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bieff
BIEFF
Bucharest International Experimental Film Festival
🌟 Are you ready? Submissions for the 2026 edition of BIEFF are now open. Take advantage of the early bird rate and start sending us your films!
🐣 Early bird deadline: March 10th, 2026
✨ Regular deadline: May 15th, 2026
⏰ Late deadline: June 5th, 2026
🔗 Submit your film via FilmFreeway. Link in bio!
💥 Save the date! The 16th edition of BIEFF will take place in Bucharest between September 23rd and 30th - see you there!
✨ The regular deadline for our call for entries is fast approaching!
🔗 Hurry up and submit your film via FilmFreeway before May 15th. Link in bio!
💥 Save the date! The 16th edition of BIEFF will take place in Bucharest between September 23rd and 30th - see you there!
🕳️ Now showing on This Is Short: “Mapping Absentia”
Curated by Najrin Islam & Cindy Chehab, “Mapping Absentia” explores the materiality of disappearance across land, water, and air. Tracing processes of erasure and accumulation, the films reflect on memory as layered, contested, and inscribed within landscapes—where histories are rewritten, obscured, and persist through their traces.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
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.
@lagofilmfest @bieff @cindychehab @notnajjrin @kamalaljafarifilm @enocarka @salamundra @danielasadifaezi @mzxzdz @creative.eu @_raoufmoussa_ @taniahg___ @daniellas #shortfilm #shortfilms #nowshowing
🕳️ Now showing on This Is Short: “Mapping Absentia”
Curated by Najrin Islam & Cindy Chehab, “Mapping Absentia” explores the materiality of disappearance across land, water, and air. Tracing processes of erasure and accumulation, the films reflect on memory as layered, contested, and inscribed within landscapes—where histories are rewritten, obscured, and persist through their traces.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @cindychehab @notnajjrin @kamalaljafarifilm @enocarka @salamundra @danielasadifaezi @mzxzdz @creative.eu @_raoufmoussa_ @taniahg___ @daniellas #shortfilm #shortfilms #nowshowing
🕳️ Now showing on This Is Short: “Mapping Absentia”
Curated by Najrin Islam & Cindy Chehab, “Mapping Absentia” explores the materiality of disappearance across land, water, and air. Tracing processes of erasure and accumulation, the films reflect on memory as layered, contested, and inscribed within landscapes—where histories are rewritten, obscured, and persist through their traces.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @cindychehab @notnajjrin @kamalaljafarifilm @enocarka @salamundra @danielasadifaezi @mzxzdz @creative.eu @_raoufmoussa_ @taniahg___ @daniellas #shortfilm #shortfilms #nowshowing
🕳️ Now showing on This Is Short: “Mapping Absentia”
Curated by Najrin Islam & Cindy Chehab, “Mapping Absentia” explores the materiality of disappearance across land, water, and air. Tracing processes of erasure and accumulation, the films reflect on memory as layered, contested, and inscribed within landscapes—where histories are rewritten, obscured, and persist through their traces.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @cindychehab @notnajjrin @kamalaljafarifilm @enocarka @salamundra @danielasadifaezi @mzxzdz @creative.eu @_raoufmoussa_ @taniahg___ @daniellas #shortfilm #shortfilms #nowshowing
🕳️ Now showing on This Is Short: “Mapping Absentia”
Curated by Najrin Islam & Cindy Chehab, “Mapping Absentia” explores the materiality of disappearance across land, water, and air. Tracing processes of erasure and accumulation, the films reflect on memory as layered, contested, and inscribed within landscapes—where histories are rewritten, obscured, and persist through their traces.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @cindychehab @notnajjrin @kamalaljafarifilm @enocarka @salamundra @danielasadifaezi @mzxzdz @creative.eu @_raoufmoussa_ @taniahg___ @daniellas #shortfilm #shortfilms #nowshowing
🕳️ Now showing on This Is Short: “Mapping Absentia”
Curated by Najrin Islam & Cindy Chehab, “Mapping Absentia” explores the materiality of disappearance across land, water, and air. Tracing processes of erasure and accumulation, the films reflect on memory as layered, contested, and inscribed within landscapes—where histories are rewritten, obscured, and persist through their traces.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @cindychehab @notnajjrin @kamalaljafarifilm @enocarka @salamundra @danielasadifaezi @mzxzdz @creative.eu @_raoufmoussa_ @taniahg___ @daniellas #shortfilm #shortfilms #nowshowing
🕳️ Now showing on This Is Short: “Mapping Absentia”
Curated by Najrin Islam & Cindy Chehab, “Mapping Absentia” explores the materiality of disappearance across land, water, and air. Tracing processes of erasure and accumulation, the films reflect on memory as layered, contested, and inscribed within landscapes—where histories are rewritten, obscured, and persist through their traces.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @cindychehab @notnajjrin @kamalaljafarifilm @enocarka @salamundra @danielasadifaezi @mzxzdz @creative.eu @_raoufmoussa_ @taniahg___ @daniellas #shortfilm #shortfilms #nowshowing
🕳️ Now showing on This Is Short: “Mapping Absentia”
Curated by Najrin Islam & Cindy Chehab, “Mapping Absentia” explores the materiality of disappearance across land, water, and air. Tracing processes of erasure and accumulation, the films reflect on memory as layered, contested, and inscribed within landscapes—where histories are rewritten, obscured, and persist through their traces.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @cindychehab @notnajjrin @kamalaljafarifilm @enocarka @salamundra @danielasadifaezi @mzxzdz @creative.eu @_raoufmoussa_ @taniahg___ @daniellas #shortfilm #shortfilms #nowshowing
