Instagram Story Viewer
Instagram Stories anonym ansehen
"The film should resonate differently depending on your own connection to the images, your own memories. However, our intention is that Telsche’s journey from isolation to connection will feel universal: although our individual experiences of love and loss may differ, the emotions themselves are shared by us all."
Set on a surreal plain of salt flats, Telsche is an abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
Telsche
Dir. Sophie Colfer + Ala Nunu
▶️ Watch Now 🔗 Link in Bio
"What makes Telsche so striking is just how much care and precision sits behind its apparent simplicity. This is anything but effortless. Every scene carries the weight of countless hours of animating frame by frame, of trial and error and a good helping of raw talent, and you can feel it in the way the animation moves and breathes." - S/W Curator, @serafimovaserafima
CREDITS:
@sphancy @ala_nunu
@miko_blonski @brunocaetanoanimation
@cola_anima
"The film should resonate differently depending on your own connection to the images, your own memories. However, our intention is that Telsche’s journey from isolation to connection will feel universal: although our individual experiences of love and loss may differ, the emotions themselves are shared by us all."
Set on a surreal plain of salt flats, Telsche is an abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
Telsche
Dir. Sophie Colfer + Ala Nunu
▶️ Watch Now 🔗 Link in Bio
"What makes Telsche so striking is just how much care and precision sits behind its apparent simplicity. This is anything but effortless. Every scene carries the weight of countless hours of animating frame by frame, of trial and error and a good helping of raw talent, and you can feel it in the way the animation moves and breathes." - S/W Curator, @serafimovaserafima
CREDITS:
@sphancy @ala_nunu
@miko_blonski @brunocaetanoanimation
@cola_anima
"The film should resonate differently depending on your own connection to the images, your own memories. However, our intention is that Telsche’s journey from isolation to connection will feel universal: although our individual experiences of love and loss may differ, the emotions themselves are shared by us all."
Set on a surreal plain of salt flats, Telsche is an abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
Telsche
Dir. Sophie Colfer + Ala Nunu
▶️ Watch Now 🔗 Link in Bio
"What makes Telsche so striking is just how much care and precision sits behind its apparent simplicity. This is anything but effortless. Every scene carries the weight of countless hours of animating frame by frame, of trial and error and a good helping of raw talent, and you can feel it in the way the animation moves and breathes." - S/W Curator, @serafimovaserafima
CREDITS:
@sphancy @ala_nunu
@miko_blonski @brunocaetanoanimation
@cola_anima
"The film should resonate differently depending on your own connection to the images, your own memories. However, our intention is that Telsche’s journey from isolation to connection will feel universal: although our individual experiences of love and loss may differ, the emotions themselves are shared by us all."
Set on a surreal plain of salt flats, Telsche is an abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
Telsche
Dir. Sophie Colfer + Ala Nunu
▶️ Watch Now 🔗 Link in Bio
"What makes Telsche so striking is just how much care and precision sits behind its apparent simplicity. This is anything but effortless. Every scene carries the weight of countless hours of animating frame by frame, of trial and error and a good helping of raw talent, and you can feel it in the way the animation moves and breathes." - S/W Curator, @serafimovaserafima
CREDITS:
@sphancy @ala_nunu
@miko_blonski @brunocaetanoanimation
@cola_anima
"The film should resonate differently depending on your own connection to the images, your own memories. However, our intention is that Telsche’s journey from isolation to connection will feel universal: although our individual experiences of love and loss may differ, the emotions themselves are shared by us all."
Set on a surreal plain of salt flats, Telsche is an abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
Telsche
Dir. Sophie Colfer + Ala Nunu
▶️ Watch Now 🔗 Link in Bio
