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Opening tonight is an extraordinary show by @arghavan_khosravi. The work in “What Remains” is achingly beautiful, meticulously constructed, and impossible to look away from, made by an artist whose gaze has never felt more necessary.
@uffnerliu
Opening tonight is an extraordinary show by @arghavan_khosravi. The work in “What Remains” is achingly beautiful, meticulously constructed, and impossible to look away from, made by an artist whose gaze has never felt more necessary.
@uffnerliu
Opening tonight is an extraordinary show by @arghavan_khosravi. The work in “What Remains” is achingly beautiful, meticulously constructed, and impossible to look away from, made by an artist whose gaze has never felt more necessary.
@uffnerliu
Opening tonight is an extraordinary show by @arghavan_khosravi. The work in “What Remains” is achingly beautiful, meticulously constructed, and impossible to look away from, made by an artist whose gaze has never felt more necessary.
@uffnerliu
Opening tonight is an extraordinary show by @arghavan_khosravi. The work in “What Remains” is achingly beautiful, meticulously constructed, and impossible to look away from, made by an artist whose gaze has never felt more necessary.
@uffnerliu
Opening tonight is an extraordinary show by @arghavan_khosravi. The work in “What Remains” is achingly beautiful, meticulously constructed, and impossible to look away from, made by an artist whose gaze has never felt more necessary.
@uffnerliu
Opening tonight is an extraordinary show by @arghavan_khosravi. The work in “What Remains” is achingly beautiful, meticulously constructed, and impossible to look away from, made by an artist whose gaze has never felt more necessary.
@uffnerliu
Opening tonight is an extraordinary show by @arghavan_khosravi. The work in “What Remains” is achingly beautiful, meticulously constructed, and impossible to look away from, made by an artist whose gaze has never felt more necessary.
@uffnerliu
Opening tonight is an extraordinary show by @arghavan_khosravi. The work in “What Remains” is achingly beautiful, meticulously constructed, and impossible to look away from, made by an artist whose gaze has never felt more necessary.
@uffnerliu
Opening tonight is an extraordinary show by @arghavan_khosravi. The work in “What Remains” is achingly beautiful, meticulously constructed, and impossible to look away from, made by an artist whose gaze has never felt more necessary.
@uffnerliu
Opening tonight is an extraordinary show by @arghavan_khosravi. The work in “What Remains” is achingly beautiful, meticulously constructed, and impossible to look away from, made by an artist whose gaze has never felt more necessary.
@uffnerliu
Opening tonight is an extraordinary show by @arghavan_khosravi. The work in “What Remains” is achingly beautiful, meticulously constructed, and impossible to look away from, made by an artist whose gaze has never felt more necessary.
@uffnerliu
Opening tonight is an extraordinary show by @arghavan_khosravi. The work in “What Remains” is achingly beautiful, meticulously constructed, and impossible to look away from, made by an artist whose gaze has never felt more necessary.
@uffnerliu
Opening tonight is an extraordinary show by @arghavan_khosravi. The work in “What Remains” is achingly beautiful, meticulously constructed, and impossible to look away from, made by an artist whose gaze has never felt more necessary.
@uffnerliu
Opening tonight is an extraordinary show by @arghavan_khosravi. The work in “What Remains” is achingly beautiful, meticulously constructed, and impossible to look away from, made by an artist whose gaze has never felt more necessary.
@uffnerliu
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
The very best part about participating in our inaugural Art Basel Hong Kong was bringing my mom to her first art fair! HK being a much easier flight from Ningbo than NYC. Jenny’s review: it was like a 菜市场. Apt. I also have Jenny to thank for 5 hours of intense mandarin tutorage prior to VIP day. The payoff was immediate.
It was very special to bring my work home to Asia. Not something I expected to be able to do so soon. It was also special to introduce some of our artists to Asia for the first time. We felt welcome.
Some thank you’s:
@bigbigbig_b for being the most supportive host
@j.fwu for feeding me (and for your generosity and care)
@helenawangofficial for a beautiful fair outfit
@seanyunci for letting me tag along
@yveyanggallery and @galleryvacancy for an awesome collab
Opening tonight! Come see Christian Franzen’s beautiful luminous cinematic seascapes painted from memory of the Southern California coast. Built through layers of glaze, airbrush, and abrasion, the surfaces are weathered, like looking through salt-streaked glass.
Come close and you’ll find small apparitions — owls, ghosts, a black cat — quietly slip into view.
Christian Franzen
“SHIFTY”
March 12 – May 9, 2026
Opening tonight 6-8pm
Opening tonight! Come see Christian Franzen’s beautiful luminous cinematic seascapes painted from memory of the Southern California coast. Built through layers of glaze, airbrush, and abrasion, the surfaces are weathered, like looking through salt-streaked glass.
Come close and you’ll find small apparitions — owls, ghosts, a black cat — quietly slip into view.
Christian Franzen
“SHIFTY”
March 12 – May 9, 2026
Opening tonight 6-8pm
Opening tonight! Come see Christian Franzen’s beautiful luminous cinematic seascapes painted from memory of the Southern California coast. Built through layers of glaze, airbrush, and abrasion, the surfaces are weathered, like looking through salt-streaked glass.
Come close and you’ll find small apparitions — owls, ghosts, a black cat — quietly slip into view.
Christian Franzen
“SHIFTY”
March 12 – May 9, 2026
Opening tonight 6-8pm
Opening tonight! Come see Christian Franzen’s beautiful luminous cinematic seascapes painted from memory of the Southern California coast. Built through layers of glaze, airbrush, and abrasion, the surfaces are weathered, like looking through salt-streaked glass.
Come close and you’ll find small apparitions — owls, ghosts, a black cat — quietly slip into view.
