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ryanfernandesdesign
Ryan Fernandes
Furniture. Art. Object.
Enquires: ryan@ryanfernandesdesign.com
curator @tactile_dialogues
Melbourne (Naarm)
With Tactile Dialogues, the goal was not to flatten the works into a single narrative, but to allow multiple material voices to coexist. The exhibition is really about dialogue; between tradition and experimentation, function and collectibility, touch and perception, permanence and fragility
Tactile Dialogues: Fragments of Matter
Curated by @ryanfernandesdesign
Presented by @madebymorgen
as part of @ngvmelbourne Melbourne Melbourne Design Week 2026
with:
Jessie French - Other Matter (@other_matter)
Sarah Nedovic (@sarah_nedovic)
Jordan Fleming (@_jordanfleming)
Ned Vernon, V Brokkr (@v.brokkr)
Jon Goulder (@jongoulder )
Ryan L. Foote (@ryan.l.foote )
Billy Crellin - Studio Dokola (@studiodokolaglass )
Emma Davies (@emmadavies.art )
Nicholas Trifiletti (@nicholastrifilettiparfums)
Aleesha Callahan (@aleeshacallahan - @about_futures__ )
@madebymorgen showroom, Brunswick
Graphics @ammaniya
Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.
@theenglishtapwarecompany and @rmwilliams, supporting partners
@cultivated_au, @objectsforthought, @halcyonlake and @designertimberproducts, in kind partners
Brunswick Design District, (@merri_bekcitycouncil and and @interiordesign.rmit), institutionnal partners.
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne
#melbournedesignweek
#ngv
#tactiledialogues
#fragmentsofmatter
It’s been an overwhelming response to our exhibition @tactile_dialogues . To everyone who dropped by over the last few days we are immensely grateful.
For me, interiors have always been about storytelling through material. The work is exceptional. Thank you to all of the makers; not only for your extraordinary work, but for your openness, generosity, and camaraderie throughout this process. You have pushed and challenged me in many ways and if I’ve been demanding and slightly neurotic through the process, thank you for trusting me with your work!
The @madebymorgen team for inviting me into your space again and helping me realise my vision. In gratitude.🙏🏽
Finally to all of the sponsors for supporting independent design, craft, and the making community. Exhibitions like this genuinely would not happen without that support.
Open tomorrow till 5pm (I will be around till 3pm) pls come by and say hi… slightly fragile .. taking hugs :) x
Photography @matthewmcquiggan
It’s been an overwhelming response to our exhibition @tactile_dialogues . To everyone who dropped by over the last few days we are immensely grateful.
For me, interiors have always been about storytelling through material. The work is exceptional. Thank you to all of the makers; not only for your extraordinary work, but for your openness, generosity, and camaraderie throughout this process. You have pushed and challenged me in many ways and if I’ve been demanding and slightly neurotic through the process, thank you for trusting me with your work!
The @madebymorgen team for inviting me into your space again and helping me realise my vision. In gratitude.🙏🏽
Finally to all of the sponsors for supporting independent design, craft, and the making community. Exhibitions like this genuinely would not happen without that support.
Open tomorrow till 5pm (I will be around till 3pm) pls come by and say hi… slightly fragile .. taking hugs :) x
Photography @matthewmcquiggan
It’s been an overwhelming response to our exhibition @tactile_dialogues . To everyone who dropped by over the last few days we are immensely grateful.
For me, interiors have always been about storytelling through material. The work is exceptional. Thank you to all of the makers; not only for your extraordinary work, but for your openness, generosity, and camaraderie throughout this process. You have pushed and challenged me in many ways and if I’ve been demanding and slightly neurotic through the process, thank you for trusting me with your work!
The @madebymorgen team for inviting me into your space again and helping me realise my vision. In gratitude.🙏🏽
Finally to all of the sponsors for supporting independent design, craft, and the making community. Exhibitions like this genuinely would not happen without that support.
Open tomorrow till 5pm (I will be around till 3pm) pls come by and say hi… slightly fragile .. taking hugs :) x
Photography @matthewmcquiggan
It’s been an overwhelming response to our exhibition @tactile_dialogues . To everyone who dropped by over the last few days we are immensely grateful.
For me, interiors have always been about storytelling through material. The work is exceptional. Thank you to all of the makers; not only for your extraordinary work, but for your openness, generosity, and camaraderie throughout this process. You have pushed and challenged me in many ways and if I’ve been demanding and slightly neurotic through the process, thank you for trusting me with your work!
The @madebymorgen team for inviting me into your space again and helping me realise my vision. In gratitude.🙏🏽
Finally to all of the sponsors for supporting independent design, craft, and the making community. Exhibitions like this genuinely would not happen without that support.
Open tomorrow till 5pm (I will be around till 3pm) pls come by and say hi… slightly fragile .. taking hugs :) x
Photography @matthewmcquiggan
It’s been an overwhelming response to our exhibition @tactile_dialogues . To everyone who dropped by over the last few days we are immensely grateful.
For me, interiors have always been about storytelling through material. The work is exceptional. Thank you to all of the makers; not only for your extraordinary work, but for your openness, generosity, and camaraderie throughout this process. You have pushed and challenged me in many ways and if I’ve been demanding and slightly neurotic through the process, thank you for trusting me with your work!
The @madebymorgen team for inviting me into your space again and helping me realise my vision. In gratitude.🙏🏽
Finally to all of the sponsors for supporting independent design, craft, and the making community. Exhibitions like this genuinely would not happen without that support.
