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@SceneStyled #ARCHIVES: From the studios of the Cairo Opera House to the red carpets of the Venice Film Festival, Nelly Karim’s public image has been shaped by a career that began in ballet and moved steadily into film and television.
Karim trained as a professional ballerina under Dr. Magda Saleh and Abdelmoneim Kamel, before performing with the Cairo Opera Ballet Company. She also spent time training and competing in Russia, building a background in classical dance before transitioning to acting.
That foundation continues to sit alongside her red carpet appearances. At the El Gouna Film Festival, where she has appeared across multiple editions, Karim’s looks have formed part of the festival’s fashion landscape. In 2024, she wore a full-feathered couture design by Tony Ward — one of the standout looks of that year’s programme.
Her appearance at the Venice Film Festival marked a different kind of milestone. As a jury member — and the first Egyptian to take on that role — she wore a custom design by Antoine Kareh, created specifically for the occasion.
To see how those moments come together, watch Nelly Karim unpack an archive of her most defining looks at www.scenestyled.com or by downloading the #SceneNow app.
🖊️ Farida El Shafie
@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0
You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.
But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.
Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.
She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.
“I’m hungry,” she says. “Let’s eat before we start…”
Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.
Produced by: @scenestyled //@mo4network
SceneStyled Managing Editor: @faridaelshafie
Producer & Art Director: @lordmunky
Photography: @fariszaitoon
Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992
Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio
Post Production: @rosmedium & @_lil_nil_
Location: @lamaisonbleueelgouna
Editorial Design: @biblicallyaccuratenoha
Celebrity Management: @ingie_elmor
@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0
You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.
But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.
Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.
She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.
“I’m hungry,” she says. “Let’s eat before we start…”
Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.
Produced by: @scenestyled //@mo4network
SceneStyled Managing Editor: @faridaelshafie
Producer & Art Director: @lordmunky
Photography: @fariszaitoon
Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992
Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio
Post Production: @rosmedium & @_lil_nil_
Location: @lamaisonbleueelgouna
Editorial Design: @biblicallyaccuratenoha
Celebrity Management: @ingie_elmor
@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0
You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.
But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.
Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.
She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.
“I’m hungry,” she says. “Let’s eat before we start…”
Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.
Produced by: @scenestyled //@mo4network
SceneStyled Managing Editor: @faridaelshafie
Producer & Art Director: @lordmunky
Photography: @fariszaitoon
Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992
Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio
Post Production: @rosmedium & @_lil_nil_
Location: @lamaisonbleueelgouna
Editorial Design: @biblicallyaccuratenoha
Celebrity Management: @ingie_elmor
@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0
You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.
But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.
Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.
She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.
“I’m hungry,” she says. “Let’s eat before we start…”
Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.
Produced by: @scenestyled //@mo4network
SceneStyled Managing Editor: @faridaelshafie
Producer & Art Director: @lordmunky
Photography: @fariszaitoon
Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992
Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio
Post Production: @rosmedium & @_lil_nil_
Location: @lamaisonbleueelgouna
Editorial Design: @biblicallyaccuratenoha
Celebrity Management: @ingie_elmor
@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0
You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.
But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.
Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.
She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.
“I’m hungry,” she says. “Let’s eat before we start…”
Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.
Produced by: @scenestyled //@mo4network
SceneStyled Managing Editor: @faridaelshafie
Producer & Art Director: @lordmunky
Photography: @fariszaitoon
Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992
Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio
Post Production: @rosmedium & @_lil_nil_
Location: @lamaisonbleueelgouna
Editorial Design: @biblicallyaccuratenoha
Celebrity Management: @ingie_elmor
@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0
You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.
But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.
Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.
She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.
“I’m hungry,” she says. “Let’s eat before we start…”
Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.
Produced by: @scenestyled //@mo4network
SceneStyled Managing Editor: @faridaelshafie
Producer & Art Director: @lordmunky
Photography: @fariszaitoon
Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992
Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio
Post Production: @rosmedium & @_lil_nil_
Location: @lamaisonbleueelgouna
Editorial Design: @biblicallyaccuratenoha
Celebrity Management: @ingie_elmor
@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0
You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.
But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.
Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.
She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.