Christian Franzen
“SHIFTY”
March 12 – May 9, 2026
Opening tonight 6-8pm
Opening tonight! Come see Christian Franzen’s beautiful luminous cinematic seascapes painted from memory of the Southern California coast. Built through layers of glaze, airbrush, and abrasion, the surfaces are weathered, like looking through salt-streaked glass.
Come close and you’ll find small apparitions — owls, ghosts, a black cat — quietly slip into view.
Christian Franzen
“SHIFTY”
March 12 – May 9, 2026
Opening tonight 6-8pm
Opening tonight! Come see Christian Franzen’s beautiful luminous cinematic seascapes painted from memory of the Southern California coast. Built through layers of glaze, airbrush, and abrasion, the surfaces are weathered, like looking through salt-streaked glass.
Come close and you’ll find small apparitions — owls, ghosts, a black cat — quietly slip into view.
Christian Franzen
“SHIFTY”
March 12 – May 9, 2026
Opening tonight 6-8pm
Opening tonight! Come see Christian Franzen’s beautiful luminous cinematic seascapes painted from memory of the Southern California coast. Built through layers of glaze, airbrush, and abrasion, the surfaces are weathered, like looking through salt-streaked glass.
Come close and you’ll find small apparitions — owls, ghosts, a black cat — quietly slip into view.
Christian Franzen
“SHIFTY”
March 12 – May 9, 2026
Opening tonight 6-8pm
Opening tonight! Come see Christian Franzen’s beautiful luminous cinematic seascapes painted from memory of the Southern California coast. Built through layers of glaze, airbrush, and abrasion, the surfaces are weathered, like looking through salt-streaked glass.
Come close and you’ll find small apparitions — owls, ghosts, a black cat — quietly slip into view.
Christian Franzen
“SHIFTY”
March 12 – May 9, 2026
Opening tonight 6-8pm
Opening tonight! Come see Christian Franzen’s beautiful luminous cinematic seascapes painted from memory of the Southern California coast. Built through layers of glaze, airbrush, and abrasion, the surfaces are weathered, like looking through salt-streaked glass.
Come close and you’ll find small apparitions — owls, ghosts, a black cat — quietly slip into view.
Christian Franzen
“SHIFTY”
March 12 – May 9, 2026
Opening tonight 6-8pm
Opening tonight! Come see Christian Franzen’s beautiful luminous cinematic seascapes painted from memory of the Southern California coast. Built through layers of glaze, airbrush, and abrasion, the surfaces are weathered, like looking through salt-streaked glass.
Come close and you’ll find small apparitions — owls, ghosts, a black cat — quietly slip into view.
Christian Franzen
“SHIFTY”
March 12 – May 9, 2026
Opening tonight 6-8pm
Opening tonight! Come see Christian Franzen’s beautiful luminous cinematic seascapes painted from memory of the Southern California coast. Built through layers of glaze, airbrush, and abrasion, the surfaces are weathered, like looking through salt-streaked glass.
Come close and you’ll find small apparitions — owls, ghosts, a black cat — quietly slip into view.
Christian Franzen
“SHIFTY”
March 12 – May 9, 2026
Opening tonight 6-8pm
Opening tonight! Come see Christian Franzen’s beautiful luminous cinematic seascapes painted from memory of the Southern California coast. Built through layers of glaze, airbrush, and abrasion, the surfaces are weathered, like looking through salt-streaked glass.
Come close and you’ll find small apparitions — owls, ghosts, a black cat — quietly slip into view.
Christian Franzen
“SHIFTY”
March 12 – May 9, 2026
Opening tonight 6-8pm
One of my favourite installs I’ve worked on! We used almost every pedestal at the gallery to create this cross-generational conversation in clay. Toki-No-Wa ; Harmony of Time brings together new works by Miwa Neishi in conversation with historic sculptures by Toshiko Takaezu. Neishi’s relationship to Takaezu is both personal and pedagogical—formed through lineage, study, and lived proximity to Takaezu’s legacy. Together, their works create a beautiful, meditative dialogue between past and present, tradition and transformation.
We will host an artist talk between Miwa and art historian Joe Tokumasu Field on Friday at 5:30pm. Please come by!
The show is on view through March 7.
One of my favourite installs I’ve worked on! We used almost every pedestal at the gallery to create this cross-generational conversation in clay. Toki-No-Wa ; Harmony of Time brings together new works by Miwa Neishi in conversation with historic sculptures by Toshiko Takaezu. Neishi’s relationship to Takaezu is both personal and pedagogical—formed through lineage, study, and lived proximity to Takaezu’s legacy. Together, their works create a beautiful, meditative dialogue between past and present, tradition and transformation.
We will host an artist talk between Miwa and art historian Joe Tokumasu Field on Friday at 5:30pm. Please come by!
The show is on view through March 7.
One of my favourite installs I’ve worked on! We used almost every pedestal at the gallery to create this cross-generational conversation in clay. Toki-No-Wa ; Harmony of Time brings together new works by Miwa Neishi in conversation with historic sculptures by Toshiko Takaezu. Neishi’s relationship to Takaezu is both personal and pedagogical—formed through lineage, study, and lived proximity to Takaezu’s legacy. Together, their works create a beautiful, meditative dialogue between past and present, tradition and transformation.
We will host an artist talk between Miwa and art historian Joe Tokumasu Field on Friday at 5:30pm. Please come by!
The show is on view through March 7.
One of my favourite installs I’ve worked on! We used almost every pedestal at the gallery to create this cross-generational conversation in clay. Toki-No-Wa ; Harmony of Time brings together new works by Miwa Neishi in conversation with historic sculptures by Toshiko Takaezu. Neishi’s relationship to Takaezu is both personal and pedagogical—formed through lineage, study, and lived proximity to Takaezu’s legacy. Together, their works create a beautiful, meditative dialogue between past and present, tradition and transformation.
