Instagram Story Viewer
Ver Historias de Instagram Anónimamente
chgallery
Cecilia Hillström Gallery
Contemporary art gallery
Open: Wed–Fri 11–18 Sat 12–16
Anna-Karin Rasmusson, 'Den första färgen'
16 May–18 June 2026
M: info@chgallery.se
We are proud to present Anna-Karin Rasmusson’s second solo exhibition at the gallery, 'Den första färgen'. Rasmusson, who has established herself as one of our most acclaimed video and performance artists, returns with an exhibition in which the colour red plays a crucial role.
Opening Saturday 16 May 12:00–16:00
In Anna-Karin Rasmusson’s video works, painting is central. Everyday tasks are often performed repetitively within scenographies constructed as collages of painted cardboard boxes and boards. Her work explores human interaction, both physical and emotional. The masked characters in her videos—played by herself—engage in somewhat clumsy attempts to support, comfort, and reach out to one another. More broadly, Rasmusson’s expressive, painterly imagery highlights complex feelings of inadequacy, disorientation, and tenderness.
Rasmusson’s new exhibition marks a shift in her practice, placing faith in the image within a chaotic world. In the artists's poetic new videos, narration has almost disappeared, giving way to the image itself—to a painting unperturbed by time. In these works, painting becomes a process of moving colour between different “rooms,” from the subconscious mind to the physical act of creating an image.
Anna-Karin Rasmusson (b. 1983) is based in Stockholm and holds an MFA from the Royal Institute of Art in Stockholm (2016). Selected exhibitions and performances include “Kropp. Ideal, blick, frihet” at Göteborgs konstmuseum, Lilith Performance Studio, Malmö, Galleri Box, Göteborg, Bildmuseet, Umeå, Dramaten, Stockholm, and Malmö Konstmuseum. Furthermore, Rasmusson has been exhibiting at CHART Art Fair, Copenhagen, Stockholm School of Economics, Kunsthal Charlottenborg, Copenhagen, and Konstnärshuset, Stockholm.
Rasmusson is represented in the collections of Moderna Museet, Göteborgs konstmuseum, Malmö Konstmuseum, Public Art Agency Sweden. Awards and scholarships include Stockholm City Cultural Award (2019), the IASPIS Studio Grant in Stockholm (2018), the Bernadotte Grant (2016), awarded by the Royal Academy of Fine Arts.
Image: Anna-Karin Rasmusson, Förflytta färg, 2026, video still
#AnnaKarinRamusson
#CeciliaHillströmGallery
Anna-Karin Rasmusson | 'Den första färgen'
The gallery is open today Saturday 12:00 – 16:00. Welcome!
In Anna-Karin Rasmusson’s video works, painting is central. Everyday tasks are often performed repetitively within scenographies constructed as collages of painted cardboard boxes and boards. Her work explores human interaction, both physical and emotional. The masked characters in her videos—played by herself—engage in somewhat clumsy attempts to support, comfort, and reach out to one another. More broadly, Rasmusson’s expressive, painterly imagery highlights complex feelings of inadequacy, disorientation, and tenderness.
Image: Anna-Karin Rasmusson, 'Det våta', 2026, video still
#AnnaKarinRasmusson
#video
#installation
#CeciliaHillströmGallery
We are very much looking forward to welcoming you to the exhibition The Lighted Trail by the Swedish artist, writer, and musician Johannes Heldén.
At the opening on Saturday, June 6, from 13.00 - 16.00 (1:00–4:00 PM), the artist will perform a poetry reading accompanied by a composed soundscape.
The exhibition was realised in collaboration with IASPIS, the Swedish Arts Grants Committee´s International Programme for Visual and Applied Arts.
