Visionneur d’histoires Instagram

@SceneStyled #ARCHIVES: From the studios of the Cairo Opera House to the red carpets of the Venice Film Festival, Nelly Karim’s public image has been shaped by a career that began in ballet and moved steadily into film and television.

Karim trained as a professional ballerina under Dr. Magda Saleh and Abdelmoneim Kamel, before performing with the Cairo Opera Ballet Company. She also spent time training and competing in Russia, building a background in classical dance before transitioning to acting.

That foundation continues to sit alongside her red carpet appearances. At the El Gouna Film Festival, where she has appeared across multiple editions, Karim’s looks have formed part of the festival’s fashion landscape. In 2024, she wore a full-feathered couture design by Tony Ward — one of the standout looks of that year’s programme.

Her appearance at the Venice Film Festival marked a different kind of milestone. As a jury member — and the first Egyptian to take on that role — she wore a custom design by Antoine Kareh, created specifically for the occasion.

To see how those moments come together, watch Nelly Karim unpack an archive of her most defining looks at www.scenestyled.com or by downloading the #SceneNow app.

🖊️ Farida El Shafie

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0 | 01.04.26

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Wardrobe: @kojakstudio
Jewelry: @nakhlajewellery

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”

Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.

Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”

El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.

For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.

🖊️Mariam Elmiesiry

@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”

Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.

Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”

El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.

For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.

🖊️Mariam Elmiesiry

@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”

Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.

Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”

El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.

For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.

🖊️Mariam Elmiesiry

@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”

Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.

Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”

El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.

For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.

🖊️Mariam Elmiesiry

@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”

Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.

Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”

El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.

For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.

🖊️Mariam Elmiesiry

@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”

Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.

Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”

El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.

For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.

🖊️Mariam Elmiesiry

@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”

Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.

Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”

El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.

For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.

🖊️Mariam Elmiesiry

@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”

Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.

Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”

El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.

For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.

🖊️Mariam Elmiesiry

@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”

Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.

Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”

El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.

For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.

🖊️Mariam Elmiesiry

@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”

Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.

Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”

El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.

For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.

🖊️Mariam Elmiesiry

@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”

Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.

Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”

El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.

For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.

🖊️Mariam Elmiesiry

@SceneStyled: In much of the world, umbrellas remain tied to rain. Across the MENA region, they have taken on a second function, offering cover from a summer that has grown increasingly difficult to dress for. As heatwaves settle into something more constant than occasional, the umbrella begins to register as part of day-to-day attire.

For this #SceneStyled edit, designer umbrellas are set alongside MENA labels and regional finds, building looks that account for both heat and movement. Sculptural dresses sit with lightweight layers, oversized totes, and relaxed separates, each styled with umbrellas that read as part of the composition rather than an add-on.

Burberry checks and Gucci florals appear alongside more literal iterations, including a tomato-shaped umbrella that leans into the visual language of summer. Taken together, the edit approaches dressing in high heat with a degree of pragmatism, where shade becomes something considered rather than improvised.

For the full edit, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Raneem Ali Maaly

@SceneStyled: In much of the world, umbrellas remain tied to rain. Across the MENA region, they have taken on a second function, offering cover from a summer that has grown increasingly difficult to dress for. As heatwaves settle into something more constant than occasional, the umbrella begins to register as part of day-to-day attire.

For this #SceneStyled edit, designer umbrellas are set alongside MENA labels and regional finds, building looks that account for both heat and movement. Sculptural dresses sit with lightweight layers, oversized totes, and relaxed separates, each styled with umbrellas that read as part of the composition rather than an add-on.

Burberry checks and Gucci florals appear alongside more literal iterations, including a tomato-shaped umbrella that leans into the visual language of summer. Taken together, the edit approaches dressing in high heat with a degree of pragmatism, where shade becomes something considered rather than improvised.

For the full edit, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Raneem Ali Maaly

@SceneStyled: In much of the world, umbrellas remain tied to rain. Across the MENA region, they have taken on a second function, offering cover from a summer that has grown increasingly difficult to dress for. As heatwaves settle into something more constant than occasional, the umbrella begins to register as part of day-to-day attire.

