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hyper.press
hyperpress
ontology of print
3D printing & graphic design
#3Dprintedbooks
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
Excited to have SLIC3D, my first 3D printed book acquired by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
—
SLIC3D
Dating: 2021-22
Dimensions: 20.5 x 15.5 x 1.0 cm
Medium/material: 3D printed Thermoplastic polyurethane (pages), polylactic acid (spine)
Edition: Unique
Photography: @ve.you.vu
Photogrammetry: @jonathantyl
#graphicdesign #3dprintedbooks #3dprintedbook
CORPOREAL will accompany CORPUS's acquisition by Singapore Art Museum @singaporeartmuseum into the permanent Design Collection.
---
CORPOREAL
Dating: 2024
Dimension: 4 minutes 12 seconds
Medium / Materials: Single channel 4K video
Edition: 1 (1+AP)
Special thanks to @gideon_kong
Photography by @j__neo and Chan Jian Hong
#graphicdesign #3dprintedbooks #3dprintedbook
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
Happy to announce that CORPUS, my second 3D printed book has been acquired by Singapore Art Museum @singaporeartmuseum and will enter the permanent Design Collection.
---
CORPUS
Dating: 2022-23
Dimension: 17.0 x 10.5 x 2.5 cm
Medium / Materials: 3D printed/Thermoplastic polyurethane
Edition: Unique
Gaussian splatting/Photogrammetry with @jonathantyl
#graphicdesign #3dprintedbooks #3dprinting
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
building an archive, an inventory, a numbered list, a taxonomy, a glossary, a lexicon, a lore, a vector, a hypothesis, a research, and a practice for 3D printed books.
hyperpre.ss (link in bio)
beta site
Initiated in 2021, hyperpress is a programme of research spanning 3D printing, graphic design, and publishing—producing 3D printed books, objects, and texts. The research traces the ontology of print by situating additive manufacturing within the lineage of the printing press, where 3D printed books materialise a counterfactual trajectory.
#3dprintedbooks #graphicdesign
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
FINAL RESEARCH presents SESSION, an initiative with the goal of creating a space for global design discourse through live lecture, platforming people and practices that critically engage with design and research. SESSION is hosted at New Stadium @newsystems_ in Toronto with our guest speakers joining us virtually.
[INFORMATION]
Our first guest is Darius Ou @darius_ou , a Singapore-based graphic designer whose practice focuses on typography, motion design and graphic lore. He runs hyperpress @hyper.press , a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts. He is a recipient of the ADC New York Young Guns 21 award, and the Tokyo Type Directors Club Annual Award 2026.
[DATE]
Wed 04.29.2026
[LOGISTICS]
Darius will be giving a 75 minute talk followed by an extended Q&A period with time for social after.
Doors open at 7PM with talks beginning at 7:45. Guests are welcome to bring beverages. Snacks and non-alcoholic drinks will be provided.
[RSVP]
Seats are limited. Follow the link in bio to RSVP and guarantee entry. This event is PWYC, a $5 donation is suggested to cover costs and labour.
FR_12_P
TALK
LUMA.COM/DARIUSOU
#DARIUSOU
#FINALRESEARCH
#NEW
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
A slice of METALLY is now exhibiting at the @ginzagraphicgallery (ggg) as a Selected Work for @tokyotdc Tokyo Type Director's Club Awards 2026. This exhibited slice is a reworked prototype page from the development process and represents METALLY (2025) at the space.
Also shown in this post are additional images of the inner workings and circuitry of the book from development. This 3D printed book took approximately 6 months of conceptualisation, hardware and software tests, and production of the proof-of-concept object. More at @hyper.press
—
Check out all 124 winning works at the TDC Tokyo Exhibition
Dates: April 03, 2026 – May 16, 2026
Closed on Sundays and holidays (April 29, May 4-6)
Venue: Ginza Graphic Gallery (ggg)
Hours: 11:00-19:00
Address: DNP Ginza Bldg. 1F/B1F, 7-7-2 Ginza, Chuo-ku, Tokyo
#3dprintedbooks
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
METALLY (2025) has been selected for the Tokyo Type Directors Club Annual Award 2026 @tokyotdc as Excellent Work for the Experimental Work Category.
This marks an important milestone for the development of 3D printed books and re-emphasises their lineage in the printing press and tradition of graphic design. Beyond destabilising the ontology of print, 3D printed books interrogate the production processes and workflows of book-objects by retracing historical practices while speculating on their future.