Thank you for the support of our 2026 exhibition, teaching, and activity program:
@augustinusfonden, #detobelskefamiliefond, @statenskunstfond , @nycarlsbergfondet, #aageogjohannelouishansensfond, #axelmuusfeldtsfond, #lemvighmüllerfonden, #williamdemantfonden, #knudhøjgaardsfond, @thistedkommune, #sparekassenthyfonden, #cofundedbytheeuropeanunion
@iaspis.se
Anna-Karin Rasmusson | 'Den första färgen'
The psychiatrist Carl Gustav Jung claimed that colours are the mother tongue of the subconscious—they speak directly to our emotions and to the non-verbal mind. The red liquid in Rasmusson’s work is connected not only to the subconscious but also to the human body; the colour of life—Den första färgen. Circulating within us, blood leaves impressions and stains in a variety of nuances.
Image: Anna-Karin Rasmusson, 'Förflytta färg', 2026, HD-video, stereo sound, 1920 x 1080.Photo: Jean-Baptiste Béranger
#AnnaKarinRasmusson
#video
#installation
#CeciliaHillströmGallery
Happy Birthday Johannes! 🌸
Johannes Heldén (b. 1978 in Katrineholm, Sweden) holds an MFA from Valand Academy of Fine Arts, Gothenburg (1999-2004). He was the IASPIS artist-in-residence at ISCP, New York in 2018-19, the recipient of the Åke Andrén Art Prize in 2015, and the project Evolution (in collaboration with Håkan Jonson) won the inaugural N. Katherine Hayles prize in 2014. Heldén has exhibited extensively, both in Sweden and internationally, with recent solo exhibitions at Varbergs Konsthall (2020), Judiska Museet C/O Textilmuseet in Borås (2018), Konstakademien in Stockholm (2018), and Kunsthall Trondheim (2017). Recent group exhibitions include ARKEN Museum of Modern Art (2021-22), MSU Broad Museum in East Lansing (2021), Malmö Konstmuseum (2020), Bonniers Konsthall (2019), Fiskars Village Art & Design Biennale (2019), and the Desert X biennale in Coachella Valley (2019).
Heldén is represented in the collections of Moderna Museet, Malmö Art Museum, Borås Art Museum, Public Art Agency Sweden, Stockholm City Council, and Maria Bonnier Dahlin Foundation. He is a fellow of the MacDowell Colony, Headlands Center for the Arts, Hawthornden Castle, among others.
1: Portrait of Johannes Heldén. Ph: Martin Vallin
2: Installation image of Heldén's exhibition 'Emergence', 2024
3: Johannes Heldén, 'Carte de visite (Lonicera caprifolium)', 2024, watercolour on paper, walnut frame, museum glass, 111.5 x 81.5 cm
4: Installation image of Heldén's exhibition 'Emergence', 2024
5: Johannes Heldén, 'Rain, After Running Away (Pontederia crassipes)', 2024, watercolour on paper, walnut frame, museum glass, 111.5 x81.5 cm
Ph: Jean-Baptiste Béranger
#JohannesHelden
#CeciliaHillströmGallery
Happy Birthday Johannes! 🌸
Johannes Heldén (b. 1978 in Katrineholm, Sweden) holds an MFA from Valand Academy of Fine Arts, Gothenburg (1999-2004). He was the IASPIS artist-in-residence at ISCP, New York in 2018-19, the recipient of the Åke Andrén Art Prize in 2015, and the project Evolution (in collaboration with Håkan Jonson) won the inaugural N. Katherine Hayles prize in 2014. Heldén has exhibited extensively, both in Sweden and internationally, with recent solo exhibitions at Varbergs Konsthall (2020), Judiska Museet C/O Textilmuseet in Borås (2018), Konstakademien in Stockholm (2018), and Kunsthall Trondheim (2017). Recent group exhibitions include ARKEN Museum of Modern Art (2021-22), MSU Broad Museum in East Lansing (2021), Malmö Konstmuseum (2020), Bonniers Konsthall (2019), Fiskars Village Art & Design Biennale (2019), and the Desert X biennale in Coachella Valley (2019).
