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hyper.press
hyperpress
ontology of print
3D printing & graphic design
#3Dprintedbooks
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
CORPOREAL will accompany CORPUS's acquisition by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
---
CORPOREAL
Dating: 2024
Dimension: 4 minutes 12 seconds
Medium / Materials: Single channel 4K video
Edition: 1 (1+AP)
Special thanks to @gideon_kong
Photography by @j__neo and Chan Jian Hong
#graphicdesign #3dprintedbooks #3dprintedbook
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
LABOUR BLOCK Mini Docs
Chapter 2: @hyper.press @darius_ou
hyperpress is a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts.
Edit: JX Soo (@jadeexcess)
Shot by: JX Soo + Justin Tan (@just.a.tin)
--
OPEN STUDIO EVENT & MARKETPLACE
24—25 JAN, 1PM—8PM
*SCAPE GROUND THEATRE (@scapesg)
MORE INFO >>> LINK IN BIO
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
Instagram Stories geheim ansehen
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Vorteile von Anonstories
IG Stories privat entdecken
Behalten Sie Instagram-Updates diskret im Blick, schützen Sie Ihre Privatsphäre und bleiben Sie anonym.
Privater Instagram Viewer
Sehen Sie Profile und Fotos anonym an, ganz einfach mit dem Private Profile Viewer.
Kostenloser Story Viewer
Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Häufig gestellte Fragen
Anonymität
Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Gerätekompatibilität
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
Sicherheit und Datenschutz
Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Keine Registrierung
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Unterstützte Formate
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Kosten
Der Dienst ist kostenlos nutzbar.
Private Accounts
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateiverwendung
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Wie es funktioniert
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.