Open tomorrow till 5pm (I will be around till 3pm) pls come by and say hi… slightly fragile .. taking hugs :) x
Photography @matthewmcquiggan
It’s been an overwhelming response to our exhibition @tactile_dialogues . To everyone who dropped by over the last few days we are immensely grateful.
For me, interiors have always been about storytelling through material. The work is exceptional. Thank you to all of the makers; not only for your extraordinary work, but for your openness, generosity, and camaraderie throughout this process. You have pushed and challenged me in many ways and if I’ve been demanding and slightly neurotic through the process, thank you for trusting me with your work!
The @madebymorgen team for inviting me into your space again and helping me realise my vision. In gratitude.🙏🏽
Finally to all of the sponsors for supporting independent design, craft, and the making community. Exhibitions like this genuinely would not happen without that support.
Open tomorrow till 5pm (I will be around till 3pm) pls come by and say hi… slightly fragile .. taking hugs :) x
Photography @matthewmcquiggan
It’s that time of the year! This year’s exhibition for Melbourne Design Week explores the idea of the fragment as both material and concept, inviting audiences to slow down and engage more closely with process, texture and the traces of making. The exhibition frames fragmentation as a site of possibility: a way of revealing the hand of the maker and the ever-evolving relationship between creator and material.
We look forward to welcoming visitors from Friday 15th May (11am-5pm) Sat 16th/Sun17th May (10am-5pm)
Photography @matthewmcquiggan
Tactile Dialogues: Fragments of Matter
Curated by @ryanfernandesdesign
Presented by @madebymorgen
as part of @ngvmelbourne Melbourne Melbourne Design Week 2026
with:
Jessie French - Other Matter (@other_matter)
Sarah Nedovic (@sarah_nedovic)
Jordan Fleming (@_jordanfleming)
Ned Vernon, V Brokkr (@v.brokkr)
Jon Goulder (@jongoulder )
Ryan L. Foote (@ryan.l.foote )
Billy Crellin - Studio Dokola (@studiodokolaglass )
Emma Davies (@emmadavies.art )
Nicholas Trifiletti (@nicholastrifilettiparfums)
Aleesha Callahan (@aleeshacallahan - @about_futures__ )
@madebymorgen showroom, Brunswick
Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.
@theenglishtapwarecompany and @rmwilliams, supporting partners
@cultivated_au, @objectsforthought, @halcyonlake and @designertimberproducts, in kind partners
Brunswick Design District, (@merri_bekcitycouncil and and @interiordesign.rmit), institutionnal partners.
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne
#melbournedesignweek
#ngv
#tactiledialogues
#fragmentsofmatter
It’s that time of the year! This year’s exhibition for Melbourne Design Week explores the idea of the fragment as both material and concept, inviting audiences to slow down and engage more closely with process, texture and the traces of making. The exhibition frames fragmentation as a site of possibility: a way of revealing the hand of the maker and the ever-evolving relationship between creator and material.
We look forward to welcoming visitors from Friday 15th May (11am-5pm) Sat 16th/Sun17th May (10am-5pm)
Photography @matthewmcquiggan
Tactile Dialogues: Fragments of Matter
Curated by @ryanfernandesdesign
Presented by @madebymorgen
as part of @ngvmelbourne Melbourne Melbourne Design Week 2026
with:
Jessie French - Other Matter (@other_matter)
Sarah Nedovic (@sarah_nedovic)
Jordan Fleming (@_jordanfleming)
Ned Vernon, V Brokkr (@v.brokkr)
Jon Goulder (@jongoulder )
Ryan L. Foote (@ryan.l.foote )
Billy Crellin - Studio Dokola (@studiodokolaglass )
Emma Davies (@emmadavies.art )
Nicholas Trifiletti (@nicholastrifilettiparfums)
Aleesha Callahan (@aleeshacallahan - @about_futures__ )
@madebymorgen showroom, Brunswick
Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.
@theenglishtapwarecompany and @rmwilliams, supporting partners
@cultivated_au, @objectsforthought, @halcyonlake and @designertimberproducts, in kind partners
Brunswick Design District, (@merri_bekcitycouncil and and @interiordesign.rmit), institutionnal partners.
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne
#melbournedesignweek
#ngv
#tactiledialogues
#fragmentsofmatter
It’s that time of the year! This year’s exhibition for Melbourne Design Week explores the idea of the fragment as both material and concept, inviting audiences to slow down and engage more closely with process, texture and the traces of making. The exhibition frames fragmentation as a site of possibility: a way of revealing the hand of the maker and the ever-evolving relationship between creator and material.
We look forward to welcoming visitors from Friday 15th May (11am-5pm) Sat 16th/Sun17th May (10am-5pm)
Photography @matthewmcquiggan
Tactile Dialogues: Fragments of Matter
Curated by @ryanfernandesdesign
Presented by @madebymorgen
as part of @ngvmelbourne Melbourne Melbourne Design Week 2026
with:
Jessie French - Other Matter (@other_matter)
Sarah Nedovic (@sarah_nedovic)
Jordan Fleming (@_jordanfleming)
Ned Vernon, V Brokkr (@v.brokkr)
Jon Goulder (@jongoulder )
Ryan L. Foote (@ryan.l.foote )
Billy Crellin - Studio Dokola (@studiodokolaglass )
Emma Davies (@emmadavies.art )
Nicholas Trifiletti (@nicholastrifilettiparfums)
Aleesha Callahan (@aleeshacallahan - @about_futures__ )
@madebymorgen showroom, Brunswick
Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.
