इंस्टाग्राम स्टोरी व्यूअर

Curious about our new continuing education program?

Join the online info session for the Multispecies Spaces Lab—a practice-oriented laboratory at the intersection of art, architecture and multispecies thinking.

12 June 2026 • 1 pm CET • online (link in bio)

Led by @chrissiemuhr and @the_chus_martinez ·
With @studiocelinebaumann #JustineBell @djernesandbell @luciapietroiusti_ @filipaaaaaaaaaaa @ytuma

The detailled program is available online next week.
Registration deadline: 30 June 2026

More information and link to online info session
fhnw.ch/en/art-design/continuing-education/offerings/programmes (link in bio)

#multispeciesspaceslab #continuingeducation @albertinekopp @hgkbasel_fhnw @hgkbasel_institutkunst

•••

Neugierig auf unser neues Weiterbildungsangebot?

Komm zur Online-Infosession des Multispecies Spaces Lab – ein praxisorientiertes Labor an der Schnittstelle von Kunst, Architektur und Multispezies-Denken.

12. Juni 2026 • 13:00 • online (link in bio)

Geleitet von @chrissiemuhr und @the_chus_martinez
Mit @studiocelinebaumann #JustineBell @djernesandbell @luciapietroiusti_ @filipaaaaaaaaaaa @ytuma

Das detaillierte Programm ist nächste Woche online.
Anmeldefrist: 30. Juni 2026

Weitere Infos und Link zur Online-Infosession:
fhnw.ch/en/art-design/continuing-education/offerings/programmes (Link in Bio)

#multispeciesspaceslab @albertinekopp @hgkbasel_fhnw @hgkbasel_institutkunst

Design by @anadominguezstudio @marcvidalh

👏🏻👏🏼👏🏽👏🏾👏🏿 CHUS MARTÍNEZ, URIEL ORLOW UND HANNAH WEINBERGER AN DER BIENNALE 2026 IN VENEDIG 👏🏿👏🏾👏🏽👏🏼👏🏻

Mit Prof. Dr. Chus Martínez, Leiterin des Institute Art Gender Nature (IAGN) der HGK Basel, Uriel Orlow, Künstler und Dozent am IAGN, und Hannah Weinberger, Künstlerin und Dozentin am IAGN, sind gleich drei Mitarbeitende des Institute Art Gender Nature (IAGN) der HGK Basel mit verschiedenen Ausstellungs- und Performanceprojekten an der noch bis am 22. November 2026 laufenden 61. Internationalen Kunstausstellung – La Biennale die Venezia 2026 in Venedig prominent vertreten.

Chus Martínez hat den Beitrag «Things To Come» der Künstlerin Maja Malou Lyse im dänischen Pavillon kuratiert. Das Projekt untersucht, wie Wissenschaft, Fiktion und Pornografie in einem historischen Moment zusammenlaufen, in dem Bilder und Menschen untrennbar miteinander verbunden sind.

Uriel Orlow ist mit mehreren Arbeiten in der Hauptausstellung «In Minor Keys», kuratiert von Koyo Kouoh, vertreten (u.a. mit einem Soundtrack von Tobias Koch, technischer Mitarbeiter am IAGN der HGK Basel). «Flüstern gibt es in zwei Formen: gerade noch hörbar oder zu leise, um es zu verstehen. Mit Zeichnung, Video, Fotografie und Ton konzentriert sich Orlows Praxis darauf, das hörbar und sichtbar zu machen, was die Geschichte unhörbar und unsichtbar zu lassen versucht.», schreibt Cherry Smyth im Ausstellungskatalog.

Darüber hinaus fand während den Eröffnungstagen der diesjährigen Biennale eine Performance von Hannah Weinberger statt. Für die ortsspezifischen Soundperformance «Fort Sant’Andrea — A Tidal Listening» von Hannah Weinberger hat das Centre d'Art Contemporain Genève am 9. Mai 2026 auf die Isola di Sant'Andrea in der Lagune von Venedig und die sich darauf befindende verlassene militärische Festung eingeladen.

Wir gratulieren Chus Martínez, Uriel Orlow und Hannah Weinberger herzlich zu ihrer bedeutenden Präsenz an der Biennale 2026!

ℹ️ Weitere Informationen ➡️ labiennale.org/en/art/2026

#hgkbasel_fhnw #hgkbasel_nextgeneration #art_education #design_education #kunst #design @fhnw.ch @hgkbasel_institutkunst @the_chus_martinez

👏🏻👏🏼👏🏽👏🏾👏🏿 CHUS MARTÍNEZ, URIEL ORLOW UND HANNAH WEINBERGER AN DER BIENNALE 2026 IN VENEDIG 👏🏿👏🏾👏🏽👏🏼👏🏻

Mit Prof. Dr. Chus Martínez, Leiterin des Institute Art Gender Nature (IAGN) der HGK Basel, Uriel Orlow, Künstler und Dozent am IAGN, und Hannah Weinberger, Künstlerin und Dozentin am IAGN, sind gleich drei Mitarbeitende des Institute Art Gender Nature (IAGN) der HGK Basel mit verschiedenen Ausstellungs- und Performanceprojekten an der noch bis am 22. November 2026 laufenden 61. Internationalen Kunstausstellung – La Biennale die Venezia 2026 in Venedig prominent vertreten.

Chus Martínez hat den Beitrag «Things To Come» der Künstlerin Maja Malou Lyse im dänischen Pavillon kuratiert. Das Projekt untersucht, wie Wissenschaft, Fiktion und Pornografie in einem historischen Moment zusammenlaufen, in dem Bilder und Menschen untrennbar miteinander verbunden sind.

Uriel Orlow ist mit mehreren Arbeiten in der Hauptausstellung «In Minor Keys», kuratiert von Koyo Kouoh, vertreten (u.a. mit einem Soundtrack von Tobias Koch, technischer Mitarbeiter am IAGN der HGK Basel). «Flüstern gibt es in zwei Formen: gerade noch hörbar oder zu leise, um es zu verstehen. Mit Zeichnung, Video, Fotografie und Ton konzentriert sich Orlows Praxis darauf, das hörbar und sichtbar zu machen, was die Geschichte unhörbar und unsichtbar zu lassen versucht.», schreibt Cherry Smyth im Ausstellungskatalog.

Darüber hinaus fand während den Eröffnungstagen der diesjährigen Biennale eine Performance von Hannah Weinberger statt. Für die ortsspezifischen Soundperformance «Fort Sant’Andrea — A Tidal Listening» von Hannah Weinberger hat das Centre d'Art Contemporain Genève am 9. Mai 2026 auf die Isola di Sant'Andrea in der Lagune von Venedig und die sich darauf befindende verlassene militärische Festung eingeladen.

Wir gratulieren Chus Martínez, Uriel Orlow und Hannah Weinberger herzlich zu ihrer bedeutenden Präsenz an der Biennale 2026!

ℹ️ Weitere Informationen ➡️ labiennale.org/en/art/2026

#hgkbasel_fhnw #hgkbasel_nextgeneration #art_education #design_education #kunst #design @fhnw.ch @hgkbasel_institutkunst @the_chus_martinez

👏🏻👏🏼👏🏽👏🏾👏🏿 CHUS MARTÍNEZ, URIEL ORLOW UND HANNAH WEINBERGER AN DER BIENNALE 2026 IN VENEDIG 👏🏿👏🏾👏🏽👏🏼👏🏻

Mit Prof. Dr. Chus Martínez, Leiterin des Institute Art Gender Nature (IAGN) der HGK Basel, Uriel Orlow, Künstler und Dozent am IAGN, und Hannah Weinberger, Künstlerin und Dozentin am IAGN, sind gleich drei Mitarbeitende des Institute Art Gender Nature (IAGN) der HGK Basel mit verschiedenen Ausstellungs- und Performanceprojekten an der noch bis am 22. November 2026 laufenden 61. Internationalen Kunstausstellung – La Biennale die Venezia 2026 in Venedig prominent vertreten.

Chus Martínez hat den Beitrag «Things To Come» der Künstlerin Maja Malou Lyse im dänischen Pavillon kuratiert. Das Projekt untersucht, wie Wissenschaft, Fiktion und Pornografie in einem historischen Moment zusammenlaufen, in dem Bilder und Menschen untrennbar miteinander verbunden sind.

