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We’re thrilled to announce a new addition to our collection: “Making Itself” by @TalLevitt, the original painting behind the mural in the Wilf Family Salon.

This layered work captures vibrant elements of New York City, including Central Park as seen from the windows of our building, and includes objects and patterns drawn from the Jewish Museum’s collection. It is also a composite self-portrait of the artist and her daughter, who was born while this work was being produced.

The painting and mural share the same base layer and composition — but they’re not identical twins. The painting was photographed before Levitt added molded paint elements and paint “stitches,” then it was printed at double scale on adhesive canvas to create the mural. The artist applied those dimensional elements separately to both works, so close looking will reveal numerous differences.

🎨: Talia Levitt, “Making Itself,” 2025. Acrylic paint on canvas. 55 x 130 in. #JewishMuseumCollection

We’re thrilled to announce a new addition to our collection: “Making Itself” by @TalLevitt, the original painting behind the mural in the Wilf Family Salon.

This layered work captures vibrant elements of New York City, including Central Park as seen from the windows of our building, and includes objects and patterns drawn from the Jewish Museum’s collection. It is also a composite self-portrait of the artist and her daughter, who was born while this work was being produced.

The painting and mural share the same base layer and composition — but they’re not identical twins. The painting was photographed before Levitt added molded paint elements and paint “stitches,” then it was printed at double scale on adhesive canvas to create the mural. The artist applied those dimensional elements separately to both works, so close looking will reveal numerous differences.

🎨: Talia Levitt, “Making Itself,” 2025. Acrylic paint on canvas. 55 x 130 in. #JewishMuseumCollection

We’re thrilled to announce a new addition to our collection: “Making Itself” by @TalLevitt, the original painting behind the mural in the Wilf Family Salon.

This layered work captures vibrant elements of New York City, including Central Park as seen from the windows of our building, and includes objects and patterns drawn from the Jewish Museum’s collection. It is also a composite self-portrait of the artist and her daughter, who was born while this work was being produced.

The painting and mural share the same base layer and composition — but they’re not identical twins. The painting was photographed before Levitt added molded paint elements and paint “stitches,” then it was printed at double scale on adhesive canvas to create the mural. The artist applied those dimensional elements separately to both works, so close looking will reveal numerous differences.

🎨: Talia Levitt, “Making Itself,” 2025. Acrylic paint on canvas. 55 x 130 in. #JewishMuseumCollection

We’re thrilled to announce a new addition to our collection: “Making Itself” by @TalLevitt, the original painting behind the mural in the Wilf Family Salon.

This layered work captures vibrant elements of New York City, including Central Park as seen from the windows of our building, and includes objects and patterns drawn from the Jewish Museum’s collection. It is also a composite self-portrait of the artist and her daughter, who was born while this work was being produced.

The painting and mural share the same base layer and composition — but they’re not identical twins. The painting was photographed before Levitt added molded paint elements and paint “stitches,” then it was printed at double scale on adhesive canvas to create the mural. The artist applied those dimensional elements separately to both works, so close looking will reveal numerous differences.

🎨: Talia Levitt, “Making Itself,” 2025. Acrylic paint on canvas. 55 x 130 in. #JewishMuseumCollection

We’re thrilled to announce a new addition to our collection: “Making Itself” by @TalLevitt, the original painting behind the mural in the Wilf Family Salon.

This layered work captures vibrant elements of New York City, including Central Park as seen from the windows of our building, and includes objects and patterns drawn from the Jewish Museum’s collection. It is also a composite self-portrait of the artist and her daughter, who was born while this work was being produced.

The painting and mural share the same base layer and composition — but they’re not identical twins. The painting was photographed before Levitt added molded paint elements and paint “stitches,” then it was printed at double scale on adhesive canvas to create the mural. The artist applied those dimensional elements separately to both works, so close looking will reveal numerous differences.

🎨: Talia Levitt, “Making Itself,” 2025. Acrylic paint on canvas. 55 x 130 in. #JewishMuseumCollection

Xenia Creative Retreat welcomes Talia Levitt from the 23rd of January until the 11th of February 2026.

Talia was born in Brooklyn, New York, USA, in 1989, where she currently lives and works. She completed her BFA at the Rhode Island School of Design, Providence, Rhode Island, USA, in 2011 and her MFA at CUNY Hunter College, New York, USA, in 2019.

Talia's solo and two-person exhibitions include Unravel, K11, Shanghai, China (2025), 24/7, Victoria Miro Projects, Online (2025), Schmatta, Rachel Uffner Gallery, New York, USA (2023), Crossed Paths, F2T Gallery, Milan, Italy (2022), My Moon, ATM Gallery, New York, USA (2021), and Two Truths and a Lie, HESSE FLATOW, New York, USA (2020).

Talia's selected awards and residencies include Xenia Creative Retreat, North Hampshire, UK (2026), PLOP Residency, London, UK (2025), TAC Residency, Monteverdi Marittimo, Italy (2023), New York Foundation of the Arts Painting Fellow (2021), MASS MoCA Assets for Artists Residency (2020), Rema Hort Mann Emerging Artist Grant (2019), and Skowhegan School Of Painting & Sculpture (2019).