🕳️ Now showing on This Is Short: “Mapping Absentia”
Curated by Najrin Islam & Cindy Chehab, “Mapping Absentia” explores the materiality of disappearance across land, water, and air. Tracing processes of erasure and accumulation, the films reflect on memory as layered, contested, and inscribed within landscapes—where histories are rewritten, obscured, and persist through their traces.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @cindychehab @notnajjrin @kamalaljafarifilm @enocarka @salamundra @danielasadifaezi @mzxzdz @creative.eu @_raoufmoussa_ @taniahg___ @daniellas #shortfilm #shortfilms #nowshowing
💥 Now showing on This Is Short: “Tremors, Aftershock & Rupture”
Curated by Raouf Moussa & Tania Hernández González, this programme brings together four films where landscapes emerge as porous bodies, shaped by layered histories and silent accumulations. Moving through rupture and sedimentation, the works trace how past, present, and future converge—revealing time as unstable, spatial, and charged with memory.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @__anavaz__ @eitanefrat @sirahfoighelbrutmann @ricardo_giacconi @creative.eu @_raoufmoussa_ @taniahg___ @daniellas @cindychehab #shortfilm #shortfilms #nowshowing
💥 Now showing on This Is Short: “Tremors, Aftershock & Rupture”
Curated by Raouf Moussa & Tania Hernández González, this programme brings together four films where landscapes emerge as porous bodies, shaped by layered histories and silent accumulations. Moving through rupture and sedimentation, the works trace how past, present, and future converge—revealing time as unstable, spatial, and charged with memory.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @__anavaz__ @eitanefrat @sirahfoighelbrutmann @ricardo_giacconi @creative.eu @_raoufmoussa_ @taniahg___ @daniellas @cindychehab #shortfilm #shortfilms #nowshowing
💥 Now showing on This Is Short: “Tremors, Aftershock & Rupture”
Curated by Raouf Moussa & Tania Hernández González, this programme brings together four films where landscapes emerge as porous bodies, shaped by layered histories and silent accumulations. Moving through rupture and sedimentation, the works trace how past, present, and future converge—revealing time as unstable, spatial, and charged with memory.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @__anavaz__ @eitanefrat @sirahfoighelbrutmann @ricardo_giacconi @creative.eu @_raoufmoussa_ @taniahg___ @daniellas @cindychehab #shortfilm #shortfilms #nowshowing
💥 Now showing on This Is Short: “Tremors, Aftershock & Rupture”
Curated by Raouf Moussa & Tania Hernández González, this programme brings together four films where landscapes emerge as porous bodies, shaped by layered histories and silent accumulations. Moving through rupture and sedimentation, the works trace how past, present, and future converge—revealing time as unstable, spatial, and charged with memory.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @__anavaz__ @eitanefrat @sirahfoighelbrutmann @ricardo_giacconi @creative.eu @_raoufmoussa_ @taniahg___ @daniellas @cindychehab #shortfilm #shortfilms #nowshowing
💥 Now showing on This Is Short: “Tremors, Aftershock & Rupture”
Curated by Raouf Moussa & Tania Hernández González, this programme brings together four films where landscapes emerge as porous bodies, shaped by layered histories and silent accumulations. Moving through rupture and sedimentation, the works trace how past, present, and future converge—revealing time as unstable, spatial, and charged with memory.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @__anavaz__ @eitanefrat @sirahfoighelbrutmann @ricardo_giacconi @creative.eu @_raoufmoussa_ @taniahg___ @daniellas @cindychehab #shortfilm #shortfilms #nowshowing
💥 Now showing on This Is Short: “Tremors, Aftershock & Rupture”
Curated by Raouf Moussa & Tania Hernández González, this programme brings together four films where landscapes emerge as porous bodies, shaped by layered histories and silent accumulations. Moving through rupture and sedimentation, the works trace how past, present, and future converge—revealing time as unstable, spatial, and charged with memory.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @__anavaz__ @eitanefrat @sirahfoighelbrutmann @ricardo_giacconi @creative.eu @_raoufmoussa_ @taniahg___ @daniellas @cindychehab #shortfilm #shortfilms #nowshowing
💥 Now showing on This Is Short: “Tremors, Aftershock & Rupture”
Curated by Raouf Moussa & Tania Hernández González, this programme brings together four films where landscapes emerge as porous bodies, shaped by layered histories and silent accumulations. Moving through rupture and sedimentation, the works trace how past, present, and future converge—revealing time as unstable, spatial, and charged with memory.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @__anavaz__ @eitanefrat @sirahfoighelbrutmann @ricardo_giacconi @creative.eu @_raoufmoussa_ @taniahg___ @daniellas @cindychehab #shortfilm #shortfilms #nowshowing
💥 Now showing on This Is Short: “Tremors, Aftershock & Rupture”
Curated by Raouf Moussa & Tania Hernández González, this programme brings together four films where landscapes emerge as porous bodies, shaped by layered histories and silent accumulations. Moving through rupture and sedimentation, the works trace how past, present, and future converge—revealing time as unstable, spatial, and charged with memory.
