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espace.triphase
Triphasé
Artist run space in Brussels
💍 29/05 - 18:00 opening NOCES DE BOIS
🌀founded by @alice.pandolfo & @antoinette_dansembourg
ateliertriphase@gmail.com
presents Léa Brami
👁️ Artists of Atelier Triphasé 👁️
Léa Brami is an artist and architect whose multidisciplinary practice explores collective memory, memory of tools, construction of the self, and amnesia through textiles, ceramics, screen printing, writing, and installation. Deeply influenced by folk art, punk aesthetics, and DIY culture, Léa uses existing archives to create fictional memorial objects and spaces of political resistance. By employing forms associated with identity and commemoration, they highlight and transmit alternative narratives that challenge the mechanisms of erasure perpetuated by dominant systems. Their works function as prostheses — extensions of our bodies, remedies that preserve what we were unable to hold onto. Through contact, we may begin a process of transformation, opening up new constructions of the self.
Fiction also occupies a central place in their practice: conceived as a restorative tool, it enables Léa to fill gaps and transform fragmented narratives. Their practice operates as a device for transmuting emotions and stories into a sense of collective power and agency.
Portrait @angejoannides
7. @zochauvet
9. @pi_lannoy
presents Léa Brami
👁️ Artists of Atelier Triphasé 👁️
Léa Brami is an artist and architect whose multidisciplinary practice explores collective memory, memory of tools, construction of the self, and amnesia through textiles, ceramics, screen printing, writing, and installation. Deeply influenced by folk art, punk aesthetics, and DIY culture, Léa uses existing archives to create fictional memorial objects and spaces of political resistance. By employing forms associated with identity and commemoration, they highlight and transmit alternative narratives that challenge the mechanisms of erasure perpetuated by dominant systems. Their works function as prostheses — extensions of our bodies, remedies that preserve what we were unable to hold onto. Through contact, we may begin a process of transformation, opening up new constructions of the self.
Fiction also occupies a central place in their practice: conceived as a restorative tool, it enables Léa to fill gaps and transform fragmented narratives. Their practice operates as a device for transmuting emotions and stories into a sense of collective power and agency.
Portrait @angejoannides
7. @zochauvet
9. @pi_lannoy
presents Léa Brami
👁️ Artists of Atelier Triphasé 👁️
Léa Brami is an artist and architect whose multidisciplinary practice explores collective memory, memory of tools, construction of the self, and amnesia through textiles, ceramics, screen printing, writing, and installation. Deeply influenced by folk art, punk aesthetics, and DIY culture, Léa uses existing archives to create fictional memorial objects and spaces of political resistance. By employing forms associated with identity and commemoration, they highlight and transmit alternative narratives that challenge the mechanisms of erasure perpetuated by dominant systems. Their works function as prostheses — extensions of our bodies, remedies that preserve what we were unable to hold onto. Through contact, we may begin a process of transformation, opening up new constructions of the self.
Fiction also occupies a central place in their practice: conceived as a restorative tool, it enables Léa to fill gaps and transform fragmented narratives. Their practice operates as a device for transmuting emotions and stories into a sense of collective power and agency.
Portrait @angejoannides
7. @zochauvet
9. @pi_lannoy
presents Léa Brami
👁️ Artists of Atelier Triphasé 👁️
Léa Brami is an artist and architect whose multidisciplinary practice explores collective memory, memory of tools, construction of the self, and amnesia through textiles, ceramics, screen printing, writing, and installation. Deeply influenced by folk art, punk aesthetics, and DIY culture, Léa uses existing archives to create fictional memorial objects and spaces of political resistance. By employing forms associated with identity and commemoration, they highlight and transmit alternative narratives that challenge the mechanisms of erasure perpetuated by dominant systems. Their works function as prostheses — extensions of our bodies, remedies that preserve what we were unable to hold onto. Through contact, we may begin a process of transformation, opening up new constructions of the self.
Fiction also occupies a central place in their practice: conceived as a restorative tool, it enables Léa to fill gaps and transform fragmented narratives. Their practice operates as a device for transmuting emotions and stories into a sense of collective power and agency.
Portrait @angejoannides
7. @zochauvet
9. @pi_lannoy
presents Léa Brami
👁️ Artists of Atelier Triphasé 👁️
Léa Brami is an artist and architect whose multidisciplinary practice explores collective memory, memory of tools, construction of the self, and amnesia through textiles, ceramics, screen printing, writing, and installation. Deeply influenced by folk art, punk aesthetics, and DIY culture, Léa uses existing archives to create fictional memorial objects and spaces of political resistance. By employing forms associated with identity and commemoration, they highlight and transmit alternative narratives that challenge the mechanisms of erasure perpetuated by dominant systems. Their works function as prostheses — extensions of our bodies, remedies that preserve what we were unable to hold onto. Through contact, we may begin a process of transformation, opening up new constructions of the self.
Fiction also occupies a central place in their practice: conceived as a restorative tool, it enables Léa to fill gaps and transform fragmented narratives. Their practice operates as a device for transmuting emotions and stories into a sense of collective power and agency.
Portrait @angejoannides
7. @zochauvet
9. @pi_lannoy
presents Léa Brami
👁️ Artists of Atelier Triphasé 👁️
Léa Brami is an artist and architect whose multidisciplinary practice explores collective memory, memory of tools, construction of the self, and amnesia through textiles, ceramics, screen printing, writing, and installation. Deeply influenced by folk art, punk aesthetics, and DIY culture, Léa uses existing archives to create fictional memorial objects and spaces of political resistance. By employing forms associated with identity and commemoration, they highlight and transmit alternative narratives that challenge the mechanisms of erasure perpetuated by dominant systems. Their works function as prostheses — extensions of our bodies, remedies that preserve what we were unable to hold onto. Through contact, we may begin a process of transformation, opening up new constructions of the self.
Fiction also occupies a central place in their practice: conceived as a restorative tool, it enables Léa to fill gaps and transform fragmented narratives. Their practice operates as a device for transmuting emotions and stories into a sense of collective power and agency.
Portrait @angejoannides
7. @zochauvet
9. @pi_lannoy
presents Léa Brami
👁️ Artists of Atelier Triphasé 👁️
Léa Brami is an artist and architect whose multidisciplinary practice explores collective memory, memory of tools, construction of the self, and amnesia through textiles, ceramics, screen printing, writing, and installation. Deeply influenced by folk art, punk aesthetics, and DIY culture, Léa uses existing archives to create fictional memorial objects and spaces of political resistance. By employing forms associated with identity and commemoration, they highlight and transmit alternative narratives that challenge the mechanisms of erasure perpetuated by dominant systems. Their works function as prostheses — extensions of our bodies, remedies that preserve what we were unable to hold onto. Through contact, we may begin a process of transformation, opening up new constructions of the self.
