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Late post😅 Glad to be part of the exhibition with friends and artists from @printshoporg “the end of a sentence is where we might begin”, curated by Sarah H. Cho @sarah_h_choPlease stop by the show if you are in town. The show is until May 8th!

_____
#keyholderresidency#thebookofmarvels

Lower East Side Printshop is delighted to announce a new exhibition, “the end of a sentence is where we might begin”, curated by Sarah H. Cho.

The exhibition features 12 artists connected to the Lower East Side Printshop Community Studio, through membership or the Keyholder Artist Residency. The artists in this show contend with personal, familial, cultural, structural, or philosophical narratives that foments potentiality to explore the edges of boundaries and begin anew.

Late post😅 Glad to be part of the exhibition with friends and artists from @printshoporg “the end of a sentence is where we might begin”, curated by Sarah H. Cho @sarah_h_choPlease stop by the show if you are in town. The show is until May 8th!

_____
#keyholderresidency#thebookofmarvels

Lower East Side Printshop is delighted to announce a new exhibition, “the end of a sentence is where we might begin”, curated by Sarah H. Cho.

The exhibition features 12 artists connected to the Lower East Side Printshop Community Studio, through membership or the Keyholder Artist Residency. The artists in this show contend with personal, familial, cultural, structural, or philosophical narratives that foments potentiality to explore the edges of boundaries and begin anew.

Late post😅 Glad to be part of the exhibition with friends and artists from @printshoporg “the end of a sentence is where we might begin”, curated by Sarah H. Cho @sarah_h_choPlease stop by the show if you are in town. The show is until May 8th!

_____
#keyholderresidency#thebookofmarvels

Lower East Side Printshop is delighted to announce a new exhibition, “the end of a sentence is where we might begin”, curated by Sarah H. Cho.

The exhibition features 12 artists connected to the Lower East Side Printshop Community Studio, through membership or the Keyholder Artist Residency. The artists in this show contend with personal, familial, cultural, structural, or philosophical narratives that foments potentiality to explore the edges of boundaries and begin anew.

Late post😅 Glad to be part of the exhibition with friends and artists from @printshoporg “the end of a sentence is where we might begin”, curated by Sarah H. Cho @sarah_h_choPlease stop by the show if you are in town. The show is until May 8th!

_____
#keyholderresidency#thebookofmarvels

Lower East Side Printshop is delighted to announce a new exhibition, “the end of a sentence is where we might begin”, curated by Sarah H. Cho.

The exhibition features 12 artists connected to the Lower East Side Printshop Community Studio, through membership or the Keyholder Artist Residency. The artists in this show contend with personal, familial, cultural, structural, or philosophical narratives that foments potentiality to explore the edges of boundaries and begin anew.

Late post😅 Glad to be part of the exhibition with friends and artists from @printshoporg “the end of a sentence is where we might begin”, curated by Sarah H. Cho @sarah_h_choPlease stop by the show if you are in town. The show is until May 8th!

_____
#keyholderresidency#thebookofmarvels

Lower East Side Printshop is delighted to announce a new exhibition, “the end of a sentence is where we might begin”, curated by Sarah H. Cho.

The exhibition features 12 artists connected to the Lower East Side Printshop Community Studio, through membership or the Keyholder Artist Residency. The artists in this show contend with personal, familial, cultural, structural, or philosophical narratives that foments potentiality to explore the edges of boundaries and begin anew.

Currently in the exhibition @patchoguearts _ Occupying Space 9@BAT. Thanks to be in the exhibition with great artists and curator @cino_john . The exhibition is up until May 10th.

1.Altered Existence of Ouroboros, 42x60in, mixed media on canvas, 2024

2.Entombed in Static, 36x96 in each, acrylic and water-soluble graphite on canvas, 2024-2025

3-7. Details of Entombed in Static.

Currently in the exhibition @patchoguearts _ Occupying Space 9@BAT. Thanks to be in the exhibition with great artists and curator @cino_john . The exhibition is up until May 10th.

1.Altered Existence of Ouroboros, 42x60in, mixed media on canvas, 2024

2.Entombed in Static, 36x96 in each, acrylic and water-soluble graphite on canvas, 2024-2025

3-7. Details of Entombed in Static.

Currently in the exhibition @patchoguearts _ Occupying Space 9@BAT. Thanks to be in the exhibition with great artists and curator @cino_john . The exhibition is up until May 10th.

1.Altered Existence of Ouroboros, 42x60in, mixed media on canvas, 2024

2.Entombed in Static, 36x96 in each, acrylic and water-soluble graphite on canvas, 2024-2025

3-7. Details of Entombed in Static.

Currently in the exhibition @patchoguearts _ Occupying Space 9@BAT. Thanks to be in the exhibition with great artists and curator @cino_john . The exhibition is up until May 10th.

1.Altered Existence of Ouroboros, 42x60in, mixed media on canvas, 2024

2.Entombed in Static, 36x96 in each, acrylic and water-soluble graphite on canvas, 2024-2025

3-7. Details of Entombed in Static.

Currently in the exhibition @patchoguearts _ Occupying Space 9@BAT. Thanks to be in the exhibition with great artists and curator @cino_john . The exhibition is up until May 10th.

1.Altered Existence of Ouroboros, 42x60in, mixed media on canvas, 2024

2.Entombed in Static, 36x96 in each, acrylic and water-soluble graphite on canvas, 2024-2025

3-7. Details of Entombed in Static.

Currently in the exhibition @patchoguearts _ Occupying Space 9@BAT. Thanks to be in the exhibition with great artists and curator @cino_john . The exhibition is up until May 10th.

1.Altered Existence of Ouroboros, 42x60in, mixed media on canvas, 2024

2.Entombed in Static, 36x96 in each, acrylic and water-soluble graphite on canvas, 2024-2025

3-7. Details of Entombed in Static.