This programme is part of the cohort of three programmes “Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @__anavaz__ @eitanefrat @sirahfoighelbrutmann @ricardo_giacconi @creative.eu @_raoufmoussa_ @taniahg___ @daniellas @cindychehab #shortfilm #shortfilms #nowshowing
🌫️ Now showing on This Is Short: “Fault Lines, Ash & Glitches”
Curated by Alexandra Sirotenko & Mai Nguyen, “Fault Lines, Ash & Glitches” traces landscapes shaped by rupture, disappearance, and re-emergence. Moving beyond human timescales toward planetary deep time, the films reflect on memory, displacement, and the shifting ground beneath our feet—where geological processes reveal histories otherwise unseen.
“Fault Lines, Ash & Glitches” is a short film programme, part of the cohort of three programmes ”Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @cupotechno @mai.tski @this.is.short @evagiolo @dianavidrascu @jacques.perconte @creative.eu @daniellas @cindychehab @_raoufmoussa_ @tehge___ #shortfilm #shortfilms #nowshowing nowstreaming
🌫️ Now showing on This Is Short: “Fault Lines, Ash & Glitches”
Curated by Alexandra Sirotenko & Mai Nguyen, “Fault Lines, Ash & Glitches” traces landscapes shaped by rupture, disappearance, and re-emergence. Moving beyond human timescales toward planetary deep time, the films reflect on memory, displacement, and the shifting ground beneath our feet—where geological processes reveal histories otherwise unseen.
“Fault Lines, Ash & Glitches” is a short film programme, part of the cohort of three programmes ”Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @cupotechno @mai.tski @this.is.short @evagiolo @dianavidrascu @jacques.perconte @creative.eu @daniellas @cindychehab @_raoufmoussa_ @tehge___ #shortfilm #shortfilms #nowshowing nowstreaming
🌫️ Now showing on This Is Short: “Fault Lines, Ash & Glitches”
Curated by Alexandra Sirotenko & Mai Nguyen, “Fault Lines, Ash & Glitches” traces landscapes shaped by rupture, disappearance, and re-emergence. Moving beyond human timescales toward planetary deep time, the films reflect on memory, displacement, and the shifting ground beneath our feet—where geological processes reveal histories otherwise unseen.
“Fault Lines, Ash & Glitches” is a short film programme, part of the cohort of three programmes ”Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @cupotechno @mai.tski @this.is.short @evagiolo @dianavidrascu @jacques.perconte @creative.eu @daniellas @cindychehab @_raoufmoussa_ @tehge___ #shortfilm #shortfilms #nowshowing nowstreaming
🌫️ Now showing on This Is Short: “Fault Lines, Ash & Glitches”
Curated by Alexandra Sirotenko & Mai Nguyen, “Fault Lines, Ash & Glitches” traces landscapes shaped by rupture, disappearance, and re-emergence. Moving beyond human timescales toward planetary deep time, the films reflect on memory, displacement, and the shifting ground beneath our feet—where geological processes reveal histories otherwise unseen.
“Fault Lines, Ash & Glitches” is a short film programme, part of the cohort of three programmes ”Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @cupotechno @mai.tski @this.is.short @evagiolo @dianavidrascu @jacques.perconte @creative.eu @daniellas @cindychehab @_raoufmoussa_ @tehge___ #shortfilm #shortfilms #nowshowing nowstreaming
🌫️ Now showing on This Is Short: “Fault Lines, Ash & Glitches”
Curated by Alexandra Sirotenko & Mai Nguyen, “Fault Lines, Ash & Glitches” traces landscapes shaped by rupture, disappearance, and re-emergence. Moving beyond human timescales toward planetary deep time, the films reflect on memory, displacement, and the shifting ground beneath our feet—where geological processes reveal histories otherwise unseen.
“Fault Lines, Ash & Glitches” is a short film programme, part of the cohort of three programmes ”Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
.
.
.