Heldén is represented in the collections of Moderna Museet, Malmö Art Museum, Borås Art Museum, Public Art Agency Sweden, Stockholm City Council, and Maria Bonnier Dahlin Foundation. He is a fellow of the MacDowell Colony, Headlands Center for the Arts, Hawthornden Castle, among others.
1: Portrait of Johannes Heldén. Ph: Martin Vallin
2: Installation image of Heldén's exhibition 'Emergence', 2024
3: Johannes Heldén, 'Carte de visite (Lonicera caprifolium)', 2024, watercolour on paper, walnut frame, museum glass, 111.5 x 81.5 cm
4: Installation image of Heldén's exhibition 'Emergence', 2024
5: Johannes Heldén, 'Rain, After Running Away (Pontederia crassipes)', 2024, watercolour on paper, walnut frame, museum glass, 111.5 x81.5 cm
Ph: Jean-Baptiste Béranger
#JohannesHelden
#CeciliaHillströmGallery
Happy Birthday Johannes! 🌸
Johannes Heldén (b. 1978 in Katrineholm, Sweden) holds an MFA from Valand Academy of Fine Arts, Gothenburg (1999-2004). He was the IASPIS artist-in-residence at ISCP, New York in 2018-19, the recipient of the Åke Andrén Art Prize in 2015, and the project Evolution (in collaboration with Håkan Jonson) won the inaugural N. Katherine Hayles prize in 2014. Heldén has exhibited extensively, both in Sweden and internationally, with recent solo exhibitions at Varbergs Konsthall (2020), Judiska Museet C/O Textilmuseet in Borås (2018), Konstakademien in Stockholm (2018), and Kunsthall Trondheim (2017). Recent group exhibitions include ARKEN Museum of Modern Art (2021-22), MSU Broad Museum in East Lansing (2021), Malmö Konstmuseum (2020), Bonniers Konsthall (2019), Fiskars Village Art & Design Biennale (2019), and the Desert X biennale in Coachella Valley (2019).
Heldén is represented in the collections of Moderna Museet, Malmö Art Museum, Borås Art Museum, Public Art Agency Sweden, Stockholm City Council, and Maria Bonnier Dahlin Foundation. He is a fellow of the MacDowell Colony, Headlands Center for the Arts, Hawthornden Castle, among others.
1: Portrait of Johannes Heldén. Ph: Martin Vallin
2: Installation image of Heldén's exhibition 'Emergence', 2024
3: Johannes Heldén, 'Carte de visite (Lonicera caprifolium)', 2024, watercolour on paper, walnut frame, museum glass, 111.5 x 81.5 cm
4: Installation image of Heldén's exhibition 'Emergence', 2024
5: Johannes Heldén, 'Rain, After Running Away (Pontederia crassipes)', 2024, watercolour on paper, walnut frame, museum glass, 111.5 x81.5 cm
Ph: Jean-Baptiste Béranger
#JohannesHelden
#CeciliaHillströmGallery
Happy Birthday Johannes! 🌸
Johannes Heldén (b. 1978 in Katrineholm, Sweden) holds an MFA from Valand Academy of Fine Arts, Gothenburg (1999-2004). He was the IASPIS artist-in-residence at ISCP, New York in 2018-19, the recipient of the Åke Andrén Art Prize in 2015, and the project Evolution (in collaboration with Håkan Jonson) won the inaugural N. Katherine Hayles prize in 2014. Heldén has exhibited extensively, both in Sweden and internationally, with recent solo exhibitions at Varbergs Konsthall (2020), Judiska Museet C/O Textilmuseet in Borås (2018), Konstakademien in Stockholm (2018), and Kunsthall Trondheim (2017). Recent group exhibitions include ARKEN Museum of Modern Art (2021-22), MSU Broad Museum in East Lansing (2021), Malmö Konstmuseum (2020), Bonniers Konsthall (2019), Fiskars Village Art & Design Biennale (2019), and the Desert X biennale in Coachella Valley (2019).