We are continuing our countdown by highlighting the panel of Multispecies Ecologies Across Landscape, City, and Imagination. This session explores how multispecies ecologies unfold across landscapes, cities, and speculative imaginaries, tracing entanglements between human and more-than-human worlds.

Moderated by Oliver Kellhammer (Parsons), the panel brings together four perspectives: Juana Salcedo (University of Texas at Austin) on weaving multispecies landscapes across the Americas through a jaguar lens; Esra Sert (The New School & MEF University) on Istanbul’s urban metabolism as multispecies entanglement; Ian MacPherson (Parsons) on applying sentirpensar to generate humane and more-than-human futures; and Leekyung Kang (Parsons) on constructing speculative creatures through a contemporary Wunderkammer.

Together, these talks consider ecology not as a fixed condition, but as a layered and relational field shaped by movement, imagination, and lived environments.

Location: Hirshon Suite

How might we begin to imagine landscapes and cities as shared, multispecies worlds? 🌍

We are continuing our countdown by highlighting the panel of Multispecies Ecologies Across Landscape, City, and Imagination. This session explores how multispecies ecologies unfold across landscapes, cities, and speculative imaginaries, tracing entanglements between human and more-than-human worlds.

Moderated by Oliver Kellhammer (Parsons), the panel brings together four perspectives: Juana Salcedo (University of Texas at Austin) on weaving multispecies landscapes across the Americas through a jaguar lens; Esra Sert (The New School & MEF University) on Istanbul’s urban metabolism as multispecies entanglement; Ian MacPherson (Parsons) on applying sentirpensar to generate humane and more-than-human futures; and Leekyung Kang (Parsons) on constructing speculative creatures through a contemporary Wunderkammer.

Together, these talks consider ecology not as a fixed condition, but as a layered and relational field shaped by movement, imagination, and lived environments.

Location: Hirshon Suite

How might we begin to imagine landscapes and cities as shared, multispecies worlds? 🌍

We are continuing our countdown by highlighting the panel of Multispecies Ecologies Across Landscape, City, and Imagination. This session explores how multispecies ecologies unfold across landscapes, cities, and speculative imaginaries, tracing entanglements between human and more-than-human worlds.

Moderated by Oliver Kellhammer (Parsons), the panel brings together four perspectives: Juana Salcedo (University of Texas at Austin) on weaving multispecies landscapes across the Americas through a jaguar lens; Esra Sert (The New School & MEF University) on Istanbul’s urban metabolism as multispecies entanglement; Ian MacPherson (Parsons) on applying sentirpensar to generate humane and more-than-human futures; and Leekyung Kang (Parsons) on constructing speculative creatures through a contemporary Wunderkammer.

Together, these talks consider ecology not as a fixed condition, but as a layered and relational field shaped by movement, imagination, and lived environments.

Location: Hirshon Suite

How might we begin to imagine landscapes and cities as shared, multispecies worlds? 🌍

We are continuing our countdown by highlighting the panel of Multispecies Ecologies Across Landscape, City, and Imagination. This session explores how multispecies ecologies unfold across landscapes, cities, and speculative imaginaries, tracing entanglements between human and more-than-human worlds.

Moderated by Oliver Kellhammer (Parsons), the panel brings together four perspectives: Juana Salcedo (University of Texas at Austin) on weaving multispecies landscapes across the Americas through a jaguar lens; Esra Sert (The New School & MEF University) on Istanbul’s urban metabolism as multispecies entanglement; Ian MacPherson (Parsons) on applying sentirpensar to generate humane and more-than-human futures; and Leekyung Kang (Parsons) on constructing speculative creatures through a contemporary Wunderkammer.

Together, these talks consider ecology not as a fixed condition, but as a layered and relational field shaped by movement, imagination, and lived environments.

Location: Hirshon Suite

How might we begin to imagine landscapes and cities as shared, multispecies worlds? 🌍

We are continuing our countdown by highlighting the panel of Multispecies Ecologies Across Landscape, City, and Imagination. This session explores how multispecies ecologies unfold across landscapes, cities, and speculative imaginaries, tracing entanglements between human and more-than-human worlds.

Moderated by Oliver Kellhammer (Parsons), the panel brings together four perspectives: Juana Salcedo (University of Texas at Austin) on weaving multispecies landscapes across the Americas through a jaguar lens; Esra Sert (The New School & MEF University) on Istanbul’s urban metabolism as multispecies entanglement; Ian MacPherson (Parsons) on applying sentirpensar to generate humane and more-than-human futures; and Leekyung Kang (Parsons) on constructing speculative creatures through a contemporary Wunderkammer.

Together, these talks consider ecology not as a fixed condition, but as a layered and relational field shaped by movement, imagination, and lived environments.

Location: Hirshon Suite

How might we begin to imagine landscapes and cities as shared, multispecies worlds? 🌍

This Saturday, February 7th is The 2026 AIM Convening - a professional development and community building event for artists! Learn more and RSVP for free via the link in @bronxmuseum

The Convening includes two art workshops: sculpture-making with air-dry clay and tote bag screen-printing, respectively 🎨

The 14 artist who completed @bronxmuseum’s prestigious AIM Fellowship in 2025 and who are currently exhibiting in ‘The Seventh AIM Biennial: Forms of Connection’ collaboratively organized the AIM Convening program.

Specifically, 2025 AIM Alumni @jillcohennunez, @sacralrise, and @kleeeekart are running the art workshops part of the Convening!

Graphic 1 - Image courtesy @jillcohennunez; Graphic 2 - Photo by @argenisphoto; Graphic 3 - Portraits courtesy of the artists

#BronxMuseum #AIMconvening

This Saturday, February 7th is The 2026 AIM Convening - a professional development and community building event for artists! Learn more and RSVP for free via the link in @bronxmuseum

The Convening includes two art workshops: sculpture-making with air-dry clay and tote bag screen-printing, respectively 🎨

The 14 artist who completed @bronxmuseum’s prestigious AIM Fellowship in 2025 and who are currently exhibiting in ‘The Seventh AIM Biennial: Forms of Connection’ collaboratively organized the AIM Convening program.

