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Starting can often be the hardest part. Inner criticism and perfectionism can make it intimidating to create work that feels authentic, loose and fluid.

After studying under @floriswubben at Boisbuchet, I wanted to find confidence in using my hands as the tools again after years refining ceramic extrusion.

This vase is an example of working with more freedom - fast, intuitive, and responsive. Making decisions in the moment rather than carefully planning every outcome. I think that is often where the beauty lives, in those quick and instinctive gestures that cannot really be repeated. I am excited to share my new work and continue down this path for a while.

Words and Music by talented friend @theresnyck @nickacquroff

Photography by @joshrobenstone @theartline_ @matthewmcquiggan

Curator @ryanfernandesdesign
Hosted by @madebymorgen as part of @ngvmelbourne

My first exploration into furniture, and a new chapter borne from my residency at Domaine de Boisbuchet in southwest France.

Built tile by tile and at an unprecedented scale, the piece marks a new method of working - one that remains true to the studio’s enduring principles of symmetry, rhythm, and the handmade. More on the work to come.

Curated by @ryanfernandesdesign
Presented by @madebymorgen
Photography by @joshrobenstone @theartline___
Part of @ngvmelbourne Melbourne Design Week 2026

My first exploration into furniture, and a new chapter borne from my residency at Domaine de Boisbuchet in southwest France.

Built tile by tile and at an unprecedented scale, the piece marks a new method of working - one that remains true to the studio’s enduring principles of symmetry, rhythm, and the handmade. More on the work to come.

Curated by @ryanfernandesdesign
Presented by @madebymorgen
Photography by @joshrobenstone @theartline___
Part of @ngvmelbourne Melbourne Design Week 2026

My first exploration into furniture, and a new chapter borne from my residency at Domaine de Boisbuchet in southwest France.

Built tile by tile and at an unprecedented scale, the piece marks a new method of working - one that remains true to the studio’s enduring principles of symmetry, rhythm, and the handmade. More on the work to come.

Curated by @ryanfernandesdesign
Presented by @madebymorgen
Photography by @joshrobenstone @theartline___
Part of @ngvmelbourne Melbourne Design Week 2026

I’m proud to be showing as part of Tactile Dialogues: Fragments of Matter for Melbourne Design Week 2026.

This year’s exhibition explores the fragment as both material and concept - inviting audiences to slow down and engage more closely with process, texture, and the traces of making.

The exhibition considers fragmentation as a site of possibility: a way of revealing the hand of the maker and the evolving relationship between creator and material.

Opening Friday 15 May
11am–5pm

Fri 15 May / Sun 17 May
10am–5pm

Curated by @ryanfernandesdesign
Presented by @madebymorgen
Photography by @joshrobenstone @theartline___
Part of @ngvmelbourne Melbourne Design Week 2026

I’m proud to be showing as part of Tactile Dialogues: Fragments of Matter for Melbourne Design Week 2026.

This year’s exhibition explores the fragment as both material and concept - inviting audiences to slow down and engage more closely with process, texture, and the traces of making.

The exhibition considers fragmentation as a site of possibility: a way of revealing the hand of the maker and the evolving relationship between creator and material.

Opening Friday 15 May
11am–5pm

Fri 15 May / Sun 17 May
10am–5pm

Curated by @ryanfernandesdesign
Presented by @madebymorgen
Photography by @joshrobenstone @theartline___
Part of @ngvmelbourne Melbourne Design Week 2026

I’m proud to be showing as part of Tactile Dialogues: Fragments of Matter for Melbourne Design Week 2026.

This year’s exhibition explores the fragment as both material and concept - inviting audiences to slow down and engage more closely with process, texture, and the traces of making.

The exhibition considers fragmentation as a site of possibility: a way of revealing the hand of the maker and the evolving relationship between creator and material.

Opening Friday 15 May
11am–5pm

Fri 15 May / Sun 17 May
10am–5pm

Curated by @ryanfernandesdesign
Presented by @madebymorgen
Photography by @joshrobenstone @theartline___
Part of @ngvmelbourne Melbourne Design Week 2026

Chelsea Residence, London featuring our Triple Tier Ceramic Sconce designed in collaboration by the talented Neha Narayan @_studio__arka and Vange Markou @thespecified.

We meticulously hand make, refine, glaze and send off our pieces. It is such a pleasure to see them placed in a gorgeous home like this one.

