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_andywebb
Andy Webb
Graphic designer and sometimes a person who makes things. @andyandywebb for objects and such.
Naarm Melbourne 👋
Reminding myself to share some client work more than once a year 🙂 A project from last year with @blurrbureau What a team.
Design / Art Direction: Myself and @darkovski.alex
CD: @jessicadimcevski
Naming / Copy: @patrickyova
Photography: @phamstapham
Account Director: Jess Chote
Reminding myself to share some client work more than once a year 🙂 A project from last year with @blurrbureau What a team.
Design / Art Direction: Myself and @darkovski.alex
CD: @jessicadimcevski
Naming / Copy: @patrickyova
Photography: @phamstapham
Account Director: Jess Chote
Reminding myself to share some client work more than once a year 🙂 A project from last year with @blurrbureau What a team.
Design / Art Direction: Myself and @darkovski.alex
CD: @jessicadimcevski
Naming / Copy: @patrickyova
Photography: @phamstapham
Account Director: Jess Chote
Reminding myself to share some client work more than once a year 🙂 A project from last year with @blurrbureau What a team.
Design / Art Direction: Myself and @darkovski.alex
CD: @jessicadimcevski
Naming / Copy: @patrickyova
Photography: @phamstapham
Account Director: Jess Chote
Reminding myself to share some client work more than once a year 🙂 A project from last year with @blurrbureau What a team.
Design / Art Direction: Myself and @darkovski.alex
CD: @jessicadimcevski
Naming / Copy: @patrickyova
Photography: @phamstapham
Account Director: Jess Chote
Reminding myself to share some client work more than once a year 🙂 A project from last year with @blurrbureau What a team.
Design / Art Direction: Myself and @darkovski.alex
CD: @jessicadimcevski
Naming / Copy: @patrickyova
Photography: @phamstapham
Account Director: Jess Chote
Reminding myself to share some client work more than once a year 🙂 A project from last year with @blurrbureau What a team.
Design / Art Direction: Myself and @darkovski.alex
CD: @jessicadimcevski
Naming / Copy: @patrickyova
Photography: @phamstapham
Account Director: Jess Chote
Reminding myself to share some client work more than once a year 🙂 A project from last year with @blurrbureau What a team.
Design / Art Direction: Myself and @darkovski.alex
CD: @jessicadimcevski
Naming / Copy: @patrickyova
Photography: @phamstapham
Account Director: Jess Chote
Drew this as I was thinking about what apple trees are doing when it’s dark. I posted this to my story yesterday and I got some really nice responses (🥲) so I thought I’d post as well.
Sometimes it’s nice to make a thing. I made a new IG page to share things I make if you’re into that kind of thing over at ➡️ @andyandywebb
Formant Lamp, Prototype (2025)
English Elm, Birch Ply
Both a functional source of light and a sculptural piece, the lamp takes cues from the structure of acoustic enclosures exploring how light, like sound, resonates within a space, shaping and influencing its environment.
Build with assistance (all the hardest parts) from the talented @ka_rastudio
Exhibited as a part of ‘100 Lights’ by Friends and Associates (Melbourne Design Week, 2025)
Sometimes it’s nice to make a thing. I made a new IG page to share things I make if you’re into that kind of thing over at ➡️ @andyandywebb
Formant Lamp, Prototype (2025)
English Elm, Birch Ply
Both a functional source of light and a sculptural piece, the lamp takes cues from the structure of acoustic enclosures exploring how light, like sound, resonates within a space, shaping and influencing its environment.
Build with assistance (all the hardest parts) from the talented @ka_rastudio
Exhibited as a part of ‘100 Lights’ by Friends and Associates (Melbourne Design Week, 2025)
Identity and label for @societydelarassi with the best folks over at @blurrbureau (2024)
Identity and label for @societydelarassi with the best folks over at @blurrbureau (2024)
Exhibition cards for @ceresfairwood ‘s ‘Origin to Object’, a part of Melbourne Design Week 2023. With inspiration drawn from historical botanical documentation, these cards told the story of each species of timber used in the exhibition — highlighting the timbers unique origins from grower to miller and finally the maker.