Specifically, 2025 AIM Alumni @jillcohennunez, @sacralrise, and @kleeeekart are running the art workshops part of the Convening!

Graphic 1 - Image courtesy @jillcohennunez; Graphic 2 - Photo by @argenisphoto; Graphic 3 - Portraits courtesy of the artists

#BronxMuseum #AIMconvening

This Saturday, February 7th is The 2026 AIM Convening - a professional development and community building event for artists! Learn more and RSVP for free via the link in @bronxmuseum

The Convening includes two art workshops: sculpture-making with air-dry clay and tote bag screen-printing, respectively 🎨

The 14 artist who completed @bronxmuseum’s prestigious AIM Fellowship in 2025 and who are currently exhibiting in ‘The Seventh AIM Biennial: Forms of Connection’ collaboratively organized the AIM Convening program.

Specifically, 2025 AIM Alumni @jillcohennunez, @sacralrise, and @kleeeekart are running the art workshops part of the Convening!

Graphic 1 - Image courtesy @jillcohennunez; Graphic 2 - Photo by @argenisphoto; Graphic 3 - Portraits courtesy of the artists

#BronxMuseum #AIMconvening

Offstage of The Book of Marvels. I learned so much from this process. Struggling with classic mistakes including but not limited to aquatint, aquatint, aquatint.. 🥹🤣reverse expose for photo etching, registration.. gluing… anyway, this is a just beginning of my series for the marvelous journey as I plan to create more books this year!(Let’s see 🧐) Thank you again for the artist residency program @printshoporg to provide this wonderful oppourtunity.
#behindscenes #printshop #artistbook

Offstage of The Book of Marvels. I learned so much from this process. Struggling with classic mistakes including but not limited to aquatint, aquatint, aquatint.. 🥹🤣reverse expose for photo etching, registration.. gluing… anyway, this is a just beginning of my series for the marvelous journey as I plan to create more books this year!(Let’s see 🧐) Thank you again for the artist residency program @printshoporg to provide this wonderful oppourtunity.
#behindscenes #printshop #artistbook

Offstage of The Book of Marvels. I learned so much from this process. Struggling with classic mistakes including but not limited to aquatint, aquatint, aquatint.. 🥹🤣reverse expose for photo etching, registration.. gluing… anyway, this is a just beginning of my series for the marvelous journey as I plan to create more books this year!(Let’s see 🧐) Thank you again for the artist residency program @printshoporg to provide this wonderful oppourtunity.
#behindscenes #printshop #artistbook

Offstage of The Book of Marvels. I learned so much from this process. Struggling with classic mistakes including but not limited to aquatint, aquatint, aquatint.. 🥹🤣reverse expose for photo etching, registration.. gluing… anyway, this is a just beginning of my series for the marvelous journey as I plan to create more books this year!(Let’s see 🧐) Thank you again for the artist residency program @printshoporg to provide this wonderful oppourtunity.
#behindscenes #printshop #artistbook

Offstage of The Book of Marvels. I learned so much from this process. Struggling with classic mistakes including but not limited to aquatint, aquatint, aquatint.. 🥹🤣reverse expose for photo etching, registration.. gluing… anyway, this is a just beginning of my series for the marvelous journey as I plan to create more books this year!(Let’s see 🧐) Thank you again for the artist residency program @printshoporg to provide this wonderful oppourtunity.
#behindscenes #printshop #artistbook

Offstage of The Book of Marvels. I learned so much from this process. Struggling with classic mistakes including but not limited to aquatint, aquatint, aquatint.. 🥹🤣reverse expose for photo etching, registration.. gluing… anyway, this is a just beginning of my series for the marvelous journey as I plan to create more books this year!(Let’s see 🧐) Thank you again for the artist residency program @printshoporg to provide this wonderful oppourtunity.
#behindscenes #printshop #artistbook

Offstage of The Book of Marvels. I learned so much from this process. Struggling with classic mistakes including but not limited to aquatint, aquatint, aquatint.. 🥹🤣reverse expose for photo etching, registration.. gluing… anyway, this is a just beginning of my series for the marvelous journey as I plan to create more books this year!(Let’s see 🧐) Thank you again for the artist residency program @printshoporg to provide this wonderful oppourtunity.
#behindscenes #printshop #artistbook

Offstage of The Book of Marvels. I learned so much from this process. Struggling with classic mistakes including but not limited to aquatint, aquatint, aquatint.. 🥹🤣reverse expose for photo etching, registration.. gluing… anyway, this is a just beginning of my series for the marvelous journey as I plan to create more books this year!(Let’s see 🧐) Thank you again for the artist residency program @printshoporg to provide this wonderful oppourtunity.
#behindscenes #printshop #artistbook

Offstage of The Book of Marvels. I learned so much from this process. Struggling with classic mistakes including but not limited to aquatint, aquatint, aquatint.. 🥹🤣reverse expose for photo etching, registration.. gluing… anyway, this is a just beginning of my series for the marvelous journey as I plan to create more books this year!(Let’s see 🧐) Thank you again for the artist residency program @printshoporg to provide this wonderful oppourtunity.
#behindscenes #printshop #artistbook

Offstage of The Book of Marvels. I learned so much from this process. Struggling with classic mistakes including but not limited to aquatint, aquatint, aquatint.. 🥹🤣reverse expose for photo etching, registration.. gluing… anyway, this is a just beginning of my series for the marvelous journey as I plan to create more books this year!(Let’s see 🧐) Thank you again for the artist residency program @printshoporg to provide this wonderful oppourtunity.
#behindscenes #printshop #artistbook

