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whenmanmark
Mark whenman
Artist
Site, process, movement and time are all intertwined within my slow, analogue practice
BA (Hons) Fine Art 2025 @falmouthuni
What was left behind.
I’ve just started testing some new work/ideas for an upcoming exhibition, more about that to come…
I was preparing one of my devices and noticed traces of previous work, peripheral conversations that weren’t part of the main dialogue.
Or, as my son put it ‘just squiggles ‘
Either way, I like the idea of adding new, additional histories to a repurposed container.
What was left behind.
I’ve just started testing some new work/ideas for an upcoming exhibition, more about that to come…
I was preparing one of my devices and noticed traces of previous work, peripheral conversations that weren’t part of the main dialogue.
Or, as my son put it ‘just squiggles ‘
Either way, I like the idea of adding new, additional histories to a repurposed container.
What was left behind.
I’ve just started testing some new work/ideas for an upcoming exhibition, more about that to come…
I was preparing one of my devices and noticed traces of previous work, peripheral conversations that weren’t part of the main dialogue.
Or, as my son put it ‘just squiggles ‘
Either way, I like the idea of adding new, additional histories to a repurposed container.
What was left behind.
I’ve just started testing some new work/ideas for an upcoming exhibition, more about that to come…
I was preparing one of my devices and noticed traces of previous work, peripheral conversations that weren’t part of the main dialogue.
Or, as my son put it ‘just squiggles ‘
Either way, I like the idea of adding new, additional histories to a repurposed container.
What was left behind.
I’ve just started testing some new work/ideas for an upcoming exhibition, more about that to come…
I was preparing one of my devices and noticed traces of previous work, peripheral conversations that weren’t part of the main dialogue.
Or, as my son put it ‘just squiggles ‘
Either way, I like the idea of adding new, additional histories to a repurposed container.
What was left behind.
I’ve just started testing some new work/ideas for an upcoming exhibition, more about that to come…
I was preparing one of my devices and noticed traces of previous work, peripheral conversations that weren’t part of the main dialogue.
Or, as my son put it ‘just squiggles ‘
Either way, I like the idea of adding new, additional histories to a repurposed container.
First Light.
The Rowan is one of my favourite trees.
A pioneer, ensuring ecological succession. This ‘ Tree of Life’ is deeply rooted in folklore and Celtic mythology
Mark Whenman @whenmanmark in the LOOP
“Loop is slow practice turning through garden, sun, and chance, where repetition etches time itself into paper, patiently binding beginning and end within one.
”
Mark is an artist living in Cornwall. His work is in dialogue with the environment. Time, process, place and movement, including his own, are the key themes that inform the on-going enquiry of his slow, analogue practice. His visual language is explored through divergent approaches, repurposing containers to make devices, tools to explore kinetic potentials. An experimental approach that embraces co-creativity with the more than human world.
Image 1 : Selected Work: Arc. 22-25. A three year exposure.(Pinhole camera) Inverted paper negative. ©️ Mark Whenman
Image 2 : Artist Portrait
Image3: Litoral. 2025. Phytogram. 30 x 40 cm. ©️Mark Whenman
Image4: 3mph: 8 Walks. 2024. Black Ink on Acetate. 58cm x 8cm. ©️Mark Whenman
Image5:Roots. 2024. Phytogram. 30 x 40cm. ©️Mark Whenman
#creativephotographer #photographyshow #analogue #analogephotography
Mark Whenman @whenmanmark in the LOOP
“Loop is slow practice turning through garden, sun, and chance, where repetition etches time itself into paper, patiently binding beginning and end within one.
”
Mark is an artist living in Cornwall. His work is in dialogue with the environment. Time, process, place and movement, including his own, are the key themes that inform the on-going enquiry of his slow, analogue practice. His visual language is explored through divergent approaches, repurposing containers to make devices, tools to explore kinetic potentials. An experimental approach that embraces co-creativity with the more than human world.
Image 1 : Selected Work: Arc. 22-25. A three year exposure.(Pinhole camera) Inverted paper negative. ©️ Mark Whenman
Image 2 : Artist Portrait
Image3: Litoral. 2025. Phytogram. 30 x 40 cm. ©️Mark Whenman
Image4: 3mph: 8 Walks. 2024. Black Ink on Acetate. 58cm x 8cm. ©️Mark Whenman
Image5:Roots. 2024. Phytogram. 30 x 40cm. ©️Mark Whenman
#creativephotographer #photographyshow #analogue #analogephotography
Mark Whenman @whenmanmark in the LOOP
“Loop is slow practice turning through garden, sun, and chance, where repetition etches time itself into paper, patiently binding beginning and end within one.
”
Mark is an artist living in Cornwall. His work is in dialogue with the environment. Time, process, place and movement, including his own, are the key themes that inform the on-going enquiry of his slow, analogue practice. His visual language is explored through divergent approaches, repurposing containers to make devices, tools to explore kinetic potentials. An experimental approach that embraces co-creativity with the more than human world.