Heldén is represented in the collections of Moderna Museet, Malmö Art Museum, Borås Art Museum, Public Art Agency Sweden, Stockholm City Council, and Maria Bonnier Dahlin Foundation. He is a fellow of the MacDowell Colony, Headlands Center for the Arts, Hawthornden Castle, among others.
1: Portrait of Johannes Heldén. Ph: Martin Vallin
2: Installation image of Heldén's exhibition 'Emergence', 2024
3: Johannes Heldén, 'Carte de visite (Lonicera caprifolium)', 2024, watercolour on paper, walnut frame, museum glass, 111.5 x 81.5 cm
4: Installation image of Heldén's exhibition 'Emergence', 2024
5: Johannes Heldén, 'Rain, After Running Away (Pontederia crassipes)', 2024, watercolour on paper, walnut frame, museum glass, 111.5 x81.5 cm
Ph: Jean-Baptiste Béranger
#JohannesHelden
#CeciliaHillströmGallery
Happy Birthday Johannes! 🌸
Johannes Heldén (b. 1978 in Katrineholm, Sweden) holds an MFA from Valand Academy of Fine Arts, Gothenburg (1999-2004). He was the IASPIS artist-in-residence at ISCP, New York in 2018-19, the recipient of the Åke Andrén Art Prize in 2015, and the project Evolution (in collaboration with Håkan Jonson) won the inaugural N. Katherine Hayles prize in 2014. Heldén has exhibited extensively, both in Sweden and internationally, with recent solo exhibitions at Varbergs Konsthall (2020), Judiska Museet C/O Textilmuseet in Borås (2018), Konstakademien in Stockholm (2018), and Kunsthall Trondheim (2017). Recent group exhibitions include ARKEN Museum of Modern Art (2021-22), MSU Broad Museum in East Lansing (2021), Malmö Konstmuseum (2020), Bonniers Konsthall (2019), Fiskars Village Art & Design Biennale (2019), and the Desert X biennale in Coachella Valley (2019).
Heldén is represented in the collections of Moderna Museet, Malmö Art Museum, Borås Art Museum, Public Art Agency Sweden, Stockholm City Council, and Maria Bonnier Dahlin Foundation. He is a fellow of the MacDowell Colony, Headlands Center for the Arts, Hawthornden Castle, among others.
1: Portrait of Johannes Heldén. Ph: Martin Vallin
2: Installation image of Heldén's exhibition 'Emergence', 2024
3: Johannes Heldén, 'Carte de visite (Lonicera caprifolium)', 2024, watercolour on paper, walnut frame, museum glass, 111.5 x 81.5 cm
4: Installation image of Heldén's exhibition 'Emergence', 2024
5: Johannes Heldén, 'Rain, After Running Away (Pontederia crassipes)', 2024, watercolour on paper, walnut frame, museum glass, 111.5 x81.5 cm
Ph: Jean-Baptiste Béranger
#JohannesHelden
#CeciliaHillströmGallery
Anna-Karin Rasmusson | 'Den första färgen'
The gallery is open today Saturday 12:00 – 16:00. Welcome!
Anna-Karin Rasmusson
'Mellan plan', 2026
Sculptural installation in mixed media, unique
360 x 202 x 63 cm
HD-video, loop
1920 x 1080
Images: Installation views of Anna-Karin Rasmusson's exhibition 'Den första färgen'. Photo: Jean-Baptiste Béranger
#AnnaKarinRasmusson
#video
#installation
#CeciliaHillströmGallery
Anna-Karin Rasmusson | 'Den första färgen'
The gallery is open today Saturday 12:00 – 16:00. Welcome!
Anna-Karin Rasmusson
'Mellan plan', 2026
Sculptural installation in mixed media, unique
360 x 202 x 63 cm
HD-video, loop
1920 x 1080
Images: Installation views of Anna-Karin Rasmusson's exhibition 'Den första färgen'. Photo: Jean-Baptiste Béranger
#AnnaKarinRasmusson
#video
#installation
#CeciliaHillströmGallery
Anna-Karin Rasmusson | 'Den första färgen'
The gallery is open today Saturday 12:00 – 16:00. Welcome!
