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sofialambrou
Sofia Lambrou
Image & sound maker
Sounds @iamglisten
@les_ateliers_wonder @wonder.cabinet @radioalhara @lyl_radio
ZOOM SUR LE TRAVAIL DE @sofialambrou 🦇☕️🦇
« Restitution de résidence dans les Météores en Grèce dans le cadre de mon projet de recherche L’anabase, pour créer une collection d’objets sonores en céramique, raku et cendres, pensés pour relier par l’eau et le vent, les paysages séparés par des fractures. Avec l’appui du Wonder Cabinet, d’Eutopia, du studio Theodorou Art et de la municipalité des Météores. »
1, 3, 5, 7, 10: Objets sonores et silencieux, céramique, cendres, terra sigillata et raku
2, 4, 6, 8, 9: Documentation de la résidence
ZOOM SUR LE TRAVAIL DE @sofialambrou 🦇☕️🦇
« Restitution de résidence dans les Météores en Grèce dans le cadre de mon projet de recherche L’anabase, pour créer une collection d’objets sonores en céramique, raku et cendres, pensés pour relier par l’eau et le vent, les paysages séparés par des fractures. Avec l’appui du Wonder Cabinet, d’Eutopia, du studio Theodorou Art et de la municipalité des Météores. »
1, 3, 5, 7, 10: Objets sonores et silencieux, céramique, cendres, terra sigillata et raku
2, 4, 6, 8, 9: Documentation de la résidence
ZOOM SUR LE TRAVAIL DE @sofialambrou 🦇☕️🦇
« Restitution de résidence dans les Météores en Grèce dans le cadre de mon projet de recherche L’anabase, pour créer une collection d’objets sonores en céramique, raku et cendres, pensés pour relier par l’eau et le vent, les paysages séparés par des fractures. Avec l’appui du Wonder Cabinet, d’Eutopia, du studio Theodorou Art et de la municipalité des Météores. »
1, 3, 5, 7, 10: Objets sonores et silencieux, céramique, cendres, terra sigillata et raku
2, 4, 6, 8, 9: Documentation de la résidence
ZOOM SUR LE TRAVAIL DE @sofialambrou 🦇☕️🦇
« Restitution de résidence dans les Météores en Grèce dans le cadre de mon projet de recherche L’anabase, pour créer une collection d’objets sonores en céramique, raku et cendres, pensés pour relier par l’eau et le vent, les paysages séparés par des fractures. Avec l’appui du Wonder Cabinet, d’Eutopia, du studio Theodorou Art et de la municipalité des Météores. »
1, 3, 5, 7, 10: Objets sonores et silencieux, céramique, cendres, terra sigillata et raku
2, 4, 6, 8, 9: Documentation de la résidence
ZOOM SUR LE TRAVAIL DE @sofialambrou 🦇☕️🦇
« Restitution de résidence dans les Météores en Grèce dans le cadre de mon projet de recherche L’anabase, pour créer une collection d’objets sonores en céramique, raku et cendres, pensés pour relier par l’eau et le vent, les paysages séparés par des fractures. Avec l’appui du Wonder Cabinet, d’Eutopia, du studio Theodorou Art et de la municipalité des Météores. »
1, 3, 5, 7, 10: Objets sonores et silencieux, céramique, cendres, terra sigillata et raku
2, 4, 6, 8, 9: Documentation de la résidence
ZOOM SUR LE TRAVAIL DE @sofialambrou 🦇☕️🦇
« Restitution de résidence dans les Météores en Grèce dans le cadre de mon projet de recherche L’anabase, pour créer une collection d’objets sonores en céramique, raku et cendres, pensés pour relier par l’eau et le vent, les paysages séparés par des fractures. Avec l’appui du Wonder Cabinet, d’Eutopia, du studio Theodorou Art et de la municipalité des Météores. »
1, 3, 5, 7, 10: Objets sonores et silencieux, céramique, cendres, terra sigillata et raku
2, 4, 6, 8, 9: Documentation de la résidence
ZOOM SUR LE TRAVAIL DE @sofialambrou 🦇☕️🦇
« Restitution de résidence dans les Météores en Grèce dans le cadre de mon projet de recherche L’anabase, pour créer une collection d’objets sonores en céramique, raku et cendres, pensés pour relier par l’eau et le vent, les paysages séparés par des fractures. Avec l’appui du Wonder Cabinet, d’Eutopia, du studio Theodorou Art et de la municipalité des Météores. »
1, 3, 5, 7, 10: Objets sonores et silencieux, céramique, cendres, terra sigillata et raku
2, 4, 6, 8, 9: Documentation de la résidence
ZOOM SUR LE TRAVAIL DE @sofialambrou 🦇☕️🦇
« Restitution de résidence dans les Météores en Grèce dans le cadre de mon projet de recherche L’anabase, pour créer une collection d’objets sonores en céramique, raku et cendres, pensés pour relier par l’eau et le vent, les paysages séparés par des fractures. Avec l’appui du Wonder Cabinet, d’Eutopia, du studio Theodorou Art et de la municipalité des Météores. »
1, 3, 5, 7, 10: Objets sonores et silencieux, céramique, cendres, terra sigillata et raku
2, 4, 6, 8, 9: Documentation de la résidence
ZOOM SUR LE TRAVAIL DE @sofialambrou 🦇☕️🦇
« Restitution de résidence dans les Météores en Grèce dans le cadre de mon projet de recherche L’anabase, pour créer une collection d’objets sonores en céramique, raku et cendres, pensés pour relier par l’eau et le vent, les paysages séparés par des fractures. Avec l’appui du Wonder Cabinet, d’Eutopia, du studio Theodorou Art et de la municipalité des Météores. »
1, 3, 5, 7, 10: Objets sonores et silencieux, céramique, cendres, terra sigillata et raku
2, 4, 6, 8, 9: Documentation de la résidence
ZOOM SUR LE TRAVAIL DE @sofialambrou 🦇☕️🦇
« Restitution de résidence dans les Météores en Grèce dans le cadre de mon projet de recherche L’anabase, pour créer une collection d’objets sonores en céramique, raku et cendres, pensés pour relier par l’eau et le vent, les paysages séparés par des fractures. Avec l’appui du Wonder Cabinet, d’Eutopia, du studio Theodorou Art et de la municipalité des Météores. »
1, 3, 5, 7, 10: Objets sonores et silencieux, céramique, cendres, terra sigillata et raku
2, 4, 6, 8, 9: Documentation de la résidence
Artist Sofia Lambrou and Wonder Cabinet dissolve the barriers of body and landscape between Palestine and Greece ⛰️
Shot simultaneously between Jericho, Palestine and Amorgos, Greece, Lambrou explores the fractured boundaries between body, landscape, and borders for the experimental short film – created with co-directors Dana Durr and Alex Brack, and Bethlehem non-profit and cultural hub Wonder Cabinet
Tap the link in bio to watch the full film on NOWNESS 🎥
Direction, edit, sound @sofialambrou
Co-direction & capture @danadurr @brackalex
Performance & choreography @aseelqupty @maria__isidora
Executive Producers @3eenbi2eed @ibrahimowais @thomtt__
Sound Mixing @bart__bell
Production @wonder.cabinet
Artist Sofia Lambrou and Wonder Cabinet dissolve the barriers of body and landscape between Palestine and Greece ⛰️
Shot simultaneously between Jericho, Palestine and Amorgos, Greece, Lambrou explores the fractured boundaries between body, landscape, and borders for the experimental short film – created with co-directors Dana Durr and Alex Brack, and Bethlehem non-profit and cultural hub Wonder Cabinet
Tap the link in bio to watch the full film on NOWNESS 🎥
Direction, edit, sound @sofialambrou
Co-direction & capture @danadurr @brackalex
Performance & choreography @aseelqupty @maria__isidora
Executive Producers @3eenbi2eed @ibrahimowais @thomtt__
Sound Mixing @bart__bell
Production @wonder.cabinet
Artist Sofia Lambrou and Wonder Cabinet dissolve the barriers of body and landscape between Palestine and Greece ⛰️
Shot simultaneously between Jericho, Palestine and Amorgos, Greece, Lambrou explores the fractured boundaries between body, landscape, and borders for the experimental short film – created with co-directors Dana Durr and Alex Brack, and Bethlehem non-profit and cultural hub Wonder Cabinet
Tap the link in bio to watch the full film on NOWNESS 🎥
Direction, edit, sound @sofialambrou
Co-direction & capture @danadurr @brackalex
Performance & choreography @aseelqupty @maria__isidora
Executive Producers @3eenbi2eed @ibrahimowais @thomtt__
Sound Mixing @bart__bell
Production @wonder.cabinet
Artist Sofia Lambrou and Wonder Cabinet dissolve the barriers of body and landscape between Palestine and Greece ⛰️
Shot simultaneously between Jericho, Palestine and Amorgos, Greece, Lambrou explores the fractured boundaries between body, landscape, and borders for the experimental short film – created with co-directors Dana Durr and Alex Brack, and Bethlehem non-profit and cultural hub Wonder Cabinet
Tap the link in bio to watch the full film on NOWNESS 🎥
Direction, edit, sound @sofialambrou
Co-direction & capture @danadurr @brackalex
Performance & choreography @aseelqupty @maria__isidora
Executive Producers @3eenbi2eed @ibrahimowais @thomtt__
Sound Mixing @bart__bell
Production @wonder.cabinet
Artist Sofia Lambrou and Wonder Cabinet dissolve the barriers of body and landscape between Palestine and Greece ⛰️
Shot simultaneously between Jericho, Palestine and Amorgos, Greece, Lambrou explores the fractured boundaries between body, landscape, and borders for the experimental short film – created with co-directors Dana Durr and Alex Brack, and Bethlehem non-profit and cultural hub Wonder Cabinet
Tap the link in bio to watch the full film on NOWNESS 🎥
Direction, edit, sound @sofialambrou
Co-direction & capture @danadurr @brackalex
Performance & choreography @aseelqupty @maria__isidora
Executive Producers @3eenbi2eed @ibrahimowais @thomtt__
Sound Mixing @bart__bell
Production @wonder.cabinet
“Atopos” is a stone sculpture meant to bring together two lands through the realm of architecture and sound. In the 9th century, the icon of the virgin Panaghia Chozoviotissa fled the Monastery of Temptation in Jericho, Pal3stine, to escape from the iconoclasts. The icon landed in Amorgos, Greece, where a monastery was built to host her. “Atopos” is an attempt to bring together the virgin’s two mountain cliffs through the realms of architecture and sound. Conceived as the prototype of a wind harp, the sculpture mimics the shape of a body in movement and is meant to produce an eerie sound meant to connect the two lands through air.