@studiojocowen @helencathcart @aximor_london @est_living

Always a pleasure to sit within a @banda home.

Milan Penthouse featuring our Tier Ceramic Sconce in Amber Brown.

Photo @giulioghirardistudio

Introducing Sarah Nedovic @sarah_nedovic.

Following its inaugural edition in 2025, Tactile Dialogues returns with Fragments of Matter.
Returning for this second edition, Sarah brings a practice shaped by material, light, form, and intuition.Working from a ceramic foundation while continuing to expand across disciplines, she creates works that feel open, evolving, and alive to transformation.

Curated by @ryanfernandesdesign
Presented by @madebymorgenas part of @ngvmelbourneMelbourne Design Week 2026.
14–17 May 2026
Made By Morgen Showroom, Brunswick

Graphic design by @ammaniya
Photography by @joshrobenstone

Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.

#TactileDialogues #FragmentsOfMatter #MadeByMorgen #MelbourneDesignWeek #AustralianDesign #Materiality #ContemporaryCraft #NGV

Introducing Sarah Nedovic @sarah_nedovic.

Following its inaugural edition in 2025, Tactile Dialogues returns with Fragments of Matter.
Returning for this second edition, Sarah brings a practice shaped by material, light, form, and intuition.Working from a ceramic foundation while continuing to expand across disciplines, she creates works that feel open, evolving, and alive to transformation.

Curated by @ryanfernandesdesign
Presented by @madebymorgenas part of @ngvmelbourneMelbourne Design Week 2026.
14–17 May 2026
Made By Morgen Showroom, Brunswick

Graphic design by @ammaniya
Photography by @joshrobenstone

Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.

#TactileDialogues #FragmentsOfMatter #MadeByMorgen #MelbourneDesignWeek #AustralianDesign #Materiality #ContemporaryCraft #NGV

Introducing Sarah Nedovic @sarah_nedovic.

Following its inaugural edition in 2025, Tactile Dialogues returns with Fragments of Matter.
Returning for this second edition, Sarah brings a practice shaped by material, light, form, and intuition.Working from a ceramic foundation while continuing to expand across disciplines, she creates works that feel open, evolving, and alive to transformation.

Curated by @ryanfernandesdesign
Presented by @madebymorgenas part of @ngvmelbourneMelbourne Design Week 2026.
14–17 May 2026
Made By Morgen Showroom, Brunswick

Graphic design by @ammaniya
Photography by @joshrobenstone

Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.

#TactileDialogues #FragmentsOfMatter #MadeByMorgen #MelbourneDesignWeek #AustralianDesign #Materiality #ContemporaryCraft #NGV

Grateful to @vogueliving, @mobilia_ and @beccaratti for continuing to elevate and support Australian design.

Being featured on the cover of Vogue Living and celebrating at the gala dinner was such an honour.

Congratulations to the awarded designers @studiotaliroth, @benmazey, @amandaolivergardens, @volkerhaug, @flackstudio_, @caondesignoffice @studio__bright @thomashamel. What an inspiring group. 🤍

Grateful to @vogueliving, @mobilia_ and @beccaratti for continuing to elevate and support Australian design.

Being featured on the cover of Vogue Living and celebrating at the gala dinner was such an honour.

Congratulations to the awarded designers @studiotaliroth, @benmazey, @amandaolivergardens, @volkerhaug, @flackstudio_, @caondesignoffice @studio__bright @thomashamel. What an inspiring group. 🤍

Grateful to @vogueliving, @mobilia_ and @beccaratti for continuing to elevate and support Australian design.

Being featured on the cover of Vogue Living and celebrating at the gala dinner was such an honour.

Congratulations to the awarded designers @studiotaliroth, @benmazey, @amandaolivergardens, @volkerhaug, @flackstudio_, @caondesignoffice @studio__bright @thomashamel. What an inspiring group. 🤍

Honoured to be included in the VL50 list for 2026 💫

This coveted list of local talents is hand-selected by the Vogue Living team, celebrating distinctive style, out-of-the-box thinking and a creative commitment to advancing Australian design, both nationally and on a global stage. The VL50 is a celebration of our diverse, evolving creative community and the incredible value it holds.

Thank you @vogueliving and @beccaratti ✨

What began as a quiet practice while raising two wild, beautiful children has grown into a studio supported by an extraordinary team, and a wonderful husband who backs me in every season.