“I’m hungry,” she says. “Let’s eat before we start…”
Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.
Produced by: @scenestyled //@mo4network
SceneStyled Managing Editor: @faridaelshafie
Producer & Art Director: @lordmunky
Photography: @fariszaitoon
Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992
Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio
Post Production: @rosmedium & @_lil_nil_
Location: @lamaisonbleueelgouna
Editorial Design: @biblicallyaccuratenoha
Celebrity Management: @ingie_elmor
@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0
You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.
But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.
Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.
She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.
“I’m hungry,” she says. “Let’s eat before we start…”
Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.
Produced by: @scenestyled //@mo4network
SceneStyled Managing Editor: @faridaelshafie
Producer & Art Director: @lordmunky
Photography: @fariszaitoon
Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992
Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio
Post Production: @rosmedium & @_lil_nil_
Location: @lamaisonbleueelgouna
Editorial Design: @biblicallyaccuratenoha
Celebrity Management: @ingie_elmor
@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0
You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.
But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.
Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.
She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.
“I’m hungry,” she says. “Let’s eat before we start…”
Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.
Produced by: @scenestyled //@mo4network
SceneStyled Managing Editor: @faridaelshafie
Producer & Art Director: @lordmunky
Photography: @fariszaitoon
Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992
Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio
Post Production: @rosmedium & @_lil_nil_
Location: @lamaisonbleueelgouna
Editorial Design: @biblicallyaccuratenoha
Celebrity Management: @ingie_elmor
@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0
You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.
But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.
Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.
She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.
“I’m hungry,” she says. “Let’s eat before we start…”
Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.
Produced by: @scenestyled //@mo4network
SceneStyled Managing Editor: @faridaelshafie
Producer & Art Director: @lordmunky
Photography: @fariszaitoon
Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992
Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio
Post Production: @rosmedium & @_lil_nil_
Location: @lamaisonbleueelgouna
Editorial Design: @biblicallyaccuratenoha
Celebrity Management: @ingie_elmor
@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0
You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.
But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.
Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.
She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.
“I’m hungry,” she says. “Let’s eat before we start…”
Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.
Produced by: @scenestyled //@mo4network
SceneStyled Managing Editor: @faridaelshafie
Producer & Art Director: @lordmunky
Photography: @fariszaitoon
Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992
Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio
Post Production: @rosmedium & @_lil_nil_
Location: @lamaisonbleueelgouna
Editorial Design: @biblicallyaccuratenoha
Celebrity Management: @ingie_elmor
@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0
You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.
But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.
Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.
She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.
“I’m hungry,” she says. “Let’s eat before we start…”
Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.
Produced by: @scenestyled //@mo4network
SceneStyled Managing Editor: @faridaelshafie
Producer & Art Director: @lordmunky
Photography: @fariszaitoon
Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992
Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio
Post Production: @rosmedium & @_lil_nil_
Location: @lamaisonbleueelgouna
Editorial Design: @biblicallyaccuratenoha
Celebrity Management: @ingie_elmor
@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0
You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.
But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.
Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.
She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.
“I’m hungry,” she says. “Let’s eat before we start…”
Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.
Produced by: @scenestyled //@mo4network
SceneStyled Managing Editor: @faridaelshafie
Producer & Art Director: @lordmunky
Photography: @fariszaitoon
Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992
Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio
Post Production: @rosmedium & @_lil_nil_
Location: @lamaisonbleueelgouna
Editorial Design: @biblicallyaccuratenoha
Celebrity Management: @ingie_elmor
@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0
You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.
But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.
Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.
She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.
“I’m hungry,” she says. “Let’s eat before we start…”
Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.
Produced by: @scenestyled //@mo4network
SceneStyled Managing Editor: @faridaelshafie
Producer & Art Director: @lordmunky
Photography: @fariszaitoon
Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992
Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio
Post Production: @rosmedium & @_lil_nil_
Location: @lamaisonbleueelgouna
Editorial Design: @biblicallyaccuratenoha
Celebrity Management: @ingie_elmor
@SceneStyled: NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0
You can watch Nelly Karim in Cairo 6,7,8, A Girl Named Zaat, and Voy! Voy! Voy!, and lose yourself in the breadth of her catalogue. You can study her in the lauded turn of a prison warden in Segn El Nesaa, then pivot to her rare comedic register as Sokar in B 100 Wesh.
