인스타그램 스토리 뷰어
인스타그램 스토리를 익명으로 보기
ether_link
joyce₊⁎⁺˳✧༚₊
an audio-visual movement experience as part of @platform.presents’ Asian Heritage Week Naarm edition, in partnership with @interconnectstudio
31.05
ticket link in bio
//
direction, choreography by @ether_link
performance by @ate_cheska_ @taichi.ishii1965 @alnerborce @ether_link
lighting/fx by @joli.boardman @inkala.xyz
sound design by @88rontan
dj sets by @sinresolver55555 @ilyypad
venue at @interconnectstudio
//
graphic credits
direction, talent by @ether_link
photography, edit by @carlinandcamera
set by @ether_link @carlinandcamera
assist, bts by @jemerry.christmas
graphic edit by @ether_link w/ @honey_star.s assist x
“红”/ Hóng
Direction/Movement Direction: @ether_link
DP: @0ojin_
Production house: @bourgeois_av
Sound design: @88rontan
Set Assist/BTS: @ackergray
Grip: @88rontan
Grade: @joshnai.mov
Edit: @ether_link @joshnai.mov
Top made by @haevn.ly
Styling/HMU/Talent: @ether_link
🌹
INTERLINK_CELLS
may 31
the intersection of organic and inorganic bodies
ticket link in bio
direction, performance, edit: @ether_link
videography, lighting, colourgrade: @carlinandcamera
set: @ether_link @carlinandcamera
assist: @jemerry.christmas
song: AAAAK @hsxchcxcxhs
☆☆
dc: @ether_link
dancers: @puisabel_ @florence.kurniawan @lugofigoo @yazzy_middleton @builiilii @maggie.wm_
@o2studios
song: a point most crucial @c_a_r_r_i_e_r_
thank you for all your beautiful expressions!!
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program
LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_
Talent in Walking order
LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
@ether_link
ETHER — Pavilion, Night 3
This wasn’t a set. It was a rupture.
ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.
Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.
A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.
Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.
Something shifted.
People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.
Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.
It was poetic. It was highly conceptual. It was deeply felt.
And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.
@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾
direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.
grateful for the love. trailer soon.
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night
a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
under the wings of @_l_u_i_ for @tessellate.club 🧚🏻♂️
alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly
@o2studios 🪷
chorey: @ether_link
w/ @puisabel_ and @florence.kurniawan
song: “serendipity march” - @kangding_ray
VIVISECTION Runway and Performance.
To be ripped apart, dissected. Birth, death, rebirth, shedding, power.
November 14th, tickets in bio.
🐍
Performance by KHYA @_mamacitxx
Music production and curation by MIRASIA @mirasia
Choreography by Joyce Liu @ether_link
VHS footage by @4nge1iine
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
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