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🌋 « les filles de tara » 1cm Mi-animal, mi-human sculpture 🦋
This potter-wasp vase, transformed by fire and glass, joins a series of jars collected around the world and fired as sculptures 🌍🏺🐝
So proud to have presented this work between nature and culture at @ceramic.brussels Young Talent Opus I, and today at @madd_bordeaux “Céramique Corps Sensible” @etiennetornier 🌼
🏔️ Images 2 and 3: Erosion II, granite and fused porcelain bas-relief 🌋🍄‍🟫
So crazy to present this latest fire-lab output 🔥, tinder fungus used to master fire and granite slab waste 🪨
A big thank you to @angejoannides for the insane photos!
🌈 @espace.triphase mamamia ! already 5 years of love together ! ❤️‍🔥⭐️ soon the birthday show 🎂🖼️
Photo 1 Geoffrey Fritsch 🍀 thanks from my heart, to all of you who helped me to bring in Belgium, these tiny sculptures from all around the world ❤️‍🔥

🌋 « les filles de tara » 1cm Mi-animal, mi-human sculpture 🦋
This potter-wasp vase, transformed by fire and glass, joins a series of jars collected around the world and fired as sculptures 🌍🏺🐝
So proud to have presented this work between nature and culture at @ceramic.brussels Young Talent Opus I, and today at @madd_bordeaux “Céramique Corps Sensible” @etiennetornier 🌼
🏔️ Images 2 and 3: Erosion II, granite and fused porcelain bas-relief 🌋🍄‍🟫
So crazy to present this latest fire-lab output 🔥, tinder fungus used to master fire and granite slab waste 🪨
A big thank you to @angejoannides for the insane photos!
🌈 @espace.triphase mamamia ! already 5 years of love together ! ❤️‍🔥⭐️ soon the birthday show 🎂🖼️
Photo 1 Geoffrey Fritsch 🍀 thanks from my heart, to all of you who helped me to bring in Belgium, these tiny sculptures from all around the world ❤️‍🔥

🌋 « les filles de tara » 1cm Mi-animal, mi-human sculpture 🦋
This potter-wasp vase, transformed by fire and glass, joins a series of jars collected around the world and fired as sculptures 🌍🏺🐝
So proud to have presented this work between nature and culture at @ceramic.brussels Young Talent Opus I, and today at @madd_bordeaux “Céramique Corps Sensible” @etiennetornier 🌼
🏔️ Images 2 and 3: Erosion II, granite and fused porcelain bas-relief 🌋🍄‍🟫
So crazy to present this latest fire-lab output 🔥, tinder fungus used to master fire and granite slab waste 🪨
A big thank you to @angejoannides for the insane photos!
🌈 @espace.triphase mamamia ! already 5 years of love together ! ❤️‍🔥⭐️ soon the birthday show 🎂🖼️
Photo 1 Geoffrey Fritsch 🍀 thanks from my heart, to all of you who helped me to bring in Belgium, these tiny sculptures from all around the world ❤️‍🔥

presente NOCES DE BOIS, les 5 ans ⚡️

❤️‍🔥 Cher·es ami·es de Triphasé ❤️‍🔥

Nous avons l’immense plaisir de vous inviter à nos NOCES DE BOIS 💍 une exposition imaginée afin de célébrer cinq années de notre artist run space 🎇🥂

Vernissage :
29.05 ⚡️ 18:00 > 22:00
📍Boulevard Poincaré 58B, Anderlecht

Heures d’ouverture :
29.05 ⚡️ 14:00 > 22:00
30.05 ⚡️ 14:00 > 19:00

NOCES DE BOIS rassemble les artistes résident·es :

Antoinette d’Ansembourg
Esther Babulik
Léa Brami
Suzanne Corcessin
Beatrice Guilleman
Abel Jallais
Ange Joannides
Jonas Moënne
Antoine Moulinard
Carole Mousset
Alice Pandolfo
et Celia Rancelot

L’exposition pensée pour célébrer nos écosystèmes poétiques, fêtera par ailleurs tous les liens qui se tissent au fil des années.

En parallèle de l’exposition, nos ateliers seront ouverts, on vous invite à découvrir les espaces de travail, les œuvres en cours, et à partager un moment de célébration avec nous ✨

presente NOCES DE BOIS, les 5 ans ⚡️

❤️‍🔥 Cher·es ami·es de Triphasé ❤️‍🔥

Nous avons l’immense plaisir de vous inviter à nos NOCES DE BOIS 💍 une exposition imaginée afin de célébrer cinq années de notre artist run space 🎇🥂

Vernissage :
29.05 ⚡️ 18:00 > 22:00
📍Boulevard Poincaré 58B, Anderlecht

Heures d’ouverture :
29.05 ⚡️ 14:00 > 22:00
30.05 ⚡️ 14:00 > 19:00

NOCES DE BOIS rassemble les artistes résident·es :

Antoinette d’Ansembourg
Esther Babulik
Léa Brami
Suzanne Corcessin
Beatrice Guilleman
Abel Jallais
Ange Joannides
Jonas Moënne
Antoine Moulinard
Carole Mousset
Alice Pandolfo
et Celia Rancelot

L’exposition pensée pour célébrer nos écosystèmes poétiques, fêtera par ailleurs tous les liens qui se tissent au fil des années.