But to experience Nelly is to linger elsewhere entirely, to languish…”in a warm Wednesday afternoon in El Gouna, but the warmth is not generous. It sits on the skin, stubbornly. The air is edged with mildew and salt. Around the pool at La Maison Bleu, bodies are arranged in varying states of leisure.
Two men in white cotton shirts and belted trousers struggle with a chaise longue I have asked to be turned toward the dolphin statue breaking the water’s surface. The object refuses cooperation. It drags, resists, insists on heaviness. I notice, briefly, the disproportion of the request to the labour required, then abandon the thought. It is, after all, Nelly Karim.
She arrives with a pared-back entourage - two women, three bags, an iPhone. She’s corseted in a green linen co-ord, her hair precisely set, falling the full length of her back. Her sunglasses hold the same tone as her skin. Her eyes are washed in pink and gold; her lips, set with Dior Lip Glow, stay closed as she lights a cigarette and asks for the menu.
“I’m hungry,” she says. “Let’s eat before we start…”
Read the full cover story on Nelly Karim, exclusively, at www.SceneStyled.com or by downloading the #SceneNow app.
Produced by: @scenestyled //@mo4network
SceneStyled Managing Editor: @faridaelshafie
Producer & Art Director: @lordmunky
Photography: @fariszaitoon
Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992
Hair & Makeup: @alsagheersalons
Jewellery: @nakhlajewellery
Wardrobe: @kojakstudio
Post Production: @rosmedium & @_lil_nil_
Location: @lamaisonbleueelgouna
Editorial Design: @biblicallyaccuratenoha
Celebrity Management: @ingie_elmor
NELLY KARIM IN FULL BLOOM | @SCENESTYLED #COVER 6.0 | 01.04.26
Produced by: @scenestyled //@mo4network
SceneStyled Managing Editor: @faridaelshafie
Producer & Art Director: @lordmunky
Photography: @fariszaitoon
Cinematography: @ahmed_reda_dika
1st AC: @mazen_moohamedd
Sound Eng: @abanob8992
Hair & Makeup: @alsagheersalons
Wardrobe: @kojakstudio
Jewelry: @nakhlajewellery
Post Production: @rosmedium & @_lil_nil_
Location: @lamaisonbleueelgouna
Editorial Design: @biblicallyaccuratenoha
Celebrity Management: @ingie_elmor
@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”
Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.
Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”
El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.
For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.
🖊️Mariam Elmiesiry
@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”
Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.
Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”
El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.
For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.
🖊️Mariam Elmiesiry
@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”
Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.
Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”
El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.
For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.
🖊️Mariam Elmiesiry
@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”
Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.
Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”
El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.
For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.
🖊️Mariam Elmiesiry
@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”
Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.
Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”
El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.
For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.
🖊️Mariam Elmiesiry
@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”
Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.
Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”
El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.
For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.
🖊️Mariam Elmiesiry
@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”
Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.
Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”
El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.
For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.
🖊️Mariam Elmiesiry
@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”
Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.
Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”
El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.
For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.
🖊️Mariam Elmiesiry
@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”
Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.
Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”
El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.
For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.
🖊️Mariam Elmiesiry
@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”
Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.
Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”
El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.
For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.
🖊️Mariam Elmiesiry
@SceneStyled: Your skin is a living system, with its own temperature and chemistry. It interprets fragrance under conditions you cannot control. Perfume is not fixed; it unfolds over time. Rubbing your wrists together disrupts that progression. “If you rub your wrists together, you are fast-forwarding a song,” Dana El Masri tells SceneStyled. “Glide. Never rub.”
Working under her brand Jazmin Saraï, El Masri has spent the past decade building fragrances by hand, first in Montreal and now in Los Angeles. Her practice also questions industry language, particularly the term “oriental,” long used to group materials like spices and oud under a broad idea of “the East.” “It just lumps everything together. That’s unfair,” she says.
Modern perfumery may have formalised in places like Grasse, but much of its knowledge originated elsewhere. “The idea of distillation was Ibn Sina,” she notes. “Perfumery itself is an ancient Mesopotamian art.”