Uriel Orlow ist mit mehreren Arbeiten in der Hauptausstellung «In Minor Keys», kuratiert von Koyo Kouoh, vertreten (u.a. mit einem Soundtrack von Tobias Koch, technischer Mitarbeiter am IAGN der HGK Basel). «Flüstern gibt es in zwei Formen: gerade noch hörbar oder zu leise, um es zu verstehen. Mit Zeichnung, Video, Fotografie und Ton konzentriert sich Orlows Praxis darauf, das hörbar und sichtbar zu machen, was die Geschichte unhörbar und unsichtbar zu lassen versucht.», schreibt Cherry Smyth im Ausstellungskatalog.

Darüber hinaus fand während den Eröffnungstagen der diesjährigen Biennale eine Performance von Hannah Weinberger statt. Für die ortsspezifischen Soundperformance «Fort Sant’Andrea — A Tidal Listening» von Hannah Weinberger hat das Centre d'Art Contemporain Genève am 9. Mai 2026 auf die Isola di Sant'Andrea in der Lagune von Venedig und die sich darauf befindende verlassene militärische Festung eingeladen.

Wir gratulieren Chus Martínez, Uriel Orlow und Hannah Weinberger herzlich zu ihrer bedeutenden Präsenz an der Biennale 2026!

ℹ️ Weitere Informationen ➡️ labiennale.org/en/art/2026

#hgkbasel_fhnw #hgkbasel_nextgeneration #art_education #design_education #kunst #design @fhnw.ch @hgkbasel_institutkunst @the_chus_martinez

👏🏻👏🏼👏🏽👏🏾👏🏿 CHUS MARTÍNEZ, URIEL ORLOW UND HANNAH WEINBERGER AN DER BIENNALE 2026 IN VENEDIG 👏🏿👏🏾👏🏽👏🏼👏🏻

Mit Prof. Dr. Chus Martínez, Leiterin des Institute Art Gender Nature (IAGN) der HGK Basel, Uriel Orlow, Künstler und Dozent am IAGN, und Hannah Weinberger, Künstlerin und Dozentin am IAGN, sind gleich drei Mitarbeitende des Institute Art Gender Nature (IAGN) der HGK Basel mit verschiedenen Ausstellungs- und Performanceprojekten an der noch bis am 22. November 2026 laufenden 61. Internationalen Kunstausstellung – La Biennale die Venezia 2026 in Venedig prominent vertreten.

Chus Martínez hat den Beitrag «Things To Come» der Künstlerin Maja Malou Lyse im dänischen Pavillon kuratiert. Das Projekt untersucht, wie Wissenschaft, Fiktion und Pornografie in einem historischen Moment zusammenlaufen, in dem Bilder und Menschen untrennbar miteinander verbunden sind.

Uriel Orlow ist mit mehreren Arbeiten in der Hauptausstellung «In Minor Keys», kuratiert von Koyo Kouoh, vertreten (u.a. mit einem Soundtrack von Tobias Koch, technischer Mitarbeiter am IAGN der HGK Basel). «Flüstern gibt es in zwei Formen: gerade noch hörbar oder zu leise, um es zu verstehen. Mit Zeichnung, Video, Fotografie und Ton konzentriert sich Orlows Praxis darauf, das hörbar und sichtbar zu machen, was die Geschichte unhörbar und unsichtbar zu lassen versucht.», schreibt Cherry Smyth im Ausstellungskatalog.

Darüber hinaus fand während den Eröffnungstagen der diesjährigen Biennale eine Performance von Hannah Weinberger statt. Für die ortsspezifischen Soundperformance «Fort Sant’Andrea — A Tidal Listening» von Hannah Weinberger hat das Centre d'Art Contemporain Genève am 9. Mai 2026 auf die Isola di Sant'Andrea in der Lagune von Venedig und die sich darauf befindende verlassene militärische Festung eingeladen.

Wir gratulieren Chus Martínez, Uriel Orlow und Hannah Weinberger herzlich zu ihrer bedeutenden Präsenz an der Biennale 2026!

ℹ️ Weitere Informationen ➡️ labiennale.org/en/art/2026

#hgkbasel_fhnw #hgkbasel_nextgeneration #art_education #design_education #kunst #design @fhnw.ch @hgkbasel_institutkunst @the_chus_martinez

👏🏻👏🏼👏🏽👏🏾👏🏿 CHUS MARTÍNEZ, URIEL ORLOW UND HANNAH WEINBERGER AN DER BIENNALE 2026 IN VENEDIG 👏🏿👏🏾👏🏽👏🏼👏🏻

Mit Prof. Dr. Chus Martínez, Leiterin des Institute Art Gender Nature (IAGN) der HGK Basel, Uriel Orlow, Künstler und Dozent am IAGN, und Hannah Weinberger, Künstlerin und Dozentin am IAGN, sind gleich drei Mitarbeitende des Institute Art Gender Nature (IAGN) der HGK Basel mit verschiedenen Ausstellungs- und Performanceprojekten an der noch bis am 22. November 2026 laufenden 61. Internationalen Kunstausstellung – La Biennale die Venezia 2026 in Venedig prominent vertreten.

Chus Martínez hat den Beitrag «Things To Come» der Künstlerin Maja Malou Lyse im dänischen Pavillon kuratiert. Das Projekt untersucht, wie Wissenschaft, Fiktion und Pornografie in einem historischen Moment zusammenlaufen, in dem Bilder und Menschen untrennbar miteinander verbunden sind.

Uriel Orlow ist mit mehreren Arbeiten in der Hauptausstellung «In Minor Keys», kuratiert von Koyo Kouoh, vertreten (u.a. mit einem Soundtrack von Tobias Koch, technischer Mitarbeiter am IAGN der HGK Basel). «Flüstern gibt es in zwei Formen: gerade noch hörbar oder zu leise, um es zu verstehen. Mit Zeichnung, Video, Fotografie und Ton konzentriert sich Orlows Praxis darauf, das hörbar und sichtbar zu machen, was die Geschichte unhörbar und unsichtbar zu lassen versucht.», schreibt Cherry Smyth im Ausstellungskatalog.

Darüber hinaus fand während den Eröffnungstagen der diesjährigen Biennale eine Performance von Hannah Weinberger statt. Für die ortsspezifischen Soundperformance «Fort Sant’Andrea — A Tidal Listening» von Hannah Weinberger hat das Centre d'Art Contemporain Genève am 9. Mai 2026 auf die Isola di Sant'Andrea in der Lagune von Venedig und die sich darauf befindende verlassene militärische Festung eingeladen.

Wir gratulieren Chus Martínez, Uriel Orlow und Hannah Weinberger herzlich zu ihrer bedeutenden Präsenz an der Biennale 2026!

ℹ️ Weitere Informationen ➡️ labiennale.org/en/art/2026

#hgkbasel_fhnw #hgkbasel_nextgeneration #art_education #design_education #kunst #design @fhnw.ch @hgkbasel_institutkunst @the_chus_martinez

👏🏻👏🏼👏🏽👏🏾👏🏿 CHUS MARTÍNEZ, URIEL ORLOW UND HANNAH WEINBERGER AN DER BIENNALE 2026 IN VENEDIG 👏🏿👏🏾👏🏽👏🏼👏🏻

Mit Prof. Dr. Chus Martínez, Leiterin des Institute Art Gender Nature (IAGN) der HGK Basel, Uriel Orlow, Künstler und Dozent am IAGN, und Hannah Weinberger, Künstlerin und Dozentin am IAGN, sind gleich drei Mitarbeitende des Institute Art Gender Nature (IAGN) der HGK Basel mit verschiedenen Ausstellungs- und Performanceprojekten an der noch bis am 22. November 2026 laufenden 61. Internationalen Kunstausstellung – La Biennale die Venezia 2026 in Venedig prominent vertreten.

Chus Martínez hat den Beitrag «Things To Come» der Künstlerin Maja Malou Lyse im dänischen Pavillon kuratiert. Das Projekt untersucht, wie Wissenschaft, Fiktion und Pornografie in einem historischen Moment zusammenlaufen, in dem Bilder und Menschen untrennbar miteinander verbunden sind.