Fiction also occupies a central place in their practice: conceived as a restorative tool, it enables Léa to fill gaps and transform fragmented narratives. Their practice operates as a device for transmuting emotions and stories into a sense of collective power and agency.
Portrait @angejoannides
7. @zochauvet
9. @pi_lannoy
presents Léa Brami
👁️ Artists of Atelier Triphasé 👁️
Léa Brami is an artist and architect whose multidisciplinary practice explores collective memory, memory of tools, construction of the self, and amnesia through textiles, ceramics, screen printing, writing, and installation. Deeply influenced by folk art, punk aesthetics, and DIY culture, Léa uses existing archives to create fictional memorial objects and spaces of political resistance. By employing forms associated with identity and commemoration, they highlight and transmit alternative narratives that challenge the mechanisms of erasure perpetuated by dominant systems. Their works function as prostheses — extensions of our bodies, remedies that preserve what we were unable to hold onto. Through contact, we may begin a process of transformation, opening up new constructions of the self.
Fiction also occupies a central place in their practice: conceived as a restorative tool, it enables Léa to fill gaps and transform fragmented narratives. Their practice operates as a device for transmuting emotions and stories into a sense of collective power and agency.
Portrait @angejoannides
7. @zochauvet
9. @pi_lannoy
presents Léa Brami
👁️ Artists of Atelier Triphasé 👁️
Léa Brami is an artist and architect whose multidisciplinary practice explores collective memory, memory of tools, construction of the self, and amnesia through textiles, ceramics, screen printing, writing, and installation. Deeply influenced by folk art, punk aesthetics, and DIY culture, Léa uses existing archives to create fictional memorial objects and spaces of political resistance. By employing forms associated with identity and commemoration, they highlight and transmit alternative narratives that challenge the mechanisms of erasure perpetuated by dominant systems. Their works function as prostheses — extensions of our bodies, remedies that preserve what we were unable to hold onto. Through contact, we may begin a process of transformation, opening up new constructions of the self.
Fiction also occupies a central place in their practice: conceived as a restorative tool, it enables Léa to fill gaps and transform fragmented narratives. Their practice operates as a device for transmuting emotions and stories into a sense of collective power and agency.
Portrait @angejoannides
7. @zochauvet
9. @pi_lannoy
presents Juliette Lizotte aka Jujulove
🧚♀️ Artists of Triphasé 🧚♂️
Juliette Lizotte (FR, 1991) aka jujulove is a forest creature, a sonic spell-caster, a raeve elf, an audiovisual oracle .°·♫° ● ♪ .·⋆ﾟ Inspired by ecotransfeminism, science fiction, video games, and fantasy, jujulove opens parallel worlds of deconstucted frequencies, haunted & ecstatic voices! ✴ ·*· . 𝄞 jujulove is a video maker, artist, larper and DJ based in Amsterdam, a member of the collectives Hackers & Designers (Amsterdam) and Narthex (worldwide), whose work focuses on mythological figures as portals to address social and ecological urgencies and make ground for resistance to systems of oppression while exploring role play methodologies for collective storytelling ꩜ ★ °.
Jujulov was a Triphasé resident until 2024 💗
https://jujulove.eu/
1. Portrait by @adriendehemptinne with an amazing @yamunaforzani outfit
2. Monstrua, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2022
3. Gotas, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2023
4. Sisters of the wind, AV, 2021
5. pozzi poco profundi, Music video for Reptilian expo @reptib1 with Tabula Fabula @tabula_fabula 2025
6. Harri Kanta, AV, 2025
7. Narthex @narthex.earth Les Chroniques de Linières, larp with Fabien Mathieu @rol.narratives , 2023
8. The Age of Dust, larp, 2022
9. Invocations, mini larp with Anne Lise le Gac @okay_confiance & Mayotte de Seaulieu @mayafortunee , 2025
presents Juliette Lizotte aka Jujulove
🧚♀️ Artists of Triphasé 🧚♂️
Juliette Lizotte (FR, 1991) aka jujulove is a forest creature, a sonic spell-caster, a raeve elf, an audiovisual oracle .°·♫° ● ♪ .·⋆ﾟ Inspired by ecotransfeminism, science fiction, video games, and fantasy, jujulove opens parallel worlds of deconstucted frequencies, haunted & ecstatic voices! ✴ ·*· . 𝄞 jujulove is a video maker, artist, larper and DJ based in Amsterdam, a member of the collectives Hackers & Designers (Amsterdam) and Narthex (worldwide), whose work focuses on mythological figures as portals to address social and ecological urgencies and make ground for resistance to systems of oppression while exploring role play methodologies for collective storytelling ꩜ ★ °.
Jujulov was a Triphasé resident until 2024 💗
https://jujulove.eu/
1. Portrait by @adriendehemptinne with an amazing @yamunaforzani outfit
2. Monstrua, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2022
3. Gotas, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2023
4. Sisters of the wind, AV, 2021
5. pozzi poco profundi, Music video for Reptilian expo @reptib1 with Tabula Fabula @tabula_fabula 2025
6. Harri Kanta, AV, 2025
7. Narthex @narthex.earth Les Chroniques de Linières, larp with Fabien Mathieu @rol.narratives , 2023
8. The Age of Dust, larp, 2022
9. Invocations, mini larp with Anne Lise le Gac @okay_confiance & Mayotte de Seaulieu @mayafortunee , 2025
presents Juliette Lizotte aka Jujulove
🧚♀️ Artists of Triphasé 🧚♂️
Juliette Lizotte (FR, 1991) aka jujulove is a forest creature, a sonic spell-caster, a raeve elf, an audiovisual oracle .°·♫° ● ♪ .·⋆ﾟ Inspired by ecotransfeminism, science fiction, video games, and fantasy, jujulove opens parallel worlds of deconstucted frequencies, haunted & ecstatic voices! ✴ ·*· . 𝄞 jujulove is a video maker, artist, larper and DJ based in Amsterdam, a member of the collectives Hackers & Designers (Amsterdam) and Narthex (worldwide), whose work focuses on mythological figures as portals to address social and ecological urgencies and make ground for resistance to systems of oppression while exploring role play methodologies for collective storytelling ꩜ ★ °.
