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Some impressions from yesterday’s great contributions by Sinzo Aanza, Anchan/Anna Daučíková, Annelyse Gelman, Mayte Gómez Molina, Mark Turner, and Simone White, as well as by Chus Martínez and Quinn Latimer, during the first day of our spring symposium.

Please join us today for DAY II of The Political Dimension of Language, from 10 am at HGK Basel FHNW and online.
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

1 – 2 Simone White
3 Anchan/Anna Daučíková
4 Sinzo Aanza
5 Mayte Gómez Molina
6 Annelyse Gelman
7 Mark Turner
8 Chus Martínez and Quinn Latimer
📷 Christian Knörr

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw

Some impressions from yesterday’s great contributions by Sinzo Aanza, Anchan/Anna Daučíková, Annelyse Gelman, Mayte Gómez Molina, Mark Turner, and Simone White, as well as by Chus Martínez and Quinn Latimer, during the first day of our spring symposium.

Please join us today for DAY II of The Political Dimension of Language, from 10 am at HGK Basel FHNW and online.
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

1 – 2 Simone White
3 Anchan/Anna Daučíková
4 Sinzo Aanza
5 Mayte Gómez Molina
6 Annelyse Gelman
7 Mark Turner
8 Chus Martínez and Quinn Latimer
📷 Christian Knörr

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw

Some impressions from yesterday’s great contributions by Sinzo Aanza, Anchan/Anna Daučíková, Annelyse Gelman, Mayte Gómez Molina, Mark Turner, and Simone White, as well as by Chus Martínez and Quinn Latimer, during the first day of our spring symposium.

Please join us today for DAY II of The Political Dimension of Language, from 10 am at HGK Basel FHNW and online.
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

1 – 2 Simone White
3 Anchan/Anna Daučíková
4 Sinzo Aanza
5 Mayte Gómez Molina
6 Annelyse Gelman
7 Mark Turner
8 Chus Martínez and Quinn Latimer
📷 Christian Knörr

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw

Some impressions from yesterday’s great contributions by Sinzo Aanza, Anchan/Anna Daučíková, Annelyse Gelman, Mayte Gómez Molina, Mark Turner, and Simone White, as well as by Chus Martínez and Quinn Latimer, during the first day of our spring symposium.

Please join us today for DAY II of The Political Dimension of Language, from 10 am at HGK Basel FHNW and online.
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

1 – 2 Simone White
3 Anchan/Anna Daučíková
4 Sinzo Aanza
5 Mayte Gómez Molina
6 Annelyse Gelman
7 Mark Turner
8 Chus Martínez and Quinn Latimer
📷 Christian Knörr

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw

Some impressions from yesterday’s great contributions by Sinzo Aanza, Anchan/Anna Daučíková, Annelyse Gelman, Mayte Gómez Molina, Mark Turner, and Simone White, as well as by Chus Martínez and Quinn Latimer, during the first day of our spring symposium.

Please join us today for DAY II of The Political Dimension of Language, from 10 am at HGK Basel FHNW and online.
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

1 – 2 Simone White
3 Anchan/Anna Daučíková
4 Sinzo Aanza
5 Mayte Gómez Molina
6 Annelyse Gelman
7 Mark Turner
8 Chus Martínez and Quinn Latimer
📷 Christian Knörr

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw

Some impressions from yesterday’s great contributions by Sinzo Aanza, Anchan/Anna Daučíková, Annelyse Gelman, Mayte Gómez Molina, Mark Turner, and Simone White, as well as by Chus Martínez and Quinn Latimer, during the first day of our spring symposium.

Please join us today for DAY II of The Political Dimension of Language, from 10 am at HGK Basel FHNW and online.
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

1 – 2 Simone White
3 Anchan/Anna Daučíková
4 Sinzo Aanza
5 Mayte Gómez Molina
6 Annelyse Gelman
7 Mark Turner
8 Chus Martínez and Quinn Latimer
📷 Christian Knörr

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw

Some impressions from yesterday’s great contributions by Sinzo Aanza, Anchan/Anna Daučíková, Annelyse Gelman, Mayte Gómez Molina, Mark Turner, and Simone White, as well as by Chus Martínez and Quinn Latimer, during the first day of our spring symposium.