@lagofilmfest @bieff @cupotechno @mai.tski @this.is.short @evagiolo @dianavidrascu @jacques.perconte @creative.eu @daniellas @cindychehab @_raoufmoussa_ @tehge___ #shortfilm #shortfilms #nowshowing nowstreaming
🌫️ Now showing on This Is Short: “Fault Lines, Ash & Glitches”
Curated by Alexandra Sirotenko & Mai Nguyen, “Fault Lines, Ash & Glitches” traces landscapes shaped by rupture, disappearance, and re-emergence. Moving beyond human timescales toward planetary deep time, the films reflect on memory, displacement, and the shifting ground beneath our feet—where geological processes reveal histories otherwise unseen.
“Fault Lines, Ash & Glitches” is a short film programme, part of the cohort of three programmes ”Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
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@lagofilmfest @bieff @cupotechno @mai.tski @this.is.short @evagiolo @dianavidrascu @jacques.perconte @creative.eu @daniellas @cindychehab @_raoufmoussa_ @tehge___ #shortfilm #shortfilms #nowshowing nowstreaming
🌫️ Now showing on This Is Short: “Fault Lines, Ash & Glitches”
Curated by Alexandra Sirotenko & Mai Nguyen, “Fault Lines, Ash & Glitches” traces landscapes shaped by rupture, disappearance, and re-emergence. Moving beyond human timescales toward planetary deep time, the films reflect on memory, displacement, and the shifting ground beneath our feet—where geological processes reveal histories otherwise unseen.
“Fault Lines, Ash & Glitches” is a short film programme, part of the cohort of three programmes ”Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
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.
.
@lagofilmfest @bieff @cupotechno @mai.tski @this.is.short @evagiolo @dianavidrascu @jacques.perconte @creative.eu @daniellas @cindychehab @_raoufmoussa_ @tehge___ #shortfilm #shortfilms #nowshowing nowstreaming
🌫️ Now showing on This Is Short: “Fault Lines, Ash & Glitches”
Curated by Alexandra Sirotenko & Mai Nguyen, “Fault Lines, Ash & Glitches” traces landscapes shaped by rupture, disappearance, and re-emergence. Moving beyond human timescales toward planetary deep time, the films reflect on memory, displacement, and the shifting ground beneath our feet—where geological processes reveal histories otherwise unseen.
“Fault Lines, Ash & Glitches” is a short film programme, part of the cohort of three programmes ”Seismic Shifts”, curated by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2, which took place at the 2025 editions of Lago Film Fest and Bucharest International Experimental Film Festival (BIEFF). The group was mentored by Daniella Shreir.
The European Workshop for New Curators #2 is a project by the European Network for Film Discourse (The END) and Talking Shorts, funded by the Creative Europe MEDIA Programme.
Streaming on @this.is.short for the next three months.
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.
.
@lagofilmfest @bieff @cupotechno @mai.tski @this.is.short @evagiolo @dianavidrascu @jacques.perconte @creative.eu @daniellas @cindychehab @_raoufmoussa_ @tehge___ #shortfilm #shortfilms #nowshowing nowstreaming
🐣 Hurry up! Just two days left to benefit from our discounted Early Bird rates.
🔗 Submit your film via FilmFreeway before March 10th. Link in bio!
💥 Save the date! The 16th edition of BIEFF will take place in Bucharest between September 23rd and 30th - see you there!
New interview! 🖌️ Yuyan Wang’s GREEN GREY BLACK BROWN is now nominated for the New Critics & New Audiences Award 2026 hosted by Talking Shorts. In this conversation with Tianyu Jiang, the director talks about her new experimental documentary — an enchanting procession of images, revealing the flawed rationale behind techno-solutionist visions of the future.
The eight nominated films are streaming globally, for free, on Talking Shorts from February 4 to 18, for the audience to decide their favourite. The winning filmmaker will receive a cash prize of €1000,-.
GREEN GREY BLACK BROWN was nominated for the New Critics & New Audiences Award 2026 at Bucharest International Experimental Film Festival by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2.
Read the interview, watch and vote at talkingshorts.com/award!
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@bieff @yuyanwang @tiianyu_j @this.is.short @daniellas @cupotechno @cindychehab @mai.tski @_raoufmoussa_ @tehge__ #shortfilm #shortfilms #filmcriticism #bieff
New interview! 🖌️ Yuyan Wang’s GREEN GREY BLACK BROWN is now nominated for the New Critics & New Audiences Award 2026 hosted by Talking Shorts. In this conversation with Tianyu Jiang, the director talks about her new experimental documentary — an enchanting procession of images, revealing the flawed rationale behind techno-solutionist visions of the future.
The eight nominated films are streaming globally, for free, on Talking Shorts from February 4 to 18, for the audience to decide their favourite. The winning filmmaker will receive a cash prize of €1000,-.
GREEN GREY BLACK BROWN was nominated for the New Critics & New Audiences Award 2026 at Bucharest International Experimental Film Festival by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2.
Read the interview, watch and vote at talkingshorts.com/award!