“Atopos” was conceived as part of my project “L’anabase” during my residency at @wonder.cabinet in Bethlehem. As most of the project’s pieces, the sculpture was the opportunity to dive into a local craftsmanship. Made in collaboration with Akram Anastas, the process also resulted in a photography series, meant to highlight Akram and his team’s work.
Deeply grateful to @wonder.cabinet , @elias.anastas , @yousefanastas and @ibrahimowais for making it happen. Special thought to @iamconstantin for the guidance and light.
#sculpture #stonesculpture #landart #bethlehem #artresidency #soundinstallation #crafts
“Atopos” is a stone sculpture meant to bring together two lands through the realm of architecture and sound. In the 9th century, the icon of the virgin Panaghia Chozoviotissa fled the Monastery of Temptation in Jericho, Pal3stine, to escape from the iconoclasts. The icon landed in Amorgos, Greece, where a monastery was built to host her. “Atopos” is an attempt to bring together the virgin’s two mountain cliffs through the realms of architecture and sound. Conceived as the prototype of a wind harp, the sculpture mimics the shape of a body in movement and is meant to produce an eerie sound meant to connect the two lands through air.
“Atopos” was conceived as part of my project “L’anabase” during my residency at @wonder.cabinet in Bethlehem. As most of the project’s pieces, the sculpture was the opportunity to dive into a local craftsmanship. Made in collaboration with Akram Anastas, the process also resulted in a photography series, meant to highlight Akram and his team’s work.
Deeply grateful to @wonder.cabinet , @elias.anastas , @yousefanastas and @ibrahimowais for making it happen. Special thought to @iamconstantin for the guidance and light.
#sculpture #stonesculpture #landart #bethlehem #artresidency #soundinstallation #crafts
“Atopos” is a stone sculpture meant to bring together two lands through the realm of architecture and sound. In the 9th century, the icon of the virgin Panaghia Chozoviotissa fled the Monastery of Temptation in Jericho, Pal3stine, to escape from the iconoclasts. The icon landed in Amorgos, Greece, where a monastery was built to host her. “Atopos” is an attempt to bring together the virgin’s two mountain cliffs through the realms of architecture and sound. Conceived as the prototype of a wind harp, the sculpture mimics the shape of a body in movement and is meant to produce an eerie sound meant to connect the two lands through air.
“Atopos” was conceived as part of my project “L’anabase” during my residency at @wonder.cabinet in Bethlehem. As most of the project’s pieces, the sculpture was the opportunity to dive into a local craftsmanship. Made in collaboration with Akram Anastas, the process also resulted in a photography series, meant to highlight Akram and his team’s work.
Deeply grateful to @wonder.cabinet , @elias.anastas , @yousefanastas and @ibrahimowais for making it happen. Special thought to @iamconstantin for the guidance and light.
#sculpture #stonesculpture #landart #bethlehem #artresidency #soundinstallation #crafts
“Atopos” is a stone sculpture meant to bring together two lands through the realm of architecture and sound. In the 9th century, the icon of the virgin Panaghia Chozoviotissa fled the Monastery of Temptation in Jericho, Pal3stine, to escape from the iconoclasts. The icon landed in Amorgos, Greece, where a monastery was built to host her. “Atopos” is an attempt to bring together the virgin’s two mountain cliffs through the realms of architecture and sound. Conceived as the prototype of a wind harp, the sculpture mimics the shape of a body in movement and is meant to produce an eerie sound meant to connect the two lands through air.
“Atopos” was conceived as part of my project “L’anabase” during my residency at @wonder.cabinet in Bethlehem. As most of the project’s pieces, the sculpture was the opportunity to dive into a local craftsmanship. Made in collaboration with Akram Anastas, the process also resulted in a photography series, meant to highlight Akram and his team’s work.
Deeply grateful to @wonder.cabinet , @elias.anastas , @yousefanastas and @ibrahimowais for making it happen. Special thought to @iamconstantin for the guidance and light.
#sculpture #stonesculpture #landart #bethlehem #artresidency #soundinstallation #crafts
“Atopos” is a stone sculpture meant to bring together two lands through the realm of architecture and sound. In the 9th century, the icon of the virgin Panaghia Chozoviotissa fled the Monastery of Temptation in Jericho, Pal3stine, to escape from the iconoclasts. The icon landed in Amorgos, Greece, where a monastery was built to host her. “Atopos” is an attempt to bring together the virgin’s two mountain cliffs through the realms of architecture and sound. Conceived as the prototype of a wind harp, the sculpture mimics the shape of a body in movement and is meant to produce an eerie sound meant to connect the two lands through air.
“Atopos” was conceived as part of my project “L’anabase” during my residency at @wonder.cabinet in Bethlehem. As most of the project’s pieces, the sculpture was the opportunity to dive into a local craftsmanship. Made in collaboration with Akram Anastas, the process also resulted in a photography series, meant to highlight Akram and his team’s work.
Deeply grateful to @wonder.cabinet , @elias.anastas , @yousefanastas and @ibrahimowais for making it happen. Special thought to @iamconstantin for the guidance and light.
#sculpture #stonesculpture #landart #bethlehem #artresidency #soundinstallation #crafts
“Atopos” is a stone sculpture meant to bring together two lands through the realm of architecture and sound. In the 9th century, the icon of the virgin Panaghia Chozoviotissa fled the Monastery of Temptation in Jericho, Pal3stine, to escape from the iconoclasts. The icon landed in Amorgos, Greece, where a monastery was built to host her. “Atopos” is an attempt to bring together the virgin’s two mountain cliffs through the realms of architecture and sound. Conceived as the prototype of a wind harp, the sculpture mimics the shape of a body in movement and is meant to produce an eerie sound meant to connect the two lands through air.
“Atopos” was conceived as part of my project “L’anabase” during my residency at @wonder.cabinet in Bethlehem. As most of the project’s pieces, the sculpture was the opportunity to dive into a local craftsmanship. Made in collaboration with Akram Anastas, the process also resulted in a photography series, meant to highlight Akram and his team’s work.
Deeply grateful to @wonder.cabinet , @elias.anastas , @yousefanastas and @ibrahimowais for making it happen. Special thought to @iamconstantin for the guidance and light.
#sculpture #stonesculpture #landart #bethlehem #artresidency #soundinstallation #crafts
“Atopos” is a stone sculpture meant to bring together two lands through the realm of architecture and sound. In the 9th century, the icon of the virgin Panaghia Chozoviotissa fled the Monastery of Temptation in Jericho, Pal3stine, to escape from the iconoclasts. The icon landed in Amorgos, Greece, where a monastery was built to host her. “Atopos” is an attempt to bring together the virgin’s two mountain cliffs through the realms of architecture and sound. Conceived as the prototype of a wind harp, the sculpture mimics the shape of a body in movement and is meant to produce an eerie sound meant to connect the two lands through air.
“Atopos” was conceived as part of my project “L’anabase” during my residency at @wonder.cabinet in Bethlehem. As most of the project’s pieces, the sculpture was the opportunity to dive into a local craftsmanship. Made in collaboration with Akram Anastas, the process also resulted in a photography series, meant to highlight Akram and his team’s work.
Deeply grateful to @wonder.cabinet , @elias.anastas , @yousefanastas and @ibrahimowais for making it happen. Special thought to @iamconstantin for the guidance and light.
#sculpture #stonesculpture #landart #bethlehem #artresidency #soundinstallation #crafts
“Atopos” is a stone sculpture meant to bring together two lands through the realm of architecture and sound. In the 9th century, the icon of the virgin Panaghia Chozoviotissa fled the Monastery of Temptation in Jericho, Pal3stine, to escape from the iconoclasts. The icon landed in Amorgos, Greece, where a monastery was built to host her. “Atopos” is an attempt to bring together the virgin’s two mountain cliffs through the realms of architecture and sound. Conceived as the prototype of a wind harp, the sculpture mimics the shape of a body in movement and is meant to produce an eerie sound meant to connect the two lands through air.
“Atopos” was conceived as part of my project “L’anabase” during my residency at @wonder.cabinet in Bethlehem. As most of the project’s pieces, the sculpture was the opportunity to dive into a local craftsmanship. Made in collaboration with Akram Anastas, the process also resulted in a photography series, meant to highlight Akram and his team’s work.