Please join us today for DAY II of The Political Dimension of Language, from 10 am at HGK Basel FHNW and online.
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

1 – 2 Simone White
3 Anchan/Anna Daučíková
4 Sinzo Aanza
5 Mayte Gómez Molina
6 Annelyse Gelman
7 Mark Turner
8 Chus Martínez and Quinn Latimer
📷 Christian Knörr

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw

Some impressions from yesterday’s great contributions by Sinzo Aanza, Anchan/Anna Daučíková, Annelyse Gelman, Mayte Gómez Molina, Mark Turner, and Simone White, as well as by Chus Martínez and Quinn Latimer, during the first day of our spring symposium.

Please join us today for DAY II of The Political Dimension of Language, from 10 am at HGK Basel FHNW and online.
Livestream → live.hgk.fhnw.ch/iagn-symposium (link in bio)

DAY II • 28.5.2026
Part 3
10.00 am • Welcome by Chus Martínez and Quinn Latimer
10.15 am • Quinn Latimer, The Offscreen Voice (Drones and Drones)
10.30 am • Heather Phillipson, My Literary Origin Story
11.20 am • Louis Lüthi, The Work of Composition
Noon • Lunch break

Part 4
2.00 pm • Heike Geißler, Mitschrift (online)
2.25 pm • Sophie Jung, To Snare a Sensibility in Words
3.05 pm • Ingo Niermann, Hieroglyphs of the Monadic Age
3.40 pm • Break
3.55 pm • Skye Arundhati Thomas, Writing History (online)
4.30 pm • Round-up of DAY II
5.00 pm • End of DAY II

dertank.ch (link in bio)

1 – 2 Simone White
3 Anchan/Anna Daučíková
4 Sinzo Aanza
5 Mayte Gómez Molina
6 Annelyse Gelman
7 Mark Turner
8 Chus Martínez and Quinn Latimer
📷 Christian Knörr

#politicaldimensionoflanguage @sinzoaanza @skyita #anchanannadaučíková @heike_geissler @annelysegelman @ingratabergman @___sophie___jung___ #louislüthi @ingoniermann @heatherphillipson #markturner #simonewhite @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw

We continue our series introducing symposium guests with Sinzo Aanza, Skye Arundhati Thomas, Annelyse Gelman, and Mayte Gómez Molina.

SINZO AANZA is a Congolese writer and artist working among literature, the performing arts, and installation. His practice examines discourse, power, and the poetics and politics of fiction as a radical tool. The author of Généalogie d’une banalité (2015), Aanza develops research-based, text-driven works that circulate across international exhibitions, residencies, and literary platforms.

SKYE ARUNDHATI THOMAS is a writer from India. They are currently Associate Curator and Editor at TBA21. They are editor of Palestine is Everywhere (2025), an anthology of writing and art from and on Gaza. Their latest book, cowritten with Izabella Scott, is Pleasure Gardens: Blackouts and the Logic of Crisis in Kashmir (2024).

ANNELYSE GELMAN is writer and artist whose work spans poetry, sound, and performance. She is the author of Vexations (2023), winner of the James Laughlin Award and longlisted for the National Book Award, as well as Everyone I Love Is a Stranger to Someone (2014). Her album About Repulsion (2019), a collaboration with Jason Grier, is exploring intimacy, power, and vulnerability.

MAYTE GÓMEZ MOLINA is a writer, new media artist, and researcher from Granada. Her practice mixes writing and digital tools to create expanded formats of literature. She works with 3D, and VR, as well as with the normative book format. Her films have been exhibited internationally, and her first novel, La boca llena de trigo (2026) was published this spring. She is a lecturer at Institute Art Gender Nature HGK Basel FNHW.

1 Sinzo Aanza 📷 HG
2 Skye Arundhati Thomas
3 Annelyse Gelman 📷 riel Sturchio
4 Mayte Gómez Molina, Too much Instagram, 2021 (detail)
All images: courtesy of the guests

Spring Symposium, The Political Dimension of Language, 27. – 28.5., on-site and online, program: dertank.ch (link in bio).

#politicaldimensionoflanguage @sinzoaanza @skyita @annelysegelman @ingratabergman @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw @tba_21

We continue our series introducing symposium guests with Sinzo Aanza, Skye Arundhati Thomas, Annelyse Gelman, and Mayte Gómez Molina.

SINZO AANZA is a Congolese writer and artist working among literature, the performing arts, and installation. His practice examines discourse, power, and the poetics and politics of fiction as a radical tool. The author of Généalogie d’une banalité (2015), Aanza develops research-based, text-driven works that circulate across international exhibitions, residencies, and literary platforms.