We will host an artist talk between Miwa and art historian Joe Tokumasu Field on Friday at 5:30pm. Please come by!
The show is on view through March 7.
One of my favourite installs I’ve worked on! We used almost every pedestal at the gallery to create this cross-generational conversation in clay. Toki-No-Wa ; Harmony of Time brings together new works by Miwa Neishi in conversation with historic sculptures by Toshiko Takaezu. Neishi’s relationship to Takaezu is both personal and pedagogical—formed through lineage, study, and lived proximity to Takaezu’s legacy. Together, their works create a beautiful, meditative dialogue between past and present, tradition and transformation.
We will host an artist talk between Miwa and art historian Joe Tokumasu Field on Friday at 5:30pm. Please come by!
The show is on view through March 7.
One of my favourite installs I’ve worked on! We used almost every pedestal at the gallery to create this cross-generational conversation in clay. Toki-No-Wa ; Harmony of Time brings together new works by Miwa Neishi in conversation with historic sculptures by Toshiko Takaezu. Neishi’s relationship to Takaezu is both personal and pedagogical—formed through lineage, study, and lived proximity to Takaezu’s legacy. Together, their works create a beautiful, meditative dialogue between past and present, tradition and transformation.
We will host an artist talk between Miwa and art historian Joe Tokumasu Field on Friday at 5:30pm. Please come by!
The show is on view through March 7.
One of my favourite installs I’ve worked on! We used almost every pedestal at the gallery to create this cross-generational conversation in clay. Toki-No-Wa ; Harmony of Time brings together new works by Miwa Neishi in conversation with historic sculptures by Toshiko Takaezu. Neishi’s relationship to Takaezu is both personal and pedagogical—formed through lineage, study, and lived proximity to Takaezu’s legacy. Together, their works create a beautiful, meditative dialogue between past and present, tradition and transformation.
We will host an artist talk between Miwa and art historian Joe Tokumasu Field on Friday at 5:30pm. Please come by!
The show is on view through March 7.
One of my favourite installs I’ve worked on! We used almost every pedestal at the gallery to create this cross-generational conversation in clay. Toki-No-Wa ; Harmony of Time brings together new works by Miwa Neishi in conversation with historic sculptures by Toshiko Takaezu. Neishi’s relationship to Takaezu is both personal and pedagogical—formed through lineage, study, and lived proximity to Takaezu’s legacy. Together, their works create a beautiful, meditative dialogue between past and present, tradition and transformation.
We will host an artist talk between Miwa and art historian Joe Tokumasu Field on Friday at 5:30pm. Please come by!
The show is on view through March 7.
One of my favourite installs I’ve worked on! We used almost every pedestal at the gallery to create this cross-generational conversation in clay. Toki-No-Wa ; Harmony of Time brings together new works by Miwa Neishi in conversation with historic sculptures by Toshiko Takaezu. Neishi’s relationship to Takaezu is both personal and pedagogical—formed through lineage, study, and lived proximity to Takaezu’s legacy. Together, their works create a beautiful, meditative dialogue between past and present, tradition and transformation.
We will host an artist talk between Miwa and art historian Joe Tokumasu Field on Friday at 5:30pm. Please come by!
The show is on view through March 7.
One of my favourite installs I’ve worked on! We used almost every pedestal at the gallery to create this cross-generational conversation in clay. Toki-No-Wa ; Harmony of Time brings together new works by Miwa Neishi in conversation with historic sculptures by Toshiko Takaezu. Neishi’s relationship to Takaezu is both personal and pedagogical—formed through lineage, study, and lived proximity to Takaezu’s legacy. Together, their works create a beautiful, meditative dialogue between past and present, tradition and transformation.
We will host an artist talk between Miwa and art historian Joe Tokumasu Field on Friday at 5:30pm. Please come by!
The show is on view through March 7.
One of my favourite installs I’ve worked on! We used almost every pedestal at the gallery to create this cross-generational conversation in clay. Toki-No-Wa ; Harmony of Time brings together new works by Miwa Neishi in conversation with historic sculptures by Toshiko Takaezu. Neishi’s relationship to Takaezu is both personal and pedagogical—formed through lineage, study, and lived proximity to Takaezu’s legacy. Together, their works create a beautiful, meditative dialogue between past and present, tradition and transformation.
We will host an artist talk between Miwa and art historian Joe Tokumasu Field on Friday at 5:30pm. Please come by!
The show is on view through March 7.
One of my favourite installs I’ve worked on! We used almost every pedestal at the gallery to create this cross-generational conversation in clay. Toki-No-Wa ; Harmony of Time brings together new works by Miwa Neishi in conversation with historic sculptures by Toshiko Takaezu. Neishi’s relationship to Takaezu is both personal and pedagogical—formed through lineage, study, and lived proximity to Takaezu’s legacy. Together, their works create a beautiful, meditative dialogue between past and present, tradition and transformation.
We will host an artist talk between Miwa and art historian Joe Tokumasu Field on Friday at 5:30pm. Please come by!
The show is on view through March 7.
One of my favourite installs I’ve worked on! We used almost every pedestal at the gallery to create this cross-generational conversation in clay. Toki-No-Wa ; Harmony of Time brings together new works by Miwa Neishi in conversation with historic sculptures by Toshiko Takaezu. Neishi’s relationship to Takaezu is both personal and pedagogical—formed through lineage, study, and lived proximity to Takaezu’s legacy. Together, their works create a beautiful, meditative dialogue between past and present, tradition and transformation.