Deeply grateful to @wonder.cabinet , @elias.anastas , @yousefanastas and @ibrahimowais for making it happen. Special thought to @iamconstantin for the guidance and light.
#sculpture #stonesculpture #landart #bethlehem #artresidency #soundinstallation #crafts
“Atopos” is a stone sculpture meant to bring together two lands through the realm of architecture and sound. In the 9th century, the icon of the virgin Panaghia Chozoviotissa fled the Monastery of Temptation in Jericho, Pal3stine, to escape from the iconoclasts. The icon landed in Amorgos, Greece, where a monastery was built to host her. “Atopos” is an attempt to bring together the virgin’s two mountain cliffs through the realms of architecture and sound. Conceived as the prototype of a wind harp, the sculpture mimics the shape of a body in movement and is meant to produce an eerie sound meant to connect the two lands through air.
“Atopos” was conceived as part of my project “L’anabase” during my residency at @wonder.cabinet in Bethlehem. As most of the project’s pieces, the sculpture was the opportunity to dive into a local craftsmanship. Made in collaboration with Akram Anastas, the process also resulted in a photography series, meant to highlight Akram and his team’s work.
Deeply grateful to @wonder.cabinet , @elias.anastas , @yousefanastas and @ibrahimowais for making it happen. Special thought to @iamconstantin for the guidance and light.
#sculpture #stonesculpture #landart #bethlehem #artresidency #soundinstallation #crafts
“Atopos” is a stone sculpture meant to bring together two lands through the realm of architecture and sound. In the 9th century, the icon of the virgin Panaghia Chozoviotissa fled the Monastery of Temptation in Jericho, Pal3stine, to escape from the iconoclasts. The icon landed in Amorgos, Greece, where a monastery was built to host her. “Atopos” is an attempt to bring together the virgin’s two mountain cliffs through the realms of architecture and sound. Conceived as the prototype of a wind harp, the sculpture mimics the shape of a body in movement and is meant to produce an eerie sound meant to connect the two lands through air.
“Atopos” was conceived as part of my project “L’anabase” during my residency at @wonder.cabinet in Bethlehem. As most of the project’s pieces, the sculpture was the opportunity to dive into a local craftsmanship. Made in collaboration with Akram Anastas, the process also resulted in a photography series, meant to highlight Akram and his team’s work.
Deeply grateful to @wonder.cabinet , @elias.anastas , @yousefanastas and @ibrahimowais for making it happen. Special thought to @iamconstantin for the guidance and light.
#sculpture #stonesculpture #landart #bethlehem #artresidency #soundinstallation #crafts
Tune in this Thursday, May 7
10am on @lyl_radio (GMT+1)
10pm on @radioalhara (GMT+2)
L’anabase w/ Aho Ssan ༄
Thrilled to welcome @aho_ssan aka Niamké Désiré on this new episode of L’anabase. His work quietly haunted the last season of L’anabase before fully inhabiting it here through a selection of his own.
His compositions move through layered tensions, rupture and flow, precision and collapse, building sonic landscapes that feel fragmented, visceral, and deeply immersive. There’s something in the way he works with space, silence, and low frequencies that strongly resonates with the research behind L’anabase: crossing thresholds, drifting through unstable forms, moving deeper into a kind of circular and suspended state.
Thank you Niamké for the beautiful journey ✺
Image still by @brackalex filming @maria__isidora
Tune in this Thursday, May 7
10am on @lyl_radio (GMT+1)
10pm on @radioalhara (GMT+2)
L’anabase w/ Aho Ssan ༄
Thrilled to welcome @aho_ssan aka Niamké Désiré on this new episode of L’anabase. His work quietly haunted the last season of L’anabase before fully inhabiting it here through a selection of his own.
His compositions move through layered tensions, rupture and flow, precision and collapse, building sonic landscapes that feel fragmented, visceral, and deeply immersive. There’s something in the way he works with space, silence, and low frequencies that strongly resonates with the research behind L’anabase: crossing thresholds, drifting through unstable forms, moving deeper into a kind of circular and suspended state.
Thank you Niamké for the beautiful journey ✺
Image still by @brackalex filming @maria__isidora
Tune in this Thursday, May 7
10am on @lyl_radio (GMT+1)
10pm on @radioalhara (GMT+2)
L’anabase w/ Aho Ssan ༄
Thrilled to welcome @aho_ssan aka Niamké Désiré on this new episode of L’anabase. His work quietly haunted the last season of L’anabase before fully inhabiting it here through a selection of his own.
His compositions move through layered tensions, rupture and flow, precision and collapse, building sonic landscapes that feel fragmented, visceral, and deeply immersive. There’s something in the way he works with space, silence, and low frequencies that strongly resonates with the research behind L’anabase: crossing thresholds, drifting through unstable forms, moving deeper into a kind of circular and suspended state.
Thank you Niamké for the beautiful journey ✺
Image still by @brackalex filming @maria__isidora
Tune in this Thursday, May 7
10am on @lyl_radio (GMT+1)
10pm on @radioalhara (GMT+2)
L’anabase w/ Aho Ssan ༄
Thrilled to welcome @aho_ssan aka Niamké Désiré on this new episode of L’anabase. His work quietly haunted the last season of L’anabase before fully inhabiting it here through a selection of his own.
His compositions move through layered tensions, rupture and flow, precision and collapse, building sonic landscapes that feel fragmented, visceral, and deeply immersive. There’s something in the way he works with space, silence, and low frequencies that strongly resonates with the research behind L’anabase: crossing thresholds, drifting through unstable forms, moving deeper into a kind of circular and suspended state.
Thank you Niamké for the beautiful journey ✺
Image still by @brackalex filming @maria__isidora
Tune in this Thursday, May 7
10am on @lyl_radio (GMT+1)
10pm on @radioalhara (GMT+2)
L’anabase w/ Aho Ssan ༄
Thrilled to welcome @aho_ssan aka Niamké Désiré on this new episode of L’anabase. His work quietly haunted the last season of L’anabase before fully inhabiting it here through a selection of his own.
His compositions move through layered tensions, rupture and flow, precision and collapse, building sonic landscapes that feel fragmented, visceral, and deeply immersive. There’s something in the way he works with space, silence, and low frequencies that strongly resonates with the research behind L’anabase: crossing thresholds, drifting through unstable forms, moving deeper into a kind of circular and suspended state.
Thank you Niamké for the beautiful journey ✺
Image still by @brackalex filming @maria__isidora
Tune in this Thursday, May 7
10am on @lyl_radio (GMT+1)
10pm on @radioalhara (GMT+2)
L’anabase w/ Aho Ssan ༄
Thrilled to welcome @aho_ssan aka Niamké Désiré on this new episode of L’anabase. His work quietly haunted the last season of L’anabase before fully inhabiting it here through a selection of his own.
His compositions move through layered tensions, rupture and flow, precision and collapse, building sonic landscapes that feel fragmented, visceral, and deeply immersive. There’s something in the way he works with space, silence, and low frequencies that strongly resonates with the research behind L’anabase: crossing thresholds, drifting through unstable forms, moving deeper into a kind of circular and suspended state.
Thank you Niamké for the beautiful journey ✺
Image still by @brackalex filming @maria__isidora
Memories of the Sounds of Places Cremisan Valley immersion at @triennalemilano alongside @tareq_abboushi @samielenany and Ibrahim Owais, put together by the @wonder.cabinet @elias.anastas @yousefanastas @ilariasperi. Thank you to all that came to share that moment ࿓ ✺
Images by
2-6 @lorenzadaveriophoto
9 @eleonorasizzi
Memories of the Sounds of Places Cremisan Valley immersion at @triennalemilano alongside @tareq_abboushi @samielenany and Ibrahim Owais, put together by the @wonder.cabinet @elias.anastas @yousefanastas @ilariasperi. Thank you to all that came to share that moment ࿓ ✺
Images by
2-6 @lorenzadaveriophoto
9 @eleonorasizzi
Memories of the Sounds of Places Cremisan Valley immersion at @triennalemilano alongside @tareq_abboushi @samielenany and Ibrahim Owais, put together by the @wonder.cabinet @elias.anastas @yousefanastas @ilariasperi. Thank you to all that came to share that moment ࿓ ✺
Images by
2-6 @lorenzadaveriophoto
9 @eleonorasizzi
Memories of the Sounds of Places Cremisan Valley immersion at @triennalemilano alongside @tareq_abboushi @samielenany and Ibrahim Owais, put together by the @wonder.cabinet @elias.anastas @yousefanastas @ilariasperi. Thank you to all that came to share that moment ࿓ ✺
Images by
2-6 @lorenzadaveriophoto
9 @eleonorasizzi
Memories of the Sounds of Places Cremisan Valley immersion at @triennalemilano alongside @tareq_abboushi @samielenany and Ibrahim Owais, put together by the @wonder.cabinet @elias.anastas @yousefanastas @ilariasperi. Thank you to all that came to share that moment ࿓ ✺
Images by
2-6 @lorenzadaveriophoto
9 @eleonorasizzi
Memories of the Sounds of Places Cremisan Valley immersion at @triennalemilano alongside @tareq_abboushi @samielenany and Ibrahim Owais, put together by the @wonder.cabinet @elias.anastas @yousefanastas @ilariasperi. Thank you to all that came to share that moment ࿓ ✺
Images by
2-6 @lorenzadaveriophoto
9 @eleonorasizzi
Memories of the Sounds of Places Cremisan Valley immersion at @triennalemilano alongside @tareq_abboushi @samielenany and Ibrahim Owais, put together by the @wonder.cabinet @elias.anastas @yousefanastas @ilariasperi. Thank you to all that came to share that moment ࿓ ✺
Images by
2-6 @lorenzadaveriophoto
9 @eleonorasizzi
Memories of the Sounds of Places Cremisan Valley immersion at @triennalemilano alongside @tareq_abboushi @samielenany and Ibrahim Owais, put together by the @wonder.cabinet @elias.anastas @yousefanastas @ilariasperi. Thank you to all that came to share that moment ࿓ ✺
Images by
2-6 @lorenzadaveriophoto
9 @eleonorasizzi
Memories of the Sounds of Places Cremisan Valley immersion at @triennalemilano alongside @tareq_abboushi @samielenany and Ibrahim Owais, put together by the @wonder.cabinet @elias.anastas @yousefanastas @ilariasperi. Thank you to all that came to share that moment ࿓ ✺
Images by
2-6 @lorenzadaveriophoto
9 @eleonorasizzi
Memories of the Sounds of Places Cremisan Valley immersion at @triennalemilano alongside @tareq_abboushi @samielenany and Ibrahim Owais, put together by the @wonder.cabinet @elias.anastas @yousefanastas @ilariasperi. Thank you to all that came to share that moment ࿓ ✺
Images by
2-6 @lorenzadaveriophoto
9 @eleonorasizzi
This session is a rhythmic journey where percussion becomes raw material, breath, and architecture. Between dub pulses, deconstructed structures, and psychedelic textures, Glisten shapes a shifting space in which rhythm fragments, repeats, and transforms, gradually slipping into trance.