"What makes Telsche so striking is just how much care and precision sits behind its apparent simplicity. This is anything but effortless. Every scene carries the weight of countless hours of animating frame by frame, of trial and error and a good helping of raw talent, and you can feel it in the way the animation moves and breathes." - S/W Curator, @serafimovaserafima
CREDITS:
@sphancy @ala_nunu
@miko_blonski @brunocaetanoanimation
@cola_anima
IN THE BEGINNING is a silly film and you can swipe to learn more about it
Written by Ala Nunu and Sophie Colfer @sphancy
Inspired by true events
Producers:
Bruno Caetano @brunocaetanoanimation
Bruno Simões
Carlota Pou
Marcin Podolec
Production coordinators:
Michał Benkes
Inês Peres Mesquita
Wiktoria Podolec
Production assistant:
Alice do Carmo @delirium_in_motion
Art director, character designer, animation director:
Ala Nunu
Animation:
Guilherme Bosco @guil.bosco
Laura Equi @laura__equi
Karolina Kajetanowicz @kojton
Adrianna Matwiejczuk @ada_1.jpg
Tiago Miguel @_tiago._.miguel_
Ala Nunu
Cristina Pîrvu @christina.pirvu
Barbara Wasielewska
Replacement Animation:
Carina Pierro Corso @carinacorso
Cut Out Animation:
Matei Monoranu @minotauro__
Clean Up and Painting:
Marc Anguera @anguera.suazo
Patrycja Ćmak paticmak
Paulo Júnior
Karolina Kajetanowicz
Adrianna Matwiejczuk
Mónica Marinho @monicamarinhoart
Lunes Molner @lunesmolner
Barbara Wasielewska
Additional animation:
Olga Kłyszewicz
Marcin Podolec
Kacper Zamarło
Editing:
Ala Nunu
Editing Supervisor:
Sophie Colfer
Sound Designer, Foley Artist, Composer,
Pre-Mix Engineer:
Gadea @gadea_____
Singer:
Marina Herlop @marinaherlop
Voice cast:
EN:
Sophie Colfer
James Morley @jamestmorley
Ala Nunu
Olly Scanlon @ollyscanlon
PT:
Vitor Hugo Barros @vt_barros
Catarina Chora @catarina_chora
Vier Nev @viernev
Ana Iutes @anaiutes
Catalan:
Diana Sánchez Donoso
Lunes Molner
Joan Tomàs Monfort
Sound mixing:
Dani Zacarías
Sound Mixing Studios:
Insync Studio
TransPerfect
Inclusive Subtitles & Audio Description:
Bandaparte
Compositing Supervisor:
Ala Nunu
Color Grading:
Andreia Bertini @andreia.bertini
Title Design and Graphic Design:
Estudi Bicoté @estudibicote
(Júlia Francino, Maialen Arana)
DCP:
Antaviana Films
Production Accountant:
António Selas
Accountancy:
Capitalges
GATSA
Produced by
COLA Animation
Co-produced by
Studio Kimchi, Yellow Tapir Films
EC1 Łódź – City of Culture, Lodz Creates, Lodz City of Film
Financial support:
Républica Portuguesa Cultura
ICA @institutodocinemaeaudiovisual
ICAA @cineicaa
ICEC
IN THE BEGINNING is a silly film and you can swipe to learn more about it
Written by Ala Nunu and Sophie Colfer @sphancy
Inspired by true events
Producers:
Bruno Caetano @brunocaetanoanimation
Bruno Simões
Carlota Pou
Marcin Podolec
Production coordinators:
Michał Benkes
Inês Peres Mesquita
Wiktoria Podolec
Production assistant:
Alice do Carmo @delirium_in_motion
Art director, character designer, animation director:
Ala Nunu
Animation:
Guilherme Bosco @guil.bosco
Laura Equi @laura__equi
Karolina Kajetanowicz @kojton
Adrianna Matwiejczuk @ada_1.jpg
Tiago Miguel @_tiago._.miguel_
Ala Nunu
Cristina Pîrvu @christina.pirvu
Barbara Wasielewska
Replacement Animation:
Carina Pierro Corso @carinacorso
Cut Out Animation:
Matei Monoranu @minotauro__
Clean Up and Painting:
Marc Anguera @anguera.suazo
Patrycja Ćmak paticmak
Paulo Júnior
Karolina Kajetanowicz
Adrianna Matwiejczuk
Mónica Marinho @monicamarinhoart
Lunes Molner @lunesmolner
Barbara Wasielewska
Additional animation:
Olga Kłyszewicz
Marcin Podolec
Kacper Zamarło
Editing:
Ala Nunu
Editing Supervisor:
Sophie Colfer
Sound Designer, Foley Artist, Composer,
Pre-Mix Engineer:
Gadea @gadea_____
Singer:
Marina Herlop @marinaherlop
Voice cast:
EN:
Sophie Colfer
James Morley @jamestmorley
Ala Nunu
Olly Scanlon @ollyscanlon
PT:
Vitor Hugo Barros @vt_barros
Catarina Chora @catarina_chora
Vier Nev @viernev
Ana Iutes @anaiutes
Catalan:
Diana Sánchez Donoso
Lunes Molner
Joan Tomàs Monfort
Sound mixing:
Dani Zacarías
Sound Mixing Studios:
Insync Studio
TransPerfect
Inclusive Subtitles & Audio Description:
Bandaparte
Compositing Supervisor:
Ala Nunu
Color Grading:
Andreia Bertini @andreia.bertini
Title Design and Graphic Design:
Estudi Bicoté @estudibicote
(Júlia Francino, Maialen Arana)
DCP:
