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artengine
Artengine
A space for arts, research and technology located in Ottawa, Canada
We're excited to act as producer for Canadian media artist Sylvia Grace Borda as she takes her latest work to the 61st Venice Biennale 2026 ( @labiennale )
Sylvia has been selected as one of 10 artists to exhibit at the Republic of Nauru Climate Pavilion @nauru_biennale_venezia (AIM Inundated: Imagining Life After Land), curated by Khaled Ramadan. Her exhibition responds to this year's Biennale theme, In Minor Keys.
Drawing from the intertidal shorelines of Nanaimo, BC (traditional unceded territory of the Snuneymuxw First Nation), Sylvia's works make the argument that Nanaimo and Nauru are not distant opposites but two shores of the same imperilled ocean.
Her Venice presentation includes: Blanketed by Oceans, wearable textile installations that collapse the distance between the North and South Pacific; Shoreline Debris, camera-less photograms of decaying algae and seagrass, charting what climate warming is already erasing; and Intertidal Cantos, immersive real-time films of clams, starfish, and sea anemones living at the tidal edge.
Pavilion dates: May 9 – November 22, 2026 📍 Calle Bosello 3683, Castello, Venice
And the journey doesn't end in Venice: Sylvia's work returns to ArtEngine for exhibition in Summer 2027, with a phased residency to deepen these themes.
#VeniceBiennale2026 #SylviaGraceBorda #ArtEngine #ClimateArt #MediaArt #OceanArt #NauruPavilion #InMinorKeys #CanadianArt #Intertidal #BlanketeByOceans #ContemporaryArt
We're excited to act as producer for Canadian media artist Sylvia Grace Borda as she takes her latest work to the 61st Venice Biennale 2026 ( @labiennale )
Sylvia has been selected as one of 10 artists to exhibit at the Republic of Nauru Climate Pavilion @nauru_biennale_venezia (AIM Inundated: Imagining Life After Land), curated by Khaled Ramadan. Her exhibition responds to this year's Biennale theme, In Minor Keys.
Drawing from the intertidal shorelines of Nanaimo, BC (traditional unceded territory of the Snuneymuxw First Nation), Sylvia's works make the argument that Nanaimo and Nauru are not distant opposites but two shores of the same imperilled ocean.
Her Venice presentation includes: Blanketed by Oceans, wearable textile installations that collapse the distance between the North and South Pacific; Shoreline Debris, camera-less photograms of decaying algae and seagrass, charting what climate warming is already erasing; and Intertidal Cantos, immersive real-time films of clams, starfish, and sea anemones living at the tidal edge.
Pavilion dates: May 9 – November 22, 2026 📍 Calle Bosello 3683, Castello, Venice
And the journey doesn't end in Venice: Sylvia's work returns to ArtEngine for exhibition in Summer 2027, with a phased residency to deepen these themes.
#VeniceBiennale2026 #SylviaGraceBorda #ArtEngine #ClimateArt #MediaArt #OceanArt #NauruPavilion #InMinorKeys #CanadianArt #Intertidal #BlanketeByOceans #ContemporaryArt
We're excited to act as producer for Canadian media artist Sylvia Grace Borda as she takes her latest work to the 61st Venice Biennale 2026 ( @labiennale )
Sylvia has been selected as one of 10 artists to exhibit at the Republic of Nauru Climate Pavilion @nauru_biennale_venezia (AIM Inundated: Imagining Life After Land), curated by Khaled Ramadan. Her exhibition responds to this year's Biennale theme, In Minor Keys.
Drawing from the intertidal shorelines of Nanaimo, BC (traditional unceded territory of the Snuneymuxw First Nation), Sylvia's works make the argument that Nanaimo and Nauru are not distant opposites but two shores of the same imperilled ocean.
Her Venice presentation includes: Blanketed by Oceans, wearable textile installations that collapse the distance between the North and South Pacific; Shoreline Debris, camera-less photograms of decaying algae and seagrass, charting what climate warming is already erasing; and Intertidal Cantos, immersive real-time films of clams, starfish, and sea anemones living at the tidal edge.
Pavilion dates: May 9 – November 22, 2026 📍 Calle Bosello 3683, Castello, Venice
And the journey doesn't end in Venice: Sylvia's work returns to ArtEngine for exhibition in Summer 2027, with a phased residency to deepen these themes.
