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mattyower
Matty
NYC | LA
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
A sneak peek into our most recent short film ‘You Will Enjoy This Film’. The doco follows the most widely read author you’ve never heard of… the author of fortunes in fortune cookies.
For now, we’ve had a couple of awesome private screenings whilst the film hopefully gets pick up by some film festivals.
Can’t wait to share it with you all!
An amazingly talented crew on this one
A Film by @demonsnap & @tomsacre_
Director of Photography @mattyower
Additional Cinematography @nickdolphdp
Editor @tomantolini
Composer & Sound Design @jonnyhiggins
Colourist @alexia_films
Art Director @_winglau @s___p___a___n
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
By far the wettest LA shoot in memory with Nike & @thommarch
Made into a fun adventure with great crew, expensive toys and some creative solutions by the grip dept. (4’ CTB frames as a temp roof in our electric tracking vehicle.)
2x Alexa 35’s w/ EZ’s
2x Ronin 2’s
Black Arm Rig + Technocrane
@patriotcameracars EV tracking vehicle
@thommarch
@pancho_ortiz
@j.ytc
@adam__hull
@ghostremote
@patriotcameracars
@lilo_dit
@poorfredd
@ginobass
@kaitfitzy
@dicknurr
@sunxsounds
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
They say NYC is all about the hustle. For me, hustle is about creating community and friendships.
I’d been wanting to mess around with CGI for a while — and when the @musicbed spec comp popped up, it was the perfect chance to show what we can do as creatives and filmmakers.
But why stop at a spec ad, when one of my great mates @declanbasile runs the best sock company in the game — @sweetfeet.nyc
Me, @emmakasarsky , and @mattyower decided to shoot two ads:
• One for the comp (had to be a fake brand: Sprint Union),
• And one for Sweetfeet.
We created a similar logo to Sweetfeet, shot two takes with our sock props, and swapped the sock logos in post with CGI, and I reckon we pulled it off! We landed a top 5 finalist spot in the comp and now get to drop this banger ad for Sweetfeet.
At the end of the day, it’s been a rollercoaster ride since moving to NYC, so it’s exciting to share something that has everything I love about it - amazing community and friendships. Proud of what we made and who we made it with.
Big thanks to the stellar cast and crew!
Lead - @sonyeeahh
Creative @demonsnap & @emmakasarsky
Director @demonsnap
DOP @mattyower
AC @harrison_stag
2AC Eli Learner
Steady @camera_villain_
Gaff and awesome dude @clear_soup
VFX @me_muhammad_burhan
Sound Post @lukeafuller
@andrewshelley_ @declanbasile @colebradley25
And shout out to @nycinerentals for their support, @sofiasbk535 and all the runners
xoxo
BIG THINGS COMING!!! We’re officially 1 of 5 finalists in the @musicbed spec ad competition.
We poured our hearts & socks into this one — and now we’re in it to win it. Final decision from the judges drops April 18th.
Thanks to the stellar cast and crew @sonyeeahh @clear_soup @harrison_stag @camera_villain_ @me_muhammad_burhan
@lukeafuller @sofiasbk535 @nycinerentals and many more
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
MOVING PORTRAITS FROM A COMMERCIAL SERIES FOR MARRIOTT BONVOY.
@DEMONSNAP X @WAVELENGTHPRODS
SHOT ON LOCATION AROUND NEW YORK.
SHOUT OUT TO @NYCINERENTALS FOR THE SUPPORT.
MARRIOTT:
HEAD OF MARRIOTT CONTENT STUDIO: KATE PFETSCH
EP: ALAN MASSEY
PRODUCER: @EMMAHTOBIN
PRODUCTION: @WAVELENGTHPRODS
EP: MIKE PRALL
PRODUCER: @3MMAHE
PM: @PAGEELLERSON
DIRECTOR: @DEMONSNAP
DP: @MATTYOWER
AC: @SYLVESTER.ALONE
SOUND: ROBYN HUEY
COLOR: @MATTYOWER
EDIT: @NICOLAKIMU
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
COPPER KETTLE NZ
Copper Kettle | Pepsi Co. NZ
Directed by @denis_scholsem
Camera Assistant : @leopoletronnier
Color & Online: @clembcolorist
Equipment Support: @thefront118
It’s not always the big jobs that are the best. Just Dennis, Leo & myself shooting 2 little Doco style stories over two weeks in my homeland of NZ.
A collection of frames that I enjoyed most from Jason’s story.
One of my favorite aspects about my job is frequently finding solutions for fresh challenges, sometimes there’s more creativity found there than what’s in the frame!
I didn’t want to compromise on the quality of what we were setting out to shoot, just because it was “run & gun” by nature. I looked into all sorts of expensive backpack rigs and settled on designing my own with the help of Sonny from @thefront118
I had power plates and transmitters mounted to the back of a military plate carrier. Up front I had the Alexa mini viewfinder mounted on a cinelock.. a MagSafe adapter to hold my phone open and unlocked on the ARRI companion app… a dovetail in the centre to quickly mount the camera to my chest for a little rest..and a cheeky quick release plate for my Fuji stills camera. Call it overkill, call it whatever you want, but it worked incredibly well, and I had so much fun engineering to solve the problem of a potentially heavy camera package to be out and about with day after day.
@luvlou._ X @jordyzsimpson
Shot on location earlier this year in Australia.
@pierretoussaint
@jordyzsimpson
@luvlou._ X @jordyzsimpson
Shot on location earlier this year in Australia.
@pierretoussaint
@jordyzsimpson
@luvlou._ X @jordyzsimpson
Shot on location earlier this year in Australia.
@pierretoussaint
@jordyzsimpson
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
AestheticsRX | “B-Side” 🐚
Trimmings from the cutting room floor, shown the light of day.
@jordyzsimpson
@saundersandcoagency
@megan_wm
@michael.comninus
@beauty_dept_
@simon_portbury
@aestheticsrxskincare
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
Pepsi Co. | Copper Kettle Commercial with @denis_scholsem Directing & @leopoletronnier AC
Invested some time during preproduction to develop a backpack rig style umbilical vest for my Alexa Mini. It was great to be able to follow the story unencumbered by the support typically necessary to achieve these frames. Unlocking the ability to run high grade AKS / components on the camera package whilst remaining just a few kilograms in-hand was a delightful shooting experience.
A well deserved thank you to @thefront118 & @sonnycostin for their unrelenting support in all of my projects but specifically this one.
@leopoletronnier for rising to the occasion, embodying a high end ‘slashie’ necessary for international shoots whilst also keeping every frame sharp.
@oli.coulthard & @spiritussystems for the plate carrier that served as the best platform for this innovation.
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.