For this #SceneStyled edit, designer umbrellas are set alongside MENA labels and regional finds, building looks that account for both heat and movement. Sculptural dresses sit with lightweight layers, oversized totes, and relaxed separates, each styled with umbrellas that read as part of the composition rather than an add-on.

Burberry checks and Gucci florals appear alongside more literal iterations, including a tomato-shaped umbrella that leans into the visual language of summer. Taken together, the edit approaches dressing in high heat with a degree of pragmatism, where shade becomes something considered rather than improvised.

For the full edit, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Raneem Ali Maaly

@SceneStyled: In much of the world, umbrellas remain tied to rain. Across the MENA region, they have taken on a second function, offering cover from a summer that has grown increasingly difficult to dress for. As heatwaves settle into something more constant than occasional, the umbrella begins to register as part of day-to-day attire.

For this #SceneStyled edit, designer umbrellas are set alongside MENA labels and regional finds, building looks that account for both heat and movement. Sculptural dresses sit with lightweight layers, oversized totes, and relaxed separates, each styled with umbrellas that read as part of the composition rather than an add-on.

Burberry checks and Gucci florals appear alongside more literal iterations, including a tomato-shaped umbrella that leans into the visual language of summer. Taken together, the edit approaches dressing in high heat with a degree of pragmatism, where shade becomes something considered rather than improvised.

For the full edit, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Raneem Ali Maaly

@SceneStyled: In much of the world, umbrellas remain tied to rain. Across the MENA region, they have taken on a second function, offering cover from a summer that has grown increasingly difficult to dress for. As heatwaves settle into something more constant than occasional, the umbrella begins to register as part of day-to-day attire.

For this #SceneStyled edit, designer umbrellas are set alongside MENA labels and regional finds, building looks that account for both heat and movement. Sculptural dresses sit with lightweight layers, oversized totes, and relaxed separates, each styled with umbrellas that read as part of the composition rather than an add-on.

Burberry checks and Gucci florals appear alongside more literal iterations, including a tomato-shaped umbrella that leans into the visual language of summer. Taken together, the edit approaches dressing in high heat with a degree of pragmatism, where shade becomes something considered rather than improvised.

For the full edit, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Raneem Ali Maaly

@SceneStyled: In much of the world, umbrellas remain tied to rain. Across the MENA region, they have taken on a second function, offering cover from a summer that has grown increasingly difficult to dress for. As heatwaves settle into something more constant than occasional, the umbrella begins to register as part of day-to-day attire.

For this #SceneStyled edit, designer umbrellas are set alongside MENA labels and regional finds, building looks that account for both heat and movement. Sculptural dresses sit with lightweight layers, oversized totes, and relaxed separates, each styled with umbrellas that read as part of the composition rather than an add-on.

Burberry checks and Gucci florals appear alongside more literal iterations, including a tomato-shaped umbrella that leans into the visual language of summer. Taken together, the edit approaches dressing in high heat with a degree of pragmatism, where shade becomes something considered rather than improvised.

For the full edit, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Raneem Ali Maaly

@SceneStyled #Spotted: International pop artist Naika made her first appearance at the Cannes Film Festival in a sculptural couture gown by Rami Kadi. Born in Miami to Haitian and French parents and raised between Europe, the Caribbean and the Middle East, Naika has built a following through multilingual pop that shifts between English, French and Haitian Creole, often drawing on questions of identity and displacement. Kadi, meanwhile, has spent the last decade carving out a distinct place within regional couture through sharply engineered silhouettes, digital fabrication techniques and high-glamour pieces that resist the quiet luxury mood currently dominating red carpets.

🎥 @ramikadi

In this week’s @SceneStyled SELECTS, Egyptian creative Nour Koura styles her favourite jewellery across four looks, bringing her signature boho sensibility to each one.

“The base of my whole outfit is around comfort. If anyone knows me I'm always barefoot, so if I do wear shoes, I prefer to wear sandals rather than have something that confines the way I move. I wear things that are lighter and more airy throughout the day.I'm also a big fan of pieces that make sound when you move.”

