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hammer__
Hammer
↘︎Art Direction ↘︎Graphic Design ⦿Zurich
Teaching at Vermont College Of Fine Arts. Advisors at Van Eyck Academie.
🔨Sereina Rothenberger
🔨David Schatz
🌸
Membership card 2026 for @kunsthallesanktgallen
Become a member of Kunst Halle Sankt Gallen and receive a membership card that grants free admission to Kunst Halle and 31 other contemporary art institutions across Switzerland, plus discounts on events and Kunst Halle publications.
Fonts in use
💝 Manuzio @selinabernet
💝 Rapid @sourcetype
💝 Churchward Marianna
🌸
Membership card 2026 for @kunsthallesanktgallen
Become a member of Kunst Halle Sankt Gallen and receive a membership card that grants free admission to Kunst Halle and 31 other contemporary art institutions across Switzerland, plus discounts on events and Kunst Halle publications.
Fonts in use
💝 Manuzio @selinabernet
💝 Rapid @sourcetype
💝 Churchward Marianna
Poster for Sam Porritt’s solo exhibition “One Thing After Another (Drawings 2005–2025)”. Currently on view @kunsthallesanktgallen
Printed by @lezardgraphique67
Exhibition views courtesy of Sam Porritt and Kunst Halle Sankt Gallen
Photos: Kunst Halle Sankt Gallen, Valentina Ehnimb @valeshkaa, E. Sommer
Poster for Sam Porritt’s solo exhibition “One Thing After Another (Drawings 2005–2025)”. Currently on view @kunsthallesanktgallen
Printed by @lezardgraphique67
Exhibition views courtesy of Sam Porritt and Kunst Halle Sankt Gallen
Photos: Kunst Halle Sankt Gallen, Valentina Ehnimb @valeshkaa, E. Sommer
Poster for Sam Porritt’s solo exhibition “One Thing After Another (Drawings 2005–2025)”. Currently on view @kunsthallesanktgallen
Printed by @lezardgraphique67
Exhibition views courtesy of Sam Porritt and Kunst Halle Sankt Gallen
Photos: Kunst Halle Sankt Gallen, Valentina Ehnimb @valeshkaa, E. Sommer
Poster for Sam Porritt’s solo exhibition “One Thing After Another (Drawings 2005–2025)”. Currently on view @kunsthallesanktgallen
Printed by @lezardgraphique67
Exhibition views courtesy of Sam Porritt and Kunst Halle Sankt Gallen
Photos: Kunst Halle Sankt Gallen, Valentina Ehnimb @valeshkaa, E. Sommer
Poster for Sam Porritt’s solo exhibition “One Thing After Another (Drawings 2005–2025)”. Currently on view @kunsthallesanktgallen
Printed by @lezardgraphique67
Exhibition views courtesy of Sam Porritt and Kunst Halle Sankt Gallen
Photos: Kunst Halle Sankt Gallen, Valentina Ehnimb @valeshkaa, E. Sommer
Poster for Sam Porritt’s solo exhibition “One Thing After Another (Drawings 2005–2025)”. Currently on view @kunsthallesanktgallen
Printed by @lezardgraphique67
Exhibition views courtesy of Sam Porritt and Kunst Halle Sankt Gallen
Photos: Kunst Halle Sankt Gallen, Valentina Ehnimb @valeshkaa, E. Sommer
Poster for Cemile Sahin’s solo show „BB – Born to Bloom“ at Kunst Halle Sankt Gallen. Only two days left to go check it out!
@___cemilesahin___ @kunsthallesanktgallen @lezardgraphique67
Poster for Cemile Sahin’s solo show „BB – Born to Bloom“ at Kunst Halle Sankt Gallen. Only two days left to go check it out!
@___cemilesahin___ @kunsthallesanktgallen @lezardgraphique67
Poster for Cemile Sahin’s solo show „BB – Born to Bloom“ at Kunst Halle Sankt Gallen. Only two days left to go check it out!
