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@SceneStyled #ARCHIVES: From the studios of the Cairo Opera House to the red carpets of the Venice Film Festival, Nelly Karim’s public image has been shaped by a career that began in ballet and moved steadily into film and television.

Karim trained as a professional ballerina under Dr. Magda Saleh and Abdelmoneim Kamel, before performing with the Cairo Opera Ballet Company. She also spent time training and competing in Russia, building a background in classical dance before transitioning to acting.

That foundation continues to sit alongside her red carpet appearances. At the El Gouna Film Festival, where she has appeared across multiple editions, Karim’s looks have formed part of the festival’s fashion landscape. In 2024, she wore a full-feathered couture design by Tony Ward — one of the standout looks of that year’s programme.

Her appearance at the Venice Film Festival marked a different kind of milestone. As a jury member — and the first Egyptian to take on that role — she wore a custom design by Antoine Kareh, created specifically for the occasion.

To see how those moments come together, watch Nelly Karim unpack an archive of her most defining looks at www.scenestyled.com or by downloading the #SceneNow app.

🖊️ Farida El Shafie

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0

You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.

But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.

Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.

She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.

“I’m hungry,” she says. “Let’s eat before we start…”

Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0 | 01.04.26

Produced by: @scenestyled //@mo4network

SceneStyled Managing Editor: @faridaelshafie

Producer & Art Director: @lordmunky

Photography: @fariszaitoon

Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992

Hair & Makeup: @alsagheersalons
Wardrobe: @kojakstudio
Jewelry: @nakhlajewellery

Post Production: @rosmedium & @_lil_nil_

Location: @lamaisonbleueelgouna

Editorial Design: @biblicallyaccuratenoha

Celebrity Management: @ingie_elmor

@SceneStyled: Minimal clothing racks, skylights that flood the space with daylight and outdoor seating designed to pull people into lingering longer than they intended — Drop, a new multi-concept destination, has opened at One Ninety in New Cairo.

Rather than functioning as a single retail space, Drop combines seven separate concepts under one roof, spanning fashion, food, wellness and design. Founded by Hussein Shahbender, the 1,000-square-metre flagship includes Cairo’s first branch of Pachamama — the wellness-focused restaurant that first built a following in El Gouna — serving fresh juices and health-conscious dishes; Place, a wellness studio centred on movement and balance; Frame, a community-oriented barbershop; Ubuntu Art Gallery, which focuses on contemporary art; The Rue, a coffee and soft-serve concept; Bloombar, a flower shop; and an expanded retail space under the Drop name itself.

The launch adds to a growing number of mixed-use lifestyle concepts appearing across New Cairo, where retail, dining and wellness brands are increasingly being brought together within a single destination.

For more styled news from the MENA region and beyond, head to www.SceneStyled.com (link in bio) or download the SceneNOW app.

@SceneStyled: Minimal clothing racks, skylights that flood the space with daylight and outdoor seating designed to pull people into lingering longer than they intended — Drop, a new multi-concept destination, has opened at One Ninety in New Cairo.

Rather than functioning as a single retail space, Drop combines seven separate concepts under one roof, spanning fashion, food, wellness and design. Founded by Hussein Shahbender, the 1,000-square-metre flagship includes Cairo’s first branch of Pachamama — the wellness-focused restaurant that first built a following in El Gouna — serving fresh juices and health-conscious dishes; Place, a wellness studio centred on movement and balance; Frame, a community-oriented barbershop; Ubuntu Art Gallery, which focuses on contemporary art; The Rue, a coffee and soft-serve concept; Bloombar, a flower shop; and an expanded retail space under the Drop name itself.

The launch adds to a growing number of mixed-use lifestyle concepts appearing across New Cairo, where retail, dining and wellness brands are increasingly being brought together within a single destination.

For more styled news from the MENA region and beyond, head to www.SceneStyled.com (link in bio) or download the SceneNOW app.

@SceneStyled: Minimal clothing racks, skylights that flood the space with daylight and outdoor seating designed to pull people into lingering longer than they intended — Drop, a new multi-concept destination, has opened at One Ninety in New Cairo.

