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danieljohnsonis
Daniel N. Johnson
Mexico City Exhibition: Petrificado - in @tetetlan Dec 11 - Jan 30
Licensing representation @withstills
Contenida/Equilibrio.
w/ @lucianamorenomora y @lorenzoedwards__
.
Containment and Balance in @casa_pedregal
Contenida/Equilibrio.
w/ @lucianamorenomora y @lorenzoedwards__
.
Containment and Balance in @casa_pedregal
Deluge/Diluvio. With @jab_garcia_ and the most incredible dress design by @gabysalasj. I had already been experimenting with red fabrics to explore the idea of lava as a metaphor of the destructive and creative force that dances in our veins. However, I needed to complementary element of agua and Gaby created a beautiful dress to play with that idea. But it needed to be more surreal, more like a waterfall inundating the entry space of @casa_pedregal. After buying half of all the blue pleated fabric en el Centro Historic, Tthis is the result of that exploration/collaboration.
Deluge/Diluvio. With @jab_garcia_ and the most incredible dress design by @gabysalasj. I had already been experimenting with red fabrics to explore the idea of lava as a metaphor of the destructive and creative force that dances in our veins. However, I needed to complementary element of agua and Gaby created a beautiful dress to play with that idea. But it needed to be more surreal, more like a waterfall inundating the entry space of @casa_pedregal. After buying half of all the blue pleated fabric en el Centro Historic, Tthis is the result of that exploration/collaboration.
Deluge/Diluvio. With @jab_garcia_ and the most incredible dress design by @gabysalasj. I had already been experimenting with red fabrics to explore the idea of lava as a metaphor of the destructive and creative force that dances in our veins. However, I needed to complementary element of agua and Gaby created a beautiful dress to play with that idea. But it needed to be more surreal, more like a waterfall inundating the entry space of @casa_pedregal. After buying half of all the blue pleated fabric en el Centro Historic, Tthis is the result of that exploration/collaboration.
Deluge/Diluvio. With @jab_garcia_ and the most incredible dress design by @gabysalasj. I had already been experimenting with red fabrics to explore the idea of lava as a metaphor of the destructive and creative force that dances in our veins. However, I needed to complementary element of agua and Gaby created a beautiful dress to play with that idea. But it needed to be more surreal, more like a waterfall inundating the entry space of @casa_pedregal. After buying half of all the blue pleated fabric en el Centro Historic, Tthis is the result of that exploration/collaboration.
La tierra siempre nos recibe / The Earth Always Receives Us, 2025. Una danza subterránea con @lorenzoedwards__
La tierra siempre nos recibe / The Earth Always Receives Us, 2025. Una danza subterránea con @lorenzoedwards__
Ode to Mexican Pink / Oda al color rosa mexicano... There's a shade of pink that belongs entirely to Mexico — festive, warm, alive — Luis Barragán turned it into an architectural resource: not simply decoration. Walls that "feel." /// Hay un rosa que le pertenece completamente a México — festivo, cálido, vivo. Barragán lo sabía y lo convirtió en recurso arquitectónico: no en decoración, sino emoción hecha muro.
Ode to Mexican Pink / Oda al color rosa mexicano... There's a shade of pink that belongs entirely to Mexico — festive, warm, alive — Luis Barragán turned it into an architectural resource: not simply decoration. Walls that "feel." /// Hay un rosa que le pertenece completamente a México — festivo, cálido, vivo. Barragán lo sabía y lo convirtió en recurso arquitectónico: no en decoración, sino emoción hecha muro.
Ode to Mexican Pink / Oda al color rosa mexicano... There's a shade of pink that belongs entirely to Mexico — festive, warm, alive — Luis Barragán turned it into an architectural resource: not simply decoration. Walls that "feel." /// Hay un rosa que le pertenece completamente a México — festivo, cálido, vivo. Barragán lo sabía y lo convirtió en recurso arquitectónico: no en decoración, sino emoción hecha muro.