@___cemilesahin___ @kunsthallesanktgallen @lezardgraphique67
Poster for Cemile Sahin’s solo show „BB – Born to Bloom“ at Kunst Halle Sankt Gallen. Only two days left to go check it out!
@___cemilesahin___ @kunsthallesanktgallen @lezardgraphique67
Poster for Cemile Sahin’s solo show „BB – Born to Bloom“ at Kunst Halle Sankt Gallen. Only two days left to go check it out!
@___cemilesahin___ @kunsthallesanktgallen @lezardgraphique67
Poster for Cemile Sahin’s solo show „BB – Born to Bloom“ at Kunst Halle Sankt Gallen. Only two days left to go check it out!
@___cemilesahin___ @kunsthallesanktgallen @lezardgraphique67
Poster for Cemile Sahin’s solo show „BB – Born to Bloom“ at Kunst Halle Sankt Gallen. Only two days left to go check it out!
@___cemilesahin___ @kunsthallesanktgallen @lezardgraphique67
Poster for Cemile Sahin’s solo show „BB – Born to Bloom“ at Kunst Halle Sankt Gallen. Only two days left to go check it out!
@___cemilesahin___ @kunsthallesanktgallen @lezardgraphique67
This holiday season: DJ Assault as Santa Claus! Coming to a theater near you.
#hdgdl
The Handwerk type specimen is now available! It not only explores the typeface’s formal qualities, but also traces the fractured history of Berthold Wolpe’s first type design—from early sketches and proofs produced within Rudolf Koch’s workshop collective in the early 1930s, to its abandonment during the Nazi era and a compromised revival in postwar Germany. Hidden for almost a century, the typeface finally returns in digital format, based on Wolpe’s original vision and reimagined for contemporary use.
Designed by Rietlanden Women’s Office and printed by Drukkerij Raddraaier in Amsterdam, this 24-page publication accompanies the release of the Handwerk typeface, now available at Out of the Dark.
Get your copy from @ideabooksnl for international orders, or @outofthedark.xyz if you’re in Switzerland.
Rollo N°79
20.5 × 29 cm
ISBN 978-3-906213-55-2
Edition of 800 copies
©2025
Editors: Hammer (David Schatz & Sereina Rothenberger), Philipp Herrmann
Published by: Out of the Dark & Rollo Press
Graphic Design: Rietlanden Women’s Office
Printing: Drukkerij Raddraaier, Amsterdam
Distribution: Idea Books, Amsterdam
The Handwerk type specimen is now available! It not only explores the typeface’s formal qualities, but also traces the fractured history of Berthold Wolpe’s first type design—from early sketches and proofs produced within Rudolf Koch’s workshop collective in the early 1930s, to its abandonment during the Nazi era and a compromised revival in postwar Germany. Hidden for almost a century, the typeface finally returns in digital format, based on Wolpe’s original vision and reimagined for contemporary use.
Designed by Rietlanden Women’s Office and printed by Drukkerij Raddraaier in Amsterdam, this 24-page publication accompanies the release of the Handwerk typeface, now available at Out of the Dark.
Get your copy from @ideabooksnl for international orders, or @outofthedark.xyz if you’re in Switzerland.
Rollo N°79
20.5 × 29 cm
ISBN 978-3-906213-55-2
Edition of 800 copies
©2025
Editors: Hammer (David Schatz & Sereina Rothenberger), Philipp Herrmann
Published by: Out of the Dark & Rollo Press
Graphic Design: Rietlanden Women’s Office
Printing: Drukkerij Raddraaier, Amsterdam
Distribution: Idea Books, Amsterdam
The Handwerk type specimen is now available! It not only explores the typeface’s formal qualities, but also traces the fractured history of Berthold Wolpe’s first type design—from early sketches and proofs produced within Rudolf Koch’s workshop collective in the early 1930s, to its abandonment during the Nazi era and a compromised revival in postwar Germany. Hidden for almost a century, the typeface finally returns in digital format, based on Wolpe’s original vision and reimagined for contemporary use.