SKYE ARUNDHATI THOMAS is a writer from India. They are currently Associate Curator and Editor at TBA21. They are editor of Palestine is Everywhere (2025), an anthology of writing and art from and on Gaza. Their latest book, cowritten with Izabella Scott, is Pleasure Gardens: Blackouts and the Logic of Crisis in Kashmir (2024).

ANNELYSE GELMAN is writer and artist whose work spans poetry, sound, and performance. She is the author of Vexations (2023), winner of the James Laughlin Award and longlisted for the National Book Award, as well as Everyone I Love Is a Stranger to Someone (2014). Her album About Repulsion (2019), a collaboration with Jason Grier, is exploring intimacy, power, and vulnerability.

MAYTE GÓMEZ MOLINA is a writer, new media artist, and researcher from Granada. Her practice mixes writing and digital tools to create expanded formats of literature. She works with 3D, and VR, as well as with the normative book format. Her films have been exhibited internationally, and her first novel, La boca llena de trigo (2026) was published this spring. She is a lecturer at Institute Art Gender Nature HGK Basel FNHW.

1 Sinzo Aanza 📷 HG
2 Skye Arundhati Thomas
3 Annelyse Gelman 📷 riel Sturchio
4 Mayte Gómez Molina, Too much Instagram, 2021 (detail)
All images: courtesy of the guests

Spring Symposium, The Political Dimension of Language, 27. – 28.5., on-site and online, program: dertank.ch (link in bio).

#politicaldimensionoflanguage @sinzoaanza @skyita @annelysegelman @ingratabergman @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw @tba_21

We continue our series introducing symposium guests with Sinzo Aanza, Skye Arundhati Thomas, Annelyse Gelman, and Mayte Gómez Molina.

SINZO AANZA is a Congolese writer and artist working among literature, the performing arts, and installation. His practice examines discourse, power, and the poetics and politics of fiction as a radical tool. The author of Généalogie d’une banalité (2015), Aanza develops research-based, text-driven works that circulate across international exhibitions, residencies, and literary platforms.

SKYE ARUNDHATI THOMAS is a writer from India. They are currently Associate Curator and Editor at TBA21. They are editor of Palestine is Everywhere (2025), an anthology of writing and art from and on Gaza. Their latest book, cowritten with Izabella Scott, is Pleasure Gardens: Blackouts and the Logic of Crisis in Kashmir (2024).

ANNELYSE GELMAN is writer and artist whose work spans poetry, sound, and performance. She is the author of Vexations (2023), winner of the James Laughlin Award and longlisted for the National Book Award, as well as Everyone I Love Is a Stranger to Someone (2014). Her album About Repulsion (2019), a collaboration with Jason Grier, is exploring intimacy, power, and vulnerability.

MAYTE GÓMEZ MOLINA is a writer, new media artist, and researcher from Granada. Her practice mixes writing and digital tools to create expanded formats of literature. She works with 3D, and VR, as well as with the normative book format. Her films have been exhibited internationally, and her first novel, La boca llena de trigo (2026) was published this spring. She is a lecturer at Institute Art Gender Nature HGK Basel FNHW.

1 Sinzo Aanza 📷 HG
2 Skye Arundhati Thomas
3 Annelyse Gelman 📷 riel Sturchio
4 Mayte Gómez Molina, Too much Instagram, 2021 (detail)
All images: courtesy of the guests

Spring Symposium, The Political Dimension of Language, 27. – 28.5., on-site and online, program: dertank.ch (link in bio).

#politicaldimensionoflanguage @sinzoaanza @skyita @annelysegelman @ingratabergman @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw @tba_21

We continue our series introducing symposium guests with Sinzo Aanza, Skye Arundhati Thomas, Annelyse Gelman, and Mayte Gómez Molina.

SINZO AANZA is a Congolese writer and artist working among literature, the performing arts, and installation. His practice examines discourse, power, and the poetics and politics of fiction as a radical tool. The author of Généalogie d’une banalité (2015), Aanza develops research-based, text-driven works that circulate across international exhibitions, residencies, and literary platforms.

SKYE ARUNDHATI THOMAS is a writer from India. They are currently Associate Curator and Editor at TBA21. They are editor of Palestine is Everywhere (2025), an anthology of writing and art from and on Gaza. Their latest book, cowritten with Izabella Scott, is Pleasure Gardens: Blackouts and the Logic of Crisis in Kashmir (2024).