@theenglishtapwarecompany and @rmwilliams, supporting partners
@cultivated_au, @objectsforthought, @halcyonlake and @designertimberproducts, in kind partners
Brunswick Design District, (@merri_bekcitycouncil and and @interiordesign.rmit), institutionnal partners.
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne
#melbournedesignweek
#ngv
#tactiledialogues
#fragmentsofmatter
It’s that time of the year! This year’s exhibition for Melbourne Design Week explores the idea of the fragment as both material and concept, inviting audiences to slow down and engage more closely with process, texture and the traces of making. The exhibition frames fragmentation as a site of possibility: a way of revealing the hand of the maker and the ever-evolving relationship between creator and material.
We look forward to welcoming visitors from Friday 15th May (11am-5pm) Sat 16th/Sun17th May (10am-5pm)
Photography @matthewmcquiggan
Tactile Dialogues: Fragments of Matter
Curated by @ryanfernandesdesign
Presented by @madebymorgen
as part of @ngvmelbourne Melbourne Melbourne Design Week 2026
with:
Jessie French - Other Matter (@other_matter)
Sarah Nedovic (@sarah_nedovic)
Jordan Fleming (@_jordanfleming)
Ned Vernon, V Brokkr (@v.brokkr)
Jon Goulder (@jongoulder )
Ryan L. Foote (@ryan.l.foote )
Billy Crellin - Studio Dokola (@studiodokolaglass )
Emma Davies (@emmadavies.art )
Nicholas Trifiletti (@nicholastrifilettiparfums)
Aleesha Callahan (@aleeshacallahan - @about_futures__ )
@madebymorgen showroom, Brunswick
Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.
@theenglishtapwarecompany and @rmwilliams, supporting partners
@cultivated_au, @objectsforthought, @halcyonlake and @designertimberproducts, in kind partners
Brunswick Design District, (@merri_bekcitycouncil and and @interiordesign.rmit), institutionnal partners.
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne
#melbournedesignweek
#ngv
#tactiledialogues
#fragmentsofmatter
It’s that time of the year! This year’s exhibition for Melbourne Design Week explores the idea of the fragment as both material and concept, inviting audiences to slow down and engage more closely with process, texture and the traces of making. The exhibition frames fragmentation as a site of possibility: a way of revealing the hand of the maker and the ever-evolving relationship between creator and material.
We look forward to welcoming visitors from Friday 15th May (11am-5pm) Sat 16th/Sun17th May (10am-5pm)
Photography @matthewmcquiggan
Tactile Dialogues: Fragments of Matter
Curated by @ryanfernandesdesign
Presented by @madebymorgen
as part of @ngvmelbourne Melbourne Melbourne Design Week 2026
with:
Jessie French - Other Matter (@other_matter)
Sarah Nedovic (@sarah_nedovic)
Jordan Fleming (@_jordanfleming)
Ned Vernon, V Brokkr (@v.brokkr)
Jon Goulder (@jongoulder )
Ryan L. Foote (@ryan.l.foote )
Billy Crellin - Studio Dokola (@studiodokolaglass )
Emma Davies (@emmadavies.art )
Nicholas Trifiletti (@nicholastrifilettiparfums)
Aleesha Callahan (@aleeshacallahan - @about_futures__ )
@madebymorgen showroom, Brunswick
Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.
@theenglishtapwarecompany and @rmwilliams, supporting partners
@cultivated_au, @objectsforthought, @halcyonlake and @designertimberproducts, in kind partners
Brunswick Design District, (@merri_bekcitycouncil and and @interiordesign.rmit), institutionnal partners.
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne
#melbournedesignweek
#ngv
#tactiledialogues
#fragmentsofmatter
It’s that time of the year! This year’s exhibition for Melbourne Design Week explores the idea of the fragment as both material and concept, inviting audiences to slow down and engage more closely with process, texture and the traces of making. The exhibition frames fragmentation as a site of possibility: a way of revealing the hand of the maker and the ever-evolving relationship between creator and material.
We look forward to welcoming visitors from Friday 15th May (11am-5pm) Sat 16th/Sun17th May (10am-5pm)
Photography @matthewmcquiggan
Tactile Dialogues: Fragments of Matter
Curated by @ryanfernandesdesign
Presented by @madebymorgen
as part of @ngvmelbourne Melbourne Melbourne Design Week 2026
with:
Jessie French - Other Matter (@other_matter)
Sarah Nedovic (@sarah_nedovic)
Jordan Fleming (@_jordanfleming)
Ned Vernon, V Brokkr (@v.brokkr)
Jon Goulder (@jongoulder )
Ryan L. Foote (@ryan.l.foote )
Billy Crellin - Studio Dokola (@studiodokolaglass )
Emma Davies (@emmadavies.art )
Nicholas Trifiletti (@nicholastrifilettiparfums)
Aleesha Callahan (@aleeshacallahan - @about_futures__ )
@madebymorgen showroom, Brunswick
Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.
@theenglishtapwarecompany and @rmwilliams, supporting partners
@cultivated_au, @objectsforthought, @halcyonlake and @designertimberproducts, in kind partners
Brunswick Design District, (@merri_bekcitycouncil and and @interiordesign.rmit), institutionnal partners.
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne
#melbournedesignweek
#ngv
#tactiledialogues
#fragmentsofmatter
A material conversation begins.