Antaviana Films
Production Accountant:
António Selas
Accountancy:
Capitalges
GATSA
Produced by
COLA Animation
Co-produced by
Studio Kimchi, Yellow Tapir Films
EC1 Łódź – City of Culture, Lodz Creates, Lodz City of Film
Financial support:
Républica Portuguesa Cultura
ICA @institutodocinemaeaudiovisual
ICAA @cineicaa
ICEC
IN THE BEGINNING is a silly film and you can swipe to learn more about it
Written by Ala Nunu and Sophie Colfer @sphancy
Inspired by true events
Producers:
Bruno Caetano @brunocaetanoanimation
Bruno Simões
Carlota Pou
Marcin Podolec
Production coordinators:
Michał Benkes
Inês Peres Mesquita
Wiktoria Podolec
Production assistant:
Alice do Carmo @delirium_in_motion
Art director, character designer, animation director:
Ala Nunu
Animation:
Guilherme Bosco @guil.bosco
Laura Equi @laura__equi
Karolina Kajetanowicz @kojton
Adrianna Matwiejczuk @ada_1.jpg
Tiago Miguel @_tiago._.miguel_
Ala Nunu
Cristina Pîrvu @christina.pirvu
Barbara Wasielewska
Replacement Animation:
Carina Pierro Corso @carinacorso
Cut Out Animation:
Matei Monoranu @minotauro__
Clean Up and Painting:
Marc Anguera @anguera.suazo
Patrycja Ćmak paticmak
Paulo Júnior
Karolina Kajetanowicz
Adrianna Matwiejczuk
Mónica Marinho @monicamarinhoart
Lunes Molner @lunesmolner
Barbara Wasielewska
Additional animation:
Olga Kłyszewicz
Marcin Podolec
Kacper Zamarło
Editing:
Ala Nunu
Editing Supervisor:
Sophie Colfer
Sound Designer, Foley Artist, Composer,
Pre-Mix Engineer:
Gadea @gadea_____
Singer:
Marina Herlop @marinaherlop
Voice cast:
EN:
Sophie Colfer
James Morley @jamestmorley
Ala Nunu
Olly Scanlon @ollyscanlon
PT:
Vitor Hugo Barros @vt_barros
Catarina Chora @catarina_chora
Vier Nev @viernev
Ana Iutes @anaiutes
Catalan:
Diana Sánchez Donoso
Lunes Molner
Joan Tomàs Monfort
Sound mixing:
Dani Zacarías
Sound Mixing Studios:
Insync Studio
TransPerfect
Inclusive Subtitles & Audio Description:
Bandaparte
Compositing Supervisor:
Ala Nunu
Color Grading:
Andreia Bertini @andreia.bertini
Title Design and Graphic Design:
Estudi Bicoté @estudibicote
(Júlia Francino, Maialen Arana)
DCP:
Antaviana Films
Production Accountant:
António Selas
Accountancy:
Capitalges
GATSA
Produced by
COLA Animation
Co-produced by
Studio Kimchi, Yellow Tapir Films
EC1 Łódź – City of Culture, Lodz Creates, Lodz City of Film
Financial support:
Républica Portuguesa Cultura
ICA @institutodocinemaeaudiovisual
ICAA @cineicaa
ICEC
IN THE BEGINNING is a silly film and you can swipe to learn more about it
Written by Ala Nunu and Sophie Colfer @sphancy
Inspired by true events
Producers:
Bruno Caetano @brunocaetanoanimation
Bruno Simões
Carlota Pou
Marcin Podolec
Production coordinators:
Michał Benkes
Inês Peres Mesquita
Wiktoria Podolec
Production assistant:
Alice do Carmo @delirium_in_motion
Art director, character designer, animation director:
Ala Nunu
Animation:
Guilherme Bosco @guil.bosco
Laura Equi @laura__equi
Karolina Kajetanowicz @kojton
Adrianna Matwiejczuk @ada_1.jpg
Tiago Miguel @_tiago._.miguel_
Ala Nunu
Cristina Pîrvu @christina.pirvu
Barbara Wasielewska
Replacement Animation:
Carina Pierro Corso @carinacorso
Cut Out Animation:
Matei Monoranu @minotauro__
Clean Up and Painting:
Marc Anguera @anguera.suazo
Patrycja Ćmak paticmak
Paulo Júnior
Karolina Kajetanowicz
Adrianna Matwiejczuk
Mónica Marinho @monicamarinhoart
Lunes Molner @lunesmolner
Barbara Wasielewska
Additional animation:
Olga Kłyszewicz
Marcin Podolec
Kacper Zamarło
Editing:
Ala Nunu
Editing Supervisor:
Sophie Colfer
Sound Designer, Foley Artist, Composer,
Pre-Mix Engineer:
Gadea @gadea_____
Singer:
Marina Herlop @marinaherlop
Voice cast:
EN:
Sophie Colfer
James Morley @jamestmorley
Ala Nunu
Olly Scanlon @ollyscanlon
PT:
Vitor Hugo Barros @vt_barros
Catarina Chora @catarina_chora
Vier Nev @viernev
Ana Iutes @anaiutes
Catalan:
Diana Sánchez Donoso
Lunes Molner
Joan Tomàs Monfort
Sound mixing:
Dani Zacarías
Sound Mixing Studios:
Insync Studio
TransPerfect
Inclusive Subtitles & Audio Description:
Bandaparte
Compositing Supervisor:
Ala Nunu
Color Grading:
Andreia Bertini @andreia.bertini
Title Design and Graphic Design:
Estudi Bicoté @estudibicote
(Júlia Francino, Maialen Arana)
DCP:
Antaviana Films
Production Accountant:
António Selas
Accountancy:
Capitalges
GATSA
Produced by
COLA Animation
Co-produced by