For the full interview and style breakdown, visit www.SceneStyled.com or download the #SceneNOW app available on iOS and Android.

🖊️ Kaja Grujic

@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.

📸 @morganelay

@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.

📸 @morganelay

@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.

📸 @morganelay

@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.

📸 @morganelay

@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.

📸 @morganelay

@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.

📸 @morganelay

@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.

📸 @morganelay

@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.

📸 @morganelay

@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.

📸 @morganelay

@SceneStyled #ARCHIVES: At her first Paris Fashion Week, Egyptian actressAmina Khalil moved through the week with a wardrobe that traced back to people and processes she already knew. Styled by Zeina Kobrossi, her appearance at Elie Saab’s show settled on a green suit chosen in the house’s Paris atelier, a decision made on first try.

Alongside it, Khalil spoke about building a second look with Dalia Abdelshafi, one that drew entirely from Egyptian names and locally sourced pieces. An Okhtein bag, jewellery by Azza Fahmy, and a leather Comme des Garçons jacket sourced through Villa Babushka were brought together, each piece retaining its own origin and weight within the look.

What emerged across both appearances was a way of working that stayed close to its sources, where the act of dressing for Paris did not require distance from what had already been established, but instead allowed those references to travel intact into a different setting.

For the full Amina Khalil#SceneStyled archive (on video) head to www.SceneStyled.com or download the #SceneNow app.

🖊️ Farida El Shafie
🎥 @scenestyled

@SceneStyled #SPOTLIGHT: Egyptian label, Seerah, began as a university project, but it didn’t stay theoretical for too long.

During her undergraduate studies, founder and designer Malak Khaled began developing a collection that brought sustainability into conversation with Egyptian material culture. In the final weeks of her programme, she won BAZIC’s Who’s Next competition, which offered mentorship to develop the work into a market-ready collection. The result was Seerah.

“Whenever people hear about heritage, they think about it in a stereotypical way,” Khaled tells #SceneStyled, “mostly Ancient Egypt. I wanted to expand on that.”

For the full story on Seerah, visit www.SceneStyled.com or download the #SceneNOW app available on iOS and Android.

🖊️ Kaja Grujic

@SceneStyled #SPOTLIGHT: Egyptian label, Seerah, began as a university project, but it didn’t stay theoretical for too long.

During her undergraduate studies, founder and designer Malak Khaled began developing a collection that brought sustainability into conversation with Egyptian material culture. In the final weeks of her programme, she won BAZIC’s Who’s Next competition, which offered mentorship to develop the work into a market-ready collection. The result was Seerah.

“Whenever people hear about heritage, they think about it in a stereotypical way,” Khaled tells #SceneStyled, “mostly Ancient Egypt. I wanted to expand on that.”

For the full story on Seerah, visit www.SceneStyled.com or download the #SceneNOW app available on iOS and Android.

🖊️ Kaja Grujic

@SceneStyled #SPOTLIGHT: Egyptian label, Seerah, began as a university project, but it didn’t stay theoretical for too long.

During her undergraduate studies, founder and designer Malak Khaled began developing a collection that brought sustainability into conversation with Egyptian material culture. In the final weeks of her programme, she won BAZIC’s Who’s Next competition, which offered mentorship to develop the work into a market-ready collection. The result was Seerah.

“Whenever people hear about heritage, they think about it in a stereotypical way,” Khaled tells #SceneStyled, “mostly Ancient Egypt. I wanted to expand on that.”

For the full story on Seerah, visit www.SceneStyled.com or download the #SceneNOW app available on iOS and Android.

🖊️ Kaja Grujic

@SceneStyled #SPOTLIGHT: Egyptian label, Seerah, began as a university project, but it didn’t stay theoretical for too long.

During her undergraduate studies, founder and designer Malak Khaled began developing a collection that brought sustainability into conversation with Egyptian material culture. In the final weeks of her programme, she won BAZIC’s Who’s Next competition, which offered mentorship to develop the work into a market-ready collection. The result was Seerah.