Tactile Dialogues: Fragments of Matter invites audiences to experience fragmentation as both material and concept. A space where new forms, partial views, and traces of thought become the starting point for dialogue, curiosity, and reflection
The installation encourages mindful, embodied engagement asking audiences to listen, feel and observe. Through a choreography of touch, trace and transformation, Tactile Dialogues: Fragments of Matter investigates material temporality and proposes design as a living, unfinished practice
Through Tactile Dialogues, we want to create a platform that reveals the process, experimentation and alchemy that happens when a maker works directly with matter.
Tactile Dialogues: Fragments of Matter
Curated by @ryanfernandesdesign
Presented by @madebymorgen
as part of @NGV Melbourne Melbourne Design Week 2026
with:
Jessie French - Other Matter (@other_matter @frenchjessie )
Sarah Nedovic (sarah_nedovic)
Jordan Fleming (@_jordanfleming)
Ned Vernon, V Brokkr (@v.brokkr)
Jon Goulder (@jongoulder)
Ryan L. Foote (@rlfootdesignstudio)
Billy Crellin - Studio Dokola (@studiodokolaglass)
Emma Davies (@emmadavies.art)
Aleesha Callahan (@aleeshacallahan - @about_futures__ )
14-17 May 2026
@madebymorgen showroom, Brunswick
Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne
#MelbourneDesignWeek
#NGV
#TactileDialogues
#fragmentsofmatter
A material conversation begins.
Tactile Dialogues: Fragments of Matter invites audiences to experience fragmentation as both material and concept. A space where new forms, partial views, and traces of thought become the starting point for dialogue, curiosity, and reflection
The installation encourages mindful, embodied engagement asking audiences to listen, feel and observe. Through a choreography of touch, trace and transformation, Tactile Dialogues: Fragments of Matter investigates material temporality and proposes design as a living, unfinished practice
Through Tactile Dialogues, we want to create a platform that reveals the process, experimentation and alchemy that happens when a maker works directly with matter.
Tactile Dialogues: Fragments of Matter
Curated by @ryanfernandesdesign
Presented by @madebymorgen
as part of @NGV Melbourne Melbourne Design Week 2026
with:
Jessie French - Other Matter (@other_matter @frenchjessie )
Sarah Nedovic (sarah_nedovic)
Jordan Fleming (@_jordanfleming)
Ned Vernon, V Brokkr (@v.brokkr)
Jon Goulder (@jongoulder)
Ryan L. Foote (@rlfootdesignstudio)
Billy Crellin - Studio Dokola (@studiodokolaglass)
Emma Davies (@emmadavies.art)
Aleesha Callahan (@aleeshacallahan - @about_futures__ )
14-17 May 2026
@madebymorgen showroom, Brunswick
Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne
#MelbourneDesignWeek
#NGV
#TactileDialogues
#fragmentsofmatter
A material conversation begins.
Tactile Dialogues: Fragments of Matter invites audiences to experience fragmentation as both material and concept. A space where new forms, partial views, and traces of thought become the starting point for dialogue, curiosity, and reflection
The installation encourages mindful, embodied engagement asking audiences to listen, feel and observe. Through a choreography of touch, trace and transformation, Tactile Dialogues: Fragments of Matter investigates material temporality and proposes design as a living, unfinished practice
Through Tactile Dialogues, we want to create a platform that reveals the process, experimentation and alchemy that happens when a maker works directly with matter.
Tactile Dialogues: Fragments of Matter
Curated by @ryanfernandesdesign
Presented by @madebymorgen
as part of @NGV Melbourne Melbourne Design Week 2026
with:
Jessie French - Other Matter (@other_matter @frenchjessie )
Sarah Nedovic (sarah_nedovic)
Jordan Fleming (@_jordanfleming)
Ned Vernon, V Brokkr (@v.brokkr)
Jon Goulder (@jongoulder)
Ryan L. Foote (@rlfootdesignstudio)
Billy Crellin - Studio Dokola (@studiodokolaglass)
Emma Davies (@emmadavies.art)
Aleesha Callahan (@aleeshacallahan - @about_futures__ )
14-17 May 2026
@madebymorgen showroom, Brunswick
Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne
#MelbourneDesignWeek
#NGV
#TactileDialogues
#fragmentsofmatter
A material conversation begins.
Tactile Dialogues: Fragments of Matter invites audiences to experience fragmentation as both material and concept. A space where new forms, partial views, and traces of thought become the starting point for dialogue, curiosity, and reflection
The installation encourages mindful, embodied engagement asking audiences to listen, feel and observe. Through a choreography of touch, trace and transformation, Tactile Dialogues: Fragments of Matter investigates material temporality and proposes design as a living, unfinished practice
Through Tactile Dialogues, we want to create a platform that reveals the process, experimentation and alchemy that happens when a maker works directly with matter.
Tactile Dialogues: Fragments of Matter
Curated by @ryanfernandesdesign
Presented by @madebymorgen
as part of @NGV Melbourne Melbourne Design Week 2026
with:
Jessie French - Other Matter (@other_matter @frenchjessie )
Sarah Nedovic (sarah_nedovic)
Jordan Fleming (@_jordanfleming)
Ned Vernon, V Brokkr (@v.brokkr)
Jon Goulder (@jongoulder)
Ryan L. Foote (@rlfootdesignstudio)
Billy Crellin - Studio Dokola (@studiodokolaglass)
Emma Davies (@emmadavies.art)
Aleesha Callahan (@aleeshacallahan - @about_futures__ )
14-17 May 2026
@madebymorgen showroom, Brunswick
Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne
#MelbourneDesignWeek
#NGV
#TactileDialogues
#fragmentsofmatter
A material conversation begins.