Studio Kimchi, Yellow Tapir Films
EC1 Łódź – City of Culture, Lodz Creates, Lodz City of Film
Financial support:
Républica Portuguesa Cultura
ICA @institutodocinemaeaudiovisual
ICAA @cineicaa
ICEC
IN THE BEGINNING is a silly film and you can swipe to learn more about it
Written by Ala Nunu and Sophie Colfer @sphancy
Inspired by true events
Producers:
Bruno Caetano @brunocaetanoanimation
Bruno Simões
Carlota Pou
Marcin Podolec
Production coordinators:
Michał Benkes
Inês Peres Mesquita
Wiktoria Podolec
Production assistant:
Alice do Carmo @delirium_in_motion
Art director, character designer, animation director:
Ala Nunu
Animation:
Guilherme Bosco @guil.bosco
Laura Equi @laura__equi
Karolina Kajetanowicz @kojton
Adrianna Matwiejczuk @ada_1.jpg
Tiago Miguel @_tiago._.miguel_
Ala Nunu
Cristina Pîrvu @christina.pirvu
Barbara Wasielewska
Replacement Animation:
Carina Pierro Corso @carinacorso
Cut Out Animation:
Matei Monoranu @minotauro__
Clean Up and Painting:
Marc Anguera @anguera.suazo
Patrycja Ćmak paticmak
Paulo Júnior
Karolina Kajetanowicz
Adrianna Matwiejczuk
Mónica Marinho @monicamarinhoart
Lunes Molner @lunesmolner
Barbara Wasielewska
Additional animation:
Olga Kłyszewicz
Marcin Podolec
Kacper Zamarło
Editing:
Ala Nunu
Editing Supervisor:
Sophie Colfer
Sound Designer, Foley Artist, Composer,
Pre-Mix Engineer:
Gadea @gadea_____
Singer:
Marina Herlop @marinaherlop
Voice cast:
EN:
Sophie Colfer
James Morley @jamestmorley
Ala Nunu
Olly Scanlon @ollyscanlon
PT:
Vitor Hugo Barros @vt_barros
Catarina Chora @catarina_chora
Vier Nev @viernev
Ana Iutes @anaiutes
Catalan:
Diana Sánchez Donoso
Lunes Molner
Joan Tomàs Monfort
Sound mixing:
Dani Zacarías
Sound Mixing Studios:
Insync Studio
TransPerfect
Inclusive Subtitles & Audio Description:
Bandaparte
Compositing Supervisor:
Ala Nunu
Color Grading:
Andreia Bertini @andreia.bertini
Title Design and Graphic Design:
Estudi Bicoté @estudibicote
(Júlia Francino, Maialen Arana)
DCP:
Antaviana Films
Production Accountant:
António Selas
Accountancy:
Capitalges
GATSA
Produced by
COLA Animation
Co-produced by
Studio Kimchi, Yellow Tapir Films
EC1 Łódź – City of Culture, Lodz Creates, Lodz City of Film
Financial support:
Républica Portuguesa Cultura
ICA @institutodocinemaeaudiovisual
ICAA @cineicaa
ICEC
IN THE BEGINNING is a silly film and you can swipe to learn more about it
Written by Ala Nunu and Sophie Colfer @sphancy
Inspired by true events
Producers:
Bruno Caetano @brunocaetanoanimation
Bruno Simões
Carlota Pou
Marcin Podolec
Production coordinators:
Michał Benkes
Inês Peres Mesquita
Wiktoria Podolec
Production assistant:
Alice do Carmo @delirium_in_motion
Art director, character designer, animation director:
Ala Nunu
Animation:
Guilherme Bosco @guil.bosco
Laura Equi @laura__equi
Karolina Kajetanowicz @kojton
Adrianna Matwiejczuk @ada_1.jpg
Tiago Miguel @_tiago._.miguel_
Ala Nunu
Cristina Pîrvu @christina.pirvu
Barbara Wasielewska
Replacement Animation:
Carina Pierro Corso @carinacorso
Cut Out Animation:
Matei Monoranu @minotauro__
Clean Up and Painting:
Marc Anguera @anguera.suazo
Patrycja Ćmak paticmak
Paulo Júnior
Karolina Kajetanowicz
Adrianna Matwiejczuk
Mónica Marinho @monicamarinhoart
Lunes Molner @lunesmolner
Barbara Wasielewska
Additional animation:
Olga Kłyszewicz
Marcin Podolec
Kacper Zamarło
Editing:
Ala Nunu
Editing Supervisor:
Sophie Colfer
Sound Designer, Foley Artist, Composer,
Pre-Mix Engineer:
Gadea @gadea_____
Singer:
Marina Herlop @marinaherlop
Voice cast:
EN:
Sophie Colfer
James Morley @jamestmorley
Ala Nunu
Olly Scanlon @ollyscanlon
PT:
Vitor Hugo Barros @vt_barros
Catarina Chora @catarina_chora
Vier Nev @viernev
Ana Iutes @anaiutes
Catalan:
Diana Sánchez Donoso
Lunes Molner
Joan Tomàs Monfort
Sound mixing:
Dani Zacarías
Sound Mixing Studios:
Insync Studio
TransPerfect
Inclusive Subtitles & Audio Description:
Bandaparte
Compositing Supervisor:
Ala Nunu
Color Grading:
Andreia Bertini @andreia.bertini
Title Design and Graphic Design:
Estudi Bicoté @estudibicote
(Júlia Francino, Maialen Arana)
DCP:
Antaviana Films
Production Accountant:
António Selas
Accountancy:
Capitalges
GATSA
Produced by
COLA Animation
Co-produced by
Studio Kimchi, Yellow Tapir Films
EC1 Łódź – City of Culture, Lodz Creates, Lodz City of Film
Financial support:
Républica Portuguesa Cultura