Ode to Mexican Pink / Oda al color rosa mexicano... There's a shade of pink that belongs entirely to Mexico — festive, warm, alive — Luis Barragán turned it into an architectural resource: not simply decoration. Walls that "feel." /// Hay un rosa que le pertenece completamente a México — festivo, cálido, vivo. Barragán lo sabía y lo convirtió en recurso arquitectónico: no en decoración, sino emoción hecha muro.
Ode to Mexican Pink / Oda al color rosa mexicano... There's a shade of pink that belongs entirely to Mexico — festive, warm, alive — Luis Barragán turned it into an architectural resource: not simply decoration. Walls that "feel." /// Hay un rosa que le pertenece completamente a México — festivo, cálido, vivo. Barragán lo sabía y lo convirtió en recurso arquitectónico: no en decoración, sino emoción hecha muro.
Ode to Mexican Pink / Oda al color rosa mexicano... There's a shade of pink that belongs entirely to Mexico — festive, warm, alive — Luis Barragán turned it into an architectural resource: not simply decoration. Walls that "feel." /// Hay un rosa que le pertenece completamente a México — festivo, cálido, vivo. Barragán lo sabía y lo convirtió en recurso arquitectónico: no en decoración, sino emoción hecha muro.
I was invited by my good friend @danieljohnsonis to be part of his “Petrificado” series made at Casa Barragán in México City.
An afternoon, two humans, walls, ceilings, floors, a sphere and a camera.
My body freely taking space.
Thoughts and feelings connecting by movement.
Memory of the once so called presence.
Time that is captured by shadow and light.
Thank you dear friend.
I was invited by my good friend @danieljohnsonis to be part of his “Petrificado” series made at Casa Barragán in México City.
An afternoon, two humans, walls, ceilings, floors, a sphere and a camera.
My body freely taking space.
Thoughts and feelings connecting by movement.
Memory of the once so called presence.
Time that is captured by shadow and light.
Thank you dear friend.
I was invited by my good friend @danieljohnsonis to be part of his “Petrificado” series made at Casa Barragán in México City.
An afternoon, two humans, walls, ceilings, floors, a sphere and a camera.
My body freely taking space.
Thoughts and feelings connecting by movement.
Memory of the once so called presence.
Time that is captured by shadow and light.
Thank you dear friend.
I was invited by my good friend @danieljohnsonis to be part of his “Petrificado” series made at Casa Barragán in México City.
An afternoon, two humans, walls, ceilings, floors, a sphere and a camera.
My body freely taking space.
Thoughts and feelings connecting by movement.
Memory of the once so called presence.
Time that is captured by shadow and light.
Thank you dear friend.
I was invited by my good friend @danieljohnsonis to be part of his “Petrificado” series made at Casa Barragán in México City.
An afternoon, two humans, walls, ceilings, floors, a sphere and a camera.
My body freely taking space.
Thoughts and feelings connecting by movement.
Memory of the once so called presence.
Time that is captured by shadow and light.
Thank you dear friend.
I was invited by my good friend @danieljohnsonis to be part of his “Petrificado” series made at Casa Barragán in México City.
An afternoon, two humans, walls, ceilings, floors, a sphere and a camera.
My body freely taking space.
Thoughts and feelings connecting by movement.
Memory of the once so called presence.
Time that is captured by shadow and light.
Thank you dear friend.
I was invited by my good friend @danieljohnsonis to be part of his “Petrificado” series made at Casa Barragán in México City.
An afternoon, two humans, walls, ceilings, floors, a sphere and a camera.
My body freely taking space.
Thoughts and feelings connecting by movement.
Memory of the once so called presence.
Time that is captured by shadow and light.
Thank you dear friend.
I was invited by my good friend @danieljohnsonis to be part of his “Petrificado” series made at Casa Barragán in México City.
An afternoon, two humans, walls, ceilings, floors, a sphere and a camera.
My body freely taking space.
Thoughts and feelings connecting by movement.
Memory of the once so called presence.
Time that is captured by shadow and light.