Designed by Rietlanden Women’s Office and printed by Drukkerij Raddraaier in Amsterdam, this 24-page publication accompanies the release of the Handwerk typeface, now available at Out of the Dark.
Get your copy from @ideabooksnl for international orders, or @outofthedark.xyz if you’re in Switzerland.
Rollo N°79
20.5 × 29 cm
ISBN 978-3-906213-55-2
Edition of 800 copies
©2025
Editors: Hammer (David Schatz & Sereina Rothenberger), Philipp Herrmann
Published by: Out of the Dark & Rollo Press
Graphic Design: Rietlanden Women’s Office
Printing: Drukkerij Raddraaier, Amsterdam
Distribution: Idea Books, Amsterdam
The Handwerk type specimen is now available! It not only explores the typeface’s formal qualities, but also traces the fractured history of Berthold Wolpe’s first type design—from early sketches and proofs produced within Rudolf Koch’s workshop collective in the early 1930s, to its abandonment during the Nazi era and a compromised revival in postwar Germany. Hidden for almost a century, the typeface finally returns in digital format, based on Wolpe’s original vision and reimagined for contemporary use.
Designed by Rietlanden Women’s Office and printed by Drukkerij Raddraaier in Amsterdam, this 24-page publication accompanies the release of the Handwerk typeface, now available at Out of the Dark.
Get your copy from @ideabooksnl for international orders, or @outofthedark.xyz if you’re in Switzerland.
Rollo N°79
20.5 × 29 cm
ISBN 978-3-906213-55-2
Edition of 800 copies
©2025
Editors: Hammer (David Schatz & Sereina Rothenberger), Philipp Herrmann
Published by: Out of the Dark & Rollo Press
Graphic Design: Rietlanden Women’s Office
Printing: Drukkerij Raddraaier, Amsterdam
Distribution: Idea Books, Amsterdam
The Handwerk type specimen is now available! It not only explores the typeface’s formal qualities, but also traces the fractured history of Berthold Wolpe’s first type design—from early sketches and proofs produced within Rudolf Koch’s workshop collective in the early 1930s, to its abandonment during the Nazi era and a compromised revival in postwar Germany. Hidden for almost a century, the typeface finally returns in digital format, based on Wolpe’s original vision and reimagined for contemporary use.
Designed by Rietlanden Women’s Office and printed by Drukkerij Raddraaier in Amsterdam, this 24-page publication accompanies the release of the Handwerk typeface, now available at Out of the Dark.
Get your copy from @ideabooksnl for international orders, or @outofthedark.xyz if you’re in Switzerland.
Rollo N°79
20.5 × 29 cm
ISBN 978-3-906213-55-2
Edition of 800 copies
©2025
Editors: Hammer (David Schatz & Sereina Rothenberger), Philipp Herrmann
Published by: Out of the Dark & Rollo Press
Graphic Design: Rietlanden Women’s Office
Printing: Drukkerij Raddraaier, Amsterdam
Distribution: Idea Books, Amsterdam
The Handwerk type specimen is now available! It not only explores the typeface’s formal qualities, but also traces the fractured history of Berthold Wolpe’s first type design—from early sketches and proofs produced within Rudolf Koch’s workshop collective in the early 1930s, to its abandonment during the Nazi era and a compromised revival in postwar Germany. Hidden for almost a century, the typeface finally returns in digital format, based on Wolpe’s original vision and reimagined for contemporary use.
Designed by Rietlanden Women’s Office and printed by Drukkerij Raddraaier in Amsterdam, this 24-page publication accompanies the release of the Handwerk typeface, now available at Out of the Dark.
Get your copy from @ideabooksnl for international orders, or @outofthedark.xyz if you’re in Switzerland.