ICA @institutodocinemaeaudiovisual
ICAA @cineicaa
ICEC
IN THE BEGINNING is a silly film and you can swipe to learn more about it
Written by Ala Nunu and Sophie Colfer @sphancy
Inspired by true events
Producers:
Bruno Caetano @brunocaetanoanimation
Bruno Simões
Carlota Pou
Marcin Podolec
Production coordinators:
Michał Benkes
Inês Peres Mesquita
Wiktoria Podolec
Production assistant:
Alice do Carmo @delirium_in_motion
Art director, character designer, animation director:
Ala Nunu
Animation:
Guilherme Bosco @guil.bosco
Laura Equi @laura__equi
Karolina Kajetanowicz @kojton
Adrianna Matwiejczuk @ada_1.jpg
Tiago Miguel @_tiago._.miguel_
Ala Nunu
Cristina Pîrvu @christina.pirvu
Barbara Wasielewska
Replacement Animation:
Carina Pierro Corso @carinacorso
Cut Out Animation:
Matei Monoranu @minotauro__
Clean Up and Painting:
Marc Anguera @anguera.suazo
Patrycja Ćmak paticmak
Paulo Júnior
Karolina Kajetanowicz
Adrianna Matwiejczuk
Mónica Marinho @monicamarinhoart
Lunes Molner @lunesmolner
Barbara Wasielewska
Additional animation:
Olga Kłyszewicz
Marcin Podolec
Kacper Zamarło
Editing:
Ala Nunu
Editing Supervisor:
Sophie Colfer
Sound Designer, Foley Artist, Composer,
Pre-Mix Engineer:
Gadea @gadea_____
Singer:
Marina Herlop @marinaherlop
Voice cast:
EN:
Sophie Colfer
James Morley @jamestmorley
Ala Nunu
Olly Scanlon @ollyscanlon
PT:
Vitor Hugo Barros @vt_barros
Catarina Chora @catarina_chora
Vier Nev @viernev
Ana Iutes @anaiutes
Catalan:
Diana Sánchez Donoso
Lunes Molner
Joan Tomàs Monfort
Sound mixing:
Dani Zacarías
Sound Mixing Studios:
Insync Studio
TransPerfect
Inclusive Subtitles & Audio Description:
Bandaparte
Compositing Supervisor:
Ala Nunu
Color Grading:
Andreia Bertini @andreia.bertini
Title Design and Graphic Design:
Estudi Bicoté @estudibicote
(Júlia Francino, Maialen Arana)
DCP:
Antaviana Films
Production Accountant:
António Selas
Accountancy:
Capitalges
GATSA
Produced by
COLA Animation
Co-produced by
Studio Kimchi, Yellow Tapir Films
EC1 Łódź – City of Culture, Lodz Creates, Lodz City of Film
Financial support:
Républica Portuguesa Cultura
ICA @institutodocinemaeaudiovisual
ICAA @cineicaa
ICEC
IN THE BEGINNING is a silly film and you can swipe to learn more about it
Written by Ala Nunu and Sophie Colfer @sphancy
Inspired by true events
Producers:
Bruno Caetano @brunocaetanoanimation
Bruno Simões
Carlota Pou
Marcin Podolec
Production coordinators:
Michał Benkes
Inês Peres Mesquita
Wiktoria Podolec
Production assistant:
Alice do Carmo @delirium_in_motion
Art director, character designer, animation director:
Ala Nunu
Animation:
Guilherme Bosco @guil.bosco
Laura Equi @laura__equi
Karolina Kajetanowicz @kojton
Adrianna Matwiejczuk @ada_1.jpg
Tiago Miguel @_tiago._.miguel_
Ala Nunu
Cristina Pîrvu @christina.pirvu
Barbara Wasielewska
Replacement Animation:
Carina Pierro Corso @carinacorso
Cut Out Animation:
Matei Monoranu @minotauro__
Clean Up and Painting:
Marc Anguera @anguera.suazo
Patrycja Ćmak paticmak
Paulo Júnior
Karolina Kajetanowicz
Adrianna Matwiejczuk
Mónica Marinho @monicamarinhoart
Lunes Molner @lunesmolner
Barbara Wasielewska
Additional animation:
Olga Kłyszewicz
Marcin Podolec
Kacper Zamarło
Editing:
Ala Nunu
Editing Supervisor:
Sophie Colfer
Sound Designer, Foley Artist, Composer,
Pre-Mix Engineer:
Gadea @gadea_____
Singer:
Marina Herlop @marinaherlop
Voice cast:
EN:
Sophie Colfer
James Morley @jamestmorley
Ala Nunu
Olly Scanlon @ollyscanlon
PT:
Vitor Hugo Barros @vt_barros
Catarina Chora @catarina_chora
Vier Nev @viernev
Ana Iutes @anaiutes
Catalan:
Diana Sánchez Donoso
Lunes Molner
Joan Tomàs Monfort
Sound mixing:
Dani Zacarías
Sound Mixing Studios:
Insync Studio
TransPerfect
Inclusive Subtitles & Audio Description:
Bandaparte
Compositing Supervisor:
Ala Nunu
Color Grading:
Andreia Bertini @andreia.bertini
Title Design and Graphic Design:
Estudi Bicoté @estudibicote
(Júlia Francino, Maialen Arana)
DCP:
Antaviana Films
Production Accountant:
António Selas
Accountancy:
Capitalges
GATSA
Produced by
COLA Animation
Co-produced by
Studio Kimchi, Yellow Tapir Films
EC1 Łódź – City of Culture, Lodz Creates, Lodz City of Film
Financial support:
Républica Portuguesa Cultura
ICA @institutodocinemaeaudiovisual
ICAA @cineicaa
ICEC
The soul takes flight when we create space to unplug, and choose to live in the moment.