Rather than functioning as a single retail space, Drop combines seven separate concepts under one roof, spanning fashion, food, wellness and design. Founded by Hussein Shahbender, the 1,000-square-metre flagship includes Cairo’s first branch of Pachamama — the wellness-focused restaurant that first built a following in El Gouna — serving fresh juices and health-conscious dishes; Place, a wellness studio centred on movement and balance; Frame, a community-oriented barbershop; Ubuntu Art Gallery, which focuses on contemporary art; The Rue, a coffee and soft-serve concept; Bloombar, a flower shop; and an expanded retail space under the Drop name itself.

The launch adds to a growing number of mixed-use lifestyle concepts appearing across New Cairo, where retail, dining and wellness brands are increasingly being brought together within a single destination.

For more styled news from the MENA region and beyond, head to www.SceneStyled.com (link in bio) or download the SceneNOW app.

@SceneStyled: Minimal clothing racks, skylights that flood the space with daylight and outdoor seating designed to pull people into lingering longer than they intended — Drop, a new multi-concept destination, has opened at One Ninety in New Cairo.

Rather than functioning as a single retail space, Drop combines seven separate concepts under one roof, spanning fashion, food, wellness and design. Founded by Hussein Shahbender, the 1,000-square-metre flagship includes Cairo’s first branch of Pachamama — the wellness-focused restaurant that first built a following in El Gouna — serving fresh juices and health-conscious dishes; Place, a wellness studio centred on movement and balance; Frame, a community-oriented barbershop; Ubuntu Art Gallery, which focuses on contemporary art; The Rue, a coffee and soft-serve concept; Bloombar, a flower shop; and an expanded retail space under the Drop name itself.

The launch adds to a growing number of mixed-use lifestyle concepts appearing across New Cairo, where retail, dining and wellness brands are increasingly being brought together within a single destination.

For more styled news from the MENA region and beyond, head to www.SceneStyled.com (link in bio) or download the SceneNOW app.

@SceneStyled: Minimal clothing racks, skylights that flood the space with daylight and outdoor seating designed to pull people into lingering longer than they intended — Drop, a new multi-concept destination, has opened at One Ninety in New Cairo.

Rather than functioning as a single retail space, Drop combines seven separate concepts under one roof, spanning fashion, food, wellness and design. Founded by Hussein Shahbender, the 1,000-square-metre flagship includes Cairo’s first branch of Pachamama — the wellness-focused restaurant that first built a following in El Gouna — serving fresh juices and health-conscious dishes; Place, a wellness studio centred on movement and balance; Frame, a community-oriented barbershop; Ubuntu Art Gallery, which focuses on contemporary art; The Rue, a coffee and soft-serve concept; Bloombar, a flower shop; and an expanded retail space under the Drop name itself.

The launch adds to a growing number of mixed-use lifestyle concepts appearing across New Cairo, where retail, dining and wellness brands are increasingly being brought together within a single destination.

For more styled news from the MENA region and beyond, head to www.SceneStyled.com (link in bio) or download the SceneNOW app.

@SceneStyled: Minimal clothing racks, skylights that flood the space with daylight and outdoor seating designed to pull people into lingering longer than they intended — Drop, a new multi-concept destination, has opened at One Ninety in New Cairo.

Rather than functioning as a single retail space, Drop combines seven separate concepts under one roof, spanning fashion, food, wellness and design. Founded by Hussein Shahbender, the 1,000-square-metre flagship includes Cairo’s first branch of Pachamama — the wellness-focused restaurant that first built a following in El Gouna — serving fresh juices and health-conscious dishes; Place, a wellness studio centred on movement and balance; Frame, a community-oriented barbershop; Ubuntu Art Gallery, which focuses on contemporary art; The Rue, a coffee and soft-serve concept; Bloombar, a flower shop; and an expanded retail space under the Drop name itself.

The launch adds to a growing number of mixed-use lifestyle concepts appearing across New Cairo, where retail, dining and wellness brands are increasingly being brought together within a single destination.

For more styled news from the MENA region and beyond, head to www.SceneStyled.com (link in bio) or download the SceneNOW app.

@SceneStyled: Minimal clothing racks, skylights that flood the space with daylight and outdoor seating designed to pull people into lingering longer than they intended — Drop, a new multi-concept destination, has opened at One Ninety in New Cairo.