Rollo N°79
20.5 × 29 cm
ISBN 978-3-906213-55-2
Edition of 800 copies
©2025
Editors: Hammer (David Schatz & Sereina Rothenberger), Philipp Herrmann
Published by: Out of the Dark & Rollo Press
Graphic Design: Rietlanden Women’s Office
Printing: Drukkerij Raddraaier, Amsterdam
Distribution: Idea Books, Amsterdam
The Handwerk type specimen is now available! It not only explores the typeface’s formal qualities, but also traces the fractured history of Berthold Wolpe’s first type design—from early sketches and proofs produced within Rudolf Koch’s workshop collective in the early 1930s, to its abandonment during the Nazi era and a compromised revival in postwar Germany. Hidden for almost a century, the typeface finally returns in digital format, based on Wolpe’s original vision and reimagined for contemporary use.
Designed by Rietlanden Women’s Office and printed by Drukkerij Raddraaier in Amsterdam, this 24-page publication accompanies the release of the Handwerk typeface, now available at Out of the Dark.
Get your copy from @ideabooksnl for international orders, or @outofthedark.xyz if you’re in Switzerland.
Rollo N°79
20.5 × 29 cm
ISBN 978-3-906213-55-2
Edition of 800 copies
©2025
Editors: Hammer (David Schatz & Sereina Rothenberger), Philipp Herrmann
Published by: Out of the Dark & Rollo Press
Graphic Design: Rietlanden Women’s Office
Printing: Drukkerij Raddraaier, Amsterdam
Distribution: Idea Books, Amsterdam
The Handwerk type specimen is now available! It not only explores the typeface’s formal qualities, but also traces the fractured history of Berthold Wolpe’s first type design—from early sketches and proofs produced within Rudolf Koch’s workshop collective in the early 1930s, to its abandonment during the Nazi era and a compromised revival in postwar Germany. Hidden for almost a century, the typeface finally returns in digital format, based on Wolpe’s original vision and reimagined for contemporary use.
Designed by Rietlanden Women’s Office and printed by Drukkerij Raddraaier in Amsterdam, this 24-page publication accompanies the release of the Handwerk typeface, now available at Out of the Dark.
Get your copy from @ideabooksnl for international orders, or @outofthedark.xyz if you’re in Switzerland.
Rollo N°79
20.5 × 29 cm
ISBN 978-3-906213-55-2
Edition of 800 copies
©2025
Editors: Hammer (David Schatz & Sereina Rothenberger), Philipp Herrmann
Published by: Out of the Dark & Rollo Press
Graphic Design: Rietlanden Women’s Office
Printing: Drukkerij Raddraaier, Amsterdam
Distribution: Idea Books, Amsterdam
The Handwerk type specimen is now available! It not only explores the typeface’s formal qualities, but also traces the fractured history of Berthold Wolpe’s first type design—from early sketches and proofs produced within Rudolf Koch’s workshop collective in the early 1930s, to its abandonment during the Nazi era and a compromised revival in postwar Germany. Hidden for almost a century, the typeface finally returns in digital format, based on Wolpe’s original vision and reimagined for contemporary use.
Designed by Rietlanden Women’s Office and printed by Drukkerij Raddraaier in Amsterdam, this 24-page publication accompanies the release of the Handwerk typeface, now available at Out of the Dark.
Get your copy from @ideabooksnl for international orders, or @outofthedark.xyz if you’re in Switzerland.
Rollo N°79
20.5 × 29 cm
ISBN 978-3-906213-55-2
Edition of 800 copies
©2025
Editors: Hammer (David Schatz & Sereina Rothenberger), Philipp Herrmann
Published by: Out of the Dark & Rollo Press
Graphic Design: Rietlanden Women’s Office
Printing: Drukkerij Raddraaier, Amsterdam
Distribution: Idea Books, Amsterdam
The Handwerk type specimen is now available! It not only explores the typeface’s formal qualities, but also traces the fractured history of Berthold Wolpe’s first type design—from early sketches and proofs produced within Rudolf Koch’s workshop collective in the early 1930s, to its abandonment during the Nazi era and a compromised revival in postwar Germany. Hidden for almost a century, the typeface finally returns in digital format, based on Wolpe’s original vision and reimagined for contemporary use.