El Masri works through memory, sound, and lived experience, often translating music into scent. “Jazmin Saraï fragrance is an olfactory reinterpretation of sound,” she says. Her Tarab Duet, inspired by Fairuz and Abdel Halim Hafez, turns specific songs into compositions worn on the skin.
For the feature on Jazmin Saraï and the stories carried through scent, head to www.SceneStyled.com or download the #SceneNow app.
🖊️Mariam Elmiesiry
@SceneStyled: In much of the world, umbrellas remain tied to rain. Across the MENA region, they have taken on a second function, offering cover from a summer that has grown increasingly difficult to dress for. As heatwaves settle into something more constant than occasional, the umbrella begins to register as part of day-to-day attire.
For this #SceneStyled edit, designer umbrellas are set alongside MENA labels and regional finds, building looks that account for both heat and movement. Sculptural dresses sit with lightweight layers, oversized totes, and relaxed separates, each styled with umbrellas that read as part of the composition rather than an add-on.
Burberry checks and Gucci florals appear alongside more literal iterations, including a tomato-shaped umbrella that leans into the visual language of summer. Taken together, the edit approaches dressing in high heat with a degree of pragmatism, where shade becomes something considered rather than improvised.
For the full edit, head to www.SceneStyled.com or download the #SceneNow app.
🖋️ Raneem Ali Maaly
@SceneStyled: In much of the world, umbrellas remain tied to rain. Across the MENA region, they have taken on a second function, offering cover from a summer that has grown increasingly difficult to dress for. As heatwaves settle into something more constant than occasional, the umbrella begins to register as part of day-to-day attire.
For this #SceneStyled edit, designer umbrellas are set alongside MENA labels and regional finds, building looks that account for both heat and movement. Sculptural dresses sit with lightweight layers, oversized totes, and relaxed separates, each styled with umbrellas that read as part of the composition rather than an add-on.
Burberry checks and Gucci florals appear alongside more literal iterations, including a tomato-shaped umbrella that leans into the visual language of summer. Taken together, the edit approaches dressing in high heat with a degree of pragmatism, where shade becomes something considered rather than improvised.
For the full edit, head to www.SceneStyled.com or download the #SceneNow app.
🖋️ Raneem Ali Maaly
@SceneStyled: In much of the world, umbrellas remain tied to rain. Across the MENA region, they have taken on a second function, offering cover from a summer that has grown increasingly difficult to dress for. As heatwaves settle into something more constant than occasional, the umbrella begins to register as part of day-to-day attire.
For this #SceneStyled edit, designer umbrellas are set alongside MENA labels and regional finds, building looks that account for both heat and movement. Sculptural dresses sit with lightweight layers, oversized totes, and relaxed separates, each styled with umbrellas that read as part of the composition rather than an add-on.
Burberry checks and Gucci florals appear alongside more literal iterations, including a tomato-shaped umbrella that leans into the visual language of summer. Taken together, the edit approaches dressing in high heat with a degree of pragmatism, where shade becomes something considered rather than improvised.
For the full edit, head to www.SceneStyled.com or download the #SceneNow app.
🖋️ Raneem Ali Maaly
@SceneStyled: In much of the world, umbrellas remain tied to rain. Across the MENA region, they have taken on a second function, offering cover from a summer that has grown increasingly difficult to dress for. As heatwaves settle into something more constant than occasional, the umbrella begins to register as part of day-to-day attire.
For this #SceneStyled edit, designer umbrellas are set alongside MENA labels and regional finds, building looks that account for both heat and movement. Sculptural dresses sit with lightweight layers, oversized totes, and relaxed separates, each styled with umbrellas that read as part of the composition rather than an add-on.
Burberry checks and Gucci florals appear alongside more literal iterations, including a tomato-shaped umbrella that leans into the visual language of summer. Taken together, the edit approaches dressing in high heat with a degree of pragmatism, where shade becomes something considered rather than improvised.
For the full edit, head to www.SceneStyled.com or download the #SceneNow app.