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@bieff @yuyanwang @tiianyu_j @this.is.short @daniellas @cupotechno @cindychehab @mai.tski @_raoufmoussa_ @tehge__ #shortfilm #shortfilms #filmcriticism #bieff
New interview! 🖌️ Yuyan Wang’s GREEN GREY BLACK BROWN is now nominated for the New Critics & New Audiences Award 2026 hosted by Talking Shorts. In this conversation with Tianyu Jiang, the director talks about her new experimental documentary — an enchanting procession of images, revealing the flawed rationale behind techno-solutionist visions of the future.
The eight nominated films are streaming globally, for free, on Talking Shorts from February 4 to 18, for the audience to decide their favourite. The winning filmmaker will receive a cash prize of €1000,-.
GREEN GREY BLACK BROWN was nominated for the New Critics & New Audiences Award 2026 at Bucharest International Experimental Film Festival by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2.
Read the interview, watch and vote at talkingshorts.com/award!
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@bieff @yuyanwang @tiianyu_j @this.is.short @daniellas @cupotechno @cindychehab @mai.tski @_raoufmoussa_ @tehge__ #shortfilm #shortfilms #filmcriticism #bieff
New interview! 🖌️ Yuyan Wang’s GREEN GREY BLACK BROWN is now nominated for the New Critics & New Audiences Award 2026 hosted by Talking Shorts. In this conversation with Tianyu Jiang, the director talks about her new experimental documentary — an enchanting procession of images, revealing the flawed rationale behind techno-solutionist visions of the future.
The eight nominated films are streaming globally, for free, on Talking Shorts from February 4 to 18, for the audience to decide their favourite. The winning filmmaker will receive a cash prize of €1000,-.
GREEN GREY BLACK BROWN was nominated for the New Critics & New Audiences Award 2026 at Bucharest International Experimental Film Festival by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2.
Read the interview, watch and vote at talkingshorts.com/award!
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.
@bieff @yuyanwang @tiianyu_j @this.is.short @daniellas @cupotechno @cindychehab @mai.tski @_raoufmoussa_ @tehge__ #shortfilm #shortfilms #filmcriticism #bieff
New interview! 🖌️ Yuyan Wang’s GREEN GREY BLACK BROWN is now nominated for the New Critics & New Audiences Award 2026 hosted by Talking Shorts. In this conversation with Tianyu Jiang, the director talks about her new experimental documentary — an enchanting procession of images, revealing the flawed rationale behind techno-solutionist visions of the future.
The eight nominated films are streaming globally, for free, on Talking Shorts from February 4 to 18, for the audience to decide their favourite. The winning filmmaker will receive a cash prize of €1000,-.
GREEN GREY BLACK BROWN was nominated for the New Critics & New Audiences Award 2026 at Bucharest International Experimental Film Festival by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2.
Read the interview, watch and vote at talkingshorts.com/award!
.
.
.
@bieff @yuyanwang @tiianyu_j @this.is.short @daniellas @cupotechno @cindychehab @mai.tski @_raoufmoussa_ @tehge__ #shortfilm #shortfilms #filmcriticism #bieff
New interview! 🖌️ Yuyan Wang’s GREEN GREY BLACK BROWN is now nominated for the New Critics & New Audiences Award 2026 hosted by Talking Shorts. In this conversation with Tianyu Jiang, the director talks about her new experimental documentary — an enchanting procession of images, revealing the flawed rationale behind techno-solutionist visions of the future.
The eight nominated films are streaming globally, for free, on Talking Shorts from February 4 to 18, for the audience to decide their favourite. The winning filmmaker will receive a cash prize of €1000,-.
GREEN GREY BLACK BROWN was nominated for the New Critics & New Audiences Award 2026 at Bucharest International Experimental Film Festival by Alexandra Sirotenko, Cindy Chehab, Mai Nguyen, Najrin Islam, Raouf Moussa, and Tania Hernández González, the participants of the European Workshop for New Curators #2.
Read the interview, watch and vote at talkingshorts.com/award!
.
.
.