Rather than functioning as a single retail space, Drop combines seven separate concepts under one roof, spanning fashion, food, wellness and design. Founded by Hussein Shahbender, the 1,000-square-metre flagship includes Cairo’s first branch of Pachamama — the wellness-focused restaurant that first built a following in El Gouna — serving fresh juices and health-conscious dishes; Place, a wellness studio centred on movement and balance; Frame, a community-oriented barbershop; Ubuntu Art Gallery, which focuses on contemporary art; The Rue, a coffee and soft-serve concept; Bloombar, a flower shop; and an expanded retail space under the Drop name itself.

The launch adds to a growing number of mixed-use lifestyle concepts appearing across New Cairo, where retail, dining and wellness brands are increasingly being brought together within a single destination.

For more styled news from the MENA region and beyond, head to www.SceneStyled.com (link in bio) or download the SceneNOW app.

@SceneStyled: Minimal clothing racks, skylights that flood the space with daylight and outdoor seating designed to pull people into lingering longer than they intended — Drop, a new multi-concept destination, has opened at One Ninety in New Cairo.

Rather than functioning as a single retail space, Drop combines seven separate concepts under one roof, spanning fashion, food, wellness and design. Founded by Hussein Shahbender, the 1,000-square-metre flagship includes Cairo’s first branch of Pachamama — the wellness-focused restaurant that first built a following in El Gouna — serving fresh juices and health-conscious dishes; Place, a wellness studio centred on movement and balance; Frame, a community-oriented barbershop; Ubuntu Art Gallery, which focuses on contemporary art; The Rue, a coffee and soft-serve concept; Bloombar, a flower shop; and an expanded retail space under the Drop name itself.

The launch adds to a growing number of mixed-use lifestyle concepts appearing across New Cairo, where retail, dining and wellness brands are increasingly being brought together within a single destination.

For more styled news from the MENA region and beyond, head to www.SceneStyled.com (link in bio) or download the SceneNOW app.

@SceneStyled: Minimal clothing racks, skylights that flood the space with daylight and outdoor seating designed to pull people into lingering longer than they intended — Drop, a new multi-concept destination, has opened at One Ninety in New Cairo.

Rather than functioning as a single retail space, Drop combines seven separate concepts under one roof, spanning fashion, food, wellness and design. Founded by Hussein Shahbender, the 1,000-square-metre flagship includes Cairo’s first branch of Pachamama — the wellness-focused restaurant that first built a following in El Gouna — serving fresh juices and health-conscious dishes; Place, a wellness studio centred on movement and balance; Frame, a community-oriented barbershop; Ubuntu Art Gallery, which focuses on contemporary art; The Rue, a coffee and soft-serve concept; Bloombar, a flower shop; and an expanded retail space under the Drop name itself.

The launch adds to a growing number of mixed-use lifestyle concepts appearing across New Cairo, where retail, dining and wellness brands are increasingly being brought together within a single destination.

For more styled news from the MENA region and beyond, head to www.SceneStyled.com (link in bio) or download the SceneNOW app.

@SceneStyled: Minimal clothing racks, skylights that flood the space with daylight and outdoor seating designed to pull people into lingering longer than they intended — Drop, a new multi-concept destination, has opened at One Ninety in New Cairo.

Rather than functioning as a single retail space, Drop combines seven separate concepts under one roof, spanning fashion, food, wellness and design. Founded by Hussein Shahbender, the 1,000-square-metre flagship includes Cairo’s first branch of Pachamama — the wellness-focused restaurant that first built a following in El Gouna — serving fresh juices and health-conscious dishes; Place, a wellness studio centred on movement and balance; Frame, a community-oriented barbershop; Ubuntu Art Gallery, which focuses on contemporary art; The Rue, a coffee and soft-serve concept; Bloombar, a flower shop; and an expanded retail space under the Drop name itself.

The launch adds to a growing number of mixed-use lifestyle concepts appearing across New Cairo, where retail, dining and wellness brands are increasingly being brought together within a single destination.

For more styled news from the MENA region and beyond, head to www.SceneStyled.com (link in bio) or download the SceneNOW app.

@SceneStyled #SPOTTED: Lebanese model and creative Romy Nassar was spotted on the red carpet at ‘Glory in Giza,’ bringing a sharp fashion presence to one of the region’s biggest combat sports events.

Set against the backdrop of the Pyramids of Giza, the fight night is headlined by unified heavyweight champion Oleksandr Usyk and GLORY kickboxing champion Rico Verhoeven. Organised by The Ring and Riyadh Season, the event has drawn fighters, celebrities, and public figures from across the region and beyond.