En parallèle de l’exposition, nos ateliers seront ouverts, on vous invite à découvrir les espaces de travail, les œuvres en cours, et à partager un moment de célébration avec nous ✨

« Élévations mordantes » is a series of stoneware pieces.
The first works were exhibited at the Bourse Metro station in Brussels as part of an exhibition at @espaceqartier
The fountain, meanwhile, was created for the Young art prize at @ceramic.brussels in 2025, continuing this exploration of hybrid forms between architecture and animal figure.

📍The fountain is on display until september at @abbykortrijk alongside some great ceramicists !!

📸thank you @angejoannides for the amazing pictures
🧱thank you once again @colpaertvanleemputten for your sponsorship ✨thank you @espace.triphase for this amazing two years

« Élévations mordantes » is a series of stoneware pieces.
The first works were exhibited at the Bourse Metro station in Brussels as part of an exhibition at @espaceqartier
The fountain, meanwhile, was created for the Young art prize at @ceramic.brussels in 2025, continuing this exploration of hybrid forms between architecture and animal figure.

📍The fountain is on display until september at @abbykortrijk alongside some great ceramicists !!

📸thank you @angejoannides for the amazing pictures
🧱thank you once again @colpaertvanleemputten for your sponsorship ✨thank you @espace.triphase for this amazing two years

« Élévations mordantes » is a series of stoneware pieces.
The first works were exhibited at the Bourse Metro station in Brussels as part of an exhibition at @espaceqartier
The fountain, meanwhile, was created for the Young art prize at @ceramic.brussels in 2025, continuing this exploration of hybrid forms between architecture and animal figure.

📍The fountain is on display until september at @abbykortrijk alongside some great ceramicists !!

📸thank you @angejoannides for the amazing pictures
🧱thank you once again @colpaertvanleemputten for your sponsorship ✨thank you @espace.triphase for this amazing two years

« Élévations mordantes » is a series of stoneware pieces.
The first works were exhibited at the Bourse Metro station in Brussels as part of an exhibition at @espaceqartier
The fountain, meanwhile, was created for the Young art prize at @ceramic.brussels in 2025, continuing this exploration of hybrid forms between architecture and animal figure.

📍The fountain is on display until september at @abbykortrijk alongside some great ceramicists !!

📸thank you @angejoannides for the amazing pictures
🧱thank you once again @colpaertvanleemputten for your sponsorship ✨thank you @espace.triphase for this amazing two years

« Élévations mordantes » is a series of stoneware pieces.
The first works were exhibited at the Bourse Metro station in Brussels as part of an exhibition at @espaceqartier
The fountain, meanwhile, was created for the Young art prize at @ceramic.brussels in 2025, continuing this exploration of hybrid forms between architecture and animal figure.

📍The fountain is on display until september at @abbykortrijk alongside some great ceramicists !!

📸thank you @angejoannides for the amazing pictures
🧱thank you once again @colpaertvanleemputten for your sponsorship ✨thank you @espace.triphase for this amazing two years

« Élévations mordantes » is a series of stoneware pieces.
The first works were exhibited at the Bourse Metro station in Brussels as part of an exhibition at @espaceqartier
The fountain, meanwhile, was created for the Young art prize at @ceramic.brussels in 2025, continuing this exploration of hybrid forms between architecture and animal figure.

📍The fountain is on display until september at @abbykortrijk alongside some great ceramicists !!

📸thank you @angejoannides for the amazing pictures
🧱thank you once again @colpaertvanleemputten for your sponsorship ✨thank you @espace.triphase for this amazing two years

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

A lil appreciation post because I truly couldn’t have been better surrounded while preparing my show 𓆸 “Tout commence et finit dans les sols” 𓆸

🪷 First, my dear friend @zoe__vdb who said yes to curating the show. She has this magic way of turning every little pickle into an opportunity, with so much ease and care. I feel very lucky to have you 🥹

🙏🏼 Of course, none of this would have happened without Werner de Borchgrave’s generous invitation. Showing work in @isabelledeborchgrave studio and gallery carried something really special. Huge thanks as well to the team for the warm welcome and seamless coordination 🫶🏼

👀 In the studio, @jjjjjjjjjjjjjjjjjjustine steady, unshakeable 🔥 Thank you for carrying so much of the ceramics production with me.
And @alixia.bachy & @guerinroseaimee my gen Z power duo, sharp, funny, always on point. I leaned on the three of you a lot, thank you for showing up the way you did.

📑 To @sophiecarreepr and @gwennaelle.gribaumont , for the article in La Libre, still a bit surreal.

✍🏼 @isabel.vanbos thank you for the conversations that stretch and the words that landed just right.

🍀 To @haroldlechien for the exhibition shots, and for shaping more of this path than you probably realize.

📷 To @angejoannides for the studio photos and the bouldering coaching 💪🏼

🍬 To the crew at @espace.triphase : sugar breaks, rooftop beers, support, the perfect mix. Thank you for being there all along.

🫂 Big up to everyone who came to visit the expo so far! (It runs until the 10/08!!)

🐶 And finally, the softest plot twist of this whole period, Bambou, who somehow resets everything just by existing 🐾

De ce qu’il nous reste - Fornace di Murano, is the first piece in a series of contextual works.

De ce qu’il nous reste is now on view as part of Parasit group show, in the former metal shelving of Jean Wauters in Brussels.

I invite you to join us tonight for the opening, bar and DJsets.