Anna-Karin Rasmusson
'Mellan plan', 2026
Sculptural installation in mixed media, unique
360 x 202 x 63 cm
HD-video, loop
1920 x 1080
Images: Installation views of Anna-Karin Rasmusson's exhibition 'Den första färgen'. Photo: Jean-Baptiste Béranger
#AnnaKarinRasmusson
#video
#installation
#CeciliaHillströmGallery
Anna-Karin Rasmusson | 'Den första färgen'
The gallery is open today Saturday 12:00 – 16:00. Welcome!
Anna-Karin Rasmusson
'Mellan plan', 2026
Sculptural installation in mixed media, unique
360 x 202 x 63 cm
HD-video, loop
1920 x 1080
Images: Installation views of Anna-Karin Rasmusson's exhibition 'Den första färgen'. Photo: Jean-Baptiste Béranger
#AnnaKarinRasmusson
#video
#installation
#CeciliaHillströmGallery
Anna-Karin Rasmusson | 'Den första färgen'
Anna-Karin Rasmusson’s new exhibition marks a shift in her practice, placing faith in the image within a chaotic world. Throughout art history, the sacred image has functioned both as a reflection and as a window—an image that requires no explanation and offers no definitive answers. In Rasmusson’s poetic new videos, narration has almost disappeared, giving way to the image itself—to a painting unperturbed by time. In these works, painting becomes a process of moving colour between different “rooms,” from the subconscious mind to the physical act of creating an image.
The psychiatrist Carl Gustav Jung claimed that colours are the mother tongue of the subconscious—they speak directly to our emotions and to the non-verbal mind. The red liquid in Rasmusson’s work is connected not only to the subconscious but also to the human body; the colour of life—Den första färgen. Circulating within us, blood leaves impressions and stains in a variety of nuances.
Image: Anna-Karin Rasmusson, 'Flöde', 2026, video still
#AnnaKarinRasmusson
#video
#installation
#CeciliaHillströmGallery
LL#21 CAN'T HELP MYSELF
LAUNCHING JUNE 11th @chgallery
vi sa följande vi ringde upp alla vi sa kära författare håll inte tillbaka ge oss allt du vill släpp fram tvångstanken regla dörren rotera barnet aptera bomben håll skeppet sjunkande / brinnande här samsas tjugo röster en hyllning till blodmaskinen välkommen in till l’amour - la morts tjugoförsta nummer vänligen redaktionen
Medverkande:
Ali Alonzo / Anna-Karin Rasmusson / Bunny Rogers / Charlie Brandin Avehall / Elis Monteverde Burrau / Ester Berg / Gabriel Itkes Sznap / Henry Song / Intervju: Sun Yuan & Peng Yu / Johannes Heldén / Kornél Kovács / Madame Nielsen / Martin Luuk / Nadia Maghder / Oskar Korsár / Polly Aaro Thörneby / Sten Nygren / Victor von Hellens / Viktor Johansson
Temaredaktörer: Ali Alonzo & Elis Monteverde Burrau
Grafisk formgivning: Agnes Ivarsson
Tack till
Cecilia Hillström Gallery
Med stöd från Kulturrådet
Video: Sun Yuan & Peng Yu, CAN'T HELP MYSELF, Guggenheim Museum, 2016
________________________________
L'Amour - La Mort är en allkonstnärlig litteraturtidskrift och kulturförening. Sedan starten 2017 har vi publicerat över hundra poeter och författare, i början, mitten och slutet av deras karriärer. Vi arbetar med att göra Sveriges kulturliv bredare, djupare, roligare och mer inkluderande – och sudda ut gränserna mellan den yngre, äldre, etablerade, icke-etablerade, poesin, musiken, dansen, teatern och konsten.
