인스타그램 스토리 뷰어

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

We are absolutely thrilled to share with you the ‘Dear God, the Parthenon is still broken,’ the first photography monograph by the renowned director @_yorgos_lanthimos_ , published by @photo_void
 
Mastering the art of the photographic lens this time, the awarded and internationally acclaimed film director invites us to enter his creative universe in a whole new light. Featuring shots that drift between black and white and colour, reality and fiction, and captured during the filming of ‘Poor Things’, ‘Dear God, the Parthenon is still broken’ is a book that inhabits a separate world, untethered from time and place. The negatives -developed by Yorgos Lanthimos and Emma Stone after a long day of filming in a makeshift darkroom at a bathroom- come together with an unpublished and specially crafted poem by Patti Smith. 
 
Details 
LED UV printing
Swiss binding with an open spine 
Hard cloth cover, screen-printing
Black foil on the cover
Tip in poem

#yorgoslanthimos #photovoid #photobook #void #futureformat #photography #poorthings

Precision first.
A strong eye for color is a plus.
Training provided.

Located in Patras.
Send us your CV at jobs@future-format.com .

 

#typography #press #offset #printing #colormanagement

The @miet.cultural_foundation , celebrating 60 years of presence and contribution to Greek society, is organizing an exhibition at the welcoming space of the @thebenakimuseum. The exhibition features works from its collection, which includes approximately 7,000 pieces of painting, sculpture, printmaking, as well as notable examples of textile art (tapestry), mosaic art, and ceramics.
Publication editor: Giorgos Diamantis
Texts: Voula Livani, Konstantinos Papachristou
Artbook design: @mnpathens @mnp.books
Printing – Bookbinding: @thefutureformat

This publication is available in both hardcover and softcover editions, printed on @munkenpaper Munken Print White and Munken Pure Rough papers, with a @colorplan_papers Sapphire cover supplied by @perrakispapers and finished with black gloss hot foil stamping.

#artbooks #thefutureformat #bookbinding #miet #mnp

The @miet.cultural_foundation , celebrating 60 years of presence and contribution to Greek society, is organizing an exhibition at the welcoming space of the @thebenakimuseum. The exhibition features works from its collection, which includes approximately 7,000 pieces of painting, sculpture, printmaking, as well as notable examples of textile art (tapestry), mosaic art, and ceramics.
Publication editor: Giorgos Diamantis
Texts: Voula Livani, Konstantinos Papachristou
Artbook design: @mnpathens @mnp.books
Printing – Bookbinding: @thefutureformat

This publication is available in both hardcover and softcover editions, printed on @munkenpaper Munken Print White and Munken Pure Rough papers, with a @colorplan_papers Sapphire cover supplied by @perrakispapers and finished with black gloss hot foil stamping.

#artbooks #thefutureformat #bookbinding #miet #mnp

The @miet.cultural_foundation , celebrating 60 years of presence and contribution to Greek society, is organizing an exhibition at the welcoming space of the @thebenakimuseum. The exhibition features works from its collection, which includes approximately 7,000 pieces of painting, sculpture, printmaking, as well as notable examples of textile art (tapestry), mosaic art, and ceramics.
Publication editor: Giorgos Diamantis
Texts: Voula Livani, Konstantinos Papachristou
Artbook design: @mnpathens @mnp.books
Printing – Bookbinding: @thefutureformat

This publication is available in both hardcover and softcover editions, printed on @munkenpaper Munken Print White and Munken Pure Rough papers, with a @colorplan_papers Sapphire cover supplied by @perrakispapers and finished with black gloss hot foil stamping.

#artbooks #thefutureformat #bookbinding #miet #mnp

The @miet.cultural_foundation , celebrating 60 years of presence and contribution to Greek society, is organizing an exhibition at the welcoming space of the @thebenakimuseum. The exhibition features works from its collection, which includes approximately 7,000 pieces of painting, sculpture, printmaking, as well as notable examples of textile art (tapestry), mosaic art, and ceramics.
Publication editor: Giorgos Diamantis
Texts: Voula Livani, Konstantinos Papachristou
Artbook design: @mnpathens @mnp.books
Printing – Bookbinding: @thefutureformat

This publication is available in both hardcover and softcover editions, printed on @munkenpaper Munken Print White and Munken Pure Rough papers, with a @colorplan_papers Sapphire cover supplied by @perrakispapers and finished with black gloss hot foil stamping.

#artbooks #thefutureformat #bookbinding #miet #mnp

The @miet.cultural_foundation , celebrating 60 years of presence and contribution to Greek society, is organizing an exhibition at the welcoming space of the @thebenakimuseum. The exhibition features works from its collection, which includes approximately 7,000 pieces of painting, sculpture, printmaking, as well as notable examples of textile art (tapestry), mosaic art, and ceramics.
Publication editor: Giorgos Diamantis
Texts: Voula Livani, Konstantinos Papachristou
Artbook design: @mnpathens @mnp.books
Printing – Bookbinding: @thefutureformat

This publication is available in both hardcover and softcover editions, printed on @munkenpaper Munken Print White and Munken Pure Rough papers, with a @colorplan_papers Sapphire cover supplied by @perrakispapers and finished with black gloss hot foil stamping.

#artbooks #thefutureformat #bookbinding #miet #mnp

The @miet.cultural_foundation , celebrating 60 years of presence and contribution to Greek society, is organizing an exhibition at the welcoming space of the @thebenakimuseum. The exhibition features works from its collection, which includes approximately 7,000 pieces of painting, sculpture, printmaking, as well as notable examples of textile art (tapestry), mosaic art, and ceramics.
Publication editor: Giorgos Diamantis
Texts: Voula Livani, Konstantinos Papachristou
Artbook design: @mnpathens @mnp.books
Printing – Bookbinding: @thefutureformat

This publication is available in both hardcover and softcover editions, printed on @munkenpaper Munken Print White and Munken Pure Rough papers, with a @colorplan_papers Sapphire cover supplied by @perrakispapers and finished with black gloss hot foil stamping.

#artbooks #thefutureformat #bookbinding #miet #mnp

7 a.m. — 3 p.m. by @michalis_patsouras is published by @hyper.hypo.athens
Offset printed with duotone black in Arctic Volume White & Woodstock Betulla by @perrakispapers. Hard cover with black foil and dust jacket.
7 a.m. — 3 p.m. are the working hours of the Greek public sector, where Michalis worked as a young man in the 1990s. His day job as a technician at the Ministry of Commerce gave him the opportunity to develop his photographic prowess with an insider’s point of view into a world which, though much maligned, has rarely been captured on film.
Through mountains of paperwork, clouds of cigarette smoke, and a labyrinth of austere office spaces, what shines through in Michalis’s photos, is the humanity of his former colleagues. In moments of concentration, boredom, exasperation, and celebration, the bureaucrats we all love to blame for everything, become our friends, our relatives, ourselves.