📍rue de liverpool 12, Anderlecht
🌞 from 5pm - 10pm

Thanks to @simonhampikian & @antonwvripon for the curation & production of the show ✨

The collective installation will be open to the public 4 days, from April 30 to May 3, from 11am to 6pm.

——-

“In a form of archaeology of the present, this work attends to the ruins of what is no longer valued, within a society shaped by the acceleration of fast consumption. Biological, manufactured, and industrial fragments are approached as vessels of memory, carrying invaluable traces of past lives.

Weaving operates as a connective structure, embedding these fragments within layered temporalities, from geological time to the rapid cycles of industrial production. These systems unfold as hybrid spaces, where energy circulates between organic remains and the residues of the modern world.

Presented as artifacts, the works draw on the display strategies of natural history museums, questioning hyperconsumption while revealing the quiet beauty of the everyday, the broken, and the discarded.

This first piece brings together fragments of broken glass sourced from the “Fornace” of Murano (glassblowing workshops in Venice), alongside shells and remnants of studio debris.

De ce qu’il nous reste, engages with past and present histories while projecting a future in which architectures of repair can be imagined. In these scenarios, fragility and rupture become active forces, fragments no longer exist as passive witnesses or ruins of a disappearing past, but instead connect to propose new modes of existence and coexistence.”

Many thanks to @edoedoedoedoedoedoedo (@6am_glass) for driving me into the Murano glass world. ⚡️

Photographies by the best @angejoannides

De ce qu’il nous reste - Fornace di Murano, is the first piece in a series of contextual works.

De ce qu’il nous reste is now on view as part of Parasit group show, in the former metal shelving of Jean Wauters in Brussels.

I invite you to join us tonight for the opening, bar and DJsets.

📍rue de liverpool 12, Anderlecht
🌞 from 5pm - 10pm

Thanks to @simonhampikian & @antonwvripon for the curation & production of the show ✨

The collective installation will be open to the public 4 days, from April 30 to May 3, from 11am to 6pm.

——-

“In a form of archaeology of the present, this work attends to the ruins of what is no longer valued, within a society shaped by the acceleration of fast consumption. Biological, manufactured, and industrial fragments are approached as vessels of memory, carrying invaluable traces of past lives.

Weaving operates as a connective structure, embedding these fragments within layered temporalities, from geological time to the rapid cycles of industrial production. These systems unfold as hybrid spaces, where energy circulates between organic remains and the residues of the modern world.

Presented as artifacts, the works draw on the display strategies of natural history museums, questioning hyperconsumption while revealing the quiet beauty of the everyday, the broken, and the discarded.

This first piece brings together fragments of broken glass sourced from the “Fornace” of Murano (glassblowing workshops in Venice), alongside shells and remnants of studio debris.

De ce qu’il nous reste, engages with past and present histories while projecting a future in which architectures of repair can be imagined. In these scenarios, fragility and rupture become active forces, fragments no longer exist as passive witnesses or ruins of a disappearing past, but instead connect to propose new modes of existence and coexistence.”

Many thanks to @edoedoedoedoedoedoedo (@6am_glass) for driving me into the Murano glass world. ⚡️

Photographies by the best @angejoannides

De ce qu’il nous reste - Fornace di Murano, is the first piece in a series of contextual works.

De ce qu’il nous reste is now on view as part of Parasit group show, in the former metal shelving of Jean Wauters in Brussels.

I invite you to join us tonight for the opening, bar and DJsets.

📍rue de liverpool 12, Anderlecht
🌞 from 5pm - 10pm

Thanks to @simonhampikian & @antonwvripon for the curation & production of the show ✨

The collective installation will be open to the public 4 days, from April 30 to May 3, from 11am to 6pm.

——-

“In a form of archaeology of the present, this work attends to the ruins of what is no longer valued, within a society shaped by the acceleration of fast consumption. Biological, manufactured, and industrial fragments are approached as vessels of memory, carrying invaluable traces of past lives.

Weaving operates as a connective structure, embedding these fragments within layered temporalities, from geological time to the rapid cycles of industrial production. These systems unfold as hybrid spaces, where energy circulates between organic remains and the residues of the modern world.

Presented as artifacts, the works draw on the display strategies of natural history museums, questioning hyperconsumption while revealing the quiet beauty of the everyday, the broken, and the discarded.

This first piece brings together fragments of broken glass sourced from the “Fornace” of Murano (glassblowing workshops in Venice), alongside shells and remnants of studio debris.

De ce qu’il nous reste, engages with past and present histories while projecting a future in which architectures of repair can be imagined. In these scenarios, fragility and rupture become active forces, fragments no longer exist as passive witnesses or ruins of a disappearing past, but instead connect to propose new modes of existence and coexistence.”

Many thanks to @edoedoedoedoedoedoedo (@6am_glass) for driving me into the Murano glass world. ⚡️

Photographies by the best @angejoannides

De ce qu’il nous reste - Fornace di Murano, is the first piece in a series of contextual works.

De ce qu’il nous reste is now on view as part of Parasit group show, in the former metal shelving of Jean Wauters in Brussels.

I invite you to join us tonight for the opening, bar and DJsets.

📍rue de liverpool 12, Anderlecht
🌞 from 5pm - 10pm

Thanks to @simonhampikian & @antonwvripon for the curation & production of the show ✨

The collective installation will be open to the public 4 days, from April 30 to May 3, from 11am to 6pm.