Tactile Dialogues: Fragments of Matter invites audiences to experience fragmentation as both material and concept. A space where new forms, partial views, and traces of thought become the starting point for dialogue, curiosity, and reflection
The installation encourages mindful, embodied engagement asking audiences to listen, feel and observe. Through a choreography of touch, trace and transformation, Tactile Dialogues: Fragments of Matter investigates material temporality and proposes design as a living, unfinished practice
Through Tactile Dialogues, we want to create a platform that reveals the process, experimentation and alchemy that happens when a maker works directly with matter.
Tactile Dialogues: Fragments of Matter
Curated by @ryanfernandesdesign
Presented by @madebymorgen
as part of @NGV Melbourne Melbourne Design Week 2026
with:
Jessie French - Other Matter (@other_matter @frenchjessie )
Sarah Nedovic (sarah_nedovic)
Jordan Fleming (@_jordanfleming)
Ned Vernon, V Brokkr (@v.brokkr)
Jon Goulder (@jongoulder)
Ryan L. Foote (@rlfootdesignstudio)
Billy Crellin - Studio Dokola (@studiodokolaglass)
Emma Davies (@emmadavies.art)
Aleesha Callahan (@aleeshacallahan - @about_futures__ )
14-17 May 2026
@madebymorgen showroom, Brunswick
Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne
#MelbourneDesignWeek
#NGV
#TactileDialogues
#fragmentsofmatter
A material conversation begins.
Tactile Dialogues: Fragments of Matter invites audiences to experience fragmentation as both material and concept. A space where new forms, partial views, and traces of thought become the starting point for dialogue, curiosity, and reflection
The installation encourages mindful, embodied engagement asking audiences to listen, feel and observe. Through a choreography of touch, trace and transformation, Tactile Dialogues: Fragments of Matter investigates material temporality and proposes design as a living, unfinished practice
Through Tactile Dialogues, we want to create a platform that reveals the process, experimentation and alchemy that happens when a maker works directly with matter.
Tactile Dialogues: Fragments of Matter
Curated by @ryanfernandesdesign
Presented by @madebymorgen
as part of @NGV Melbourne Melbourne Design Week 2026
with:
Jessie French - Other Matter (@other_matter @frenchjessie )
Sarah Nedovic (sarah_nedovic)
Jordan Fleming (@_jordanfleming)
Ned Vernon, V Brokkr (@v.brokkr)
Jon Goulder (@jongoulder)
Ryan L. Foote (@rlfootdesignstudio)
Billy Crellin - Studio Dokola (@studiodokolaglass)
Emma Davies (@emmadavies.art)
Aleesha Callahan (@aleeshacallahan - @about_futures__ )
14-17 May 2026
@madebymorgen showroom, Brunswick
Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne
#MelbourneDesignWeek
#NGV
#TactileDialogues
#fragmentsofmatter
This year we invite audiences to engage with fragments as frameworks for exchange. Crafted objects, emerging material systems, ceramics, glass and tactile materials become conduits for dialogue between matter, maker and participant.
We explore the material intelligence that only comes from a maker’s hand: shaping with precision, yet allowing space for play, variation and evolution
Tactile Dialogues: Fragments of Matter
Curated by @ryanfernandesdesign
Presented by @madebymorgen
as part of @ngvmelbourne Melbourne Melbourne Design Week 2026
with:
Jessie French - Other Matter (@other_matter)
Sarah Nedovic (@sarah_nedovic)
Jordan Fleming (@_jordanfleming)
Ned Vernon, V Brokkr (@v.brokkr)
Jon Goulder (@jongoulder )
Ryan L. Foote (@ryan.l.foote )
Billy Crellin - Studio Dokola (@studiodokolaglass )
Emma Davies (@emmadavies.art )
Nicholas Trifiletti (@nicholastrifilettiparfums)
Aleesha Callahan (@aleeshacallahan - @about_futures__ )
14-17 May 2026
@madebymorgen showroom, Brunswick
Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.
@theenglishtapwarecompany and @rmwilliams, supporting partners
@cultivated_au, @objectsforthought, @halcyonlake and @designertimberproducts, in kind partners
Brunswick Design District, (@merri_bekcitycouncil and and @interiordesign.rmit), institutionnal partners.
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne
#melbournedesignweek
#ngv
#tactiledialogues
#fragmentsofmatter
#materialityindesign
Film by @ammaniya
We Are Back.
Tactile Dialogues: Fragments of Matter
Curated by @ryanfernandesdesign
Presented by @madebymorgen
As part of Melbourne Design Week 2026 @ngvmelbourne
With:
Jessie French – Other Matter (@other_matter)
Sarah Nedovic (@sarah_nedovic)
Jordan Fleming (_@jordanfleming)
Ned Vernon, V.BROKKR (@v.brokkr)
Jon Goulder (@jongoulder)
Ryan L. Foote (@ryan.l.foote)
Billy Crellin – Studio Dokola (@studiodokolaglass)
Emma Davies (@emmadavies.art)
Nicholas Trifiletti (@nicholastrifilettiparfums) Aleesha Callahan (@aleeshacallahan, @about_futures)
Tactile Dialogues: Fragments of Matter explores fragmentation as both material and concept. A space where partial forms, shifting perspectives and traces of making become the starting point for dialogue, curiosity and reflection.
14–17 May 2026
Made By Morgen showroom, Brunswick
Tactile Dialogues: Fragments of Matter is proudly supported by our principal partners @fisherpaykel and @milieuproperty.