7 a.m. — 3 p.m. by @michalis_patsouras is published by @hyper.hypo.athens
Offset printed with duotone black in Arctic Volume White & Woodstock Betulla by @perrakispapers. Hard cover with black foil and dust jacket.
7 a.m. — 3 p.m. are the working hours of the Greek public sector, where Michalis worked as a young man in the 1990s. His day job as a technician at the Ministry of Commerce gave him the opportunity to develop his photographic prowess with an insider’s point of view into a world which, though much maligned, has rarely been captured on film.
Through mountains of paperwork, clouds of cigarette smoke, and a labyrinth of austere office spaces, what shines through in Michalis’s photos, is the humanity of his former colleagues. In moments of concentration, boredom, exasperation, and celebration, the bureaucrats we all love to blame for everything, become our friends, our relatives, ourselves.

7 a.m. — 3 p.m. by @michalis_patsouras is published by @hyper.hypo.athens
Offset printed with duotone black in Arctic Volume White & Woodstock Betulla by @perrakispapers. Hard cover with black foil and dust jacket.
7 a.m. — 3 p.m. are the working hours of the Greek public sector, where Michalis worked as a young man in the 1990s. His day job as a technician at the Ministry of Commerce gave him the opportunity to develop his photographic prowess with an insider’s point of view into a world which, though much maligned, has rarely been captured on film.
Through mountains of paperwork, clouds of cigarette smoke, and a labyrinth of austere office spaces, what shines through in Michalis’s photos, is the humanity of his former colleagues. In moments of concentration, boredom, exasperation, and celebration, the bureaucrats we all love to blame for everything, become our friends, our relatives, ourselves.

7 a.m. — 3 p.m. by @michalis_patsouras is published by @hyper.hypo.athens
Offset printed with duotone black in Arctic Volume White & Woodstock Betulla by @perrakispapers. Hard cover with black foil and dust jacket.
7 a.m. — 3 p.m. are the working hours of the Greek public sector, where Michalis worked as a young man in the 1990s. His day job as a technician at the Ministry of Commerce gave him the opportunity to develop his photographic prowess with an insider’s point of view into a world which, though much maligned, has rarely been captured on film.
Through mountains of paperwork, clouds of cigarette smoke, and a labyrinth of austere office spaces, what shines through in Michalis’s photos, is the humanity of his former colleagues. In moments of concentration, boredom, exasperation, and celebration, the bureaucrats we all love to blame for everything, become our friends, our relatives, ourselves.

7 a.m. — 3 p.m. by @michalis_patsouras is published by @hyper.hypo.athens
Offset printed with duotone black in Arctic Volume White & Woodstock Betulla by @perrakispapers. Hard cover with black foil and dust jacket.
7 a.m. — 3 p.m. are the working hours of the Greek public sector, where Michalis worked as a young man in the 1990s. His day job as a technician at the Ministry of Commerce gave him the opportunity to develop his photographic prowess with an insider’s point of view into a world which, though much maligned, has rarely been captured on film.
Through mountains of paperwork, clouds of cigarette smoke, and a labyrinth of austere office spaces, what shines through in Michalis’s photos, is the humanity of his former colleagues. In moments of concentration, boredom, exasperation, and celebration, the bureaucrats we all love to blame for everything, become our friends, our relatives, ourselves.

7 a.m. — 3 p.m. by @michalis_patsouras is published by @hyper.hypo.athens
Offset printed with duotone black in Arctic Volume White & Woodstock Betulla by @perrakispapers. Hard cover with black foil and dust jacket.
7 a.m. — 3 p.m. are the working hours of the Greek public sector, where Michalis worked as a young man in the 1990s. His day job as a technician at the Ministry of Commerce gave him the opportunity to develop his photographic prowess with an insider’s point of view into a world which, though much maligned, has rarely been captured on film.
Through mountains of paperwork, clouds of cigarette smoke, and a labyrinth of austere office spaces, what shines through in Michalis’s photos, is the humanity of his former colleagues. In moments of concentration, boredom, exasperation, and celebration, the bureaucrats we all love to blame for everything, become our friends, our relatives, ourselves.

7 a.m. — 3 p.m. by @michalis_patsouras is published by @hyper.hypo.athens
Offset printed with duotone black in Arctic Volume White & Woodstock Betulla by @perrakispapers. Hard cover with black foil and dust jacket.
7 a.m. — 3 p.m. are the working hours of the Greek public sector, where Michalis worked as a young man in the 1990s. His day job as a technician at the Ministry of Commerce gave him the opportunity to develop his photographic prowess with an insider’s point of view into a world which, though much maligned, has rarely been captured on film.
Through mountains of paperwork, clouds of cigarette smoke, and a labyrinth of austere office spaces, what shines through in Michalis’s photos, is the humanity of his former colleagues. In moments of concentration, boredom, exasperation, and celebration, the bureaucrats we all love to blame for everything, become our friends, our relatives, ourselves.

📖 Κυκλοφορεί ο δίγλωσσος κατάλογος «ΑΝΑΓΝΩΣΕΙΣ ΜΙΑΣ ΣΥΛΛΟΓΗΣ. 60 Χρόνια Συλλογή Έργων Τέχνης ΜΙΕΤ» σε χαρτόδετη και πανόδετο έκδοση.

Το ΜΙΕΤ, εορτάζοντας την 60χρονη παρουσία και προσφορά του στην ελληνική κοινωνία, διοργανώνει στον φιλόξενο χώρο του @thebenakimuseum έκθεση με έργα από τη συλλογή του, η οποία περιλαμβάνει περίπου 7.000 δημιουργήματα ζωγραφικής, γλυπτικής, χαρακτικής, καθώς και αξιόλογα δείγματα υφαντικής (ταπισερί), ψηφοθετικής και κεραμικής τέχνης.

Επιμέλεια έκδοσης: Γιώργος Διαμάντης
Κείμενα: Βούλα Λιβάνη, Κωνσταντίνος Παπαχρίστου
Σχεδιασμός καταλόγου: @mnpathens
Εκτύπωση – Βιβλιοδεσία: @thefutureformat

Η έκθεση εγκαινιάζεται αύριο, Τετάρτη 25 Φεβρουαρίου 2026 στις 20:00, στο Μουσείο Μπενάκη (Πειραιώς 138).