@bieff @yuyanwang @tiianyu_j @this.is.short @daniellas @cupotechno @cindychehab @mai.tski @_raoufmoussa_ @tehge__ #shortfilm #shortfilms #filmcriticism #bieff
Câteva momente de la proiecțiile din cadrul retrospectivei „Visiones contemporáneas / Viziuni contemporane – cele mai recente tendințe din creația cinematografică și audiovizuală spaniolă”, organizată în parteneriat cu Instituto Cervantes de Bucarest la @cinemaunion! 🤍
Foto: @claudiupopescu
Câteva momente de la proiecțiile din cadrul retrospectivei „Visiones contemporáneas / Viziuni contemporane – cele mai recente tendințe din creația cinematografică și audiovizuală spaniolă”, organizată în parteneriat cu Instituto Cervantes de Bucarest la @cinemaunion! 🤍
Foto: @claudiupopescu
Câteva momente de la proiecțiile din cadrul retrospectivei „Visiones contemporáneas / Viziuni contemporane – cele mai recente tendințe din creația cinematografică și audiovizuală spaniolă”, organizată în parteneriat cu Instituto Cervantes de Bucarest la @cinemaunion! 🤍
Foto: @claudiupopescu
Câteva momente de la proiecțiile din cadrul retrospectivei „Visiones contemporáneas / Viziuni contemporane – cele mai recente tendințe din creația cinematografică și audiovizuală spaniolă”, organizată în parteneriat cu Instituto Cervantes de Bucarest la @cinemaunion! 🤍
Foto: @claudiupopescu
Câteva momente de la proiecțiile din cadrul retrospectivei „Visiones contemporáneas / Viziuni contemporane – cele mai recente tendințe din creația cinematografică și audiovizuală spaniolă”, organizată în parteneriat cu Instituto Cervantes de Bucarest la @cinemaunion! 🤍
Foto: @claudiupopescu
Câteva momente de la proiecțiile din cadrul retrospectivei „Visiones contemporáneas / Viziuni contemporane – cele mai recente tendințe din creația cinematografică și audiovizuală spaniolă”, organizată în parteneriat cu Instituto Cervantes de Bucarest la @cinemaunion! 🤍
Foto: @claudiupopescu
Câteva momente de la proiecțiile din cadrul retrospectivei „Visiones contemporáneas / Viziuni contemporane – cele mai recente tendințe din creația cinematografică și audiovizuală spaniolă”, organizată în parteneriat cu Instituto Cervantes de Bucarest la @cinemaunion! 🤍
Foto: @claudiupopescu
Mulțumim că ați fost alături de noi sâmbăta aceasta la proiecția specială „Vederi dintr-un viitor apropiat,” organizată în parteneriat cu @muzeuldeartarecenta și @filmsinframe. 🤍
Împreună am vizionat patru scurtmetraje experimentale românești recente care se joacă cu inteligența artificială și imagini digitale. După proiecție, am rămas la o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF, și Flavia Dima, curator asociat BEIFF.
📷 @claudiupopescu
Mulțumim că ați fost alături de noi sâmbăta aceasta la proiecția specială „Vederi dintr-un viitor apropiat,” organizată în parteneriat cu @muzeuldeartarecenta și @filmsinframe. 🤍
Împreună am vizionat patru scurtmetraje experimentale românești recente care se joacă cu inteligența artificială și imagini digitale. După proiecție, am rămas la o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF, și Flavia Dima, curator asociat BEIFF.
📷 @claudiupopescu
Mulțumim că ați fost alături de noi sâmbăta aceasta la proiecția specială „Vederi dintr-un viitor apropiat,” organizată în parteneriat cu @muzeuldeartarecenta și @filmsinframe. 🤍
Împreună am vizionat patru scurtmetraje experimentale românești recente care se joacă cu inteligența artificială și imagini digitale. După proiecție, am rămas la o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF, și Flavia Dima, curator asociat BEIFF.
📷 @claudiupopescu
Mulțumim că ați fost alături de noi sâmbăta aceasta la proiecția specială „Vederi dintr-un viitor apropiat,” organizată în parteneriat cu @muzeuldeartarecenta și @filmsinframe. 🤍
Împreună am vizionat patru scurtmetraje experimentale românești recente care se joacă cu inteligența artificială și imagini digitale. După proiecție, am rămas la o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF, și Flavia Dima, curator asociat BEIFF.
📷 @claudiupopescu
Mulțumim că ați fost alături de noi sâmbăta aceasta la proiecția specială „Vederi dintr-un viitor apropiat,” organizată în parteneriat cu @muzeuldeartarecenta și @filmsinframe. 🤍
Împreună am vizionat patru scurtmetraje experimentale românești recente care se joacă cu inteligența artificială și imagini digitale. După proiecție, am rămas la o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF, și Flavia Dima, curator asociat BEIFF.
📷 @claudiupopescu
Mulțumim că ați fost alături de noi sâmbăta aceasta la proiecția specială „Vederi dintr-un viitor apropiat,” organizată în parteneriat cu @muzeuldeartarecenta și @filmsinframe. 🤍
Împreună am vizionat patru scurtmetraje experimentale românești recente care se joacă cu inteligența artificială și imagini digitale. După proiecție, am rămas la o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF, și Flavia Dima, curator asociat BEIFF.
📷 @claudiupopescu
Mulțumim că ați fost alături de noi sâmbăta aceasta la proiecția specială „Vederi dintr-un viitor apropiat,” organizată în parteneriat cu @muzeuldeartarecenta și @filmsinframe. 🤍
Împreună am vizionat patru scurtmetraje experimentale românești recente care se joacă cu inteligența artificială și imagini digitale. După proiecție, am rămas la o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF, și Flavia Dima, curator asociat BEIFF.
📷 @claudiupopescu
Mulțumim că ați fost alături de noi sâmbăta aceasta la proiecția specială „Vederi dintr-un viitor apropiat,” organizată în parteneriat cu @muzeuldeartarecenta și @filmsinframe. 🤍
Împreună am vizionat patru scurtmetraje experimentale românești recente care se joacă cu inteligența artificială și imagini digitale. După proiecție, am rămas la o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF, și Flavia Dima, curator asociat BEIFF.