A temporary commission by Levitt will be on view at The Jewish Museum, New York, USA, from October 2025 - October 2028.

Visit www.taliaelevitt.com if you would like to explore her work further.
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#WorkingArtists #ArtistsAtWork #VisualArts #WrittenArts #Literature #Music #FilmMakers #Performance #Artists #Musicians #Writers #Journalists #Typographers #Illustrators #PerformanceArtists #Sculptors #Painters #Painting #Photographers #Architect #Weaver #Architecture #XeniaCreativeRetreat #artistretreat

Xenia Creative Retreat welcomes Talia Levitt from the 23rd of January until the 11th of February 2026.

Talia was born in Brooklyn, New York, USA, in 1989, where she currently lives and works. She completed her BFA at the Rhode Island School of Design, Providence, Rhode Island, USA, in 2011 and her MFA at CUNY Hunter College, New York, USA, in 2019.

Talia's solo and two-person exhibitions include Unravel, K11, Shanghai, China (2025), 24/7, Victoria Miro Projects, Online (2025), Schmatta, Rachel Uffner Gallery, New York, USA (2023), Crossed Paths, F2T Gallery, Milan, Italy (2022), My Moon, ATM Gallery, New York, USA (2021), and Two Truths and a Lie, HESSE FLATOW, New York, USA (2020).

Talia's selected awards and residencies include Xenia Creative Retreat, North Hampshire, UK (2026), PLOP Residency, London, UK (2025), TAC Residency, Monteverdi Marittimo, Italy (2023), New York Foundation of the Arts Painting Fellow (2021), MASS MoCA Assets for Artists Residency (2020), Rema Hort Mann Emerging Artist Grant (2019), and Skowhegan School Of Painting & Sculpture (2019).

A temporary commission by Levitt will be on view at The Jewish Museum, New York, USA, from October 2025 - October 2028.

Visit www.taliaelevitt.com if you would like to explore her work further.
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#WorkingArtists #ArtistsAtWork #VisualArts #WrittenArts #Literature #Music #FilmMakers #Performance #Artists #Musicians #Writers #Journalists #Typographers #Illustrators #PerformanceArtists #Sculptors #Painters #Painting #Photographers #Architect #Weaver #Architecture #XeniaCreativeRetreat #artistretreat

Xenia Creative Retreat welcomes Talia Levitt from the 23rd of January until the 11th of February 2026.

Talia was born in Brooklyn, New York, USA, in 1989, where she currently lives and works. She completed her BFA at the Rhode Island School of Design, Providence, Rhode Island, USA, in 2011 and her MFA at CUNY Hunter College, New York, USA, in 2019.

Talia's solo and two-person exhibitions include Unravel, K11, Shanghai, China (2025), 24/7, Victoria Miro Projects, Online (2025), Schmatta, Rachel Uffner Gallery, New York, USA (2023), Crossed Paths, F2T Gallery, Milan, Italy (2022), My Moon, ATM Gallery, New York, USA (2021), and Two Truths and a Lie, HESSE FLATOW, New York, USA (2020).

Talia's selected awards and residencies include Xenia Creative Retreat, North Hampshire, UK (2026), PLOP Residency, London, UK (2025), TAC Residency, Monteverdi Marittimo, Italy (2023), New York Foundation of the Arts Painting Fellow (2021), MASS MoCA Assets for Artists Residency (2020), Rema Hort Mann Emerging Artist Grant (2019), and Skowhegan School Of Painting & Sculpture (2019).

A temporary commission by Levitt will be on view at The Jewish Museum, New York, USA, from October 2025 - October 2028.

Visit www.taliaelevitt.com if you would like to explore her work further.
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#WorkingArtists #ArtistsAtWork #VisualArts #WrittenArts #Literature #Music #FilmMakers #Performance #Artists #Musicians #Writers #Journalists #Typographers #Illustrators #PerformanceArtists #Sculptors #Painters #Painting #Photographers #Architect #Weaver #Architecture #XeniaCreativeRetreat #artistretreat

Xenia Creative Retreat welcomes Talia Levitt from the 23rd of January until the 11th of February 2026.

Talia was born in Brooklyn, New York, USA, in 1989, where she currently lives and works. She completed her BFA at the Rhode Island School of Design, Providence, Rhode Island, USA, in 2011 and her MFA at CUNY Hunter College, New York, USA, in 2019.

Talia's solo and two-person exhibitions include Unravel, K11, Shanghai, China (2025), 24/7, Victoria Miro Projects, Online (2025), Schmatta, Rachel Uffner Gallery, New York, USA (2023), Crossed Paths, F2T Gallery, Milan, Italy (2022), My Moon, ATM Gallery, New York, USA (2021), and Two Truths and a Lie, HESSE FLATOW, New York, USA (2020).

Talia's selected awards and residencies include Xenia Creative Retreat, North Hampshire, UK (2026), PLOP Residency, London, UK (2025), TAC Residency, Monteverdi Marittimo, Italy (2023), New York Foundation of the Arts Painting Fellow (2021), MASS MoCA Assets for Artists Residency (2020), Rema Hort Mann Emerging Artist Grant (2019), and Skowhegan School Of Painting & Sculpture (2019).

