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erickhe
Erick Alejandro Hernandez
Jan 23rd-June 29th Forms of Connection: 7th AIM Biennial @bronxmuseum
Thank you everyone who came to the opening of Facing a forward Wind! The show is up through 3/15 @dimin.nyc
This show was a long time in the making, with help from lots of sources. Thank you @yaddotoday @trianglenyc @assets4artists and @monirafoundation for the gifts of space, time and conversation. Thank you @elizabethgreenshieldsfdn for the constant support.
Thank you everyone who came to the opening of Facing a forward Wind! The show is up through 3/15 @dimin.nyc
This show was a long time in the making, with help from lots of sources. Thank you @yaddotoday @trianglenyc @assets4artists and @monirafoundation for the gifts of space, time and conversation. Thank you @elizabethgreenshieldsfdn for the constant support.
Thank you everyone who came to the opening of Facing a forward Wind! The show is up through 3/15 @dimin.nyc
This show was a long time in the making, with help from lots of sources. Thank you @yaddotoday @trianglenyc @assets4artists and @monirafoundation for the gifts of space, time and conversation. Thank you @elizabethgreenshieldsfdn for the constant support.
Thank you everyone who came to the opening of Facing a forward Wind! The show is up through 3/15 @dimin.nyc
This show was a long time in the making, with help from lots of sources. Thank you @yaddotoday @trianglenyc @assets4artists and @monirafoundation for the gifts of space, time and conversation. Thank you @elizabethgreenshieldsfdn for the constant support.
Thank you everyone who came to the opening of Facing a forward Wind! The show is up through 3/15 @dimin.nyc
This show was a long time in the making, with help from lots of sources. Thank you @yaddotoday @trianglenyc @assets4artists and @monirafoundation for the gifts of space, time and conversation. Thank you @elizabethgreenshieldsfdn for the constant support.
Thank you everyone who came to the opening of Facing a forward Wind! The show is up through 3/15 @dimin.nyc
This show was a long time in the making, with help from lots of sources. Thank you @yaddotoday @trianglenyc @assets4artists and @monirafoundation for the gifts of space, time and conversation. Thank you @elizabethgreenshieldsfdn for the constant support.
(Flagellation), 2026, 84 x 150 inches, Acrylic, Charcoal, and Graphite on Canvas
(Flagellation), 2026, 84 x 150 inches, Acrylic, Charcoal, and Graphite on Canvas
(Flagellation), 2026, 84 x 150 inches, Acrylic, Charcoal, and Graphite on Canvas
Erick Alejandro Hernández (@erickhe Brooklyn, NY) developed a series of paintings conceived in direct response to the third-floor studio, constructing compositions that extend and contract across the room. He made several life-size rubbings of the studio windows, using their imprint to define the space for some of the works. Continuing an ongoing investigation into symbolic topographies—an underground, middle ground, and sense of an “above”—the paintings register a sustained tension between presence and erasure, reflecting the convergence of layered histories and the charged calm of a place shaped by what once passed through it.
Erick is a painter whose practice examines how traditional techniques—painting, drawing, and collage—can be reconfigured to hold complex individual and collective histories. Working rhythmically across varying scales and modes of application, he builds work through brushing, staining, sealing, and gluing large surfaces. Often referencing psychoanalysis, literature, history, and personal experiences, the figures that populate his paintings allegorically explore forms of grief, memory, exile, and mourning. Born in Matanzas, Cuba he received his BFA in Painting from the Rhode Island School of Design and his MFA in Painting and Printmaking from Yale University. He has been a fellow at Skowhegan, Yaddo, MacDowell, MASS MoCA, the Sharpe-Walentas Studio Program, and The Bronx Museum, among others. erickalejandrohernandez.com
photography @treytreyburns
Erick Alejandro Hernández (@erickhe Brooklyn, NY) developed a series of paintings conceived in direct response to the third-floor studio, constructing compositions that extend and contract across the room. He made several life-size rubbings of the studio windows, using their imprint to define the space for some of the works. Continuing an ongoing investigation into symbolic topographies—an underground, middle ground, and sense of an “above”—the paintings register a sustained tension between presence and erasure, reflecting the convergence of layered histories and the charged calm of a place shaped by what once passed through it.