Jujulov was a Triphasé resident until 2024 💗
https://jujulove.eu/
1. Portrait by @adriendehemptinne with an amazing @yamunaforzani outfit
2. Monstrua, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2022
3. Gotas, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2023
4. Sisters of the wind, AV, 2021
5. pozzi poco profundi, Music video for Reptilian expo @reptib1 with Tabula Fabula @tabula_fabula 2025
6. Harri Kanta, AV, 2025
7. Narthex @narthex.earth Les Chroniques de Linières, larp with Fabien Mathieu @rol.narratives , 2023
8. The Age of Dust, larp, 2022
9. Invocations, mini larp with Anne Lise le Gac @okay_confiance & Mayotte de Seaulieu @mayafortunee , 2025
presents Juliette Lizotte aka Jujulove
🧚♀️ Artists of Triphasé 🧚♂️
Juliette Lizotte (FR, 1991) aka jujulove is a forest creature, a sonic spell-caster, a raeve elf, an audiovisual oracle .°·♫° ● ♪ .·⋆ﾟ Inspired by ecotransfeminism, science fiction, video games, and fantasy, jujulove opens parallel worlds of deconstucted frequencies, haunted & ecstatic voices! ✴ ·*· . 𝄞 jujulove is a video maker, artist, larper and DJ based in Amsterdam, a member of the collectives Hackers & Designers (Amsterdam) and Narthex (worldwide), whose work focuses on mythological figures as portals to address social and ecological urgencies and make ground for resistance to systems of oppression while exploring role play methodologies for collective storytelling ꩜ ★ °.
Jujulov was a Triphasé resident until 2024 💗
https://jujulove.eu/
1. Portrait by @adriendehemptinne with an amazing @yamunaforzani outfit
2. Monstrua, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2022
3. Gotas, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2023
4. Sisters of the wind, AV, 2021
5. pozzi poco profundi, Music video for Reptilian expo @reptib1 with Tabula Fabula @tabula_fabula 2025
6. Harri Kanta, AV, 2025
7. Narthex @narthex.earth Les Chroniques de Linières, larp with Fabien Mathieu @rol.narratives , 2023
8. The Age of Dust, larp, 2022
9. Invocations, mini larp with Anne Lise le Gac @okay_confiance & Mayotte de Seaulieu @mayafortunee , 2025
presents Juliette Lizotte aka Jujulove
🧚♀️ Artists of Triphasé 🧚♂️
Juliette Lizotte (FR, 1991) aka jujulove is a forest creature, a sonic spell-caster, a raeve elf, an audiovisual oracle .°·♫° ● ♪ .·⋆ﾟ Inspired by ecotransfeminism, science fiction, video games, and fantasy, jujulove opens parallel worlds of deconstucted frequencies, haunted & ecstatic voices! ✴ ·*· . 𝄞 jujulove is a video maker, artist, larper and DJ based in Amsterdam, a member of the collectives Hackers & Designers (Amsterdam) and Narthex (worldwide), whose work focuses on mythological figures as portals to address social and ecological urgencies and make ground for resistance to systems of oppression while exploring role play methodologies for collective storytelling ꩜ ★ °.
Jujulov was a Triphasé resident until 2024 💗
https://jujulove.eu/
1. Portrait by @adriendehemptinne with an amazing @yamunaforzani outfit
2. Monstrua, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2022
3. Gotas, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2023
4. Sisters of the wind, AV, 2021
5. pozzi poco profundi, Music video for Reptilian expo @reptib1 with Tabula Fabula @tabula_fabula 2025
6. Harri Kanta, AV, 2025
7. Narthex @narthex.earth Les Chroniques de Linières, larp with Fabien Mathieu @rol.narratives , 2023
8. The Age of Dust, larp, 2022
9. Invocations, mini larp with Anne Lise le Gac @okay_confiance & Mayotte de Seaulieu @mayafortunee , 2025
presents Juliette Lizotte aka Jujulove
🧚♀️ Artists of Triphasé 🧚♂️
Juliette Lizotte (FR, 1991) aka jujulove is a forest creature, a sonic spell-caster, a raeve elf, an audiovisual oracle .°·♫° ● ♪ .·⋆ﾟ Inspired by ecotransfeminism, science fiction, video games, and fantasy, jujulove opens parallel worlds of deconstucted frequencies, haunted & ecstatic voices! ✴ ·*· . 𝄞 jujulove is a video maker, artist, larper and DJ based in Amsterdam, a member of the collectives Hackers & Designers (Amsterdam) and Narthex (worldwide), whose work focuses on mythological figures as portals to address social and ecological urgencies and make ground for resistance to systems of oppression while exploring role play methodologies for collective storytelling ꩜ ★ °.
Jujulov was a Triphasé resident until 2024 💗
https://jujulove.eu/
1. Portrait by @adriendehemptinne with an amazing @yamunaforzani outfit
2. Monstrua, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2022
3. Gotas, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2023
4. Sisters of the wind, AV, 2021
5. pozzi poco profundi, Music video for Reptilian expo @reptib1 with Tabula Fabula @tabula_fabula 2025
6. Harri Kanta, AV, 2025
7. Narthex @narthex.earth Les Chroniques de Linières, larp with Fabien Mathieu @rol.narratives , 2023
8. The Age of Dust, larp, 2022
9. Invocations, mini larp with Anne Lise le Gac @okay_confiance & Mayotte de Seaulieu @mayafortunee , 2025
presents Juliette Lizotte aka Jujulove
🧚♀️ Artists of Triphasé 🧚♂️
Juliette Lizotte (FR, 1991) aka jujulove is a forest creature, a sonic spell-caster, a raeve elf, an audiovisual oracle .°·♫° ● ♪ .·⋆ﾟ Inspired by ecotransfeminism, science fiction, video games, and fantasy, jujulove opens parallel worlds of deconstucted frequencies, haunted & ecstatic voices! ✴ ·*· . 𝄞 jujulove is a video maker, artist, larper and DJ based in Amsterdam, a member of the collectives Hackers & Designers (Amsterdam) and Narthex (worldwide), whose work focuses on mythological figures as portals to address social and ecological urgencies and make ground for resistance to systems of oppression while exploring role play methodologies for collective storytelling ꩜ ★ °.