A temporary commission by Levitt will be on view at The Jewish Museum, New York, USA, from October 2025 - October 2028.

Visit www.taliaelevitt.com if you would like to explore her work further.
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#WorkingArtists #ArtistsAtWork #VisualArts #WrittenArts #Literature #Music #FilmMakers #Performance #Artists #Musicians #Writers #Journalists #Typographers #Illustrators #PerformanceArtists #Sculptors #Painters #Painting #Photographers #Architect #Weaver #Architecture #XeniaCreativeRetreat #artistretreat

Xenia Creative Retreat welcomes Talia Levitt from the 23rd of January until the 11th of February 2026.

Talia was born in Brooklyn, New York, USA, in 1989, where she currently lives and works. She completed her BFA at the Rhode Island School of Design, Providence, Rhode Island, USA, in 2011 and her MFA at CUNY Hunter College, New York, USA, in 2019.

Talia's solo and two-person exhibitions include Unravel, K11, Shanghai, China (2025), 24/7, Victoria Miro Projects, Online (2025), Schmatta, Rachel Uffner Gallery, New York, USA (2023), Crossed Paths, F2T Gallery, Milan, Italy (2022), My Moon, ATM Gallery, New York, USA (2021), and Two Truths and a Lie, HESSE FLATOW, New York, USA (2020).

Talia's selected awards and residencies include Xenia Creative Retreat, North Hampshire, UK (2026), PLOP Residency, London, UK (2025), TAC Residency, Monteverdi Marittimo, Italy (2023), New York Foundation of the Arts Painting Fellow (2021), MASS MoCA Assets for Artists Residency (2020), Rema Hort Mann Emerging Artist Grant (2019), and Skowhegan School Of Painting & Sculpture (2019).

A temporary commission by Levitt will be on view at The Jewish Museum, New York, USA, from October 2025 - October 2028.

Visit www.taliaelevitt.com if you would like to explore her work further.
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#WorkingArtists #ArtistsAtWork #VisualArts #WrittenArts #Literature #Music #FilmMakers #Performance #Artists #Musicians #Writers #Journalists #Typographers #Illustrators #PerformanceArtists #Sculptors #Painters #Painting #Photographers #Architect #Weaver #Architecture #XeniaCreativeRetreat #artistretreat

Xenia Creative Retreat welcomes Talia Levitt from the 23rd of January until the 11th of February 2026.

Talia was born in Brooklyn, New York, USA, in 1989, where she currently lives and works. She completed her BFA at the Rhode Island School of Design, Providence, Rhode Island, USA, in 2011 and her MFA at CUNY Hunter College, New York, USA, in 2019.

Talia's solo and two-person exhibitions include Unravel, K11, Shanghai, China (2025), 24/7, Victoria Miro Projects, Online (2025), Schmatta, Rachel Uffner Gallery, New York, USA (2023), Crossed Paths, F2T Gallery, Milan, Italy (2022), My Moon, ATM Gallery, New York, USA (2021), and Two Truths and a Lie, HESSE FLATOW, New York, USA (2020).

Talia's selected awards and residencies include Xenia Creative Retreat, North Hampshire, UK (2026), PLOP Residency, London, UK (2025), TAC Residency, Monteverdi Marittimo, Italy (2023), New York Foundation of the Arts Painting Fellow (2021), MASS MoCA Assets for Artists Residency (2020), Rema Hort Mann Emerging Artist Grant (2019), and Skowhegan School Of Painting & Sculpture (2019).

A temporary commission by Levitt will be on view at The Jewish Museum, New York, USA, from October 2025 - October 2028.

Visit www.taliaelevitt.com if you would like to explore her work further.
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#WorkingArtists #ArtistsAtWork #VisualArts #WrittenArts #Literature #Music #FilmMakers #Performance #Artists #Musicians #Writers #Journalists #Typographers #Illustrators #PerformanceArtists #Sculptors #Painters #Painting #Photographers #Architect #Weaver #Architecture #XeniaCreativeRetreat #artistretreat

Long overdue— I wish I had more photos but was busy being in the moment! There’s too many people to thank for making my recent trip to Shanghai and Hong Kong so spectacular but most especially, to @bigbigbig_b who’s generosity knows no depths. Thank you @aaronc9292 @audepartparis @k11artfoundation @frankiehkh @taschen @dddddave @jenniferg_9999 @yitingzhao_zyt @ticko.liu @angelaa.chow for showing me your worlds and all else 😘😘💕💕 can’t wait to get back to Asia!!

Long overdue— I wish I had more photos but was busy being in the moment! There’s too many people to thank for making my recent trip to Shanghai and Hong Kong so spectacular but most especially, to @bigbigbig_b who’s generosity knows no depths. Thank you @aaronc9292 @audepartparis @k11artfoundation @frankiehkh @taschen @dddddave @jenniferg_9999 @yitingzhao_zyt @ticko.liu @angelaa.chow for showing me your worlds and all else 😘😘💕💕 can’t wait to get back to Asia!!