We will host an artist talk between Miwa and art historian Joe Tokumasu Field on Friday at 5:30pm. Please come by!
The show is on view through March 7.
Hilary Harnischfeger is a material magician. Paper becomes ceramic, ceramic becomes stone, stone reveals no hands, only millennia of weather. Working at scales larger than ever before, Hilary’s new sculptures are topographies of peaks, trails, cliffs, and valleys that are as much homages to the natural landscape as loving odes to material itself.
The show opens tonight and it is magnificent. Please visit!
Hilary Harnischfeger
“Songs for Clouds”
January 16 – March 7, 2026
@uffnerliu
Hilary Harnischfeger is a material magician. Paper becomes ceramic, ceramic becomes stone, stone reveals no hands, only millennia of weather. Working at scales larger than ever before, Hilary’s new sculptures are topographies of peaks, trails, cliffs, and valleys that are as much homages to the natural landscape as loving odes to material itself.
The show opens tonight and it is magnificent. Please visit!
Hilary Harnischfeger
“Songs for Clouds”
January 16 – March 7, 2026
@uffnerliu
Hilary Harnischfeger is a material magician. Paper becomes ceramic, ceramic becomes stone, stone reveals no hands, only millennia of weather. Working at scales larger than ever before, Hilary’s new sculptures are topographies of peaks, trails, cliffs, and valleys that are as much homages to the natural landscape as loving odes to material itself.
The show opens tonight and it is magnificent. Please visit!
Hilary Harnischfeger
“Songs for Clouds”
January 16 – March 7, 2026
@uffnerliu
Hilary Harnischfeger is a material magician. Paper becomes ceramic, ceramic becomes stone, stone reveals no hands, only millennia of weather. Working at scales larger than ever before, Hilary’s new sculptures are topographies of peaks, trails, cliffs, and valleys that are as much homages to the natural landscape as loving odes to material itself.
The show opens tonight and it is magnificent. Please visit!
Hilary Harnischfeger
“Songs for Clouds”
January 16 – March 7, 2026
@uffnerliu
Hilary Harnischfeger is a material magician. Paper becomes ceramic, ceramic becomes stone, stone reveals no hands, only millennia of weather. Working at scales larger than ever before, Hilary’s new sculptures are topographies of peaks, trails, cliffs, and valleys that are as much homages to the natural landscape as loving odes to material itself.
The show opens tonight and it is magnificent. Please visit!
Hilary Harnischfeger
“Songs for Clouds”
January 16 – March 7, 2026
@uffnerliu
Hilary Harnischfeger is a material magician. Paper becomes ceramic, ceramic becomes stone, stone reveals no hands, only millennia of weather. Working at scales larger than ever before, Hilary’s new sculptures are topographies of peaks, trails, cliffs, and valleys that are as much homages to the natural landscape as loving odes to material itself.
The show opens tonight and it is magnificent. Please visit!
Hilary Harnischfeger
“Songs for Clouds”
January 16 – March 7, 2026
@uffnerliu
Hilary Harnischfeger is a material magician. Paper becomes ceramic, ceramic becomes stone, stone reveals no hands, only millennia of weather. Working at scales larger than ever before, Hilary’s new sculptures are topographies of peaks, trails, cliffs, and valleys that are as much homages to the natural landscape as loving odes to material itself.
The show opens tonight and it is magnificent. Please visit!
Hilary Harnischfeger
“Songs for Clouds”
January 16 – March 7, 2026
@uffnerliu
Hilary Harnischfeger is a material magician. Paper becomes ceramic, ceramic becomes stone, stone reveals no hands, only millennia of weather. Working at scales larger than ever before, Hilary’s new sculptures are topographies of peaks, trails, cliffs, and valleys that are as much homages to the natural landscape as loving odes to material itself.
The show opens tonight and it is magnificent. Please visit!
Hilary Harnischfeger
“Songs for Clouds”
January 16 – March 7, 2026
@uffnerliu
Hilary Harnischfeger is a material magician. Paper becomes ceramic, ceramic becomes stone, stone reveals no hands, only millennia of weather. Working at scales larger than ever before, Hilary’s new sculptures are topographies of peaks, trails, cliffs, and valleys that are as much homages to the natural landscape as loving odes to material itself.
The show opens tonight and it is magnificent. Please visit!
Hilary Harnischfeger
“Songs for Clouds”
January 16 – March 7, 2026
@uffnerliu
Hilary Harnischfeger is a material magician. Paper becomes ceramic, ceramic becomes stone, stone reveals no hands, only millennia of weather. Working at scales larger than ever before, Hilary’s new sculptures are topographies of peaks, trails, cliffs, and valleys that are as much homages to the natural landscape as loving odes to material itself.
The show opens tonight and it is magnificent. Please visit!
Hilary Harnischfeger
“Songs for Clouds”
January 16 – March 7, 2026
@uffnerliu
Hilary Harnischfeger is a material magician. Paper becomes ceramic, ceramic becomes stone, stone reveals no hands, only millennia of weather. Working at scales larger than ever before, Hilary’s new sculptures are topographies of peaks, trails, cliffs, and valleys that are as much homages to the natural landscape as loving odes to material itself.
The show opens tonight and it is magnificent. Please visit!
Hilary Harnischfeger
“Songs for Clouds”
January 16 – March 7, 2026
@uffnerliu
Hilary Harnischfeger is a material magician. Paper becomes ceramic, ceramic becomes stone, stone reveals no hands, only millennia of weather. Working at scales larger than ever before, Hilary’s new sculptures are topographies of peaks, trails, cliffs, and valleys that are as much homages to the natural landscape as loving odes to material itself.
The show opens tonight and it is magnificent. Please visit!