ANNELYSE GELMAN is writer and artist whose work spans poetry, sound, and performance. She is the author of Vexations (2023), winner of the James Laughlin Award and longlisted for the National Book Award, as well as Everyone I Love Is a Stranger to Someone (2014). Her album About Repulsion (2019), a collaboration with Jason Grier, is exploring intimacy, power, and vulnerability.

MAYTE GÓMEZ MOLINA is a writer, new media artist, and researcher from Granada. Her practice mixes writing and digital tools to create expanded formats of literature. She works with 3D, and VR, as well as with the normative book format. Her films have been exhibited internationally, and her first novel, La boca llena de trigo (2026) was published this spring. She is a lecturer at Institute Art Gender Nature HGK Basel FNHW.

1 Sinzo Aanza 📷 HG
2 Skye Arundhati Thomas
3 Annelyse Gelman 📷 riel Sturchio
4 Mayte Gómez Molina, Too much Instagram, 2021 (detail)
All images: courtesy of the guests

Spring Symposium, The Political Dimension of Language, 27. – 28.5., on-site and online, program: dertank.ch (link in bio).

#politicaldimensionoflanguage @sinzoaanza @skyita @annelysegelman @ingratabergman @ql_ql_ql_ql @the_chus_martinez @marion_ritzmann @hgkbasel_institutkunst @hgkbasel_fhnw @tba_21

"Une archéologie de la nuit",
Galerie Imane Farès, Paris, until june 6.
The exhibition explores what remains buried or invisible: hidden languages, fragmented narratives, and the shadowy areas of politics and memory. Night becomes both method and territory, allowing for a shift in modes of reading and perception. For this occasion, the writer Karim Kattan was invited to contribute a magnificent text of dialogue and expansion, which can be discovered alongside the artworks. Writing is central, not only as content but also as a visual and spatial structure, inviting the viewer to move between signs, silences, and discontinuous narratives.
Images: Tadzio, Bouvy Enkobo, HG

@imanefaresgalerie #karimkattan #litterature #memory #exhibition #contemporaryart

"Une archéologie de la nuit",
Galerie Imane Farès, Paris, until june 6.
The exhibition explores what remains buried or invisible: hidden languages, fragmented narratives, and the shadowy areas of politics and memory. Night becomes both method and territory, allowing for a shift in modes of reading and perception. For this occasion, the writer Karim Kattan was invited to contribute a magnificent text of dialogue and expansion, which can be discovered alongside the artworks. Writing is central, not only as content but also as a visual and spatial structure, inviting the viewer to move between signs, silences, and discontinuous narratives.
Images: Tadzio, Bouvy Enkobo, HG

@imanefaresgalerie #karimkattan #litterature #memory #exhibition #contemporaryart

"Une archéologie de la nuit",
Galerie Imane Farès, Paris, until june 6.
The exhibition explores what remains buried or invisible: hidden languages, fragmented narratives, and the shadowy areas of politics and memory. Night becomes both method and territory, allowing for a shift in modes of reading and perception. For this occasion, the writer Karim Kattan was invited to contribute a magnificent text of dialogue and expansion, which can be discovered alongside the artworks. Writing is central, not only as content but also as a visual and spatial structure, inviting the viewer to move between signs, silences, and discontinuous narratives.
Images: Tadzio, Bouvy Enkobo, HG

@imanefaresgalerie #karimkattan #litterature #memory #exhibition #contemporaryart

"Une archéologie de la nuit",
Galerie Imane Farès, Paris, until june 6.
The exhibition explores what remains buried or invisible: hidden languages, fragmented narratives, and the shadowy areas of politics and memory. Night becomes both method and territory, allowing for a shift in modes of reading and perception. For this occasion, the writer Karim Kattan was invited to contribute a magnificent text of dialogue and expansion, which can be discovered alongside the artworks. Writing is central, not only as content but also as a visual and spatial structure, inviting the viewer to move between signs, silences, and discontinuous narratives.
Images: Tadzio, Bouvy Enkobo, HG

@imanefaresgalerie #karimkattan #litterature #memory #exhibition #contemporaryart

"Une archéologie de la nuit",
Galerie Imane Farès, Paris, until june 6.
The exhibition explores what remains buried or invisible: hidden languages, fragmented narratives, and the shadowy areas of politics and memory. Night becomes both method and territory, allowing for a shift in modes of reading and perception. For this occasion, the writer Karim Kattan was invited to contribute a magnificent text of dialogue and expansion, which can be discovered alongside the artworks. Writing is central, not only as content but also as a visual and spatial structure, inviting the viewer to move between signs, silences, and discontinuous narratives.
Images: Tadzio, Bouvy Enkobo, HG