🖋️ Raneem Ali Maaly
@SceneStyled: In much of the world, umbrellas remain tied to rain. Across the MENA region, they have taken on a second function, offering cover from a summer that has grown increasingly difficult to dress for. As heatwaves settle into something more constant than occasional, the umbrella begins to register as part of day-to-day attire.
For this #SceneStyled edit, designer umbrellas are set alongside MENA labels and regional finds, building looks that account for both heat and movement. Sculptural dresses sit with lightweight layers, oversized totes, and relaxed separates, each styled with umbrellas that read as part of the composition rather than an add-on.
Burberry checks and Gucci florals appear alongside more literal iterations, including a tomato-shaped umbrella that leans into the visual language of summer. Taken together, the edit approaches dressing in high heat with a degree of pragmatism, where shade becomes something considered rather than improvised.
For the full edit, head to www.SceneStyled.com or download the #SceneNow app.
🖋️ Raneem Ali Maaly
@SceneStyled: In much of the world, umbrellas remain tied to rain. Across the MENA region, they have taken on a second function, offering cover from a summer that has grown increasingly difficult to dress for. As heatwaves settle into something more constant than occasional, the umbrella begins to register as part of day-to-day attire.
For this #SceneStyled edit, designer umbrellas are set alongside MENA labels and regional finds, building looks that account for both heat and movement. Sculptural dresses sit with lightweight layers, oversized totes, and relaxed separates, each styled with umbrellas that read as part of the composition rather than an add-on.
Burberry checks and Gucci florals appear alongside more literal iterations, including a tomato-shaped umbrella that leans into the visual language of summer. Taken together, the edit approaches dressing in high heat with a degree of pragmatism, where shade becomes something considered rather than improvised.
For the full edit, head to www.SceneStyled.com or download the #SceneNow app.
🖋️ Raneem Ali Maaly
@SceneStyled #Spotted: International pop artist Naika made her first appearance at the Cannes Film Festival in a sculptural couture gown by Rami Kadi. Born in Miami to Haitian and French parents and raised between Europe, the Caribbean and the Middle East, Naika has built a following through multilingual pop that shifts between English, French and Haitian Creole, often drawing on questions of identity and displacement. Kadi, meanwhile, has spent the last decade carving out a distinct place within regional couture through sharply engineered silhouettes, digital fabrication techniques and high-glamour pieces that resist the quiet luxury mood currently dominating red carpets.
🎥 @ramikadi
In this week’s @SceneStyled SELECTS, Egyptian creative Nour Koura styles her favourite jewellery across four looks, bringing her signature boho sensibility to each one.
“The base of my whole outfit is around comfort. If anyone knows me I'm always barefoot, so if I do wear shoes, I prefer to wear sandals rather than have something that confines the way I move. I wear things that are lighter and more airy throughout the day.I'm also a big fan of pieces that make sound when you move.”
For the full interview and style breakdown, visit www.SceneStyled.com or download the #SceneNOW app available on iOS and Android.
🖊️ Kaja Grujic
@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.
📸 @morganelay
@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.
📸 @morganelay
@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.
📸 @morganelay
@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.
📸 @morganelay
@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.
📸 @morganelay
@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.
📸 @morganelay
@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.
📸 @morganelay
@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.
📸 @morganelay
@SceneStyled #Spotted: Fresh off being named the Middle East and North Africa ambassador for Dior under the newly appointed creative direction of Jonathan Anderson, Egyptian actor Yasmina El Abd made her first public red carpet appearance for the house at the Cannes Film Festival dressed head-to-toe in Dior.
📸 @morganelay
@SceneStyled #ARCHIVES: At her first Paris Fashion Week, Egyptian actressAmina Khalil moved through the week with a wardrobe that traced back to people and processes she already knew. Styled by Zeina Kobrossi, her appearance at Elie Saab’s show settled on a green suit chosen in the house’s Paris atelier, a decision made on first try.
Alongside it, Khalil spoke about building a second look with Dalia Abdelshafi, one that drew entirely from Egyptian names and locally sourced pieces. An Okhtein bag, jewellery by Azza Fahmy, and a leather Comme des Garçons jacket sourced through Villa Babushka were brought together, each piece retaining its own origin and weight within the look.