#VeniceBiennale2026 #SylviaGraceBorda #ArtEngine #ClimateArt #MediaArt #OceanArt #NauruPavilion #InMinorKeys #CanadianArt #Intertidal #BlanketeByOceans #ContemporaryArt
We're excited to act as producer for Canadian media artist Sylvia Grace Borda as she takes her latest work to the 61st Venice Biennale 2026 ( @labiennale )
Sylvia has been selected as one of 10 artists to exhibit at the Republic of Nauru Climate Pavilion @nauru_biennale_venezia (AIM Inundated: Imagining Life After Land), curated by Khaled Ramadan. Her exhibition responds to this year's Biennale theme, In Minor Keys.
Drawing from the intertidal shorelines of Nanaimo, BC (traditional unceded territory of the Snuneymuxw First Nation), Sylvia's works make the argument that Nanaimo and Nauru are not distant opposites but two shores of the same imperilled ocean.
Her Venice presentation includes: Blanketed by Oceans, wearable textile installations that collapse the distance between the North and South Pacific; Shoreline Debris, camera-less photograms of decaying algae and seagrass, charting what climate warming is already erasing; and Intertidal Cantos, immersive real-time films of clams, starfish, and sea anemones living at the tidal edge.
Pavilion dates: May 9 – November 22, 2026 📍 Calle Bosello 3683, Castello, Venice
And the journey doesn't end in Venice: Sylvia's work returns to ArtEngine for exhibition in Summer 2027, with a phased residency to deepen these themes.
#VeniceBiennale2026 #SylviaGraceBorda #ArtEngine #ClimateArt #MediaArt #OceanArt #NauruPavilion #InMinorKeys #CanadianArt #Intertidal #BlanketeByOceans #ContemporaryArt
We're excited to act as producer for Canadian media artist Sylvia Grace Borda as she takes her latest work to the 61st Venice Biennale 2026 ( @labiennale )
Sylvia has been selected as one of 10 artists to exhibit at the Republic of Nauru Climate Pavilion @nauru_biennale_venezia (AIM Inundated: Imagining Life After Land), curated by Khaled Ramadan. Her exhibition responds to this year's Biennale theme, In Minor Keys.
Drawing from the intertidal shorelines of Nanaimo, BC (traditional unceded territory of the Snuneymuxw First Nation), Sylvia's works make the argument that Nanaimo and Nauru are not distant opposites but two shores of the same imperilled ocean.
Her Venice presentation includes: Blanketed by Oceans, wearable textile installations that collapse the distance between the North and South Pacific; Shoreline Debris, camera-less photograms of decaying algae and seagrass, charting what climate warming is already erasing; and Intertidal Cantos, immersive real-time films of clams, starfish, and sea anemones living at the tidal edge.
Pavilion dates: May 9 – November 22, 2026 📍 Calle Bosello 3683, Castello, Venice
And the journey doesn't end in Venice: Sylvia's work returns to ArtEngine for exhibition in Summer 2027, with a phased residency to deepen these themes.
#VeniceBiennale2026 #SylviaGraceBorda #ArtEngine #ClimateArt #MediaArt #OceanArt #NauruPavilion #InMinorKeys #CanadianArt #Intertidal #BlanketeByOceans #ContemporaryArt
🏰 Apt613 has found an apartment with the coolest roommates!
🖨️ For the first time ever, Apt613 will have an actual office space, and it’s already one of our highlights of the year. We'll be the organization in residence, with @artengineat @artscourt, and we’re incredibly grateful and excited for this opportunity!
📫This next chapter gives us space to be closer to artists and collaborators, and to root ourselves more deeply in the arts community we serve. It also opens up new ways of working together, from storytelling to shared programming.
📍Find us at Artengine!
April 2026 – March 2027
We can’t wait to see you there!
📸: @remitheriault
🏰 Apt613 has found an apartment with the coolest roommates!
🖨️ For the first time ever, Apt613 will have an actual office space, and it’s already one of our highlights of the year. We'll be the organization in residence, with @artengineat @artscourt, and we’re incredibly grateful and excited for this opportunity!
📫This next chapter gives us space to be closer to artists and collaborators, and to root ourselves more deeply in the arts community we serve. It also opens up new ways of working together, from storytelling to shared programming.
📍Find us at Artengine!
April 2026 – March 2027
We can’t wait to see you there!
📸: @remitheriault
🏰 Apt613 has found an apartment with the coolest roommates!
🖨️ For the first time ever, Apt613 will have an actual office space, and it’s already one of our highlights of the year. We'll be the organization in residence, with @artengineat @artscourt, and we’re incredibly grateful and excited for this opportunity!
📫This next chapter gives us space to be closer to artists and collaborators, and to root ourselves more deeply in the arts community we serve. It also opens up new ways of working together, from storytelling to shared programming.
📍Find us at Artengine!
April 2026 – March 2027
We can’t wait to see you there!
📸: @remitheriault
🏰 Apt613 has found an apartment with the coolest roommates!