@imanefaresgalerie #karimkattan #litterature #memory #exhibition #contemporaryart

"Une archéologie de la nuit",
Galerie Imane Farès, Paris, until june 6.
The exhibition explores what remains buried or invisible: hidden languages, fragmented narratives, and the shadowy areas of politics and memory. Night becomes both method and territory, allowing for a shift in modes of reading and perception. For this occasion, the writer Karim Kattan was invited to contribute a magnificent text of dialogue and expansion, which can be discovered alongside the artworks. Writing is central, not only as content but also as a visual and spatial structure, inviting the viewer to move between signs, silences, and discontinuous narratives.
Images: Tadzio, Bouvy Enkobo, HG

@imanefaresgalerie #karimkattan #litterature #memory #exhibition #contemporaryart

Nous sommes ravi·e·s de vous annoncer l’ouverture prochaine de l’exposition personnelle de Sinzo Aanza, Une archéologie de la nuit, à la galerie Imane Farès. Retrouvez-nous le samedi 11 avril pour le vernissage, de 15h à 20h !

Dans le cadre du Festival des Gestes de la Recherche à l'ÉSAD de Grenoble, Sinzo Aanza présentera ce jeudi 26 mars The Uninterrupted Sound of the City, une performance qui utilise des archives sonores historiques pour offrir une relecture artistique des liens entre le Congo et l’Europe. 

♦

We are delighted to announce the upcoming solo exhibition of Sinzo Aanza, Une archéologie de la nuit (An Archaeology of the Night), at Imane Farès Gallery. Join us on Saturday, April 11, for the opening, from 3 pm to 8 pm!

As part of the Festival des Gestes de la Recherche at ÉSAD Grenoble, Sinzo Aanza will also present The Uninterrupted Sound of the City on Thursday, March 26, a performance that draws on historical sound archives to offer an artistic reinterpretation of the connections between Congo and Europe.

Photo: Sinzo Aanza,The Sky Map of Mbwila from the installation Analog Statistics, 2024. Photo by Ela Bialkowska, OKNO Studio for PinchukArtCentre/Future Generation Art Prize.

@sinzoaanza

« The lord is dead, long life to the lord ».
En incluant des photos de Hans Himmelheber à son œuvre, l’artiste Sinzo Aanza (@sinzoaanza ) interroge les mécanismes du pouvoir et de l’injustice en République démocratique du Congo 🇨🇩 . De l’esclavage aux conflits récents, en passant par la colonisation et le régime de Mobutu, il redonne voix aux acteurs
congolais et questionne les pratiques du marché de l’art.

—
#cooperation @museumrietberg @musee.mucat @musee.des.civilisations.ci @rotondedesarts

« The lord is dead, long life to the lord ».
En incluant des photos de Hans Himmelheber à son œuvre, l’artiste Sinzo Aanza (@sinzoaanza ) interroge les mécanismes du pouvoir et de l’injustice en République démocratique du Congo 🇨🇩 . De l’esclavage aux conflits récents, en passant par la colonisation et le régime de Mobutu, il redonne voix aux acteurs
congolais et questionne les pratiques du marché de l’art.

—
#cooperation @museumrietberg @musee.mucat @musee.des.civilisations.ci @rotondedesarts

« The lord is dead, long life to the lord ».
En incluant des photos de Hans Himmelheber à son œuvre, l’artiste Sinzo Aanza (@sinzoaanza ) interroge les mécanismes du pouvoir et de l’injustice en République démocratique du Congo 🇨🇩 . De l’esclavage aux conflits récents, en passant par la colonisation et le régime de Mobutu, il redonne voix aux acteurs
congolais et questionne les pratiques du marché de l’art.

—
#cooperation @museumrietberg @musee.mucat @musee.des.civilisations.ci @rotondedesarts

« The lord is dead, long life to the lord ».
En incluant des photos de Hans Himmelheber à son œuvre, l’artiste Sinzo Aanza (@sinzoaanza ) interroge les mécanismes du pouvoir et de l’injustice en République démocratique du Congo 🇨🇩 . De l’esclavage aux conflits récents, en passant par la colonisation et le régime de Mobutu, il redonne voix aux acteurs
congolais et questionne les pratiques du marché de l’art.