A Greek-Spanish audiovisual artist based between Paris, Berlin and Bethlehem, she weaves soundscapes made of field recordings, voice, acoustic and invented instruments, blended with modular synthesis. Her approach moves between the intimate and the elemental, like a sonic diary carried by memory, place, and displacement.
In this mix for Bodan on Noods Radio, percussion unfolds in all its forms: organic impacts, metallic rustles, digital fractures, suspended rhythms. A voyage between abstraction and physicality, where each strike opens a new territory of listening.
Thanks Sofia 🌹
📸 : @heyguillaume
This session is a rhythmic journey where percussion becomes raw material, breath, and architecture. Between dub pulses, deconstructed structures, and psychedelic textures, Glisten shapes a shifting space in which rhythm fragments, repeats, and transforms, gradually slipping into trance.
A Greek-Spanish audiovisual artist based between Paris, Berlin and Bethlehem, she weaves soundscapes made of field recordings, voice, acoustic and invented instruments, blended with modular synthesis. Her approach moves between the intimate and the elemental, like a sonic diary carried by memory, place, and displacement.
In this mix for Bodan on Noods Radio, percussion unfolds in all its forms: organic impacts, metallic rustles, digital fractures, suspended rhythms. A voyage between abstraction and physicality, where each strike opens a new territory of listening.
Thanks Sofia 🌹
📸 : @heyguillaume
This session is a rhythmic journey where percussion becomes raw material, breath, and architecture. Between dub pulses, deconstructed structures, and psychedelic textures, Glisten shapes a shifting space in which rhythm fragments, repeats, and transforms, gradually slipping into trance.
A Greek-Spanish audiovisual artist based between Paris, Berlin and Bethlehem, she weaves soundscapes made of field recordings, voice, acoustic and invented instruments, blended with modular synthesis. Her approach moves between the intimate and the elemental, like a sonic diary carried by memory, place, and displacement.
In this mix for Bodan on Noods Radio, percussion unfolds in all its forms: organic impacts, metallic rustles, digital fractures, suspended rhythms. A voyage between abstraction and physicality, where each strike opens a new territory of listening.
Thanks Sofia 🌹
📸 : @heyguillaume
This session is a rhythmic journey where percussion becomes raw material, breath, and architecture. Between dub pulses, deconstructed structures, and psychedelic textures, Glisten shapes a shifting space in which rhythm fragments, repeats, and transforms, gradually slipping into trance.
A Greek-Spanish audiovisual artist based between Paris, Berlin and Bethlehem, she weaves soundscapes made of field recordings, voice, acoustic and invented instruments, blended with modular synthesis. Her approach moves between the intimate and the elemental, like a sonic diary carried by memory, place, and displacement.
In this mix for Bodan on Noods Radio, percussion unfolds in all its forms: organic impacts, metallic rustles, digital fractures, suspended rhythms. A voyage between abstraction and physicality, where each strike opens a new territory of listening.
Thanks Sofia 🌹
📸 : @heyguillaume
This session is a rhythmic journey where percussion becomes raw material, breath, and architecture. Between dub pulses, deconstructed structures, and psychedelic textures, Glisten shapes a shifting space in which rhythm fragments, repeats, and transforms, gradually slipping into trance.
A Greek-Spanish audiovisual artist based between Paris, Berlin and Bethlehem, she weaves soundscapes made of field recordings, voice, acoustic and invented instruments, blended with modular synthesis. Her approach moves between the intimate and the elemental, like a sonic diary carried by memory, place, and displacement.
In this mix for Bodan on Noods Radio, percussion unfolds in all its forms: organic impacts, metallic rustles, digital fractures, suspended rhythms. A voyage between abstraction and physicality, where each strike opens a new territory of listening.
Thanks Sofia 🌹
📸 : @heyguillaume
I am really proud of this project
Among the Shadows of KARAKOZ focuses on the textual work and the photographic research behind the new album by @maimaimaikr . It collects texts and a visual path that accompanied the music from the very beginning.
This project means a lot to me because it shows the process and the people involved, the moments and the places where we made it happen. The booklet is not a side project, but a necessary part of the work: a way to share the research and the atmosphere behind the album. A deeper look into what KARAKOZ is made of.
“It is not my habit to add a textual apparatus to accompany the music I make. One doesn’t need guidelines to listen to a track, an album, a melody, or a song. These brief lines are not meant to guide anyone, nor to explain how to listen to it. They are simply an attempt to open a small window onto what lies behind Karakoz: where it comes from, how it has transformed, through which hands, stories, territories, roots, landscapes, and encounters it has passed before reaching your turntables. Karakoz is a tale that travels from Calabria to Palestine, from Crotone to Bethlehem, across the waves of the Mediterranean, a sea that welcomes and exchanges, kills and devours.
What does it mean to cross Palestine in the midst of a genocide? It is a question I keep returning to, one for which I have no single answer.”
You can find it as a booklet inside the KARAKOZ vinyl released by @mapledeathrecords in collaboration with @radioalharaand @wonder.cabinet
Or read this DOC on the @nero_editions website neroeditions.com or through the link in bio
Texts by
@_lady_of_libya_
@elias.anastas
@yousefanastas
@maya_al_khaldi
@recordat_
Photos by
@sofialambrou
@otariaz
I am really proud of this project
Among the Shadows of KARAKOZ focuses on the textual work and the photographic research behind the new album by @maimaimaikr . It collects texts and a visual path that accompanied the music from the very beginning.
This project means a lot to me because it shows the process and the people involved, the moments and the places where we made it happen. The booklet is not a side project, but a necessary part of the work: a way to share the research and the atmosphere behind the album. A deeper look into what KARAKOZ is made of.
“It is not my habit to add a textual apparatus to accompany the music I make. One doesn’t need guidelines to listen to a track, an album, a melody, or a song. These brief lines are not meant to guide anyone, nor to explain how to listen to it. They are simply an attempt to open a small window onto what lies behind Karakoz: where it comes from, how it has transformed, through which hands, stories, territories, roots, landscapes, and encounters it has passed before reaching your turntables. Karakoz is a tale that travels from Calabria to Palestine, from Crotone to Bethlehem, across the waves of the Mediterranean, a sea that welcomes and exchanges, kills and devours.
What does it mean to cross Palestine in the midst of a genocide? It is a question I keep returning to, one for which I have no single answer.”
You can find it as a booklet inside the KARAKOZ vinyl released by @mapledeathrecords in collaboration with @radioalharaand @wonder.cabinet
Or read this DOC on the @nero_editions website neroeditions.com or through the link in bio
Texts by
@_lady_of_libya_
@elias.anastas
@yousefanastas
@maya_al_khaldi
@recordat_
Photos by
@sofialambrou
@otariaz
I am really proud of this project
Among the Shadows of KARAKOZ focuses on the textual work and the photographic research behind the new album by @maimaimaikr . It collects texts and a visual path that accompanied the music from the very beginning.
This project means a lot to me because it shows the process and the people involved, the moments and the places where we made it happen. The booklet is not a side project, but a necessary part of the work: a way to share the research and the atmosphere behind the album. A deeper look into what KARAKOZ is made of.
“It is not my habit to add a textual apparatus to accompany the music I make. One doesn’t need guidelines to listen to a track, an album, a melody, or a song. These brief lines are not meant to guide anyone, nor to explain how to listen to it. They are simply an attempt to open a small window onto what lies behind Karakoz: where it comes from, how it has transformed, through which hands, stories, territories, roots, landscapes, and encounters it has passed before reaching your turntables. Karakoz is a tale that travels from Calabria to Palestine, from Crotone to Bethlehem, across the waves of the Mediterranean, a sea that welcomes and exchanges, kills and devours.