Uriel Orlow ist mit mehreren Arbeiten in der Hauptausstellung «In Minor Keys», kuratiert von Koyo Kouoh, vertreten (u.a. mit einem Soundtrack von Tobias Koch, technischer Mitarbeiter am IAGN der HGK Basel). «Flüstern gibt es in zwei Formen: gerade noch hörbar oder zu leise, um es zu verstehen. Mit Zeichnung, Video, Fotografie und Ton konzentriert sich Orlows Praxis darauf, das hörbar und sichtbar zu machen, was die Geschichte unhörbar und unsichtbar zu lassen versucht.», schreibt Cherry Smyth im Ausstellungskatalog.

Darüber hinaus fand während den Eröffnungstagen der diesjährigen Biennale eine Performance von Hannah Weinberger statt. Für die ortsspezifischen Soundperformance «Fort Sant’Andrea — A Tidal Listening» von Hannah Weinberger hat das Centre d'Art Contemporain Genève am 9. Mai 2026 auf die Isola di Sant'Andrea in der Lagune von Venedig und die sich darauf befindende verlassene militärische Festung eingeladen.

Wir gratulieren Chus Martínez, Uriel Orlow und Hannah Weinberger herzlich zu ihrer bedeutenden Präsenz an der Biennale 2026!

ℹ️ Weitere Informationen ➡️ labiennale.org/en/art/2026

#hgkbasel_fhnw #hgkbasel_nextgeneration #art_education #design_education #kunst #design @fhnw.ch @hgkbasel_institutkunst @the_chus_martinez

Coming soon!

Dilek Winchester
The Wound is Our Place

Curated by Chus Martínez
Curatorial assistance Marion Ritzmann

Exhibition 13 – 21 June 2026
Special Opening Wed 17 June 2026, 6 – 9 pm

As part of Art@Dreispitz
Wed 17 June 2026, from 4 pm
Atelier Mondial, HGK Basel FHNW with CIVIC and der TANK, HEK, Kunsthaus Baselland
Freilager-Platz / Helsinki-Strasse, Dreispitz, Basel/Münchenstein

der TANK, Basel/Münchenstein

Istanbul-based artist Dilek Winchester works primarily with language. She treats language as a material, freed from the imposition of fixed meaning. Too often, language is conceived as an essential element of one’s identity, a means of including—and, more frequently, excluding—others. In her hands, alphabets become tools available to all, ready to express a sense of commonality and togetherness that is lacking in today’s political language. Her installations become expressive spaces—sites where we, collectively, can invent what needs to be said and appeal to a language that embodies mutual respect and non-aggression. Language emerges as a field of hope and potential, far removed from the hateful discourse so often experienced in the present day.

The Wound is Our Place at der TANK is Winchester’s first solo exhibition in Switzerland. She is currently a resident at Atelier Mondial in Basel/Münchenstein, in immediate proximity to der TANK and Campus Dreispitz, by invitation from the Institute Art Gender Nature HGK Basel FHNW, as part of HGK Basel @ Atelier Mondial.

Both the exhibition and residency are supported by SAHA.

Opening hours: Sat 13 /Sun 14 June 2026, 2 – 6 pm
During Art Basel:
Wed 17 June 2026, 10 am – 9 pm
Thur 18 to Sun 21 June 2026, 2 – 7 pm
And by appointment: dertank.hgk@fhnw.ch

dertank.space (link in bio)

Dilek Winchester, Untitled (Kendinibeğen . . . ), 2012 – 2025, Installationsansicht 18. Istanbul Bienniale 📷 Sahir Ugur Eren

#dertank #artatdreispitz @dilekwinchester @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw @sahadernegi @ateliermondialart
@istanbulbienali

Last Wednesday, we celebrated the opening of the exhibition Unfortunate Grammar at Salon Mondial. Developed in collaboration with the Institute Art Gender Nature (IAGN), HGK Basel FHNW (@hgkbasel_institutkunst ), the exhibition creates a meaningful platform for exchange, bringing together artists from Atelier Mondial and students from the Institute to share ideas, perspectives, and dialogue.

This Friday, June 5, at 5:00 PM, we invite you to join us for an evening of readings by Emma Bonven, Ulas Toprak, and Pat Homse at Salon Mondial. The readings offer an opportunity to engage more closely with the artists’ practices and the conversations unfolding within the exhibition.

Installation view and Opening «Unfortunate Grammar», Amador e Jr. Segurança Patrimonial Ltda, Ina Yaelle Aline Hählen, Heather Phillipson, Amadeo Maria Schwaller, Po-Jen Wei, Max Zbinden, Atelier Mondial x Institute Art Gender Nature HGK Basel FHNW, 2026, photo: Skyler Yuki Phillips

Last Wednesday, we celebrated the opening of the exhibition Unfortunate Grammar at Salon Mondial. Developed in collaboration with the Institute Art Gender Nature (IAGN), HGK Basel FHNW (@hgkbasel_institutkunst ), the exhibition creates a meaningful platform for exchange, bringing together artists from Atelier Mondial and students from the Institute to share ideas, perspectives, and dialogue.

This Friday, June 5, at 5:00 PM, we invite you to join us for an evening of readings by Emma Bonven, Ulas Toprak, and Pat Homse at Salon Mondial. The readings offer an opportunity to engage more closely with the artists’ practices and the conversations unfolding within the exhibition.

Installation view and Opening «Unfortunate Grammar», Amador e Jr. Segurança Patrimonial Ltda, Ina Yaelle Aline Hählen, Heather Phillipson, Amadeo Maria Schwaller, Po-Jen Wei, Max Zbinden, Atelier Mondial x Institute Art Gender Nature HGK Basel FHNW, 2026, photo: Skyler Yuki Phillips

Last Wednesday, we celebrated the opening of the exhibition Unfortunate Grammar at Salon Mondial. Developed in collaboration with the Institute Art Gender Nature (IAGN), HGK Basel FHNW (@hgkbasel_institutkunst ), the exhibition creates a meaningful platform for exchange, bringing together artists from Atelier Mondial and students from the Institute to share ideas, perspectives, and dialogue.

This Friday, June 5, at 5:00 PM, we invite you to join us for an evening of readings by Emma Bonven, Ulas Toprak, and Pat Homse at Salon Mondial. The readings offer an opportunity to engage more closely with the artists’ practices and the conversations unfolding within the exhibition.

Installation view and Opening «Unfortunate Grammar», Amador e Jr. Segurança Patrimonial Ltda, Ina Yaelle Aline Hählen, Heather Phillipson, Amadeo Maria Schwaller, Po-Jen Wei, Max Zbinden, Atelier Mondial x Institute Art Gender Nature HGK Basel FHNW, 2026, photo: Skyler Yuki Phillips

Last Wednesday, we celebrated the opening of the exhibition Unfortunate Grammar at Salon Mondial. Developed in collaboration with the Institute Art Gender Nature (IAGN), HGK Basel FHNW (@hgkbasel_institutkunst ), the exhibition creates a meaningful platform for exchange, bringing together artists from Atelier Mondial and students from the Institute to share ideas, perspectives, and dialogue.

This Friday, June 5, at 5:00 PM, we invite you to join us for an evening of readings by Emma Bonven, Ulas Toprak, and Pat Homse at Salon Mondial. The readings offer an opportunity to engage more closely with the artists’ practices and the conversations unfolding within the exhibition.

Installation view and Opening «Unfortunate Grammar», Amador e Jr. Segurança Patrimonial Ltda, Ina Yaelle Aline Hählen, Heather Phillipson, Amadeo Maria Schwaller, Po-Jen Wei, Max Zbinden, Atelier Mondial x Institute Art Gender Nature HGK Basel FHNW, 2026, photo: Skyler Yuki Phillips

Last Wednesday, we celebrated the opening of the exhibition Unfortunate Grammar at Salon Mondial. Developed in collaboration with the Institute Art Gender Nature (IAGN), HGK Basel FHNW (@hgkbasel_institutkunst ), the exhibition creates a meaningful platform for exchange, bringing together artists from Atelier Mondial and students from the Institute to share ideas, perspectives, and dialogue.

This Friday, June 5, at 5:00 PM, we invite you to join us for an evening of readings by Emma Bonven, Ulas Toprak, and Pat Homse at Salon Mondial. The readings offer an opportunity to engage more closely with the artists’ practices and the conversations unfolding within the exhibition.