Erick is a painter whose practice examines how traditional techniques—painting, drawing, and collage—can be reconfigured to hold complex individual and collective histories. Working rhythmically across varying scales and modes of application, he builds work through brushing, staining, sealing, and gluing large surfaces. Often referencing psychoanalysis, literature, history, and personal experiences, the figures that populate his paintings allegorically explore forms of grief, memory, exile, and mourning. Born in Matanzas, Cuba he received his BFA in Painting from the Rhode Island School of Design and his MFA in Painting and Printmaking from Yale University. He has been a fellow at Skowhegan, Yaddo, MacDowell, MASS MoCA, the Sharpe-Walentas Studio Program, and The Bronx Museum, among others. erickalejandrohernandez.com
photography @treytreyburns
Erick Alejandro Hernández (@erickhe Brooklyn, NY) developed a series of paintings conceived in direct response to the third-floor studio, constructing compositions that extend and contract across the room. He made several life-size rubbings of the studio windows, using their imprint to define the space for some of the works. Continuing an ongoing investigation into symbolic topographies—an underground, middle ground, and sense of an “above”—the paintings register a sustained tension between presence and erasure, reflecting the convergence of layered histories and the charged calm of a place shaped by what once passed through it.
Erick is a painter whose practice examines how traditional techniques—painting, drawing, and collage—can be reconfigured to hold complex individual and collective histories. Working rhythmically across varying scales and modes of application, he builds work through brushing, staining, sealing, and gluing large surfaces. Often referencing psychoanalysis, literature, history, and personal experiences, the figures that populate his paintings allegorically explore forms of grief, memory, exile, and mourning. Born in Matanzas, Cuba he received his BFA in Painting from the Rhode Island School of Design and his MFA in Painting and Printmaking from Yale University. He has been a fellow at Skowhegan, Yaddo, MacDowell, MASS MoCA, the Sharpe-Walentas Studio Program, and The Bronx Museum, among others. erickalejandrohernandez.com
photography @treytreyburns
Erick Alejandro Hernández (@erickhe Brooklyn, NY) developed a series of paintings conceived in direct response to the third-floor studio, constructing compositions that extend and contract across the room. He made several life-size rubbings of the studio windows, using their imprint to define the space for some of the works. Continuing an ongoing investigation into symbolic topographies—an underground, middle ground, and sense of an “above”—the paintings register a sustained tension between presence and erasure, reflecting the convergence of layered histories and the charged calm of a place shaped by what once passed through it.
Erick is a painter whose practice examines how traditional techniques—painting, drawing, and collage—can be reconfigured to hold complex individual and collective histories. Working rhythmically across varying scales and modes of application, he builds work through brushing, staining, sealing, and gluing large surfaces. Often referencing psychoanalysis, literature, history, and personal experiences, the figures that populate his paintings allegorically explore forms of grief, memory, exile, and mourning. Born in Matanzas, Cuba he received his BFA in Painting from the Rhode Island School of Design and his MFA in Painting and Printmaking from Yale University. He has been a fellow at Skowhegan, Yaddo, MacDowell, MASS MoCA, the Sharpe-Walentas Studio Program, and The Bronx Museum, among others. erickalejandrohernandez.com
photography @treytreyburns
Erick Alejandro Hernández (@erickhe Brooklyn, NY) developed a series of paintings conceived in direct response to the third-floor studio, constructing compositions that extend and contract across the room. He made several life-size rubbings of the studio windows, using their imprint to define the space for some of the works. Continuing an ongoing investigation into symbolic topographies—an underground, middle ground, and sense of an “above”—the paintings register a sustained tension between presence and erasure, reflecting the convergence of layered histories and the charged calm of a place shaped by what once passed through it.
Erick is a painter whose practice examines how traditional techniques—painting, drawing, and collage—can be reconfigured to hold complex individual and collective histories. Working rhythmically across varying scales and modes of application, he builds work through brushing, staining, sealing, and gluing large surfaces. Often referencing psychoanalysis, literature, history, and personal experiences, the figures that populate his paintings allegorically explore forms of grief, memory, exile, and mourning. Born in Matanzas, Cuba he received his BFA in Painting from the Rhode Island School of Design and his MFA in Painting and Printmaking from Yale University. He has been a fellow at Skowhegan, Yaddo, MacDowell, MASS MoCA, the Sharpe-Walentas Studio Program, and The Bronx Museum, among others. erickalejandrohernandez.com
photography @treytreyburns
Erick Alejandro Hernández (@erickhe Brooklyn, NY) developed a series of paintings conceived in direct response to the third-floor studio, constructing compositions that extend and contract across the room. He made several life-size rubbings of the studio windows, using their imprint to define the space for some of the works. Continuing an ongoing investigation into symbolic topographies—an underground, middle ground, and sense of an “above”—the paintings register a sustained tension between presence and erasure, reflecting the convergence of layered histories and the charged calm of a place shaped by what once passed through it.