Βρείτε τον κατάλογο στα Βιβλιοπωλεία του ΜΙΕΤ και στο mietbookstore.gr

Φωτ.: @yvettekapsala

"I’M NOT HOME" is a 204-page autobiography created by visual artist @justintylerclose and designed by @studio.alabama.
“My entire life, I’ve been moving from house to house, country to country, leaving one home in search of another, feeling a part of many places but attached to none.”
In 2019, Justin’s house caught fire, destroying everything except one box filled with an intimate collection of works: photographs, collages, poetry, and love letters. With this book, we archive the memories.
“In many ways, this book is now my home.”
Offset printed on Arena White Rough by @perrakispapers & Kraft paper. Swiss binding with hard cover, exposed spine & Hot foil stamping.
Purchase here: https://closepublishing.com/i'm-not-home

"I’M NOT HOME" is a 204-page autobiography created by visual artist @justintylerclose and designed by @studio.alabama.
“My entire life, I’ve been moving from house to house, country to country, leaving one home in search of another, feeling a part of many places but attached to none.”
In 2019, Justin’s house caught fire, destroying everything except one box filled with an intimate collection of works: photographs, collages, poetry, and love letters. With this book, we archive the memories.
“In many ways, this book is now my home.”
Offset printed on Arena White Rough by @perrakispapers & Kraft paper. Swiss binding with hard cover, exposed spine & Hot foil stamping.
Purchase here: https://closepublishing.com/i'm-not-home

"I’M NOT HOME" is a 204-page autobiography created by visual artist @justintylerclose and designed by @studio.alabama.
“My entire life, I’ve been moving from house to house, country to country, leaving one home in search of another, feeling a part of many places but attached to none.”
In 2019, Justin’s house caught fire, destroying everything except one box filled with an intimate collection of works: photographs, collages, poetry, and love letters. With this book, we archive the memories.
“In many ways, this book is now my home.”
Offset printed on Arena White Rough by @perrakispapers & Kraft paper. Swiss binding with hard cover, exposed spine & Hot foil stamping.
Purchase here: https://closepublishing.com/i'm-not-home

"I’M NOT HOME" is a 204-page autobiography created by visual artist @justintylerclose and designed by @studio.alabama.
“My entire life, I’ve been moving from house to house, country to country, leaving one home in search of another, feeling a part of many places but attached to none.”
In 2019, Justin’s house caught fire, destroying everything except one box filled with an intimate collection of works: photographs, collages, poetry, and love letters. With this book, we archive the memories.
“In many ways, this book is now my home.”
Offset printed on Arena White Rough by @perrakispapers & Kraft paper. Swiss binding with hard cover, exposed spine & Hot foil stamping.
Purchase here: https://closepublishing.com/i'm-not-home

"I’M NOT HOME" is a 204-page autobiography created by visual artist @justintylerclose and designed by @studio.alabama.
“My entire life, I’ve been moving from house to house, country to country, leaving one home in search of another, feeling a part of many places but attached to none.”
In 2019, Justin’s house caught fire, destroying everything except one box filled with an intimate collection of works: photographs, collages, poetry, and love letters. With this book, we archive the memories.
“In many ways, this book is now my home.”
Offset printed on Arena White Rough by @perrakispapers & Kraft paper. Swiss binding with hard cover, exposed spine & Hot foil stamping.
Purchase here: https://closepublishing.com/i'm-not-home

"I’M NOT HOME" is a 204-page autobiography created by visual artist @justintylerclose and designed by @studio.alabama.
“My entire life, I’ve been moving from house to house, country to country, leaving one home in search of another, feeling a part of many places but attached to none.”
In 2019, Justin’s house caught fire, destroying everything except one box filled with an intimate collection of works: photographs, collages, poetry, and love letters. With this book, we archive the memories.
“In many ways, this book is now my home.”
Offset printed on Arena White Rough by @perrakispapers & Kraft paper. Swiss binding with hard cover, exposed spine & Hot foil stamping.
Purchase here: https://closepublishing.com/i'm-not-home

"I’M NOT HOME" is a 204-page autobiography created by visual artist @justintylerclose and designed by @studio.alabama.
“My entire life, I’ve been moving from house to house, country to country, leaving one home in search of another, feeling a part of many places but attached to none.”
In 2019, Justin’s house caught fire, destroying everything except one box filled with an intimate collection of works: photographs, collages, poetry, and love letters. With this book, we archive the memories.
“In many ways, this book is now my home.”
Offset printed on Arena White Rough by @perrakispapers & Kraft paper. Swiss binding with hard cover, exposed spine & Hot foil stamping.
Purchase here: https://closepublishing.com/i'm-not-home

"I’M NOT HOME" is a 204-page autobiography created by visual artist @justintylerclose and designed by @studio.alabama.
“My entire life, I’ve been moving from house to house, country to country, leaving one home in search of another, feeling a part of many places but attached to none.”
In 2019, Justin’s house caught fire, destroying everything except one box filled with an intimate collection of works: photographs, collages, poetry, and love letters. With this book, we archive the memories.
“In many ways, this book is now my home.”
Offset printed on Arena White Rough by @perrakispapers & Kraft paper. Swiss binding with hard cover, exposed spine & Hot foil stamping.
Purchase here: https://closepublishing.com/i'm-not-home

"I’M NOT HOME" is a 204-page autobiography created by visual artist @justintylerclose and designed by @studio.alabama.
“My entire life, I’ve been moving from house to house, country to country, leaving one home in search of another, feeling a part of many places but attached to none.”
In 2019, Justin’s house caught fire, destroying everything except one box filled with an intimate collection of works: photographs, collages, poetry, and love letters. With this book, we archive the memories.
“In many ways, this book is now my home.”
Offset printed on Arena White Rough by @perrakispapers & Kraft paper. Swiss binding with hard cover, exposed spine & Hot foil stamping.
Purchase here: https://closepublishing.com/i'm-not-home

"I’M NOT HOME" is a 204-page autobiography created by visual artist @justintylerclose and designed by @studio.alabama.
“My entire life, I’ve been moving from house to house, country to country, leaving one home in search of another, feeling a part of many places but attached to none.”
In 2019, Justin’s house caught fire, destroying everything except one box filled with an intimate collection of works: photographs, collages, poetry, and love letters. With this book, we archive the memories.
“In many ways, this book is now my home.”
Offset printed on Arena White Rough by @perrakispapers & Kraft paper. Swiss binding with hard cover, exposed spine & Hot foil stamping.
Purchase here: https://closepublishing.com/i'm-not-home

A publication that documents and expands the research behind the exhibition Tekton Technical Bureau and Modernism in Limassol, dedicated to the work of Andreas Papadopoulos and Phoebus Polydorides and to the architectural legacy of modernism in Limassol.

Through archival material, newly commissioned essays and critical reflections, the book repositions modern heritage as a living framework.

The publication features contributions by:
Nikos Christodoulides, President of the Republic of Cyprus
Yiannis Armeftis, Mayor of Limassol
Dr Vasiliki Kassianidou, Deputy Minister of Culture
Petr Valov
Dimitri Ozerkov
Penelope Papadopoulou
Olga Papadopoulou
Alexis Papadopoulos @alexispapadopoulosarch
Maria Giannakou
Mat Collishaw @matcollishawstudio

Book Design & Layout: Despina Kannaourou
Printed and bound in Greece by Future Format

Published by PSI Foundation.