Installation view and Opening «Unfortunate Grammar», Amador e Jr. Segurança Patrimonial Ltda, Ina Yaelle Aline Hählen, Heather Phillipson, Amadeo Maria Schwaller, Po-Jen Wei, Max Zbinden, Atelier Mondial x Institute Art Gender Nature HGK Basel FHNW, 2026, photo: Skyler Yuki Phillips

Last Wednesday, we celebrated the opening of the exhibition Unfortunate Grammar at Salon Mondial. Developed in collaboration with the Institute Art Gender Nature (IAGN), HGK Basel FHNW (@hgkbasel_institutkunst ), the exhibition creates a meaningful platform for exchange, bringing together artists from Atelier Mondial and students from the Institute to share ideas, perspectives, and dialogue.

This Friday, June 5, at 5:00 PM, we invite you to join us for an evening of readings by Emma Bonven, Ulas Toprak, and Pat Homse at Salon Mondial. The readings offer an opportunity to engage more closely with the artists’ practices and the conversations unfolding within the exhibition.

Installation view and Opening «Unfortunate Grammar», Amador e Jr. Segurança Patrimonial Ltda, Ina Yaelle Aline Hählen, Heather Phillipson, Amadeo Maria Schwaller, Po-Jen Wei, Max Zbinden, Atelier Mondial x Institute Art Gender Nature HGK Basel FHNW, 2026, photo: Skyler Yuki Phillips

Last Wednesday, we celebrated the opening of the exhibition Unfortunate Grammar at Salon Mondial. Developed in collaboration with the Institute Art Gender Nature (IAGN), HGK Basel FHNW (@hgkbasel_institutkunst ), the exhibition creates a meaningful platform for exchange, bringing together artists from Atelier Mondial and students from the Institute to share ideas, perspectives, and dialogue.

This Friday, June 5, at 5:00 PM, we invite you to join us for an evening of readings by Emma Bonven, Ulas Toprak, and Pat Homse at Salon Mondial. The readings offer an opportunity to engage more closely with the artists’ practices and the conversations unfolding within the exhibition.

Installation view and Opening «Unfortunate Grammar», Amador e Jr. Segurança Patrimonial Ltda, Ina Yaelle Aline Hählen, Heather Phillipson, Amadeo Maria Schwaller, Po-Jen Wei, Max Zbinden, Atelier Mondial x Institute Art Gender Nature HGK Basel FHNW, 2026, photo: Skyler Yuki Phillips

Last Wednesday, we celebrated the opening of the exhibition Unfortunate Grammar at Salon Mondial. Developed in collaboration with the Institute Art Gender Nature (IAGN), HGK Basel FHNW (@hgkbasel_institutkunst ), the exhibition creates a meaningful platform for exchange, bringing together artists from Atelier Mondial and students from the Institute to share ideas, perspectives, and dialogue.

This Friday, June 5, at 5:00 PM, we invite you to join us for an evening of readings by Emma Bonven, Ulas Toprak, and Pat Homse at Salon Mondial. The readings offer an opportunity to engage more closely with the artists’ practices and the conversations unfolding within the exhibition.

Installation view and Opening «Unfortunate Grammar», Amador e Jr. Segurança Patrimonial Ltda, Ina Yaelle Aline Hählen, Heather Phillipson, Amadeo Maria Schwaller, Po-Jen Wei, Max Zbinden, Atelier Mondial x Institute Art Gender Nature HGK Basel FHNW, 2026, photo: Skyler Yuki Phillips

Last Wednesday, we celebrated the opening of the exhibition Unfortunate Grammar at Salon Mondial. Developed in collaboration with the Institute Art Gender Nature (IAGN), HGK Basel FHNW (@hgkbasel_institutkunst ), the exhibition creates a meaningful platform for exchange, bringing together artists from Atelier Mondial and students from the Institute to share ideas, perspectives, and dialogue.

This Friday, June 5, at 5:00 PM, we invite you to join us for an evening of readings by Emma Bonven, Ulas Toprak, and Pat Homse at Salon Mondial. The readings offer an opportunity to engage more closely with the artists’ practices and the conversations unfolding within the exhibition.

Installation view and Opening «Unfortunate Grammar», Amador e Jr. Segurança Patrimonial Ltda, Ina Yaelle Aline Hählen, Heather Phillipson, Amadeo Maria Schwaller, Po-Jen Wei, Max Zbinden, Atelier Mondial x Institute Art Gender Nature HGK Basel FHNW, 2026, photo: Skyler Yuki Phillips

Last Wednesday, we celebrated the opening of the exhibition Unfortunate Grammar at Salon Mondial. Developed in collaboration with the Institute Art Gender Nature (IAGN), HGK Basel FHNW (@hgkbasel_institutkunst ), the exhibition creates a meaningful platform for exchange, bringing together artists from Atelier Mondial and students from the Institute to share ideas, perspectives, and dialogue.

This Friday, June 5, at 5:00 PM, we invite you to join us for an evening of readings by Emma Bonven, Ulas Toprak, and Pat Homse at Salon Mondial. The readings offer an opportunity to engage more closely with the artists’ practices and the conversations unfolding within the exhibition.

Installation view and Opening «Unfortunate Grammar», Amador e Jr. Segurança Patrimonial Ltda, Ina Yaelle Aline Hählen, Heather Phillipson, Amadeo Maria Schwaller, Po-Jen Wei, Max Zbinden, Atelier Mondial x Institute Art Gender Nature HGK Basel FHNW, 2026, photo: Skyler Yuki Phillips

Last Wednesday, we celebrated the opening of the exhibition Unfortunate Grammar at Salon Mondial. Developed in collaboration with the Institute Art Gender Nature (IAGN), HGK Basel FHNW (@hgkbasel_institutkunst ), the exhibition creates a meaningful platform for exchange, bringing together artists from Atelier Mondial and students from the Institute to share ideas, perspectives, and dialogue.

This Friday, June 5, at 5:00 PM, we invite you to join us for an evening of readings by Emma Bonven, Ulas Toprak, and Pat Homse at Salon Mondial. The readings offer an opportunity to engage more closely with the artists’ practices and the conversations unfolding within the exhibition.

Installation view and Opening «Unfortunate Grammar», Amador e Jr. Segurança Patrimonial Ltda, Ina Yaelle Aline Hählen, Heather Phillipson, Amadeo Maria Schwaller, Po-Jen Wei, Max Zbinden, Atelier Mondial x Institute Art Gender Nature HGK Basel FHNW, 2026, photo: Skyler Yuki Phillips

Last Wednesday, we celebrated the opening of the exhibition Unfortunate Grammar at Salon Mondial. Developed in collaboration with the Institute Art Gender Nature (IAGN), HGK Basel FHNW (@hgkbasel_institutkunst ), the exhibition creates a meaningful platform for exchange, bringing together artists from Atelier Mondial and students from the Institute to share ideas, perspectives, and dialogue.

This Friday, June 5, at 5:00 PM, we invite you to join us for an evening of readings by Emma Bonven, Ulas Toprak, and Pat Homse at Salon Mondial. The readings offer an opportunity to engage more closely with the artists’ practices and the conversations unfolding within the exhibition.

Installation view and Opening «Unfortunate Grammar», Amador e Jr. Segurança Patrimonial Ltda, Ina Yaelle Aline Hählen, Heather Phillipson, Amadeo Maria Schwaller, Po-Jen Wei, Max Zbinden, Atelier Mondial x Institute Art Gender Nature HGK Basel FHNW, 2026, photo: Skyler Yuki Phillips

Last Wednesday, we celebrated the opening of the exhibition Unfortunate Grammar at Salon Mondial. Developed in collaboration with the Institute Art Gender Nature (IAGN), HGK Basel FHNW (@hgkbasel_institutkunst ), the exhibition creates a meaningful platform for exchange, bringing together artists from Atelier Mondial and students from the Institute to share ideas, perspectives, and dialogue.

This Friday, June 5, at 5:00 PM, we invite you to join us for an evening of readings by Emma Bonven, Ulas Toprak, and Pat Homse at Salon Mondial. The readings offer an opportunity to engage more closely with the artists’ practices and the conversations unfolding within the exhibition.