What does it mean to cross Palestine in the midst of a genocide? It is a question I keep returning to, one for which I have no single answer.”
You can find it as a booklet inside the KARAKOZ vinyl released by @mapledeathrecords in collaboration with @radioalharaand @wonder.cabinet
Or read this DOC on the @nero_editions website neroeditions.com or through the link in bio
Texts by
@_lady_of_libya_
@elias.anastas
@yousefanastas
@maya_al_khaldi
@recordat_
Photos by
@sofialambrou
@otariaz
I am really proud of this project
Among the Shadows of KARAKOZ focuses on the textual work and the photographic research behind the new album by @maimaimaikr . It collects texts and a visual path that accompanied the music from the very beginning.
This project means a lot to me because it shows the process and the people involved, the moments and the places where we made it happen. The booklet is not a side project, but a necessary part of the work: a way to share the research and the atmosphere behind the album. A deeper look into what KARAKOZ is made of.
“It is not my habit to add a textual apparatus to accompany the music I make. One doesn’t need guidelines to listen to a track, an album, a melody, or a song. These brief lines are not meant to guide anyone, nor to explain how to listen to it. They are simply an attempt to open a small window onto what lies behind Karakoz: where it comes from, how it has transformed, through which hands, stories, territories, roots, landscapes, and encounters it has passed before reaching your turntables. Karakoz is a tale that travels from Calabria to Palestine, from Crotone to Bethlehem, across the waves of the Mediterranean, a sea that welcomes and exchanges, kills and devours.
What does it mean to cross Palestine in the midst of a genocide? It is a question I keep returning to, one for which I have no single answer.”
You can find it as a booklet inside the KARAKOZ vinyl released by @mapledeathrecords in collaboration with @radioalharaand @wonder.cabinet
Or read this DOC on the @nero_editions website neroeditions.com or through the link in bio
Texts by
@_lady_of_libya_
@elias.anastas
@yousefanastas
@maya_al_khaldi
@recordat_
Photos by
@sofialambrou
@otariaz
I am really proud of this project
Among the Shadows of KARAKOZ focuses on the textual work and the photographic research behind the new album by @maimaimaikr . It collects texts and a visual path that accompanied the music from the very beginning.
This project means a lot to me because it shows the process and the people involved, the moments and the places where we made it happen. The booklet is not a side project, but a necessary part of the work: a way to share the research and the atmosphere behind the album. A deeper look into what KARAKOZ is made of.
“It is not my habit to add a textual apparatus to accompany the music I make. One doesn’t need guidelines to listen to a track, an album, a melody, or a song. These brief lines are not meant to guide anyone, nor to explain how to listen to it. They are simply an attempt to open a small window onto what lies behind Karakoz: where it comes from, how it has transformed, through which hands, stories, territories, roots, landscapes, and encounters it has passed before reaching your turntables. Karakoz is a tale that travels from Calabria to Palestine, from Crotone to Bethlehem, across the waves of the Mediterranean, a sea that welcomes and exchanges, kills and devours.
What does it mean to cross Palestine in the midst of a genocide? It is a question I keep returning to, one for which I have no single answer.”
You can find it as a booklet inside the KARAKOZ vinyl released by @mapledeathrecords in collaboration with @radioalharaand @wonder.cabinet
Or read this DOC on the @nero_editions website neroeditions.com or through the link in bio
Texts by
@_lady_of_libya_
@elias.anastas
@yousefanastas
@maya_al_khaldi
@recordat_
Photos by
@sofialambrou
@otariaz
I am really proud of this project
Among the Shadows of KARAKOZ focuses on the textual work and the photographic research behind the new album by @maimaimaikr . It collects texts and a visual path that accompanied the music from the very beginning.
This project means a lot to me because it shows the process and the people involved, the moments and the places where we made it happen. The booklet is not a side project, but a necessary part of the work: a way to share the research and the atmosphere behind the album. A deeper look into what KARAKOZ is made of.
“It is not my habit to add a textual apparatus to accompany the music I make. One doesn’t need guidelines to listen to a track, an album, a melody, or a song. These brief lines are not meant to guide anyone, nor to explain how to listen to it. They are simply an attempt to open a small window onto what lies behind Karakoz: where it comes from, how it has transformed, through which hands, stories, territories, roots, landscapes, and encounters it has passed before reaching your turntables. Karakoz is a tale that travels from Calabria to Palestine, from Crotone to Bethlehem, across the waves of the Mediterranean, a sea that welcomes and exchanges, kills and devours.
What does it mean to cross Palestine in the midst of a genocide? It is a question I keep returning to, one for which I have no single answer.”
You can find it as a booklet inside the KARAKOZ vinyl released by @mapledeathrecords in collaboration with @radioalharaand @wonder.cabinet
Or read this DOC on the @nero_editions website neroeditions.com or through the link in bio
Texts by
@_lady_of_libya_
@elias.anastas
@yousefanastas
@maya_al_khaldi
@recordat_
Photos by
@sofialambrou
@otariaz
I am really proud of this project
Among the Shadows of KARAKOZ focuses on the textual work and the photographic research behind the new album by @maimaimaikr . It collects texts and a visual path that accompanied the music from the very beginning.
This project means a lot to me because it shows the process and the people involved, the moments and the places where we made it happen. The booklet is not a side project, but a necessary part of the work: a way to share the research and the atmosphere behind the album. A deeper look into what KARAKOZ is made of.
“It is not my habit to add a textual apparatus to accompany the music I make. One doesn’t need guidelines to listen to a track, an album, a melody, or a song. These brief lines are not meant to guide anyone, nor to explain how to listen to it. They are simply an attempt to open a small window onto what lies behind Karakoz: where it comes from, how it has transformed, through which hands, stories, territories, roots, landscapes, and encounters it has passed before reaching your turntables. Karakoz is a tale that travels from Calabria to Palestine, from Crotone to Bethlehem, across the waves of the Mediterranean, a sea that welcomes and exchanges, kills and devours.
What does it mean to cross Palestine in the midst of a genocide? It is a question I keep returning to, one for which I have no single answer.”
You can find it as a booklet inside the KARAKOZ vinyl released by @mapledeathrecords in collaboration with @radioalharaand @wonder.cabinet
Or read this DOC on the @nero_editions website neroeditions.com or through the link in bio
Texts by
@_lady_of_libya_
@elias.anastas
@yousefanastas
@maya_al_khaldi
@recordat_
Photos by
@sofialambrou
@otariaz
I am really proud of this project
Among the Shadows of KARAKOZ focuses on the textual work and the photographic research behind the new album by @maimaimaikr . It collects texts and a visual path that accompanied the music from the very beginning.
This project means a lot to me because it shows the process and the people involved, the moments and the places where we made it happen. The booklet is not a side project, but a necessary part of the work: a way to share the research and the atmosphere behind the album. A deeper look into what KARAKOZ is made of.
“It is not my habit to add a textual apparatus to accompany the music I make. One doesn’t need guidelines to listen to a track, an album, a melody, or a song. These brief lines are not meant to guide anyone, nor to explain how to listen to it. They are simply an attempt to open a small window onto what lies behind Karakoz: where it comes from, how it has transformed, through which hands, stories, territories, roots, landscapes, and encounters it has passed before reaching your turntables. Karakoz is a tale that travels from Calabria to Palestine, from Crotone to Bethlehem, across the waves of the Mediterranean, a sea that welcomes and exchanges, kills and devours.
What does it mean to cross Palestine in the midst of a genocide? It is a question I keep returning to, one for which I have no single answer.”
You can find it as a booklet inside the KARAKOZ vinyl released by @mapledeathrecords in collaboration with @radioalharaand @wonder.cabinet
Or read this DOC on the @nero_editions website neroeditions.com or through the link in bio
Texts by
@_lady_of_libya_
@elias.anastas
@yousefanastas
@maya_al_khaldi
@recordat_
Photos by
@sofialambrou
@otariaz
I am really proud of this project
Among the Shadows of KARAKOZ focuses on the textual work and the photographic research behind the new album by @maimaimaikr . It collects texts and a visual path that accompanied the music from the very beginning.
This project means a lot to me because it shows the process and the people involved, the moments and the places where we made it happen. The booklet is not a side project, but a necessary part of the work: a way to share the research and the atmosphere behind the album. A deeper look into what KARAKOZ is made of.
“It is not my habit to add a textual apparatus to accompany the music I make. One doesn’t need guidelines to listen to a track, an album, a melody, or a song. These brief lines are not meant to guide anyone, nor to explain how to listen to it. They are simply an attempt to open a small window onto what lies behind Karakoz: where it comes from, how it has transformed, through which hands, stories, territories, roots, landscapes, and encounters it has passed before reaching your turntables. Karakoz is a tale that travels from Calabria to Palestine, from Crotone to Bethlehem, across the waves of the Mediterranean, a sea that welcomes and exchanges, kills and devours.
What does it mean to cross Palestine in the midst of a genocide? It is a question I keep returning to, one for which I have no single answer.”
You can find it as a booklet inside the KARAKOZ vinyl released by @mapledeathrecords in collaboration with @radioalharaand @wonder.cabinet
Or read this DOC on the @nero_editions website neroeditions.com or through the link in bio
Texts by
@_lady_of_libya_
@elias.anastas
@yousefanastas
@maya_al_khaldi
@recordat_
Photos by
@sofialambrou
@otariaz
I am really proud of this project
Among the Shadows of KARAKOZ focuses on the textual work and the photographic research behind the new album by @maimaimaikr . It collects texts and a visual path that accompanied the music from the very beginning.