//

Η έκδοση τεκμηριώνει και διευρύνει την έρευνα που παρουσιάστηκε στην έκθεση Τεχνικό Γραφείο Τέκτων και Μοντερνισμός στη Λεμεσό, αφιερωμένη στο έργο των Ανδρέα Παπαδόπουλου και Φοίβου Πολυδωρίδη και στη μοντέρνα αρχιτεκτονική κληρονομιά της Λεμεσού.

Μέσα από αρχειακό υλικό, νέες αναθέσεις κειμένων και κριτικές προσεγγίσεις, το βιβλίο επανατοποθετεί τον μοντερνισμό ως ένα ζωντανό πλαίσιο αναφοράς.

Συμμετέχουν με κείμενα:
Νίκος Χριστοδουλίδης, Πρόεδρος της Κυπριακής Δημοκρατίας
Γιάννης Αρμεύτης, Δήμαρχος Λεμεσού
Δρ Βασιλική Κασσιανίδου, Υφυπουργός Πολιτισμού
Petr Valov
Dimitri Ozerkov
Πηνελόπη Παπαδοπούλου
Όλγα Παπαδοπούλου
Αλέξης Παπαδόπουλος
Μαρία Γιαννακού
Mat Collishaw

Σχεδιασμός & Σελιδοποίηση: Δέσποινα Κανναούρου
Εκτύπωση & Βιβλιοδεσία: Future Format, Ελλάδα

Έκδοση: PSI Foundation

#TEKTON #Modernism #Limassol #Architecture #PSIFoundation

A publication that documents and expands the research behind the exhibition Tekton Technical Bureau and Modernism in Limassol, dedicated to the work of Andreas Papadopoulos and Phoebus Polydorides and to the architectural legacy of modernism in Limassol.

Through archival material, newly commissioned essays and critical reflections, the book repositions modern heritage as a living framework.

The publication features contributions by:
Nikos Christodoulides, President of the Republic of Cyprus
Yiannis Armeftis, Mayor of Limassol
Dr Vasiliki Kassianidou, Deputy Minister of Culture
Petr Valov
Dimitri Ozerkov
Penelope Papadopoulou
Olga Papadopoulou
Alexis Papadopoulos @alexispapadopoulosarch
Maria Giannakou
Mat Collishaw @matcollishawstudio

Book Design & Layout: Despina Kannaourou
Printed and bound in Greece by Future Format

Published by PSI Foundation.

//

Η έκδοση τεκμηριώνει και διευρύνει την έρευνα που παρουσιάστηκε στην έκθεση Τεχνικό Γραφείο Τέκτων και Μοντερνισμός στη Λεμεσό, αφιερωμένη στο έργο των Ανδρέα Παπαδόπουλου και Φοίβου Πολυδωρίδη και στη μοντέρνα αρχιτεκτονική κληρονομιά της Λεμεσού.

Μέσα από αρχειακό υλικό, νέες αναθέσεις κειμένων και κριτικές προσεγγίσεις, το βιβλίο επανατοποθετεί τον μοντερνισμό ως ένα ζωντανό πλαίσιο αναφοράς.

Συμμετέχουν με κείμενα:
Νίκος Χριστοδουλίδης, Πρόεδρος της Κυπριακής Δημοκρατίας
Γιάννης Αρμεύτης, Δήμαρχος Λεμεσού
Δρ Βασιλική Κασσιανίδου, Υφυπουργός Πολιτισμού
Petr Valov
Dimitri Ozerkov
Πηνελόπη Παπαδοπούλου
Όλγα Παπαδοπούλου
Αλέξης Παπαδόπουλος
Μαρία Γιαννακού
Mat Collishaw

Σχεδιασμός & Σελιδοποίηση: Δέσποινα Κανναούρου
Εκτύπωση & Βιβλιοδεσία: Future Format, Ελλάδα

Έκδοση: PSI Foundation

#TEKTON #Modernism #Limassol #Architecture #PSIFoundation

A publication that documents and expands the research behind the exhibition Tekton Technical Bureau and Modernism in Limassol, dedicated to the work of Andreas Papadopoulos and Phoebus Polydorides and to the architectural legacy of modernism in Limassol.

Through archival material, newly commissioned essays and critical reflections, the book repositions modern heritage as a living framework.

The publication features contributions by:
Nikos Christodoulides, President of the Republic of Cyprus
Yiannis Armeftis, Mayor of Limassol
Dr Vasiliki Kassianidou, Deputy Minister of Culture
Petr Valov
Dimitri Ozerkov
Penelope Papadopoulou
Olga Papadopoulou
Alexis Papadopoulos @alexispapadopoulosarch
Maria Giannakou
Mat Collishaw @matcollishawstudio

Book Design & Layout: Despina Kannaourou
Printed and bound in Greece by Future Format

Published by PSI Foundation.

//

Η έκδοση τεκμηριώνει και διευρύνει την έρευνα που παρουσιάστηκε στην έκθεση Τεχνικό Γραφείο Τέκτων και Μοντερνισμός στη Λεμεσό, αφιερωμένη στο έργο των Ανδρέα Παπαδόπουλου και Φοίβου Πολυδωρίδη και στη μοντέρνα αρχιτεκτονική κληρονομιά της Λεμεσού.

Μέσα από αρχειακό υλικό, νέες αναθέσεις κειμένων και κριτικές προσεγγίσεις, το βιβλίο επανατοποθετεί τον μοντερνισμό ως ένα ζωντανό πλαίσιο αναφοράς.

Συμμετέχουν με κείμενα:
Νίκος Χριστοδουλίδης, Πρόεδρος της Κυπριακής Δημοκρατίας
Γιάννης Αρμεύτης, Δήμαρχος Λεμεσού
Δρ Βασιλική Κασσιανίδου, Υφυπουργός Πολιτισμού
Petr Valov
Dimitri Ozerkov
Πηνελόπη Παπαδοπούλου
Όλγα Παπαδοπούλου
Αλέξης Παπαδόπουλος
Μαρία Γιαννακού
Mat Collishaw

Σχεδιασμός & Σελιδοποίηση: Δέσποινα Κανναούρου
Εκτύπωση & Βιβλιοδεσία: Future Format, Ελλάδα

Έκδοση: PSI Foundation

#TEKTON #Modernism #Limassol #Architecture #PSIFoundation

A publication that documents and expands the research behind the exhibition Tekton Technical Bureau and Modernism in Limassol, dedicated to the work of Andreas Papadopoulos and Phoebus Polydorides and to the architectural legacy of modernism in Limassol.

Through archival material, newly commissioned essays and critical reflections, the book repositions modern heritage as a living framework.