Long overdue— I wish I had more photos but was busy being in the moment! There’s too many people to thank for making my recent trip to Shanghai and Hong Kong so spectacular but most especially, to @bigbigbig_b who’s generosity knows no depths. Thank you @aaronc9292 @audepartparis @k11artfoundation @frankiehkh @taschen @dddddave @jenniferg_9999 @yitingzhao_zyt @ticko.liu @angelaa.chow for showing me your worlds and all else 😘😘💕💕 can’t wait to get back to Asia!!

Long overdue— I wish I had more photos but was busy being in the moment! There’s too many people to thank for making my recent trip to Shanghai and Hong Kong so spectacular but most especially, to @bigbigbig_b who’s generosity knows no depths. Thank you @aaronc9292 @audepartparis @k11artfoundation @frankiehkh @taschen @dddddave @jenniferg_9999 @yitingzhao_zyt @ticko.liu @angelaa.chow for showing me your worlds and all else 😘😘💕💕 can’t wait to get back to Asia!!

Long overdue— I wish I had more photos but was busy being in the moment! There’s too many people to thank for making my recent trip to Shanghai and Hong Kong so spectacular but most especially, to @bigbigbig_b who’s generosity knows no depths. Thank you @aaronc9292 @audepartparis @k11artfoundation @frankiehkh @taschen @dddddave @jenniferg_9999 @yitingzhao_zyt @ticko.liu @angelaa.chow for showing me your worlds and all else 😘😘💕💕 can’t wait to get back to Asia!!

Long overdue— I wish I had more photos but was busy being in the moment! There’s too many people to thank for making my recent trip to Shanghai and Hong Kong so spectacular but most especially, to @bigbigbig_b who’s generosity knows no depths. Thank you @aaronc9292 @audepartparis @k11artfoundation @frankiehkh @taschen @dddddave @jenniferg_9999 @yitingzhao_zyt @ticko.liu @angelaa.chow for showing me your worlds and all else 😘😘💕💕 can’t wait to get back to Asia!!

Long overdue— I wish I had more photos but was busy being in the moment! There’s too many people to thank for making my recent trip to Shanghai and Hong Kong so spectacular but most especially, to @bigbigbig_b who’s generosity knows no depths. Thank you @aaronc9292 @audepartparis @k11artfoundation @frankiehkh @taschen @dddddave @jenniferg_9999 @yitingzhao_zyt @ticko.liu @angelaa.chow for showing me your worlds and all else 😘😘💕💕 can’t wait to get back to Asia!!

Long overdue— I wish I had more photos but was busy being in the moment! There’s too many people to thank for making my recent trip to Shanghai and Hong Kong so spectacular but most especially, to @bigbigbig_b who’s generosity knows no depths. Thank you @aaronc9292 @audepartparis @k11artfoundation @frankiehkh @taschen @dddddave @jenniferg_9999 @yitingzhao_zyt @ticko.liu @angelaa.chow for showing me your worlds and all else 😘😘💕💕 can’t wait to get back to Asia!!

Long overdue— I wish I had more photos but was busy being in the moment! There’s too many people to thank for making my recent trip to Shanghai and Hong Kong so spectacular but most especially, to @bigbigbig_b who’s generosity knows no depths. Thank you @aaronc9292 @audepartparis @k11artfoundation @frankiehkh @taschen @dddddave @jenniferg_9999 @yitingzhao_zyt @ticko.liu @angelaa.chow for showing me your worlds and all else 😘😘💕💕 can’t wait to get back to Asia!!

Long overdue— I wish I had more photos but was busy being in the moment! There’s too many people to thank for making my recent trip to Shanghai and Hong Kong so spectacular but most especially, to @bigbigbig_b who’s generosity knows no depths. Thank you @aaronc9292 @audepartparis @k11artfoundation @frankiehkh @taschen @dddddave @jenniferg_9999 @yitingzhao_zyt @ticko.liu @angelaa.chow for showing me your worlds and all else 😘😘💕💕 can’t wait to get back to Asia!!

Long overdue— I wish I had more photos but was busy being in the moment! There’s too many people to thank for making my recent trip to Shanghai and Hong Kong so spectacular but most especially, to @bigbigbig_b who’s generosity knows no depths. Thank you @aaronc9292 @audepartparis @k11artfoundation @frankiehkh @taschen @dddddave @jenniferg_9999 @yitingzhao_zyt @ticko.liu @angelaa.chow for showing me your worlds and all else 😘😘💕💕 can’t wait to get back to Asia!!

So great to be in dialogue with Darsie Alexander and Talia Levitt @thejewishmuseum last night.

Ved Bordet, @s12gallery on the screen

#betweenus #jewishmuseum @tallevitt @thejewishmuseum @darsiealexander #bethlipman @s12gallery

So excited to show this painting Kunstkammer Home/Studio with @victoriamirogallery projects @untitledartfairs next week ❤️

So excited to show this painting Kunstkammer Home/Studio with @victoriamirogallery projects @untitledartfairs next week ❤️

So excited to show this painting Kunstkammer Home/Studio with @victoriamirogallery projects @untitledartfairs next week ❤️

So excited to show this painting Kunstkammer Home/Studio with @victoriamirogallery projects @untitledartfairs next week ❤️

So excited to show this painting Kunstkammer Home/Studio with @victoriamirogallery projects @untitledartfairs next week ❤️

So excited to show this painting Kunstkammer Home/Studio with @victoriamirogallery projects @untitledartfairs next week ❤️

I’ve been fascinated by Talia Levitt’s (@tallevitt) work for years — the way her paintings layer color, craft, illusion, narrative, and the everyday into something both intimate and visually mesmerizing. Her technique is meticulous, her storytelling generous, and her ability to hold multiple worlds at once — tenderness, chaos, humor, memory — feels unmistakably her own.