Thank you dear friend.
I was invited by my good friend @danieljohnsonis to be part of his “Petrificado” series made at Casa Barragán in México City.
An afternoon, two humans, walls, ceilings, floors, a sphere and a camera.
My body freely taking space.
Thoughts and feelings connecting by movement.
Memory of the once so called presence.
Time that is captured by shadow and light.
Thank you dear friend.
Fire holds no form. Explorations of ephemerality in Luis Barragan’s @casa_pedregal. Part of my exhibition Petrificado showcased in @tetetlan. Framed artworks available
Fire holds no form. Explorations of ephemerality in Luis Barragan’s @casa_pedregal. Part of my exhibition Petrificado showcased in @tetetlan. Framed artworks available
Fire holds no form. Explorations of ephemerality in Luis Barragan’s @casa_pedregal. Part of my exhibition Petrificado showcased in @tetetlan. Framed artworks available
Este sábado 31 de enero, Tetetlán ofrecerá un coctel para celebrar la clausura de la exposición Petrificado de Daniel N. Johnson en Casa Pedregal, la icónica residencia de 1947 de Luis Barragán.
La muestra propone un diálogo sensible entre la mirada del artista y fotógrafo Daniel N. Johnson y la obra arquitectónica de Barragán.
El resultado es una serie de 45 imágenes que activan el espacio y lo transforman en una experiencia profundamente poética, donde arquitectura, luz y tiempo se entrelazan para invadir los sentidos.
Daniel N. Johnson
Petrificado
Cóctel de clausura
Sábado 31 de enero
🍸A partir de las 6:45 PM
Tetetlán
Av. de las Fuentes 180
Jardines del Pedregal, CDMX
A 5 minutos del MUAC y del Espacio Escultórico
Abierto de 7:00 am a 1:00 am
Este sábado 31 de enero, Tetetlán ofrecerá un coctel para celebrar la clausura de la exposición Petrificado de Daniel N. Johnson en Casa Pedregal, la icónica residencia de 1947 de Luis Barragán.
La muestra propone un diálogo sensible entre la mirada del artista y fotógrafo Daniel N. Johnson y la obra arquitectónica de Barragán.
El resultado es una serie de 45 imágenes que activan el espacio y lo transforman en una experiencia profundamente poética, donde arquitectura, luz y tiempo se entrelazan para invadir los sentidos.
Daniel N. Johnson
Petrificado
Cóctel de clausura
Sábado 31 de enero
🍸A partir de las 6:45 PM
Tetetlán
Av. de las Fuentes 180
Jardines del Pedregal, CDMX
A 5 minutos del MUAC y del Espacio Escultórico
Abierto de 7:00 am a 1:00 am
Este sábado 31 de enero, Tetetlán ofrecerá un coctel para celebrar la clausura de la exposición Petrificado de Daniel N. Johnson en Casa Pedregal, la icónica residencia de 1947 de Luis Barragán.
La muestra propone un diálogo sensible entre la mirada del artista y fotógrafo Daniel N. Johnson y la obra arquitectónica de Barragán.
El resultado es una serie de 45 imágenes que activan el espacio y lo transforman en una experiencia profundamente poética, donde arquitectura, luz y tiempo se entrelazan para invadir los sentidos.
Daniel N. Johnson
Petrificado
Cóctel de clausura
Sábado 31 de enero
🍸A partir de las 6:45 PM
Tetetlán
Av. de las Fuentes 180
Jardines del Pedregal, CDMX
A 5 minutos del MUAC y del Espacio Escultórico
Abierto de 7:00 am a 1:00 am
Este sábado 31 de enero, Tetetlán ofrecerá un coctel para celebrar la clausura de la exposición Petrificado de Daniel N. Johnson en Casa Pedregal, la icónica residencia de 1947 de Luis Barragán.
La muestra propone un diálogo sensible entre la mirada del artista y fotógrafo Daniel N. Johnson y la obra arquitectónica de Barragán.