Installation view and Opening «Unfortunate Grammar», Amador e Jr. Segurança Patrimonial Ltda, Ina Yaelle Aline Hählen, Heather Phillipson, Amadeo Maria Schwaller, Po-Jen Wei, Max Zbinden, Atelier Mondial x Institute Art Gender Nature HGK Basel FHNW, 2026, photo: Skyler Yuki Phillips

Some impressions from yesterday’s great contributions by Sinzo Aanza, Anchan/Anna Daučíková, Annelyse Gelman, Mayte Gómez Molina, Mark Turner, and Simone White, as well as by Chus Martínez and Quinn Latimer, during the first day of our spring symposium.

Please join us today for DAY II of The Political Dimension of Language, from 10 am at HGK Basel FHNW and online.
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

1 – 2 Simone White
3 Anchan/Anna Daučíková
4 Sinzo Aanza
5 Mayte Gómez Molina
6 Annelyse Gelman
7 Mark Turner
8 Chus Martínez and Quinn Latimer
📷 Christian Knörr

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw

Some impressions from yesterday’s great contributions by Sinzo Aanza, Anchan/Anna Daučíková, Annelyse Gelman, Mayte Gómez Molina, Mark Turner, and Simone White, as well as by Chus Martínez and Quinn Latimer, during the first day of our spring symposium.

Please join us today for DAY II of The Political Dimension of Language, from 10 am at HGK Basel FHNW and online.
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

1 – 2 Simone White
3 Anchan/Anna Daučíková
4 Sinzo Aanza
5 Mayte Gómez Molina
6 Annelyse Gelman
7 Mark Turner
8 Chus Martínez and Quinn Latimer
📷 Christian Knörr

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw

Some impressions from yesterday’s great contributions by Sinzo Aanza, Anchan/Anna Daučíková, Annelyse Gelman, Mayte Gómez Molina, Mark Turner, and Simone White, as well as by Chus Martínez and Quinn Latimer, during the first day of our spring symposium.

Please join us today for DAY II of The Political Dimension of Language, from 10 am at HGK Basel FHNW and online.
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

1 – 2 Simone White
3 Anchan/Anna Daučíková
4 Sinzo Aanza
5 Mayte Gómez Molina
6 Annelyse Gelman
7 Mark Turner
8 Chus Martínez and Quinn Latimer
📷 Christian Knörr

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw

Some impressions from yesterday’s great contributions by Sinzo Aanza, Anchan/Anna Daučíková, Annelyse Gelman, Mayte Gómez Molina, Mark Turner, and Simone White, as well as by Chus Martínez and Quinn Latimer, during the first day of our spring symposium.

Please join us today for DAY II of The Political Dimension of Language, from 10 am at HGK Basel FHNW and online.
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

1 – 2 Simone White
3 Anchan/Anna Daučíková
4 Sinzo Aanza
5 Mayte Gómez Molina
6 Annelyse Gelman
7 Mark Turner
8 Chus Martínez and Quinn Latimer
📷 Christian Knörr

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw

Some impressions from yesterday’s great contributions by Sinzo Aanza, Anchan/Anna Daučíková, Annelyse Gelman, Mayte Gómez Molina, Mark Turner, and Simone White, as well as by Chus Martínez and Quinn Latimer, during the first day of our spring symposium.

Please join us today for DAY II of The Political Dimension of Language, from 10 am at HGK Basel FHNW and online.
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

1 – 2 Simone White
3 Anchan/Anna Daučíková
4 Sinzo Aanza
5 Mayte Gómez Molina
6 Annelyse Gelman
7 Mark Turner
8 Chus Martínez and Quinn Latimer
📷 Christian Knörr

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw

Some impressions from yesterday’s great contributions by Sinzo Aanza, Anchan/Anna Daučíková, Annelyse Gelman, Mayte Gómez Molina, Mark Turner, and Simone White, as well as by Chus Martínez and Quinn Latimer, during the first day of our spring symposium.

Please join us today for DAY II of The Political Dimension of Language, from 10 am at HGK Basel FHNW and online.
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

1 – 2 Simone White
3 Anchan/Anna Daučíková
4 Sinzo Aanza
5 Mayte Gómez Molina
6 Annelyse Gelman
7 Mark Turner
8 Chus Martínez and Quinn Latimer
📷 Christian Knörr

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw

Some impressions from yesterday’s great contributions by Sinzo Aanza, Anchan/Anna Daučíková, Annelyse Gelman, Mayte Gómez Molina, Mark Turner, and Simone White, as well as by Chus Martínez and Quinn Latimer, during the first day of our spring symposium.

Please join us today for DAY II of The Political Dimension of Language, from 10 am at HGK Basel FHNW and online.
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

1 – 2 Simone White
3 Anchan/Anna Daučíková
4 Sinzo Aanza
5 Mayte Gómez Molina
6 Annelyse Gelman
7 Mark Turner
8 Chus Martínez and Quinn Latimer
📷 Christian Knörr

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw

Some impressions from yesterday’s great contributions by Sinzo Aanza, Anchan/Anna Daučíková, Annelyse Gelman, Mayte Gómez Molina, Mark Turner, and Simone White, as well as by Chus Martínez and Quinn Latimer, during the first day of our spring symposium.

Please join us today for DAY II of The Political Dimension of Language, from 10 am at HGK Basel FHNW and online.
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

1 – 2 Simone White
3 Anchan/Anna Daučíková
4 Sinzo Aanza
5 Mayte Gómez Molina
6 Annelyse Gelman
7 Mark Turner
8 Chus Martínez and Quinn Latimer
📷 Christian Knörr

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw

Save the Date!

Dilek Winchester
The Wound is Our Place

Curated by Chus Martínez
Curatorial assistance Marion Ritzmann

Exhibition 13 – 21 June 2026
Special Opening Wed 17 June 2026, 6 – 9 pm
As part of Art@Dreispitz

der TANK, Basel/Münchenstein

Dilek Winchester is currently a resident at Atelier Mondial as part of HGK Basel @ Atelier Mondial. Both the exhibition and residency are supported by SAHA.

dertank.space (link in bio)

#dertank @dilekwinchester @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw @sahadernegi @ateliermondialart

Design by @anadominguezstudio @marcvidalh

We’re delighted to share the program of our upcoming symposium.

The Political Dimension of Language
Spring Symposium
27. – 28.5.2026
Auditorium D 1.04, HGK Basel FHNW
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

Contributions by Sinzo Aanza, Skye Arundhati Thomas, Anchan/Anna Daučíková, Heike Geißler, Annelyse Gelman, Mayte Gómez Molina, Sophie Jung, Louis Lüthi, Ingo Niermann, Heather Phillipson, Mark Turner, Simone White

Moderated by Chus Martínez and Quinn Latimer
Research: Marion Ritzmann

PROGRAM (subject to alterations)

DAY I • 27.5.2026
Part 1
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Simone White, ALL RED
11.15 am • Mark Turner, Causation, Agency, Time, and Space (CATS)
Noon • Lunch break

Part 2
2.00 pm • Welcome
2.05 pm • Anchan/Anna Daučíková, Interstice: What Remains Unpronounced
2. 45 pm • Sinzo Aanza, Ngwaki: The Funeral Dance and the Poetic Project
3.20 pm • Break
3.25 pm • Mayte Gómez Molina, Beyond a Paper Body
4.15 pm • Annelyse Gelman, Vexations
5.00 pm • Round-up of DAY I
5.20 pm • End of DAY I

5.30 pm • Exhibition opening, Unfortunate Grammar, curated by Sincerely, Atelier Mondial

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw
@sincerely.iagn @filipaaaaaaaaaaa @ateliermondialart

We’re delighted to share the program of our upcoming symposium.