Offstage of The Book of Marvels. I learned so much from this process. Struggling with classic mistakes including but not limited to aquatint, aquatint, aquatint.. 🥹🤣reverse expose for photo etching, registration.. gluing… anyway, this is a just beginning of my series for the marvelous journey as I plan to create more books this year!(Let’s see 🧐) Thank you again for the artist residency program @printshoporg to provide this wonderful oppourtunity.
#behindscenes #printshop #artistbook

Offstage of The Book of Marvels. I learned so much from this process. Struggling with classic mistakes including but not limited to aquatint, aquatint, aquatint.. 🥹🤣reverse expose for photo etching, registration.. gluing… anyway, this is a just beginning of my series for the marvelous journey as I plan to create more books this year!(Let’s see 🧐) Thank you again for the artist residency program @printshoporg to provide this wonderful oppourtunity.
#behindscenes #printshop #artistbook

Offstage of The Book of Marvels. I learned so much from this process. Struggling with classic mistakes including but not limited to aquatint, aquatint, aquatint.. 🥹🤣reverse expose for photo etching, registration.. gluing… anyway, this is a just beginning of my series for the marvelous journey as I plan to create more books this year!(Let’s see 🧐) Thank you again for the artist residency program @printshoporg to provide this wonderful oppourtunity.
#behindscenes #printshop #artistbook

Late post here. The opening was a blast! Thank you so much for coming last Friday night, and the show is up until 6/29 so you still have sometime to check this out 😆

A Map of Invisible Dimensions - Nut’s, 72x72in, mixed media on canvas, 2025

At the heart of my work lies a fundamental inquiry into humanity’s evolving relationship with the unknown. I trace the metamorphosis of spiritual iconography across visual languages throughout ancient history, asking essential questions: How have our belief systems transformed from primordial shamanism, totemism, and animism into contemporary understanding? How has our species‘ insatiable curiosity about invisible realms developed through millennia of cultural exchange, cosmological discovery, and sacred ceremony?

Drawing profound inspiration from ancient tomb and chamber murals—those sacred spaces architecturally defined as chambers between worlds—I visualize threshold territories that exist between the realms above and below. These liminal spaces become the conceptual foundation for works that traverse death and rebirth, examining the cyclical nature of existence through both scientific and spiritual lenses.
#painting#bronxmuseum#aim#biennial

Late post here. The opening was a blast! Thank you so much for coming last Friday night, and the show is up until 6/29 so you still have sometime to check this out 😆

A Map of Invisible Dimensions - Nut’s, 72x72in, mixed media on canvas, 2025

At the heart of my work lies a fundamental inquiry into humanity’s evolving relationship with the unknown. I trace the metamorphosis of spiritual iconography across visual languages throughout ancient history, asking essential questions: How have our belief systems transformed from primordial shamanism, totemism, and animism into contemporary understanding? How has our species‘ insatiable curiosity about invisible realms developed through millennia of cultural exchange, cosmological discovery, and sacred ceremony?

Drawing profound inspiration from ancient tomb and chamber murals—those sacred spaces architecturally defined as chambers between worlds—I visualize threshold territories that exist between the realms above and below. These liminal spaces become the conceptual foundation for works that traverse death and rebirth, examining the cyclical nature of existence through both scientific and spiritual lenses.
#painting#bronxmuseum#aim#biennial

Late post here. The opening was a blast! Thank you so much for coming last Friday night, and the show is up until 6/29 so you still have sometime to check this out 😆

A Map of Invisible Dimensions - Nut’s, 72x72in, mixed media on canvas, 2025

At the heart of my work lies a fundamental inquiry into humanity’s evolving relationship with the unknown. I trace the metamorphosis of spiritual iconography across visual languages throughout ancient history, asking essential questions: How have our belief systems transformed from primordial shamanism, totemism, and animism into contemporary understanding? How has our species‘ insatiable curiosity about invisible realms developed through millennia of cultural exchange, cosmological discovery, and sacred ceremony?

Drawing profound inspiration from ancient tomb and chamber murals—those sacred spaces architecturally defined as chambers between worlds—I visualize threshold territories that exist between the realms above and below. These liminal spaces become the conceptual foundation for works that traverse death and rebirth, examining the cyclical nature of existence through both scientific and spiritual lenses.
#painting#bronxmuseum#aim#biennial

Late post here. The opening was a blast! Thank you so much for coming last Friday night, and the show is up until 6/29 so you still have sometime to check this out 😆

A Map of Invisible Dimensions - Nut’s, 72x72in, mixed media on canvas, 2025

At the heart of my work lies a fundamental inquiry into humanity’s evolving relationship with the unknown. I trace the metamorphosis of spiritual iconography across visual languages throughout ancient history, asking essential questions: How have our belief systems transformed from primordial shamanism, totemism, and animism into contemporary understanding? How has our species‘ insatiable curiosity about invisible realms developed through millennia of cultural exchange, cosmological discovery, and sacred ceremony?

Drawing profound inspiration from ancient tomb and chamber murals—those sacred spaces architecturally defined as chambers between worlds—I visualize threshold territories that exist between the realms above and below. These liminal spaces become the conceptual foundation for works that traverse death and rebirth, examining the cyclical nature of existence through both scientific and spiritual lenses.
#painting#bronxmuseum#aim#biennial

Late post here. The opening was a blast! Thank you so much for coming last Friday night, and the show is up until 6/29 so you still have sometime to check this out 😆

A Map of Invisible Dimensions - Nut’s, 72x72in, mixed media on canvas, 2025

At the heart of my work lies a fundamental inquiry into humanity’s evolving relationship with the unknown. I trace the metamorphosis of spiritual iconography across visual languages throughout ancient history, asking essential questions: How have our belief systems transformed from primordial shamanism, totemism, and animism into contemporary understanding? How has our species‘ insatiable curiosity about invisible realms developed through millennia of cultural exchange, cosmological discovery, and sacred ceremony?