Erick is a painter whose practice examines how traditional techniques—painting, drawing, and collage—can be reconfigured to hold complex individual and collective histories. Working rhythmically across varying scales and modes of application, he builds work through brushing, staining, sealing, and gluing large surfaces. Often referencing psychoanalysis, literature, history, and personal experiences, the figures that populate his paintings allegorically explore forms of grief, memory, exile, and mourning. Born in Matanzas, Cuba he received his BFA in Painting from the Rhode Island School of Design and his MFA in Painting and Printmaking from Yale University. He has been a fellow at Skowhegan, Yaddo, MacDowell, MASS MoCA, the Sharpe-Walentas Studio Program, and The Bronx Museum, among others. erickalejandrohernandez.com
photography @treytreyburns
Erick Alejandro Hernández (@erickhe Brooklyn, NY) developed a series of paintings conceived in direct response to the third-floor studio, constructing compositions that extend and contract across the room. He made several life-size rubbings of the studio windows, using their imprint to define the space for some of the works. Continuing an ongoing investigation into symbolic topographies—an underground, middle ground, and sense of an “above”—the paintings register a sustained tension between presence and erasure, reflecting the convergence of layered histories and the charged calm of a place shaped by what once passed through it.
Erick is a painter whose practice examines how traditional techniques—painting, drawing, and collage—can be reconfigured to hold complex individual and collective histories. Working rhythmically across varying scales and modes of application, he builds work through brushing, staining, sealing, and gluing large surfaces. Often referencing psychoanalysis, literature, history, and personal experiences, the figures that populate his paintings allegorically explore forms of grief, memory, exile, and mourning. Born in Matanzas, Cuba he received his BFA in Painting from the Rhode Island School of Design and his MFA in Painting and Printmaking from Yale University. He has been a fellow at Skowhegan, Yaddo, MacDowell, MASS MoCA, the Sharpe-Walentas Studio Program, and The Bronx Museum, among others. erickalejandrohernandez.com
photography @treytreyburns
Erick Alejandro Hernández (@erickhe Brooklyn, NY) developed a series of paintings conceived in direct response to the third-floor studio, constructing compositions that extend and contract across the room. He made several life-size rubbings of the studio windows, using their imprint to define the space for some of the works. Continuing an ongoing investigation into symbolic topographies—an underground, middle ground, and sense of an “above”—the paintings register a sustained tension between presence and erasure, reflecting the convergence of layered histories and the charged calm of a place shaped by what once passed through it.
Erick is a painter whose practice examines how traditional techniques—painting, drawing, and collage—can be reconfigured to hold complex individual and collective histories. Working rhythmically across varying scales and modes of application, he builds work through brushing, staining, sealing, and gluing large surfaces. Often referencing psychoanalysis, literature, history, and personal experiences, the figures that populate his paintings allegorically explore forms of grief, memory, exile, and mourning. Born in Matanzas, Cuba he received his BFA in Painting from the Rhode Island School of Design and his MFA in Painting and Printmaking from Yale University. He has been a fellow at Skowhegan, Yaddo, MacDowell, MASS MoCA, the Sharpe-Walentas Studio Program, and The Bronx Museum, among others. erickalejandrohernandez.com
photography @treytreyburns
Erick Alejandro Hernández (@erickhe Brooklyn, NY) developed a series of paintings conceived in direct response to the third-floor studio, constructing compositions that extend and contract across the room. He made several life-size rubbings of the studio windows, using their imprint to define the space for some of the works. Continuing an ongoing investigation into symbolic topographies—an underground, middle ground, and sense of an “above”—the paintings register a sustained tension between presence and erasure, reflecting the convergence of layered histories and the charged calm of a place shaped by what once passed through it.