Exhibition and curation by @ceresfairwood
Stand fabrication by @ceresreboxco
Typeface by @matterofsorts
Exhibition cards for @ceresfairwood ‘s ‘Origin to Object’, a part of Melbourne Design Week 2023. With inspiration drawn from historical botanical documentation, these cards told the story of each species of timber used in the exhibition — highlighting the timbers unique origins from grower to miller and finally the maker.
Exhibition and curation by @ceresfairwood
Stand fabrication by @ceresreboxco
Typeface by @matterofsorts
Exhibition cards for @ceresfairwood ‘s ‘Origin to Object’, a part of Melbourne Design Week 2023. With inspiration drawn from historical botanical documentation, these cards told the story of each species of timber used in the exhibition — highlighting the timbers unique origins from grower to miller and finally the maker.
Exhibition and curation by @ceresfairwood
Stand fabrication by @ceresreboxco
Typeface by @matterofsorts
A favourite from the archive (2020) — brand identity for archival and designer clothing store @sozoamour
Logo set in type by @slobzheninov / @futurefonts with supporting type by @matterofsorts
A favourite from the archive (2020) — brand identity for archival and designer clothing store @sozoamour
Logo set in type by @slobzheninov / @futurefonts with supporting type by @matterofsorts
Exhibition booklet for @ka_rastudio Kindred Forms exhibition late last year. An incredible range of side tables influenced by iconic mechanical companions from science fiction history.
Exhibition booklet for @ka_rastudio Kindred Forms exhibition late last year. An incredible range of side tables influenced by iconic mechanical companions from science fiction history.
Exhibition booklet for @ka_rastudio Kindred Forms exhibition late last year. An incredible range of side tables influenced by iconic mechanical companions from science fiction history.
Exhibition booklet for @ka_rastudio Kindred Forms exhibition late last year. An incredible range of side tables influenced by iconic mechanical companions from science fiction history.
Exhibition booklet for @ka_rastudio Kindred Forms exhibition late last year. An incredible range of side tables influenced by iconic mechanical companions from science fiction history.
Exhibition booklet for @ka_rastudio Kindred Forms exhibition late last year. An incredible range of side tables influenced by iconic mechanical companions from science fiction history.
Coasters for @johnlauriephoto, fastest shutter finger in the business. Design and copy by me, printing by the good folks over at @pinkyprint.co ✌️
Coasters for @johnlauriephoto, fastest shutter finger in the business. Design and copy by me, printing by the good folks over at @pinkyprint.co ✌️
Coasters for @johnlauriephoto, fastest shutter finger in the business. Design and copy by me, printing by the good folks over at @pinkyprint.co ✌️
Coasters for @johnlauriephoto, fastest shutter finger in the business. Design and copy by me, printing by the good folks over at @pinkyprint.co ✌️
pause. screen fatigue.
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#drawings #illustration #textart #typography #graphicdesign #poster #print #artprint #design #language #typedesign #typographyart #minimalart #designfeed #artoftype #posterdesign #lofi #typematters
road trip. (landscape 1/3)
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#drawings #illustration #textart #typography #graphicdesign #poster #print #artprint #design #language #typedesign #typographyart #minimalart #designfeed #artoftype #posterdesign #lofi #typematters
Our contribution to Origin to Object presented by @ceresfairwood and @ngvmelbourne — introducing the ‘Medley’ series. A collaboration between us, Katrina Ramm of Ka Ra Studio (@ka_rastudio) and Andy Webb (@_andywebb).
The series, alongside 10 other incredible works are on display within Origin to Object at Abbotsford Convent (Industrial School) for Melbourne Design Week 2023 showing until this Sunday (28th May).