—
#cooperation @museumrietberg @musee.mucat @musee.des.civilisations.ci @rotondedesarts

« The lord is dead, long life to the lord ».
En incluant des photos de Hans Himmelheber à son œuvre, l’artiste Sinzo Aanza (@sinzoaanza ) interroge les mécanismes du pouvoir et de l’injustice en République démocratique du Congo 🇨🇩 . De l’esclavage aux conflits récents, en passant par la colonisation et le régime de Mobutu, il redonne voix aux acteurs
congolais et questionne les pratiques du marché de l’art.

—
#cooperation @museumrietberg @musee.mucat @musee.des.civilisations.ci @rotondedesarts

« The lord is dead, long life to the lord ».
En incluant des photos de Hans Himmelheber à son œuvre, l’artiste Sinzo Aanza (@sinzoaanza ) interroge les mécanismes du pouvoir et de l’injustice en République démocratique du Congo 🇨🇩 . De l’esclavage aux conflits récents, en passant par la colonisation et le régime de Mobutu, il redonne voix aux acteurs
congolais et questionne les pratiques du marché de l’art.

—
#cooperation @museumrietberg @musee.mucat @musee.des.civilisations.ci @rotondedesarts

I give warm thanks to the audience of the 36th Ljubljana Biennale! Many thanks to Chus Martínez for her magnificent curation and her generosity with ideas and the exploration of possibilities! Many thanks to the dedicated and caring team of the Ljubljana Biennale! Many thanks to all the wonderful artists I met at the Biennale, as well as to my gallery and my family!

Photo: Urška Boljkovac. MGLC Archive.

@mglcljubljana @the_chus_martinez @imanefaresgalerie #art #drawing #biennale #audience

I give warm thanks to the audience of the 36th Ljubljana Biennale! Many thanks to Chus Martínez for her magnificent curation and her generosity with ideas and the exploration of possibilities! Many thanks to the dedicated and caring team of the Ljubljana Biennale! Many thanks to all the wonderful artists I met at the Biennale, as well as to my gallery and my family!

Photo: Urška Boljkovac. MGLC Archive.

@mglcljubljana @the_chus_martinez @imanefaresgalerie #art #drawing #biennale #audience

I give warm thanks to the audience of the 36th Ljubljana Biennale! Many thanks to Chus Martínez for her magnificent curation and her generosity with ideas and the exploration of possibilities! Many thanks to the dedicated and caring team of the Ljubljana Biennale! Many thanks to all the wonderful artists I met at the Biennale, as well as to my gallery and my family!

Photo: Urška Boljkovac. MGLC Archive.

@mglcljubljana @the_chus_martinez @imanefaresgalerie #art #drawing #biennale #audience

I give warm thanks to the audience of the 36th Ljubljana Biennale! Many thanks to Chus Martínez for her magnificent curation and her generosity with ideas and the exploration of possibilities! Many thanks to the dedicated and caring team of the Ljubljana Biennale! Many thanks to all the wonderful artists I met at the Biennale, as well as to my gallery and my family!

Photo: Urška Boljkovac. MGLC Archive.

@mglcljubljana @the_chus_martinez @imanefaresgalerie #art #drawing #biennale #audience

My Zurich studio was open for tours, with the participation of two magnificent artists: Luc Gut and Sixte Kakinda, with a view to further developing of work in congolese Katanga and Kivu regions. Wonderful people visited: family, friends, colleagues, collectors, politicians, curators, critics, art and ideas lovers, and more. We say thanks !

#art #katanga #zurich #studiovisit #contemporaryart #openstudio #kivu #paintingart #technologies #drawing

My Zurich studio was open for tours, with the participation of two magnificent artists: Luc Gut and Sixte Kakinda, with a view to further developing of work in congolese Katanga and Kivu regions. Wonderful people visited: family, friends, colleagues, collectors, politicians, curators, critics, art and ideas lovers, and more. We say thanks !

#art #katanga #zurich #studiovisit #contemporaryart #openstudio #kivu #paintingart #technologies #drawing

My Zurich studio was open for tours, with the participation of two magnificent artists: Luc Gut and Sixte Kakinda, with a view to further developing of work in congolese Katanga and Kivu regions. Wonderful people visited: family, friends, colleagues, collectors, politicians, curators, critics, art and ideas lovers, and more. We say thanks !

#art #katanga #zurich #studiovisit #contemporaryart #openstudio #kivu #paintingart #technologies #drawing

My Zurich studio was open for tours, with the participation of two magnificent artists: Luc Gut and Sixte Kakinda, with a view to further developing of work in congolese Katanga and Kivu regions. Wonderful people visited: family, friends, colleagues, collectors, politicians, curators, critics, art and ideas lovers, and more. We say thanks !