Erick is a painter whose practice examines how traditional techniques—painting, drawing, and collage—can be reconfigured to hold complex individual and collective histories. Working rhythmically across varying scales and modes of application, he builds work through brushing, staining, sealing, and gluing large surfaces. Often referencing psychoanalysis, literature, history, and personal experiences, the figures that populate his paintings allegorically explore forms of grief, memory, exile, and mourning. Born in Matanzas, Cuba he received his BFA in Painting from the Rhode Island School of Design and his MFA in Painting and Printmaking from Yale University. He has been a fellow at Skowhegan, Yaddo, MacDowell, MASS MoCA, the Sharpe-Walentas Studio Program, and The Bronx Museum, among others. erickalejandrohernandez.com
photography @treytreyburns
Opening tomorrow! Friday January 23rd, 6-8pm @bronxmuseum
The Seventh AIM Biennial: Forms of Connection at The Bronx Museum.
So thankful to show with this group, and to Nell, Patrick, and The Bronx Museum for making this possible.
1: Ventana; Nadie puede asegurarnos que han puesto los nombres ciertos a los lugares donde hemos vivido (detail), 2025, Acrylic, graphite, and charcoal on Canvas, 65 x 85 inches
2: Exhibiting artists
Full list of artists:
Skip Brea @skipbrea
Hedwig Brouckaert @hedwig_brouckaert
Katie Chin @katie.chin.and
Jodie Lyn-Kee-Chow @lynkeeart
Noga Cohen @nogie_
Jordan Cruz @jordancorinec
Rocio Delaloye @rociodelaloye
Ricki Dwyer @ricki.dwyer
Nazli Efe @nazliefee
Bryan Fernandez @bryanfernandez.studio
Diana Guerra @_dianahola_
Erick Alejandro Hernández @erickhe
Leekyung Kang @kleeeek
kiarita @sacralrise
DeepPond Kim @deeppondkim
Juyon Lee @juyon_
Sangmin Lee @sangminl
Delvin Lugo @delvinlugo
Massiel Mafes @massielmafes
lauren mcavoy #laurenmcavoy
Jill Cohen-Nuñez @jillcohennunez
Piero Penizzotto @piero.penizzotto
Laurel Richardson @laurelarichardson
Asia Stewart @asiastewart
Motohiro Takeda @motohirotakeda
Jennifer Teresa Villanueva @jennifer__teresa
Cyle Warner @cylewarner
V Yeh @v.w.yeh
Curated by @patrickdrowe @nellsullivan
Opening tomorrow! Friday January 23rd, 6-8pm @bronxmuseum
The Seventh AIM Biennial: Forms of Connection at The Bronx Museum.
So thankful to show with this group, and to Nell, Patrick, and The Bronx Museum for making this possible.
1: Ventana; Nadie puede asegurarnos que han puesto los nombres ciertos a los lugares donde hemos vivido (detail), 2025, Acrylic, graphite, and charcoal on Canvas, 65 x 85 inches
2: Exhibiting artists
Full list of artists:
Skip Brea @skipbrea
Hedwig Brouckaert @hedwig_brouckaert
Katie Chin @katie.chin.and
Jodie Lyn-Kee-Chow @lynkeeart
Noga Cohen @nogie_
Jordan Cruz @jordancorinec
Rocio Delaloye @rociodelaloye
Ricki Dwyer @ricki.dwyer
Nazli Efe @nazliefee
Bryan Fernandez @bryanfernandez.studio
Diana Guerra @_dianahola_
Erick Alejandro Hernández @erickhe
Leekyung Kang @kleeeek
kiarita @sacralrise
DeepPond Kim @deeppondkim
Juyon Lee @juyon_
Sangmin Lee @sangminl
Delvin Lugo @delvinlugo
Massiel Mafes @massielmafes
lauren mcavoy #laurenmcavoy
Jill Cohen-Nuñez @jillcohennunez
Piero Penizzotto @piero.penizzotto
Laurel Richardson @laurelarichardson
Asia Stewart @asiastewart
Motohiro Takeda @motohirotakeda
Jennifer Teresa Villanueva @jennifer__teresa
Cyle Warner @cylewarner
V Yeh @v.w.yeh
Curated by @patrickdrowe @nellsullivan
Barren Pines; Para Olvidar Cuan Cerca Estamos del Cielo, Oil on Canvas, 2025, 60 x 72 inches
Hi, I’m Erick Alejandro Hernandez (@erickhe), a 2025 AIM Fellow at @bronxmuseum!