Hilary Harnischfeger
“Songs for Clouds”
January 16 – March 7, 2026
@uffnerliu
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
My grandma in the house where she raised my father and uncles. We repaired the wooden structure this year after decades of decay. Shangzhai 村 aka village? in the province of Zhejiang, where I terrorized tadpoles every summer. A surreal reminder how quickly lives and fortunes can change in a single generation. Sometimes easy to forget when bemoaning small inconveniences in New York. Anyway pigs are doing well this year and orange harvest very bountiful. Ducks rebelling, had to find eggs scattered outside the coop. Ancestral graves due for some shovel maintenance. Observation: dogs are becoming increasingly unemployed and fluffy which to me is a marker of economic prosperity for residents. Congrats Michelle on making the village’s public placard of esteemed students. I should say everyone’s last name here is Liu.
@seanyunci and I first visited Nianxin’s studio at SVA 3 years ago. Every painting, project, and show that Nianxin has done since has kept me on my toes, surprising and startling me at every turn. This show is no different. I’m so thrilled to present Nianxin’s first solo with us titled “Neon Haze”, a dazzling, shadowy, alien realm where translucent mollusks dance in an infinite disco.
We will also host an ACTUAL disco party on October 24 from 7–10pm, with drinks designed by Nianxin and inspired by the paintings. Come dance 🕺🏻🪩🐚
On view through November 1, 2025 at @uffnerliu
@seanyunci and I first visited Nianxin’s studio at SVA 3 years ago. Every painting, project, and show that Nianxin has done since has kept me on my toes, surprising and startling me at every turn. This show is no different. I’m so thrilled to present Nianxin’s first solo with us titled “Neon Haze”, a dazzling, shadowy, alien realm where translucent mollusks dance in an infinite disco.
We will also host an ACTUAL disco party on October 24 from 7–10pm, with drinks designed by Nianxin and inspired by the paintings. Come dance 🕺🏻🪩🐚
On view through November 1, 2025 at @uffnerliu
@seanyunci and I first visited Nianxin’s studio at SVA 3 years ago. Every painting, project, and show that Nianxin has done since has kept me on my toes, surprising and startling me at every turn. This show is no different. I’m so thrilled to present Nianxin’s first solo with us titled “Neon Haze”, a dazzling, shadowy, alien realm where translucent mollusks dance in an infinite disco.
We will also host an ACTUAL disco party on October 24 from 7–10pm, with drinks designed by Nianxin and inspired by the paintings. Come dance 🕺🏻🪩🐚
On view through November 1, 2025 at @uffnerliu
@seanyunci and I first visited Nianxin’s studio at SVA 3 years ago. Every painting, project, and show that Nianxin has done since has kept me on my toes, surprising and startling me at every turn. This show is no different. I’m so thrilled to present Nianxin’s first solo with us titled “Neon Haze”, a dazzling, shadowy, alien realm where translucent mollusks dance in an infinite disco.
We will also host an ACTUAL disco party on October 24 from 7–10pm, with drinks designed by Nianxin and inspired by the paintings. Come dance 🕺🏻🪩🐚
On view through November 1, 2025 at @uffnerliu
@seanyunci and I first visited Nianxin’s studio at SVA 3 years ago. Every painting, project, and show that Nianxin has done since has kept me on my toes, surprising and startling me at every turn. This show is no different. I’m so thrilled to present Nianxin’s first solo with us titled “Neon Haze”, a dazzling, shadowy, alien realm where translucent mollusks dance in an infinite disco.
We will also host an ACTUAL disco party on October 24 from 7–10pm, with drinks designed by Nianxin and inspired by the paintings. Come dance 🕺🏻🪩🐚
On view through November 1, 2025 at @uffnerliu
@seanyunci and I first visited Nianxin’s studio at SVA 3 years ago. Every painting, project, and show that Nianxin has done since has kept me on my toes, surprising and startling me at every turn. This show is no different. I’m so thrilled to present Nianxin’s first solo with us titled “Neon Haze”, a dazzling, shadowy, alien realm where translucent mollusks dance in an infinite disco.
We will also host an ACTUAL disco party on October 24 from 7–10pm, with drinks designed by Nianxin and inspired by the paintings. Come dance 🕺🏻🪩🐚
On view through November 1, 2025 at @uffnerliu
@seanyunci and I first visited Nianxin’s studio at SVA 3 years ago. Every painting, project, and show that Nianxin has done since has kept me on my toes, surprising and startling me at every turn. This show is no different. I’m so thrilled to present Nianxin’s first solo with us titled “Neon Haze”, a dazzling, shadowy, alien realm where translucent mollusks dance in an infinite disco.
We will also host an ACTUAL disco party on October 24 from 7–10pm, with drinks designed by Nianxin and inspired by the paintings. Come dance 🕺🏻🪩🐚
On view through November 1, 2025 at @uffnerliu
@seanyunci and I first visited Nianxin’s studio at SVA 3 years ago. Every painting, project, and show that Nianxin has done since has kept me on my toes, surprising and startling me at every turn. This show is no different. I’m so thrilled to present Nianxin’s first solo with us titled “Neon Haze”, a dazzling, shadowy, alien realm where translucent mollusks dance in an infinite disco.
We will also host an ACTUAL disco party on October 24 from 7–10pm, with drinks designed by Nianxin and inspired by the paintings. Come dance 🕺🏻🪩🐚
On view through November 1, 2025 at @uffnerliu
@seanyunci and I first visited Nianxin’s studio at SVA 3 years ago. Every painting, project, and show that Nianxin has done since has kept me on my toes, surprising and startling me at every turn. This show is no different. I’m so thrilled to present Nianxin’s first solo with us titled “Neon Haze”, a dazzling, shadowy, alien realm where translucent mollusks dance in an infinite disco.