——-

“In a form of archaeology of the present, this work attends to the ruins of what is no longer valued, within a society shaped by the acceleration of fast consumption. Biological, manufactured, and industrial fragments are approached as vessels of memory, carrying invaluable traces of past lives.

Weaving operates as a connective structure, embedding these fragments within layered temporalities, from geological time to the rapid cycles of industrial production. These systems unfold as hybrid spaces, where energy circulates between organic remains and the residues of the modern world.

Presented as artifacts, the works draw on the display strategies of natural history museums, questioning hyperconsumption while revealing the quiet beauty of the everyday, the broken, and the discarded.

This first piece brings together fragments of broken glass sourced from the “Fornace” of Murano (glassblowing workshops in Venice), alongside shells and remnants of studio debris.

De ce qu’il nous reste, engages with past and present histories while projecting a future in which architectures of repair can be imagined. In these scenarios, fragility and rupture become active forces, fragments no longer exist as passive witnesses or ruins of a disappearing past, but instead connect to propose new modes of existence and coexistence.”

Many thanks to @edoedoedoedoedoedoedo (@6am_glass) for driving me into the Murano glass world. ⚡️

Photographies by the best @angejoannides

Sculpture by Esther Babulik, artist at @espace.triphase.
Using textile weaving in volume combined with wax, she creates hybrid sculptural bodies. Her practice explores forms in constant transformation, suspended between states. Wax, as a fluid and polymorphous material, reflects the instability of living matter. Her works exist in a liminal space where human, non-human, natural and artificial dissolve.Steel Steel base : @adrien_arial
Photos : @angejoannides

Sculpture by Esther Babulik, artist at @espace.triphase.
Using textile weaving in volume combined with wax, she creates hybrid sculptural bodies. Her practice explores forms in constant transformation, suspended between states. Wax, as a fluid and polymorphous material, reflects the instability of living matter. Her works exist in a liminal space where human, non-human, natural and artificial dissolve.Steel Steel base : @adrien_arial
Photos : @angejoannides

Sculpture by Esther Babulik, artist at @espace.triphase.
Using textile weaving in volume combined with wax, she creates hybrid sculptural bodies. Her practice explores forms in constant transformation, suspended between states. Wax, as a fluid and polymorphous material, reflects the instability of living matter. Her works exist in a liminal space where human, non-human, natural and artificial dissolve.Steel Steel base : @adrien_arial
Photos : @angejoannides

presents Alice Pandolfo

🚧 Artists of Atelier Triphasé 🚧

Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.

The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.

Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.

Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.

Alice questions our relationship with materials and their value in a society in constant reconstruction.

📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair

presents Alice Pandolfo

🚧 Artists of Atelier Triphasé 🚧

Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.

The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.

Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.

Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.

Alice questions our relationship with materials and their value in a society in constant reconstruction.

📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair

presents Alice Pandolfo

🚧 Artists of Atelier Triphasé 🚧

Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.

The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.

Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.

Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.

Alice questions our relationship with materials and their value in a society in constant reconstruction.

📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair

presents Alice Pandolfo

🚧 Artists of Atelier Triphasé 🚧

Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.

The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.

Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.

Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.

Alice questions our relationship with materials and their value in a society in constant reconstruction.

📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair

presents Alice Pandolfo

🚧 Artists of Atelier Triphasé 🚧

Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.

The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.

Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.

Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.

Alice questions our relationship with materials and their value in a society in constant reconstruction.

📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair

presents Alice Pandolfo

🚧 Artists of Atelier Triphasé 🚧

Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.

The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.

Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.

Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.

Alice questions our relationship with materials and their value in a society in constant reconstruction.

📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair

presents Alice Pandolfo

🚧 Artists of Atelier Triphasé 🚧

Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.

The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.

Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.

Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.

Alice questions our relationship with materials and their value in a society in constant reconstruction.

📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair

presents Alice Pandolfo

🚧 Artists of Atelier Triphasé 🚧

Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.

The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.

Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.

Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.

Alice questions our relationship with materials and their value in a society in constant reconstruction.

📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair

presents Alice Pandolfo

🚧 Artists of Atelier Triphasé 🚧

Alice is co-founder of Triphasé; together with @antoinette_dansembourg they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Alice’s practice lies at the intersection of sculpture, textiles, and the creation of functional objects. She explores the transformation of materials derived from reuse, bringing to light their memory, history, and poetic charge. Through braiding, twisting, and assembly techniques, she questions the boundaries between art and design, striving to create sculptural forms that are also functional.

The world of textiles and artisanal techniques plays a central role in her work, yet she intentionally distances herself from conventional tools, opting for a more experimental and bodily approach.

Her ecological and political commitment is inseparable from her practice. She refuses to produce new materials and instead prioritizes existing resources, collaborating with structures such as @souplotheque , textile industries, and urban construction sites to reclaim fibers, production surpluses, and materials considered waste. This choice goes beyond the aesthetic and becomes a reflection on overconsumption and the environmental impact of creation.

Her experience has led her to work with textile heritage museums, including le Musée de la Rubannerie in Comines, where she gained expertise in the operation of braiding machines. This experience now informs her project, which seeks to reintegrate ancient techniques into a contemporary and responsible approach.

Alice questions our relationship with materials and their value in a society in constant reconstruction.