This is a first peek at our work for @yourattentionplease_film . Directed by @saraxrobin and written & edited by @jack.lemay . A @vagrants.tv Originals Production, presented by @_humanchange , with animation by @cola_anima .
@yourattentionplease_film will be premiering at @sxsw this March alongside another short animated film by the @cola_anima team: @ala_nunu ‘s ‘In the Beginning’.
Animation Credits
Director @sphancy
Art Director @ala_nunu
Animation @pierog.animation @crickitt_ @ala_nunu @anaiutes
Additional Animation and Clean Up @sphancy @felogladanie @offensiveburrito @adr1an_krzyc4 @crankyneon_ @cata.reis @minotauro_ @tiago._.miguel_ @b1nstock
Compositing @ala_nunu
Producer @sphancy
Production Consultant @brunocaetanoanimation
Animation Produced by @cola_anima
Production Accountant Antonio Selas
Telsche is a 2D animated short that feels like a fading memory. Directors @sphancy and @ala_nunu use a stark palette of blue, black, and white to follow a girl’s surreal descent into a void to reconnect with her mother. 🌊🌑✨
With no dialogue, the film uses visual poetry to explore the quiet, lingering nature of grief. Vast salt flats and deep underground tunnels mirror the fragility of memory, trusting the viewer to feel their way through the emptiness. It’s an immersive, award-winning look at loss that doesn’t need words to break your heart.
Read the full feature on this experimental masterpiece at thegreatscape.com
#Telsche #IndieAnimation #AnnecyFestival #ShortFilm #TheGreatscape VisualStorytelling 2DAnimation Grief
Telsche is a 2D animated short that feels like a fading memory. Directors @sphancy and @ala_nunu use a stark palette of blue, black, and white to follow a girl’s surreal descent into a void to reconnect with her mother. 🌊🌑✨
With no dialogue, the film uses visual poetry to explore the quiet, lingering nature of grief. Vast salt flats and deep underground tunnels mirror the fragility of memory, trusting the viewer to feel their way through the emptiness. It’s an immersive, award-winning look at loss that doesn’t need words to break your heart.
Read the full feature on this experimental masterpiece at thegreatscape.com
#Telsche #IndieAnimation #AnnecyFestival #ShortFilm #TheGreatscape VisualStorytelling 2DAnimation Grief
Telsche is a 2D animated short that feels like a fading memory. Directors @sphancy and @ala_nunu use a stark palette of blue, black, and white to follow a girl’s surreal descent into a void to reconnect with her mother. 🌊🌑✨
With no dialogue, the film uses visual poetry to explore the quiet, lingering nature of grief. Vast salt flats and deep underground tunnels mirror the fragility of memory, trusting the viewer to feel their way through the emptiness. It’s an immersive, award-winning look at loss that doesn’t need words to break your heart.
Read the full feature on this experimental masterpiece at thegreatscape.com
#Telsche #IndieAnimation #AnnecyFestival #ShortFilm #TheGreatscape VisualStorytelling 2DAnimation Grief
“My mother was a Japanese diver and my father an English sailor. One of my earliest memories with my mother was of watching pearl divers in Japan. They would dip and descend in their white uniforms, without tanks of air, and collect pearls from the depths. For centuries, these divers have scoured the same seas. The sea remains unchanged, while human lives come and go. The sea in Telsche reflects this as the site of memory that allows the character Telsche to connect with her mother, a lost diver.” - Sophie Colfer, director with Ala Nunu of #Telsche 🌊
Set on a stark salt-flat landscape and rendered in just three colors, Sophie Colfer and Ala Nunu’s 2D short follows a young girl’s search for a mother she can no longer fully remember, using stripped-down visuals without dialogue to explore how memory fades and returns. Now available to watch on YouTube!
Read the full interview from @victoriadavisd on AWN.com!
#colaanimation #awn #animationworld #animatedshort
“My mother was a Japanese diver and my father an English sailor. One of my earliest memories with my mother was of watching pearl divers in Japan. They would dip and descend in their white uniforms, without tanks of air, and collect pearls from the depths. For centuries, these divers have scoured the same seas. The sea remains unchanged, while human lives come and go. The sea in Telsche reflects this as the site of memory that allows the character Telsche to connect with her mother, a lost diver.” - Sophie Colfer, director with Ala Nunu of #Telsche 🌊
Set on a stark salt-flat landscape and rendered in just three colors, Sophie Colfer and Ala Nunu’s 2D short follows a young girl’s search for a mother she can no longer fully remember, using stripped-down visuals without dialogue to explore how memory fades and returns. Now available to watch on YouTube!
Read the full interview from @victoriadavisd on AWN.com!
#colaanimation #awn #animationworld #animatedshort
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
Following the online release of @sphancy and @ala_nunu ’s short film Telsche on @shortoftheweek last Friday, here’s a look at some making of material!
Set on a surreal plain of salt flats, Telsche is a 2D animated abstract short film that explores memory and loss, as one girl attempts to remember someone who she has forgotten.
These concepts of memory and forgetting permeate the entire film, reflected visually in the contrast between light and dark and in the choice of still, wide shots, wherein the subjects are barely visible, on the verge of being seen but as of yet unremembered. There is also no dialogue and much is obscured, suggesting the fog of forgetting.