METALLY is a culmination of various experimental processes developed over years from previous titles (and from countless failures), such as flexible 3D printed substrates, purpose-built typeface and methodology for 3D printing (termed path-trapping), Multi-material mechanical interlocking for printing images (termed clotting) and other methods documented at @hyper.press.
Special thanks to @feelers_feelers @joandkapi for the support,
@hiddnur, @sojamo, @msjospark, Dr Aprille, for the invaluable guidance.
Photography @jonathantyl Talent @suvalidh
#3dprintedbooks #graphicdesign
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
Prototype book-objects
These book-objects are 3D printed upright, from spine to fore-edge. Every piece is littered with randomly generated artefacts produced by the printer's pathing system, exploring accidental mark-making through the machines's vibration, belt patten ringing, and pathing mechanics. Through randomised start and end points per layer, each book-object is printed with a unique path. These artefacts are often perceived as printing flaws—here they are part of @hyper.press machine's unique signature through specific software settings and hardware intricacies.
The logomark on the cover is made using a "x-for-z" method, where relief marks are printed through movements on the x-axis rather than z-axis—a maneuver only possible through 3D printing the book-object upright instead of cover-flat on surface.
These exercises serves as a proof-of-concept for a process for 3D printing a book all at once. Each piece is produced from the same filament spool that was used to produce previous @hyper.press titles. Available @labour_block . While spool lasts.
Limited drop @labour_block
LABOUR BLOCK Mini Docs
Chapter 2: @hyper.press @darius_ou
hyperpress is a research initiative and body of work exploring the intersections of 3D printing, graphic design and publishing—producing 3D printed books, objects and texts.
Edit: JX Soo (@jadeexcess)
Shot by: JX Soo + Justin Tan (@just.a.tin)
--
OPEN STUDIO EVENT & MARKETPLACE
24—25 JAN, 1PM—8PM
*SCAPE GROUND THEATRE (@scapesg)
MORE INFO >>> LINK IN BIO
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
DOUBLE SLIT EXPERIMENTS
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 feature a double-slit joint system across its constellation of spines. Conceived by polymath Thomas Young, the double-slit experiments from 1801 have since been explored in many branches in physics, including quantum mechanics. Initially designed to demonstrate the dual wave–particle behaviour of light and matter, the experiment later gave rise to profound scientific and philosophical questions concerning measurement, observation, and consciousness itself. The primary consequences of the findings from these experiments stem from how classical particles can exhibit behaviours of waves only under unobserved circumstances, either mechanically or by human interactions.
𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴’s binding mechanism draws simultaneously on the technical logic of the double-slit apparatus and on the conceptual perplexities it exposes—the dualities that emerge from interactions. Each spread of 𝘔𝘢𝘯𝘺-𝘧𝘰𝘭𝘥𝘴 is 3D-printed with a pair of slits at the centrefold and extended tabs along the fore edges. These tabs are designed to be threaded through the centrefold slits of adjacent spreads and heat-bound together, forming a continuous, branching system of spreads.
Book prose by @daisyfay
#3dprintedbooks #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴
2025
1500mm x 1000mm (without spool)
Medium: 3D printed book, Thermoplastic polyurethane
Commissioned by ArtScience Museum Singapore
Book prose by Samantha Yap @daisyfay
#3dprintedbook #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
MANY FOLDS OF THE SURFACE
The cover of 𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 features an experimental technique developed at @hyper.press for spot iridescent 3D printed graphics on 3D printed books. Building on a diffraction-grating transfer technique developed within the larger 3D printing community, a multi-material workflow was devised to enable selective grating transfer across specific regions of the print surface.
A diffraction grating operates through micro-periodic patterns etched onto material—like a surface folded over and over—causing incoming light waves to diffract and interfere with one another, thereby generating a spectrum. By 3D printing directly over a diffraction grating surface, the microstructures can be imprinted onto the bed-facing surface of the 3D printed object, which transfers the optical phenomenon to the print.
Conceptually it is important to think about this process as transfer of phenomenon, not ink. Conventional printing involves the transfer of ink onto a substrate, whereas this is an imprinting of pronounced, three-dimensional structures from surface to surface, resulting in transfer of optical phenomenon.
With progress from FFF 3D printing technologies, 3D printers might benefit from development in deposition resolution to be able to fabricate the diffraction microstrucutures natively in the future.
Book prose by @daisyfay
𝘔𝘢𝘯𝘺-𝘍𝘰𝘭𝘥𝘴 is commissioned by and exhibited at ArtScience Museum till 22 Feb 2026. Special thanks to Joshua, Joel, Charleen and the exhibition team.
#3Dprintedbooks #graphicdesign
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.