📸 Portrait @haroldlechien
4 @lucbrtrd for Placostudiolo @williemorlon @villanoailles 2024
5 @haroldlechien for @collectiblefair
6&7 @jam_hotels Lisbon @samuel.duarte.fig
8 @stan.huaux @passagedunord Brussels
3&9 @antoinegrenez for @collectiblefair

presents Jonas Moënne

🔥 Artists of Atelier Triphasé 🔥

“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.

A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.

An invitation to take a different look at the world, bold and offbeat, and to think differently.”

Estelle Spoto

📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch

presents Jonas Moënne

🔥 Artists of Atelier Triphasé 🔥

“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.

A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.

An invitation to take a different look at the world, bold and offbeat, and to think differently.”

Estelle Spoto

📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch

presents Jonas Moënne

🔥 Artists of Atelier Triphasé 🔥

“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.

A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.

An invitation to take a different look at the world, bold and offbeat, and to think differently.”

Estelle Spoto

📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch

presents Jonas Moënne

🔥 Artists of Atelier Triphasé 🔥

“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.

A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.

An invitation to take a different look at the world, bold and offbeat, and to think differently.”

Estelle Spoto

📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch

presents Jonas Moënne

🔥 Artists of Atelier Triphasé 🔥

“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.

A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.

An invitation to take a different look at the world, bold and offbeat, and to think differently.”

Estelle Spoto

📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch

presents Jonas Moënne

🔥 Artists of Atelier Triphasé 🔥

“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.

A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.

An invitation to take a different look at the world, bold and offbeat, and to think differently.”

Estelle Spoto

📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch

presents Jonas Moënne

🔥 Artists of Atelier Triphasé 🔥

“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.

A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.

An invitation to take a different look at the world, bold and offbeat, and to think differently.”

Estelle Spoto

📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch

presents Jonas Moënne

🔥 Artists of Atelier Triphasé 🔥

“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.

A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.

An invitation to take a different look at the world, bold and offbeat, and to think differently.”

Estelle Spoto

📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch

presents Jonas Moënne

🔥 Artists of Atelier Triphasé 🔥

“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.

A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.

An invitation to take a different look at the world, bold and offbeat, and to think differently.”

Estelle Spoto

📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch

presents Jonas Moënne

🔥 Artists of Atelier Triphasé 🔥

“There are works that tell stories. There are artists who assert themselves as storytellers. Jonas Moënne (born in 1992) is one of them. Perhaps this characteristic finds its source in the mountainous context, in the north of the Alps, where he was born. A rural world, still imbued with folklores and ancient beliefs, where immense nature enjoins man to remain modest and where landscapes constitute a parade of immense sculptures.

A profoundly natural universe, and it is this clay, as a material, that the visual artist decided to explore by moving to Brussels to frequent La Cambre, after La Villa Arson in Nice. Throughout this journey, resolutely placing the practice of ceramics and glass within contemporary art, Jonas Moënne has embraced the fire medium with the desire to take it elsewhere, to unexpected places, in a powerful approach where alchemy meets waking dream.

An invitation to take a different look at the world, bold and offbeat, and to think differently.”

Estelle Spoto

📸Portrait @haroldlechien
1 & 7 Joséphine Desmenez
4 La patinoire royale - Vincent everarts
6 & 8 Ceramic brussels - Geoffrey Fritsch

presents Abel Jallais

🌋Artists of Triphasé🌋

Abel Jallais (born in 1992) is a French artist currently living and working in Brussels. He obtained his Master’s degree in Ceramics from La Cambre (BE) in 2018, after graduating from the Fine Arts School of Angers (FR) in 2015.

His practice navigates between formal research and a conceptual exploration of the utilitarian object, which he approaches as a fictional territory. This process creates a dialogue of ambiguity and misinterpretation between form and viewer.

Often conceived as futuristic archaeologies or hydraulic systems awaiting activation, the forms he creates maintain an aesthetic tension between industrial objects and archaic structures. The hand-crafted process, with its inherent imperfections, disrupts these standardized forms while intensifying the viewer’s desire to understand them.

By blurring the markers of an object’s original function, he opens it up to free interpretation, allowing for multiple readings. The quest for understanding then becomes a direct, almost primitive, interaction with the form—looking, circling, and intuitively grasping it.

Portrait @haroldlechien

presents Abel Jallais

🌋Artists of Triphasé🌋

Abel Jallais (born in 1992) is a French artist currently living and working in Brussels. He obtained his Master’s degree in Ceramics from La Cambre (BE) in 2018, after graduating from the Fine Arts School of Angers (FR) in 2015.

His practice navigates between formal research and a conceptual exploration of the utilitarian object, which he approaches as a fictional territory. This process creates a dialogue of ambiguity and misinterpretation between form and viewer.

Often conceived as futuristic archaeologies or hydraulic systems awaiting activation, the forms he creates maintain an aesthetic tension between industrial objects and archaic structures. The hand-crafted process, with its inherent imperfections, disrupts these standardized forms while intensifying the viewer’s desire to understand them.

By blurring the markers of an object’s original function, he opens it up to free interpretation, allowing for multiple readings. The quest for understanding then becomes a direct, almost primitive, interaction with the form—looking, circling, and intuitively grasping it.

Portrait @haroldlechien

presents Abel Jallais

🌋Artists of Triphasé🌋

Abel Jallais (born in 1992) is a French artist currently living and working in Brussels. He obtained his Master’s degree in Ceramics from La Cambre (BE) in 2018, after graduating from the Fine Arts School of Angers (FR) in 2015.