The Mother’s face is covered by her white diver’s headscarf and goggles. Her white clothes sink into the white of her surroundings. The shadows in the salt house, the lack of light, and the salt fog all shroud identities and surroundings and truth.
Initially, we experimented a lot with painting all of our backgrounds, with the intention to infuse the texture of salt into the film. However, we ultimately settled on the clean 2D digital style to best emphasise the stark contrasts of the world that Telsche inhabits, although the stone face — as an element not of her world — still remains rendered in paint.
Swipe for texture and style tests, early concept art, unseen footage, and character designs!
Catch Telsche online on @shortoftheweek or via link in bio, and for Berlin friends, the film is showing at @pictoplasma in May.
https://www.shortoftheweek.com/2026/03/27/telsche/
Thanks to 💙 @brunocaetanoanimation @miko_blonski @anaiutes @jakkaczmarek @agissyo @viernev @namigu_
TWO very important announcements:
1) on the 27th Telsche is going to be released online!!!!!!! Thank you @shortoftheweek ♡ stay tuned 🔥✨️
2) BOTH Telsche and In the Beginning ARE GOING TO @pictoplasma !!!
This is particularly special news for us, because Pictoplasma is where @sphancy and I met in 2018 :')))
I will be there, let's hang ♡
Sophie unfortunately is staying in HK, enough travels and jetlags for her after @sxsw
TWO very important announcements:
1) on the 27th Telsche is going to be released online!!!!!!! Thank you @shortoftheweek ♡ stay tuned 🔥✨️
2) BOTH Telsche and In the Beginning ARE GOING TO @pictoplasma !!!
This is particularly special news for us, because Pictoplasma is where @sphancy and I met in 2018 :')))
I will be there, let's hang ♡
Sophie unfortunately is staying in HK, enough travels and jetlags for her after @sxsw
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Tacos and tardigrades at @sxsw ‘26 with the world premieres for @ala_nunu ‘s ‘In the Beginning’ and @saraxrobin & @jack.lemay ‘s @yourattentionplease_film ✨🤠🌮
Film snaps by @sphancy featuring our beloved Alamo Drafthouse and the setlist for the Film & TV Opening Party.
Real change does not start with a headline. It starts with people.
Tonight, organizations, advocates, and filmmakers are releasing the trailer for the @sxsw documentary Your Attention Please @yourattentionplease_film at the same moment.
Stand for Their Attention reflects the growing network of researchers, educators, parents, clinicians, and advocates working to protect human attention in a digital world.
We are standing together for a healthier digital future.
Watch the trailer. Explore resources from participating voices. Take action where you can.
Big thanks to the @vagrants.tv team for trusting us to bring these important stories to life, as well as to the entire animation team for all of their beautiful work on this film. We hope that this documentary will resonate deeply with audiences and spotlight the need for meaningful change and action.
@yourattentionplease_film is directed by @saraxrobin and written & edited by @jack.lemay . A @vagrants.tv Originals Production, presented by @_humanchange with animation by @cola_anima .
Animation Credits
Director @sphancy
Art Director @ala_nunu
Animation @pierog.animation @crickitt_ @ala_nunu @anaiutes
Additional Animation and Clean Up @sphancy @felogladanie @offensiveburrito @adr1an_krzyc4 @crankyneon_ @cata.reis @minotauro_ @tiago._.miguel_ @b1nstock
Compositing @ala_nunu
Producer @sphancy
Production Consultant @brunocaetanoanimation
Animation Produced by @cola_anima
Production Accountant Antonio Selas
�#StandForTheirAttention
#YourAttentionPlease
#ReclaimingHumanity
#SXSW2026
#SXSW
To tell the story of Carson Bride in @yourattentionplease_film , we wanted to show the destructive impact of cyberbullying from the perspective of the victim. Not what is being said, but how it feels.
You can see the film for the first time at @sxsw from March 12th - 14th. Get tickets here: https://sxswfilmtvticketing.com/?search=Your+Attention+Please
@yourattentionplease_film is directed by @saraxrobin and written & edited by @jack.lemay . A @vagrants.tv Originals Production, presented by @_humanchange with animation by @cola_anima .
@yourattentionplease_film will be premiering at @sxsw this March alongside another short animated film by the @cola_anima team: @ala_nunu ‘s ‘In the Beginning’.
Animation Credits
Director @sphancy
Art Director @ala_nunu
Animation @pierog.animation @crickitt_ @ala_nunu @anaiutes
Additional Animation and Clean Up @sphancy @felogladanie @offensiveburrito @adr1an_krzyc4 @crankyneon_ @cata.reis @minotauro_ @tiago._.miguel_ @b1nstock
Compositing @ala_nunu
Producer @sphancy
Production Consultant @brunocaetanoanimation
Animation Produced by @cola_anima
Production Accountant Antonio Selas
“Imagine you know what’s going on inside of Facebook and you know no one on the outside knows.” ~ Frances Haugen
Another scene from our animations for @yourattentionplease_film , directed by @saraxrobin and written & edited by @jack.lemay . A @vagrants.tv Originals Production, presented by @_humanchange , with animation by @cola_anima .
Tickets for our @sxsw screenings go on sale TODAY 10AM CT.
Get your ticket here: https://sxswfilmtvticketing.com/?search=Your+Attention+Please
@yourattentionplease_film will be premiering at SXSW this March alongside another short animated film by the @cola_anima team: @ala_nunu ‘s ‘In the Beginning’.