The publication features contributions by:
Nikos Christodoulides, President of the Republic of Cyprus
Yiannis Armeftis, Mayor of Limassol
Dr Vasiliki Kassianidou, Deputy Minister of Culture
Petr Valov
Dimitri Ozerkov
Penelope Papadopoulou
Olga Papadopoulou
Alexis Papadopoulos @alexispapadopoulosarch
Maria Giannakou
Mat Collishaw @matcollishawstudio

Book Design & Layout: Despina Kannaourou
Printed and bound in Greece by Future Format

Published by PSI Foundation.

//

Η έκδοση τεκμηριώνει και διευρύνει την έρευνα που παρουσιάστηκε στην έκθεση Τεχνικό Γραφείο Τέκτων και Μοντερνισμός στη Λεμεσό, αφιερωμένη στο έργο των Ανδρέα Παπαδόπουλου και Φοίβου Πολυδωρίδη και στη μοντέρνα αρχιτεκτονική κληρονομιά της Λεμεσού.

Μέσα από αρχειακό υλικό, νέες αναθέσεις κειμένων και κριτικές προσεγγίσεις, το βιβλίο επανατοποθετεί τον μοντερνισμό ως ένα ζωντανό πλαίσιο αναφοράς.

Συμμετέχουν με κείμενα:
Νίκος Χριστοδουλίδης, Πρόεδρος της Κυπριακής Δημοκρατίας
Γιάννης Αρμεύτης, Δήμαρχος Λεμεσού
Δρ Βασιλική Κασσιανίδου, Υφυπουργός Πολιτισμού
Petr Valov
Dimitri Ozerkov
Πηνελόπη Παπαδοπούλου
Όλγα Παπαδοπούλου
Αλέξης Παπαδόπουλος
Μαρία Γιαννακού
Mat Collishaw

Σχεδιασμός & Σελιδοποίηση: Δέσποινα Κανναούρου
Εκτύπωση & Βιβλιοδεσία: Future Format, Ελλάδα

Έκδοση: PSI Foundation

#TEKTON #Modernism #Limassol #Architecture #PSIFoundation

A publication that documents and expands the research behind the exhibition Tekton Technical Bureau and Modernism in Limassol, dedicated to the work of Andreas Papadopoulos and Phoebus Polydorides and to the architectural legacy of modernism in Limassol.

Through archival material, newly commissioned essays and critical reflections, the book repositions modern heritage as a living framework.

The publication features contributions by:
Nikos Christodoulides, President of the Republic of Cyprus
Yiannis Armeftis, Mayor of Limassol
Dr Vasiliki Kassianidou, Deputy Minister of Culture
Petr Valov
Dimitri Ozerkov
Penelope Papadopoulou
Olga Papadopoulou
Alexis Papadopoulos @alexispapadopoulosarch
Maria Giannakou
Mat Collishaw @matcollishawstudio

Book Design & Layout: Despina Kannaourou
Printed and bound in Greece by Future Format

Published by PSI Foundation.

//

Η έκδοση τεκμηριώνει και διευρύνει την έρευνα που παρουσιάστηκε στην έκθεση Τεχνικό Γραφείο Τέκτων και Μοντερνισμός στη Λεμεσό, αφιερωμένη στο έργο των Ανδρέα Παπαδόπουλου και Φοίβου Πολυδωρίδη και στη μοντέρνα αρχιτεκτονική κληρονομιά της Λεμεσού.

Μέσα από αρχειακό υλικό, νέες αναθέσεις κειμένων και κριτικές προσεγγίσεις, το βιβλίο επανατοποθετεί τον μοντερνισμό ως ένα ζωντανό πλαίσιο αναφοράς.

Συμμετέχουν με κείμενα:
Νίκος Χριστοδουλίδης, Πρόεδρος της Κυπριακής Δημοκρατίας
Γιάννης Αρμεύτης, Δήμαρχος Λεμεσού
Δρ Βασιλική Κασσιανίδου, Υφυπουργός Πολιτισμού
Petr Valov
Dimitri Ozerkov
Πηνελόπη Παπαδοπούλου
Όλγα Παπαδοπούλου
Αλέξης Παπαδόπουλος
Μαρία Γιαννακού
Mat Collishaw

Σχεδιασμός & Σελιδοποίηση: Δέσποινα Κανναούρου
Εκτύπωση & Βιβλιοδεσία: Future Format, Ελλάδα

Έκδοση: PSI Foundation

#TEKTON #Modernism #Limassol #Architecture #PSIFoundation

A publication that documents and expands the research behind the exhibition Tekton Technical Bureau and Modernism in Limassol, dedicated to the work of Andreas Papadopoulos and Phoebus Polydorides and to the architectural legacy of modernism in Limassol.

Through archival material, newly commissioned essays and critical reflections, the book repositions modern heritage as a living framework.

The publication features contributions by:
Nikos Christodoulides, President of the Republic of Cyprus
Yiannis Armeftis, Mayor of Limassol
Dr Vasiliki Kassianidou, Deputy Minister of Culture
Petr Valov
Dimitri Ozerkov
Penelope Papadopoulou
Olga Papadopoulou
Alexis Papadopoulos @alexispapadopoulosarch
Maria Giannakou
Mat Collishaw @matcollishawstudio

Book Design & Layout: Despina Kannaourou
Printed and bound in Greece by Future Format

Published by PSI Foundation.

//

Η έκδοση τεκμηριώνει και διευρύνει την έρευνα που παρουσιάστηκε στην έκθεση Τεχνικό Γραφείο Τέκτων και Μοντερνισμός στη Λεμεσό, αφιερωμένη στο έργο των Ανδρέα Παπαδόπουλου και Φοίβου Πολυδωρίδη και στη μοντέρνα αρχιτεκτονική κληρονομιά της Λεμεσού.

Μέσα από αρχειακό υλικό, νέες αναθέσεις κειμένων και κριτικές προσεγγίσεις, το βιβλίο επανατοποθετεί τον μοντερνισμό ως ένα ζωντανό πλαίσιο αναφοράς.

Συμμετέχουν με κείμενα:
Νίκος Χριστοδουλίδης, Πρόεδρος της Κυπριακής Δημοκρατίας
Γιάννης Αρμεύτης, Δήμαρχος Λεμεσού
Δρ Βασιλική Κασσιανίδου, Υφυπουργός Πολιτισμού
Petr Valov
Dimitri Ozerkov
Πηνελόπη Παπαδοπούλου
Όλγα Παπαδοπούλου
Αλέξης Παπαδόπουλος
Μαρία Γιαννακού
Mat Collishaw

Σχεδιασμός & Σελιδοποίηση: Δέσποινα Κανναούρου
Εκτύπωση & Βιβλιοδεσία: Future Format, Ελλάδα

Έκδοση: PSI Foundation

#TEKTON #Modernism #Limassol #Architecture #PSIFoundation

A publication that documents and expands the research behind the exhibition Tekton Technical Bureau and Modernism in Limassol, dedicated to the work of Andreas Papadopoulos and Phoebus Polydorides and to the architectural legacy of modernism in Limassol.