My work is driven by an ongoing investigation of grief as it pertains to bodily loss, exile, and migration. I am invested in using painting as a malleable medium to depict complex individual and collective histories, focusing on narratives that are unfixed. Often, I use collage processes to patch pieces of canvas into mural-scale figural works that generate a space where the fugitive and temporal nature of these subjects can be located.
I am grateful to be part of the AIM community and to participate in a program that provides practical tools for navigating the complexities of being an artist. The program creates a generous platform for weekly group informational sessions focused on things like grant writing, developing public projects, filing taxes, and strategies for interacting with different kinds of art institutions.
I look forward to celebrating my time as a Fellow by showing work at The Seventh AIM Biennial, which opens at @bronxmuseum on January 23, 2026. My Fellowship cohort is also planning the next AIM Convening—a free professional development event for artists at the Museum on February 7, 2026. Click the link in @bronxmuseum’s for more info about the 2026 AIM Biennial and Convening 🔗
Pictured:
1. ‘Smoke Piece’, 2022, Acrylic, Ball-point, Marker, and PH Neutral Adhesive on Canvas, 420 x 360 inches at Yale University
2 – 3. Installation. ‘Facing a Forward Wind’, 2025 @Dimin.nyc
4. ‘Purple Room’, 2023, Oil, Charcoal, and Acrylic on Canvas, 78 x 108 inches
5. Detail. ‘Her body dissolved and filled the room; the humid air was afraid to die’, 2023, Acrylic, Graphite, Marker, and Ballpoint on Canvas, 51 x 63 inches
6. ‘Flores (for Lia)’, 2023, Oil and Acrylic on Canvas, 60 x 48 inches
7. 2025 AIM Fellows at @bronxmuseum’s Gala
#BronxMuseum #ErickAlejandroHernandez #AIMfellowship #AIMbiennial #AIMconvening
Hi, I’m Erick Alejandro Hernandez (@erickhe), a 2025 AIM Fellow at @bronxmuseum!
My work is driven by an ongoing investigation of grief as it pertains to bodily loss, exile, and migration. I am invested in using painting as a malleable medium to depict complex individual and collective histories, focusing on narratives that are unfixed. Often, I use collage processes to patch pieces of canvas into mural-scale figural works that generate a space where the fugitive and temporal nature of these subjects can be located.
I am grateful to be part of the AIM community and to participate in a program that provides practical tools for navigating the complexities of being an artist. The program creates a generous platform for weekly group informational sessions focused on things like grant writing, developing public projects, filing taxes, and strategies for interacting with different kinds of art institutions.
I look forward to celebrating my time as a Fellow by showing work at The Seventh AIM Biennial, which opens at @bronxmuseum on January 23, 2026. My Fellowship cohort is also planning the next AIM Convening—a free professional development event for artists at the Museum on February 7, 2026. Click the link in @bronxmuseum’s for more info about the 2026 AIM Biennial and Convening 🔗
Pictured:
1. ‘Smoke Piece’, 2022, Acrylic, Ball-point, Marker, and PH Neutral Adhesive on Canvas, 420 x 360 inches at Yale University
2 – 3. Installation. ‘Facing a Forward Wind’, 2025 @Dimin.nyc
4. ‘Purple Room’, 2023, Oil, Charcoal, and Acrylic on Canvas, 78 x 108 inches
5. Detail. ‘Her body dissolved and filled the room; the humid air was afraid to die’, 2023, Acrylic, Graphite, Marker, and Ballpoint on Canvas, 51 x 63 inches
6. ‘Flores (for Lia)’, 2023, Oil and Acrylic on Canvas, 60 x 48 inches
7. 2025 AIM Fellows at @bronxmuseum’s Gala
#BronxMuseum #ErickAlejandroHernandez #AIMfellowship #AIMbiennial #AIMconvening
Hi, I’m Erick Alejandro Hernandez (@erickhe), a 2025 AIM Fellow at @bronxmuseum!
My work is driven by an ongoing investigation of grief as it pertains to bodily loss, exile, and migration. I am invested in using painting as a malleable medium to depict complex individual and collective histories, focusing on narratives that are unfixed. Often, I use collage processes to patch pieces of canvas into mural-scale figural works that generate a space where the fugitive and temporal nature of these subjects can be located.
I am grateful to be part of the AIM community and to participate in a program that provides practical tools for navigating the complexities of being an artist. The program creates a generous platform for weekly group informational sessions focused on things like grant writing, developing public projects, filing taxes, and strategies for interacting with different kinds of art institutions.