The Political Dimension of Language
Spring Symposium
27. – 28.5.2026
Auditorium D 1.04, HGK Basel FHNW
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

Contributions by Sinzo Aanza, Skye Arundhati Thomas, Anchan/Anna Daučíková, Heike Geißler, Annelyse Gelman, Mayte Gómez Molina, Sophie Jung, Louis Lüthi, Ingo Niermann, Heather Phillipson, Mark Turner, Simone White

Moderated by Chus Martínez and Quinn Latimer
Research: Marion Ritzmann

PROGRAM (subject to alterations)

DAY I • 27.5.2026
Part 1
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Simone White, ALL RED
11.15 am • Mark Turner, Causation, Agency, Time, and Space (CATS)
Noon • Lunch break

Part 2
2.00 pm • Welcome
2.05 pm • Anchan/Anna Daučíková, Interstice: What Remains Unpronounced
2. 45 pm • Sinzo Aanza, Ngwaki: The Funeral Dance and the Poetic Project
3.20 pm • Break
3.25 pm • Mayte Gómez Molina, Beyond a Paper Body
4.15 pm • Annelyse Gelman, Vexations
5.00 pm • Round-up of DAY I
5.20 pm • End of DAY I

5.30 pm • Exhibition opening, Unfortunate Grammar, curated by Sincerely, Atelier Mondial

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw
@sincerely.iagn @filipaaaaaaaaaaa @ateliermondialart

We conclude the introduction series of our symposium guests with Sophie Jung, Louis Lüthi, Ingo Niermann, and Mark Turner.

SOPHIE JUNG works across text, sculpture, and performance. Her sculptures believe in agnostic alliances, cross-material solidarity, and assemblages that defy resolution. Her writing exists in the tradition of écriture feminine. Upcoming projects include solo shows at Kunsthalle Bern (2026) and MUDAM, Luxemburg (2027), and a monograph with Mousse Publishing. In 2018 she was the recipient of the Manor Art Prize.

LOUIS LÜTHI is the author of Infant A (2012), A Die with Twenty-Six Faces (2019), and On the Self-Reflexive Page II (2021). A recipient of the Swiss Design Award in 2015, he has designed books in collaboration with numerous artists. He is editor at the Geopolitical Open Atlas of the Polity of Literature and GOAT PoL, and teaches at the Gerrit Rietveld Academie, Amsterdam.

INGO NIERMANN is a writer, artist, and the editor of the book series Solution (Sternberg Press). Recent projects include The Monadic Age: Notes on the Coming Social Order (2024), and the podcast series Ocean Wants (2021). He initiated the Army of Love and is a lecturer at Institute Art Gender Nature, where he also edits the digital publishing project Wild Papers.

MARK TURNER is Institute Professor and Professor of Cognitive Science at Case Western Reserve University, Cleveland. He is the author of The Origin of Ideas: Blending, Creativity, and the Human Spark (2015). The founding director of the Cognitive Science Network, Turner is a laureate of the Prix du Rayonnement de la langue et de la littérature françaises from the Académie Française.

1 Sophie Jung, courtesy Ora et Lege
2 Louis Lüthi
3 Ingo Niermann 📷 Christian Knörr
4 Mark Turner
All images: courtesy of the guests

Spring symposium, The Political Dimension of Language, 27. – 28.5., on-site and online, program: dertank.ch (link in bio).

#politicaldimensionoflanguage @___sophie___jung___ #louislüthi @ingoniermann #markturner @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw
@swissdesignawards

We conclude the introduction series of our symposium guests with Sophie Jung, Louis Lüthi, Ingo Niermann, and Mark Turner.

SOPHIE JUNG works across text, sculpture, and performance. Her sculptures believe in agnostic alliances, cross-material solidarity, and assemblages that defy resolution. Her writing exists in the tradition of écriture feminine. Upcoming projects include solo shows at Kunsthalle Bern (2026) and MUDAM, Luxemburg (2027), and a monograph with Mousse Publishing. In 2018 she was the recipient of the Manor Art Prize.

LOUIS LÜTHI is the author of Infant A (2012), A Die with Twenty-Six Faces (2019), and On the Self-Reflexive Page II (2021). A recipient of the Swiss Design Award in 2015, he has designed books in collaboration with numerous artists. He is editor at the Geopolitical Open Atlas of the Polity of Literature and GOAT PoL, and teaches at the Gerrit Rietveld Academie, Amsterdam.

INGO NIERMANN is a writer, artist, and the editor of the book series Solution (Sternberg Press). Recent projects include The Monadic Age: Notes on the Coming Social Order (2024), and the podcast series Ocean Wants (2021). He initiated the Army of Love and is a lecturer at Institute Art Gender Nature, where he also edits the digital publishing project Wild Papers.

MARK TURNER is Institute Professor and Professor of Cognitive Science at Case Western Reserve University, Cleveland. He is the author of The Origin of Ideas: Blending, Creativity, and the Human Spark (2015). The founding director of the Cognitive Science Network, Turner is a laureate of the Prix du Rayonnement de la langue et de la littérature françaises from the Académie Française.

1 Sophie Jung, courtesy Ora et Lege
2 Louis Lüthi
3 Ingo Niermann 📷 Christian Knörr
4 Mark Turner
All images: courtesy of the guests

Spring symposium, The Political Dimension of Language, 27. – 28.5., on-site and online, program: dertank.ch (link in bio).

#politicaldimensionoflanguage @___sophie___jung___ #louislüthi @ingoniermann #markturner @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw
@swissdesignawards

We conclude the introduction series of our symposium guests with Sophie Jung, Louis Lüthi, Ingo Niermann, and Mark Turner.

SOPHIE JUNG works across text, sculpture, and performance. Her sculptures believe in agnostic alliances, cross-material solidarity, and assemblages that defy resolution. Her writing exists in the tradition of écriture feminine. Upcoming projects include solo shows at Kunsthalle Bern (2026) and MUDAM, Luxemburg (2027), and a monograph with Mousse Publishing. In 2018 she was the recipient of the Manor Art Prize.

LOUIS LÜTHI is the author of Infant A (2012), A Die with Twenty-Six Faces (2019), and On the Self-Reflexive Page II (2021). A recipient of the Swiss Design Award in 2015, he has designed books in collaboration with numerous artists. He is editor at the Geopolitical Open Atlas of the Polity of Literature and GOAT PoL, and teaches at the Gerrit Rietveld Academie, Amsterdam.

INGO NIERMANN is a writer, artist, and the editor of the book series Solution (Sternberg Press). Recent projects include The Monadic Age: Notes on the Coming Social Order (2024), and the podcast series Ocean Wants (2021). He initiated the Army of Love and is a lecturer at Institute Art Gender Nature, where he also edits the digital publishing project Wild Papers.

MARK TURNER is Institute Professor and Professor of Cognitive Science at Case Western Reserve University, Cleveland. He is the author of The Origin of Ideas: Blending, Creativity, and the Human Spark (2015). The founding director of the Cognitive Science Network, Turner is a laureate of the Prix du Rayonnement de la langue et de la littérature françaises from the Académie Française.

1 Sophie Jung, courtesy Ora et Lege
2 Louis Lüthi
3 Ingo Niermann 📷 Christian Knörr
4 Mark Turner
All images: courtesy of the guests

Spring symposium, The Political Dimension of Language, 27. – 28.5., on-site and online, program: dertank.ch (link in bio).

#politicaldimensionoflanguage @___sophie___jung___ #louislüthi @ingoniermann #markturner @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw
@swissdesignawards

We conclude the introduction series of our symposium guests with Sophie Jung, Louis Lüthi, Ingo Niermann, and Mark Turner.

SOPHIE JUNG works across text, sculpture, and performance. Her sculptures believe in agnostic alliances, cross-material solidarity, and assemblages that defy resolution. Her writing exists in the tradition of écriture feminine. Upcoming projects include solo shows at Kunsthalle Bern (2026) and MUDAM, Luxemburg (2027), and a monograph with Mousse Publishing. In 2018 she was the recipient of the Manor Art Prize.

LOUIS LÜTHI is the author of Infant A (2012), A Die with Twenty-Six Faces (2019), and On the Self-Reflexive Page II (2021). A recipient of the Swiss Design Award in 2015, he has designed books in collaboration with numerous artists. He is editor at the Geopolitical Open Atlas of the Polity of Literature and GOAT PoL, and teaches at the Gerrit Rietveld Academie, Amsterdam.

INGO NIERMANN is a writer, artist, and the editor of the book series Solution (Sternberg Press). Recent projects include The Monadic Age: Notes on the Coming Social Order (2024), and the podcast series Ocean Wants (2021). He initiated the Army of Love and is a lecturer at Institute Art Gender Nature, where he also edits the digital publishing project Wild Papers.

