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ether_link
joyce₊⁎⁺˳✧༚₊
an audio-visual movement experience as part of @platform.presents’ Asian Heritage Week Naarm edition, in partnership with @interconnectstudio
31.05
ticket link in bio
//
direction, choreography by @ether_link
performance by @ate_cheska_ @taichi.ishii1965 @alnerborce @ether_link
lighting/fx by @joli.boardman @inkala.xyz
sound design by @88rontan
dj sets by @sinresolver55555 @ilyypad
venue at @interconnectstudio
//
graphic credits
direction, talent by @ether_link
photography, edit by @carlinandcamera
set by @ether_link @carlinandcamera
assist, bts by @jemerry.christmas
graphic edit by @ether_link w/ @honey_star.s assist x
“红”/ Hóng
Direction/Movement Direction: @ether_link
DP: @0ojin_
Production house: @bourgeois_av
Sound design: @88rontan
Set Assist/BTS: @ackergray
Grip: @88rontan
Grade: @joshnai.mov
Edit: @ether_link @joshnai.mov
Top made by @haevn.ly
Styling/HMU/Talent: @ether_link
🌹
INTERLINK_CELLS
may 31
the intersection of organic and inorganic bodies
ticket link in bio
direction, performance, edit: @ether_link
videography, lighting, colourgrade: @carlinandcamera
set: @ether_link @carlinandcamera
assist: @jemerry.christmas
song: AAAAK @hsxchcxcxhs
☆☆
dc: @ether_link
dancers: @puisabel_ @florence.kurniawan @lugofigoo @yazzy_middleton @builiilii @maggie.wm_
@o2studios
song: a point most crucial @c_a_r_r_i_e_r_
thank you for all your beautiful expressions!!
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
@o2studios 🪷
chorey: @ether_link
w/ @puisabel_ and @florence.kurniawan
song: “serendipity march” - @kangding_ray
VIVISECTION Runway and Performance.
To be ripped apart, dissected. Birth, death, rebirth, shedding, power.
November 14th, tickets in bio.
🐍
Performance by KHYA @_mamacitxx
Music production and curation by MIRASIA @mirasia
Choreography by Joyce Liu @ether_link
VHS footage by @4nge1iine
Guarda le Storie di Instagram in Segreto
Il Visualizzatore Storie Instagram è uno strumento facile da usare che ti permette di guardare e salvare le storie, video, foto o IGTV di Instagram in modo segreto. Con questo servizio puoi scaricare contenuti e goderteli offline ogni volta che vuoi. Se trovi qualcosa di interessante su Instagram che vorresti rivedere più tardi o vuoi vedere le storie restando anonimo, il nostro Visualizzatore è perfetto per te. Anonstories offre una soluzione eccellente per mantenere la tua identità nascosta. Instagram ha lanciato per la prima volta la funzionalità Storie nell'agosto 2023, che è stata rapidamente adottata da altre piattaforme per il suo formato coinvolgente e tempestivo. Le storie permettono agli utenti di condividere aggiornamenti rapidi, che siano foto, video o selfie, arricchiti con testo, emoji o filtri, e sono visibili per solo 24 ore. Questo limite di tempo crea un forte coinvolgimento rispetto ai post normali. Oggi, le storie sono uno dei modi più popolari per connettersi e comunicare sui social media. Tuttavia, quando guardi una storia, il creatore può vedere il tuo nome nella loro lista di visualizzatori, il che potrebbe essere un problema per la privacy. E se desiderassi navigare tra le storie senza essere notato? Ecco dove Anonstories diventa utile. Ti consente di guardare contenuti pubblici su Instagram senza rivelare la tua identità. Basta inserire il nome utente del profilo che ti interessa e lo strumento mostrerà le sue ultime storie. Funzionalità del Visualizzatore Anonstories: - Navigazione Anonima: Guarda le storie senza apparire nella lista di visualizzazione. - Nessun Account Necessario: Visualizza contenuti pubblici senza registrarti su Instagram. - Download dei Contenuti: Salva qualsiasi contenuto delle storie direttamente sul tuo dispositivo per un uso offline. - Guarda i Punti Salienti: Accedi ai punti salienti di Instagram, anche oltre la finestra di 24 ore. - Monitoraggio dei Repost: Tieni traccia dei repost o dei livelli di interazione nelle storie per i profili personali. Limitazioni: - Questo strumento funziona solo con account pubblici; gli account privati restano inaccessibili. Vantaggi: - Privacy: Guarda qualsiasi contenuto su Instagram senza essere notato. - Semplice e Facile: Nessuna installazione di app o registrazione richiesta. - Strumenti Esclusivi: Scarica e gestisci contenuti in modi che Instagram non offre.
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