Glory in Giza | May 23rd | LIVE on DAZN 🥊

For more Styled news from across the MENA region and beyond, head to www.SceneStyled.com.

🎥/📸 @SceneStyled

@SceneStyled #SPOTTED: Lebanese model and creative Romy Nassar was spotted on the red carpet at ‘Glory in Giza,’ bringing a sharp fashion presence to one of the region’s biggest combat sports events.

Set against the backdrop of the Pyramids of Giza, the fight night is headlined by unified heavyweight champion Oleksandr Usyk and GLORY kickboxing champion Rico Verhoeven. Organised by The Ring and Riyadh Season, the event has drawn fighters, celebrities, and public figures from across the region and beyond.

Glory in Giza | May 23rd | LIVE on DAZN 🥊

For more Styled news from across the MENA region and beyond, head to www.SceneStyled.com.

🎥/📸 @SceneStyled

@SceneStyled #SPOTTED: Lebanese model and creative Romy Nassar was spotted on the red carpet at ‘Glory in Giza,’ bringing a sharp fashion presence to one of the region’s biggest combat sports events.

Set against the backdrop of the Pyramids of Giza, the fight night is headlined by unified heavyweight champion Oleksandr Usyk and GLORY kickboxing champion Rico Verhoeven. Organised by The Ring and Riyadh Season, the event has drawn fighters, celebrities, and public figures from across the region and beyond.

Glory in Giza | May 23rd | LIVE on DAZN 🥊

For more Styled news from across the MENA region and beyond, head to www.SceneStyled.com.

🎥/📸 @SceneStyled

The @SceneStyled Dopamine Dressing Edit

Some outfits are practical. Others exist purely to improve your emotional stability for several consecutive hours. This is the basic philosophy behind dopamine dressing: wearing pieces so textured, colourful, oversized, sparkly or mildly unhinged that your mood improves immediately upon seeing yourself reflected in a shop window.

This edit commits fully to that principle. From Rebel Cairo’s dragonfruit-coloured co-ords to 6901’s patchwork terry pieces and Loewe’s bird-shaped bag, nothing here appears remotely interested in behaving neutrally.

There are gem-covered collars, pompom-covered sandals and a perfume bottle disguised as glass cleaner, which feels like the sort of object invented by somebody who became briefly too powerful inside a design studio. Together, the pieces approach getting dressed with the energy of people fully committed to having a better day than everyone else around them.

For the full dopamine-inducing edit, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Raneem Ali Maaly

The @SceneStyled Dopamine Dressing Edit

Some outfits are practical. Others exist purely to improve your emotional stability for several consecutive hours. This is the basic philosophy behind dopamine dressing: wearing pieces so textured, colourful, oversized, sparkly or mildly unhinged that your mood improves immediately upon seeing yourself reflected in a shop window.

This edit commits fully to that principle. From Rebel Cairo’s dragonfruit-coloured co-ords to 6901’s patchwork terry pieces and Loewe’s bird-shaped bag, nothing here appears remotely interested in behaving neutrally.

There are gem-covered collars, pompom-covered sandals and a perfume bottle disguised as glass cleaner, which feels like the sort of object invented by somebody who became briefly too powerful inside a design studio. Together, the pieces approach getting dressed with the energy of people fully committed to having a better day than everyone else around them.

For the full dopamine-inducing edit, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Raneem Ali Maaly

The @SceneStyled Dopamine Dressing Edit

Some outfits are practical. Others exist purely to improve your emotional stability for several consecutive hours. This is the basic philosophy behind dopamine dressing: wearing pieces so textured, colourful, oversized, sparkly or mildly unhinged that your mood improves immediately upon seeing yourself reflected in a shop window.

This edit commits fully to that principle. From Rebel Cairo’s dragonfruit-coloured co-ords to 6901’s patchwork terry pieces and Loewe’s bird-shaped bag, nothing here appears remotely interested in behaving neutrally.

There are gem-covered collars, pompom-covered sandals and a perfume bottle disguised as glass cleaner, which feels like the sort of object invented by somebody who became briefly too powerful inside a design studio. Together, the pieces approach getting dressed with the energy of people fully committed to having a better day than everyone else around them.

