Instagram Story Viewer
View Instagram Stories Anonymously
ether_link
joyce₊⁎⁺˳✧༚₊
an audio-visual movement experience as part of @platform.presents’ Asian Heritage Week Naarm edition, in partnership with @interconnectstudio
31.05
ticket link in bio
//
direction, choreography by @ether_link
performance by @ate_cheska_ @taichi.ishii1965 @alnerborce @ether_link
lighting/fx by @joli.boardman @inkala.xyz
sound design by @88rontan
dj sets by @sinresolver55555 @ilyypad
venue at @interconnectstudio
//
graphic credits
direction, talent by @ether_link
photography, edit by @carlinandcamera
set by @ether_link @carlinandcamera
assist, bts by @jemerry.christmas
graphic edit by @ether_link w/ @honey_star.s assist x
“红”/ Hóng
Direction/Movement Direction: @ether_link
DP: @0ojin_
Production house: @bourgeois_av
Sound design: @88rontan
Set Assist/BTS: @ackergray
Grip: @88rontan
Grade: @joshnai.mov
Edit: @ether_link @joshnai.mov
Top made by @haevn.ly
Styling/HMU/Talent: @ether_link
🌹
INTERLINK_CELLS
may 31
the intersection of organic and inorganic bodies
ticket link in bio
direction, performance, edit: @ether_link
videography, lighting, colourgrade: @carlinandcamera
set: @ether_link @carlinandcamera
assist: @jemerry.christmas
song: AAAAK @hsxchcxcxhs
☆☆
dc: @ether_link
dancers: @puisabel_ @florence.kurniawan @lugofigoo @yazzy_middleton @builiilii @maggie.wm_
@o2studios
song: a point most crucial @c_a_r_r_i_e_r_
thank you for all your beautiful expressions!!
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
@o2studios 🪷
chorey: @ether_link
w/ @puisabel_ and @florence.kurniawan
song: “serendipity march” - @kangding_ray
VIVISECTION Runway and Performance.
To be ripped apart, dissected. Birth, death, rebirth, shedding, power.
November 14th, tickets in bio.
🐍
Performance by KHYA @_mamacitxx
Music production and curation by MIRASIA @mirasia
Choreography by Joyce Liu @ether_link
VHS footage by @4nge1iine
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.