I look forward to celebrating my time as a Fellow by showing work at The Seventh AIM Biennial, which opens at @bronxmuseum on January 23, 2026. My Fellowship cohort is also planning the next AIM Convening—a free professional development event for artists at the Museum on February 7, 2026. Click the link in @bronxmuseum’s for more info about the 2026 AIM Biennial and Convening 🔗
Pictured:
1. ‘Smoke Piece’, 2022, Acrylic, Ball-point, Marker, and PH Neutral Adhesive on Canvas, 420 x 360 inches at Yale University
2 – 3. Installation. ‘Facing a Forward Wind’, 2025 @Dimin.nyc
4. ‘Purple Room’, 2023, Oil, Charcoal, and Acrylic on Canvas, 78 x 108 inches
5. Detail. ‘Her body dissolved and filled the room; the humid air was afraid to die’, 2023, Acrylic, Graphite, Marker, and Ballpoint on Canvas, 51 x 63 inches
6. ‘Flores (for Lia)’, 2023, Oil and Acrylic on Canvas, 60 x 48 inches
7. 2025 AIM Fellows at @bronxmuseum’s Gala
#BronxMuseum #ErickAlejandroHernandez #AIMfellowship #AIMbiennial #AIMconvening
Hi, I’m Erick Alejandro Hernandez (@erickhe), a 2025 AIM Fellow at @bronxmuseum!
My work is driven by an ongoing investigation of grief as it pertains to bodily loss, exile, and migration. I am invested in using painting as a malleable medium to depict complex individual and collective histories, focusing on narratives that are unfixed. Often, I use collage processes to patch pieces of canvas into mural-scale figural works that generate a space where the fugitive and temporal nature of these subjects can be located.
I am grateful to be part of the AIM community and to participate in a program that provides practical tools for navigating the complexities of being an artist. The program creates a generous platform for weekly group informational sessions focused on things like grant writing, developing public projects, filing taxes, and strategies for interacting with different kinds of art institutions.
I look forward to celebrating my time as a Fellow by showing work at The Seventh AIM Biennial, which opens at @bronxmuseum on January 23, 2026. My Fellowship cohort is also planning the next AIM Convening—a free professional development event for artists at the Museum on February 7, 2026. Click the link in @bronxmuseum’s for more info about the 2026 AIM Biennial and Convening 🔗
Pictured:
1. ‘Smoke Piece’, 2022, Acrylic, Ball-point, Marker, and PH Neutral Adhesive on Canvas, 420 x 360 inches at Yale University
2 – 3. Installation. ‘Facing a Forward Wind’, 2025 @Dimin.nyc
4. ‘Purple Room’, 2023, Oil, Charcoal, and Acrylic on Canvas, 78 x 108 inches
5. Detail. ‘Her body dissolved and filled the room; the humid air was afraid to die’, 2023, Acrylic, Graphite, Marker, and Ballpoint on Canvas, 51 x 63 inches
6. ‘Flores (for Lia)’, 2023, Oil and Acrylic on Canvas, 60 x 48 inches
7. 2025 AIM Fellows at @bronxmuseum’s Gala
#BronxMuseum #ErickAlejandroHernandez #AIMfellowship #AIMbiennial #AIMconvening
Hi, I’m Erick Alejandro Hernandez (@erickhe), a 2025 AIM Fellow at @bronxmuseum!
My work is driven by an ongoing investigation of grief as it pertains to bodily loss, exile, and migration. I am invested in using painting as a malleable medium to depict complex individual and collective histories, focusing on narratives that are unfixed. Often, I use collage processes to patch pieces of canvas into mural-scale figural works that generate a space where the fugitive and temporal nature of these subjects can be located.
I am grateful to be part of the AIM community and to participate in a program that provides practical tools for navigating the complexities of being an artist. The program creates a generous platform for weekly group informational sessions focused on things like grant writing, developing public projects, filing taxes, and strategies for interacting with different kinds of art institutions.