For the full dopamine-inducing edit, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Raneem Ali Maaly

The @SceneStyled Dopamine Dressing Edit

Some outfits are practical. Others exist purely to improve your emotional stability for several consecutive hours. This is the basic philosophy behind dopamine dressing: wearing pieces so textured, colourful, oversized, sparkly or mildly unhinged that your mood improves immediately upon seeing yourself reflected in a shop window.

This edit commits fully to that principle. From Rebel Cairo’s dragonfruit-coloured co-ords to 6901’s patchwork terry pieces and Loewe’s bird-shaped bag, nothing here appears remotely interested in behaving neutrally.

There are gem-covered collars, pompom-covered sandals and a perfume bottle disguised as glass cleaner, which feels like the sort of object invented by somebody who became briefly too powerful inside a design studio. Together, the pieces approach getting dressed with the energy of people fully committed to having a better day than everyone else around them.

For the full dopamine-inducing edit, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Raneem Ali Maaly

The @SceneStyled Dopamine Dressing Edit

Some outfits are practical. Others exist purely to improve your emotional stability for several consecutive hours. This is the basic philosophy behind dopamine dressing: wearing pieces so textured, colourful, oversized, sparkly or mildly unhinged that your mood improves immediately upon seeing yourself reflected in a shop window.

This edit commits fully to that principle. From Rebel Cairo’s dragonfruit-coloured co-ords to 6901’s patchwork terry pieces and Loewe’s bird-shaped bag, nothing here appears remotely interested in behaving neutrally.

There are gem-covered collars, pompom-covered sandals and a perfume bottle disguised as glass cleaner, which feels like the sort of object invented by somebody who became briefly too powerful inside a design studio. Together, the pieces approach getting dressed with the energy of people fully committed to having a better day than everyone else around them.

For the full dopamine-inducing edit, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Raneem Ali Maaly

The @SceneStyled Dopamine Dressing Edit

Some outfits are practical. Others exist purely to improve your emotional stability for several consecutive hours. This is the basic philosophy behind dopamine dressing: wearing pieces so textured, colourful, oversized, sparkly or mildly unhinged that your mood improves immediately upon seeing yourself reflected in a shop window.

This edit commits fully to that principle. From Rebel Cairo’s dragonfruit-coloured co-ords to 6901’s patchwork terry pieces and Loewe’s bird-shaped bag, nothing here appears remotely interested in behaving neutrally.

There are gem-covered collars, pompom-covered sandals and a perfume bottle disguised as glass cleaner, which feels like the sort of object invented by somebody who became briefly too powerful inside a design studio. Together, the pieces approach getting dressed with the energy of people fully committed to having a better day than everyone else around them.

For the full dopamine-inducing edit, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Raneem Ali Maaly

The @SceneStyled Dopamine Dressing Edit

Some outfits are practical. Others exist purely to improve your emotional stability for several consecutive hours. This is the basic philosophy behind dopamine dressing: wearing pieces so textured, colourful, oversized, sparkly or mildly unhinged that your mood improves immediately upon seeing yourself reflected in a shop window.

This edit commits fully to that principle. From Rebel Cairo’s dragonfruit-coloured co-ords to 6901’s patchwork terry pieces and Loewe’s bird-shaped bag, nothing here appears remotely interested in behaving neutrally.

There are gem-covered collars, pompom-covered sandals and a perfume bottle disguised as glass cleaner, which feels like the sort of object invented by somebody who became briefly too powerful inside a design studio. Together, the pieces approach getting dressed with the energy of people fully committed to having a better day than everyone else around them.

For the full dopamine-inducing edit, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Raneem Ali Maaly

The @SceneStyled Dopamine Dressing Edit

Some outfits are practical. Others exist purely to improve your emotional stability for several consecutive hours. This is the basic philosophy behind dopamine dressing: wearing pieces so textured, colourful, oversized, sparkly or mildly unhinged that your mood improves immediately upon seeing yourself reflected in a shop window.

This edit commits fully to that principle. From Rebel Cairo’s dragonfruit-coloured co-ords to 6901’s patchwork terry pieces and Loewe’s bird-shaped bag, nothing here appears remotely interested in behaving neutrally.

There are gem-covered collars, pompom-covered sandals and a perfume bottle disguised as glass cleaner, which feels like the sort of object invented by somebody who became briefly too powerful inside a design studio. Together, the pieces approach getting dressed with the energy of people fully committed to having a better day than everyone else around them.