🖨️ For the first time ever, Apt613 will have an actual office space, and it’s already one of our highlights of the year. We'll be the organization in residence, with @artengineat @artscourt, and we’re incredibly grateful and excited for this opportunity!
📫This next chapter gives us space to be closer to artists and collaborators, and to root ourselves more deeply in the arts community we serve. It also opens up new ways of working together, from storytelling to shared programming.
📍Find us at Artengine!
April 2026 – March 2027
We can’t wait to see you there!
📸: @remitheriault
🏰 Apt613 has found an apartment with the coolest roommates!
🖨️ For the first time ever, Apt613 will have an actual office space, and it’s already one of our highlights of the year. We'll be the organization in residence, with @artengineat @artscourt, and we’re incredibly grateful and excited for this opportunity!
📫This next chapter gives us space to be closer to artists and collaborators, and to root ourselves more deeply in the arts community we serve. It also opens up new ways of working together, from storytelling to shared programming.
📍Find us at Artengine!
April 2026 – March 2027
We can’t wait to see you there!
📸: @remitheriault
SHAPE OF LIGHT is opening tonight 6-8pm at Artengine and tomorrow 2-8pm. This exhibition presents a series of table lamps developed by first year industrial design students at Carleton University. Each piece explores how light is shaped through material, structure and context. Please come and enjoy the incredible work!
SHAPE OF LIGHT is opening tonight 6-8pm at Artengine and tomorrow 2-8pm. This exhibition presents a series of table lamps developed by first year industrial design students at Carleton University. Each piece explores how light is shaped through material, structure and context. Please come and enjoy the incredible work!
March’s GBStudio meetup is here! This month it will be a Saturday afternoon, I hope to see you there! Bring your laptop to ArtEngine on the 28th for an afternoon of 8 bit fun. 👾👾👾 sign up link in bio.
🎮 Ottawa GB Studio Meetup returns!
Our monthly Game Boy dev hang is back: a cozy, artist-run 8-bit community to share, learn, and make Game Boy games together.
Hosted by @mckeybigg
First one sold out — limited spots. RSVP link in bio.
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
My interactive 8-bit art piece at the UPSTAIRS gallery show in November got a lot of interest and a lot of questions about how it was made.
Creating Gameboy-style games and art is more accessible than you might think - no coding required.
I’m hosting a creative get-together at Art Engine to share what I’ve learned using GB Studio, a free drag-and-drop tool for making interactive 8bit experiences.
📅 Jan 21, 6:30pm @ Art Engine
💻 Bring a laptop with GB Studio (download from itch.io)
✨ No experience necessary - we’ll cover the basics together
#ottawaevents #ottawaartist #gameboy #8bitart #ottawaontario
Hum’s Codex by Ben Globerman
An immersive, multi-hour performance-installation exploring the meeting point of mysticism, AI, and devotional practice through generative music and spatial audio.
Drawing on his background in Religious Studies, Ben invites us to consider technology as a space for mystic focus.
Sound: @ben.globerman / @celeryman0
Visuals: @hard_science / @tapewobble
Catch it as part of @debaser__ ’s PIQUE
📅 Saturday, Dec 13
⏰ 19:30–23:00
📍 Artengine Studio
Hum’s Codex by Ben Globerman
An immersive, multi-hour performance-installation exploring the meeting point of mysticism, AI, and devotional practice through generative music and spatial audio.
Drawing on his background in Religious Studies, Ben invites us to consider technology as a space for mystic focus.
Sound: @ben.globerman / @celeryman0
Visuals: @hard_science / @tapewobble
Catch it as part of @debaser__ ’s PIQUE
📅 Saturday, Dec 13
⏰ 19:30–23:00
📍 Artengine Studio
Hum’s Codex by Ben Globerman
An immersive, multi-hour performance-installation exploring the meeting point of mysticism, AI, and devotional practice through generative music and spatial audio.
Drawing on his background in Religious Studies, Ben invites us to consider technology as a space for mystic focus.
Sound: @ben.globerman / @celeryman0
Visuals: @hard_science / @tapewobble
Catch it as part of @debaser__ ’s PIQUE
📅 Saturday, Dec 13
⏰ 19:30–23:00
📍 Artengine Studio
Dear friends, thrilled to announce TENTACULAR DIVINE, my new moving-image piece commissioned by @publicartottawa x @artengine 🇨🇦 which premieres this Thursday at the City Hall Karsh-Masson Gallery, Anishinaabe land/ Ottawa. First time showing in Canada!
"And I Have Come Upon This Place by Lost Ways" is curated by Remco Volmer and features work by Rah Eleh, Kite with Alisha B. Wormsley, Adrienne Matheuszik, Komi Olafimihan, Isabella Salas and Kira Xonorika.