We will also host an ACTUAL disco party on October 24 from 7–10pm, with drinks designed by Nianxin and inspired by the paintings. Come dance 🕺🏻🪩🐚
On view through November 1, 2025 at @uffnerliu
@seanyunci and I first visited Nianxin’s studio at SVA 3 years ago. Every painting, project, and show that Nianxin has done since has kept me on my toes, surprising and startling me at every turn. This show is no different. I’m so thrilled to present Nianxin’s first solo with us titled “Neon Haze”, a dazzling, shadowy, alien realm where translucent mollusks dance in an infinite disco.
We will also host an ACTUAL disco party on October 24 from 7–10pm, with drinks designed by Nianxin and inspired by the paintings. Come dance 🕺🏻🪩🐚
On view through November 1, 2025 at @uffnerliu
@seanyunci and I first visited Nianxin’s studio at SVA 3 years ago. Every painting, project, and show that Nianxin has done since has kept me on my toes, surprising and startling me at every turn. This show is no different. I’m so thrilled to present Nianxin’s first solo with us titled “Neon Haze”, a dazzling, shadowy, alien realm where translucent mollusks dance in an infinite disco.
We will also host an ACTUAL disco party on October 24 from 7–10pm, with drinks designed by Nianxin and inspired by the paintings. Come dance 🕺🏻🪩🐚
On view through November 1, 2025 at @uffnerliu
Come see @annebuckwalter ‘s charming, cheeky, sexy show! Embedded within the carefully composed domestic spaces of “Lover’s Knot” are witty celebrations of sexuality—sometimes overt, sometimes subtle, always delightful 😽
On view through November 1, 2025 at @uffnerliu
#annebuckwalter #uffnerliu
Come see @annebuckwalter ‘s charming, cheeky, sexy show! Embedded within the carefully composed domestic spaces of “Lover’s Knot” are witty celebrations of sexuality—sometimes overt, sometimes subtle, always delightful 😽
On view through November 1, 2025 at @uffnerliu
#annebuckwalter #uffnerliu
Come see @annebuckwalter ‘s charming, cheeky, sexy show! Embedded within the carefully composed domestic spaces of “Lover’s Knot” are witty celebrations of sexuality—sometimes overt, sometimes subtle, always delightful 😽
On view through November 1, 2025 at @uffnerliu
#annebuckwalter #uffnerliu
Come see @annebuckwalter ‘s charming, cheeky, sexy show! Embedded within the carefully composed domestic spaces of “Lover’s Knot” are witty celebrations of sexuality—sometimes overt, sometimes subtle, always delightful 😽
On view through November 1, 2025 at @uffnerliu
#annebuckwalter #uffnerliu
Come see @annebuckwalter ‘s charming, cheeky, sexy show! Embedded within the carefully composed domestic spaces of “Lover’s Knot” are witty celebrations of sexuality—sometimes overt, sometimes subtle, always delightful 😽
On view through November 1, 2025 at @uffnerliu
#annebuckwalter #uffnerliu
Come see @annebuckwalter ‘s charming, cheeky, sexy show! Embedded within the carefully composed domestic spaces of “Lover’s Knot” are witty celebrations of sexuality—sometimes overt, sometimes subtle, always delightful 😽
On view through November 1, 2025 at @uffnerliu
#annebuckwalter #uffnerliu
Come see @annebuckwalter ‘s charming, cheeky, sexy show! Embedded within the carefully composed domestic spaces of “Lover’s Knot” are witty celebrations of sexuality—sometimes overt, sometimes subtle, always delightful 😽
On view through November 1, 2025 at @uffnerliu
#annebuckwalter #uffnerliu
Come see @annebuckwalter ‘s charming, cheeky, sexy show! Embedded within the carefully composed domestic spaces of “Lover’s Knot” are witty celebrations of sexuality—sometimes overt, sometimes subtle, always delightful 😽
On view through November 1, 2025 at @uffnerliu
#annebuckwalter #uffnerliu
Come see @annebuckwalter ‘s charming, cheeky, sexy show! Embedded within the carefully composed domestic spaces of “Lover’s Knot” are witty celebrations of sexuality—sometimes overt, sometimes subtle, always delightful 😽
On view through November 1, 2025 at @uffnerliu
#annebuckwalter #uffnerliu
Come see @annebuckwalter ‘s charming, cheeky, sexy show! Embedded within the carefully composed domestic spaces of “Lover’s Knot” are witty celebrations of sexuality—sometimes overt, sometimes subtle, always delightful 😽
On view through November 1, 2025 at @uffnerliu
#annebuckwalter #uffnerliu
Come see @annebuckwalter ‘s charming, cheeky, sexy show! Embedded within the carefully composed domestic spaces of “Lover’s Knot” are witty celebrations of sexuality—sometimes overt, sometimes subtle, always delightful 😽
On view through November 1, 2025 at @uffnerliu
#annebuckwalter #uffnerliu
Come see @annebuckwalter ‘s charming, cheeky, sexy show! Embedded within the carefully composed domestic spaces of “Lover’s Knot” are witty celebrations of sexuality—sometimes overt, sometimes subtle, always delightful 😽
On view through November 1, 2025 at @uffnerliu
#annebuckwalter #uffnerliu
Come see @annebuckwalter ‘s charming, cheeky, sexy show! Embedded within the carefully composed domestic spaces of “Lover’s Knot” are witty celebrations of sexuality—sometimes overt, sometimes subtle, always delightful 😽
On view through November 1, 2025 at @uffnerliu
#annebuckwalter #uffnerliu
Come see @annebuckwalter ‘s charming, cheeky, sexy show! Embedded within the carefully composed domestic spaces of “Lover’s Knot” are witty celebrations of sexuality—sometimes overt, sometimes subtle, always delightful 😽
On view through November 1, 2025 at @uffnerliu
#annebuckwalter #uffnerliu
The Armory Show was the first art fair I ever visited when I was in junior year of college and when it was starting to dawn on me that there existed an industry where people bought and sold contemporary art. Unfathomable. I took the train down from New Haven, nervously spoke to no one, had Maurizio Cattelan compliment my hat, and made it back to campus in time for art history section.