El resultado es una serie de 45 imágenes que activan el espacio y lo transforman en una experiencia profundamente poética, donde arquitectura, luz y tiempo se entrelazan para invadir los sentidos.
Daniel N. Johnson
Petrificado
Cóctel de clausura
Sábado 31 de enero
🍸A partir de las 6:45 PM
Tetetlán
Av. de las Fuentes 180
Jardines del Pedregal, CDMX
A 5 minutos del MUAC y del Espacio Escultórico
Abierto de 7:00 am a 1:00 am
Este sábado 31 de enero, Tetetlán ofrecerá un coctel para celebrar la clausura de la exposición Petrificado de Daniel N. Johnson en Casa Pedregal, la icónica residencia de 1947 de Luis Barragán.
La muestra propone un diálogo sensible entre la mirada del artista y fotógrafo Daniel N. Johnson y la obra arquitectónica de Barragán.
El resultado es una serie de 45 imágenes que activan el espacio y lo transforman en una experiencia profundamente poética, donde arquitectura, luz y tiempo se entrelazan para invadir los sentidos.
Daniel N. Johnson
Petrificado
Cóctel de clausura
Sábado 31 de enero
🍸A partir de las 6:45 PM
Tetetlán
Av. de las Fuentes 180
Jardines del Pedregal, CDMX
A 5 minutos del MUAC y del Espacio Escultórico
Abierto de 7:00 am a 1:00 am
Este sábado 31 de enero, Tetetlán ofrecerá un coctel para celebrar la clausura de la exposición Petrificado de Daniel N. Johnson en Casa Pedregal, la icónica residencia de 1947 de Luis Barragán.
La muestra propone un diálogo sensible entre la mirada del artista y fotógrafo Daniel N. Johnson y la obra arquitectónica de Barragán.
El resultado es una serie de 45 imágenes que activan el espacio y lo transforman en una experiencia profundamente poética, donde arquitectura, luz y tiempo se entrelazan para invadir los sentidos.
Daniel N. Johnson
Petrificado
Cóctel de clausura
Sábado 31 de enero
🍸A partir de las 6:45 PM
Tetetlán
Av. de las Fuentes 180
Jardines del Pedregal, CDMX
A 5 minutos del MUAC y del Espacio Escultórico
Abierto de 7:00 am a 1:00 am
Este sábado 31 de enero, Tetetlán ofrecerá un coctel para celebrar la clausura de la exposición Petrificado de Daniel N. Johnson en Casa Pedregal, la icónica residencia de 1947 de Luis Barragán.
La muestra propone un diálogo sensible entre la mirada del artista y fotógrafo Daniel N. Johnson y la obra arquitectónica de Barragán.
El resultado es una serie de 45 imágenes que activan el espacio y lo transforman en una experiencia profundamente poética, donde arquitectura, luz y tiempo se entrelazan para invadir los sentidos.
Daniel N. Johnson
Petrificado
Cóctel de clausura
Sábado 31 de enero
🍸A partir de las 6:45 PM
Tetetlán
Av. de las Fuentes 180
Jardines del Pedregal, CDMX
A 5 minutos del MUAC y del Espacio Escultórico
Abierto de 7:00 am a 1:00 am
PETRIFICADO — Daniel Johnson
Petrificado es una invitación a mirar el movimiento desde la quietud. En esta exposición, Daniel N. Johnson dialoga con Casa Pedregal para transformar la danza, el cuerpo y el instante en imágenes cargadas de emoción.
Cada fotografía es un gesto para tocar lo efímero y dejarlo habitar en la memoria.
Ven a conocer y explorar esta visión.
*Obras disponibles para venta.
Escríbenos por DM o a fernanda@casapedregal.com para más información.
Dancing with Architecture
To enter into deep dialogue with how the memory of a space informs the self. When invited by my friend @danieljohnsonis to dance with Barragan’s legacy, I bow to what the volcanic rock of this place invokes in me. It speaks to me of rivers of life force once liquid fire now petrified black rock, carrying the ancient memories of this Mexican land.