Leif Engström | 'Blommorna i fönstret'
Last day to experience Leif Engström's exhibition 'Blommorna i fönstret'. The gallery is open 12:00–16:00 today. Welcome!
Leif Engström
'Den långa eftermiddagen', 2026
Oil on canvas, ash wood frame
31.5 x 50 cm
#LeifEngström
#painting
#oilpainting
#CeciliaHillströmGallery
Artist talk – Leif Engström in conversation with Carl-Johan Olsson, curator at Nationalmuseum. The talk took place on 14 April 2026 in Leif Engström’s exhibition ’Blommorna i fönstret’ at Cecilia Hillström Gallery. Thank you for joining us!
For the full version of the conversation, please visit our website:
www.chgallery.se/video/
#leifengström
#artisttalk
#arttalk
#ceciliahillströmgallery
Happy Birthday Per! 🌸
Per Wizén works with paper collages built from art historical images deeply embedded in our culture. Thousands of details are literally cut out and constructed into a new whole, making up works closely related to the original image. In this meticulous process, the content of the work shifts in relation to the source, pinpointing hidden meanings and underlying tensions.
For many years Wizén was preoccupied with the Renaissance and Baroque eras. In his ongoing series of works, Per Wizén focuses on Lewis Carroll's novel Alice's Adventures in Wonderland and the many iconic illustrations of the tale. From the original drawings by John Tenniel to Disney’s version of the story, Wizén uses the visual mechanisms and DNA of the original artworks and transfers the material from the past to the contemporary, capturing all layers in between in his fantastical works.
Per Wizén (b. 1966) holds an MFA from Malmö Art Academy. Solo shows include Moderna Museet Malmö in 2022, Cecilia Hillström Gallery, and CHART Art Fair, Copenhagen, in 2019, Skissernas Museum – Museum of Artistic Process and Public Art, Lund in 2014, and Malmö Art Museum in 2008. His work has also been featured in the touring exhibition Diversity United – Contemporary European Art in Berlin and Moscow, Liljevalchs, Stockholm, Amos Rex, Helsinki, Borås Art Museum, Brooklyn Museum of Art, New York, National Museum of Art, Stockholm, Bonniers Konsthall, Stockholm, Eskilstuna Art Museum, Turku Art Museum, Åbo, and at Centre Culturel Suédois, Paris, to name a few. He is represented in the collections of Brooklyn Museum of Art, New York, Moderna Museet, Malmö Art Museum, Borås Art Museum, Public Art Agency Sweden, Region Dalarna and Stockholm konst.
1: Portrait of Per Wizén. Ph: Robert Gustavsson
2: Per Wizén, 'Pearl Necklace II', 2024
3: Per Wizén, 'Blue Hunt', 2022 (cropped)
4: Per Wizén, 'Pearl Necklace I', 2024
#PerWizen
#collage
#collagetransferredtophotography
#CeciliaHillströmGallery
Happy Birthday Per! 🌸
Per Wizén works with paper collages built from art historical images deeply embedded in our culture. Thousands of details are literally cut out and constructed into a new whole, making up works closely related to the original image. In this meticulous process, the content of the work shifts in relation to the source, pinpointing hidden meanings and underlying tensions.
For many years Wizén was preoccupied with the Renaissance and Baroque eras. In his ongoing series of works, Per Wizén focuses on Lewis Carroll's novel Alice's Adventures in Wonderland and the many iconic illustrations of the tale. From the original drawings by John Tenniel to Disney’s version of the story, Wizén uses the visual mechanisms and DNA of the original artworks and transfers the material from the past to the contemporary, capturing all layers in between in his fantastical works.