I had the joy of speaking with Talia for this interview and diving into her process: how she scores grids with a knife, pipes paint like embroidery, casts tiny objects in acrylic, and builds “visual diaries” that ask us, as she says, “What am I looking at, and how do I look at it?”

What moved me most was hearing her speak so openly about motherhood and its impact on her work. “I can’t overstate how profoundly the merging of these worlds has changed the way I make and the way I see,” she told me. Her daughter, she said, has become her teacher — reshaping her relationships to imagery, narrative, and the act of looking itself.

I’m humbled that she shared some of these very personal moments — painting with her newborn asleep on her shoulder, navigating the realities of caregiving, and finding new meaning in objects, symbols, and time.

Talia’s ability to fuse still life with everyday life, and to turn the domestic into something monumental, continues to astonish me. Her new series 24/7 @vortic.art , created in the earliest days of motherhood, is a testament to that.

Honored to share this conversation on @globalvoicesonline.
Link in bio.

I’ve been fascinated by Talia Levitt’s (@tallevitt) work for years — the way her paintings layer color, craft, illusion, narrative, and the everyday into something both intimate and visually mesmerizing. Her technique is meticulous, her storytelling generous, and her ability to hold multiple worlds at once — tenderness, chaos, humor, memory — feels unmistakably her own.

I had the joy of speaking with Talia for this interview and diving into her process: how she scores grids with a knife, pipes paint like embroidery, casts tiny objects in acrylic, and builds “visual diaries” that ask us, as she says, “What am I looking at, and how do I look at it?”

What moved me most was hearing her speak so openly about motherhood and its impact on her work. “I can’t overstate how profoundly the merging of these worlds has changed the way I make and the way I see,” she told me. Her daughter, she said, has become her teacher — reshaping her relationships to imagery, narrative, and the act of looking itself.

I’m humbled that she shared some of these very personal moments — painting with her newborn asleep on her shoulder, navigating the realities of caregiving, and finding new meaning in objects, symbols, and time.

Talia’s ability to fuse still life with everyday life, and to turn the domestic into something monumental, continues to astonish me. Her new series 24/7 @vortic.art , created in the earliest days of motherhood, is a testament to that.

Honored to share this conversation on @globalvoicesonline.
Link in bio.

I’ve been fascinated by Talia Levitt’s (@tallevitt) work for years — the way her paintings layer color, craft, illusion, narrative, and the everyday into something both intimate and visually mesmerizing. Her technique is meticulous, her storytelling generous, and her ability to hold multiple worlds at once — tenderness, chaos, humor, memory — feels unmistakably her own.

I had the joy of speaking with Talia for this interview and diving into her process: how she scores grids with a knife, pipes paint like embroidery, casts tiny objects in acrylic, and builds “visual diaries” that ask us, as she says, “What am I looking at, and how do I look at it?”

What moved me most was hearing her speak so openly about motherhood and its impact on her work. “I can’t overstate how profoundly the merging of these worlds has changed the way I make and the way I see,” she told me. Her daughter, she said, has become her teacher — reshaping her relationships to imagery, narrative, and the act of looking itself.

I’m humbled that she shared some of these very personal moments — painting with her newborn asleep on her shoulder, navigating the realities of caregiving, and finding new meaning in objects, symbols, and time.

Talia’s ability to fuse still life with everyday life, and to turn the domestic into something monumental, continues to astonish me. Her new series 24/7 @vortic.art , created in the earliest days of motherhood, is a testament to that.

Honored to share this conversation on @globalvoicesonline.
Link in bio.

I’ve been fascinated by Talia Levitt’s (@tallevitt) work for years — the way her paintings layer color, craft, illusion, narrative, and the everyday into something both intimate and visually mesmerizing. Her technique is meticulous, her storytelling generous, and her ability to hold multiple worlds at once — tenderness, chaos, humor, memory — feels unmistakably her own.

I had the joy of speaking with Talia for this interview and diving into her process: how she scores grids with a knife, pipes paint like embroidery, casts tiny objects in acrylic, and builds “visual diaries” that ask us, as she says, “What am I looking at, and how do I look at it?”

What moved me most was hearing her speak so openly about motherhood and its impact on her work. “I can’t overstate how profoundly the merging of these worlds has changed the way I make and the way I see,” she told me. Her daughter, she said, has become her teacher — reshaping her relationships to imagery, narrative, and the act of looking itself.

I’m humbled that she shared some of these very personal moments — painting with her newborn asleep on her shoulder, navigating the realities of caregiving, and finding new meaning in objects, symbols, and time.

Talia’s ability to fuse still life with everyday life, and to turn the domestic into something monumental, continues to astonish me. Her new series 24/7 @vortic.art , created in the earliest days of motherhood, is a testament to that.