My body is made of the same mineral. Dancing with them is to honor what I’m made of and what I’m capable of.
When Daniel invited me to dance at Casa Pedregal for his art residency exploring the relationship between the artist and the muse and memory of place, it was the same week I had stopped breastfeeding my son after 17 months of total devotion to my own life-giving rivers.
Dancing then as an empty vessel, exhausted and in full reverence to the miraculous mothering journey: Paradoxical, monumental and beautifully mundane, to dance becomes a ritual of salvation. A spark is ignited when I’m surrendered to the current that gets active during the creative process.
And now, seeing the gorgeous photos he created is truly an honor to call him my dear friend and collaborator and that we get to see and embody the world in our own creative ways.
You can take a look at the exhibit at @tetetlanHe’s selling his beautiful pieces. DM if you’re interested in getting one for your place.
Dancing with Architecture
To enter into deep dialogue with how the memory of a space informs the self. When invited by my friend @danieljohnsonis to dance with Barragan’s legacy, I bow to what the volcanic rock of this place invokes in me. It speaks to me of rivers of life force once liquid fire now petrified black rock, carrying the ancient memories of this Mexican land.
My body is made of the same mineral. Dancing with them is to honor what I’m made of and what I’m capable of.
When Daniel invited me to dance at Casa Pedregal for his art residency exploring the relationship between the artist and the muse and memory of place, it was the same week I had stopped breastfeeding my son after 17 months of total devotion to my own life-giving rivers.
Dancing then as an empty vessel, exhausted and in full reverence to the miraculous mothering journey: Paradoxical, monumental and beautifully mundane, to dance becomes a ritual of salvation. A spark is ignited when I’m surrendered to the current that gets active during the creative process.
And now, seeing the gorgeous photos he created is truly an honor to call him my dear friend and collaborator and that we get to see and embody the world in our own creative ways.
You can take a look at the exhibit at @tetetlanHe’s selling his beautiful pieces. DM if you’re interested in getting one for your place.
Dancing with Architecture
To enter into deep dialogue with how the memory of a space informs the self. When invited by my friend @danieljohnsonis to dance with Barragan’s legacy, I bow to what the volcanic rock of this place invokes in me. It speaks to me of rivers of life force once liquid fire now petrified black rock, carrying the ancient memories of this Mexican land.
My body is made of the same mineral. Dancing with them is to honor what I’m made of and what I’m capable of.
When Daniel invited me to dance at Casa Pedregal for his art residency exploring the relationship between the artist and the muse and memory of place, it was the same week I had stopped breastfeeding my son after 17 months of total devotion to my own life-giving rivers.
Dancing then as an empty vessel, exhausted and in full reverence to the miraculous mothering journey: Paradoxical, monumental and beautifully mundane, to dance becomes a ritual of salvation. A spark is ignited when I’m surrendered to the current that gets active during the creative process.
And now, seeing the gorgeous photos he created is truly an honor to call him my dear friend and collaborator and that we get to see and embody the world in our own creative ways.
You can take a look at the exhibit at @tetetlanHe’s selling his beautiful pieces. DM if you’re interested in getting one for your place.
Dancing with Architecture
To enter into deep dialogue with how the memory of a space informs the self. When invited by my friend @danieljohnsonis to dance with Barragan’s legacy, I bow to what the volcanic rock of this place invokes in me. It speaks to me of rivers of life force once liquid fire now petrified black rock, carrying the ancient memories of this Mexican land.
My body is made of the same mineral. Dancing with them is to honor what I’m made of and what I’m capable of.
When Daniel invited me to dance at Casa Pedregal for his art residency exploring the relationship between the artist and the muse and memory of place, it was the same week I had stopped breastfeeding my son after 17 months of total devotion to my own life-giving rivers.
Dancing then as an empty vessel, exhausted and in full reverence to the miraculous mothering journey: Paradoxical, monumental and beautifully mundane, to dance becomes a ritual of salvation. A spark is ignited when I’m surrendered to the current that gets active during the creative process.