“Whenever people hear about heritage, they think about it in a stereotypical way,” Khaled tells #SceneStyled, “mostly Ancient Egypt. I wanted to expand on that.”

For the full story on Seerah, visit www.SceneStyled.com or download the #SceneNOW app available on iOS and Android.

🖊️ Kaja Grujic

@SceneStyled #SPOTLIGHT: Egyptian label, Seerah, began as a university project, but it didn’t stay theoretical for too long.

During her undergraduate studies, founder and designer Malak Khaled began developing a collection that brought sustainability into conversation with Egyptian material culture. In the final weeks of her programme, she won BAZIC’s Who’s Next competition, which offered mentorship to develop the work into a market-ready collection. The result was Seerah.

“Whenever people hear about heritage, they think about it in a stereotypical way,” Khaled tells #SceneStyled, “mostly Ancient Egypt. I wanted to expand on that.”

For the full story on Seerah, visit www.SceneStyled.com or download the #SceneNOW app available on iOS and Android.

🖊️ Kaja Grujic

@SceneStyled #SPOTLIGHT: Egyptian label, Seerah, began as a university project, but it didn’t stay theoretical for too long.

During her undergraduate studies, founder and designer Malak Khaled began developing a collection that brought sustainability into conversation with Egyptian material culture. In the final weeks of her programme, she won BAZIC’s Who’s Next competition, which offered mentorship to develop the work into a market-ready collection. The result was Seerah.

“Whenever people hear about heritage, they think about it in a stereotypical way,” Khaled tells #SceneStyled, “mostly Ancient Egypt. I wanted to expand on that.”

For the full story on Seerah, visit www.SceneStyled.com or download the #SceneNOW app available on iOS and Android.

🖊️ Kaja Grujic

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.

“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”

The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.

One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.

The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.

For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.

🖋️Raneem Ali Maaly

@SceneStyled: Monochrome Monday - The Sunshine Edition

Yellow rarely tolerates much interference. Its saturation is immediate, so the work shifts to cut, fabrication, and proportion - how the colour is contained, where it sits on the body, and what interrupts it.

This edit follows that line. Rayane Bacha and Noon By Noor keep to dresses, using structure and surface to temper the brightness. Wako Babes introduces a skirt with a lighter handle, suited to movement rather than occasion, while Tracy Couture shifts the same tone into evening through fabrication. At Khaite, the line is reduced further - cleaner cuts, less interference - so the colour reads through silhouette. Accessories from Amina Muaddi and Vanina complete the edit, keeping the emphasis on styling rather than decoration.

For the full monochromatic lineup, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Farah Helmy

@SceneStyled: Monochrome Monday - The Sunshine Edition

Yellow rarely tolerates much interference. Its saturation is immediate, so the work shifts to cut, fabrication, and proportion - how the colour is contained, where it sits on the body, and what interrupts it.

This edit follows that line. Rayane Bacha and Noon By Noor keep to dresses, using structure and surface to temper the brightness. Wako Babes introduces a skirt with a lighter handle, suited to movement rather than occasion, while Tracy Couture shifts the same tone into evening through fabrication. At Khaite, the line is reduced further - cleaner cuts, less interference - so the colour reads through silhouette. Accessories from Amina Muaddi and Vanina complete the edit, keeping the emphasis on styling rather than decoration.

For the full monochromatic lineup, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Farah Helmy

@SceneStyled: Monochrome Monday - The Sunshine Edition

Yellow rarely tolerates much interference. Its saturation is immediate, so the work shifts to cut, fabrication, and proportion - how the colour is contained, where it sits on the body, and what interrupts it.

This edit follows that line. Rayane Bacha and Noon By Noor keep to dresses, using structure and surface to temper the brightness. Wako Babes introduces a skirt with a lighter handle, suited to movement rather than occasion, while Tracy Couture shifts the same tone into evening through fabrication. At Khaite, the line is reduced further - cleaner cuts, less interference - so the colour reads through silhouette. Accessories from Amina Muaddi and Vanina complete the edit, keeping the emphasis on styling rather than decoration.