It’s nice to be back with a booth, as part of @uffnerliu We have five extraordinary female artists on view, and we’re near the entrance so you won’t miss us. Tomorrow’s the last day to see the fair – come visit at Booth 120!
@uffnerliu
Anne Buckwalter (@annebuckwalter)
Sheree Hovsepian (@shereehovsepian)
Arghavan Khosravi (@arghavan_khosravi)
Talia Levitt (@tallevitt)
Sarah Martin-Nuss (@sarahmartinnuss)
#thearmoryshow #uffnerliu
The Armory Show was the first art fair I ever visited when I was in junior year of college and when it was starting to dawn on me that there existed an industry where people bought and sold contemporary art. Unfathomable. I took the train down from New Haven, nervously spoke to no one, had Maurizio Cattelan compliment my hat, and made it back to campus in time for art history section.
It’s nice to be back with a booth, as part of @uffnerliu We have five extraordinary female artists on view, and we’re near the entrance so you won’t miss us. Tomorrow’s the last day to see the fair – come visit at Booth 120!
@uffnerliu
Anne Buckwalter (@annebuckwalter)
Sheree Hovsepian (@shereehovsepian)
Arghavan Khosravi (@arghavan_khosravi)
Talia Levitt (@tallevitt)
Sarah Martin-Nuss (@sarahmartinnuss)
#thearmoryshow #uffnerliu
The Armory Show was the first art fair I ever visited when I was in junior year of college and when it was starting to dawn on me that there existed an industry where people bought and sold contemporary art. Unfathomable. I took the train down from New Haven, nervously spoke to no one, had Maurizio Cattelan compliment my hat, and made it back to campus in time for art history section.
It’s nice to be back with a booth, as part of @uffnerliu We have five extraordinary female artists on view, and we’re near the entrance so you won’t miss us. Tomorrow’s the last day to see the fair – come visit at Booth 120!
@uffnerliu
Anne Buckwalter (@annebuckwalter)
Sheree Hovsepian (@shereehovsepian)
Arghavan Khosravi (@arghavan_khosravi)
Talia Levitt (@tallevitt)
Sarah Martin-Nuss (@sarahmartinnuss)
#thearmoryshow #uffnerliu
The Armory Show was the first art fair I ever visited when I was in junior year of college and when it was starting to dawn on me that there existed an industry where people bought and sold contemporary art. Unfathomable. I took the train down from New Haven, nervously spoke to no one, had Maurizio Cattelan compliment my hat, and made it back to campus in time for art history section.
It’s nice to be back with a booth, as part of @uffnerliu We have five extraordinary female artists on view, and we’re near the entrance so you won’t miss us. Tomorrow’s the last day to see the fair – come visit at Booth 120!
@uffnerliu
Anne Buckwalter (@annebuckwalter)
Sheree Hovsepian (@shereehovsepian)
Arghavan Khosravi (@arghavan_khosravi)
Talia Levitt (@tallevitt)
Sarah Martin-Nuss (@sarahmartinnuss)
#thearmoryshow #uffnerliu
The Armory Show was the first art fair I ever visited when I was in junior year of college and when it was starting to dawn on me that there existed an industry where people bought and sold contemporary art. Unfathomable. I took the train down from New Haven, nervously spoke to no one, had Maurizio Cattelan compliment my hat, and made it back to campus in time for art history section.
It’s nice to be back with a booth, as part of @uffnerliu We have five extraordinary female artists on view, and we’re near the entrance so you won’t miss us. Tomorrow’s the last day to see the fair – come visit at Booth 120!
@uffnerliu
Anne Buckwalter (@annebuckwalter)
Sheree Hovsepian (@shereehovsepian)
Arghavan Khosravi (@arghavan_khosravi)
Talia Levitt (@tallevitt)
Sarah Martin-Nuss (@sarahmartinnuss)
#thearmoryshow #uffnerliu
The Armory Show was the first art fair I ever visited when I was in junior year of college and when it was starting to dawn on me that there existed an industry where people bought and sold contemporary art. Unfathomable. I took the train down from New Haven, nervously spoke to no one, had Maurizio Cattelan compliment my hat, and made it back to campus in time for art history section.
It’s nice to be back with a booth, as part of @uffnerliu We have five extraordinary female artists on view, and we’re near the entrance so you won’t miss us. Tomorrow’s the last day to see the fair – come visit at Booth 120!
@uffnerliu
Anne Buckwalter (@annebuckwalter)
Sheree Hovsepian (@shereehovsepian)
Arghavan Khosravi (@arghavan_khosravi)
Talia Levitt (@tallevitt)
Sarah Martin-Nuss (@sarahmartinnuss)
#thearmoryshow #uffnerliu
The Armory Show was the first art fair I ever visited when I was in junior year of college and when it was starting to dawn on me that there existed an industry where people bought and sold contemporary art. Unfathomable. I took the train down from New Haven, nervously spoke to no one, had Maurizio Cattelan compliment my hat, and made it back to campus in time for art history section.
It’s nice to be back with a booth, as part of @uffnerliu We have five extraordinary female artists on view, and we’re near the entrance so you won’t miss us. Tomorrow’s the last day to see the fair – come visit at Booth 120!