And now, seeing the gorgeous photos he created is truly an honor to call him my dear friend and collaborator and that we get to see and embody the world in our own creative ways.
You can take a look at the exhibit at @tetetlanHe’s selling his beautiful pieces. DM if you’re interested in getting one for your place.
Dancing with Architecture
To enter into deep dialogue with how the memory of a space informs the self. When invited by my friend @danieljohnsonis to dance with Barragan’s legacy, I bow to what the volcanic rock of this place invokes in me. It speaks to me of rivers of life force once liquid fire now petrified black rock, carrying the ancient memories of this Mexican land.
My body is made of the same mineral. Dancing with them is to honor what I’m made of and what I’m capable of.
When Daniel invited me to dance at Casa Pedregal for his art residency exploring the relationship between the artist and the muse and memory of place, it was the same week I had stopped breastfeeding my son after 17 months of total devotion to my own life-giving rivers.
Dancing then as an empty vessel, exhausted and in full reverence to the miraculous mothering journey: Paradoxical, monumental and beautifully mundane, to dance becomes a ritual of salvation. A spark is ignited when I’m surrendered to the current that gets active during the creative process.
And now, seeing the gorgeous photos he created is truly an honor to call him my dear friend and collaborator and that we get to see and embody the world in our own creative ways.
You can take a look at the exhibit at @tetetlanHe’s selling his beautiful pieces. DM if you’re interested in getting one for your place.
Dancing with Architecture
To enter into deep dialogue with how the memory of a space informs the self. When invited by my friend @danieljohnsonis to dance with Barragan’s legacy, I bow to what the volcanic rock of this place invokes in me. It speaks to me of rivers of life force once liquid fire now petrified black rock, carrying the ancient memories of this Mexican land.
My body is made of the same mineral. Dancing with them is to honor what I’m made of and what I’m capable of.
When Daniel invited me to dance at Casa Pedregal for his art residency exploring the relationship between the artist and the muse and memory of place, it was the same week I had stopped breastfeeding my son after 17 months of total devotion to my own life-giving rivers.
Dancing then as an empty vessel, exhausted and in full reverence to the miraculous mothering journey: Paradoxical, monumental and beautifully mundane, to dance becomes a ritual of salvation. A spark is ignited when I’m surrendered to the current that gets active during the creative process.
And now, seeing the gorgeous photos he created is truly an honor to call him my dear friend and collaborator and that we get to see and embody the world in our own creative ways.
You can take a look at the exhibit at @tetetlanHe’s selling his beautiful pieces. DM if you’re interested in getting one for your place.
Dancing with Architecture
To enter into deep dialogue with how the memory of a space informs the self. When invited by my friend @danieljohnsonis to dance with Barragan’s legacy, I bow to what the volcanic rock of this place invokes in me. It speaks to me of rivers of life force once liquid fire now petrified black rock, carrying the ancient memories of this Mexican land.
My body is made of the same mineral. Dancing with them is to honor what I’m made of and what I’m capable of.
When Daniel invited me to dance at Casa Pedregal for his art residency exploring the relationship between the artist and the muse and memory of place, it was the same week I had stopped breastfeeding my son after 17 months of total devotion to my own life-giving rivers.
Dancing then as an empty vessel, exhausted and in full reverence to the miraculous mothering journey: Paradoxical, monumental and beautifully mundane, to dance becomes a ritual of salvation. A spark is ignited when I’m surrendered to the current that gets active during the creative process.
And now, seeing the gorgeous photos he created is truly an honor to call him my dear friend and collaborator and that we get to see and embody the world in our own creative ways.
You can take a look at the exhibit at @tetetlanHe’s selling his beautiful pieces. DM if you’re interested in getting one for your place.
Dancing with Architecture
To enter into deep dialogue with how the memory of a space informs the self. When invited by my friend @danieljohnsonis to dance with Barragan’s legacy, I bow to what the volcanic rock of this place invokes in me. It speaks to me of rivers of life force once liquid fire now petrified black rock, carrying the ancient memories of this Mexican land.
