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mattyower
Matty
NYC | LA
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
BIG THINGS COMING!!! We’re officially 1 of 5 finalists in the @musicbed spec ad competition.
We poured our hearts & socks into this one — and now we’re in it to win it. Final decision from the judges drops April 18th.
Thanks to the stellar cast and crew @sonyeeahh @clear_soup @harrison_stag @camera_villain_ @me_muhammad_burhan
@lukeafuller @sofiasbk535 @nycinerentals and many more
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
@luvlou._ X @jordyzsimpson
Shot on location earlier this year in Australia.
@pierretoussaint
@jordyzsimpson
@luvlou._ X @jordyzsimpson
Shot on location earlier this year in Australia.
@pierretoussaint
@jordyzsimpson
@luvlou._ X @jordyzsimpson
Shot on location earlier this year in Australia.
@pierretoussaint
@jordyzsimpson
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Voir les histoires Instagram en secret
Le visionneur d’histoires Instagram est un outil simple qui vous permet de regarder et de sauvegarder secrètement les histoires Instagram, vidéos, photos ou IGTV. Avec ce service, vous pouvez télécharger du contenu et l’apprécier hors ligne quand vous voulez. Si vous trouvez quelque chose d’intéressant sur Instagram que vous souhaitez vérifier plus tard ou si vous voulez voir des histoires tout en restant anonyme, notre Visionneur est parfait pour vous. Anonstories offre une excellente solution pour garder votre identité cachée. Instagram a lancé la fonctionnalité Stories en août 2023, rapidement adoptée par d’autres plateformes en raison de son format engageant et temporaire. Les histoires permettent aux utilisateurs de partager des mises à jour rapides, qu’il s’agisse de photos, vidéos ou selfies, agrémentés de texte, emojis ou filtres, visibles pendant 24 heures seulement. Cette fenêtre de temps limitée crée un fort engagement par rapport aux publications régulières. Aujourd’hui, les histoires sont l’un des moyens les plus populaires de se connecter et de communiquer sur les réseaux sociaux. Cependant, lorsque vous regardez une histoire, le créateur peut voir votre nom dans leur liste de visionneurs, ce qui peut poser un problème de confidentialité. Et si vous souhaitez naviguer dans les histoires sans être repéré ? C’est là qu’Anonstories devient utile. Il vous permet de regarder du contenu public sur Instagram sans révéler votre identité. Il vous suffit d’entrer le nom d’utilisateur du profil qui vous intéresse, et l’outil affichera ses dernières histoires. Fonctionnalités du visionneur Anonstories : - Navigation anonyme : Regardez des histoires sans apparaître dans la liste des visionneurs. - Aucun compte requis : Regardez du contenu public sans vous inscrire à un compte Instagram. - Téléchargement de contenu : Sauvegardez directement du contenu d’histoires sur votre appareil pour une utilisation hors ligne. - Voir les highlights : Accédez aux Highlights Instagram, même après la période de 24 heures. - Suivi des reposts : Suivez les reposts ou l’engagement sur les histoires des profils personnels. Limitations : - Cet outil fonctionne uniquement avec les comptes publics ; les comptes privés restent inaccessibles. Avantages : - Respect de la vie privée : Regardez n’importe quel contenu Instagram sans être repéré. - Simple et facile : Aucune installation d’application ni inscription requise. - Outils exclusifs : Téléchargez et gérez du contenu de manière que Instagram ne permet pas.
Avantages d’Anonstories
Explorer les histoires IG discrètement
Suivez les mises à jour Instagram en toute discrétion tout en protégeant votre vie privée et en restant anonyme.
Visionneur privé Instagram
Consultez les profils et photos anonymement avec aisance grâce au visionneur de profil privé.
Visionneur d’histoires gratuit
Ce service gratuit vous permet de voir les histoires Instagram anonymement, garantissant que votre activité reste cachée de l’uploader.
Questions fréquemment posées
Anonymat
Anonstories permet aux utilisateurs de voir les histoires Instagram sans alerter le créateur.
Compatibilité des appareils
Fonctionne parfaitement sur iOS, Android, Windows, macOS et les navigateurs modernes comme Chrome et Safari.
Sécurité et confidentialité
Privilégie la navigation sécurisée et anonyme sans nécessiter de coordonnées de connexion.
Pas d’inscription
Les utilisateurs peuvent voir des histoires publiques en entrant simplement un nom d’utilisateur — sans compte requis.
Formats pris en charge
Télécharge les photos (JPEG) et les vidéos (MP4) facilement.
Coût
Le service est gratuit.
Comptes privés
Le contenu des comptes privés n’est accessible qu’aux abonnés.
Utilisation des fichiers
Les fichiers sont destinés à un usage personnel ou éducatif uniquement et doivent respecter les règles de droit d’auteur.
Comment ça marche
Entrez un nom d’utilisateur public pour voir ou télécharger des histoires. Le service génère des liens directs pour sauvegarder le contenu localement.