The pieces, a free-standing lamp and two side tables were created using a selection of contrasting timber species provided by CERES Fair Wood — all sustainably sourced from a range of incredible agroforesters, small-scale farm foresters and urban salvagers. Three native Australian timber species were selected for the project to showcase and highlight the breadth and tonal variety in native Australian timbers — the exact origin of which have been document above (swipe across).
The form of the series, which although is more complex internally to allow for minimal material wastage, utilises a more playful and naive approach with its simple stacked construction externally. This allows for the piece to appear more exaggerated in scale while still remaining quite low in weight and small in footprint.
In their final form the pieces arrive back full circle, evoking the natural gradient seen across the stacked racks of timber boards in the Fair Wood HQ.
Thank you to Kate and everybody at CERES Fair Wood for having us involved in the exhibition — an incredible bunch of people that have done such an amazing job with not only this exhibition, but with everything they do to hero these amazing materials.
Exhibition: Origin to Object presented by CERES Fair Wood
Venue: Abbotsford Convent (Industrial School) @abbotsfordconvent @cityofyarra
Location: Wurundjeri Country — 1 St Heliers St, Abbotsford VIC 3067
Dates: 22nd – 28th May 2023 (10am – 4pm / Free Entry)
Event Information: designweek.melbourne/events/origin-to-object/ (link in bio)
Exhibition Creative Credits:
Curation: Kate Sutton @ceresfairwood
Photography: @northside_studio
Typeface: @matterofsorts
Design: @_andywebb #melbournedesignweek2023 #ngvmelbourne #furnituredesign #australiandesign
Our contribution to Origin to Object presented by @ceresfairwood and @ngvmelbourne — introducing the ‘Medley’ series. A collaboration between us, Katrina Ramm of Ka Ra Studio (@ka_rastudio) and Andy Webb (@_andywebb).
The series, alongside 10 other incredible works are on display within Origin to Object at Abbotsford Convent (Industrial School) for Melbourne Design Week 2023 showing until this Sunday (28th May).
The pieces, a free-standing lamp and two side tables were created using a selection of contrasting timber species provided by CERES Fair Wood — all sustainably sourced from a range of incredible agroforesters, small-scale farm foresters and urban salvagers. Three native Australian timber species were selected for the project to showcase and highlight the breadth and tonal variety in native Australian timbers — the exact origin of which have been document above (swipe across).
The form of the series, which although is more complex internally to allow for minimal material wastage, utilises a more playful and naive approach with its simple stacked construction externally. This allows for the piece to appear more exaggerated in scale while still remaining quite low in weight and small in footprint.
In their final form the pieces arrive back full circle, evoking the natural gradient seen across the stacked racks of timber boards in the Fair Wood HQ.
Thank you to Kate and everybody at CERES Fair Wood for having us involved in the exhibition — an incredible bunch of people that have done such an amazing job with not only this exhibition, but with everything they do to hero these amazing materials.
Exhibition: Origin to Object presented by CERES Fair Wood
Venue: Abbotsford Convent (Industrial School) @abbotsfordconvent @cityofyarra
Location: Wurundjeri Country — 1 St Heliers St, Abbotsford VIC 3067
Dates: 22nd – 28th May 2023 (10am – 4pm / Free Entry)
Event Information: designweek.melbourne/events/origin-to-object/ (link in bio)
Exhibition Creative Credits:
Curation: Kate Sutton @ceresfairwood
Photography: @northside_studio
Typeface: @matterofsorts
Design: @_andywebb #melbournedesignweek2023 #ngvmelbourne #furnituredesign #australiandesign
Our contribution to Origin to Object presented by @ceresfairwood and @ngvmelbourne — introducing the ‘Medley’ series. A collaboration between us, Katrina Ramm of Ka Ra Studio (@ka_rastudio) and Andy Webb (@_andywebb).
The series, alongside 10 other incredible works are on display within Origin to Object at Abbotsford Convent (Industrial School) for Melbourne Design Week 2023 showing until this Sunday (28th May).
