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ether_link
joyce₊⁎⁺˳✧༚₊
an audio-visual movement experience as part of @platform.presents’ Asian Heritage Week Naarm edition, in partnership with @interconnectstudio
31.05
ticket link in bio
//
direction, choreography by @ether_link
performance by @ate_cheska_ @taichi.ishii1965 @alnerborce @ether_link
lighting/fx by @joli.boardman @inkala.xyz
sound design by @88rontan
dj sets by @sinresolver55555 @ilyypad
venue at @interconnectstudio
//
graphic credits
direction, talent by @ether_link
photography, edit by @carlinandcamera
set by @ether_link @carlinandcamera
assist, bts by @jemerry.christmas
graphic edit by @ether_link w/ @honey_star.s assist x
“红”/ Hóng
Direction/Movement Direction: @ether_link
DP: @0ojin_
Production house: @bourgeois_av
Sound design: @88rontan
Set Assist/BTS: @ackergray
Grip: @88rontan
Grade: @joshnai.mov
Edit: @ether_link @joshnai.mov
Top made by @haevn.ly
Styling/HMU/Talent: @ether_link
🌹
INTERLINK_CELLS
may 31
the intersection of organic and inorganic bodies
ticket link in bio
direction, performance, edit: @ether_link
videography, lighting, colourgrade: @carlinandcamera
set: @ether_link @carlinandcamera
assist: @jemerry.christmas
song: AAAAK @hsxchcxcxhs
☆☆
dc: @ether_link
dancers: @puisabel_ @florence.kurniawan @lugofigoo @yazzy_middleton @builiilii @maggie.wm_
@o2studios
song: a point most crucial @c_a_r_r_i_e_r_
thank you for all your beautiful expressions!!
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
@o2studios 🪷
chorey: @ether_link
w/ @puisabel_ and @florence.kurniawan
song: “serendipity march” - @kangding_ray
VIVISECTION Runway and Performance.
To be ripped apart, dissected. Birth, death, rebirth, shedding, power.
November 14th, tickets in bio.
🐍
Performance by KHYA @_mamacitxx
Music production and curation by MIRASIA @mirasia
Choreography by Joyce Liu @ether_link
VHS footage by @4nge1iine
Instagram Stories geheim ansehen
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Vorteile von Anonstories
IG Stories privat entdecken
Behalten Sie Instagram-Updates diskret im Blick, schützen Sie Ihre Privatsphäre und bleiben Sie anonym.
Privater Instagram Viewer
Sehen Sie Profile und Fotos anonym an, ganz einfach mit dem Private Profile Viewer.
Kostenloser Story Viewer
Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Häufig gestellte Fragen
Anonymität
Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Gerätekompatibilität
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
Sicherheit und Datenschutz
Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Keine Registrierung
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Unterstützte Formate
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Kosten
Der Dienst ist kostenlos nutzbar.
Private Accounts
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateiverwendung
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Wie es funktioniert
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.