His practice navigates between formal research and a conceptual exploration of the utilitarian object, which he approaches as a fictional territory. This process creates a dialogue of ambiguity and misinterpretation between form and viewer.

Often conceived as futuristic archaeologies or hydraulic systems awaiting activation, the forms he creates maintain an aesthetic tension between industrial objects and archaic structures. The hand-crafted process, with its inherent imperfections, disrupts these standardized forms while intensifying the viewer’s desire to understand them.

By blurring the markers of an object’s original function, he opens it up to free interpretation, allowing for multiple readings. The quest for understanding then becomes a direct, almost primitive, interaction with the form—looking, circling, and intuitively grasping it.

Portrait @haroldlechien

presents Abel Jallais

🌋Artists of Triphasé🌋

Abel Jallais (born in 1992) is a French artist currently living and working in Brussels. He obtained his Master’s degree in Ceramics from La Cambre (BE) in 2018, after graduating from the Fine Arts School of Angers (FR) in 2015.

His practice navigates between formal research and a conceptual exploration of the utilitarian object, which he approaches as a fictional territory. This process creates a dialogue of ambiguity and misinterpretation between form and viewer.

Often conceived as futuristic archaeologies or hydraulic systems awaiting activation, the forms he creates maintain an aesthetic tension between industrial objects and archaic structures. The hand-crafted process, with its inherent imperfections, disrupts these standardized forms while intensifying the viewer’s desire to understand them.

By blurring the markers of an object’s original function, he opens it up to free interpretation, allowing for multiple readings. The quest for understanding then becomes a direct, almost primitive, interaction with the form—looking, circling, and intuitively grasping it.

Portrait @haroldlechien

presents Abel Jallais

🌋Artists of Triphasé🌋

Abel Jallais (born in 1992) is a French artist currently living and working in Brussels. He obtained his Master’s degree in Ceramics from La Cambre (BE) in 2018, after graduating from the Fine Arts School of Angers (FR) in 2015.

His practice navigates between formal research and a conceptual exploration of the utilitarian object, which he approaches as a fictional territory. This process creates a dialogue of ambiguity and misinterpretation between form and viewer.

Often conceived as futuristic archaeologies or hydraulic systems awaiting activation, the forms he creates maintain an aesthetic tension between industrial objects and archaic structures. The hand-crafted process, with its inherent imperfections, disrupts these standardized forms while intensifying the viewer’s desire to understand them.

By blurring the markers of an object’s original function, he opens it up to free interpretation, allowing for multiple readings. The quest for understanding then becomes a direct, almost primitive, interaction with the form—looking, circling, and intuitively grasping it.

Portrait @haroldlechien

presents Abel Jallais

🌋Artists of Triphasé🌋

Abel Jallais (born in 1992) is a French artist currently living and working in Brussels. He obtained his Master’s degree in Ceramics from La Cambre (BE) in 2018, after graduating from the Fine Arts School of Angers (FR) in 2015.

His practice navigates between formal research and a conceptual exploration of the utilitarian object, which he approaches as a fictional territory. This process creates a dialogue of ambiguity and misinterpretation between form and viewer.

Often conceived as futuristic archaeologies or hydraulic systems awaiting activation, the forms he creates maintain an aesthetic tension between industrial objects and archaic structures. The hand-crafted process, with its inherent imperfections, disrupts these standardized forms while intensifying the viewer’s desire to understand them.

By blurring the markers of an object’s original function, he opens it up to free interpretation, allowing for multiple readings. The quest for understanding then becomes a direct, almost primitive, interaction with the form—looking, circling, and intuitively grasping it.

Portrait @haroldlechien

presents Antoinette d’Ansembourg

🧚🏼‍♀️ Artists of Atelier Triphasé 🧚🏼‍♀️

Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.

Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.

📷 portrait by @haroldlechien

presents Antoinette d’Ansembourg

🧚🏼‍♀️ Artists of Atelier Triphasé 🧚🏼‍♀️

Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.

Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.

📷 portrait by @haroldlechien

presents Antoinette d’Ansembourg

🧚🏼‍♀️ Artists of Atelier Triphasé 🧚🏼‍♀️

Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.

Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.

📷 portrait by @haroldlechien

presents Antoinette d’Ansembourg

🧚🏼‍♀️ Artists of Atelier Triphasé 🧚🏼‍♀️

Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.

Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.

📷 portrait by @haroldlechien

presents Antoinette d’Ansembourg

🧚🏼‍♀️ Artists of Atelier Triphasé 🧚🏼‍♀️

Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.

Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.

📷 portrait by @haroldlechien

presents Antoinette d’Ansembourg

🧚🏼‍♀️ Artists of Atelier Triphasé 🧚🏼‍♀️

Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.

Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.

📷 portrait by @haroldlechien

presents Antoinette d’Ansembourg

🧚🏼‍♀️ Artists of Atelier Triphasé 🧚🏼‍♀️

Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.

Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.

📷 portrait by @haroldlechien

presents Antoinette d’Ansembourg

🧚🏼‍♀️ Artists of Atelier Triphasé 🧚🏼‍♀️

Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.

Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.

📷 portrait by @haroldlechien

presents Antoinette d’Ansembourg

🧚🏼‍♀️ Artists of Atelier Triphasé 🧚🏼‍♀️

Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.

Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.