MARK TURNER is Institute Professor and Professor of Cognitive Science at Case Western Reserve University, Cleveland. He is the author of The Origin of Ideas: Blending, Creativity, and the Human Spark (2015). The founding director of the Cognitive Science Network, Turner is a laureate of the Prix du Rayonnement de la langue et de la littérature françaises from the Académie Française.

1 Sophie Jung, courtesy Ora et Lege
2 Louis Lüthi
3 Ingo Niermann 📷 Christian Knörr
4 Mark Turner
All images: courtesy of the guests

Spring symposium, The Political Dimension of Language, 27. – 28.5., on-site and online, program: dertank.ch (link in bio).

#politicaldimensionoflanguage @___sophie___jung___ #louislüthi @ingoniermann #markturner @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw
@swissdesignawards

👏🏻👏🏼👏🏽👏🏾👏🏿 FILIPA RAMOS KURATIERT DAS LOFOTEN INTERNATIONAL ART FESTIVAL 2027 👏🏿👏🏾👏🏽👏🏼👏🏻

Das norwegische Lofoten International Art Festival (LIAF) 2027 wird von Filipa Ramos, Dozentin am Institute Art Gender Nature (IAGN) der HGK Basel kuratiert.

Das Lofoten International Art Festival zeigt Werke internationaler Künstler:innen in einem ortsspezifischen Kontext und versteht sich als experimenteller Ort für Kunstschaffende, Publikum und Einheimische. Das Konzept von Filipa Ramos umfasst das Zuhören als speziesübergreifende Praxis und Koexistenz, künstlerische Formen des Wissens und ein über visuelle, anthropozentrische Ebenen hinausgehendes Erleben von Orten. Ihr Ansatz greift zentrale Anliegen des Institute Art Gender Nature (IAGN) der HGK Basel auf, beispielsweise zu ergründen, wie Gender, Natur, Technologie und nichtmenschliche Formen der Intelligenz sich mit zeitgenössischer Kunst und der Ausbildung von Kunstschaffenden überschneiden.

Filipa Ramos führt ihre Konzeption des Lofoten International Art Festival 2027 wie folgt aus: «Oberhalb des Polarkreises gelegen, inmitten aussergewöhnlicher Naturkulturen, wird der Lofoten-Archipel ständig gefühlt, gehört und erzählt. Der Wind weht über die Bergrücken, Vogelstimmen markieren den Wechsel der Jahreszeiten, Besucher:innen bringen verschiedene Akzente mit und nehmen sie wieder mit, Boote prägen den Alltag. [...] Ausgehend von meinem langjährigen Engagement für die Ökologie und meinem Bestreben, Formen der multispeziesbezogenen Umweltgerechtigkeit zu fördern, basiert mein Konzept für das LIAF 2027 auf der Überzeugung, dass Kunst einzigartige Wege des Zuhörens, Beobachtens und des Miteinanders eröffnet.»

Das Lofoten International Art Festival wurde 1991 gegründet und ist somit die älteste Kunstbiennale Skandinaviens. Es findet auf den Lofoten statt, einer Inselgruppe an der Nordwestküste von Sápmi/Norwegen, direkt oberhalb des Polarkreises.

Wir gratulieren Filipa Ramos herzlich zu ihrer Ernennung als künstlerische Leiterin des Lofoten International Art Festival 2027 und wünschen ihr viel Erfolg!

ℹ️ Weitere Informationen ➡️ nnks.no/en/news/filipa-ramos-appointed-curator-or-LIAF-2027-en

Join us next Wed 27.5. from 5.30 pm for the exhibition opening of Unfortunate Grammar at Atelier Mondial, following the first day of our spring symposium, The Political Dimension of Language.

Unfortunate Grammar
Amador e Jr. Segurança Patrimonial Ltda, Ina Yaelle Aline Hählen, Heather Phillipson, Amadeo Maria Schwaller, Po-Jen Wei, Max Zbinden
Curated by Sincerely
Opening Wed 27.5., 5.30 pm
Readings by Emma Bonven, Pat Homse, Ulas Toprak Fri 5.6., 5 pm
Exhibition 28.5. – 7.6.
Salon Mondial, Basel/Münchenstein
A collaboration between Atelier Mondial and Institute Art Gender Nature HGK Basel FHNW

For the eleventh time, Atelier Mondial and the Institute Art Gender Nature present a collaborative exhibition project that brings together art students with the international artists in residence at Atelier Mondial. This year’s edition is curated by Sincerely, a space organized by and for students. Working in close dialogue with the invited artists, Sincerely is approaching this exhibition as a collective process, shaping a format that reflects the spirit of exchange and mutual engagement that has defined this collaboration between Atelier Mondial and the Institute Art Gender Nature since 2015.

Moreover, the exhibition Unfortunate Grammar resonates with the concerns of the upcoming spring symposium of the Institute Art Gender Nature, The Political Dimension of Language, moderated by Chus Martínez and Quinn Latimer. The exhibition opening will take place on 26.5., following the first day of the symposium. Thinking language as a structure and system of redistribution of agency and power, the exhibition gathers artistic practices by students, residents of Atelier Mondial, and a symposium participant, Heather Phillipson, that attend to how forms of expression are shaped, displaced, and shared.

dertank.ch
ateliermondial.ch

#unfortunategrammar @antoniogonzagaamador #inayaellealinehählen @heatherphillipson @dressed.for.space @weipojen @maxzbinden @officiallyulas @_en_bonven_ @pat.homse @sincerely.iagn @edesazoya @oliviavidovic @elsmk00 @filipaaaaaaaaaaa @ql_ql_ql_ql @the_chus_martinez @ateliermondialart @hgkbasel_institutkunst @hgkbasel_fhnw

We continue our series introducing symposium guests with Sinzo Aanza, Skye Arundhati Thomas, Annelyse Gelman, and Mayte Gómez Molina.

SINZO AANZA is a Congolese writer and artist working among literature, the performing arts, and installation. His practice examines discourse, power, and the poetics and politics of fiction as a radical tool. The author of Généalogie d’une banalité (2015), Aanza develops research-based, text-driven works that circulate across international exhibitions, residencies, and literary platforms.

SKYE ARUNDHATI THOMAS is a writer from India. They are currently Associate Curator and Editor at TBA21. They are editor of Palestine is Everywhere (2025), an anthology of writing and art from and on Gaza. Their latest book, cowritten with Izabella Scott, is Pleasure Gardens: Blackouts and the Logic of Crisis in Kashmir (2024).

ANNELYSE GELMAN is writer and artist whose work spans poetry, sound, and performance. She is the author of Vexations (2023), winner of the James Laughlin Award and longlisted for the National Book Award, as well as Everyone I Love Is a Stranger to Someone (2014). Her album About Repulsion (2019), a collaboration with Jason Grier, is exploring intimacy, power, and vulnerability.

MAYTE GÓMEZ MOLINA is a writer, new media artist, and researcher from Granada. Her practice mixes writing and digital tools to create expanded formats of literature. She works with 3D, and VR, as well as with the normative book format. Her films have been exhibited internationally, and her first novel, La boca llena de trigo (2026) was published this spring. She is a lecturer at Institute Art Gender Nature HGK Basel FNHW.

1 Sinzo Aanza 📷 HG
2 Skye Arundhati Thomas
3 Annelyse Gelman 📷 riel Sturchio
4 Mayte Gómez Molina, Too much Instagram, 2021 (detail)
All images: courtesy of the guests

Spring Symposium, The Political Dimension of Language, 27. – 28.5., on-site and online, program: dertank.ch (link in bio).

#politicaldimensionoflanguage @sinzoaanza @skyita @annelysegelman @ingratabergman @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw @tba_21

We continue our series introducing symposium guests with Sinzo Aanza, Skye Arundhati Thomas, Annelyse Gelman, and Mayte Gómez Molina.

SINZO AANZA is a Congolese writer and artist working among literature, the performing arts, and installation. His practice examines discourse, power, and the poetics and politics of fiction as a radical tool. The author of Généalogie d’une banalité (2015), Aanza develops research-based, text-driven works that circulate across international exhibitions, residencies, and literary platforms.