@theenglishtapwarecompany and @rmwilliams, supporting partners
@cultivated_au, @objectsforthought, @halcyonlake and @designertimberproducts, in kind partners
Brunswick Design District, (@merri_bekcitycouncil and and @interiordesign.rmit), institutionnal partners.
Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne
Film by @ammaniya
#TactileDialogues #FragmentsOfMatter #MelbourneDesignWeek #NGV
The great thing about an art fair is it remains one of the few forums to walk in and be exposed to a completely wide range of artists, styles, and mediums. Love it or loathe it.. it’s the antithesis of an algorithm feeding you more of the same. I find myself drawn to pieces with heart, strong narratives, work that keeps pushing materiality and craft that has been honed with endless patience. Sometimes the quirky and bizarre provides the most joy.As someone working with clients to source work and build a collection, fairs remain one of the best way to quickly engage with a variety of artists and galleries. The @melbourneartfair served up a different energy this year. A shift with the inclusion of @futureobjekt bringing with it a new crowd and collector. Great to see ourMelbourne design community out last night supporting the galleries and makers. A few of my favourites ❤️
The great thing about an art fair is it remains one of the few forums to walk in and be exposed to a completely wide range of artists, styles, and mediums. Love it or loathe it.. it’s the antithesis of an algorithm feeding you more of the same. I find myself drawn to pieces with heart, strong narratives, work that keeps pushing materiality and craft that has been honed with endless patience. Sometimes the quirky and bizarre provides the most joy.As someone working with clients to source work and build a collection, fairs remain one of the best way to quickly engage with a variety of artists and galleries. The @melbourneartfair served up a different energy this year. A shift with the inclusion of @futureobjekt bringing with it a new crowd and collector. Great to see ourMelbourne design community out last night supporting the galleries and makers. A few of my favourites ❤️
The great thing about an art fair is it remains one of the few forums to walk in and be exposed to a completely wide range of artists, styles, and mediums. Love it or loathe it.. it’s the antithesis of an algorithm feeding you more of the same. I find myself drawn to pieces with heart, strong narratives, work that keeps pushing materiality and craft that has been honed with endless patience. Sometimes the quirky and bizarre provides the most joy.As someone working with clients to source work and build a collection, fairs remain one of the best way to quickly engage with a variety of artists and galleries. The @melbourneartfair served up a different energy this year. A shift with the inclusion of @futureobjekt bringing with it a new crowd and collector. Great to see ourMelbourne design community out last night supporting the galleries and makers. A few of my favourites ❤️
The great thing about an art fair is it remains one of the few forums to walk in and be exposed to a completely wide range of artists, styles, and mediums. Love it or loathe it.. it’s the antithesis of an algorithm feeding you more of the same. I find myself drawn to pieces with heart, strong narratives, work that keeps pushing materiality and craft that has been honed with endless patience. Sometimes the quirky and bizarre provides the most joy.As someone working with clients to source work and build a collection, fairs remain one of the best way to quickly engage with a variety of artists and galleries. The @melbourneartfair served up a different energy this year. A shift with the inclusion of @futureobjekt bringing with it a new crowd and collector. Great to see ourMelbourne design community out last night supporting the galleries and makers. A few of my favourites ❤️
The great thing about an art fair is it remains one of the few forums to walk in and be exposed to a completely wide range of artists, styles, and mediums. Love it or loathe it.. it’s the antithesis of an algorithm feeding you more of the same. I find myself drawn to pieces with heart, strong narratives, work that keeps pushing materiality and craft that has been honed with endless patience. Sometimes the quirky and bizarre provides the most joy.As someone working with clients to source work and build a collection, fairs remain one of the best way to quickly engage with a variety of artists and galleries. The @melbourneartfair served up a different energy this year. A shift with the inclusion of @futureobjekt bringing with it a new crowd and collector. Great to see ourMelbourne design community out last night supporting the galleries and makers. A few of my favourites ❤️
The great thing about an art fair is it remains one of the few forums to walk in and be exposed to a completely wide range of artists, styles, and mediums. Love it or loathe it.. it’s the antithesis of an algorithm feeding you more of the same. I find myself drawn to pieces with heart, strong narratives, work that keeps pushing materiality and craft that has been honed with endless patience. Sometimes the quirky and bizarre provides the most joy.As someone working with clients to source work and build a collection, fairs remain one of the best way to quickly engage with a variety of artists and galleries. The @melbourneartfair served up a different energy this year. A shift with the inclusion of @futureobjekt bringing with it a new crowd and collector. Great to see ourMelbourne design community out last night supporting the galleries and makers. A few of my favourites ❤️
The great thing about an art fair is it remains one of the few forums to walk in and be exposed to a completely wide range of artists, styles, and mediums. Love it or loathe it.. it’s the antithesis of an algorithm feeding you more of the same. I find myself drawn to pieces with heart, strong narratives, work that keeps pushing materiality and craft that has been honed with endless patience. Sometimes the quirky and bizarre provides the most joy.As someone working with clients to source work and build a collection, fairs remain one of the best way to quickly engage with a variety of artists and galleries. The @melbourneartfair served up a different energy this year. A shift with the inclusion of @futureobjekt bringing with it a new crowd and collector. Great to see ourMelbourne design community out last night supporting the galleries and makers. A few of my favourites ❤️