Through archival material, newly commissioned essays and critical reflections, the book repositions modern heritage as a living framework.

The publication features contributions by:
Nikos Christodoulides, President of the Republic of Cyprus
Yiannis Armeftis, Mayor of Limassol
Dr Vasiliki Kassianidou, Deputy Minister of Culture
Petr Valov
Dimitri Ozerkov
Penelope Papadopoulou
Olga Papadopoulou
Alexis Papadopoulos @alexispapadopoulosarch
Maria Giannakou
Mat Collishaw @matcollishawstudio

Book Design & Layout: Despina Kannaourou
Printed and bound in Greece by Future Format

Published by PSI Foundation.

//

Η έκδοση τεκμηριώνει και διευρύνει την έρευνα που παρουσιάστηκε στην έκθεση Τεχνικό Γραφείο Τέκτων και Μοντερνισμός στη Λεμεσό, αφιερωμένη στο έργο των Ανδρέα Παπαδόπουλου και Φοίβου Πολυδωρίδη και στη μοντέρνα αρχιτεκτονική κληρονομιά της Λεμεσού.

Μέσα από αρχειακό υλικό, νέες αναθέσεις κειμένων και κριτικές προσεγγίσεις, το βιβλίο επανατοποθετεί τον μοντερνισμό ως ένα ζωντανό πλαίσιο αναφοράς.

Συμμετέχουν με κείμενα:
Νίκος Χριστοδουλίδης, Πρόεδρος της Κυπριακής Δημοκρατίας
Γιάννης Αρμεύτης, Δήμαρχος Λεμεσού
Δρ Βασιλική Κασσιανίδου, Υφυπουργός Πολιτισμού
Petr Valov
Dimitri Ozerkov
Πηνελόπη Παπαδοπούλου
Όλγα Παπαδοπούλου
Αλέξης Παπαδόπουλος
Μαρία Γιαννακού
Mat Collishaw

Σχεδιασμός & Σελιδοποίηση: Δέσποινα Κανναούρου
Εκτύπωση & Βιβλιοδεσία: Future Format, Ελλάδα

Έκδοση: PSI Foundation

#TEKTON #Modernism #Limassol #Architecture #PSIFoundation

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

I am super happy with @michaelrathmayr new book Remedy, designed by @leetesche printed and overseen by @thefutureformat and @imarkakis I saw it for the first time yesterday after working on it with Lee and Michael for a year and it defied my expectations. Everything to plan. Remedy is about Amalienbad, a red Viennese socialist pool and bathhouse who turns 100 in 2026. Michael captured its essence, architecture and patrons brilliantly. We will be launching here in Vienna at @softcover.shop this Friday at 7 pm if you are around.

@polycopies book fair, here we come again!
Come say hello 👋 at our stand today, 15.11.
You’ll find us at the pop-up tables in the pavilion.

#Polycopies #Polycopies2025 #PhotoBookFair #Photobooks #BookFair #ArtBooks #IndependentPublishing #IndiePublishers #artbookfair

@polycopies book fair, here we come again!
Come say hello 👋 at our stand today, 15.11.
You’ll find us at the pop-up tables in the pavilion.

#Polycopies #Polycopies2025 #PhotoBookFair #Photobooks #BookFair #ArtBooks #IndependentPublishing #IndiePublishers #artbookfair

@polycopies book fair, here we come again!
Come say hello 👋 at our stand today, 15.11.
You’ll find us at the pop-up tables in the pavilion.

#Polycopies #Polycopies2025 #PhotoBookFair #Photobooks #BookFair #ArtBooks #IndependentPublishing #IndiePublishers #artbookfair

@polycopies book fair, here we come again!
Come say hello 👋 at our stand today, 15.11.
You’ll find us at the pop-up tables in the pavilion.

#Polycopies #Polycopies2025 #PhotoBookFair #Photobooks #BookFair #ArtBooks #IndependentPublishing #IndiePublishers #artbookfair

@polycopies book fair, here we come again!
Come say hello 👋 at our stand today, 15.11.
You’ll find us at the pop-up tables in the pavilion.

#Polycopies #Polycopies2025 #PhotoBookFair #Photobooks #BookFair #ArtBooks #IndependentPublishing #IndiePublishers #artbookfair

@polycopies book fair, here we come again!
Come say hello 👋 at our stand today, 15.11.
You’ll find us at the pop-up tables in the pavilion.

#Polycopies #Polycopies2025 #PhotoBookFair #Photobooks #BookFair #ArtBooks #IndependentPublishing #IndiePublishers #artbookfair

@polycopies book fair, here we come again!
Come say hello 👋 at our stand today, 15.11.
You’ll find us at the pop-up tables in the pavilion.

#Polycopies #Polycopies2025 #PhotoBookFair #Photobooks #BookFair #ArtBooks #IndependentPublishing #IndiePublishers #artbookfair

@polycopies book fair, here we come again!
Come say hello 👋 at our stand today, 15.11.
You’ll find us at the pop-up tables in the pavilion.

#Polycopies #Polycopies2025 #PhotoBookFair #Photobooks #BookFair #ArtBooks #IndependentPublishing #IndiePublishers #artbookfair

@polycopies book fair, here we come again!
Come say hello 👋 at our stand today, 15.11.
You’ll find us at the pop-up tables in the pavilion.

#Polycopies #Polycopies2025 #PhotoBookFair #Photobooks #BookFair #ArtBooks #IndependentPublishing #IndiePublishers #artbookfair

@polycopies book fair, here we come again!
Come say hello 👋 at our stand today, 15.11.
You’ll find us at the pop-up tables in the pavilion.

#Polycopies #Polycopies2025 #PhotoBookFair #Photobooks #BookFair #ArtBooks #IndependentPublishing #IndiePublishers #artbookfair

@polycopies book fair, here we come again!
Come say hello 👋 at our stand today, 15.11.
You’ll find us at the pop-up tables in the pavilion.

#Polycopies #Polycopies2025 #PhotoBookFair #Photobooks #BookFair #ArtBooks #IndependentPublishing #IndiePublishers #artbookfair

@polycopies book fair, here we come again!
Come say hello 👋 at our stand today, 15.11.
You’ll find us at the pop-up tables in the pavilion.

#Polycopies #Polycopies2025 #PhotoBookFair #Photobooks #BookFair #ArtBooks #IndependentPublishing #IndiePublishers #artbookfair

@polycopies book fair, here we come again!
Come say hello 👋 at our stand today, 15.11.
You’ll find us at the pop-up tables in the pavilion.