Designed by Rietlanden Women’s Office and printed by Drukkerij Raddraaier in Amsterdam, this 24-page publication accompanies the release of the Handwerk typeface, now available at Out of the Dark.
Get your copy from @ideabooksnl for international orders, or @outofthedark.xyz if you’re in Switzerland.
Rollo N°79
20.5 × 29 cm
ISBN 978-3-906213-55-2
Edition of 800 copies
©2025
Editors: Hammer (David Schatz & Sereina Rothenberger), Philipp Herrmann
Published by: Out of the Dark & Rollo Press
Graphic Design: Rietlanden Women’s Office
Printing: Drukkerij Raddraaier, Amsterdam
Distribution: Idea Books, Amsterdam
After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades.
Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces.
Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support!
Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann
Design Assistance by Filip Despotović
7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues
10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS
#outofthedarktypefaces #handwerktypeface
After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades.
Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces.
Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support!
Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann
Design Assistance by Filip Despotović
7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues
10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS
#outofthedarktypefaces #handwerktypeface
After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades.
Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces.
Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support!
Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann
Design Assistance by Filip Despotović
7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues
10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS
#outofthedarktypefaces #handwerktypeface
After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades.
Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces.
Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support!
Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann
Design Assistance by Filip Despotović
7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues
10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS
#outofthedarktypefaces #handwerktypeface
After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades.
Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces.
Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support!
Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann
Design Assistance by Filip Despotović
7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues
10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS
#outofthedarktypefaces #handwerktypeface
After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades.
Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces.
Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support!
Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann
Design Assistance by Filip Despotović
7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues
10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS
#outofthedarktypefaces #handwerktypeface
After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades.
Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces.
Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support!
Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann
Design Assistance by Filip Despotović
7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues
10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS
#outofthedarktypefaces #handwerktypeface
After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades.
Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces.
Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support!
Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann
Design Assistance by Filip Despotović
7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues
10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS
#outofthedarktypefaces #handwerktypeface
After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades.
Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces.
Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support!
Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann
Design Assistance by Filip Despotović
7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues
10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS
#outofthedarktypefaces #handwerktypeface
After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades.
Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces.
Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support!
Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann
Design Assistance by Filip Despotović
7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues
10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS
#outofthedarktypefaces #handwerktypeface
After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades.
Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces.
Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support!
Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann
Design Assistance by Filip Despotović
7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues
10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS
#outofthedarktypefaces #handwerktypeface
After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades.
Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces.
Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support!
Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann
Design Assistance by Filip Despotović
7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues
10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS
#outofthedarktypefaces #handwerktypeface
After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades.
Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces.
Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support!
Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann
Design Assistance by Filip Despotović
7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues
10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS
#outofthedarktypefaces #handwerktypeface
After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades.
Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces.
Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support!
Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann
Design Assistance by Filip Despotović
7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues
10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS
#outofthedarktypefaces #handwerktypeface
After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades.
Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces.
Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support!
Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann
Design Assistance by Filip Despotović
7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues
10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS
#outofthedarktypefaces #handwerktypeface
After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades.
Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces.
Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support!
Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann
Design Assistance by Filip Despotović
7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues
10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS
#outofthedarktypefaces #handwerktypeface
Poster for Aramis Navarro’s solo exhibition „algorithmic-mega-death-superspell-exe“. Currently on view at Kunst Halle Sankt Gallen.
Printed by the one and only @lezardgraphique67
Exhibition views courtesy of @aramis.navarro and @kunsthallesanktgallen
Poster for Aramis Navarro’s solo exhibition „algorithmic-mega-death-superspell-exe“. Currently on view at Kunst Halle Sankt Gallen.
Printed by the one and only @lezardgraphique67
Exhibition views courtesy of @aramis.navarro and @kunsthallesanktgallen
Poster for Aramis Navarro’s solo exhibition „algorithmic-mega-death-superspell-exe“. Currently on view at Kunst Halle Sankt Gallen.
