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jonathon
Jonathon Burford
Multidisciplinary Designer & Creative Director for brands like @levis @farfetch @jimmychoo @facegym @mackage |Trinidadian & English
An electric car caught fire after it crashed in front of the circus liquor store in North Hollywood earlier this week and I honestly can’t think of anything more beautiful. Please don’t tell me Los Angeles doesn’t have culture.
An electric car caught fire after it crashed in front of the circus liquor store in North Hollywood earlier this week and I honestly can’t think of anything more beautiful. Please don’t tell me Los Angeles doesn’t have culture.
An electric car caught fire after it crashed in front of the circus liquor store in North Hollywood earlier this week and I honestly can’t think of anything more beautiful. Please don’t tell me Los Angeles doesn’t have culture.
Creative director @jonathon Burford and their interior-designer husband, @omedezin co-founder @jesserudolph, fell in love with a home in one of Los Angeles’s most delightfully diverse neighborhoods. The catch? The house itself leaned traditional. That just meant they’d have to, as they put it, “layer in our weirdness.” Read more from our February 2024 digital cover story at the 🔗 in bio.
Photography by @aaronbengo
Styling by @randibrookmanharris
Words by @julievadnal
We spent a morning with @Jonathon inside their LA home for a conversation around the inspirations that shape his creative world—from archival books to the city of LA itself.
Just as important to their creative process is their wind down time at the end of the day, a moment where they give themselves permission to slow down and reset. Read the full conversation at the link in bio. 💫
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
In bed with multidisciplinary designer and creative director @jonathon.
Approaching creativity through systems rather than aesthetics alone, Jonathon creates worlds that are as imaginative as they are practical. We spent a sunny morning in their LA home to see how this approach translates from their original artworks to the design of their home. Jonathon shares how they find rhythm in repetition and embrace imperfection along the way because for them, rest isn’t about switching off, but recalibrating.
Jonathon turns to The Park mattress as a place to reset—offering a supportive foundation to land and recharge.
Read the full feature at our link in bio.
Stop asking me to go to brunch. I’m spending my Sunday at the flea market — buying a set of obscure aluminum chairs and a glass Coke bottle suspended in an acrylic block.
Stop asking me to go to brunch. I’m spending my Sunday at the flea market — buying a set of obscure aluminum chairs and a glass Coke bottle suspended in an acrylic block.
Stop asking me to go to brunch. I’m spending my Sunday at the flea market — buying a set of obscure aluminum chairs and a glass Coke bottle suspended in an acrylic block.
Stop asking me to go to brunch. I’m spending my Sunday at the flea market — buying a set of obscure aluminum chairs and a glass Coke bottle suspended in an acrylic block.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
Please don’t tell me LA doesn’t have culture: North Hollywood 2026. A few signed and numbered prints still left, link in bio edition of 100 - thank you to everyone who ordered. Overwhelmed by how many were sold, finally shipping them out today.
We don’t have national monuments, we have vanity license plates. Please don’t tell me los angeles doesn’t have culture: LIP FILR 2026
We don’t have national monuments, we have vanity license plates. Please don’t tell me los angeles doesn’t have culture: LIP FILR 2026
I recently discovered the Ozempic Cybertruck in LA — $69 a week and a QR code away from being thin. Imagine trying to explain this to a Victorian child. Please don’t tell me that Los Angeles doesn’t have culture: Skinny Cyber truck acrylic on canvas.
I recently discovered the Ozempic Cybertruck in LA — $69 a week and a QR code away from being thin. Imagine trying to explain this to a Victorian child. Please don’t tell me that Los Angeles doesn’t have culture: Skinny Cyber truck acrylic on canvas.
I recently discovered the Ozempic Cybertruck in LA — $69 a week and a QR code away from being thin. Imagine trying to explain this to a Victorian child. Please don’t tell me that Los Angeles doesn’t have culture: Skinny Cyber truck acrylic on canvas.
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
Last week I went to New York, and shot the @mackage campaign with @bravoandy — sparked by his blue Mackage puffer going viral on New Year’s Eve. Concept/creative by me photos by @rsamuelhayes. Thank you always @tanyagolesic @luditown for your trust and @wwd @lisajlockwood for the feature 💙
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
In an increasingly online world, physical books slow @jonathon down.
”I’m constantly looking for source material that pulls me out of the algorithm and back into something tactile. Everyone pulls from the same references online, and I like to remember what paper feels like.”