Jujulov was a Triphasé resident until 2024 💗
https://jujulove.eu/
1. Portrait by @adriendehemptinne with an amazing @yamunaforzani outfit
2. Monstrua, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2022
3. Gotas, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2023
4. Sisters of the wind, AV, 2021
5. pozzi poco profundi, Music video for Reptilian expo @reptib1 with Tabula Fabula @tabula_fabula 2025
6. Harri Kanta, AV, 2025
7. Narthex @narthex.earth Les Chroniques de Linières, larp with Fabien Mathieu @rol.narratives , 2023
8. The Age of Dust, larp, 2022
9. Invocations, mini larp with Anne Lise le Gac @okay_confiance & Mayotte de Seaulieu @mayafortunee , 2025
presents Juliette Lizotte aka Jujulove
🧚♀️ Artists of Triphasé 🧚♂️
Juliette Lizotte (FR, 1991) aka jujulove is a forest creature, a sonic spell-caster, a raeve elf, an audiovisual oracle .°·♫° ● ♪ .·⋆ﾟ Inspired by ecotransfeminism, science fiction, video games, and fantasy, jujulove opens parallel worlds of deconstucted frequencies, haunted & ecstatic voices! ✴ ·*· . 𝄞 jujulove is a video maker, artist, larper and DJ based in Amsterdam, a member of the collectives Hackers & Designers (Amsterdam) and Narthex (worldwide), whose work focuses on mythological figures as portals to address social and ecological urgencies and make ground for resistance to systems of oppression while exploring role play methodologies for collective storytelling ꩜ ★ °.
Jujulov was a Triphasé resident until 2024 💗
https://jujulove.eu/
1. Portrait by @adriendehemptinne with an amazing @yamunaforzani outfit
2. Monstrua, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2022
3. Gotas, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2023
4. Sisters of the wind, AV, 2021
5. pozzi poco profundi, Music video for Reptilian expo @reptib1 with Tabula Fabula @tabula_fabula 2025
6. Harri Kanta, AV, 2025
7. Narthex @narthex.earth Les Chroniques de Linières, larp with Fabien Mathieu @rol.narratives , 2023
8. The Age of Dust, larp, 2022
9. Invocations, mini larp with Anne Lise le Gac @okay_confiance & Mayotte de Seaulieu @mayafortunee , 2025
presents Juliette Lizotte aka Jujulove
🧚♀️ Artists of Triphasé 🧚♂️
Juliette Lizotte (FR, 1991) aka jujulove is a forest creature, a sonic spell-caster, a raeve elf, an audiovisual oracle .°·♫° ● ♪ .·⋆ﾟ Inspired by ecotransfeminism, science fiction, video games, and fantasy, jujulove opens parallel worlds of deconstucted frequencies, haunted & ecstatic voices! ✴ ·*· . 𝄞 jujulove is a video maker, artist, larper and DJ based in Amsterdam, a member of the collectives Hackers & Designers (Amsterdam) and Narthex (worldwide), whose work focuses on mythological figures as portals to address social and ecological urgencies and make ground for resistance to systems of oppression while exploring role play methodologies for collective storytelling ꩜ ★ °.
Jujulov was a Triphasé resident until 2024 💗
https://jujulove.eu/
1. Portrait by @adriendehemptinne with an amazing @yamunaforzani outfit
2. Monstrua, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2022
3. Gotas, Music video for Clara! @claraaaaaaaaaaaaaaaaaaaa_ 2023
4. Sisters of the wind, AV, 2021
5. pozzi poco profundi, Music video for Reptilian expo @reptib1 with Tabula Fabula @tabula_fabula 2025
6. Harri Kanta, AV, 2025
7. Narthex @narthex.earth Les Chroniques de Linières, larp with Fabien Mathieu @rol.narratives , 2023
8. The Age of Dust, larp, 2022
9. Invocations, mini larp with Anne Lise le Gac @okay_confiance & Mayotte de Seaulieu @mayafortunee , 2025
🌋 « les filles de tara » 1cm Mi-animal, mi-human sculpture 🦋
This potter-wasp vase, transformed by fire and glass, joins a series of jars collected around the world and fired as sculptures 🌍🏺🐝
So proud to have presented this work between nature and culture at @ceramic.brussels Young Talent Opus I, and today at @madd_bordeaux “Céramique Corps Sensible” @etiennetornier 🌼
🏔️ Images 2 and 3: Erosion II, granite and fused porcelain bas-relief 🌋🍄🟫
So crazy to present this latest fire-lab output 🔥, tinder fungus used to master fire and granite slab waste 🪨
A big thank you to @angejoannides for the insane photos!
🌈 @espace.triphase mamamia ! already 5 years of love together ! ❤️🔥⭐️ soon the birthday show 🎂🖼️
Photo 1 Geoffrey Fritsch 🍀 thanks from my heart, to all of you who helped me to bring in Belgium, these tiny sculptures from all around the world ❤️🔥
🌋 « les filles de tara » 1cm Mi-animal, mi-human sculpture 🦋
This potter-wasp vase, transformed by fire and glass, joins a series of jars collected around the world and fired as sculptures 🌍🏺🐝
So proud to have presented this work between nature and culture at @ceramic.brussels Young Talent Opus I, and today at @madd_bordeaux “Céramique Corps Sensible” @etiennetornier 🌼
🏔️ Images 2 and 3: Erosion II, granite and fused porcelain bas-relief 🌋🍄🟫
So crazy to present this latest fire-lab output 🔥, tinder fungus used to master fire and granite slab waste 🪨
A big thank you to @angejoannides for the insane photos!
🌈 @espace.triphase mamamia ! already 5 years of love together ! ❤️🔥⭐️ soon the birthday show 🎂🖼️
Photo 1 Geoffrey Fritsch 🍀 thanks from my heart, to all of you who helped me to bring in Belgium, these tiny sculptures from all around the world ❤️🔥
🌋 « les filles de tara » 1cm Mi-animal, mi-human sculpture 🦋
This potter-wasp vase, transformed by fire and glass, joins a series of jars collected around the world and fired as sculptures 🌍🏺🐝
So proud to have presented this work between nature and culture at @ceramic.brussels Young Talent Opus I, and today at @madd_bordeaux “Céramique Corps Sensible” @etiennetornier 🌼
🏔️ Images 2 and 3: Erosion II, granite and fused porcelain bas-relief 🌋🍄🟫
So crazy to present this latest fire-lab output 🔥, tinder fungus used to master fire and granite slab waste 🪨
A big thank you to @angejoannides for the insane photos!
🌈 @espace.triphase mamamia ! already 5 years of love together ! ❤️🔥⭐️ soon the birthday show 🎂🖼️
Photo 1 Geoffrey Fritsch 🍀 thanks from my heart, to all of you who helped me to bring in Belgium, these tiny sculptures from all around the world ❤️🔥
presents NOCES DE BOIS, the 5 years anniversary 💍
🎂 Dear Friends of Triphasé 🎂
We’re beyond excited to invite you to our OPEN STUDIOS & EXHIBITION at TRIPHASÉ to celebrate our 5 YEARS ANNIVERSARY!