My body is made of the same mineral. Dancing with them is to honor what I’m made of and what I’m capable of.
When Daniel invited me to dance at Casa Pedregal for his art residency exploring the relationship between the artist and the muse and memory of place, it was the same week I had stopped breastfeeding my son after 17 months of total devotion to my own life-giving rivers.
Dancing then as an empty vessel, exhausted and in full reverence to the miraculous mothering journey: Paradoxical, monumental and beautifully mundane, to dance becomes a ritual of salvation. A spark is ignited when I’m surrendered to the current that gets active during the creative process.
And now, seeing the gorgeous photos he created is truly an honor to call him my dear friend and collaborator and that we get to see and embody the world in our own creative ways.
You can take a look at the exhibit at @tetetlanHe’s selling his beautiful pieces. DM if you’re interested in getting one for your place.
PETRIFICADO by @danieljohnsonis is a powerful exploration through the bodies of 10 musas danzantes. It was an honor to be part of this performative research, captured through Daniel’s lens.
On view at @tetetlan until the end of January. Come see me in this new facet. ✨
Thanks to my favorite mexican fashion designer @gabysalasj to be part of this project.
#casaluisbarragán #tetetlan #shooting #expo #photo
PETRIFICADO by @danieljohnsonis is a powerful exploration through the bodies of 10 musas danzantes. It was an honor to be part of this performative research, captured through Daniel’s lens.
On view at @tetetlan until the end of January. Come see me in this new facet. ✨
Thanks to my favorite mexican fashion designer @gabysalasj to be part of this project.
#casaluisbarragán #tetetlan #shooting #expo #photo
PETRIFICADO by @danieljohnsonis is a powerful exploration through the bodies of 10 musas danzantes. It was an honor to be part of this performative research, captured through Daniel’s lens.
On view at @tetetlan until the end of January. Come see me in this new facet. ✨
Thanks to my favorite mexican fashion designer @gabysalasj to be part of this project.
#casaluisbarragán #tetetlan #shooting #expo #photo
PETRIFICADO by @danieljohnsonis is a powerful exploration through the bodies of 10 musas danzantes. It was an honor to be part of this performative research, captured through Daniel’s lens.
On view at @tetetlan until the end of January. Come see me in this new facet. ✨
Thanks to my favorite mexican fashion designer @gabysalasj to be part of this project.
#casaluisbarragán #tetetlan #shooting #expo #photo
PETRIFICADO by @danieljohnsonis is a powerful exploration through the bodies of 10 musas danzantes. It was an honor to be part of this performative research, captured through Daniel’s lens.
On view at @tetetlan until the end of January. Come see me in this new facet. ✨
Thanks to my favorite mexican fashion designer @gabysalasj to be part of this project.
#casaluisbarragán #tetetlan #shooting #expo #photo
PETRIFICADO by @danieljohnsonis is a powerful exploration through the bodies of 10 musas danzantes. It was an honor to be part of this performative research, captured through Daniel’s lens.
On view at @tetetlan until the end of January. Come see me in this new facet. ✨
Thanks to my favorite mexican fashion designer @gabysalasj to be part of this project.
#casaluisbarragán #tetetlan #shooting #expo #photo
Instagram Stories geheim ansehen
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Vorteile von Anonstories
IG Stories privat entdecken
Behalten Sie Instagram-Updates diskret im Blick, schützen Sie Ihre Privatsphäre und bleiben Sie anonym.
Privater Instagram Viewer
Sehen Sie Profile und Fotos anonym an, ganz einfach mit dem Private Profile Viewer.
Kostenloser Story Viewer
Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Häufig gestellte Fragen
Anonymität
Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Gerätekompatibilität
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
Sicherheit und Datenschutz
Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Keine Registrierung
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Unterstützte Formate
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Kosten
Der Dienst ist kostenlos nutzbar.
Private Accounts
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateiverwendung
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Wie es funktioniert
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.