The pieces, a free-standing lamp and two side tables were created using a selection of contrasting timber species provided by CERES Fair Wood — all sustainably sourced from a range of incredible agroforesters, small-scale farm foresters and urban salvagers. Three native Australian timber species were selected for the project to showcase and highlight the breadth and tonal variety in native Australian timbers — the exact origin of which have been document above (swipe across).
The form of the series, which although is more complex internally to allow for minimal material wastage, utilises a more playful and naive approach with its simple stacked construction externally. This allows for the piece to appear more exaggerated in scale while still remaining quite low in weight and small in footprint.
In their final form the pieces arrive back full circle, evoking the natural gradient seen across the stacked racks of timber boards in the Fair Wood HQ.
Thank you to Kate and everybody at CERES Fair Wood for having us involved in the exhibition — an incredible bunch of people that have done such an amazing job with not only this exhibition, but with everything they do to hero these amazing materials.
Exhibition: Origin to Object presented by CERES Fair Wood
Venue: Abbotsford Convent (Industrial School) @abbotsfordconvent @cityofyarra
Location: Wurundjeri Country — 1 St Heliers St, Abbotsford VIC 3067
Dates: 22nd – 28th May 2023 (10am – 4pm / Free Entry)
Event Information: designweek.melbourne/events/origin-to-object/ (link in bio)
Exhibition Creative Credits:
Curation: Kate Sutton @ceresfairwood
Photography: @northside_studio
Typeface: @matterofsorts
Design: @_andywebb #melbournedesignweek2023 #ngvmelbourne #furnituredesign #australiandesign
Our contribution to Origin to Object presented by @ceresfairwood and @ngvmelbourne — introducing the ‘Medley’ series. A collaboration between us, Katrina Ramm of Ka Ra Studio (@ka_rastudio) and Andy Webb (@_andywebb).
The series, alongside 10 other incredible works are on display within Origin to Object at Abbotsford Convent (Industrial School) for Melbourne Design Week 2023 showing until this Sunday (28th May).
The pieces, a free-standing lamp and two side tables were created using a selection of contrasting timber species provided by CERES Fair Wood — all sustainably sourced from a range of incredible agroforesters, small-scale farm foresters and urban salvagers. Three native Australian timber species were selected for the project to showcase and highlight the breadth and tonal variety in native Australian timbers — the exact origin of which have been document above (swipe across).
The form of the series, which although is more complex internally to allow for minimal material wastage, utilises a more playful and naive approach with its simple stacked construction externally. This allows for the piece to appear more exaggerated in scale while still remaining quite low in weight and small in footprint.
In their final form the pieces arrive back full circle, evoking the natural gradient seen across the stacked racks of timber boards in the Fair Wood HQ.
Thank you to Kate and everybody at CERES Fair Wood for having us involved in the exhibition — an incredible bunch of people that have done such an amazing job with not only this exhibition, but with everything they do to hero these amazing materials.
Exhibition: Origin to Object presented by CERES Fair Wood
Venue: Abbotsford Convent (Industrial School) @abbotsfordconvent @cityofyarra
Location: Wurundjeri Country — 1 St Heliers St, Abbotsford VIC 3067
Dates: 22nd – 28th May 2023 (10am – 4pm / Free Entry)
Event Information: designweek.melbourne/events/origin-to-object/ (link in bio)
Exhibition Creative Credits:
Curation: Kate Sutton @ceresfairwood
Photography: @northside_studio
Typeface: @matterofsorts
Design: @_andywebb #melbournedesignweek2023 #ngvmelbourne #furnituredesign #australiandesign
Our contribution to Origin to Object presented by @ceresfairwood and @ngvmelbourne — introducing the ‘Medley’ series. A collaboration between us, Katrina Ramm of Ka Ra Studio (@ka_rastudio) and Andy Webb (@_andywebb).