Drawing profound inspiration from ancient tomb and chamber murals—those sacred spaces architecturally defined as chambers between worlds—I visualize threshold territories that exist between the realms above and below. These liminal spaces become the conceptual foundation for works that traverse death and rebirth, examining the cyclical nature of existence through both scientific and spiritual lenses.
#painting#bronxmuseum#aim#biennial

The Book of Marvels came out to the world finally! The book was designed, printed, and bound during my residency @printshoporg 🥳😍🥳 Five signed and numbered copies were produced via etching, screenprinting on BFK Rives paper. #printmaking #artistbook #thebookofmarvels #lowereastsideprintshop 🩸💧💪#피땀눈물

Tonight! 6-8 pm!!!!!

Please join us this amazing group show happening @bronxmuseum ! Many thanks to AIM 44&45 program, museum staffs, and our cohorts. More pics will come along:)

Curator: Patrick Rowe(@patrickdrowe) Nell Klugman(@nellsullivan)

Participated artists:

Ricki Dwyer (@ricki.dwyer), Nazli Efe (@nazliefee),
Bryan Fernandez
(@bryanfernandez.studio), Diana Guerra (@_dianahola_), Erick Alejandro Hernandez (@erickhe),

DeepPond Kim (@deeppondkim), Juyon Lee (@juyon_),
Sangmin Lee (@sangminl), Delvin Lugo (@delvinlugo), Jodie Lyn-Kee-Chow (@lynkeeart), Massiel Mafes (@massielmates), lauren mcavoy (#laurenmcavoy)

Piero Penizzotto (@piero.penizzotto), Laurel Richardson (@laurelarichardson), Asia Stewart (@asiastewart), Motohiro Takeda (@motohirotakeda), Jennifer Teresa Villanueva (@jennifer__teresa), Cyle Warner (@cylewarner), V Yeh (@v.w.yeh)

Skip Brea (@skipbrea), Hedwig Brouckaert
(@hedwig_brouckaert), Katie Chin (@katie.chin.and), Noga Cohen (@nogie_), Jill Cohen-Nuñez (@jillcohennunez), Jordan Cruz (@jordancorinec), Rocio Delaloye (@rociodelaloye)
Leekyung Kang(@kleeeek)

Tonight! 6-8 pm!!!!!

Please join us this amazing group show happening @bronxmuseum ! Many thanks to AIM 44&45 program, museum staffs, and our cohorts. More pics will come along:)

Curator: Patrick Rowe(@patrickdrowe) Nell Klugman(@nellsullivan)

Participated artists:

Ricki Dwyer (@ricki.dwyer), Nazli Efe (@nazliefee),
Bryan Fernandez
(@bryanfernandez.studio), Diana Guerra (@_dianahola_), Erick Alejandro Hernandez (@erickhe),

DeepPond Kim (@deeppondkim), Juyon Lee (@juyon_),
Sangmin Lee (@sangminl), Delvin Lugo (@delvinlugo), Jodie Lyn-Kee-Chow (@lynkeeart), Massiel Mafes (@massielmates), lauren mcavoy (#laurenmcavoy)

Piero Penizzotto (@piero.penizzotto), Laurel Richardson (@laurelarichardson), Asia Stewart (@asiastewart), Motohiro Takeda (@motohirotakeda), Jennifer Teresa Villanueva (@jennifer__teresa), Cyle Warner (@cylewarner), V Yeh (@v.w.yeh)

Skip Brea (@skipbrea), Hedwig Brouckaert
(@hedwig_brouckaert), Katie Chin (@katie.chin.and), Noga Cohen (@nogie_), Jill Cohen-Nuñez (@jillcohennunez), Jordan Cruz (@jordancorinec), Rocio Delaloye (@rociodelaloye)
Leekyung Kang(@kleeeek)

Tonight! 6-8 pm!!!!!

Please join us this amazing group show happening @bronxmuseum ! Many thanks to AIM 44&45 program, museum staffs, and our cohorts. More pics will come along:)

Curator: Patrick Rowe(@patrickdrowe) Nell Klugman(@nellsullivan)

Participated artists:

Ricki Dwyer (@ricki.dwyer), Nazli Efe (@nazliefee),
Bryan Fernandez
(@bryanfernandez.studio), Diana Guerra (@_dianahola_), Erick Alejandro Hernandez (@erickhe),

DeepPond Kim (@deeppondkim), Juyon Lee (@juyon_),
Sangmin Lee (@sangminl), Delvin Lugo (@delvinlugo), Jodie Lyn-Kee-Chow (@lynkeeart), Massiel Mafes (@massielmates), lauren mcavoy (#laurenmcavoy)

Piero Penizzotto (@piero.penizzotto), Laurel Richardson (@laurelarichardson), Asia Stewart (@asiastewart), Motohiro Takeda (@motohirotakeda), Jennifer Teresa Villanueva (@jennifer__teresa), Cyle Warner (@cylewarner), V Yeh (@v.w.yeh)

Skip Brea (@skipbrea), Hedwig Brouckaert
(@hedwig_brouckaert), Katie Chin (@katie.chin.and), Noga Cohen (@nogie_), Jill Cohen-Nuñez (@jillcohennunez), Jordan Cruz (@jordancorinec), Rocio Delaloye (@rociodelaloye)
Leekyung Kang(@kleeeek)

In the Mag

From early summer classes to years spent orbiting the city’s exhibitions, NYC’s sense of community and spirit of shared curiosity has strengthened Leekyung Kang's practice.

You’ll often find her in museums, studying ancient relics and visual codes shaped by ritual, traditional beliefs, and passages of time. These encounters with history, spirituality, and science ripple into her work, forging thresholds where Eastern and Western cosmologies meet, and emotional energy, vital essence, and unseen matter coexist.

As light pulses and pigments flow into in-between worlds, Leekyung inspires us to explore the forces of the universe that cannot be seen, but forever linger in the chambers of our hearts and minds.

✨ Click the link in our bio to discover more about Leekyung and her incredible works!