Animation Credits
Director @sphancy
Art Director @ala_nunu
Animation @pierog.animation @crickitt_ @ala_nunu @anaiutes
Additional Animation and Clean Up @sphancy @felogladanie @offensiveburrito @adr1an_krzyc4 @crankyneon_ @cata.reis @minotauro_ @tiago._.miguel_ @b1nstock
Compositing @ala_nunu
Producer @sphancy
Production Consultant @brunocaetanoanimation
Animation Produced by @cola_anima
Production Accountant Antonio Selas
Instagram Stories geheim ansehen
Der Instagram Story Viewer ist ein einfaches Tool, mit dem Sie Instagram Stories, Videos, Fotos oder IGTV heimlich ansehen und speichern können. Mit diesem Service können Sie Inhalte herunterladen und offline genießen, wann immer Sie möchten. Wenn Sie etwas Interessantes auf Instagram finden, das Sie später überprüfen möchten, oder Stories anonym ansehen möchten, ist unser Viewer ideal für Sie. Anonstories bietet eine ausgezeichnete Lösung, um Ihre Identität zu schützen. Instagram hat die Stories-Funktion erstmals im August 2023 eingeführt, die schnell auch von anderen Plattformen übernommen wurde, dank ihres fesselnden, zeitlich begrenzten Formats. Stories ermöglichen es Nutzern, schnelle Updates zu teilen, sei es Fotos, Videos oder Selfies, ergänzt durch Text, Emojis oder Filter, und sind nur 24 Stunden lang sichtbar. Dieser begrenzte Zeitrahmen sorgt für eine hohe Interaktion im Vergleich zu regulären Posts. Heutzutage sind Stories eine der beliebtesten Methoden, um sich in sozialen Medien zu verbinden und zu kommunizieren. Wenn Sie jedoch eine Story ansehen, kann der Ersteller Ihren Namen in seiner Viewer-Liste sehen, was ein Problem für die Privatsphäre sein kann. Was ist, wenn Sie Stories durchsuchen möchten, ohne bemerkt zu werden? Hier wird Anonstories nützlich. Es ermöglicht Ihnen, öffentliche Instagram-Inhalte anzusehen, ohne Ihre Identität preiszugeben. Geben Sie einfach den Benutzernamen des Profils ein, das Sie interessiert, und das Tool zeigt dessen neueste Stories an. Funktionen des Anonstories Viewers: - Anonymes Browsen: Sehen Sie Stories, ohne in der Viewer-Liste zu erscheinen. - Kein Konto erforderlich: Sehen Sie öffentliche Inhalte, ohne ein Instagram-Konto zu erstellen. - Inhalte herunterladen: Speichern Sie beliebige Story-Inhalte direkt auf Ihrem Gerät für die Offline-Nutzung. - Highlights anzeigen: Greifen Sie auf Instagram-Highlights zu, auch über das 24-Stunden-Fenster hinaus. - Repost-Überwachung: Verfolgen Sie Reposts oder Interaktionen bei Stories für persönliche Profile. Einschränkungen: - Dieses Tool funktioniert nur mit öffentlichen Accounts; private Accounts bleiben unzugänglich. Vorteile: - Datenschutzfreundlich: Sehen Sie sich beliebige Instagram-Inhalte an, ohne bemerkt zu werden. - Einfach und unkompliziert: Keine App-Installation oder Registrierung erforderlich. - Exklusive Tools: Laden Sie Inhalte herunter und verwalten Sie sie auf eine Weise, die Instagram nicht bietet.
Vorteile von Anonstories
IG Stories privat entdecken
Behalten Sie Instagram-Updates diskret im Blick, schützen Sie Ihre Privatsphäre und bleiben Sie anonym.
Privater Instagram Viewer
Sehen Sie Profile und Fotos anonym an, ganz einfach mit dem Private Profile Viewer.
Kostenloser Story Viewer
Dieses kostenlose Tool ermöglicht es Ihnen, Instagram Stories anonym anzusehen und dabei Ihre Aktivität vor dem Story-Ersteller zu verbergen.
Häufig gestellte Fragen
Anonymität
Anonstories ermöglicht es Nutzern, Instagram-Stories anzusehen, ohne den Ersteller zu benachrichtigen.
Gerätekompatibilität
Funktioniert nahtlos auf iOS, Android, Windows, macOS und modernen Browsern wie Chrome und Safari.
Sicherheit und Datenschutz
Priorisiert sicheres, anonymes Browsen, ohne Login-Daten zu benötigen.
Keine Registrierung
Nutzer können öffentliche Stories ansehen, indem sie einfach einen Benutzernamen eingeben – kein Konto erforderlich.
Unterstützte Formate
Lädt Fotos (JPEG) und Videos (MP4) mühelos herunter.
Kosten
Der Dienst ist kostenlos nutzbar.
Private Accounts
Inhalte von privaten Accounts sind nur für Follower zugänglich.
Dateiverwendung
Dateien sind nur für persönliche oder Bildungszwecke und müssen Urheberrechtsregeln entsprechen.
Wie es funktioniert
Geben Sie einen öffentlichen Benutzernamen ein, um Stories anzusehen oder herunterzuladen. Der Dienst generiert direkte Links, um Inhalte lokal zu speichern.