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jonathon
Jonathon Burford
Multidisciplinary Designer & Creative Director for brands like @levis @farfetch @jimmychoo @facegym @mackage |Trinidadian & English
An electric car caught fire after it crashed in front of the circus liquor store in North Hollywood earlier this week and I honestly can’t think of anything more beautiful. Please don’t tell me Los Angeles doesn’t have culture.
An electric car caught fire after it crashed in front of the circus liquor store in North Hollywood earlier this week and I honestly can’t think of anything more beautiful. Please don’t tell me Los Angeles doesn’t have culture.
An electric car caught fire after it crashed in front of the circus liquor store in North Hollywood earlier this week and I honestly can’t think of anything more beautiful. Please don’t tell me Los Angeles doesn’t have culture.
Creative director @jonathon Burford and their interior-designer husband, @omedezin co-founder @jesserudolph, fell in love with a home in one of Los Angeles’s most delightfully diverse neighborhoods. The catch? The house itself leaned traditional. That just meant they’d have to, as they put it, “layer in our weirdness.” Read more from our February 2024 digital cover story at the 🔗 in bio.
Photography by @aaronbengo
Styling by @randibrookmanharris
Words by @julievadnal
We spent a morning with @Jonathon inside their LA home for a conversation around the inspirations that shape his creative world—from archival books to the city of LA itself.
Just as important to their creative process is their wind down time at the end of the day, a moment where they give themselves permission to slow down and reset. Read the full conversation at the link in bio. 💫
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
Stop asking me to go to brunch. I’m spending my Sunday at the flea market — buying a set of obscure aluminum chairs and a glass Coke bottle suspended in an acrylic block.
Stop asking me to go to brunch. I’m spending my Sunday at the flea market — buying a set of obscure aluminum chairs and a glass Coke bottle suspended in an acrylic block.
Stop asking me to go to brunch. I’m spending my Sunday at the flea market — buying a set of obscure aluminum chairs and a glass Coke bottle suspended in an acrylic block.
Stop asking me to go to brunch. I’m spending my Sunday at the flea market — buying a set of obscure aluminum chairs and a glass Coke bottle suspended in an acrylic block.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
We don’t have national monuments, we have vanity license plates. Please don’t tell me los angeles doesn’t have culture: LIP FILR 2026
We don’t have national monuments, we have vanity license plates. Please don’t tell me los angeles doesn’t have culture: LIP FILR 2026
I recently discovered the Ozempic Cybertruck in LA — $69 a week and a QR code away from being thin. Imagine trying to explain this to a Victorian child. Please don’t tell me that Los Angeles doesn’t have culture: Skinny Cyber truck acrylic on canvas.
I recently discovered the Ozempic Cybertruck in LA — $69 a week and a QR code away from being thin. Imagine trying to explain this to a Victorian child. Please don’t tell me that Los Angeles doesn’t have culture: Skinny Cyber truck acrylic on canvas.
I recently discovered the Ozempic Cybertruck in LA — $69 a week and a QR code away from being thin. Imagine trying to explain this to a Victorian child. Please don’t tell me that Los Angeles doesn’t have culture: Skinny Cyber truck acrylic on canvas.
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
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