Instagram Story Viewer
View Instagram Stories Anonymously
jonathon
Jonathon Burford
Multidisciplinary Designer & Creative Director for brands like @levis @farfetch @jimmychoo @facegym @mackage |Trinidadian & English
An electric car caught fire after it crashed in front of the circus liquor store in North Hollywood earlier this week and I honestly can’t think of anything more beautiful. Please don’t tell me Los Angeles doesn’t have culture.
An electric car caught fire after it crashed in front of the circus liquor store in North Hollywood earlier this week and I honestly can’t think of anything more beautiful. Please don’t tell me Los Angeles doesn’t have culture.
An electric car caught fire after it crashed in front of the circus liquor store in North Hollywood earlier this week and I honestly can’t think of anything more beautiful. Please don’t tell me Los Angeles doesn’t have culture.
Creative director @jonathon Burford and their interior-designer husband, @omedezin co-founder @jesserudolph, fell in love with a home in one of Los Angeles’s most delightfully diverse neighborhoods. The catch? The house itself leaned traditional. That just meant they’d have to, as they put it, “layer in our weirdness.” Read more from our February 2024 digital cover story at the 🔗 in bio.
Photography by @aaronbengo
Styling by @randibrookmanharris
Words by @julievadnal
We spent a morning with @Jonathon inside their LA home for a conversation around the inspirations that shape his creative world—from archival books to the city of LA itself.
Just as important to their creative process is their wind down time at the end of the day, a moment where they give themselves permission to slow down and reset. Read the full conversation at the link in bio. 💫
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
Stop asking me to go to brunch. I’m spending my Sunday at the flea market — buying a set of obscure aluminum chairs and a glass Coke bottle suspended in an acrylic block.
Stop asking me to go to brunch. I’m spending my Sunday at the flea market — buying a set of obscure aluminum chairs and a glass Coke bottle suspended in an acrylic block.
Stop asking me to go to brunch. I’m spending my Sunday at the flea market — buying a set of obscure aluminum chairs and a glass Coke bottle suspended in an acrylic block.
Stop asking me to go to brunch. I’m spending my Sunday at the flea market — buying a set of obscure aluminum chairs and a glass Coke bottle suspended in an acrylic block.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
We don’t have national monuments, we have vanity license plates. Please don’t tell me los angeles doesn’t have culture: LIP FILR 2026
We don’t have national monuments, we have vanity license plates. Please don’t tell me los angeles doesn’t have culture: LIP FILR 2026
I recently discovered the Ozempic Cybertruck in LA — $69 a week and a QR code away from being thin. Imagine trying to explain this to a Victorian child. Please don’t tell me that Los Angeles doesn’t have culture: Skinny Cyber truck acrylic on canvas.
I recently discovered the Ozempic Cybertruck in LA — $69 a week and a QR code away from being thin. Imagine trying to explain this to a Victorian child. Please don’t tell me that Los Angeles doesn’t have culture: Skinny Cyber truck acrylic on canvas.
I recently discovered the Ozempic Cybertruck in LA — $69 a week and a QR code away from being thin. Imagine trying to explain this to a Victorian child. Please don’t tell me that Los Angeles doesn’t have culture: Skinny Cyber truck acrylic on canvas.
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.