#vibesnvistas #artmagazine #contemporaryart #nycartist #artandscience #spiritualart #traditionmeetsinnovation

A map of interground, 42x60in, mixed media on canvas, 2025

Greek mythologies, Egyptian history, Biblical story-telling, and history of word of mouth in ancient Asian references are interrelated to one another to articulate my creative diagram. I've continuously questioned how cultural identifiers both illuminate and constrain my specific artistic vision, and I believe this residency will provide the tension which creates my exploration of ancient cosmologies and spiritual iconography. This can be situated within contemporary Asian American discourse while simultaneously reaching beyond it.

그리스 신화, 이집트 역사, 성서적 이야기, 고대 아시아의 구술 전승 역사들은 서로 연결되어 다이어그램을 구성한다. 나는 문화적 정체성이 어떻게 나의 예술적 비전을 밝히기도 하고 제한하기도 하는지에 대해 끊임없이 질문하고 있다. 이러한 탐구는 한국인으로서의 나의 정체성을 넘어 현대 아시안 아메리칸 담론 안에 위치하면서도, 그 경계를 넘어 확장될 수 있다고 생각한다.

#newwork2025#mythtoscience#🗺️📍🌪️🪐

A map of interground, 42x60in, mixed media on canvas, 2025

Greek mythologies, Egyptian history, Biblical story-telling, and history of word of mouth in ancient Asian references are interrelated to one another to articulate my creative diagram. I've continuously questioned how cultural identifiers both illuminate and constrain my specific artistic vision, and I believe this residency will provide the tension which creates my exploration of ancient cosmologies and spiritual iconography. This can be situated within contemporary Asian American discourse while simultaneously reaching beyond it.

그리스 신화, 이집트 역사, 성서적 이야기, 고대 아시아의 구술 전승 역사들은 서로 연결되어 다이어그램을 구성한다. 나는 문화적 정체성이 어떻게 나의 예술적 비전을 밝히기도 하고 제한하기도 하는지에 대해 끊임없이 질문하고 있다. 이러한 탐구는 한국인으로서의 나의 정체성을 넘어 현대 아시안 아메리칸 담론 안에 위치하면서도, 그 경계를 넘어 확장될 수 있다고 생각한다.

#newwork2025#mythtoscience#🗺️📍🌪️🪐

A map of interground, 42x60in, mixed media on canvas, 2025

Greek mythologies, Egyptian history, Biblical story-telling, and history of word of mouth in ancient Asian references are interrelated to one another to articulate my creative diagram. I've continuously questioned how cultural identifiers both illuminate and constrain my specific artistic vision, and I believe this residency will provide the tension which creates my exploration of ancient cosmologies and spiritual iconography. This can be situated within contemporary Asian American discourse while simultaneously reaching beyond it.

그리스 신화, 이집트 역사, 성서적 이야기, 고대 아시아의 구술 전승 역사들은 서로 연결되어 다이어그램을 구성한다. 나는 문화적 정체성이 어떻게 나의 예술적 비전을 밝히기도 하고 제한하기도 하는지에 대해 끊임없이 질문하고 있다. 이러한 탐구는 한국인으로서의 나의 정체성을 넘어 현대 아시안 아메리칸 담론 안에 위치하면서도, 그 경계를 넘어 확장될 수 있다고 생각한다.

#newwork2025#mythtoscience#🗺️📍🌪️🪐

A map of interground, 42x60in, mixed media on canvas, 2025

Greek mythologies, Egyptian history, Biblical story-telling, and history of word of mouth in ancient Asian references are interrelated to one another to articulate my creative diagram. I've continuously questioned how cultural identifiers both illuminate and constrain my specific artistic vision, and I believe this residency will provide the tension which creates my exploration of ancient cosmologies and spiritual iconography. This can be situated within contemporary Asian American discourse while simultaneously reaching beyond it.

그리스 신화, 이집트 역사, 성서적 이야기, 고대 아시아의 구술 전승 역사들은 서로 연결되어 다이어그램을 구성한다. 나는 문화적 정체성이 어떻게 나의 예술적 비전을 밝히기도 하고 제한하기도 하는지에 대해 끊임없이 질문하고 있다. 이러한 탐구는 한국인으로서의 나의 정체성을 넘어 현대 아시안 아메리칸 담론 안에 위치하면서도, 그 경계를 넘어 확장될 수 있다고 생각한다.

#newwork2025#mythtoscience#🗺️📍🌪️🪐

A map of interground, 42x60in, mixed media on canvas, 2025

Greek mythologies, Egyptian history, Biblical story-telling, and history of word of mouth in ancient Asian references are interrelated to one another to articulate my creative diagram. I've continuously questioned how cultural identifiers both illuminate and constrain my specific artistic vision, and I believe this residency will provide the tension which creates my exploration of ancient cosmologies and spiritual iconography. This can be situated within contemporary Asian American discourse while simultaneously reaching beyond it.

그리스 신화, 이집트 역사, 성서적 이야기, 고대 아시아의 구술 전승 역사들은 서로 연결되어 다이어그램을 구성한다. 나는 문화적 정체성이 어떻게 나의 예술적 비전을 밝히기도 하고 제한하기도 하는지에 대해 끊임없이 질문하고 있다. 이러한 탐구는 한국인으로서의 나의 정체성을 넘어 현대 아시안 아메리칸 담론 안에 위치하면서도, 그 경계를 넘어 확장될 수 있다고 생각한다.