What emerged across both appearances was a way of working that stayed close to its sources, where the act of dressing for Paris did not require distance from what had already been established, but instead allowed those references to travel intact into a different setting.
For the full Amina Khalil#SceneStyled archive (on video) head to www.SceneStyled.com or download the #SceneNow app.
🖊️ Farida El Shafie
🎥 @scenestyled
@SceneStyled #SPOTLIGHT: Egyptian label, Seerah, began as a university project, but it didn’t stay theoretical for too long.
During her undergraduate studies, founder and designer Malak Khaled began developing a collection that brought sustainability into conversation with Egyptian material culture. In the final weeks of her programme, she won BAZIC’s Who’s Next competition, which offered mentorship to develop the work into a market-ready collection. The result was Seerah.
“Whenever people hear about heritage, they think about it in a stereotypical way,” Khaled tells #SceneStyled, “mostly Ancient Egypt. I wanted to expand on that.”
For the full story on Seerah, visit www.SceneStyled.com or download the #SceneNOW app available on iOS and Android.
🖊️ Kaja Grujic
@SceneStyled #SPOTLIGHT: Egyptian label, Seerah, began as a university project, but it didn’t stay theoretical for too long.
During her undergraduate studies, founder and designer Malak Khaled began developing a collection that brought sustainability into conversation with Egyptian material culture. In the final weeks of her programme, she won BAZIC’s Who’s Next competition, which offered mentorship to develop the work into a market-ready collection. The result was Seerah.
“Whenever people hear about heritage, they think about it in a stereotypical way,” Khaled tells #SceneStyled, “mostly Ancient Egypt. I wanted to expand on that.”
For the full story on Seerah, visit www.SceneStyled.com or download the #SceneNOW app available on iOS and Android.
🖊️ Kaja Grujic
@SceneStyled #SPOTLIGHT: Egyptian label, Seerah, began as a university project, but it didn’t stay theoretical for too long.
During her undergraduate studies, founder and designer Malak Khaled began developing a collection that brought sustainability into conversation with Egyptian material culture. In the final weeks of her programme, she won BAZIC’s Who’s Next competition, which offered mentorship to develop the work into a market-ready collection. The result was Seerah.
“Whenever people hear about heritage, they think about it in a stereotypical way,” Khaled tells #SceneStyled, “mostly Ancient Egypt. I wanted to expand on that.”
For the full story on Seerah, visit www.SceneStyled.com or download the #SceneNOW app available on iOS and Android.
🖊️ Kaja Grujic
@SceneStyled #SPOTLIGHT: Egyptian label, Seerah, began as a university project, but it didn’t stay theoretical for too long.
During her undergraduate studies, founder and designer Malak Khaled began developing a collection that brought sustainability into conversation with Egyptian material culture. In the final weeks of her programme, she won BAZIC’s Who’s Next competition, which offered mentorship to develop the work into a market-ready collection. The result was Seerah.
“Whenever people hear about heritage, they think about it in a stereotypical way,” Khaled tells #SceneStyled, “mostly Ancient Egypt. I wanted to expand on that.”
For the full story on Seerah, visit www.SceneStyled.com or download the #SceneNOW app available on iOS and Android.
🖊️ Kaja Grujic
@SceneStyled #SPOTLIGHT: Egyptian label, Seerah, began as a university project, but it didn’t stay theoretical for too long.
During her undergraduate studies, founder and designer Malak Khaled began developing a collection that brought sustainability into conversation with Egyptian material culture. In the final weeks of her programme, she won BAZIC’s Who’s Next competition, which offered mentorship to develop the work into a market-ready collection. The result was Seerah.
“Whenever people hear about heritage, they think about it in a stereotypical way,” Khaled tells #SceneStyled, “mostly Ancient Egypt. I wanted to expand on that.”
For the full story on Seerah, visit www.SceneStyled.com or download the #SceneNOW app available on iOS and Android.
🖊️ Kaja Grujic
@SceneStyled #SPOTLIGHT: Egyptian label, Seerah, began as a university project, but it didn’t stay theoretical for too long.
During her undergraduate studies, founder and designer Malak Khaled began developing a collection that brought sustainability into conversation with Egyptian material culture. In the final weeks of her programme, she won BAZIC’s Who’s Next competition, which offered mentorship to develop the work into a market-ready collection. The result was Seerah.