Our resident artists : Antoinette d'Ansembourg, Esther Babulik, Léa Brami, Suzanne Corcessin, Beatrice Guilleman, Abel Jallais, Jonas Moënne, Antoine Moulinard, Carole Mousset, Alice Pandolfo, Ange Joannides and Celia Rancelot, have teamed up to co-curate NOCES DE BOIS, a collective show to celebrate the 5 years of Triphasé.
NOCES DE BOIS is all about celebrations, connections, and evolutions. Alongside the exhibition, our studios will be wide open, giving you a chance to see works in progress and meet the artists in the intimacy of their workshops.
Opening :
29.05 ⚡️ 18:00 > 22:00
📍Boulevard Poincaré 58B, Anderlecht
Opening hours :
29.05 ⚡️ 14:00 > 22:00
30.05 ⚡️ 14:00 > 19:00
You are all welcome to join! We can’t wait to celebrate with you all!!! 🥂🎊
presents NOCES DE BOIS, the 5 years anniversary 💍
🎂 Dear Friends of Triphasé 🎂
We’re beyond excited to invite you to our OPEN STUDIOS & EXHIBITION at TRIPHASÉ to celebrate our 5 YEARS ANNIVERSARY!
Our resident artists : Antoinette d'Ansembourg, Esther Babulik, Léa Brami, Suzanne Corcessin, Beatrice Guilleman, Abel Jallais, Jonas Moënne, Antoine Moulinard, Carole Mousset, Alice Pandolfo, Ange Joannides and Celia Rancelot, have teamed up to co-curate NOCES DE BOIS, a collective show to celebrate the 5 years of Triphasé.
NOCES DE BOIS is all about celebrations, connections, and evolutions. Alongside the exhibition, our studios will be wide open, giving you a chance to see works in progress and meet the artists in the intimacy of their workshops.
Opening :
29.05 ⚡️ 18:00 > 22:00
📍Boulevard Poincaré 58B, Anderlecht
Opening hours :
29.05 ⚡️ 14:00 > 22:00
30.05 ⚡️ 14:00 > 19:00
You are all welcome to join! We can’t wait to celebrate with you all!!! 🥂🎊
« Élévations mordantes » is a series of stoneware pieces.
The first works were exhibited at the Bourse Metro station in Brussels as part of an exhibition at @espaceqartier
The fountain, meanwhile, was created for the Young art prize at @ceramic.brussels in 2025, continuing this exploration of hybrid forms between architecture and animal figure.
📍The fountain is on display until september at @abbykortrijk alongside some great ceramicists !!
📸thank you @angejoannides for the amazing pictures
🧱thank you once again @colpaertvanleemputten for your sponsorship ✨thank you @espace.triphase for this amazing two years
« Élévations mordantes » is a series of stoneware pieces.
The first works were exhibited at the Bourse Metro station in Brussels as part of an exhibition at @espaceqartier
The fountain, meanwhile, was created for the Young art prize at @ceramic.brussels in 2025, continuing this exploration of hybrid forms between architecture and animal figure.
📍The fountain is on display until september at @abbykortrijk alongside some great ceramicists !!
📸thank you @angejoannides for the amazing pictures
🧱thank you once again @colpaertvanleemputten for your sponsorship ✨thank you @espace.triphase for this amazing two years
« Élévations mordantes » is a series of stoneware pieces.
The first works were exhibited at the Bourse Metro station in Brussels as part of an exhibition at @espaceqartier
The fountain, meanwhile, was created for the Young art prize at @ceramic.brussels in 2025, continuing this exploration of hybrid forms between architecture and animal figure.
📍The fountain is on display until september at @abbykortrijk alongside some great ceramicists !!
📸thank you @angejoannides for the amazing pictures
🧱thank you once again @colpaertvanleemputten for your sponsorship ✨thank you @espace.triphase for this amazing two years
« Élévations mordantes » is a series of stoneware pieces.
The first works were exhibited at the Bourse Metro station in Brussels as part of an exhibition at @espaceqartier
The fountain, meanwhile, was created for the Young art prize at @ceramic.brussels in 2025, continuing this exploration of hybrid forms between architecture and animal figure.
📍The fountain is on display until september at @abbykortrijk alongside some great ceramicists !!
📸thank you @angejoannides for the amazing pictures
🧱thank you once again @colpaertvanleemputten for your sponsorship ✨thank you @espace.triphase for this amazing two years
« Élévations mordantes » is a series of stoneware pieces.
The first works were exhibited at the Bourse Metro station in Brussels as part of an exhibition at @espaceqartier
The fountain, meanwhile, was created for the Young art prize at @ceramic.brussels in 2025, continuing this exploration of hybrid forms between architecture and animal figure.
📍The fountain is on display until september at @abbykortrijk alongside some great ceramicists !!
📸thank you @angejoannides for the amazing pictures
🧱thank you once again @colpaertvanleemputten for your sponsorship ✨thank you @espace.triphase for this amazing two years
« Élévations mordantes » is a series of stoneware pieces.
The first works were exhibited at the Bourse Metro station in Brussels as part of an exhibition at @espaceqartier
The fountain, meanwhile, was created for the Young art prize at @ceramic.brussels in 2025, continuing this exploration of hybrid forms between architecture and animal figure.
📍The fountain is on display until september at @abbykortrijk alongside some great ceramicists !!
📸thank you @angejoannides for the amazing pictures
🧱thank you once again @colpaertvanleemputten for your sponsorship ✨thank you @espace.triphase for this amazing two years
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸
🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹
🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼
👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.
📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.
✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.
🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.
📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼
🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.
🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)
🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾
De ce qu’il nous reste - Fornace di Murano, is the first piece in a series of contextual works.
De ce qu’il nous reste is now on view as part of Parasit group show, in the former metal shelving of Jean Wauters in Brussels.
I invite you to join us tonight for the opening, bar and DJsets.
📍rue de liverpool 12, Anderlecht
🌞 from 5pm - 10pm
Thanks to @simonhampikian & @antonwvripon for the curation & production of the show ✨
The collective installation will be open to the public 4 days, from April 30 to May 3, from 11am to 6pm.
——-
“In a form of archaeology of the present, this work attends to the ruins of what is no longer valued, within a society shaped by the acceleration of fast consumption. Biological, manufactured, and industrial fragments are approached as vessels of memory, carrying invaluable traces of past lives.
Weaving operates as a connective structure, embedding these fragments within layered temporalities, from geological time to the rapid cycles of industrial production. These systems unfold as hybrid spaces, where energy circulates between organic remains and the residues of the modern world.