The great thing about an art fair is it remains one of the few forums to walk in and be exposed to a completely wide range of artists, styles, and mediums. Love it or loathe it.. it’s the antithesis of an algorithm feeding you more of the same. I find myself drawn to pieces with heart, strong narratives, work that keeps pushing materiality and craft that has been honed with endless patience. Sometimes the quirky and bizarre provides the most joy.As someone working with clients to source work and build a collection, fairs remain one of the best way to quickly engage with a variety of artists and galleries. The @melbourneartfair served up a different energy this year. A shift with the inclusion of @futureobjekt bringing with it a new crowd and collector. Great to see ourMelbourne design community out last night supporting the galleries and makers. A few of my favourites ❤️
The great thing about an art fair is it remains one of the few forums to walk in and be exposed to a completely wide range of artists, styles, and mediums. Love it or loathe it.. it’s the antithesis of an algorithm feeding you more of the same. I find myself drawn to pieces with heart, strong narratives, work that keeps pushing materiality and craft that has been honed with endless patience. Sometimes the quirky and bizarre provides the most joy.As someone working with clients to source work and build a collection, fairs remain one of the best way to quickly engage with a variety of artists and galleries. The @melbourneartfair served up a different energy this year. A shift with the inclusion of @futureobjekt bringing with it a new crowd and collector. Great to see ourMelbourne design community out last night supporting the galleries and makers. A few of my favourites ❤️
The great thing about an art fair is it remains one of the few forums to walk in and be exposed to a completely wide range of artists, styles, and mediums. Love it or loathe it.. it’s the antithesis of an algorithm feeding you more of the same. I find myself drawn to pieces with heart, strong narratives, work that keeps pushing materiality and craft that has been honed with endless patience. Sometimes the quirky and bizarre provides the most joy.As someone working with clients to source work and build a collection, fairs remain one of the best way to quickly engage with a variety of artists and galleries. The @melbourneartfair served up a different energy this year. A shift with the inclusion of @futureobjekt bringing with it a new crowd and collector. Great to see ourMelbourne design community out last night supporting the galleries and makers. A few of my favourites ❤️
The great thing about an art fair is it remains one of the few forums to walk in and be exposed to a completely wide range of artists, styles, and mediums. Love it or loathe it.. it’s the antithesis of an algorithm feeding you more of the same. I find myself drawn to pieces with heart, strong narratives, work that keeps pushing materiality and craft that has been honed with endless patience. Sometimes the quirky and bizarre provides the most joy.As someone working with clients to source work and build a collection, fairs remain one of the best way to quickly engage with a variety of artists and galleries. The @melbourneartfair served up a different energy this year. A shift with the inclusion of @futureobjekt bringing with it a new crowd and collector. Great to see ourMelbourne design community out last night supporting the galleries and makers. A few of my favourites ❤️
The great thing about an art fair is it remains one of the few forums to walk in and be exposed to a completely wide range of artists, styles, and mediums. Love it or loathe it.. it’s the antithesis of an algorithm feeding you more of the same. I find myself drawn to pieces with heart, strong narratives, work that keeps pushing materiality and craft that has been honed with endless patience. Sometimes the quirky and bizarre provides the most joy.As someone working with clients to source work and build a collection, fairs remain one of the best way to quickly engage with a variety of artists and galleries. The @melbourneartfair served up a different energy this year. A shift with the inclusion of @futureobjekt bringing with it a new crowd and collector. Great to see ourMelbourne design community out last night supporting the galleries and makers. A few of my favourites ❤️
The great thing about an art fair is it remains one of the few forums to walk in and be exposed to a completely wide range of artists, styles, and mediums. Love it or loathe it.. it’s the antithesis of an algorithm feeding you more of the same. I find myself drawn to pieces with heart, strong narratives, work that keeps pushing materiality and craft that has been honed with endless patience. Sometimes the quirky and bizarre provides the most joy.As someone working with clients to source work and build a collection, fairs remain one of the best way to quickly engage with a variety of artists and galleries. The @melbourneartfair served up a different energy this year. A shift with the inclusion of @futureobjekt bringing with it a new crowd and collector. Great to see ourMelbourne design community out last night supporting the galleries and makers. A few of my favourites ❤️
The great thing about an art fair is it remains one of the few forums to walk in and be exposed to a completely wide range of artists, styles, and mediums. Love it or loathe it.. it’s the antithesis of an algorithm feeding you more of the same. I find myself drawn to pieces with heart, strong narratives, work that keeps pushing materiality and craft that has been honed with endless patience. Sometimes the quirky and bizarre provides the most joy.As someone working with clients to source work and build a collection, fairs remain one of the best way to quickly engage with a variety of artists and galleries. The @melbourneartfair served up a different energy this year. A shift with the inclusion of @futureobjekt bringing with it a new crowd and collector. Great to see ourMelbourne design community out last night supporting the galleries and makers. A few of my favourites ❤️
A collection of recent treasures finding a special place at home and elevating the everyday; gifted with love, treasure hunted on travels…. Providing endless inspiration. Vintage fabrics, handmade objects, antique sculpture, fragrance to rejuvenate the senses.
A collection of recent treasures finding a special place at home and elevating the everyday; gifted with love, treasure hunted on travels…. Providing endless inspiration. Vintage fabrics, handmade objects, antique sculpture, fragrance to rejuvenate the senses.
A collection of recent treasures finding a special place at home and elevating the everyday; gifted with love, treasure hunted on travels…. Providing endless inspiration. Vintage fabrics, handmade objects, antique sculpture, fragrance to rejuvenate the senses.
A collection of recent treasures finding a special place at home and elevating the everyday; gifted with love, treasure hunted on travels…. Providing endless inspiration. Vintage fabrics, handmade objects, antique sculpture, fragrance to rejuvenate the senses.