“Whenever people hear about heritage, they think about it in a stereotypical way,” Khaled tells #SceneStyled, “mostly Ancient Egypt. I wanted to expand on that.”
For the full story on Seerah, visit www.SceneStyled.com or download the #SceneNOW app available on iOS and Android.
🖊️ Kaja Grujic
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled #EXCLUSIVE: Dubai-based Egyptian fashion entrepreneur Hadia Ghaleb has spent the last few years building one of the region’s most recognisable modest swimwear brands. Now, following a year that saw HG continue expanding its international reach, Ghaleb is entering a new era with a collection centred on structure, transformation, and versatility.
“The most exciting part was definitely bringing new innovations to life and seeing them finally become real pieces people can wear,” Ghaleb says. “This collection pushed us creatively in so many ways, especially with the new structures, cuts, and styling possibilities.”
The collection introduces sharper silhouettes, engineered detailing, and styling versatility across nearly every piece. Leading the drop is the Belted swim set, designed with metallic side belts that sculpt the waist while maintaining HG’s signature full-coverage silhouette.
One of the standout additions is Shayla, a five-piece swim set featuring a redesigned head-cover piece that can be tied and layered in multiple ways, giving wearers greater styling flexibility within modest swimwear.
The collection is now live on hadiaghaleb.com, and for a very limited time, people who place their orders will receive 10% off and a surprise gift.
For the full feature on Hadia Ghaleb’s latest collection, visit www.SceneStyled.com or download the #SceneNOW app.
🖋️Raneem Ali Maaly
@SceneStyled: Monochrome Monday - The Sunshine Edition
Yellow rarely tolerates much interference. Its saturation is immediate, so the work shifts to cut, fabrication, and proportion - how the colour is contained, where it sits on the body, and what interrupts it.
This edit follows that line. Rayane Bacha and Noon By Noor keep to dresses, using structure and surface to temper the brightness. Wako Babes introduces a skirt with a lighter handle, suited to movement rather than occasion, while Tracy Couture shifts the same tone into evening through fabrication. At Khaite, the line is reduced further - cleaner cuts, less interference - so the colour reads through silhouette. Accessories from Amina Muaddi and Vanina complete the edit, keeping the emphasis on styling rather than decoration.
For the full monochromatic lineup, head to www.SceneStyled.com or download the #SceneNow app.
🖋️ Farah Helmy
@SceneStyled: Monochrome Monday - The Sunshine Edition
Yellow rarely tolerates much interference. Its saturation is immediate, so the work shifts to cut, fabrication, and proportion - how the colour is contained, where it sits on the body, and what interrupts it.
This edit follows that line. Rayane Bacha and Noon By Noor keep to dresses, using structure and surface to temper the brightness. Wako Babes introduces a skirt with a lighter handle, suited to movement rather than occasion, while Tracy Couture shifts the same tone into evening through fabrication. At Khaite, the line is reduced further - cleaner cuts, less interference - so the colour reads through silhouette. Accessories from Amina Muaddi and Vanina complete the edit, keeping the emphasis on styling rather than decoration.
For the full monochromatic lineup, head to www.SceneStyled.com or download the #SceneNow app.
🖋️ Farah Helmy
@SceneStyled: Monochrome Monday - The Sunshine Edition
Yellow rarely tolerates much interference. Its saturation is immediate, so the work shifts to cut, fabrication, and proportion - how the colour is contained, where it sits on the body, and what interrupts it.
This edit follows that line. Rayane Bacha and Noon By Noor keep to dresses, using structure and surface to temper the brightness. Wako Babes introduces a skirt with a lighter handle, suited to movement rather than occasion, while Tracy Couture shifts the same tone into evening through fabrication. At Khaite, the line is reduced further - cleaner cuts, less interference - so the colour reads through silhouette. Accessories from Amina Muaddi and Vanina complete the edit, keeping the emphasis on styling rather than decoration.
For the full monochromatic lineup, head to www.SceneStyled.com or download the #SceneNow app.