#newwork2025#mythtoscience#🗺️📍🌪️🪐

A map of invisible world - Nut’s, 72x72in, 181.3x181.3cm, acrylic on canvas, 2025

🗺️The Map of Invisible Dimensions fuses Egyptian goddess Nut’s cosmology with dark matter theory. Nut, the sky goddess representing celestial dome and soul journeys through death and rebirth, intersects with dark matter—the invisible substance comprising 85% of our universe yet undetectable through direct observation.🪐

This conceptual marriage transforms the painting into cartographic documents of unseen realms, where ancient spiritual wisdom meets quantum mechanical mysteries. The “invisible dimensions” become tangible through paint and mark-making, making the quesions. The work proposes that Egyptian mythological frameworks and contemporary scientific theories are parallel attempts to map the unmappable—giving form to formless mysteries surrounding existence. 🧑‍🚀⚡️🌪️

🗺️ 이집트 여신 누트(Nut)의 우주론과 암흑물질 이론을 결합한 작업이다. 하늘의 여신이자 죽음과 환생을 통한 영혼의 여정을 상징하는 누트는, 우주의 85%를 차지하면서도 직접적으로는 관측할 수 없는 '보이지 않는 물질', 즉 암흑물질과 교차한다.

이 개념적 결합은 작가의 회화를 보이지 않는 세계의 지도로 전환시킨다. 고대의 역사적 레퍼런스와 아직 밝혀지지 않은 우주에 대한 질문이 만나는 이 작업에서, "보이지 않는 차원들"은 회화와 마크 메이킹을 통해 구체화되며, 볼 수 없던 것이 시각화된다. 이 작품은 이집트 신화의 구조와 현대 과학 이론이 실체 없는 존재를 시각화 하는 시도 이고, 형상이 없는 미스터리에 형태를 부여하려는 시도이자 존재의 본질을 탐색하는 새로운 지도 제작 방식이다.

#newwork#2025summer#mystery#mythtoscience

A map of invisible world - Nut’s, 72x72in, 181.3x181.3cm, acrylic on canvas, 2025

🗺️The Map of Invisible Dimensions fuses Egyptian goddess Nut’s cosmology with dark matter theory. Nut, the sky goddess representing celestial dome and soul journeys through death and rebirth, intersects with dark matter—the invisible substance comprising 85% of our universe yet undetectable through direct observation.🪐

This conceptual marriage transforms the painting into cartographic documents of unseen realms, where ancient spiritual wisdom meets quantum mechanical mysteries. The “invisible dimensions” become tangible through paint and mark-making, making the quesions. The work proposes that Egyptian mythological frameworks and contemporary scientific theories are parallel attempts to map the unmappable—giving form to formless mysteries surrounding existence. 🧑‍🚀⚡️🌪️

🗺️ 이집트 여신 누트(Nut)의 우주론과 암흑물질 이론을 결합한 작업이다. 하늘의 여신이자 죽음과 환생을 통한 영혼의 여정을 상징하는 누트는, 우주의 85%를 차지하면서도 직접적으로는 관측할 수 없는 '보이지 않는 물질', 즉 암흑물질과 교차한다.

이 개념적 결합은 작가의 회화를 보이지 않는 세계의 지도로 전환시킨다. 고대의 역사적 레퍼런스와 아직 밝혀지지 않은 우주에 대한 질문이 만나는 이 작업에서, "보이지 않는 차원들"은 회화와 마크 메이킹을 통해 구체화되며, 볼 수 없던 것이 시각화된다. 이 작품은 이집트 신화의 구조와 현대 과학 이론이 실체 없는 존재를 시각화 하는 시도 이고, 형상이 없는 미스터리에 형태를 부여하려는 시도이자 존재의 본질을 탐색하는 새로운 지도 제작 방식이다.

#newwork#2025summer#mystery#mythtoscience

A map of invisible world - Nut’s, 72x72in, 181.3x181.3cm, acrylic on canvas, 2025

🗺️The Map of Invisible Dimensions fuses Egyptian goddess Nut’s cosmology with dark matter theory. Nut, the sky goddess representing celestial dome and soul journeys through death and rebirth, intersects with dark matter—the invisible substance comprising 85% of our universe yet undetectable through direct observation.🪐

This conceptual marriage transforms the painting into cartographic documents of unseen realms, where ancient spiritual wisdom meets quantum mechanical mysteries. The “invisible dimensions” become tangible through paint and mark-making, making the quesions. The work proposes that Egyptian mythological frameworks and contemporary scientific theories are parallel attempts to map the unmappable—giving form to formless mysteries surrounding existence. 🧑‍🚀⚡️🌪️

🗺️ 이집트 여신 누트(Nut)의 우주론과 암흑물질 이론을 결합한 작업이다. 하늘의 여신이자 죽음과 환생을 통한 영혼의 여정을 상징하는 누트는, 우주의 85%를 차지하면서도 직접적으로는 관측할 수 없는 '보이지 않는 물질', 즉 암흑물질과 교차한다.

이 개념적 결합은 작가의 회화를 보이지 않는 세계의 지도로 전환시킨다. 고대의 역사적 레퍼런스와 아직 밝혀지지 않은 우주에 대한 질문이 만나는 이 작업에서, "보이지 않는 차원들"은 회화와 마크 메이킹을 통해 구체화되며, 볼 수 없던 것이 시각화된다. 이 작품은 이집트 신화의 구조와 현대 과학 이론이 실체 없는 존재를 시각화 하는 시도 이고, 형상이 없는 미스터리에 형태를 부여하려는 시도이자 존재의 본질을 탐색하는 새로운 지도 제작 방식이다.

#newwork#2025summer#mystery#mythtoscience

A map of invisible world - Nut’s, 72x72in, 181.3x181.3cm, acrylic on canvas, 2025

🗺️The Map of Invisible Dimensions fuses Egyptian goddess Nut’s cosmology with dark matter theory. Nut, the sky goddess representing celestial dome and soul journeys through death and rebirth, intersects with dark matter—the invisible substance comprising 85% of our universe yet undetectable through direct observation.🪐

This conceptual marriage transforms the painting into cartographic documents of unseen realms, where ancient spiritual wisdom meets quantum mechanical mysteries. The “invisible dimensions” become tangible through paint and mark-making, making the quesions. The work proposes that Egyptian mythological frameworks and contemporary scientific theories are parallel attempts to map the unmappable—giving form to formless mysteries surrounding existence. 🧑‍🚀⚡️🌪️

🗺️ 이집트 여신 누트(Nut)의 우주론과 암흑물질 이론을 결합한 작업이다. 하늘의 여신이자 죽음과 환생을 통한 영혼의 여정을 상징하는 누트는, 우주의 85%를 차지하면서도 직접적으로는 관측할 수 없는 '보이지 않는 물질', 즉 암흑물질과 교차한다.