#art #katanga #zurich #studiovisit #contemporaryart #openstudio #kivu #paintingart #technologies #drawing

My Zurich studio was open for tours, with the participation of two magnificent artists: Luc Gut and Sixte Kakinda, with a view to further developing of work in congolese Katanga and Kivu regions. Wonderful people visited: family, friends, colleagues, collectors, politicians, curators, critics, art and ideas lovers, and more. We say thanks !

#art #katanga #zurich #studiovisit #contemporaryart #openstudio #kivu #paintingart #technologies #drawing

My Zurich studio was open for tours, with the participation of two magnificent artists: Luc Gut and Sixte Kakinda, with a view to further developing of work in congolese Katanga and Kivu regions. Wonderful people visited: family, friends, colleagues, collectors, politicians, curators, critics, art and ideas lovers, and more. We say thanks !

#art #katanga #zurich #studiovisit #contemporaryart #openstudio #kivu #paintingart #technologies #drawing

My Zurich studio was open for tours, with the participation of two magnificent artists: Luc Gut and Sixte Kakinda, with a view to further developing of work in congolese Katanga and Kivu regions. Wonderful people visited: family, friends, colleagues, collectors, politicians, curators, critics, art and ideas lovers, and more. We say thanks !

#art #katanga #zurich #studiovisit #contemporaryart #openstudio #kivu #paintingart #technologies #drawing

My Zurich studio was open for tours, with the participation of two magnificent artists: Luc Gut and Sixte Kakinda, with a view to further developing of work in congolese Katanga and Kivu regions. Wonderful people visited: family, friends, colleagues, collectors, politicians, curators, critics, art and ideas lovers, and more. We say thanks !

#art #katanga #zurich #studiovisit #contemporaryart #openstudio #kivu #paintingart #technologies #drawing

My Zurich studio was open for tours, with the participation of two magnificent artists: Luc Gut and Sixte Kakinda, with a view to further developing of work in congolese Katanga and Kivu regions. Wonderful people visited: family, friends, colleagues, collectors, politicians, curators, critics, art and ideas lovers, and more. We say thanks !

#art #katanga #zurich #studiovisit #contemporaryart #openstudio #kivu #paintingart #technologies #drawing

My Zurich studio was open for tours, with the participation of two magnificent artists: Luc Gut and Sixte Kakinda, with a view to further developing of work in congolese Katanga and Kivu regions. Wonderful people visited: family, friends, colleagues, collectors, politicians, curators, critics, art and ideas lovers, and more. We say thanks !

#art #katanga #zurich #studiovisit #contemporaryart #openstudio #kivu #paintingart #technologies #drawing

My Zurich studio was open for tours, with the participation of two magnificent artists: Luc Gut and Sixte Kakinda, with a view to further developing of work in congolese Katanga and Kivu regions. Wonderful people visited: family, friends, colleagues, collectors, politicians, curators, critics, art and ideas lovers, and more. We say thanks !

#art #katanga #zurich #studiovisit #contemporaryart #openstudio #kivu #paintingart #technologies #drawing

My Zurich studio was open for tours, with the participation of two magnificent artists: Luc Gut and Sixte Kakinda, with a view to further developing of work in congolese Katanga and Kivu regions. Wonderful people visited: family, friends, colleagues, collectors, politicians, curators, critics, art and ideas lovers, and more. We say thanks !

#art #katanga #zurich #studiovisit #contemporaryart #openstudio #kivu #paintingart #technologies #drawing

Africa Basel Conversations – Wednesday, 19 June
Join us for a day of critical dialogue and cultural exchange at the heart of the fair. From restitution to representation, our invited artists, curators, and thinkers explore what shapes contemporary African art today.