Honored to share this conversation on @globalvoicesonline.
Link in bio.

I’ve been fascinated by Talia Levitt’s (@tallevitt) work for years — the way her paintings layer color, craft, illusion, narrative, and the everyday into something both intimate and visually mesmerizing. Her technique is meticulous, her storytelling generous, and her ability to hold multiple worlds at once — tenderness, chaos, humor, memory — feels unmistakably her own.

I had the joy of speaking with Talia for this interview and diving into her process: how she scores grids with a knife, pipes paint like embroidery, casts tiny objects in acrylic, and builds “visual diaries” that ask us, as she says, “What am I looking at, and how do I look at it?”

What moved me most was hearing her speak so openly about motherhood and its impact on her work. “I can’t overstate how profoundly the merging of these worlds has changed the way I make and the way I see,” she told me. Her daughter, she said, has become her teacher — reshaping her relationships to imagery, narrative, and the act of looking itself.

I’m humbled that she shared some of these very personal moments — painting with her newborn asleep on her shoulder, navigating the realities of caregiving, and finding new meaning in objects, symbols, and time.

Talia’s ability to fuse still life with everyday life, and to turn the domestic into something monumental, continues to astonish me. Her new series 24/7 @vortic.art , created in the earliest days of motherhood, is a testament to that.

Honored to share this conversation on @globalvoicesonline.
Link in bio.

I’ve been fascinated by Talia Levitt’s (@tallevitt) work for years — the way her paintings layer color, craft, illusion, narrative, and the everyday into something both intimate and visually mesmerizing. Her technique is meticulous, her storytelling generous, and her ability to hold multiple worlds at once — tenderness, chaos, humor, memory — feels unmistakably her own.

I had the joy of speaking with Talia for this interview and diving into her process: how she scores grids with a knife, pipes paint like embroidery, casts tiny objects in acrylic, and builds “visual diaries” that ask us, as she says, “What am I looking at, and how do I look at it?”

What moved me most was hearing her speak so openly about motherhood and its impact on her work. “I can’t overstate how profoundly the merging of these worlds has changed the way I make and the way I see,” she told me. Her daughter, she said, has become her teacher — reshaping her relationships to imagery, narrative, and the act of looking itself.

I’m humbled that she shared some of these very personal moments — painting with her newborn asleep on her shoulder, navigating the realities of caregiving, and finding new meaning in objects, symbols, and time.

Talia’s ability to fuse still life with everyday life, and to turn the domestic into something monumental, continues to astonish me. Her new series 24/7 @vortic.art , created in the earliest days of motherhood, is a testament to that.

Honored to share this conversation on @globalvoicesonline.
Link in bio.

I’ve been fascinated by Talia Levitt’s (@tallevitt) work for years — the way her paintings layer color, craft, illusion, narrative, and the everyday into something both intimate and visually mesmerizing. Her technique is meticulous, her storytelling generous, and her ability to hold multiple worlds at once — tenderness, chaos, humor, memory — feels unmistakably her own.

I had the joy of speaking with Talia for this interview and diving into her process: how she scores grids with a knife, pipes paint like embroidery, casts tiny objects in acrylic, and builds “visual diaries” that ask us, as she says, “What am I looking at, and how do I look at it?”

What moved me most was hearing her speak so openly about motherhood and its impact on her work. “I can’t overstate how profoundly the merging of these worlds has changed the way I make and the way I see,” she told me. Her daughter, she said, has become her teacher — reshaping her relationships to imagery, narrative, and the act of looking itself.

I’m humbled that she shared some of these very personal moments — painting with her newborn asleep on her shoulder, navigating the realities of caregiving, and finding new meaning in objects, symbols, and time.

Talia’s ability to fuse still life with everyday life, and to turn the domestic into something monumental, continues to astonish me. Her new series 24/7 @vortic.art , created in the earliest days of motherhood, is a testament to that.

Honored to share this conversation on @globalvoicesonline.
Link in bio.

I’ve been fascinated by Talia Levitt’s (@tallevitt) work for years — the way her paintings layer color, craft, illusion, narrative, and the everyday into something both intimate and visually mesmerizing. Her technique is meticulous, her storytelling generous, and her ability to hold multiple worlds at once — tenderness, chaos, humor, memory — feels unmistakably her own.

I had the joy of speaking with Talia for this interview and diving into her process: how she scores grids with a knife, pipes paint like embroidery, casts tiny objects in acrylic, and builds “visual diaries” that ask us, as she says, “What am I looking at, and how do I look at it?”

What moved me most was hearing her speak so openly about motherhood and its impact on her work. “I can’t overstate how profoundly the merging of these worlds has changed the way I make and the way I see,” she told me. Her daughter, she said, has become her teacher — reshaping her relationships to imagery, narrative, and the act of looking itself.

I’m humbled that she shared some of these very personal moments — painting with her newborn asleep on her shoulder, navigating the realities of caregiving, and finding new meaning in objects, symbols, and time.

Talia’s ability to fuse still life with everyday life, and to turn the domestic into something monumental, continues to astonish me. Her new series 24/7 @vortic.art , created in the earliest days of motherhood, is a testament to that.

Honored to share this conversation on @globalvoicesonline.
Link in bio.