Per Wizén (b. 1966) holds an MFA from Malmö Art Academy. Solo shows include Moderna Museet Malmö in 2022, Cecilia Hillström Gallery, and CHART Art Fair, Copenhagen, in 2019, Skissernas Museum – Museum of Artistic Process and Public Art, Lund in 2014, and Malmö Art Museum in 2008. His work has also been featured in the touring exhibition Diversity United – Contemporary European Art in Berlin and Moscow, Liljevalchs, Stockholm, Amos Rex, Helsinki, Borås Art Museum, Brooklyn Museum of Art, New York, National Museum of Art, Stockholm, Bonniers Konsthall, Stockholm, Eskilstuna Art Museum, Turku Art Museum, Åbo, and at Centre Culturel Suédois, Paris, to name a few. He is represented in the collections of Brooklyn Museum of Art, New York, Moderna Museet, Malmö Art Museum, Borås Art Museum, Public Art Agency Sweden, Region Dalarna and Stockholm konst.
1: Portrait of Per Wizén. Ph: Robert Gustavsson
2: Per Wizén, 'Pearl Necklace II', 2024
3: Per Wizén, 'Blue Hunt', 2022 (cropped)
4: Per Wizén, 'Pearl Necklace I', 2024
#PerWizen
#collage
#collagetransferredtophotography
#CeciliaHillströmGallery
Happy Birthday Per! 🌸
Per Wizén works with paper collages built from art historical images deeply embedded in our culture. Thousands of details are literally cut out and constructed into a new whole, making up works closely related to the original image. In this meticulous process, the content of the work shifts in relation to the source, pinpointing hidden meanings and underlying tensions.
For many years Wizén was preoccupied with the Renaissance and Baroque eras. In his ongoing series of works, Per Wizén focuses on Lewis Carroll's novel Alice's Adventures in Wonderland and the many iconic illustrations of the tale. From the original drawings by John Tenniel to Disney’s version of the story, Wizén uses the visual mechanisms and DNA of the original artworks and transfers the material from the past to the contemporary, capturing all layers in between in his fantastical works.
Per Wizén (b. 1966) holds an MFA from Malmö Art Academy. Solo shows include Moderna Museet Malmö in 2022, Cecilia Hillström Gallery, and CHART Art Fair, Copenhagen, in 2019, Skissernas Museum – Museum of Artistic Process and Public Art, Lund in 2014, and Malmö Art Museum in 2008. His work has also been featured in the touring exhibition Diversity United – Contemporary European Art in Berlin and Moscow, Liljevalchs, Stockholm, Amos Rex, Helsinki, Borås Art Museum, Brooklyn Museum of Art, New York, National Museum of Art, Stockholm, Bonniers Konsthall, Stockholm, Eskilstuna Art Museum, Turku Art Museum, Åbo, and at Centre Culturel Suédois, Paris, to name a few. He is represented in the collections of Brooklyn Museum of Art, New York, Moderna Museet, Malmö Art Museum, Borås Art Museum, Public Art Agency Sweden, Region Dalarna and Stockholm konst.
1: Portrait of Per Wizén. Ph: Robert Gustavsson
2: Per Wizén, 'Pearl Necklace II', 2024
3: Per Wizén, 'Blue Hunt', 2022 (cropped)
4: Per Wizén, 'Pearl Necklace I', 2024
#PerWizen
#collage
#collagetransferredtophotography
#CeciliaHillströmGallery
Happy Birthday Per! 🌸
Per Wizén works with paper collages built from art historical images deeply embedded in our culture. Thousands of details are literally cut out and constructed into a new whole, making up works closely related to the original image. In this meticulous process, the content of the work shifts in relation to the source, pinpointing hidden meanings and underlying tensions.
For many years Wizén was preoccupied with the Renaissance and Baroque eras. In his ongoing series of works, Per Wizén focuses on Lewis Carroll's novel Alice's Adventures in Wonderland and the many iconic illustrations of the tale. From the original drawings by John Tenniel to Disney’s version of the story, Wizén uses the visual mechanisms and DNA of the original artworks and transfers the material from the past to the contemporary, capturing all layers in between in his fantastical works.