📷 @claudiupopescu
Mulțumim că ați fost alături de noi sâmbăta aceasta la proiecția specială „Vederi dintr-un viitor apropiat,” organizată în parteneriat cu @muzeuldeartarecenta și @filmsinframe. 🤍
Împreună am vizionat patru scurtmetraje experimentale românești recente care se joacă cu inteligența artificială și imagini digitale. După proiecție, am rămas la o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF, și Flavia Dima, curator asociat BEIFF.
📷 @claudiupopescu
Mulțumim că ați fost alături de noi sâmbăta aceasta la proiecția specială „Vederi dintr-un viitor apropiat,” organizată în parteneriat cu @muzeuldeartarecenta și @filmsinframe. 🤍
Împreună am vizionat patru scurtmetraje experimentale românești recente care se joacă cu inteligența artificială și imagini digitale. După proiecție, am rămas la o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF, și Flavia Dima, curator asociat BEIFF.
📷 @claudiupopescu
Mulțumim că ați fost alături de noi sâmbăta aceasta la proiecția specială „Vederi dintr-un viitor apropiat,” organizată în parteneriat cu @muzeuldeartarecenta și @filmsinframe. 🤍
Împreună am vizionat patru scurtmetraje experimentale românești recente care se joacă cu inteligența artificială și imagini digitale. După proiecție, am rămas la o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF, și Flavia Dima, curator asociat BEIFF.
📷 @claudiupopescu
Mulțumim că ați fost alături de noi sâmbăta aceasta la proiecția specială „Vederi dintr-un viitor apropiat,” organizată în parteneriat cu @muzeuldeartarecenta și @filmsinframe. 🤍
Împreună am vizionat patru scurtmetraje experimentale românești recente care se joacă cu inteligența artificială și imagini digitale. După proiecție, am rămas la o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF, și Flavia Dima, curator asociat BEIFF.
📷 @claudiupopescu
Mâine, la proiecția specială de la @muzeuldeartarecenta, puteți cumpăra noul număr tipărit Films in Frame!💥
Partenerii noștri aduc o ediție specială dedicată relației dintre cinema și inteligența artificială, întocmai ca tema proiecției noastre de filme experimentale.✨
🧠🎬 În dosarul Cinema 2.0. Când inteligența artificială intră în cadru, revista explorează critic noile tehnologii în film, de la iPhone-urile și imaginile AI folosite de Radu Jude în Dracula, până la reflecții despre etica interacțiunii cu AI, imaginarul Spielberg, expozițiile Jeu de Paume și felul în care imaginile generate ne schimbă percepția.
📚 O ediție numai bună de răsfoit după o după-amiază dedicată experimentului și noilor estetici.
📍 Revista este disponibilă în shop-ul MARe. Nu rata ocazia să pleci cu ea acasă!
Sâmbăta aceasta ne întâlnim la MARe să vizionăm împreună programul „Vederi dintr-un viitor apropiat: Experimente cinematografice la granița dintre algoritm și imaginație” și să discutăm cu două dintre realizatoarele filmelor.
Programul reunește patru scurtmetraje care explorează felul în care imaginile digitale și inteligența artificială pot reflecta, prelungi sau distorsiona percepția asupra realului și a lumii înconjurătoare. Spectatorii sunt invitați să privească imaginile ca pe un teren de experiment, unde tehnologia devine nu doar instrument, ci și partener de reflecție. Oglindă și laborator totodată, cele patru filme interoghează felurile în care algoritmii, poezia și experiențele umane pot coexista într-un viitor apropiat. 🪞
Programul complet:
„Elefant departe” - Teona Galgoțiu, 2020, 12 min.
„Our Sea” - Alle Dicu, 2025, 20 min.
„3 Dialogues About the Future” - Alina Manolache, 2022, 14 min.
„A.I. Poetries of Female and Non-Female Beings in Gas Stations at Night” - Cristina Iliescu, 2022, 18 min.
🎤 Proiecția va fi urmată o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF.
📅 Sâmbătă, 29 noiembrie, ora 15:00
📍 @muzeuldeartarecenta
🎟️ Intrare liberă, pe bază de înscriere. Link în bio!
Sâmbăta aceasta ne întâlnim la MARe să vizionăm împreună programul „Vederi dintr-un viitor apropiat: Experimente cinematografice la granița dintre algoritm și imaginație” și să discutăm cu două dintre realizatoarele filmelor.
Programul reunește patru scurtmetraje care explorează felul în care imaginile digitale și inteligența artificială pot reflecta, prelungi sau distorsiona percepția asupra realului și a lumii înconjurătoare. Spectatorii sunt invitați să privească imaginile ca pe un teren de experiment, unde tehnologia devine nu doar instrument, ci și partener de reflecție. Oglindă și laborator totodată, cele patru filme interoghează felurile în care algoritmii, poezia și experiențele umane pot coexista într-un viitor apropiat. 🪞
Programul complet:
„Elefant departe” - Teona Galgoțiu, 2020, 12 min.