For the full monochromatic lineup, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Farah Helmy

@SceneStyled: Monochrome Monday - The Sunshine Edition

Yellow rarely tolerates much interference. Its saturation is immediate, so the work shifts to cut, fabrication, and proportion - how the colour is contained, where it sits on the body, and what interrupts it.

This edit follows that line. Rayane Bacha and Noon By Noor keep to dresses, using structure and surface to temper the brightness. Wako Babes introduces a skirt with a lighter handle, suited to movement rather than occasion, while Tracy Couture shifts the same tone into evening through fabrication. At Khaite, the line is reduced further - cleaner cuts, less interference - so the colour reads through silhouette. Accessories from Amina Muaddi and Vanina complete the edit, keeping the emphasis on styling rather than decoration.

For the full monochromatic lineup, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Farah Helmy

@SceneStyled: Monochrome Monday - The Sunshine Edition

Yellow rarely tolerates much interference. Its saturation is immediate, so the work shifts to cut, fabrication, and proportion - how the colour is contained, where it sits on the body, and what interrupts it.

This edit follows that line. Rayane Bacha and Noon By Noor keep to dresses, using structure and surface to temper the brightness. Wako Babes introduces a skirt with a lighter handle, suited to movement rather than occasion, while Tracy Couture shifts the same tone into evening through fabrication. At Khaite, the line is reduced further - cleaner cuts, less interference - so the colour reads through silhouette. Accessories from Amina Muaddi and Vanina complete the edit, keeping the emphasis on styling rather than decoration.

For the full monochromatic lineup, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Farah Helmy

@SceneStyled: Monochrome Monday - The Sunshine Edition

Yellow rarely tolerates much interference. Its saturation is immediate, so the work shifts to cut, fabrication, and proportion - how the colour is contained, where it sits on the body, and what interrupts it.

This edit follows that line. Rayane Bacha and Noon By Noor keep to dresses, using structure and surface to temper the brightness. Wako Babes introduces a skirt with a lighter handle, suited to movement rather than occasion, while Tracy Couture shifts the same tone into evening through fabrication. At Khaite, the line is reduced further - cleaner cuts, less interference - so the colour reads through silhouette. Accessories from Amina Muaddi and Vanina complete the edit, keeping the emphasis on styling rather than decoration.

For the full monochromatic lineup, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Farah Helmy

@SceneStyled: Monochrome Monday - The Sunshine Edition

Yellow rarely tolerates much interference. Its saturation is immediate, so the work shifts to cut, fabrication, and proportion - how the colour is contained, where it sits on the body, and what interrupts it.

This edit follows that line. Rayane Bacha and Noon By Noor keep to dresses, using structure and surface to temper the brightness. Wako Babes introduces a skirt with a lighter handle, suited to movement rather than occasion, while Tracy Couture shifts the same tone into evening through fabrication. At Khaite, the line is reduced further - cleaner cuts, less interference - so the colour reads through silhouette. Accessories from Amina Muaddi and Vanina complete the edit, keeping the emphasis on styling rather than decoration.

For the full monochromatic lineup, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Farah Helmy

@SceneStyled: Monochrome Monday - The Sunshine Edition

Yellow rarely tolerates much interference. Its saturation is immediate, so the work shifts to cut, fabrication, and proportion - how the colour is contained, where it sits on the body, and what interrupts it.

This edit follows that line. Rayane Bacha and Noon By Noor keep to dresses, using structure and surface to temper the brightness. Wako Babes introduces a skirt with a lighter handle, suited to movement rather than occasion, while Tracy Couture shifts the same tone into evening through fabrication. At Khaite, the line is reduced further - cleaner cuts, less interference - so the colour reads through silhouette. Accessories from Amina Muaddi and Vanina complete the edit, keeping the emphasis on styling rather than decoration.

For the full monochromatic lineup, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Farah Helmy