Image 1 : Selected Work: Arc. 22-25. A three year exposure.(Pinhole camera) Inverted paper negative. ©️ Mark Whenman
Image 2 : Artist Portrait
Image3: Litoral. 2025. Phytogram. 30 x 40 cm. ©️Mark Whenman
Image4: 3mph: 8 Walks. 2024. Black Ink on Acetate. 58cm x 8cm. ©️Mark Whenman
Image5:Roots. 2024. Phytogram. 30 x 40cm. ©️Mark Whenman
#creativephotographer #photographyshow #analogue #analogephotography
Mark Whenman @whenmanmark in the LOOP
“Loop is slow practice turning through garden, sun, and chance, where repetition etches time itself into paper, patiently binding beginning and end within one.
”
Mark is an artist living in Cornwall. His work is in dialogue with the environment. Time, process, place and movement, including his own, are the key themes that inform the on-going enquiry of his slow, analogue practice. His visual language is explored through divergent approaches, repurposing containers to make devices, tools to explore kinetic potentials. An experimental approach that embraces co-creativity with the more than human world.
Image 1 : Selected Work: Arc. 22-25. A three year exposure.(Pinhole camera) Inverted paper negative. ©️ Mark Whenman
Image 2 : Artist Portrait
Image3: Litoral. 2025. Phytogram. 30 x 40 cm. ©️Mark Whenman
Image4: 3mph: 8 Walks. 2024. Black Ink on Acetate. 58cm x 8cm. ©️Mark Whenman
Image5:Roots. 2024. Phytogram. 30 x 40cm. ©️Mark Whenman
#creativephotographer #photographyshow #analogue #analogephotography
Mark Whenman @whenmanmark in the LOOP
“Loop is slow practice turning through garden, sun, and chance, where repetition etches time itself into paper, patiently binding beginning and end within one.
”
Mark is an artist living in Cornwall. His work is in dialogue with the environment. Time, process, place and movement, including his own, are the key themes that inform the on-going enquiry of his slow, analogue practice. His visual language is explored through divergent approaches, repurposing containers to make devices, tools to explore kinetic potentials. An experimental approach that embraces co-creativity with the more than human world.
Image 1 : Selected Work: Arc. 22-25. A three year exposure.(Pinhole camera) Inverted paper negative. ©️ Mark Whenman
Image 2 : Artist Portrait
Image3: Litoral. 2025. Phytogram. 30 x 40 cm. ©️Mark Whenman
Image4: 3mph: 8 Walks. 2024. Black Ink on Acetate. 58cm x 8cm. ©️Mark Whenman
Image5:Roots. 2024. Phytogram. 30 x 40cm. ©️Mark Whenman
#creativephotographer #photographyshow #analogue #analogephotography
Home from Home.
I moved from a land of chalk to a land of granite.
On my last visit back to Sussex I collected some chalk.
Recently, I was very surprised to find some small pieces of chalk at Loe Bar. This seemed very unusual because there is no chalk in the geology of Cornwall. Had it been washed up?
This unexpected find provided a link -home from home.
It also prompted thoughts of the folklore in Sussex, that is deeply entwined with the chalk landscape.
Although there is no chalk in Cornwall, it is used in a significant part of the Cornish mid winter celebrations - Chalking the Mock
Artworks - Found chalk ( Sussex & Cornwall) on black card.
Home from Home.
I moved from a land of chalk to a land of granite.
On my last visit back to Sussex I collected some chalk.
Recently, I was very surprised to find some small pieces of chalk at Loe Bar. This seemed very unusual because there is no chalk in the geology of Cornwall. Had it been washed up?
This unexpected find provided a link -home from home.
It also prompted thoughts of the folklore in Sussex, that is deeply entwined with the chalk landscape.
Although there is no chalk in Cornwall, it is used in a significant part of the Cornish mid winter celebrations - Chalking the Mock
Artworks - Found chalk ( Sussex & Cornwall) on black card.
Home from Home.
I moved from a land of chalk to a land of granite.
On my last visit back to Sussex I collected some chalk.
Recently, I was very surprised to find some small pieces of chalk at Loe Bar. This seemed very unusual because there is no chalk in the geology of Cornwall. Had it been washed up?
This unexpected find provided a link -home from home.
It also prompted thoughts of the folklore in Sussex, that is deeply entwined with the chalk landscape.
Although there is no chalk in Cornwall, it is used in a significant part of the Cornish mid winter celebrations - Chalking the Mock
Artworks - Found chalk ( Sussex & Cornwall) on black card.
Home from Home.
I moved from a land of chalk to a land of granite.
On my last visit back to Sussex I collected some chalk.