This project means a lot to me because it shows the process and the people involved, the moments and the places where we made it happen. The booklet is not a side project, but a necessary part of the work: a way to share the research and the atmosphere behind the album. A deeper look into what KARAKOZ is made of.
“It is not my habit to add a textual apparatus to accompany the music I make. One doesn’t need guidelines to listen to a track, an album, a melody, or a song. These brief lines are not meant to guide anyone, nor to explain how to listen to it. They are simply an attempt to open a small window onto what lies behind Karakoz: where it comes from, how it has transformed, through which hands, stories, territories, roots, landscapes, and encounters it has passed before reaching your turntables. Karakoz is a tale that travels from Calabria to Palestine, from Crotone to Bethlehem, across the waves of the Mediterranean, a sea that welcomes and exchanges, kills and devours.
What does it mean to cross Palestine in the midst of a genocide? It is a question I keep returning to, one for which I have no single answer.”
You can find it as a booklet inside the KARAKOZ vinyl released by @mapledeathrecords in collaboration with @radioalharaand @wonder.cabinet
Or read this DOC on the @nero_editions website neroeditions.com or through the link in bio
Texts by
@_lady_of_libya_
@elias.anastas
@yousefanastas
@maya_al_khaldi
@recordat_
Photos by
@sofialambrou
@otariaz
I am really proud of this project
Among the Shadows of KARAKOZ focuses on the textual work and the photographic research behind the new album by @maimaimaikr . It collects texts and a visual path that accompanied the music from the very beginning.
This project means a lot to me because it shows the process and the people involved, the moments and the places where we made it happen. The booklet is not a side project, but a necessary part of the work: a way to share the research and the atmosphere behind the album. A deeper look into what KARAKOZ is made of.
“It is not my habit to add a textual apparatus to accompany the music I make. One doesn’t need guidelines to listen to a track, an album, a melody, or a song. These brief lines are not meant to guide anyone, nor to explain how to listen to it. They are simply an attempt to open a small window onto what lies behind Karakoz: where it comes from, how it has transformed, through which hands, stories, territories, roots, landscapes, and encounters it has passed before reaching your turntables. Karakoz is a tale that travels from Calabria to Palestine, from Crotone to Bethlehem, across the waves of the Mediterranean, a sea that welcomes and exchanges, kills and devours.
What does it mean to cross Palestine in the midst of a genocide? It is a question I keep returning to, one for which I have no single answer.”
You can find it as a booklet inside the KARAKOZ vinyl released by @mapledeathrecords in collaboration with @radioalharaand @wonder.cabinet
Or read this DOC on the @nero_editions website neroeditions.com or through the link in bio
Texts by
@_lady_of_libya_
@elias.anastas
@yousefanastas
@maya_al_khaldi
@recordat_
Photos by
@sofialambrou
@otariaz
I am really proud of this project
Among the Shadows of KARAKOZ focuses on the textual work and the photographic research behind the new album by @maimaimaikr . It collects texts and a visual path that accompanied the music from the very beginning.
This project means a lot to me because it shows the process and the people involved, the moments and the places where we made it happen. The booklet is not a side project, but a necessary part of the work: a way to share the research and the atmosphere behind the album. A deeper look into what KARAKOZ is made of.
“It is not my habit to add a textual apparatus to accompany the music I make. One doesn’t need guidelines to listen to a track, an album, a melody, or a song. These brief lines are not meant to guide anyone, nor to explain how to listen to it. They are simply an attempt to open a small window onto what lies behind Karakoz: where it comes from, how it has transformed, through which hands, stories, territories, roots, landscapes, and encounters it has passed before reaching your turntables. Karakoz is a tale that travels from Calabria to Palestine, from Crotone to Bethlehem, across the waves of the Mediterranean, a sea that welcomes and exchanges, kills and devours.
What does it mean to cross Palestine in the midst of a genocide? It is a question I keep returning to, one for which I have no single answer.”
You can find it as a booklet inside the KARAKOZ vinyl released by @mapledeathrecords in collaboration with @radioalharaand @wonder.cabinet
Or read this DOC on the @nero_editions website neroeditions.com or through the link in bio
Texts by
@_lady_of_libya_
@elias.anastas
@yousefanastas
@maya_al_khaldi
@recordat_
Photos by
@sofialambrou
@otariaz
I am really proud of this project
Among the Shadows of KARAKOZ focuses on the textual work and the photographic research behind the new album by @maimaimaikr . It collects texts and a visual path that accompanied the music from the very beginning.
This project means a lot to me because it shows the process and the people involved, the moments and the places where we made it happen. The booklet is not a side project, but a necessary part of the work: a way to share the research and the atmosphere behind the album. A deeper look into what KARAKOZ is made of.
“It is not my habit to add a textual apparatus to accompany the music I make. One doesn’t need guidelines to listen to a track, an album, a melody, or a song. These brief lines are not meant to guide anyone, nor to explain how to listen to it. They are simply an attempt to open a small window onto what lies behind Karakoz: where it comes from, how it has transformed, through which hands, stories, territories, roots, landscapes, and encounters it has passed before reaching your turntables. Karakoz is a tale that travels from Calabria to Palestine, from Crotone to Bethlehem, across the waves of the Mediterranean, a sea that welcomes and exchanges, kills and devours.
What does it mean to cross Palestine in the midst of a genocide? It is a question I keep returning to, one for which I have no single answer.”
You can find it as a booklet inside the KARAKOZ vinyl released by @mapledeathrecords in collaboration with @radioalharaand @wonder.cabinet
Or read this DOC on the @nero_editions website neroeditions.com or through the link in bio
Texts by
@_lady_of_libya_
@elias.anastas
@yousefanastas
@maya_al_khaldi
@recordat_
Photos by
@sofialambrou
@otariaz
I am really proud of this project
Among the Shadows of KARAKOZ focuses on the textual work and the photographic research behind the new album by @maimaimaikr . It collects texts and a visual path that accompanied the music from the very beginning.
This project means a lot to me because it shows the process and the people involved, the moments and the places where we made it happen. The booklet is not a side project, but a necessary part of the work: a way to share the research and the atmosphere behind the album. A deeper look into what KARAKOZ is made of.
“It is not my habit to add a textual apparatus to accompany the music I make. One doesn’t need guidelines to listen to a track, an album, a melody, or a song. These brief lines are not meant to guide anyone, nor to explain how to listen to it. They are simply an attempt to open a small window onto what lies behind Karakoz: where it comes from, how it has transformed, through which hands, stories, territories, roots, landscapes, and encounters it has passed before reaching your turntables. Karakoz is a tale that travels from Calabria to Palestine, from Crotone to Bethlehem, across the waves of the Mediterranean, a sea that welcomes and exchanges, kills and devours.
What does it mean to cross Palestine in the midst of a genocide? It is a question I keep returning to, one for which I have no single answer.”
You can find it as a booklet inside the KARAKOZ vinyl released by @mapledeathrecords in collaboration with @radioalharaand @wonder.cabinet
Or read this DOC on the @nero_editions website neroeditions.com or through the link in bio
Texts by
@_lady_of_libya_
@elias.anastas
@yousefanastas
@maya_al_khaldi
@recordat_
Photos by
@sofialambrou
@otariaz
L’anabase w/ Xenia Reaper
Tune in this Thursday February 12 on @lyl_radio at 10am (GMT+1) and at 10 pm (GMT+2) on @radioalhara L’anabase w/ Xenia Reaper ༄
From travel log to correspondence, this season of L’anabase invites artists previously featured on the show to respond with a mix or original composition, collectively weaving a soundtrack to Mediterranean myths carried by the sea.
This second episode welcomes a very special guest: Xenia Reaper (@dolphindream). Based in Berlin, Xeni is an electronic music producer whose work moves between ambient, mutant IDM, and bass-heavy textures, creating liquid, ethereal, and tactile sound worlds. Their releases span labels such as INDEX:Records, alongside earlier EPs on their own imprint, Xenoplex.
The name Xenia comes from the Greek xenos, meaning foreign or unknown, while Reaper evokes gathering and return. I first encountered Xeni’s work in 2024 with the release of Luvaphy, their debut album, a dense ocean of grains and glitch. A sea of memories unfolding in a virtual realm. Their sound is physical and transformative, felt through the spine and skin rather than the ears, speaking a cybernetic language of metallic textures.
Photo Credit :
@brackalex
L’anabase w/ Xenia Reaper
Tune in this Thursday February 12 on @lyl_radio at 10am (GMT+1) and at 10 pm (GMT+2) on @radioalhara L’anabase w/ Xenia Reaper ༄
From travel log to correspondence, this season of L’anabase invites artists previously featured on the show to respond with a mix or original composition, collectively weaving a soundtrack to Mediterranean myths carried by the sea.
This second episode welcomes a very special guest: Xenia Reaper (@dolphindream). Based in Berlin, Xeni is an electronic music producer whose work moves between ambient, mutant IDM, and bass-heavy textures, creating liquid, ethereal, and tactile sound worlds. Their releases span labels such as INDEX:Records, alongside earlier EPs on their own imprint, Xenoplex.
