liminalmag.com/mirror
Edited by Jon Tjhia for @liminalmag ‘Mirror’ issue 2022
Web development by amazing @nicole__holy @nh___nh___
Thanks to @muckletimes for your support and mentorship, and @adammcruickshank for supervision and encouragement.
Sometimes When The Curtains Are Open We Wave At Each Other (2022). A collaborative website publication with @muckletimes (Fayen d’Evie) initiated from a conversation around ekphrastic description. Approached as a method or exercise that provides a moment for pause, to mirror and reflect, the conversation expands to descriptions of physical surrounds (Reflection), references dug up and repurposed to provide context and knowledge (Matter) and ekphrastic descriptions written during the exchanges (Refraction). Text to speech audio was created using AI; these are ekphrastic descriptions of our (She/They and He/They) voices. The project explores description as a creative method.
Commissioned by @liminalmag and edited by Jon Tjhia (http://informationjewllery.com)
Part of a practice based research enquiry, within the comm des MA program at RMIT.
View: http://lloyd-mst.com/liminal
See other contribution from ‘Mirror’ 2022: https://www.liminalmag.com/mirror
Edited by Jon Tjhia for @liminalmag ‘Mirror’ issue 2022
Web development by amazing @nicole__holy @nh___nh___
Thanks to @muckletimes for your support and mentorship, and @adammcruickshank for supervision and encouragement.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.