The series, alongside 10 other incredible works are on display within Origin to Object at Abbotsford Convent (Industrial School) for Melbourne Design Week 2023 showing until this Sunday (28th May).
The pieces, a free-standing lamp and two side tables were created using a selection of contrasting timber species provided by CERES Fair Wood — all sustainably sourced from a range of incredible agroforesters, small-scale farm foresters and urban salvagers. Three native Australian timber species were selected for the project to showcase and highlight the breadth and tonal variety in native Australian timbers — the exact origin of which have been document above (swipe across).
The form of the series, which although is more complex internally to allow for minimal material wastage, utilises a more playful and naive approach with its simple stacked construction externally. This allows for the piece to appear more exaggerated in scale while still remaining quite low in weight and small in footprint.
In their final form the pieces arrive back full circle, evoking the natural gradient seen across the stacked racks of timber boards in the Fair Wood HQ.
Thank you to Kate and everybody at CERES Fair Wood for having us involved in the exhibition — an incredible bunch of people that have done such an amazing job with not only this exhibition, but with everything they do to hero these amazing materials.
Exhibition: Origin to Object presented by CERES Fair Wood
Venue: Abbotsford Convent (Industrial School) @abbotsfordconvent @cityofyarra
Location: Wurundjeri Country — 1 St Heliers St, Abbotsford VIC 3067
Dates: 22nd – 28th May 2023 (10am – 4pm / Free Entry)
Event Information: designweek.melbourne/events/origin-to-object/ (link in bio)
Exhibition Creative Credits:
Curation: Kate Sutton @ceresfairwood
Photography: @northside_studio
Typeface: @matterofsorts
Design: @_andywebb #melbournedesignweek2023 #ngvmelbourne #furnituredesign #australiandesign
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Instagramストーリービューアは、Instagramストーリー、動画、写真、またはIGTVを秘密に見たり保存したりできる簡単なツールです。このサービスを使用すると、コンテンツをダウンロードして、いつでもオフラインで楽しむことができます。Instagramで後でチェックしたいものを見つけた場合や、匿名でストーリーを見たい場合、このビューアは最適です。Anonstoriesは、あなたの身元を隠すための優れたソリューションを提供します。Instagramは2023年8月にストーリー機能を導入し、すぐに他のプラットフォームでも採用されました。このフォーマットは魅力的で、時間に敏感なため、ユーザーが写真、動画、または自撮りをテキスト、絵文字、またはフィルターで強化して、24時間限定で公開することができます。この限られた時間枠は、通常の投稿に比べて高いエンゲージメントを生み出します。今日の世界では、ストーリーはソーシャルメディアでつながり、コミュニケーションをとる最も人気のある方法の1つです。しかし、ストーリーを視聴すると、作成者は自分の名前を視聴者リストに見ることができ、プライバシーの懸念があります。もしストーリーを目立たずに閲覧したい場合、ここでAnonstoriesが役立ちます。これを使うことで、自分の身元を明かさずにInstagramのコンテンツを視聴できます。単に調べたいプロファイルのユーザー名を入力すると、その人の最新のストーリーが表示されます。Anonstoriesビューアの特徴：- 匿名閲覧：視聴リストに名前が表示されずにストーリーを視聴 - アカウント不要：Instagramのアカウントにサインインせずに公開コンテンツを視聴 - コンテンツダウンロード：ストーリーコンテンツを直接デバイスに保存してオフラインで使用 - ハイライト視聴：24時間を過ぎてもInstagramのハイライトにアクセス - リポストモニタリング：個人プロファイルのストーリーに対するリポストやエンゲージメントのレベルを追跡 制限事項：- このツールは公開アカウントでのみ動作し、非公開アカウントはアクセスできません。 利点：- プライバシー保護：Instagramのコンテンツを匿名で閲覧可能 - シンプルで簡単：アプリのインストールや登録は不要 - 独自のツール：Instagramが提供していない方法でコンテンツをダウンロードおよび管理可能
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