To everyone who has followed, supported and believed in this work along the way, thank you.

Grateful for the recognition. 🤍

#VL50 #VogueLiving #AustralianDesign #SarahNedovicStudio

So lovely to see our ceramic sconces in this beautiful drawing room by @banda.property 🤍

📷 @jakecurtisphoto

Glaze development for 18110E.3829 (Ridge Light).
38 and 29 — the atomic numbers of strontium and copper — embedded in the surface of the work.

DONE/UNDONE at @craftvictoria, curated by @josephgardener.

Photography @arjun

Glaze development for 18110E.3829 (Ridge Light).
38 and 29 — the atomic numbers of strontium and copper — embedded in the surface of the work.

DONE/UNDONE at @craftvictoria, curated by @josephgardener.

Photography @arjun

Glaze development for 18110E.3829 (Ridge Light).
38 and 29 — the atomic numbers of strontium and copper — embedded in the surface of the work.

DONE/UNDONE at @craftvictoria, curated by @josephgardener.

Photography @arjun

Glaze development for 18110E.3829 (Ridge Light).
38 and 29 — the atomic numbers of strontium and copper — embedded in the surface of the work.

DONE/UNDONE at @craftvictoria, curated by @josephgardener.

Photography @arjun

Glaze development for 18110E.3829 (Ridge Light).
38 and 29 — the atomic numbers of strontium and copper — embedded in the surface of the work.

DONE/UNDONE at @craftvictoria, curated by @josephgardener.

Photography @arjun

Thrilled to be showing new work as part of DONE/UNDONE, curated by @joseph_gardner for Craft Victoria’s 2025 Visionaries program.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
The exhibition brings together local artists exploring process, material, and the space between what is resolved and what is still in motion.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
18110E.3829, Ridge Light,continues my ongoing study of extrusion, where form is shaped by force, resistance, and the discipline of industrial tooling. Each work becomes a small record of the process.

⠀⠀⠀⠀⠀⠀⠀⠀⠀
DONE/UNDONE opens 14 November at @craftvictoria.

Thrilled to be showing new work as part of DONE/UNDONE, curated by @joseph_gardner for Craft Victoria’s 2025 Visionaries program.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
The exhibition brings together local artists exploring process, material, and the space between what is resolved and what is still in motion.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
18110E.3829, Ridge Light,continues my ongoing study of extrusion, where form is shaped by force, resistance, and the discipline of industrial tooling. Each work becomes a small record of the process.

⠀⠀⠀⠀⠀⠀⠀⠀⠀
DONE/UNDONE opens 14 November at @craftvictoria.

Thrilled to be showing new work as part of DONE/UNDONE, curated by @joseph_gardner for Craft Victoria’s 2025 Visionaries program.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
The exhibition brings together local artists exploring process, material, and the space between what is resolved and what is still in motion.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
18110E.3829, Ridge Light,continues my ongoing study of extrusion, where form is shaped by force, resistance, and the discipline of industrial tooling. Each work becomes a small record of the process.

⠀⠀⠀⠀⠀⠀⠀⠀⠀
DONE/UNDONE opens 14 November at @craftvictoria.

Process images of 18110E.3829 // Ridge Light, now showing in DONE/UNDONE at @craftvictoria , curated by @joseph_gardner

18110E.3829 acts as an industrial code, part formula, part record, capturing the concept, machine, process and material that made this extrusion possible.
Photography @arjunsohal

Process images of 18110E.3829 // Ridge Light, now showing in DONE/UNDONE at @craftvictoria , curated by @joseph_gardner

18110E.3829 acts as an industrial code, part formula, part record, capturing the concept, machine, process and material that made this extrusion possible.
Photography @arjunsohal

Process images of 18110E.3829 // Ridge Light, now showing in DONE/UNDONE at @craftvictoria , curated by @joseph_gardner

18110E.3829 acts as an industrial code, part formula, part record, capturing the concept, machine, process and material that made this extrusion possible.
Photography @arjunsohal

Process images of 18110E.3829 // Ridge Light, now showing in DONE/UNDONE at @craftvictoria , curated by @joseph_gardner

18110E.3829 acts as an industrial code, part formula, part record, capturing the concept, machine, process and material that made this extrusion possible.
Photography @arjunsohal