Presented as artifacts, the works draw on the display strategies of natural history museums, questioning hyperconsumption while revealing the quiet beauty of the everyday, the broken, and the discarded.
This first piece brings together fragments of broken glass sourced from the “Fornace” of Murano (glassblowing workshops in Venice), alongside shells and remnants of studio debris.
De ce qu’il nous reste, engages with past and present histories while projecting a future in which architectures of repair can be imagined. In these scenarios, fragility and rupture become active forces, fragments no longer exist as passive witnesses or ruins of a disappearing past, but instead connect to propose new modes of existence and coexistence.”
Many thanks to @edoedoedoedoedoedoedo (@6am_glass) for driving me into the Murano glass world. ⚡️
Photographies by the best @angejoannides
De ce qu’il nous reste - Fornace di Murano, is the first piece in a series of contextual works.
De ce qu’il nous reste is now on view as part of Parasit group show, in the former metal shelving of Jean Wauters in Brussels.
I invite you to join us tonight for the opening, bar and DJsets.
📍rue de liverpool 12, Anderlecht
🌞 from 5pm - 10pm
Thanks to @simonhampikian & @antonwvripon for the curation & production of the show ✨
The collective installation will be open to the public 4 days, from April 30 to May 3, from 11am to 6pm.
——-
“In a form of archaeology of the present, this work attends to the ruins of what is no longer valued, within a society shaped by the acceleration of fast consumption. Biological, manufactured, and industrial fragments are approached as vessels of memory, carrying invaluable traces of past lives.
Weaving operates as a connective structure, embedding these fragments within layered temporalities, from geological time to the rapid cycles of industrial production. These systems unfold as hybrid spaces, where energy circulates between organic remains and the residues of the modern world.
Presented as artifacts, the works draw on the display strategies of natural history museums, questioning hyperconsumption while revealing the quiet beauty of the everyday, the broken, and the discarded.
This first piece brings together fragments of broken glass sourced from the “Fornace” of Murano (glassblowing workshops in Venice), alongside shells and remnants of studio debris.
De ce qu’il nous reste, engages with past and present histories while projecting a future in which architectures of repair can be imagined. In these scenarios, fragility and rupture become active forces, fragments no longer exist as passive witnesses or ruins of a disappearing past, but instead connect to propose new modes of existence and coexistence.”
Many thanks to @edoedoedoedoedoedoedo (@6am_glass) for driving me into the Murano glass world. ⚡️
Photographies by the best @angejoannides
De ce qu’il nous reste - Fornace di Murano, is the first piece in a series of contextual works.
De ce qu’il nous reste is now on view as part of Parasit group show, in the former metal shelving of Jean Wauters in Brussels.
I invite you to join us tonight for the opening, bar and DJsets.
📍rue de liverpool 12, Anderlecht
🌞 from 5pm - 10pm
Thanks to @simonhampikian & @antonwvripon for the curation & production of the show ✨
The collective installation will be open to the public 4 days, from April 30 to May 3, from 11am to 6pm.
——-
“In a form of archaeology of the present, this work attends to the ruins of what is no longer valued, within a society shaped by the acceleration of fast consumption. Biological, manufactured, and industrial fragments are approached as vessels of memory, carrying invaluable traces of past lives.
Weaving operates as a connective structure, embedding these fragments within layered temporalities, from geological time to the rapid cycles of industrial production. These systems unfold as hybrid spaces, where energy circulates between organic remains and the residues of the modern world.
Presented as artifacts, the works draw on the display strategies of natural history museums, questioning hyperconsumption while revealing the quiet beauty of the everyday, the broken, and the discarded.
This first piece brings together fragments of broken glass sourced from the “Fornace” of Murano (glassblowing workshops in Venice), alongside shells and remnants of studio debris.
De ce qu’il nous reste, engages with past and present histories while projecting a future in which architectures of repair can be imagined. In these scenarios, fragility and rupture become active forces, fragments no longer exist as passive witnesses or ruins of a disappearing past, but instead connect to propose new modes of existence and coexistence.”
Many thanks to @edoedoedoedoedoedoedo (@6am_glass) for driving me into the Murano glass world. ⚡️
Photographies by the best @angejoannides
De ce qu’il nous reste - Fornace di Murano, is the first piece in a series of contextual works.
De ce qu’il nous reste is now on view as part of Parasit group show, in the former metal shelving of Jean Wauters in Brussels.
I invite you to join us tonight for the opening, bar and DJsets.
📍rue de liverpool 12, Anderlecht
🌞 from 5pm - 10pm
Thanks to @simonhampikian & @antonwvripon for the curation & production of the show ✨
The collective installation will be open to the public 4 days, from April 30 to May 3, from 11am to 6pm.
——-
“In a form of archaeology of the present, this work attends to the ruins of what is no longer valued, within a society shaped by the acceleration of fast consumption. Biological, manufactured, and industrial fragments are approached as vessels of memory, carrying invaluable traces of past lives.
Weaving operates as a connective structure, embedding these fragments within layered temporalities, from geological time to the rapid cycles of industrial production. These systems unfold as hybrid spaces, where energy circulates between organic remains and the residues of the modern world.
Presented as artifacts, the works draw on the display strategies of natural history museums, questioning hyperconsumption while revealing the quiet beauty of the everyday, the broken, and the discarded.
This first piece brings together fragments of broken glass sourced from the “Fornace” of Murano (glassblowing workshops in Venice), alongside shells and remnants of studio debris.
De ce qu’il nous reste, engages with past and present histories while projecting a future in which architectures of repair can be imagined. In these scenarios, fragility and rupture become active forces, fragments no longer exist as passive witnesses or ruins of a disappearing past, but instead connect to propose new modes of existence and coexistence.”
Many thanks to @edoedoedoedoedoedoedo (@6am_glass) for driving me into the Murano glass world. ⚡️
Photographies by the best @angejoannides
Sculpture by Esther Babulik, artist at @espace.triphase.
Using textile weaving in volume combined with wax, she creates hybrid sculptural bodies. Her practice explores forms in constant transformation, suspended between states. Wax, as a fluid and polymorphous material, reflects the instability of living matter. Her works exist in a liminal space where human, non-human, natural and artificial dissolve.Steel Steel base : @adrien_arial
Photos : @angejoannides
Sculpture by Esther Babulik, artist at @espace.triphase.
Using textile weaving in volume combined with wax, she creates hybrid sculptural bodies. Her practice explores forms in constant transformation, suspended between states. Wax, as a fluid and polymorphous material, reflects the instability of living matter. Her works exist in a liminal space where human, non-human, natural and artificial dissolve.Steel Steel base : @adrien_arial
Photos : @angejoannides
Sculpture by Esther Babulik, artist at @espace.triphase.