On view from November 13, 2025 through February 8, 2026.
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
Link in bio to register for TouchDesigner club! this is a good one if you want to achieve your VJ dreams. See you there!! reach out to madeleine@artengine.ca for any questions:) also big thank you to @nicholaspjm for the last slide who made this Audio reactive file. PJcreations is my favourite patreon creator.
Link in bio to register for TouchDesigner club! this is a good one if you want to achieve your VJ dreams. See you there!! reach out to madeleine@artengine.ca for any questions:) also big thank you to @nicholaspjm for the last slide who made this Audio reactive file. PJcreations is my favourite patreon creator.
Link in bio to register for TouchDesigner club! this is a good one if you want to achieve your VJ dreams. See you there!! reach out to madeleine@artengine.ca for any questions:) also big thank you to @nicholaspjm for the last slide who made this Audio reactive file. PJcreations is my favourite patreon creator.
Instagramストーリーを秘密で見る
Instagramストーリービューアは、Instagramストーリー、動画、写真、またはIGTVを秘密に見たり保存したりできる簡単なツールです。このサービスを使用すると、コンテンツをダウンロードして、いつでもオフラインで楽しむことができます。Instagramで後でチェックしたいものを見つけた場合や、匿名でストーリーを見たい場合、このビューアは最適です。Anonstoriesは、あなたの身元を隠すための優れたソリューションを提供します。Instagramは2023年8月にストーリー機能を導入し、すぐに他のプラットフォームでも採用されました。このフォーマットは魅力的で、時間に敏感なため、ユーザーが写真、動画、または自撮りをテキスト、絵文字、またはフィルターで強化して、24時間限定で公開することができます。この限られた時間枠は、通常の投稿に比べて高いエンゲージメントを生み出します。今日の世界では、ストーリーはソーシャルメディアでつながり、コミュニケーションをとる最も人気のある方法の1つです。しかし、ストーリーを視聴すると、作成者は自分の名前を視聴者リストに見ることができ、プライバシーの懸念があります。もしストーリーを目立たずに閲覧したい場合、ここでAnonstoriesが役立ちます。これを使うことで、自分の身元を明かさずにInstagramのコンテンツを視聴できます。単に調べたいプロファイルのユーザー名を入力すると、その人の最新のストーリーが表示されます。Anonstoriesビューアの特徴：- 匿名閲覧：視聴リストに名前が表示されずにストーリーを視聴 - アカウント不要：Instagramのアカウントにサインインせずに公開コンテンツを視聴 - コンテンツダウンロード：ストーリーコンテンツを直接デバイスに保存してオフラインで使用 - ハイライト視聴：24時間を過ぎてもInstagramのハイライトにアクセス - リポストモニタリング：個人プロファイルのストーリーに対するリポストやエンゲージメントのレベルを追跡 制限事項：- このツールは公開アカウントでのみ動作し、非公開アカウントはアクセスできません。 利点：- プライバシー保護：Instagramのコンテンツを匿名で閲覧可能 - シンプルで簡単：アプリのインストールや登録は不要 - 独自のツール：Instagramが提供していない方法でコンテンツをダウンロードおよび管理可能
Anonstoriesの利点
IGストーリーをプライベートに探る
Instagramの更新をプライバシーを守りつつ、匿名で追跡できます。
プライベートInstagramビューア
プライベートプロファイルビューアを使用して、プロフィールと写真を簡単に匿名で閲覧できます。
無料のストーリービューア
この無料ツールでInstagramストーリーを匿名で閲覧でき、アクティビティがストーリーアップローダーに知られることはありません。
よくある質問
匿名性
Anonstoriesを使用すると、作成者に通知されることなくInstagramストーリーを閲覧できます。
デバイス互換性
iOS、Android、Windows、macOS、ChromeやSafariなどの最新のブラウザで問題なく動作します。
安全性とプライバシー
ログイン情報なしで、安全かつ匿名で閲覧できます。
登録不要
ユーザーは、ユーザー名を入力するだけで公開ストーリーを閲覧可能—アカウント登録は不要です。
対応フォーマット
写真（JPEG）と動画（MP4）を簡単にダウンロードできます。
料金
サービスは無料で利用できます。
非公開アカウント
非公開アカウントのコンテンツはフォロワーのみがアクセスできます。
ファイル使用
ファイルは個人または教育目的でのみ使用し、著作権法を遵守する必要があります。
動作方法
公開ユーザー名を入力して、ストーリーを閲覧またはダウンロードします。サービスはコンテンツをローカルに保存するための直接リンクを生成します。