For the full dopamine-inducing edit, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Raneem Ali Maaly

The @SceneStyled Dopamine Dressing Edit

Some outfits are practical. Others exist purely to improve your emotional stability for several consecutive hours. This is the basic philosophy behind dopamine dressing: wearing pieces so textured, colourful, oversized, sparkly or mildly unhinged that your mood improves immediately upon seeing yourself reflected in a shop window.

This edit commits fully to that principle. From Rebel Cairo’s dragonfruit-coloured co-ords to 6901’s patchwork terry pieces and Loewe’s bird-shaped bag, nothing here appears remotely interested in behaving neutrally.

There are gem-covered collars, pompom-covered sandals and a perfume bottle disguised as glass cleaner, which feels like the sort of object invented by somebody who became briefly too powerful inside a design studio. Together, the pieces approach getting dressed with the energy of people fully committed to having a better day than everyone else around them.

For the full dopamine-inducing edit, head to www.SceneStyled.com or download the #SceneNow app.

🖋️ Raneem Ali Maaly

@scenestyled LIVE: Egyptian actress Salma Abu Deif stepped onto the red carpet at Cairo’s District 5 for the premiere of ‘7 Dogs’, the Guinness World Record-breaking action blockbuster starring Ahmed Ezz, Karim Abdelaziz and Tara Emad alongside Monica Bellucci and Giancarlo Esposito.

Abu Deif joined a packed lineup of actors, filmmakers and public figures attending one of Cairo’s biggest premiere nights in recent memory ahead of the film’s release.

Stay tuned for an insider look into the premiere.

🎥 @scenestyled

@scenestyled LIVE: Superstar Amr Diab and HE Turki Alalshikh stepped onto the red carpet at Cairo’s District 5 for the premiere of ‘7 Dogs’, the Guinness World Record-breaking action blockbuster led by Ahmed Ezz, Karim Abdelaziz and Tara Emad alongside international names including Monica Bellucci and Giancarlo Esposito.

The pair drew immediate attention as cameras crowded the carpet for one of the night’s biggest arrivals at the highly anticipated premiere.

Stay tuned for an insider look into the premiere.

🎥@scenestyled

@scenestyled LIVE: Egyptian actress Youssra arrived at Cairo’s District 5 for the premiere of ‘7 Dogs’, joining the red carpet lineup for the Guinness World Record-breaking action blockbuster.

The evening brought together some of the Arab world’s biggest screen names alongside international guests, as the film — starring Ahmed Ezz, Karim Abdelaziz and Tara Emad with Monica Bellucci and Giancarlo Esposito — premiered ahead of its release.

Stay tuned for an insider look into the premiere.

🎥 @scenestyled

@scenestyled LIVE: Egyptian actress Tara Emad walked the red carpet at Cairo’s District 5 for the premiere of ‘7 Dogs’, the Guinness World Record-breaking action blockbuster in which she stars alongside Ahmed Ezz, Karim Abdelaziz and an international cast that includes Monica Bellucci and Giancarlo Esposito.

One of the film’s leading faces, Emad joined the wider lineup of regional and global stars attending the premiere as the highly anticipated production gears up for release.

Stay tuned for an insider look into the premiere.

🎥 @scenestyled

@scenestyled LIVE: Hollywood heavyweights Giancarlo Esposito and Martin Lawrence brought a dose of international star power to Cairo as they stepped onto the red carpet for the premiere of Guinness World Record-breaking action blockbuster ‘7 Dogs’ at District 5.

The two actors flew in for the occasion alongside a wider lineup of global names tied to the film, which stars Egyptian heavyweights Ahmed Ezz, Karim Abdelaziz and Tara Emad, alongside Monica Bellucci.

Stay tuned for an insider look into the premiere.

🎥 @scenestyled

@scenestyled LIVE: Egyptian acting power couple Mona Zaki and Ahmed Helmy stepped onto the red carpet at the premiere of Guinness World Record-breaking action blockbuster ‘7 Dogs’ in Cairo’s District 5.

The film stars Egyptian heavyweights Ahmed Ezz, Karim Abdelaziz and Tara Emad alongside global icons Monica Bellucci and Giancarlo Esposito — aka Gus from ‘Breaking Bad’.

Stay tuned for an insider look into the premiere.

🎥@scenestyled