Using textile weaving in volume combined with wax, she creates hybrid sculptural bodies. Her practice explores forms in constant transformation, suspended between states. Wax, as a fluid and polymorphous material, reflects the instability of living matter. Her works exist in a liminal space where human, non-human, natural and artificial dissolve.Steel Steel base : @adrien_arial
Photos : @angejoannides
presents Alice Pandolfo
🚧 Artists of Atelier Triphasé 🚧
Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩❤️💋👩
Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.
The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.
Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.
Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.
Alice questions our relationship with materials and their value in a society in constant reconstruction.
📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair
presents Alice Pandolfo
🚧 Artists of Atelier Triphasé 🚧
Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩❤️💋👩
Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.
The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.
Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.
Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.
Alice questions our relationship with materials and their value in a society in constant reconstruction.
📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair
presents Alice Pandolfo
🚧 Artists of Atelier Triphasé 🚧
Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩❤️💋👩
Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.
The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.
Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.
Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.
Alice questions our relationship with materials and their value in a society in constant reconstruction.
📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair
presents Alice Pandolfo
🚧 Artists of Atelier Triphasé 🚧
Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩❤️💋👩
Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.
The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.
Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.
Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.
Alice questions our relationship with materials and their value in a society in constant reconstruction.
📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair
presents Alice Pandolfo
🚧 Artists of Atelier Triphasé 🚧
Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩❤️💋👩
Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.
The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.
Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.
Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.
Alice questions our relationship with materials and their value in a society in constant reconstruction.
📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair
presents Alice Pandolfo
🚧 Artists of Atelier Triphasé 🚧
Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩❤️💋👩
Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.
The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.
Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.
Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.
Alice questions our relationship with materials and their value in a society in constant reconstruction.
📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair
presents Alice Pandolfo
🚧 Artists of Atelier Triphasé 🚧
Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩❤️💋👩
Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.
The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.
Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.
Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.
Alice questions our relationship with materials and their value in a society in constant reconstruction.
📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair
presents Alice Pandolfo
🚧 Artists of Atelier Triphasé 🚧
Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩❤️💋👩
Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.
The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.
Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.
Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.
Alice questions our relationship with materials and their value in a society in constant reconstruction.
📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair
presents Alice Pandolfo
🚧 Artists of Atelier Triphasé 🚧
Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩❤️💋👩
Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.
The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.
Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.
Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.
Alice questions our relationship with materials and their value in a society in constant reconstruction.
📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair
presents Jonas Moënne
🔥 Artists of Atelier Triphasé 🔥
“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.
A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.
An invitation to take a different look at the world, bold and offbeat, and to think differently.”
Estelle Spoto
📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch
presents Jonas Moënne
🔥 Artists of Atelier Triphasé 🔥
“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.
A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.
An invitation to take a different look at the world, bold and offbeat, and to think differently.”
Estelle Spoto
📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch
presents Jonas Moënne
🔥 Artists of Atelier Triphasé 🔥
“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.
A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.
An invitation to take a different look at the world, bold and offbeat, and to think differently.”
Estelle Spoto
📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch
presents Jonas Moënne
🔥 Artists of Atelier Triphasé 🔥
“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.
A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.
An invitation to take a different look at the world, bold and offbeat, and to think differently.”
Estelle Spoto
📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch
presents Jonas Moënne
🔥 Artists of Atelier Triphasé 🔥
“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.
A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.
An invitation to take a different look at the world, bold and offbeat, and to think differently.”
Estelle Spoto
📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch
presents Jonas Moënne
🔥 Artists of Atelier Triphasé 🔥
“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.
A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.
An invitation to take a different look at the world, bold and offbeat, and to think differently.”
Estelle Spoto
📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch
presents Jonas Moënne
🔥 Artists of Atelier Triphasé 🔥
“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.
A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.
An invitation to take a different look at the world, bold and offbeat, and to think differently.”
Estelle Spoto
📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch
presents Jonas Moënne
🔥 Artists of Atelier Triphasé 🔥
“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.
A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.
An invitation to take a different look at the world, bold and offbeat, and to think differently.”
Estelle Spoto
📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch
presents Jonas Moënne
🔥 Artists of Atelier Triphasé 🔥
“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.
A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.
An invitation to take a different look at the world, bold and offbeat, and to think differently.”
Estelle Spoto
📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch
presents Jonas Moënne
🔥 Artists of Atelier Triphasé 🔥
“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.
A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.
An invitation to take a different look at the world, bold and offbeat, and to think differently.”
Estelle Spoto
📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch
presents Abel Jallais
🌋Artists of Triphasé🌋
Abel Jallais (born in 1992) is a French artist currently living and working in Brussels. He obtained his Master’s degree in Ceramics from La Cambre (BE) in 2018, after graduating from the Fine Arts School of Angers (FR) in 2015.
His practice navigates between formal research and a conceptual exploration of the utilitarian object, which he approaches as a fictional territory. This process creates a dialogue of ambiguity and misinterpretation between form and viewer.
Often conceived as futuristic archaeologies or hydraulic systems awaiting activation, the forms he creates maintain an aesthetic tension between industrial objects and archaic structures. The hand-crafted process, with its inherent imperfections, disrupts these standardized forms while intensifying the viewer’s desire to understand them.
By blurring the markers of an object’s original function, he opens it up to free interpretation, allowing for multiple readings. The quest for understanding then becomes a direct, almost primitive, interaction with the form—looking, circling, and intuitively grasping it.
Portrait @haroldlechien
presents Abel Jallais
🌋Artists of Triphasé🌋
Abel Jallais (born in 1992) is a French artist currently living and working in Brussels. He obtained his Master’s degree in Ceramics from La Cambre (BE) in 2018, after graduating from the Fine Arts School of Angers (FR) in 2015.
His practice navigates between formal research and a conceptual exploration of the utilitarian object, which he approaches as a fictional territory. This process creates a dialogue of ambiguity and misinterpretation between form and viewer.
Often conceived as futuristic archaeologies or hydraulic systems awaiting activation, the forms he creates maintain an aesthetic tension between industrial objects and archaic structures. The hand-crafted process, with its inherent imperfections, disrupts these standardized forms while intensifying the viewer’s desire to understand them.
By blurring the markers of an object’s original function, he opens it up to free interpretation, allowing for multiple readings. The quest for understanding then becomes a direct, almost primitive, interaction with the form—looking, circling, and intuitively grasping it.