For their #DavidZwirnerBooks curation, designer and creative director Jonathon Burford selected titles that fuel their craft:
• Alice Neel: At Home in the Queer World | To remind me that portraiture is psychological warfare in the best way—intimacy without flattery.
• Katherine Bernhardt: Why is a Mushroom Growing in My Shower? | Pure high-gloss chaos: pop culture blown up until it becomes its own language.
• Wolfgang Tillmans’s Nothing could have prepared us – Everything could have prepared us | Basically a masterclass in how sequencing and scale can make even the “casual” feel monumental.
• Raymond Pettibon: Point Break is American sublime—waves, dread, poetry, lone figure vs. the void.
• Duchamp’s Last Day reads like conceptual art disguised as biography—proof that the idea always wins.
”Physical books force me to notice margins, paper weight, pacing. When you build brand worlds for a living, you need objects that remind you how artists build theirs.”
Explore these titles and more via the link in our bio.
Instagramストーリーを秘密で見る
Instagramストーリービューアは、Instagramストーリー、動画、写真、またはIGTVを秘密に見たり保存したりできる簡単なツールです。このサービスを使用すると、コンテンツをダウンロードして、いつでもオフラインで楽しむことができます。Instagramで後でチェックしたいものを見つけた場合や、匿名でストーリーを見たい場合、このビューアは最適です。Anonstoriesは、あなたの身元を隠すための優れたソリューションを提供します。Instagramは2023年8月にストーリー機能を導入し、すぐに他のプラットフォームでも採用されました。このフォーマットは魅力的で、時間に敏感なため、ユーザーが写真、動画、または自撮りをテキスト、絵文字、またはフィルターで強化して、24時間限定で公開することができます。この限られた時間枠は、通常の投稿に比べて高いエンゲージメントを生み出します。今日の世界では、ストーリーはソーシャルメディアでつながり、コミュニケーションをとる最も人気のある方法の1つです。しかし、ストーリーを視聴すると、作成者は自分の名前を視聴者リストに見ることができ、プライバシーの懸念があります。もしストーリーを目立たずに閲覧したい場合、ここでAnonstoriesが役立ちます。これを使うことで、自分の身元を明かさずにInstagramのコンテンツを視聴できます。単に調べたいプロファイルのユーザー名を入力すると、その人の最新のストーリーが表示されます。Anonstoriesビューアの特徴：- 匿名閲覧：視聴リストに名前が表示されずにストーリーを視聴 - アカウント不要：Instagramのアカウントにサインインせずに公開コンテンツを視聴 - コンテンツダウンロード：ストーリーコンテンツを直接デバイスに保存してオフラインで使用 - ハイライト視聴：24時間を過ぎてもInstagramのハイライトにアクセス - リポストモニタリング：個人プロファイルのストーリーに対するリポストやエンゲージメントのレベルを追跡 制限事項：- このツールは公開アカウントでのみ動作し、非公開アカウントはアクセスできません。 利点：- プライバシー保護：Instagramのコンテンツを匿名で閲覧可能 - シンプルで簡単：アプリのインストールや登録は不要 - 独自のツール：Instagramが提供していない方法でコンテンツをダウンロードおよび管理可能
Anonstoriesの利点
IGストーリーをプライベートに探る
Instagramの更新をプライバシーを守りつつ、匿名で追跡できます。
プライベートInstagramビューア
プライベートプロファイルビューアを使用して、プロフィールと写真を簡単に匿名で閲覧できます。
無料のストーリービューア
この無料ツールでInstagramストーリーを匿名で閲覧でき、アクティビティがストーリーアップローダーに知られることはありません。
よくある質問
匿名性
Anonstoriesを使用すると、作成者に通知されることなくInstagramストーリーを閲覧できます。
デバイス互換性
iOS、Android、Windows、macOS、ChromeやSafariなどの最新のブラウザで問題なく動作します。
安全性とプライバシー
ログイン情報なしで、安全かつ匿名で閲覧できます。
登録不要
ユーザーは、ユーザー名を入力するだけで公開ストーリーを閲覧可能—アカウント登録は不要です。
対応フォーマット
写真（JPEG）と動画（MP4）を簡単にダウンロードできます。
料金
サービスは無料で利用できます。
非公開アカウント
非公開アカウントのコンテンツはフォロワーのみがアクセスできます。
ファイル使用
ファイルは個人または教育目的でのみ使用し、著作権法を遵守する必要があります。
動作方法
公開ユーザー名を入力して、ストーリーを閲覧またはダウンロードします。サービスはコンテンツをローカルに保存するための直接リンクを生成します。