„Our Sea” - Alle Dicu, 2025, 20 min.
„3 Dialogues About the Future” - Alina Manolache, 2022, 14 min.
„A.I. Poetries of Female and Non-Female Beings in Gas Stations at Night” - Cristina Iliescu, 2022, 18 min.
🎤 Proiecția va fi urmată o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF.
📅 Sâmbătă, 29 noiembrie, ora 15:00
📍 @muzeuldeartarecenta
🎟️ Intrare liberă, pe bază de înscriere. Link în bio!
Sâmbăta aceasta ne întâlnim la MARe să vizionăm împreună programul „Vederi dintr-un viitor apropiat: Experimente cinematografice la granița dintre algoritm și imaginație” și să discutăm cu două dintre realizatoarele filmelor.
Programul reunește patru scurtmetraje care explorează felul în care imaginile digitale și inteligența artificială pot reflecta, prelungi sau distorsiona percepția asupra realului și a lumii înconjurătoare. Spectatorii sunt invitați să privească imaginile ca pe un teren de experiment, unde tehnologia devine nu doar instrument, ci și partener de reflecție. Oglindă și laborator totodată, cele patru filme interoghează felurile în care algoritmii, poezia și experiențele umane pot coexista într-un viitor apropiat. 🪞
Programul complet:
„Elefant departe” - Teona Galgoțiu, 2020, 12 min.
„Our Sea” - Alle Dicu, 2025, 20 min.
„3 Dialogues About the Future” - Alina Manolache, 2022, 14 min.
„A.I. Poetries of Female and Non-Female Beings in Gas Stations at Night” - Cristina Iliescu, 2022, 18 min.
🎤 Proiecția va fi urmată o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF.
📅 Sâmbătă, 29 noiembrie, ora 15:00
📍 @muzeuldeartarecenta
🎟️ Intrare liberă, pe bază de înscriere. Link în bio!
Sâmbăta aceasta ne întâlnim la MARe să vizionăm împreună programul „Vederi dintr-un viitor apropiat: Experimente cinematografice la granița dintre algoritm și imaginație” și să discutăm cu două dintre realizatoarele filmelor.
Programul reunește patru scurtmetraje care explorează felul în care imaginile digitale și inteligența artificială pot reflecta, prelungi sau distorsiona percepția asupra realului și a lumii înconjurătoare. Spectatorii sunt invitați să privească imaginile ca pe un teren de experiment, unde tehnologia devine nu doar instrument, ci și partener de reflecție. Oglindă și laborator totodată, cele patru filme interoghează felurile în care algoritmii, poezia și experiențele umane pot coexista într-un viitor apropiat. 🪞
Programul complet:
„Elefant departe” - Teona Galgoțiu, 2020, 12 min.
„Our Sea” - Alle Dicu, 2025, 20 min.
„3 Dialogues About the Future” - Alina Manolache, 2022, 14 min.
„A.I. Poetries of Female and Non-Female Beings in Gas Stations at Night” - Cristina Iliescu, 2022, 18 min.
🎤 Proiecția va fi urmată o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF.
📅 Sâmbătă, 29 noiembrie, ora 15:00
📍 @muzeuldeartarecenta
🎟️ Intrare liberă, pe bază de înscriere. Link în bio!
Sâmbătă, 29 noiembrie, ne vedem cu o nouă proiecție specială BIEFF despre intersecția dintre cinema și noile tehnologii!
Programul „Vederi dintr-un viitor apropiat: Experimente cinematografice la granița dintre algoritm și imaginație” reunește patru scurtmetraje românești recente, semnate de Cristina Iliescu, Alina Manolache, Alle Dicu și Teona Galgoțiu, care explorează felul în care imaginile digitale și inteligența artificială pot reflecta, prelungi sau distorsiona percepția asupra realului și a lumii înconjurătoare. 🌀
Fiecare film propune o perspectivă diferită asupra realității și a posibilităților ei, construind împreună un mozaic de fragmente vizuale și sonore care pendulează între observație, speculație și poezie.
🎤 Proiecția va fi urmată o discuție cu cineastele Alina Manolache și Cristina Iliescu, moderată de Oana Ghera, directoarea artistică a BIEFF.
📅 Sâmbătă, 29 noiembrie, ora 15:00
📍 MARe/Muzeul de Artă Recentă
🎟️ Intrare liberă, pe bază de înscriere. Link în bio!
Instagram Stories geheim ansehen
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Vorteile von Anonstories
IG Stories privat entdecken
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Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Häufig gestellte Fragen
Anonymität
Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Gerätekompatibilität
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
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Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Keine Registrierung
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Unterstützte Formate
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Kosten
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Private Accounts
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateiverwendung
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Wie es funktioniert
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.