@uffnerliu
Anne Buckwalter (@annebuckwalter)
Sheree Hovsepian (@shereehovsepian)
Arghavan Khosravi (@arghavan_khosravi)
Talia Levitt (@tallevitt)
Sarah Martin-Nuss (@sarahmartinnuss)
#thearmoryshow #uffnerliu
The Armory Show was the first art fair I ever visited when I was in junior year of college and when it was starting to dawn on me that there existed an industry where people bought and sold contemporary art. Unfathomable. I took the train down from New Haven, nervously spoke to no one, had Maurizio Cattelan compliment my hat, and made it back to campus in time for art history section.
It’s nice to be back with a booth, as part of @uffnerliu We have five extraordinary female artists on view, and we’re near the entrance so you won’t miss us. Tomorrow’s the last day to see the fair – come visit at Booth 120!
@uffnerliu
Anne Buckwalter (@annebuckwalter)
Sheree Hovsepian (@shereehovsepian)
Arghavan Khosravi (@arghavan_khosravi)
Talia Levitt (@tallevitt)
Sarah Martin-Nuss (@sarahmartinnuss)
#thearmoryshow #uffnerliu
The Armory Show was the first art fair I ever visited when I was in junior year of college and when it was starting to dawn on me that there existed an industry where people bought and sold contemporary art. Unfathomable. I took the train down from New Haven, nervously spoke to no one, had Maurizio Cattelan compliment my hat, and made it back to campus in time for art history section.
It’s nice to be back with a booth, as part of @uffnerliu We have five extraordinary female artists on view, and we’re near the entrance so you won’t miss us. Tomorrow’s the last day to see the fair – come visit at Booth 120!
@uffnerliu
Anne Buckwalter (@annebuckwalter)
Sheree Hovsepian (@shereehovsepian)
Arghavan Khosravi (@arghavan_khosravi)
Talia Levitt (@tallevitt)
Sarah Martin-Nuss (@sarahmartinnuss)
#thearmoryshow #uffnerliu
Instagramストーリーを秘密で見る
Instagramストーリービューアは、Instagramストーリー、動画、写真、またはIGTVを秘密に見たり保存したりできる簡単なツールです。このサービスを使用すると、コンテンツをダウンロードして、いつでもオフラインで楽しむことができます。Instagramで後でチェックしたいものを見つけた場合や、匿名でストーリーを見たい場合、このビューアは最適です。Anonstoriesは、あなたの身元を隠すための優れたソリューションを提供します。Instagramは2023年8月にストーリー機能を導入し、すぐに他のプラットフォームでも採用されました。このフォーマットは魅力的で、時間に敏感なため、ユーザーが写真、動画、または自撮りをテキスト、絵文字、またはフィルターで強化して、24時間限定で公開することができます。この限られた時間枠は、通常の投稿に比べて高いエンゲージメントを生み出します。今日の世界では、ストーリーはソーシャルメディアでつながり、コミュニケーションをとる最も人気のある方法の1つです。しかし、ストーリーを視聴すると、作成者は自分の名前を視聴者リストに見ることができ、プライバシーの懸念があります。もしストーリーを目立たずに閲覧したい場合、ここでAnonstoriesが役立ちます。これを使うことで、自分の身元を明かさずにInstagramのコンテンツを視聴できます。単に調べたいプロファイルのユーザー名を入力すると、その人の最新のストーリーが表示されます。Anonstoriesビューアの特徴：- 匿名閲覧：視聴リストに名前が表示されずにストーリーを視聴 - アカウント不要：Instagramのアカウントにサインインせずに公開コンテンツを視聴 - コンテンツダウンロード：ストーリーコンテンツを直接デバイスに保存してオフラインで使用 - ハイライト視聴：24時間を過ぎてもInstagramのハイライトにアクセス - リポストモニタリング：個人プロファイルのストーリーに対するリポストやエンゲージメントのレベルを追跡 制限事項：- このツールは公開アカウントでのみ動作し、非公開アカウントはアクセスできません。 利点：- プライバシー保護：Instagramのコンテンツを匿名で閲覧可能 - シンプルで簡単：アプリのインストールや登録は不要 - 独自のツール：Instagramが提供していない方法でコンテンツをダウンロードおよび管理可能
Anonstoriesの利点
IGストーリーをプライベートに探る
Instagramの更新をプライバシーを守りつつ、匿名で追跡できます。
プライベートInstagramビューア
プライベートプロファイルビューアを使用して、プロフィールと写真を簡単に匿名で閲覧できます。
無料のストーリービューア
この無料ツールでInstagramストーリーを匿名で閲覧でき、アクティビティがストーリーアップローダーに知られることはありません。
よくある質問
匿名性
Anonstoriesを使用すると、作成者に通知されることなくInstagramストーリーを閲覧できます。
デバイス互換性
iOS、Android、Windows、macOS、ChromeやSafariなどの最新のブラウザで問題なく動作します。
安全性とプライバシー
ログイン情報なしで、安全かつ匿名で閲覧できます。
登録不要
ユーザーは、ユーザー名を入力するだけで公開ストーリーを閲覧可能—アカウント登録は不要です。
対応フォーマット
写真（JPEG）と動画（MP4）を簡単にダウンロードできます。
料金
サービスは無料で利用できます。
非公開アカウント
非公開アカウントのコンテンツはフォロワーのみがアクセスできます。
ファイル使用
ファイルは個人または教育目的でのみ使用し、著作権法を遵守する必要があります。
動作方法
公開ユーザー名を入力して、ストーリーを閲覧またはダウンロードします。サービスはコンテンツをローカルに保存するための直接リンクを生成します。