Location:
Ackermannshof, Basel
Talks begin at 13:15
Full programme at africabasel.com
#AfricaBasel #ArtWeekBasel #AfricanArtNow #ContemporaryAfrica #Restitution #artafrica

Book launch in Cologne,
"SPUREN", a translation of contemporary African theatre
#theaterderzeit
#translation
#africolognefestival
#theater
#cologne #spüren #aristidetarnagda
#sarahyoussef #kouamtawa #dieudonnéniangouna

Book launch in Cologne,
"SPUREN", a translation of contemporary African theatre
#theaterderzeit
#translation
#africolognefestival
#theater
#cologne #spüren #aristidetarnagda
#sarahyoussef #kouamtawa #dieudonnéniangouna

Book launch in Cologne,
"SPUREN", a translation of contemporary African theatre
#theaterderzeit
#translation
#africolognefestival
#theater
#cologne #spüren #aristidetarnagda
#sarahyoussef #kouamtawa #dieudonnéniangouna

Book launch in Cologne,
"SPUREN", a translation of contemporary African theatre
#theaterderzeit
#translation
#africolognefestival
#theater
#cologne #spüren #aristidetarnagda
#sarahyoussef #kouamtawa #dieudonnéniangouna

Book launch in Cologne,
"SPUREN", a translation of contemporary African theatre
#theaterderzeit
#translation
#africolognefestival
#theater
#cologne #spüren #aristidetarnagda
#sarahyoussef #kouamtawa #dieudonnéniangouna

"The pedestal is a flowerpot"
Installation completed in Tivoli Park for the 36th biennale of Ljubljana
These drawings are parts of the projet "The Irregular Line".
#ljubljanabiennale
#tivoli #contemporaryart #installationart
#drawing #ljubljana #mglcljubljana #biennale

"The pedestal is a flowerpot"
Installation completed in Tivoli Park for the 36th biennale of Ljubljana
These drawings are parts of the projet "The Irregular Line".
#ljubljanabiennale
#tivoli #contemporaryart #installationart
#drawing #ljubljana #mglcljubljana #biennale

"The pedestal is a flowerpot"
Installation completed in Tivoli Park for the 36th biennale of Ljubljana
These drawings are parts of the projet "The Irregular Line".
#ljubljanabiennale
#tivoli #contemporaryart #installationart
#drawing #ljubljana #mglcljubljana #biennale

"The pedestal is a flowerpot"
Installation completed in Tivoli Park for the 36th biennale of Ljubljana
These drawings are parts of the projet "The Irregular Line".
#ljubljanabiennale
#tivoli #contemporaryart #installationart
#drawing #ljubljana #mglcljubljana #biennale

"The pedestal is a flowerpot"
Installation completed in Tivoli Park for the 36th biennale of Ljubljana
These drawings are parts of the projet "The Irregular Line".
#ljubljanabiennale
#tivoli #contemporaryart #installationart
#drawing #ljubljana #mglcljubljana #biennale

The panels of Ljubljana's magnificent Tivoli Park tell a captivating story of oil. Today, we're showcasing the 70 drawings from my series "The Pedestal is a Flowerpot," part of my project "The Irregular Line," for the 70th year of the Ljubljana Biennale.

#ljubljanabiennale #contemporary #art #contemporaryart #biennale #drawing #tivoli #gardenart #garden

The panels of Ljubljana's magnificent Tivoli Park tell a captivating story of oil. Today, we're showcasing the 70 drawings from my series "The Pedestal is a Flowerpot," part of my project "The Irregular Line," for the 70th year of the Ljubljana Biennale.

#ljubljanabiennale #contemporary #art #contemporaryart #biennale #drawing #tivoli #gardenart #garden

The panels of Ljubljana's magnificent Tivoli Park tell a captivating story of oil. Today, we're showcasing the 70 drawings from my series "The Pedestal is a Flowerpot," part of my project "The Irregular Line," for the 70th year of the Ljubljana Biennale.

#ljubljanabiennale #contemporary #art #contemporaryart #biennale #drawing #tivoli #gardenart #garden

Ljubljana
#ljubljanabiennale #slovenia #ljubljana #art #contemporary #citytour

Ljubljana
#ljubljanabiennale #slovenia #ljubljana #art #contemporary #citytour

Ljubljana
#ljubljanabiennale #slovenia #ljubljana #art #contemporary #citytour

Ljubljana
#ljubljanabiennale #slovenia #ljubljana #art #contemporary #citytour

Ljubljana
#ljubljanabiennale #slovenia #ljubljana #art #contemporary #citytour

Ljubljana
#ljubljanabiennale #slovenia #ljubljana #art #contemporary #citytour

Ljubljana
#ljubljanabiennale #slovenia #ljubljana #art #contemporary #citytour

Ljubljana
#ljubljanabiennale #slovenia #ljubljana #art #contemporary #citytour

Ljubljana
#ljubljanabiennale #slovenia #ljubljana #art #contemporary #citytour

Ljubljana
#ljubljanabiennale #slovenia #ljubljana #art #contemporary #citytour