📷 portrait by @haroldlechien

presents Antoinette d’Ansembourg

🧚🏼‍♀️ Artists of Atelier Triphasé 🧚🏼‍♀️

Antoinette is co-founder of Triphasé; together with with @alice.pandolfo they run the place hand in hand since 2021 👩‍❤️‍💋‍👩

Born in 1994 in Brussels, she lives and works there today. Graduating with a Master’s degree in Painting from La Cambre in 2019, she has since been developing her vision of future vegetation— hybrid forms emerging from the encounter between the living world and the waste. Against the backdrop of expanding industrial activity and its impact on Nature’s resilience, her work explores possible outcomes of these colliding forces. Day after day, she shapes a visual language that unfolds across multiple mediums: ceramic sculpture, installation, drawing, and painting—constantly navigating between volume and surface, organic memory and synthetic invention.

Through this evolving practice, she envisions a world where plants adapt to devastation—sprouting in ash, fusing with debris, and flourishing in unfamiliar, uncanny forms.

📷 portrait by @haroldlechien

Presents OUT OF THE BLUE

🍀 Dear Friends of Triphasé 🍀

We’re excited to invite you to OUT OF THE BLUE our group show & open studios at TRIPHASÉ, part of the ART BRUSSELS OFF PROGRAMME.

Our resident artists — Antoinette d’Ansembourg, Esther Babulik, Timothée de Brouwer, Suzanne Corcessin, Beatrice Guilleman, Abel Jallais, Louis Lallier, Harold Lechien, Jonas Moënne, Antoine Moulinard, Carole Mousset, Alice Pandolfo, and Celia Rancelot — have teamed up to co-curate OUT OF THE BLUE, a collective show born from the sparks and creative bonds that shape our beloved shared studio.

OUT OF THE BLUE is all about unexpected connections, and the beautiful chaos of artistic exchange. A doorway into a world where practices blend, intertwine and collide.

Alongside the exhibition, our studios will be wide open, giving you a chance to see works in progress and meet the artists in the intimacy of their workshops.

📍Boulevard Poincaré 58B, Anderlecht

🕘 FRIDAY 25/04 : 4-8PM
🕘 SATURDAY 26/04 : 2-7PM

Come be part of it !
We can’t wait to welcome you!

LOTS OF LOVE,
TRIPHASÉ TEAM 🪲

presents Béatrice Guilleman

🐊 Artists of Atelier Triphasé 🐊

Béatrice Guilleman is a ceramic artist whose work draws inspiration from animal figures found in architecture, particularly within Gothic, Romanesque, medieval, and Art Nouveau styles. Fascinated by sculpted forms such as gargoyles, chimeras, and ornamental motifs, she taps into their symbolic power—somewhere between protection and mystery. Her ceramic sculptures carry on this legacy: hybrid, guardian-like creatures that inhabit space like silent watchers. Through them, she explores the connection between humans, myth, and the living world, giving the material a narrative strength.
Her journey has taken her through artist residencies in Mexico, Greece, and Belgium—and soon, China !

Portrait @haroldlechien
📸n•7 @galeriezotto
📸n•8 •9 @pulsceramics - Nathalie Pollet
📸n•10 @nanamaste_

presents Béatrice Guilleman

🐊 Artists of Atelier Triphasé 🐊

Béatrice Guilleman is a ceramic artist whose work draws inspiration from animal figures found in architecture, particularly within Gothic, Romanesque, medieval, and Art Nouveau styles. Fascinated by sculpted forms such as gargoyles, chimeras, and ornamental motifs, she taps into their symbolic power—somewhere between protection and mystery. Her ceramic sculptures carry on this legacy: hybrid, guardian-like creatures that inhabit space like silent watchers. Through them, she explores the connection between humans, myth, and the living world, giving the material a narrative strength.
Her journey has taken her through artist residencies in Mexico, Greece, and Belgium—and soon, China !

Portrait @haroldlechien
📸n•7 @galeriezotto
📸n•8 •9 @pulsceramics - Nathalie Pollet
📸n•10 @nanamaste_

presents Béatrice Guilleman

🐊 Artists of Atelier Triphasé 🐊

Béatrice Guilleman is a ceramic artist whose work draws inspiration from animal figures found in architecture, particularly within Gothic, Romanesque, medieval, and Art Nouveau styles. Fascinated by sculpted forms such as gargoyles, chimeras, and ornamental motifs, she taps into their symbolic power—somewhere between protection and mystery. Her ceramic sculptures carry on this legacy: hybrid, guardian-like creatures that inhabit space like silent watchers. Through them, she explores the connection between humans, myth, and the living world, giving the material a narrative strength.
Her journey has taken her through artist residencies in Mexico, Greece, and Belgium—and soon, China !

Portrait @haroldlechien
📸n•7 @galeriezotto
📸n•8 •9 @pulsceramics - Nathalie Pollet
📸n•10 @nanamaste_

presents Béatrice Guilleman

🐊 Artists of Atelier Triphasé 🐊

Béatrice Guilleman is a ceramic artist whose work draws inspiration from animal figures found in architecture, particularly within Gothic, Romanesque, medieval, and Art Nouveau styles. Fascinated by sculpted forms such as gargoyles, chimeras, and ornamental motifs, she taps into their symbolic power—somewhere between protection and mystery. Her ceramic sculptures carry on this legacy: hybrid, guardian-like creatures that inhabit space like silent watchers. Through them, she explores the connection between humans, myth, and the living world, giving the material a narrative strength.
Her journey has taken her through artist residencies in Mexico, Greece, and Belgium—and soon, China !