A collection of recent treasures finding a special place at home and elevating the everyday; gifted with love, treasure hunted on travels…. Providing endless inspiration. Vintage fabrics, handmade objects, antique sculpture, fragrance to rejuvenate the senses.
A collection of recent treasures finding a special place at home and elevating the everyday; gifted with love, treasure hunted on travels…. Providing endless inspiration. Vintage fabrics, handmade objects, antique sculpture, fragrance to rejuvenate the senses.
A collection of recent treasures finding a special place at home and elevating the everyday; gifted with love, treasure hunted on travels…. Providing endless inspiration. Vintage fabrics, handmade objects, antique sculpture, fragrance to rejuvenate the senses.
A collection of recent treasures finding a special place at home and elevating the everyday; gifted with love, treasure hunted on travels…. Providing endless inspiration. Vintage fabrics, handmade objects, antique sculpture, fragrance to rejuvenate the senses.
A collection of recent treasures finding a special place at home and elevating the everyday; gifted with love, treasure hunted on travels…. Providing endless inspiration. Vintage fabrics, handmade objects, antique sculpture, fragrance to rejuvenate the senses.
A collection of recent treasures finding a special place at home and elevating the everyday; gifted with love, treasure hunted on travels…. Providing endless inspiration. Vintage fabrics, handmade objects, antique sculpture, fragrance to rejuvenate the senses.
A collection of recent treasures finding a special place at home and elevating the everyday; gifted with love, treasure hunted on travels…. Providing endless inspiration. Vintage fabrics, handmade objects, antique sculpture, fragrance to rejuvenate the senses.
A collection of recent treasures finding a special place at home and elevating the everyday; gifted with love, treasure hunted on travels…. Providing endless inspiration. Vintage fabrics, handmade objects, antique sculpture, fragrance to rejuvenate the senses.
Turns out dusty deserts, ancient tombs and constantly saying B.C is heaps of fun. 🐪
Turns out dusty deserts, ancient tombs and constantly saying B.C is heaps of fun. 🐪
Turns out dusty deserts, ancient tombs and constantly saying B.C is heaps of fun. 🐪
Turns out dusty deserts, ancient tombs and constantly saying B.C is heaps of fun. 🐪
Turns out dusty deserts, ancient tombs and constantly saying B.C is heaps of fun. 🐪
Turns out dusty deserts, ancient tombs and constantly saying B.C is heaps of fun. 🐪
Turns out dusty deserts, ancient tombs and constantly saying B.C is heaps of fun. 🐪
Turns out dusty deserts, ancient tombs and constantly saying B.C is heaps of fun. 🐪
Turns out dusty deserts, ancient tombs and constantly saying B.C is heaps of fun. 🐪
Turns out dusty deserts, ancient tombs and constantly saying B.C is heaps of fun. 🐪
Turns out dusty deserts, ancient tombs and constantly saying B.C is heaps of fun. 🐪
Turns out dusty deserts, ancient tombs and constantly saying B.C is heaps of fun. 🐪
Turns out dusty deserts, ancient tombs and constantly saying B.C is heaps of fun. 🐪
Turns out dusty deserts, ancient tombs and constantly saying B.C is heaps of fun. 🐪
Turns out dusty deserts, ancient tombs and constantly saying B.C is heaps of fun. 🐪
Turns out dusty deserts, ancient tombs and constantly saying B.C is heaps of fun. 🐪
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
An oasis in Luxor. From the moorish design influences , antiques,objects salvaged from historic homes to the the lush gardens with a thriving farm and artisanal workshops.A place that conjures up a feeling that simply cannot be replicated. Hard to leave. Also .. we ought to have more four poster beds back in our lives!
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
It feels surreal to have spent the last few days of the year in the unfathomable vastness to the city of Cairo. The first thing that hits you is the desert sand, a hazy glow that dresses the city. It sort of prepares you for the layers history that is about to unfold in front of you. If you lean into the chaos (my intention for the new year!) , it can be the most welcoming place. A city that never sleeps. It stirred memories of growing up in Mumbai in the early 90s , a sort of forgotten nostalgia that feels incredibly comforting. The beaten down cars, listening to old Egyptian music by Umm Kulthum and Amir Diab as you snake through traffic. Coupled with the affable chats, the incessant smoking, and the warm smiles every where, it feels like stepping back into a time capsule. A sort of revisited analog reality that feels so refreshing in our hyper curated everyday reality.
Yes the pyramids and all the surrounding archaeological wonders are awesome but for me the highlights were the architectural wonders within the city.Some of oldest mosques and orthodox churches in the world, to experience.
Across the rooftop you experience Cairo differently, the minarets dotted in the distance with call to prayer interlaced with the pigeons all over the place (a culinary delicacy here for good reason!)
The newly opened Grand Egyptian museum is ambitious as the world’s largest. Taking on a civilisation like this is no mean feat yet It feels resolved.
Intermixed are spectualuar private residencesthat reflect Islamic and European design. The Geyeranderson ( think John soane museum vibes in London) and the Manial palace both could easily slip into the pages of @cabanamagazine
In theside lanes, of downtown Cairo a different rhythm beats, fun new fashion, dining and design stores drawing on a wealth of craftsmanship led by a new wave of Egyptian and expat creatives.
Here in lies the beauty of Cairo, its story is being constantly rewritten.
Wishing everyone a happy new year .. I feel like I will be processing all of this for a while ❤️
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.