🖋️ Farah Helmy
@SceneStyled: Monochrome Monday - The Sunshine Edition
Yellow rarely tolerates much interference. Its saturation is immediate, so the work shifts to cut, fabrication, and proportion - how the colour is contained, where it sits on the body, and what interrupts it.
This edit follows that line. Rayane Bacha and Noon By Noor keep to dresses, using structure and surface to temper the brightness. Wako Babes introduces a skirt with a lighter handle, suited to movement rather than occasion, while Tracy Couture shifts the same tone into evening through fabrication. At Khaite, the line is reduced further - cleaner cuts, less interference - so the colour reads through silhouette. Accessories from Amina Muaddi and Vanina complete the edit, keeping the emphasis on styling rather than decoration.
For the full monochromatic lineup, head to www.SceneStyled.com or download the #SceneNow app.
🖋️ Farah Helmy
@SceneStyled: Monochrome Monday - The Sunshine Edition
Yellow rarely tolerates much interference. Its saturation is immediate, so the work shifts to cut, fabrication, and proportion - how the colour is contained, where it sits on the body, and what interrupts it.
This edit follows that line. Rayane Bacha and Noon By Noor keep to dresses, using structure and surface to temper the brightness. Wako Babes introduces a skirt with a lighter handle, suited to movement rather than occasion, while Tracy Couture shifts the same tone into evening through fabrication. At Khaite, the line is reduced further - cleaner cuts, less interference - so the colour reads through silhouette. Accessories from Amina Muaddi and Vanina complete the edit, keeping the emphasis on styling rather than decoration.
For the full monochromatic lineup, head to www.SceneStyled.com or download the #SceneNow app.
🖋️ Farah Helmy
@SceneStyled: Monochrome Monday - The Sunshine Edition
Yellow rarely tolerates much interference. Its saturation is immediate, so the work shifts to cut, fabrication, and proportion - how the colour is contained, where it sits on the body, and what interrupts it.
This edit follows that line. Rayane Bacha and Noon By Noor keep to dresses, using structure and surface to temper the brightness. Wako Babes introduces a skirt with a lighter handle, suited to movement rather than occasion, while Tracy Couture shifts the same tone into evening through fabrication. At Khaite, the line is reduced further - cleaner cuts, less interference - so the colour reads through silhouette. Accessories from Amina Muaddi and Vanina complete the edit, keeping the emphasis on styling rather than decoration.
For the full monochromatic lineup, head to www.SceneStyled.com or download the #SceneNow app.
🖋️ Farah Helmy
@SceneStyled: Monochrome Monday - The Sunshine Edition
Yellow rarely tolerates much interference. Its saturation is immediate, so the work shifts to cut, fabrication, and proportion - how the colour is contained, where it sits on the body, and what interrupts it.
This edit follows that line. Rayane Bacha and Noon By Noor keep to dresses, using structure and surface to temper the brightness. Wako Babes introduces a skirt with a lighter handle, suited to movement rather than occasion, while Tracy Couture shifts the same tone into evening through fabrication. At Khaite, the line is reduced further - cleaner cuts, less interference - so the colour reads through silhouette. Accessories from Amina Muaddi and Vanina complete the edit, keeping the emphasis on styling rather than decoration.
For the full monochromatic lineup, head to www.SceneStyled.com or download the #SceneNow app.
🖋️ Farah Helmy
@SceneStyled: Monochrome Monday - The Sunshine Edition
Yellow rarely tolerates much interference. Its saturation is immediate, so the work shifts to cut, fabrication, and proportion - how the colour is contained, where it sits on the body, and what interrupts it.
This edit follows that line. Rayane Bacha and Noon By Noor keep to dresses, using structure and surface to temper the brightness. Wako Babes introduces a skirt with a lighter handle, suited to movement rather than occasion, while Tracy Couture shifts the same tone into evening through fabrication. At Khaite, the line is reduced further - cleaner cuts, less interference - so the colour reads through silhouette. Accessories from Amina Muaddi and Vanina complete the edit, keeping the emphasis on styling rather than decoration.
For the full monochromatic lineup, head to www.SceneStyled.com or download the #SceneNow app.
🖋️ Farah Helmy
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.