I look forward to celebrating my time as a Fellow by showing work at The Seventh AIM Biennial, which opens at @bronxmuseum on January 23, 2026. My Fellowship cohort is also planning the next AIM Convening—a free professional development event for artists at the Museum on February 7, 2026. Click the link in @bronxmuseum’s for more info about the 2026 AIM Biennial and Convening 🔗
Pictured:
1. ‘Smoke Piece’, 2022, Acrylic, Ball-point, Marker, and PH Neutral Adhesive on Canvas, 420 x 360 inches at Yale University
2 – 3. Installation. ‘Facing a Forward Wind’, 2025 @Dimin.nyc
4. ‘Purple Room’, 2023, Oil, Charcoal, and Acrylic on Canvas, 78 x 108 inches
5. Detail. ‘Her body dissolved and filled the room; the humid air was afraid to die’, 2023, Acrylic, Graphite, Marker, and Ballpoint on Canvas, 51 x 63 inches
6. ‘Flores (for Lia)’, 2023, Oil and Acrylic on Canvas, 60 x 48 inches
7. 2025 AIM Fellows at @bronxmuseum’s Gala
#BronxMuseum #ErickAlejandroHernandez #AIMfellowship #AIMbiennial #AIMconvening
Hi, I’m Erick Alejandro Hernandez (@erickhe), a 2025 AIM Fellow at @bronxmuseum!
My work is driven by an ongoing investigation of grief as it pertains to bodily loss, exile, and migration. I am invested in using painting as a malleable medium to depict complex individual and collective histories, focusing on narratives that are unfixed. Often, I use collage processes to patch pieces of canvas into mural-scale figural works that generate a space where the fugitive and temporal nature of these subjects can be located.
I am grateful to be part of the AIM community and to participate in a program that provides practical tools for navigating the complexities of being an artist. The program creates a generous platform for weekly group informational sessions focused on things like grant writing, developing public projects, filing taxes, and strategies for interacting with different kinds of art institutions.
I look forward to celebrating my time as a Fellow by showing work at The Seventh AIM Biennial, which opens at @bronxmuseum on January 23, 2026. My Fellowship cohort is also planning the next AIM Convening—a free professional development event for artists at the Museum on February 7, 2026. Click the link in @bronxmuseum’s for more info about the 2026 AIM Biennial and Convening 🔗
Pictured:
1. ‘Smoke Piece’, 2022, Acrylic, Ball-point, Marker, and PH Neutral Adhesive on Canvas, 420 x 360 inches at Yale University
2 – 3. Installation. ‘Facing a Forward Wind’, 2025 @Dimin.nyc
4. ‘Purple Room’, 2023, Oil, Charcoal, and Acrylic on Canvas, 78 x 108 inches
5. Detail. ‘Her body dissolved and filled the room; the humid air was afraid to die’, 2023, Acrylic, Graphite, Marker, and Ballpoint on Canvas, 51 x 63 inches
6. ‘Flores (for Lia)’, 2023, Oil and Acrylic on Canvas, 60 x 48 inches
7. 2025 AIM Fellows at @bronxmuseum’s Gala
#BronxMuseum #ErickAlejandroHernandez #AIMfellowship #AIMbiennial #AIMconvening
Hi, I’m Erick Alejandro Hernandez (@erickhe), a 2025 AIM Fellow at @bronxmuseum!
My work is driven by an ongoing investigation of grief as it pertains to bodily loss, exile, and migration. I am invested in using painting as a malleable medium to depict complex individual and collective histories, focusing on narratives that are unfixed. Often, I use collage processes to patch pieces of canvas into mural-scale figural works that generate a space where the fugitive and temporal nature of these subjects can be located.
I am grateful to be part of the AIM community and to participate in a program that provides practical tools for navigating the complexities of being an artist. The program creates a generous platform for weekly group informational sessions focused on things like grant writing, developing public projects, filing taxes, and strategies for interacting with different kinds of art institutions.
I look forward to celebrating my time as a Fellow by showing work at The Seventh AIM Biennial, which opens at @bronxmuseum on January 23, 2026. My Fellowship cohort is also planning the next AIM Convening—a free professional development event for artists at the Museum on February 7, 2026. Click the link in @bronxmuseum’s for more info about the 2026 AIM Biennial and Convening 🔗
Pictured:
1. ‘Smoke Piece’, 2022, Acrylic, Ball-point, Marker, and PH Neutral Adhesive on Canvas, 420 x 360 inches at Yale University
2 – 3. Installation. ‘Facing a Forward Wind’, 2025 @Dimin.nyc
4. ‘Purple Room’, 2023, Oil, Charcoal, and Acrylic on Canvas, 78 x 108 inches
5. Detail. ‘Her body dissolved and filled the room; the humid air was afraid to die’, 2023, Acrylic, Graphite, Marker, and Ballpoint on Canvas, 51 x 63 inches
6. ‘Flores (for Lia)’, 2023, Oil and Acrylic on Canvas, 60 x 48 inches
7. 2025 AIM Fellows at @bronxmuseum’s Gala
#BronxMuseum #ErickAlejandroHernandez #AIMfellowship #AIMbiennial #AIMconvening
credulity/void, oil and acrylic on canvas, 72 x 72 inches, 2023
A little late but…thinking about paradigm shifts, porosity, precariousness…contending with the inevitable promise of alienation that presents itself in deep, intimate proximity….wondering: what defines a body’s contours and in which way can these boundaries be diffused?