Per Wizén (b. 1966) holds an MFA from Malmö Art Academy. Solo shows include Moderna Museet Malmö in 2022, Cecilia Hillström Gallery, and CHART Art Fair, Copenhagen, in 2019, Skissernas Museum – Museum of Artistic Process and Public Art, Lund in 2014, and Malmö Art Museum in 2008. His work has also been featured in the touring exhibition Diversity United – Contemporary European Art in Berlin and Moscow, Liljevalchs, Stockholm, Amos Rex, Helsinki, Borås Art Museum, Brooklyn Museum of Art, New York, National Museum of Art, Stockholm, Bonniers Konsthall, Stockholm, Eskilstuna Art Museum, Turku Art Museum, Åbo, and at Centre Culturel Suédois, Paris, to name a few. He is represented in the collections of Brooklyn Museum of Art, New York, Moderna Museet, Malmö Art Museum, Borås Art Museum, Public Art Agency Sweden, Region Dalarna and Stockholm konst.
1: Portrait of Per Wizén. Ph: Robert Gustavsson
2: Per Wizén, 'Pearl Necklace II', 2024
3: Per Wizén, 'Blue Hunt', 2022 (cropped)
4: Per Wizén, 'Pearl Necklace I', 2024
#PerWizen
#collage
#collagetransferredtophotography
#CeciliaHillströmGallery
Leif Engström | 'Blommorna i fönstret'
Leif Engström
'Haparanda', 2026
Oil on canvas, ash wood frame
38.5 x 40.5 cm
#LeifEngström
#painting
#oilpainting
#CeciliaHillströmGallery
Ver Historias de Instagram en Secreto
El Instagram Story Viewer es una herramienta sencilla que te permite ver y guardar en secreto historias, videos, fotos o IGTV de Instagram. Con este servicio, puedes descargar contenido y disfrutarlo sin conexión cuando lo desees. Si encuentras algo interesante en Instagram que quieras revisar más tarde o si prefieres ver historias de forma anónima, nuestro visor es perfecto para ti. Anonstories ofrece una excelente solución para mantener tu identidad oculta. Instagram lanzó la función de Historias en agosto de 2023, adoptada rápidamente por otras plataformas debido a su formato dinámico y temporal. Las Historias permiten a los usuarios compartir actualizaciones rápidas, como fotos, videos o selfies, mejoradas con texto, emojis o filtros, y son visibles por solo 24 horas. Este marco de tiempo limitado genera un alto compromiso en comparación con las publicaciones regulares. En el mundo actual, las Historias son una de las formas más populares de conectar y comunicarse en redes sociales. Sin embargo, al ver una Historia, el creador puede ver tu nombre en su lista de visualizaciones, lo cual puede ser una preocupación de privacidad. ¿Qué hacer si deseas explorar Historias sin ser detectado? Aquí es donde Anonstories resulta útil. Te permite ver contenido público de Instagram sin revelar tu identidad. Simplemente ingresa el nombre de usuario del perfil que te interesa, y la herramienta mostrará sus Historias más recientes. Funciones de Anonstories Viewer: - Navegación anónima: Mira Historias sin aparecer en la lista de visualizaciones. - Sin cuenta requerida: Ve contenido público sin necesidad de registrarte en Instagram. - Descarga de contenido: Guarda cualquier Historia directamente en tu dispositivo para usarla sin conexión. - Ver Destacados: Accede a Destacados de Instagram, incluso fuera del período de 24 horas. - Monitoreo de reposts: Rastrea reposts o niveles de compromiso en Historias de perfiles personales. Limitaciones: - Esta herramienta solo funciona con cuentas públicas; las cuentas privadas permanecen inaccesibles. Beneficios: - Amigable con la privacidad: Mira cualquier contenido de Instagram sin ser detectado. - Fácil y sencillo: Sin instalación de aplicaciones ni registro necesario. - Herramientas exclusivas: Descarga y gestiona contenido de formas que Instagram no ofrece.