I’ve been fascinated by Talia Levitt’s (@tallevitt) work for years — the way her paintings layer color, craft, illusion, narrative, and the everyday into something both intimate and visually mesmerizing. Her technique is meticulous, her storytelling generous, and her ability to hold multiple worlds at once — tenderness, chaos, humor, memory — feels unmistakably her own.

I had the joy of speaking with Talia for this interview and diving into her process: how she scores grids with a knife, pipes paint like embroidery, casts tiny objects in acrylic, and builds “visual diaries” that ask us, as she says, “What am I looking at, and how do I look at it?”

What moved me most was hearing her speak so openly about motherhood and its impact on her work. “I can’t overstate how profoundly the merging of these worlds has changed the way I make and the way I see,” she told me. Her daughter, she said, has become her teacher — reshaping her relationships to imagery, narrative, and the act of looking itself.

I’m humbled that she shared some of these very personal moments — painting with her newborn asleep on her shoulder, navigating the realities of caregiving, and finding new meaning in objects, symbols, and time.

Talia’s ability to fuse still life with everyday life, and to turn the domestic into something monumental, continues to astonish me. Her new series 24/7 @vortic.art , created in the earliest days of motherhood, is a testament to that.

Honored to share this conversation on @globalvoicesonline.
Link in bio.

I’ve been fascinated by Talia Levitt’s (@tallevitt) work for years — the way her paintings layer color, craft, illusion, narrative, and the everyday into something both intimate and visually mesmerizing. Her technique is meticulous, her storytelling generous, and her ability to hold multiple worlds at once — tenderness, chaos, humor, memory — feels unmistakably her own.

I had the joy of speaking with Talia for this interview and diving into her process: how she scores grids with a knife, pipes paint like embroidery, casts tiny objects in acrylic, and builds “visual diaries” that ask us, as she says, “What am I looking at, and how do I look at it?”

What moved me most was hearing her speak so openly about motherhood and its impact on her work. “I can’t overstate how profoundly the merging of these worlds has changed the way I make and the way I see,” she told me. Her daughter, she said, has become her teacher — reshaping her relationships to imagery, narrative, and the act of looking itself.

I’m humbled that she shared some of these very personal moments — painting with her newborn asleep on her shoulder, navigating the realities of caregiving, and finding new meaning in objects, symbols, and time.

Talia’s ability to fuse still life with everyday life, and to turn the domestic into something monumental, continues to astonish me. Her new series 24/7 @vortic.art , created in the earliest days of motherhood, is a testament to that.

Honored to share this conversation on @globalvoicesonline.
Link in bio.

I’ve been fascinated by Talia Levitt’s (@tallevitt) work for years — the way her paintings layer color, craft, illusion, narrative, and the everyday into something both intimate and visually mesmerizing. Her technique is meticulous, her storytelling generous, and her ability to hold multiple worlds at once — tenderness, chaos, humor, memory — feels unmistakably her own.

I had the joy of speaking with Talia for this interview and diving into her process: how she scores grids with a knife, pipes paint like embroidery, casts tiny objects in acrylic, and builds “visual diaries” that ask us, as she says, “What am I looking at, and how do I look at it?”

What moved me most was hearing her speak so openly about motherhood and its impact on her work. “I can’t overstate how profoundly the merging of these worlds has changed the way I make and the way I see,” she told me. Her daughter, she said, has become her teacher — reshaping her relationships to imagery, narrative, and the act of looking itself.

I’m humbled that she shared some of these very personal moments — painting with her newborn asleep on her shoulder, navigating the realities of caregiving, and finding new meaning in objects, symbols, and time.

Talia’s ability to fuse still life with everyday life, and to turn the domestic into something monumental, continues to astonish me. Her new series 24/7 @vortic.art , created in the earliest days of motherhood, is a testament to that.

Honored to share this conversation on @globalvoicesonline.
Link in bio.

I’ve been fascinated by Talia Levitt’s (@tallevitt) work for years — the way her paintings layer color, craft, illusion, narrative, and the everyday into something both intimate and visually mesmerizing. Her technique is meticulous, her storytelling generous, and her ability to hold multiple worlds at once — tenderness, chaos, humor, memory — feels unmistakably her own.

I had the joy of speaking with Talia for this interview and diving into her process: how she scores grids with a knife, pipes paint like embroidery, casts tiny objects in acrylic, and builds “visual diaries” that ask us, as she says, “What am I looking at, and how do I look at it?”

What moved me most was hearing her speak so openly about motherhood and its impact on her work. “I can’t overstate how profoundly the merging of these worlds has changed the way I make and the way I see,” she told me. Her daughter, she said, has become her teacher — reshaping her relationships to imagery, narrative, and the act of looking itself.

I’m humbled that she shared some of these very personal moments — painting with her newborn asleep on her shoulder, navigating the realities of caregiving, and finding new meaning in objects, symbols, and time.

Talia’s ability to fuse still life with everyday life, and to turn the domestic into something monumental, continues to astonish me. Her new series 24/7 @vortic.art , created in the earliest days of motherhood, is a testament to that.

Honored to share this conversation on @globalvoicesonline.
Link in bio.