Last few days of “Facing a Forward Wind” @dimin.nyc which closes this Saturday 3/15. I’ll be in the gallery that day 1:30-3:30 if you want to stop in!
Threshold, 84 x 83 inches, Oil, acrylic, charcoal, graphite, and ballpoint on canvas, 2025
Want to share this beautiful, incisive text written by Jennifer Pranolo to accompany my show, Facing a Foward Wind.
I am so thankful to Jennifer for this text, for her careful observation, precision in language, and generosity in our conversations leading up to this show.
The show will be up @dimin.nyc till 3/15!
Want to share this beautiful, incisive text written by Jennifer Pranolo to accompany my show, Facing a Foward Wind.
I am so thankful to Jennifer for this text, for her careful observation, precision in language, and generosity in our conversations leading up to this show.
The show will be up @dimin.nyc till 3/15!
Want to share this beautiful, incisive text written by Jennifer Pranolo to accompany my show, Facing a Foward Wind.
I am so thankful to Jennifer for this text, for her careful observation, precision in language, and generosity in our conversations leading up to this show.
The show will be up @dimin.nyc till 3/15!
Want to share this beautiful, incisive text written by Jennifer Pranolo to accompany my show, Facing a Foward Wind.
I am so thankful to Jennifer for this text, for her careful observation, precision in language, and generosity in our conversations leading up to this show.
The show will be up @dimin.nyc till 3/15!
Want to share this beautiful, incisive text written by Jennifer Pranolo to accompany my show, Facing a Foward Wind.
I am so thankful to Jennifer for this text, for her careful observation, precision in language, and generosity in our conversations leading up to this show.
The show will be up @dimin.nyc till 3/15!
Want to share this beautiful, incisive text written by Jennifer Pranolo to accompany my show, Facing a Foward Wind.
I am so thankful to Jennifer for this text, for her careful observation, precision in language, and generosity in our conversations leading up to this show.
The show will be up @dimin.nyc till 3/15!
Want to share this beautiful, incisive text written by Jennifer Pranolo to accompany my show, Facing a Foward Wind.
I am so thankful to Jennifer for this text, for her careful observation, precision in language, and generosity in our conversations leading up to this show.
The show will be up @dimin.nyc till 3/15!
Erick Alejandro Hernández
Facing a Forward Wind
February 7 - March 15, 2025
Opening Reception: Friday, February 7th, 6-8pm
DIMIN
406 Broadway, Fl. 2, New York City
@erickhe
#Contemporarypainting #potraits
Happy to be a part of “leftovers” @island83gallery which closes 3/23!
Also featuring works by @pacifico_photo @motohirotakeda @annatingmoller @thianguk @tinzinn @sabafarhoudnia @kerri_ammirata @cecilestudio
Happy to be a part of “leftovers” @island83gallery which closes 3/23!
Also featuring works by @pacifico_photo @motohirotakeda @annatingmoller @thianguk @tinzinn @sabafarhoudnia @kerri_ammirata @cecilestudio
Happy to be a part of “leftovers” @island83gallery which closes 3/23!
Also featuring works by @pacifico_photo @motohirotakeda @annatingmoller @thianguk @tinzinn @sabafarhoudnia @kerri_ammirata @cecilestudio
Happy to be a part of “leftovers” @island83gallery which closes 3/23!
Also featuring works by @pacifico_photo @motohirotakeda @annatingmoller @thianguk @tinzinn @sabafarhoudnia @kerri_ammirata @cecilestudio
Oil, acrylic, graphite, and charcoal on canvas, 24 x 30 inches, 2023
@wildingcrangallery till 3/3/24!
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.