Printed by the one and only @lezardgraphique67
Exhibition views courtesy of @aramis.navarro and @kunsthallesanktgallen
Poster for Aramis Navarro’s solo exhibition „algorithmic-mega-death-superspell-exe“. Currently on view at Kunst Halle Sankt Gallen.
Printed by the one and only @lezardgraphique67
Exhibition views courtesy of @aramis.navarro and @kunsthallesanktgallen
Poster for Aramis Navarro’s solo exhibition „algorithmic-mega-death-superspell-exe“. Currently on view at Kunst Halle Sankt Gallen.
Printed by the one and only @lezardgraphique67
Exhibition views courtesy of @aramis.navarro and @kunsthallesanktgallen
🍒
Membership card 2025 for @kunsthallesanktgallen
Become a member of Kunst Halle Sankt Gallen and receive a membership card that grants free admission to Kunst Halle and 31 other contemporary art institutions across Switzerland, plus discounts on events and Kunst Halle publications.
Fonts in use:
Cornbread @maxitype_com
Rapid @sourcetype
Churchward Marianna @myfonts
🍒
Membership card 2025 for @kunsthallesanktgallen
Become a member of Kunst Halle Sankt Gallen and receive a membership card that grants free admission to Kunst Halle and 31 other contemporary art institutions across Switzerland, plus discounts on events and Kunst Halle publications.
Fonts in use:
Cornbread @maxitype_com
Rapid @sourcetype
Churchward Marianna @myfonts
Il nuovo gusto di LAVINIA, mango e sesamo nero, ha il suo invito.
Stampato ancora una volta da @archiviotipografico , è il risultato di un processo pensato per raccontare il gelato anche su carta.
Uno spray grigio scuro, spruzzato a mano su fogli tenuti in verticale, disegna gocce irregolari che diventano semi di sesamo: ogni invito è unico. Il colore aranciato del mango, invece, è miscelato a mano, per restituire in stampa la stessa tonalità del gusto.
La composizione è in carattere mobile Eurostile, nato a Torino, e la stampa avviene su macchina pianocilindrica tipografica Heidelberg OHZ.
Il nuovo gusto di LAVINIA, mango e sesamo nero, ha il suo invito.
Stampato ancora una volta da @archiviotipografico , è il risultato di un processo pensato per raccontare il gelato anche su carta.
Uno spray grigio scuro, spruzzato a mano su fogli tenuti in verticale, disegna gocce irregolari che diventano semi di sesamo: ogni invito è unico. Il colore aranciato del mango, invece, è miscelato a mano, per restituire in stampa la stessa tonalità del gusto.
La composizione è in carattere mobile Eurostile, nato a Torino, e la stampa avviene su macchina pianocilindrica tipografica Heidelberg OHZ.
Il nuovo gusto di LAVINIA, mango e sesamo nero, ha il suo invito.
Stampato ancora una volta da @archiviotipografico , è il risultato di un processo pensato per raccontare il gelato anche su carta.
Uno spray grigio scuro, spruzzato a mano su fogli tenuti in verticale, disegna gocce irregolari che diventano semi di sesamo: ogni invito è unico. Il colore aranciato del mango, invece, è miscelato a mano, per restituire in stampa la stessa tonalità del gusto.
La composizione è in carattere mobile Eurostile, nato a Torino, e la stampa avviene su macchina pianocilindrica tipografica Heidelberg OHZ.
Il nuovo gusto di LAVINIA, mango e sesamo nero, ha il suo invito.
Stampato ancora una volta da @archiviotipografico , è il risultato di un processo pensato per raccontare il gelato anche su carta.
Uno spray grigio scuro, spruzzato a mano su fogli tenuti in verticale, disegna gocce irregolari che diventano semi di sesamo: ogni invito è unico. Il colore aranciato del mango, invece, è miscelato a mano, per restituire in stampa la stessa tonalità del gusto.