SKYE ARUNDHATI THOMAS is a writer from India. They are currently Associate Curator and Editor at TBA21. They are editor of Palestine is Everywhere (2025), an anthology of writing and art from and on Gaza. Their latest book, cowritten with Izabella Scott, is Pleasure Gardens: Blackouts and the Logic of Crisis in Kashmir (2024).

ANNELYSE GELMAN is writer and artist whose work spans poetry, sound, and performance. She is the author of Vexations (2023), winner of the James Laughlin Award and longlisted for the National Book Award, as well as Everyone I Love Is a Stranger to Someone (2014). Her album About Repulsion (2019), a collaboration with Jason Grier, is exploring intimacy, power, and vulnerability.

MAYTE GÓMEZ MOLINA is a writer, new media artist, and researcher from Granada. Her practice mixes writing and digital tools to create expanded formats of literature. She works with 3D, and VR, as well as with the normative book format. Her films have been exhibited internationally, and her first novel, La boca llena de trigo (2026) was published this spring. She is a lecturer at Institute Art Gender Nature HGK Basel FNHW.

1 Sinzo Aanza 📷 HG
2 Skye Arundhati Thomas
3 Annelyse Gelman 📷 riel Sturchio
4 Mayte Gómez Molina, Too much Instagram, 2021 (detail)
All images: courtesy of the guests

Spring Symposium, The Political Dimension of Language, 27. – 28.5., on-site and online, program: dertank.ch (link in bio).

#politicaldimensionoflanguage @sinzoaanza @skyita @annelysegelman @ingratabergman @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw @tba_21

We continue our series introducing symposium guests with Sinzo Aanza, Skye Arundhati Thomas, Annelyse Gelman, and Mayte Gómez Molina.

SINZO AANZA is a Congolese writer and artist working among literature, the performing arts, and installation. His practice examines discourse, power, and the poetics and politics of fiction as a radical tool. The author of Généalogie d’une banalité (2015), Aanza develops research-based, text-driven works that circulate across international exhibitions, residencies, and literary platforms.

SKYE ARUNDHATI THOMAS is a writer from India. They are currently Associate Curator and Editor at TBA21. They are editor of Palestine is Everywhere (2025), an anthology of writing and art from and on Gaza. Their latest book, cowritten with Izabella Scott, is Pleasure Gardens: Blackouts and the Logic of Crisis in Kashmir (2024).

ANNELYSE GELMAN is writer and artist whose work spans poetry, sound, and performance. She is the author of Vexations (2023), winner of the James Laughlin Award and longlisted for the National Book Award, as well as Everyone I Love Is a Stranger to Someone (2014). Her album About Repulsion (2019), a collaboration with Jason Grier, is exploring intimacy, power, and vulnerability.

MAYTE GÓMEZ MOLINA is a writer, new media artist, and researcher from Granada. Her practice mixes writing and digital tools to create expanded formats of literature. She works with 3D, and VR, as well as with the normative book format. Her films have been exhibited internationally, and her first novel, La boca llena de trigo (2026) was published this spring. She is a lecturer at Institute Art Gender Nature HGK Basel FNHW.

1 Sinzo Aanza 📷 HG
2 Skye Arundhati Thomas
3 Annelyse Gelman 📷 riel Sturchio
4 Mayte Gómez Molina, Too much Instagram, 2021 (detail)
All images: courtesy of the guests

Spring Symposium, The Political Dimension of Language, 27. – 28.5., on-site and online, program: dertank.ch (link in bio).

#politicaldimensionoflanguage @sinzoaanza @skyita @annelysegelman @ingratabergman @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw @tba_21

We continue our series introducing symposium guests with Sinzo Aanza, Skye Arundhati Thomas, Annelyse Gelman, and Mayte Gómez Molina.

SINZO AANZA is a Congolese writer and artist working among literature, the performing arts, and installation. His practice examines discourse, power, and the poetics and politics of fiction as a radical tool. The author of Généalogie d’une banalité (2015), Aanza develops research-based, text-driven works that circulate across international exhibitions, residencies, and literary platforms.

SKYE ARUNDHATI THOMAS is a writer from India. They are currently Associate Curator and Editor at TBA21. They are editor of Palestine is Everywhere (2025), an anthology of writing and art from and on Gaza. Their latest book, cowritten with Izabella Scott, is Pleasure Gardens: Blackouts and the Logic of Crisis in Kashmir (2024).

ANNELYSE GELMAN is writer and artist whose work spans poetry, sound, and performance. She is the author of Vexations (2023), winner of the James Laughlin Award and longlisted for the National Book Award, as well as Everyone I Love Is a Stranger to Someone (2014). Her album About Repulsion (2019), a collaboration with Jason Grier, is exploring intimacy, power, and vulnerability.

MAYTE GÓMEZ MOLINA is a writer, new media artist, and researcher from Granada. Her practice mixes writing and digital tools to create expanded formats of literature. She works with 3D, and VR, as well as with the normative book format. Her films have been exhibited internationally, and her first novel, La boca llena de trigo (2026) was published this spring. She is a lecturer at Institute Art Gender Nature HGK Basel FNHW.

1 Sinzo Aanza 📷 HG
2 Skye Arundhati Thomas
3 Annelyse Gelman 📷 riel Sturchio
4 Mayte Gómez Molina, Too much Instagram, 2021 (detail)
All images: courtesy of the guests

Spring Symposium, The Political Dimension of Language, 27. – 28.5., on-site and online, program: dertank.ch (link in bio).

#politicaldimensionoflanguage @sinzoaanza @skyita @annelysegelman @ingratabergman @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw @tba_21

💬 THE POLITICAL DIMENSION OF LANGUAGE: FRÜHLINGSSYMPOSIUM DES INSTITUTE ART GENDER NATURE (IAGN) DER HGK BASEL 💬

Am Mittwoch und Donnerstag, 27./28. Mai 2026 findet unter dem Titel «The Political Dimension of Language» das öffentliche Frühlingssymposium des Institute Art Gender Nature (IAGN) der HGK Basel vor Ort in der Aula der HGK Basel sowie online via Live-Stream statt.

Sprache benennt die Welt nicht nur, sie erschafft sie. Wenn wir eine neue Welt schaffen wollen – und das wollen wir –, müssen wir bei der Sprache ansetzen. Das Frühlingssymposium des Institute Art Gender Nature (IAGN) der HGK Basel ist der Sprache in all ihren alten und neu entstehenden Formen und Technologien gewidmet.

Wie prägt Literatur, mit ihren vielfältigen Formen und Praktiken, unsere Wahrnehmung? Wie ermöglichen uns Erzählung, Metapher und linguistische Mehrdeutigkeit über hegemoniale Vorstellungen von Fortschritt hinauszudenken, aus vielfältigen Poetiken und kontinuierlichen Prozessen heraus zu fühlen und uns Dinge vorzustellen? Was bewirkt Sprache – gesprochen, gesungen, geschrieben, gesehen, entwertet, beschwörend, menschlich oder nicht – mitin unseren Körpern und Gesellschaften?

Das Symposium bringt unter dem Titel «The Political Dimension of Language» Poet:innen, Künstler:innen, Wissenschaftler:innen, Schriftsteller:innen und Filmemacher:innen zusammen – allesamt Autor:innen, deren eigenständig leuchtende Sprachen solche Fragen untersuchen und verkörpern.

Mit Beiträgen von Sinzo Aanza, Skye Arundhati Thomas, Anchan/Anna Daučíková, Skye Arundhati Thomas, Heike Geißler, Annelyse Gelman, Mayte Gómez Molina, Sophie Jung, Louis Lüthi, Ingo Niermann, Heather Phillipson, Mark Turner und Simone White

Im Anschluss an den ersten Tag des Symposiums, am Mittwoch, 27. Mai 2026, wird ab 17.30 Uhr im unmittelbar neben der HGK Basel gelegenen Atelier Mondial eine von Sincerely kuratierte Gruppenausstellung eröffnet.

ℹ️ Weitere Informationen ➡️ dertank.ch/symposia/#thepoliticaldimensionoflanguage

#hgkbasel_fhnw #art_education #design_education @fhnw.ch@hgkbasel_institutkunst #kunst #bildende_kunst #art #fine_arts #gender #nature @the_chus_martinez #iagn