I’ve been fascinated by Talia Levitt’s (@tallevitt) work for years — the way her paintings layer color, craft, illusion, narrative, and the everyday into something both intimate and visually mesmerizing. Her technique is meticulous, her storytelling generous, and her ability to hold multiple worlds at once — tenderness, chaos, humor, memory — feels unmistakably her own.

I had the joy of speaking with Talia for this interview and diving into her process: how she scores grids with a knife, pipes paint like embroidery, casts tiny objects in acrylic, and builds “visual diaries” that ask us, as she says, “What am I looking at, and how do I look at it?”

What moved me most was hearing her speak so openly about motherhood and its impact on her work. “I can’t overstate how profoundly the merging of these worlds has changed the way I make and the way I see,” she told me. Her daughter, she said, has become her teacher — reshaping her relationships to imagery, narrative, and the act of looking itself.

I’m humbled that she shared some of these very personal moments — painting with her newborn asleep on her shoulder, navigating the realities of caregiving, and finding new meaning in objects, symbols, and time.

Talia’s ability to fuse still life with everyday life, and to turn the domestic into something monumental, continues to astonish me. Her new series 24/7 @vortic.art , created in the earliest days of motherhood, is a testament to that.

Honored to share this conversation on @globalvoicesonline.
Link in bio.

I’ve been fascinated by Talia Levitt’s (@tallevitt) work for years — the way her paintings layer color, craft, illusion, narrative, and the everyday into something both intimate and visually mesmerizing. Her technique is meticulous, her storytelling generous, and her ability to hold multiple worlds at once — tenderness, chaos, humor, memory — feels unmistakably her own.

I had the joy of speaking with Talia for this interview and diving into her process: how she scores grids with a knife, pipes paint like embroidery, casts tiny objects in acrylic, and builds “visual diaries” that ask us, as she says, “What am I looking at, and how do I look at it?”

What moved me most was hearing her speak so openly about motherhood and its impact on her work. “I can’t overstate how profoundly the merging of these worlds has changed the way I make and the way I see,” she told me. Her daughter, she said, has become her teacher — reshaping her relationships to imagery, narrative, and the act of looking itself.

I’m humbled that she shared some of these very personal moments — painting with her newborn asleep on her shoulder, navigating the realities of caregiving, and finding new meaning in objects, symbols, and time.

Talia’s ability to fuse still life with everyday life, and to turn the domestic into something monumental, continues to astonish me. Her new series 24/7 @vortic.art , created in the earliest days of motherhood, is a testament to that.

Honored to share this conversation on @globalvoicesonline.
Link in bio.

@uffnerliu @artbasel Miami
Momentos, 2025, acrylic on canvas, 60 x 48 in (152.4 x 121.9 cm)

@uffnerliu @artbasel Miami
Momentos, 2025, acrylic on canvas, 60 x 48 in (152.4 x 121.9 cm)

Step behind the scenes of Brooklyn-based artist Talia Levitt’s new site-specific mural, debuting this month on the Jewish Museum’s new fourth floor.

Levitt’s layered, hand-embellished commission draws from multiple sources of historical inspiration, depicting a tiered shelf filled with objects inspired by the Jewish Museum collection—from a nineteenth-century Persian wedding dress to a colonial American coffeepot—set against a floral backdrop borrowed from a seventeenth-century Italian Torah binder.

Select items depicted in the mural are displayed in vitrines in the Museum’s galleries, highlighting the resonance of Jewish culture across generations and art forms. Don’t miss @TalLevitt’s mural when the Jewish Museum’s new galleries open to the public on October 24.

Brought my Home to Work
Acrylic on Canvas
4x5 ft
2025
@frieze.london
@uffnerliu
🫆

Brought my Home to Work
Acrylic on Canvas
4x5 ft
2025
@frieze.london
@uffnerliu
🫆

Brought my Home to Work
Acrylic on Canvas
4x5 ft
2025
@frieze.london
@uffnerliu
🫆

All at Once
16x20in
Acrylic on Canvas
@victoriamirogallery Projects
@vortic.art

All at Once
16x20in
Acrylic on Canvas
@victoriamirogallery Projects
@vortic.art

All at Once
16x20in
Acrylic on Canvas
@victoriamirogallery Projects
@vortic.art

Empty out my Childhood Jewelry Box for her and Found my Heart
16x 20 in
Acrylic on Canvas
@victoriamirogallery Projects
@vortic.art
❤️

Empty out my Childhood Jewelry Box for her and Found my Heart
16x 20 in
Acrylic on Canvas
@victoriamirogallery Projects
@vortic.art
❤️

Empty out my Childhood Jewelry Box for her and Found my Heart
16x 20 in
Acrylic on Canvas
@victoriamirogallery Projects
@vortic.art
❤️

@vortic.art @victoriamirogallery Victoria Miro Projects 24/7
Will my Daughter be a Painter Too?
4x5ft
Acrylic on Canvas

@vortic.art @victoriamirogallery Victoria Miro Projects 24/7
Will my Daughter be a Painter Too?
4x5ft
Acrylic on Canvas

@vortic.art @victoriamirogallery Victoria Miro Projects 24/7
Will my Daughter be a Painter Too?
4x5ft
Acrylic on Canvas