The name Xenia comes from the Greek xenos, meaning foreign or unknown, while Reaper evokes gathering and return. I first encountered Xeni’s work in 2024 with the release of Luvaphy, their debut album, a dense ocean of grains and glitch. A sea of memories unfolding in a virtual realm. Their sound is physical and transformative, felt through the spine and skin rather than the ears, speaking a cybernetic language of metallic textures.
Photo Credit :
@brackalex
L’anabase w/ Xenia Reaper
Tune in this Thursday February 12 on @lyl_radio at 10am (GMT+1) and at 10 pm (GMT+2) on @radioalhara L’anabase w/ Xenia Reaper ༄
From travel log to correspondence, this season of L’anabase invites artists previously featured on the show to respond with a mix or original composition, collectively weaving a soundtrack to Mediterranean myths carried by the sea.
This second episode welcomes a very special guest: Xenia Reaper (@dolphindream). Based in Berlin, Xeni is an electronic music producer whose work moves between ambient, mutant IDM, and bass-heavy textures, creating liquid, ethereal, and tactile sound worlds. Their releases span labels such as INDEX:Records, alongside earlier EPs on their own imprint, Xenoplex.
The name Xenia comes from the Greek xenos, meaning foreign or unknown, while Reaper evokes gathering and return. I first encountered Xeni’s work in 2024 with the release of Luvaphy, their debut album, a dense ocean of grains and glitch. A sea of memories unfolding in a virtual realm. Their sound is physical and transformative, felt through the spine and skin rather than the ears, speaking a cybernetic language of metallic textures.
Photo Credit :
@brackalex
L’anabase w/ Xenia Reaper
Tune in this Thursday February 12 on @lyl_radio at 10am (GMT+1) and at 10 pm (GMT+2) on @radioalhara L’anabase w/ Xenia Reaper ༄
From travel log to correspondence, this season of L’anabase invites artists previously featured on the show to respond with a mix or original composition, collectively weaving a soundtrack to Mediterranean myths carried by the sea.
This second episode welcomes a very special guest: Xenia Reaper (@dolphindream). Based in Berlin, Xeni is an electronic music producer whose work moves between ambient, mutant IDM, and bass-heavy textures, creating liquid, ethereal, and tactile sound worlds. Their releases span labels such as INDEX:Records, alongside earlier EPs on their own imprint, Xenoplex.
The name Xenia comes from the Greek xenos, meaning foreign or unknown, while Reaper evokes gathering and return. I first encountered Xeni’s work in 2024 with the release of Luvaphy, their debut album, a dense ocean of grains and glitch. A sea of memories unfolding in a virtual realm. Their sound is physical and transformative, felt through the spine and skin rather than the ears, speaking a cybernetic language of metallic textures.
Photo Credit :
@brackalex
L’anabase w/ Xenia Reaper
Tune in this Thursday February 12 on @lyl_radio at 10am (GMT+1) and at 10 pm (GMT+2) on @radioalhara L’anabase w/ Xenia Reaper ༄
From travel log to correspondence, this season of L’anabase invites artists previously featured on the show to respond with a mix or original composition, collectively weaving a soundtrack to Mediterranean myths carried by the sea.
This second episode welcomes a very special guest: Xenia Reaper (@dolphindream). Based in Berlin, Xeni is an electronic music producer whose work moves between ambient, mutant IDM, and bass-heavy textures, creating liquid, ethereal, and tactile sound worlds. Their releases span labels such as INDEX:Records, alongside earlier EPs on their own imprint, Xenoplex.
The name Xenia comes from the Greek xenos, meaning foreign or unknown, while Reaper evokes gathering and return. I first encountered Xeni’s work in 2024 with the release of Luvaphy, their debut album, a dense ocean of grains and glitch. A sea of memories unfolding in a virtual realm. Their sound is physical and transformative, felt through the spine and skin rather than the ears, speaking a cybernetic language of metallic textures.
Photo Credit :
@brackalex
L’anabase w/ Xenia Reaper
Tune in this Thursday February 12 on @lyl_radio at 10am (GMT+1) and at 10 pm (GMT+2) on @radioalhara L’anabase w/ Xenia Reaper ༄
From travel log to correspondence, this season of L’anabase invites artists previously featured on the show to respond with a mix or original composition, collectively weaving a soundtrack to Mediterranean myths carried by the sea.
This second episode welcomes a very special guest: Xenia Reaper (@dolphindream). Based in Berlin, Xeni is an electronic music producer whose work moves between ambient, mutant IDM, and bass-heavy textures, creating liquid, ethereal, and tactile sound worlds. Their releases span labels such as INDEX:Records, alongside earlier EPs on their own imprint, Xenoplex.
The name Xenia comes from the Greek xenos, meaning foreign or unknown, while Reaper evokes gathering and return. I first encountered Xeni’s work in 2024 with the release of Luvaphy, their debut album, a dense ocean of grains and glitch. A sea of memories unfolding in a virtual realm. Their sound is physical and transformative, felt through the spine and skin rather than the ears, speaking a cybernetic language of metallic textures.
Photo Credit :
@brackalex
L’anabase w/ Xenia Reaper
Tune in this Thursday February 12 on @lyl_radio at 10am (GMT+1) and at 10 pm (GMT+2) on @radioalhara L’anabase w/ Xenia Reaper ༄
From travel log to correspondence, this season of L’anabase invites artists previously featured on the show to respond with a mix or original composition, collectively weaving a soundtrack to Mediterranean myths carried by the sea.
This second episode welcomes a very special guest: Xenia Reaper (@dolphindream). Based in Berlin, Xeni is an electronic music producer whose work moves between ambient, mutant IDM, and bass-heavy textures, creating liquid, ethereal, and tactile sound worlds. Their releases span labels such as INDEX:Records, alongside earlier EPs on their own imprint, Xenoplex.
The name Xenia comes from the Greek xenos, meaning foreign or unknown, while Reaper evokes gathering and return. I first encountered Xeni’s work in 2024 with the release of Luvaphy, their debut album, a dense ocean of grains and glitch. A sea of memories unfolding in a virtual realm. Their sound is physical and transformative, felt through the spine and skin rather than the ears, speaking a cybernetic language of metallic textures.
Photo Credit :
@brackalex
• introspectiva channel •
Glisten is a Greek–Spanish audiovisual artist based between Paris, Berlin, and Bethlehem. Her practice weaves ambient and experimental sound, voice, and field recordings drawn from long-term research across the Mediterranean. Through modular synthesis, acoustic instruments, and digital tools, she composes soundscapes connected to memory, movement, and the attentive listening of places. She hosts L’anabase on Radio alHara and LYL Radio, and in parallel develops a visual practice under the name Sofia Lambrou, exploring exile, geopolitical fractures, and the poetics of territory.
She presents here an intimate and deep ambient set, in dialogue with her ongoing sonic research.
"Recorded after a long course of movement and travel toward the sea, this mix unfolds like a river finding its way back to the ocean. The mix begins with pebbles, binaural textures that slowly attune the body, syncing us into the rhythm of the river. Gradually, we let ourselves be carried. Without knowing where we are going, we place our trust in the flow. As we might feel adrift in these difficult times, I felt the urge to care, to envelop, and to hold, until the river, eventually, reunites us with the sea."
💧 link in bio
📷 @zaviello
• introspectiva channel •
Glisten is a Greek–Spanish audiovisual artist based between Paris, Berlin, and Bethlehem. Her practice weaves ambient and experimental sound, voice, and field recordings drawn from long-term research across the Mediterranean. Through modular synthesis, acoustic instruments, and digital tools, she composes soundscapes connected to memory, movement, and the attentive listening of places. She hosts L’anabase on Radio alHara and LYL Radio, and in parallel develops a visual practice under the name Sofia Lambrou, exploring exile, geopolitical fractures, and the poetics of territory.
She presents here an intimate and deep ambient set, in dialogue with her ongoing sonic research.
"Recorded after a long course of movement and travel toward the sea, this mix unfolds like a river finding its way back to the ocean. The mix begins with pebbles, binaural textures that slowly attune the body, syncing us into the rhythm of the river. Gradually, we let ourselves be carried. Without knowing where we are going, we place our trust in the flow. As we might feel adrift in these difficult times, I felt the urge to care, to envelop, and to hold, until the river, eventually, reunites us with the sea."
💧 link in bio
📷 @zaviello
L’anabase w/ Bart Bell
Tune in this Thursday on @lyl_radio at 10 am (GMT+1) and at 10 pm (GMT+2) on @radioalhara L’anabase w/ Bart Bell ༄
This season of L’anabase shifts from travelogue to correspondence.
After a year spent tracing myths between Greece and Palestine, the show now becomes an exchange between past and present season, between two spaces and two radios: LYL Radio in Paris and Radio alHara in Bethlehem. For this new season, I will invite artists whose work was featured during the 2025 season to respond to the episode where their music was played with a music or composition of their own.
For this first correspondence, I’ve invited @bart__bell , French composer and sound designer whose work moves between worlds. I first met Bart at a poetry night in Paris and was struck at how our constellations seemed to echo one another. His approach to sound feels almost cartographic, drawing invisible topographies through vibration and texture. Guided by his singular handmade instrument, the metallophone, and sensitivity to space, Bart weaves a tapestry of drone, dark ambient, and electroacoustic movements that transport to many places, all at once. In his hands, sound becomes a narrative, as if composing the soundtrack of an invisible film. His compositions on the show include collaborations with B.Morel (alto), D. Giannetti (gong), Q. Biardeau (saxophone) and E. Parrenin epinette). I hope you enjoy the journey ✺
Image credits:
1,7: @brackalex and @maria__isidora (stills from our film Atopos, Topos)
2: @bart__bell
3: @wasitapril
5: @sofialambrou (at @noname_lanaturefestival )
L’anabase w/ Bart Bell
Tune in this Thursday on @lyl_radio at 10 am (GMT+1) and at 10 pm (GMT+2) on @radioalhara L’anabase w/ Bart Bell ༄
This season of L’anabase shifts from travelogue to correspondence.