La composizione è in carattere mobile Eurostile, nato a Torino, e la stampa avviene su macchina pianocilindrica tipografica Heidelberg OHZ.
Il nuovo gusto di LAVINIA, mango e sesamo nero, ha il suo invito.
Stampato ancora una volta da @archiviotipografico , è il risultato di un processo pensato per raccontare il gelato anche su carta.
Uno spray grigio scuro, spruzzato a mano su fogli tenuti in verticale, disegna gocce irregolari che diventano semi di sesamo: ogni invito è unico. Il colore aranciato del mango, invece, è miscelato a mano, per restituire in stampa la stessa tonalità del gusto.
La composizione è in carattere mobile Eurostile, nato a Torino, e la stampa avviene su macchina pianocilindrica tipografica Heidelberg OHZ.
Here. There. Everywhere. YESHE’s new single ༺ Sound Of Yonder ཐག་རིང་གི་འབོད་སྒྲ་ ༻ is out now on all platforms!
The official music video is live @metal_magazine - link in bio! Interview by Bella Spratley @bellaspratley
༽༽༽༽༽༽༽༽༽༽༽༽༽༽༽How Far Will It Spread? ༽༽༽༽༽༽༽༽༽༽༽༽༽༽
Video Credits:
Executive production: YESHE, Tenor Sharloh @tenorsharlho
Cinematographers: Tenzin Kalden @tenz_kalden, Tenzin Lekphel @exile_lens
Concept & Editing: Rico Scagliola & Michael Meier @ricoandmichael
Animation: Hammer @hammer__
Colorist: Lukas Schaller @lukasschaller.color
Hair & Makeup: Tenzin Chuecky @tenzinchokey_official
Big thanks to the Kids of Dharamsala, Sonam Tseten @sonamyak from Drung Films Collective @drungfilms
Song Credits:
Executive Production: YESHE, Asma Maroof @_asmara_
Produced by: Tobias Koch @tbiasmaria
Written by: YESHE, Tobias Koch @tbiasmaria
Lyrics by: YESHE, Ten Phun @ten.phun.7
Mixed by: Kiri Stensby @kiiiriii.s, Tobias Koch @tbiasmaria
Mastered by: Enyang Urbiks @enyang_ha
Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese.
Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto.
#archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress
Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese.
Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto.
#archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress
Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese.
Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto.
#archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress
Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese.
Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto.
#archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress
Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese.
Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto.
#archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress
Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese.
Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto.
#archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress
Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese.
Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto.
#archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress
Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese.
Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto.
#archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress
Artwork for Yao Bobby & Simon Grab’s LP ‘WUM’ on Bristol’s LavaLava Records. ©2022 LV08
w/ @ds.syvod @giftedmold.archives
@yaobobbysimongrab @simon__grab @yaobobby
Artwork for Yao Bobby & Simon Grab’s LP ‘WUM’ on Bristol’s LavaLava Records. ©2022 LV08
w/ @ds.syvod @giftedmold.archives
@yaobobbysimongrab @simon__grab @yaobobby
Artwork for Yao Bobby & Simon Grab’s LP ‘WUM’ on Bristol’s LavaLava Records. ©2022 LV08
w/ @ds.syvod @giftedmold.archives
@yaobobbysimongrab @simon__grab @yaobobby
Artwork for Yao Bobby & Simon Grab’s LP ‘WUM’ on Bristol’s LavaLava Records. ©2022 LV08
w/ @ds.syvod @giftedmold.archives
@yaobobbysimongrab @simon__grab @yaobobby
Artwork for Yao Bobby & Simon Grab’s LP ‘WUM’ on Bristol’s LavaLava Records. ©2022 LV08
w/ @ds.syvod @giftedmold.archives
@yaobobbysimongrab @simon__grab @yaobobby
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
비용
이 서비스는 무료로 제공됩니다.
비공개 계정
비공개 계정의 콘텐츠는 팔로워만 접근할 수 있습니다.
파일 사용
파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
작동 방식
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.