이 개념적 결합은 작가의 회화를 보이지 않는 세계의 지도로 전환시킨다. 고대의 역사적 레퍼런스와 아직 밝혀지지 않은 우주에 대한 질문이 만나는 이 작업에서, "보이지 않는 차원들"은 회화와 마크 메이킹을 통해 구체화되며, 볼 수 없던 것이 시각화된다. 이 작품은 이집트 신화의 구조와 현대 과학 이론이 실체 없는 존재를 시각화 하는 시도 이고, 형상이 없는 미스터리에 형태를 부여하려는 시도이자 존재의 본질을 탐색하는 새로운 지도 제작 방식이다.

#newwork#2025summer#mystery#mythtoscience

A map of invisible world - Nut’s, 72x72in, 181.3x181.3cm, acrylic on canvas, 2025

🗺️The Map of Invisible Dimensions fuses Egyptian goddess Nut’s cosmology with dark matter theory. Nut, the sky goddess representing celestial dome and soul journeys through death and rebirth, intersects with dark matter—the invisible substance comprising 85% of our universe yet undetectable through direct observation.🪐

This conceptual marriage transforms the painting into cartographic documents of unseen realms, where ancient spiritual wisdom meets quantum mechanical mysteries. The “invisible dimensions” become tangible through paint and mark-making, making the quesions. The work proposes that Egyptian mythological frameworks and contemporary scientific theories are parallel attempts to map the unmappable—giving form to formless mysteries surrounding existence. 🧑‍🚀⚡️🌪️

🗺️ 이집트 여신 누트(Nut)의 우주론과 암흑물질 이론을 결합한 작업이다. 하늘의 여신이자 죽음과 환생을 통한 영혼의 여정을 상징하는 누트는, 우주의 85%를 차지하면서도 직접적으로는 관측할 수 없는 '보이지 않는 물질', 즉 암흑물질과 교차한다.

이 개념적 결합은 작가의 회화를 보이지 않는 세계의 지도로 전환시킨다. 고대의 역사적 레퍼런스와 아직 밝혀지지 않은 우주에 대한 질문이 만나는 이 작업에서, "보이지 않는 차원들"은 회화와 마크 메이킹을 통해 구체화되며, 볼 수 없던 것이 시각화된다. 이 작품은 이집트 신화의 구조와 현대 과학 이론이 실체 없는 존재를 시각화 하는 시도 이고, 형상이 없는 미스터리에 형태를 부여하려는 시도이자 존재의 본질을 탐색하는 새로운 지도 제작 방식이다.

#newwork#2025summer#mystery#mythtoscience

《젊은 시각 새로운 시선 2025》
참여 작가 8인 중,
강이경 그리고 유하나 작가의 작품 세계를 소개합니다.

이번 주 토요일,
두 작가님과 함께하는 ‘아티스트 토크’에서는
전시장에서 다 보여드리지 못한 숨겨진 이야기를
직접 들을 수 있다는 점!

🕑 행사 시간
1부｜14:00–15:00
2부｜15:00–16:00

👥 모집 인원 50명
선착순 15명에게는 작가 엽서를 선물로 드립니다.

📍 온라인 참여｜부산시립미술관 홈페이지 신청
📍 현장 참여｜영화의전당 시네마테이블 (더블콘 3층)

우리, 곧 만나요 :)

📞 문의｜051-740-4242

#젊은시각새로운시선2025 #강이경 #유하나
#영화의전당 #부산시립미술관 #아티스트토크
#부산가볼만한곳 #부산행사 #현대미술

《젊은 시각 새로운 시선 2025》
참여 작가 8인 중,
강이경 그리고 유하나 작가의 작품 세계를 소개합니다.

이번 주 토요일,
두 작가님과 함께하는 ‘아티스트 토크’에서는
전시장에서 다 보여드리지 못한 숨겨진 이야기를
직접 들을 수 있다는 점!

🕑 행사 시간
1부｜14:00–15:00
2부｜15:00–16:00

👥 모집 인원 50명
선착순 15명에게는 작가 엽서를 선물로 드립니다.

📍 온라인 참여｜부산시립미술관 홈페이지 신청
📍 현장 참여｜영화의전당 시네마테이블 (더블콘 3층)

우리, 곧 만나요 :)

📞 문의｜051-740-4242

#젊은시각새로운시선2025 #강이경 #유하나
#영화의전당 #부산시립미술관 #아티스트토크
#부산가볼만한곳 #부산행사 #현대미술

《젊은 시각 새로운 시선 2025》
참여 작가 8인 중,
강이경 그리고 유하나 작가의 작품 세계를 소개합니다.

이번 주 토요일,
두 작가님과 함께하는 ‘아티스트 토크’에서는
전시장에서 다 보여드리지 못한 숨겨진 이야기를
직접 들을 수 있다는 점!

🕑 행사 시간
1부｜14:00–15:00
2부｜15:00–16:00

👥 모집 인원 50명
선착순 15명에게는 작가 엽서를 선물로 드립니다.

📍 온라인 참여｜부산시립미술관 홈페이지 신청
📍 현장 참여｜영화의전당 시네마테이블 (더블콘 3층)

우리, 곧 만나요 :)

📞 문의｜051-740-4242

#젊은시각새로운시선2025 #강이경 #유하나
#영화의전당 #부산시립미술관 #아티스트토크
#부산가볼만한곳 #부산행사 #현대미술