#Polycopies #Polycopies2025 #PhotoBookFair #Photobooks #BookFair #ArtBooks #IndependentPublishing #IndiePublishers #artbookfair

Thrilled to introduce Witty Book's #104
Something Was Missing Within by @elliottkreyenberg .
The first copies will be available next week in Paris at @parisphotofair and in pre-order at a special price on our website.
The project is the Winner of APhF:24 Dummy Award feat.
Witty Books.
.
The award was part Athens Photo Festival Book Program curated by Sylvia Sachini and with the
support of Future Format.
@athensphotofestival_official @sylvia.ps @thefutureformat
.
Designed by @ilaria.miotto_

Thrilled to introduce Witty Book's #104
Something Was Missing Within by @elliottkreyenberg .
The first copies will be available next week in Paris at @parisphotofair and in pre-order at a special price on our website.
The project is the Winner of APhF:24 Dummy Award feat.
Witty Books.
.
The award was part Athens Photo Festival Book Program curated by Sylvia Sachini and with the
support of Future Format.
@athensphotofestival_official @sylvia.ps @thefutureformat
.
Designed by @ilaria.miotto_

Thrilled to introduce Witty Book's #104
Something Was Missing Within by @elliottkreyenberg .
The first copies will be available next week in Paris at @parisphotofair and in pre-order at a special price on our website.
The project is the Winner of APhF:24 Dummy Award feat.
Witty Books.
.
The award was part Athens Photo Festival Book Program curated by Sylvia Sachini and with the
support of Future Format.
@athensphotofestival_official @sylvia.ps @thefutureformat
.
Designed by @ilaria.miotto_

Thrilled to introduce Witty Book's #104
Something Was Missing Within by @elliottkreyenberg .
The first copies will be available next week in Paris at @parisphotofair and in pre-order at a special price on our website.
The project is the Winner of APhF:24 Dummy Award feat.
Witty Books.
.
The award was part Athens Photo Festival Book Program curated by Sylvia Sachini and with the
support of Future Format.
@athensphotofestival_official @sylvia.ps @thefutureformat
.
Designed by @ilaria.miotto_

Thrilled to introduce Witty Book's #104
Something Was Missing Within by @elliottkreyenberg .
The first copies will be available next week in Paris at @parisphotofair and in pre-order at a special price on our website.
The project is the Winner of APhF:24 Dummy Award feat.
Witty Books.
.
The award was part Athens Photo Festival Book Program curated by Sylvia Sachini and with the
support of Future Format.
@athensphotofestival_official @sylvia.ps @thefutureformat
.
Designed by @ilaria.miotto_

Thrilled to introduce Witty Book's #104
Something Was Missing Within by @elliottkreyenberg .
The first copies will be available next week in Paris at @parisphotofair and in pre-order at a special price on our website.
The project is the Winner of APhF:24 Dummy Award feat.
Witty Books.
.
The award was part Athens Photo Festival Book Program curated by Sylvia Sachini and with the
support of Future Format.
@athensphotofestival_official @sylvia.ps @thefutureformat
.
Designed by @ilaria.miotto_

Glotta is a new annual magazine. Each issue will weave together three themes and disparate voices from the present and past. It’s a hybrid publication for a many-headed audience. We take the ancient paradoxographers as inspiration, their attention to miracles and marvels, the abnormal and inexplicable. We have no manifesto. Only a sense that the subterranean rivers of history flow closer to the surface than might initially appear. And that if you listen attentively, you can still hear the babble of their currents’ many tongues.

Pages: 100
Material: softcover
ISBN: 9786188779006
Categories: greece
Dimensions: 14.7 × 21 cm
Publisher: Dimi Vourakis
Editor: Nandi Kudan
Designer: Typical
Typeface: Windsor Pro
Printed by @thefutureformat on Munken Print Cream 115gsm
by @perrakispapers
ISBN 978-618-87790-0-6

Glotta is a new annual magazine. Each issue will weave together three themes and disparate voices from the present and past. It’s a hybrid publication for a many-headed audience. We take the ancient paradoxographers as inspiration, their attention to miracles and marvels, the abnormal and inexplicable. We have no manifesto. Only a sense that the subterranean rivers of history flow closer to the surface than might initially appear. And that if you listen attentively, you can still hear the babble of their currents’ many tongues.

Pages: 100
Material: softcover
ISBN: 9786188779006
Categories: greece
Dimensions: 14.7 × 21 cm
Publisher: Dimi Vourakis
Editor: Nandi Kudan
Designer: Typical
Typeface: Windsor Pro
Printed by @thefutureformat on Munken Print Cream 115gsm
by @perrakispapers
ISBN 978-618-87790-0-6

Glotta is a new annual magazine. Each issue will weave together three themes and disparate voices from the present and past. It’s a hybrid publication for a many-headed audience. We take the ancient paradoxographers as inspiration, their attention to miracles and marvels, the abnormal and inexplicable. We have no manifesto. Only a sense that the subterranean rivers of history flow closer to the surface than might initially appear. And that if you listen attentively, you can still hear the babble of their currents’ many tongues.

Pages: 100
Material: softcover
ISBN: 9786188779006
Categories: greece
Dimensions: 14.7 × 21 cm
Publisher: Dimi Vourakis
Editor: Nandi Kudan
Designer: Typical
Typeface: Windsor Pro
Printed by @thefutureformat on Munken Print Cream 115gsm
by @perrakispapers
ISBN 978-618-87790-0-6

Glotta is a new annual magazine. Each issue will weave together three themes and disparate voices from the present and past. It’s a hybrid publication for a many-headed audience. We take the ancient paradoxographers as inspiration, their attention to miracles and marvels, the abnormal and inexplicable. We have no manifesto. Only a sense that the subterranean rivers of history flow closer to the surface than might initially appear. And that if you listen attentively, you can still hear the babble of their currents’ many tongues.

Pages: 100
Material: softcover
ISBN: 9786188779006
Categories: greece
Dimensions: 14.7 × 21 cm
Publisher: Dimi Vourakis
Editor: Nandi Kudan
Designer: Typical
Typeface: Windsor Pro
Printed by @thefutureformat on Munken Print Cream 115gsm
by @perrakispapers
ISBN 978-618-87790-0-6

Glotta is a new annual magazine. Each issue will weave together three themes and disparate voices from the present and past. It’s a hybrid publication for a many-headed audience. We take the ancient paradoxographers as inspiration, their attention to miracles and marvels, the abnormal and inexplicable. We have no manifesto. Only a sense that the subterranean rivers of history flow closer to the surface than might initially appear. And that if you listen attentively, you can still hear the babble of their currents’ many tongues.

Pages: 100
Material: softcover
ISBN: 9786188779006
Categories: greece
Dimensions: 14.7 × 21 cm
Publisher: Dimi Vourakis
Editor: Nandi Kudan
Designer: Typical
Typeface: Windsor Pro
Printed by @thefutureformat on Munken Print Cream 115gsm
by @perrakispapers
ISBN 978-618-87790-0-6

Glotta is a new annual magazine. Each issue will weave together three themes and disparate voices from the present and past. It’s a hybrid publication for a many-headed audience. We take the ancient paradoxographers as inspiration, their attention to miracles and marvels, the abnormal and inexplicable. We have no manifesto. Only a sense that the subterranean rivers of history flow closer to the surface than might initially appear. And that if you listen attentively, you can still hear the babble of their currents’ many tongues.