Portrait @haroldlechien
📸n•7 @galeriezotto
📸n•8 •9 @pulsceramics - Nathalie Pollet
📸n•10 @nanamaste_

presents Béatrice Guilleman

🐊 Artists of Atelier Triphasé 🐊

Béatrice Guilleman is a ceramic artist whose work draws inspiration from animal figures found in architecture, particularly within Gothic, Romanesque, medieval, and Art Nouveau styles. Fascinated by sculpted forms such as gargoyles, chimeras, and ornamental motifs, she taps into their symbolic power—somewhere between protection and mystery. Her ceramic sculptures carry on this legacy: hybrid, guardian-like creatures that inhabit space like silent watchers. Through them, she explores the connection between humans, myth, and the living world, giving the material a narrative strength.
Her journey has taken her through artist residencies in Mexico, Greece, and Belgium—and soon, China !

Portrait @haroldlechien
📸n•7 @galeriezotto
📸n•8 •9 @pulsceramics - Nathalie Pollet
📸n•10 @nanamaste_

presents Béatrice Guilleman

🐊 Artists of Atelier Triphasé 🐊

Béatrice Guilleman is a ceramic artist whose work draws inspiration from animal figures found in architecture, particularly within Gothic, Romanesque, medieval, and Art Nouveau styles. Fascinated by sculpted forms such as gargoyles, chimeras, and ornamental motifs, she taps into their symbolic power—somewhere between protection and mystery. Her ceramic sculptures carry on this legacy: hybrid, guardian-like creatures that inhabit space like silent watchers. Through them, she explores the connection between humans, myth, and the living world, giving the material a narrative strength.
Her journey has taken her through artist residencies in Mexico, Greece, and Belgium—and soon, China !

Portrait @haroldlechien
📸n•7 @galeriezotto
📸n•8 •9 @pulsceramics - Nathalie Pollet
📸n•10 @nanamaste_

presents Béatrice Guilleman

🐊 Artists of Atelier Triphasé 🐊

Béatrice Guilleman is a ceramic artist whose work draws inspiration from animal figures found in architecture, particularly within Gothic, Romanesque, medieval, and Art Nouveau styles. Fascinated by sculpted forms such as gargoyles, chimeras, and ornamental motifs, she taps into their symbolic power—somewhere between protection and mystery. Her ceramic sculptures carry on this legacy: hybrid, guardian-like creatures that inhabit space like silent watchers. Through them, she explores the connection between humans, myth, and the living world, giving the material a narrative strength.
Her journey has taken her through artist residencies in Mexico, Greece, and Belgium—and soon, China !

Portrait @haroldlechien
📸n•7 @galeriezotto
📸n•8 •9 @pulsceramics - Nathalie Pollet
📸n•10 @nanamaste_

presents Béatrice Guilleman

🐊 Artists of Atelier Triphasé 🐊

Béatrice Guilleman is a ceramic artist whose work draws inspiration from animal figures found in architecture, particularly within Gothic, Romanesque, medieval, and Art Nouveau styles. Fascinated by sculpted forms such as gargoyles, chimeras, and ornamental motifs, she taps into their symbolic power—somewhere between protection and mystery. Her ceramic sculptures carry on this legacy: hybrid, guardian-like creatures that inhabit space like silent watchers. Through them, she explores the connection between humans, myth, and the living world, giving the material a narrative strength.
Her journey has taken her through artist residencies in Mexico, Greece, and Belgium—and soon, China !

Portrait @haroldlechien
📸n•7 @galeriezotto
📸n•8 •9 @pulsceramics - Nathalie Pollet
📸n•10 @nanamaste_

presents Béatrice Guilleman

🐊 Artists of Atelier Triphasé 🐊

Béatrice Guilleman is a ceramic artist whose work draws inspiration from animal figures found in architecture, particularly within Gothic, Romanesque, medieval, and Art Nouveau styles. Fascinated by sculpted forms such as gargoyles, chimeras, and ornamental motifs, she taps into their symbolic power—somewhere between protection and mystery. Her ceramic sculptures carry on this legacy: hybrid, guardian-like creatures that inhabit space like silent watchers. Through them, she explores the connection between humans, myth, and the living world, giving the material a narrative strength.
Her journey has taken her through artist residencies in Mexico, Greece, and Belgium—and soon, China !

Portrait @haroldlechien
📸n•7 @galeriezotto
📸n•8 •9 @pulsceramics - Nathalie Pollet
📸n•10 @nanamaste_

presents Béatrice Guilleman

🐊 Artists of Atelier Triphasé 🐊

Béatrice Guilleman is a ceramic artist whose work draws inspiration from animal figures found in architecture, particularly within Gothic, Romanesque, medieval, and Art Nouveau styles. Fascinated by sculpted forms such as gargoyles, chimeras, and ornamental motifs, she taps into their symbolic power—somewhere between protection and mystery. Her ceramic sculptures carry on this legacy: hybrid, guardian-like creatures that inhabit space like silent watchers. Through them, she explores the connection between humans, myth, and the living world, giving the material a narrative strength.
Her journey has taken her through artist residencies in Mexico, Greece, and Belgium—and soon, China !

Portrait @haroldlechien
📸n•7 @galeriezotto
📸n•8 •9 @pulsceramics - Nathalie Pollet
📸n•10 @nanamaste_