After a year spent tracing myths between Greece and Palestine, the show now becomes an exchange between past and present season, between two spaces and two radios: LYL Radio in Paris and Radio alHara in Bethlehem. For this new season, I will invite artists whose work was featured during the 2025 season to respond to the episode where their music was played with a music or composition of their own.
For this first correspondence, I’ve invited @bart__bell , French composer and sound designer whose work moves between worlds. I first met Bart at a poetry night in Paris and was struck at how our constellations seemed to echo one another. His approach to sound feels almost cartographic, drawing invisible topographies through vibration and texture. Guided by his singular handmade instrument, the metallophone, and sensitivity to space, Bart weaves a tapestry of drone, dark ambient, and electroacoustic movements that transport to many places, all at once. In his hands, sound becomes a narrative, as if composing the soundtrack of an invisible film. His compositions on the show include collaborations with B.Morel (alto), D. Giannetti (gong), Q. Biardeau (saxophone) and E. Parrenin epinette). I hope you enjoy the journey ✺
Image credits:
1,7: @brackalex and @maria__isidora (stills from our film Atopos, Topos)
2: @bart__bell
3: @wasitapril
5: @sofialambrou (at @noname_lanaturefestival )
L’anabase w/ Bart Bell
Tune in this Thursday on @lyl_radio at 10 am (GMT+1) and at 10 pm (GMT+2) on @radioalhara L’anabase w/ Bart Bell ༄
This season of L’anabase shifts from travelogue to correspondence.
After a year spent tracing myths between Greece and Palestine, the show now becomes an exchange between past and present season, between two spaces and two radios: LYL Radio in Paris and Radio alHara in Bethlehem. For this new season, I will invite artists whose work was featured during the 2025 season to respond to the episode where their music was played with a music or composition of their own.
For this first correspondence, I’ve invited @bart__bell , French composer and sound designer whose work moves between worlds. I first met Bart at a poetry night in Paris and was struck at how our constellations seemed to echo one another. His approach to sound feels almost cartographic, drawing invisible topographies through vibration and texture. Guided by his singular handmade instrument, the metallophone, and sensitivity to space, Bart weaves a tapestry of drone, dark ambient, and electroacoustic movements that transport to many places, all at once. In his hands, sound becomes a narrative, as if composing the soundtrack of an invisible film. His compositions on the show include collaborations with B.Morel (alto), D. Giannetti (gong), Q. Biardeau (saxophone) and E. Parrenin epinette). I hope you enjoy the journey ✺
Image credits:
1,7: @brackalex and @maria__isidora (stills from our film Atopos, Topos)
2: @bart__bell
3: @wasitapril
5: @sofialambrou (at @noname_lanaturefestival )
L’anabase w/ Bart Bell
Tune in this Thursday on @lyl_radio at 10 am (GMT+1) and at 10 pm (GMT+2) on @radioalhara L’anabase w/ Bart Bell ༄
This season of L’anabase shifts from travelogue to correspondence.
After a year spent tracing myths between Greece and Palestine, the show now becomes an exchange between past and present season, between two spaces and two radios: LYL Radio in Paris and Radio alHara in Bethlehem. For this new season, I will invite artists whose work was featured during the 2025 season to respond to the episode where their music was played with a music or composition of their own.
For this first correspondence, I’ve invited @bart__bell , French composer and sound designer whose work moves between worlds. I first met Bart at a poetry night in Paris and was struck at how our constellations seemed to echo one another. His approach to sound feels almost cartographic, drawing invisible topographies through vibration and texture. Guided by his singular handmade instrument, the metallophone, and sensitivity to space, Bart weaves a tapestry of drone, dark ambient, and electroacoustic movements that transport to many places, all at once. In his hands, sound becomes a narrative, as if composing the soundtrack of an invisible film. His compositions on the show include collaborations with B.Morel (alto), D. Giannetti (gong), Q. Biardeau (saxophone) and E. Parrenin epinette). I hope you enjoy the journey ✺
Image credits:
1,7: @brackalex and @maria__isidora (stills from our film Atopos, Topos)
2: @bart__bell
3: @wasitapril
5: @sofialambrou (at @noname_lanaturefestival )
L’anabase w/ Bart Bell
Tune in this Thursday on @lyl_radio at 10 am (GMT+1) and at 10 pm (GMT+2) on @radioalhara L’anabase w/ Bart Bell ༄
This season of L’anabase shifts from travelogue to correspondence.
After a year spent tracing myths between Greece and Palestine, the show now becomes an exchange between past and present season, between two spaces and two radios: LYL Radio in Paris and Radio alHara in Bethlehem. For this new season, I will invite artists whose work was featured during the 2025 season to respond to the episode where their music was played with a music or composition of their own.
For this first correspondence, I’ve invited @bart__bell , French composer and sound designer whose work moves between worlds. I first met Bart at a poetry night in Paris and was struck at how our constellations seemed to echo one another. His approach to sound feels almost cartographic, drawing invisible topographies through vibration and texture. Guided by his singular handmade instrument, the metallophone, and sensitivity to space, Bart weaves a tapestry of drone, dark ambient, and electroacoustic movements that transport to many places, all at once. In his hands, sound becomes a narrative, as if composing the soundtrack of an invisible film. His compositions on the show include collaborations with B.Morel (alto), D. Giannetti (gong), Q. Biardeau (saxophone) and E. Parrenin epinette). I hope you enjoy the journey ✺
Image credits:
1,7: @brackalex and @maria__isidora (stills from our film Atopos, Topos)
2: @bart__bell
3: @wasitapril
5: @sofialambrou (at @noname_lanaturefestival )
L’anabase w/ Bart Bell
Tune in this Thursday on @lyl_radio at 10 am (GMT+1) and at 10 pm (GMT+2) on @radioalhara L’anabase w/ Bart Bell ༄
This season of L’anabase shifts from travelogue to correspondence.
After a year spent tracing myths between Greece and Palestine, the show now becomes an exchange between past and present season, between two spaces and two radios: LYL Radio in Paris and Radio alHara in Bethlehem. For this new season, I will invite artists whose work was featured during the 2025 season to respond to the episode where their music was played with a music or composition of their own.
For this first correspondence, I’ve invited @bart__bell , French composer and sound designer whose work moves between worlds. I first met Bart at a poetry night in Paris and was struck at how our constellations seemed to echo one another. His approach to sound feels almost cartographic, drawing invisible topographies through vibration and texture. Guided by his singular handmade instrument, the metallophone, and sensitivity to space, Bart weaves a tapestry of drone, dark ambient, and electroacoustic movements that transport to many places, all at once. In his hands, sound becomes a narrative, as if composing the soundtrack of an invisible film. His compositions on the show include collaborations with B.Morel (alto), D. Giannetti (gong), Q. Biardeau (saxophone) and E. Parrenin epinette). I hope you enjoy the journey ✺
Image credits:
1,7: @brackalex and @maria__isidora (stills from our film Atopos, Topos)
2: @bart__bell
3: @wasitapril
5: @sofialambrou (at @noname_lanaturefestival )
L’anabase w/ Bart Bell
Tune in this Thursday on @lyl_radio at 10 am (GMT+1) and at 10 pm (GMT+2) on @radioalhara L’anabase w/ Bart Bell ༄
This season of L’anabase shifts from travelogue to correspondence.
After a year spent tracing myths between Greece and Palestine, the show now becomes an exchange between past and present season, between two spaces and two radios: LYL Radio in Paris and Radio alHara in Bethlehem. For this new season, I will invite artists whose work was featured during the 2025 season to respond to the episode where their music was played with a music or composition of their own.
For this first correspondence, I’ve invited @bart__bell , French composer and sound designer whose work moves between worlds. I first met Bart at a poetry night in Paris and was struck at how our constellations seemed to echo one another. His approach to sound feels almost cartographic, drawing invisible topographies through vibration and texture. Guided by his singular handmade instrument, the metallophone, and sensitivity to space, Bart weaves a tapestry of drone, dark ambient, and electroacoustic movements that transport to many places, all at once. In his hands, sound becomes a narrative, as if composing the soundtrack of an invisible film. His compositions on the show include collaborations with B.Morel (alto), D. Giannetti (gong), Q. Biardeau (saxophone) and E. Parrenin epinette). I hope you enjoy the journey ✺
Image credits:
1,7: @brackalex and @maria__isidora (stills from our film Atopos, Topos)
2: @bart__bell
3: @wasitapril
5: @sofialambrou (at @noname_lanaturefestival )
비밀리에 인스타그램 스토리 보기
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
Anonstories의 장점
인스타그램 스토리 비공개로 탐색
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 인스타그램 뷰어
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
무료 스토리 뷰어
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
자주 묻는 질문
익명성
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
디바이스 호환성
iOS, Android, Windows, macOS, Chrome, Safari와 같은 최신 브라우저에서 원활하게 작동합니다.
안전성 및 개인 정보 보호
로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
등록 필요 없음
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
지원 형식
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