Recently, I was very surprised to find some small pieces of chalk at Loe Bar. This seemed very unusual because there is no chalk in the geology of Cornwall. Had it been washed up?
This unexpected find provided a link -home from home.
It also prompted thoughts of the folklore in Sussex, that is deeply entwined with the chalk landscape.
Although there is no chalk in Cornwall, it is used in a significant part of the Cornish mid winter celebrations - Chalking the Mock
Artworks - Found chalk ( Sussex & Cornwall) on black card.
Home from Home.
I moved from a land of chalk to a land of granite.
On my last visit back to Sussex I collected some chalk.
Recently, I was very surprised to find some small pieces of chalk at Loe Bar. This seemed very unusual because there is no chalk in the geology of Cornwall. Had it been washed up?
This unexpected find provided a link -home from home.
It also prompted thoughts of the folklore in Sussex, that is deeply entwined with the chalk landscape.
Although there is no chalk in Cornwall, it is used in a significant part of the Cornish mid winter celebrations - Chalking the Mock
Artworks - Found chalk ( Sussex & Cornwall) on black card.
Home from Home.
I moved from a land of chalk to a land of granite.
On my last visit back to Sussex I collected some chalk.
Recently, I was very surprised to find some small pieces of chalk at Loe Bar. This seemed very unusual because there is no chalk in the geology of Cornwall. Had it been washed up?
This unexpected find provided a link -home from home.
It also prompted thoughts of the folklore in Sussex, that is deeply entwined with the chalk landscape.
Although there is no chalk in Cornwall, it is used in a significant part of the Cornish mid winter celebrations - Chalking the Mock
Artworks - Found chalk ( Sussex & Cornwall) on black card.
Home from Home.
I moved from a land of chalk to a land of granite.
On my last visit back to Sussex I collected some chalk.
Recently, I was very surprised to find some small pieces of chalk at Loe Bar. This seemed very unusual because there is no chalk in the geology of Cornwall. Had it been washed up?
This unexpected find provided a link -home from home.
It also prompted thoughts of the folklore in Sussex, that is deeply entwined with the chalk landscape.
Although there is no chalk in Cornwall, it is used in a significant part of the Cornish mid winter celebrations - Chalking the Mock
Artworks - Found chalk ( Sussex & Cornwall) on black card.
Arc. 22-25
A three year exposure in a pinhole camera.
Inverted paper negative. Fine art photo rag paper.
61cm x 52cm
Selected for the LOOP Exhibition at Four Corners Gallery. London
I enjoyed the delayed gratification of waiting for this long form image to arrive and etch it’s mark on the photographic paper. Time and movement distilled into a single image.
Revealing the unseen reminds us of what we know.
@fourcornerse2
@thelittlestudio_design
I’m truly delighted to have my work selected for this exhibition at the renowned Four Corners Gallery.
#fourcorners
#thelittlestudio_design
Winter Solstice: Evening twilight walk at Goonhilly.
Three drawings and three photographs made at each stage of twilight.
Civil twilight - 16:17-16:56
Nautical twilight - 16:56 - 17:38
Astronomical twilight - 17:38 - 18:18
Winter Solstice: Evening twilight walk at Goonhilly.
Three drawings and three photographs made at each stage of twilight.
Civil twilight - 16:17-16:56
Nautical twilight - 16:56 - 17:38
Astronomical twilight - 17:38 - 18:18
Winter Solstice: Evening twilight walk at Goonhilly.
Three drawings and three photographs made at each stage of twilight.
Civil twilight - 16:17-16:56
Nautical twilight - 16:56 - 17:38
Astronomical twilight - 17:38 - 18:18
Winter Solstice: Evening twilight walk at Goonhilly.
Three drawings and three photographs made at each stage of twilight.
Civil twilight - 16:17-16:56
Nautical twilight - 16:56 - 17:38
Astronomical twilight - 17:38 - 18:18
Winter Solstice: Evening twilight walk at Goonhilly.
Three drawings and three photographs made at each stage of twilight.
Civil twilight - 16:17-16:56
Nautical twilight - 16:56 - 17:38
Astronomical twilight - 17:38 - 18:18
As the winter solstice approaches, I’m delighted to share three artworks in the winter issue of @the.stone.club zine.
As the winter solstice approaches, I’m delighted to share three artworks in the winter issue of @the.stone.club zine.
As the winter solstice approaches, I’m delighted to share three artworks in the winter issue of @the.stone.club zine.
As the winter solstice approaches, I’m delighted to share three artworks in the winter issue of @the.stone.club zine.
Menhir
Screen print, made in collaboration with Artizan Editions. 6 colours. 50.5cm x 50.5cm
Edition of 45
DM for more information and purchase
Artizan editions.co.uk
Felspar
Screen print, made in collaboration with Artizan Editions. 5 colours. 50.5cm x 50.5cm
Edition of 45
DM for more information and purchase
Artizan editions.co.uk
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