Portrait @haroldlechien
presents Abel Jallais
🌋Artists of Triphasé🌋
Abel Jallais (born in 1992) is a French artist currently living and working in Brussels. He obtained his Master’s degree in Ceramics from La Cambre (BE) in 2018, after graduating from the Fine Arts School of Angers (FR) in 2015.
His practice navigates between formal research and a conceptual exploration of the utilitarian object, which he approaches as a fictional territory. This process creates a dialogue of ambiguity and misinterpretation between form and viewer.
Often conceived as futuristic archaeologies or hydraulic systems awaiting activation, the forms he creates maintain an aesthetic tension between industrial objects and archaic structures. The hand-crafted process, with its inherent imperfections, disrupts these standardized forms while intensifying the viewer’s desire to understand them.
By blurring the markers of an object’s original function, he opens it up to free interpretation, allowing for multiple readings. The quest for understanding then becomes a direct, almost primitive, interaction with the form—looking, circling, and intuitively grasping it.
Portrait @haroldlechien
presents Abel Jallais
🌋Artists of Triphasé🌋
Abel Jallais (born in 1992) is a French artist currently living and working in Brussels. He obtained his Master’s degree in Ceramics from La Cambre (BE) in 2018, after graduating from the Fine Arts School of Angers (FR) in 2015.
His practice navigates between formal research and a conceptual exploration of the utilitarian object, which he approaches as a fictional territory. This process creates a dialogue of ambiguity and misinterpretation between form and viewer.
Often conceived as futuristic archaeologies or hydraulic systems awaiting activation, the forms he creates maintain an aesthetic tension between industrial objects and archaic structures. The hand-crafted process, with its inherent imperfections, disrupts these standardized forms while intensifying the viewer’s desire to understand them.
By blurring the markers of an object’s original function, he opens it up to free interpretation, allowing for multiple readings. The quest for understanding then becomes a direct, almost primitive, interaction with the form—looking, circling, and intuitively grasping it.
Portrait @haroldlechien
presents Abel Jallais
🌋Artists of Triphasé🌋
Abel Jallais (born in 1992) is a French artist currently living and working in Brussels. He obtained his Master’s degree in Ceramics from La Cambre (BE) in 2018, after graduating from the Fine Arts School of Angers (FR) in 2015.
His practice navigates between formal research and a conceptual exploration of the utilitarian object, which he approaches as a fictional territory. This process creates a dialogue of ambiguity and misinterpretation between form and viewer.
Often conceived as futuristic archaeologies or hydraulic systems awaiting activation, the forms he creates maintain an aesthetic tension between industrial objects and archaic structures. The hand-crafted process, with its inherent imperfections, disrupts these standardized forms while intensifying the viewer’s desire to understand them.
By blurring the markers of an object’s original function, he opens it up to free interpretation, allowing for multiple readings. The quest for understanding then becomes a direct, almost primitive, interaction with the form—looking, circling, and intuitively grasping it.
Portrait @haroldlechien
presents Abel Jallais
🌋Artists of Triphasé🌋
Abel Jallais (born in 1992) is a French artist currently living and working in Brussels. He obtained his Master’s degree in Ceramics from La Cambre (BE) in 2018, after graduating from the Fine Arts School of Angers (FR) in 2015.
His practice navigates between formal research and a conceptual exploration of the utilitarian object, which he approaches as a fictional territory. This process creates a dialogue of ambiguity and misinterpretation between form and viewer.
Often conceived as futuristic archaeologies or hydraulic systems awaiting activation, the forms he creates maintain an aesthetic tension between industrial objects and archaic structures. The hand-crafted process, with its inherent imperfections, disrupts these standardized forms while intensifying the viewer’s desire to understand them.
By blurring the markers of an object’s original function, he opens it up to free interpretation, allowing for multiple readings. The quest for understanding then becomes a direct, almost primitive, interaction with the form—looking, circling, and intuitively grasping it.
Portrait @haroldlechien
presents Antoinette d’Ansembourg
🧚🏼♀️ Artists of Atelier Triphasé 🧚🏼♀️
Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩❤️💋👩
Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.
Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.
📷 portrait by @haroldlechien
presents Antoinette d’Ansembourg
🧚🏼♀️ Artists of Atelier Triphasé 🧚🏼♀️
Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩❤️💋👩
Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.
Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.
📷 portrait by @haroldlechien
presents Antoinette d’Ansembourg
🧚🏼♀️ Artists of Atelier Triphasé 🧚🏼♀️
Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩❤️💋👩
Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.
Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.
📷 portrait by @haroldlechien
presents Antoinette d’Ansembourg
🧚🏼♀️ Artists of Atelier Triphasé 🧚🏼♀️
Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩❤️💋👩
Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.
Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.
📷 portrait by @haroldlechien
presents Antoinette d’Ansembourg
🧚🏼♀️ Artists of Atelier Triphasé 🧚🏼♀️
Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩❤️💋👩
Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.
Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.
📷 portrait by @haroldlechien
presents Antoinette d’Ansembourg
🧚🏼♀️ Artists of Atelier Triphasé 🧚🏼♀️
Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩❤️💋👩
Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.
Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.
📷 portrait by @haroldlechien
presents Antoinette d’Ansembourg
🧚🏼♀️ Artists of Atelier Triphasé 🧚🏼♀️
Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩❤️💋👩
Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.
Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.
📷 portrait by @haroldlechien
presents Antoinette d’Ansembourg
🧚🏼♀️ Artists of Atelier Triphasé 🧚🏼♀️
Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩❤️💋👩
Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.
Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.
📷 portrait by @haroldlechien
presents Antoinette d’Ansembourg
🧚🏼♀️ Artists of Atelier Triphasé 🧚🏼♀️
Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩❤️💋👩
Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.
Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.
📷 portrait by @haroldlechien
presents Antoinette d’Ansembourg
🧚🏼♀️ Artists of Atelier Triphasé 🧚🏼♀️
Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩❤️💋👩
Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.
Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.
📷 portrait by @haroldlechien
Instagram Stories geheim ansehen
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Vorteile von Anonstories
IG Stories privat entdecken
Behalten Sie Instagram-Updates diskret im Blick, schützen Sie Ihre Privatsphäre und bleiben Sie anonym.
Privater Instagram Viewer
Sehen Sie Profile und Fotos anonym an, ganz einfach mit dem Private Profile Viewer.
Kostenloser Story Viewer
Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Häufig gestellte Fragen
Anonymität
Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Gerätekompatibilität
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
Sicherheit und Datenschutz
Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Keine Registrierung
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Unterstützte Formate
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Kosten
Der Dienst ist kostenlos nutzbar.
Private Accounts
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateiverwendung
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Wie es funktioniert
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.