Pages: 100
Material: softcover
ISBN: 9786188779006
Categories: greece
Dimensions: 14.7 × 21 cm
Publisher: Dimi Vourakis
Editor: Nandi Kudan
Designer: Typical
Typeface: Windsor Pro
Printed by @thefutureformat on Munken Print Cream 115gsm
by @perrakispapers
ISBN 978-618-87790-0-6

Glotta is a new annual magazine. Each issue will weave together three themes and disparate voices from the present and past. It’s a hybrid publication for a many-headed audience. We take the ancient paradoxographers as inspiration, their attention to miracles and marvels, the abnormal and inexplicable. We have no manifesto. Only a sense that the subterranean rivers of history flow closer to the surface than might initially appear. And that if you listen attentively, you can still hear the babble of their currents’ many tongues.

Pages: 100
Material: softcover
ISBN: 9786188779006
Categories: greece
Dimensions: 14.7 × 21 cm
Publisher: Dimi Vourakis
Editor: Nandi Kudan
Designer: Typical
Typeface: Windsor Pro
Printed by @thefutureformat on Munken Print Cream 115gsm
by @perrakispapers
ISBN 978-618-87790-0-6

Glotta is a new annual magazine. Each issue will weave together three themes and disparate voices from the present and past. It’s a hybrid publication for a many-headed audience. We take the ancient paradoxographers as inspiration, their attention to miracles and marvels, the abnormal and inexplicable. We have no manifesto. Only a sense that the subterranean rivers of history flow closer to the surface than might initially appear. And that if you listen attentively, you can still hear the babble of their currents’ many tongues.

Pages: 100
Material: softcover
ISBN: 9786188779006
Categories: greece
Dimensions: 14.7 × 21 cm
Publisher: Dimi Vourakis
Editor: Nandi Kudan
Designer: Typical
Typeface: Windsor Pro
Printed by @thefutureformat on Munken Print Cream 115gsm
by @perrakispapers
ISBN 978-618-87790-0-6

Glotta is a new annual magazine. Each issue will weave together three themes and disparate voices from the present and past. It’s a hybrid publication for a many-headed audience. We take the ancient paradoxographers as inspiration, their attention to miracles and marvels, the abnormal and inexplicable. We have no manifesto. Only a sense that the subterranean rivers of history flow closer to the surface than might initially appear. And that if you listen attentively, you can still hear the babble of their currents’ many tongues.

Pages: 100
Material: softcover
ISBN: 9786188779006
Categories: greece
Dimensions: 14.7 × 21 cm
Publisher: Dimi Vourakis
Editor: Nandi Kudan
Designer: Typical
Typeface: Windsor Pro
Printed by @thefutureformat on Munken Print Cream 115gsm
by @perrakispapers
ISBN 978-618-87790-0-6

Glotta is a new annual magazine. Each issue will weave together three themes and disparate voices from the present and past. It’s a hybrid publication for a many-headed audience. We take the ancient paradoxographers as inspiration, their attention to miracles and marvels, the abnormal and inexplicable. We have no manifesto. Only a sense that the subterranean rivers of history flow closer to the surface than might initially appear. And that if you listen attentively, you can still hear the babble of their currents’ many tongues.

Pages: 100
Material: softcover
ISBN: 9786188779006
Categories: greece
Dimensions: 14.7 × 21 cm
Publisher: Dimi Vourakis
Editor: Nandi Kudan
Designer: Typical
Typeface: Windsor Pro
Printed by @thefutureformat on Munken Print Cream 115gsm
by @perrakispapers
ISBN 978-618-87790-0-6

Exploring the world through the lens of @victorcobophotography , published by @redhookeditions and designed by @zxnd.r .
Tritone offset printing with blacks and gray Pantone. This stunning photobook is featuring a swiss binding with exposed spine on @colorplan_papers Amethyst by @perrakispapers , silver foil, white ink and black edge painting.

#redhookeditions #victorcobo #futureformat #fineprinting #thefutureformat #photobook #printinglife #publication #ff

Exploring the world through the lens of @victorcobophotography , published by @redhookeditions and designed by @zxnd.r .
Tritone offset printing with blacks and gray Pantone. This stunning photobook is featuring a swiss binding with exposed spine on @colorplan_papers Amethyst by @perrakispapers , silver foil, white ink and black edge painting.

#redhookeditions #victorcobo #futureformat #fineprinting #thefutureformat #photobook #printinglife #publication #ff

Exploring the world through the lens of @victorcobophotography , published by @redhookeditions and designed by @zxnd.r .
Tritone offset printing with blacks and gray Pantone. This stunning photobook is featuring a swiss binding with exposed spine on @colorplan_papers Amethyst by @perrakispapers , silver foil, white ink and black edge painting.

#redhookeditions #victorcobo #futureformat #fineprinting #thefutureformat #photobook #printinglife #publication #ff

Exploring the world through the lens of @victorcobophotography , published by @redhookeditions and designed by @zxnd.r .
Tritone offset printing with blacks and gray Pantone. This stunning photobook is featuring a swiss binding with exposed spine on @colorplan_papers Amethyst by @perrakispapers , silver foil, white ink and black edge painting.

#redhookeditions #victorcobo #futureformat #fineprinting #thefutureformat #photobook #printinglife #publication #ff

Exploring the world through the lens of @victorcobophotography , published by @redhookeditions and designed by @zxnd.r .
Tritone offset printing with blacks and gray Pantone. This stunning photobook is featuring a swiss binding with exposed spine on @colorplan_papers Amethyst by @perrakispapers , silver foil, white ink and black edge painting.

#redhookeditions #victorcobo #futureformat #fineprinting #thefutureformat #photobook #printinglife #publication #ff

Exploring the world through the lens of @victorcobophotography , published by @redhookeditions and designed by @zxnd.r .
Tritone offset printing with blacks and gray Pantone. This stunning photobook is featuring a swiss binding with exposed spine on @colorplan_papers Amethyst by @perrakispapers , silver foil, white ink and black edge painting.

#redhookeditions #victorcobo #futureformat #fineprinting #thefutureformat #photobook #printinglife #publication #ff

Exploring the world through the lens of @victorcobophotography , published by @redhookeditions and designed by @zxnd.r .
Tritone offset printing with blacks and gray Pantone. This stunning photobook is featuring a swiss binding with exposed spine on @colorplan_papers Amethyst by @perrakispapers , silver foil, white ink and black edge painting.

#redhookeditions #victorcobo #futureformat #fineprinting #thefutureformat #photobook #printinglife #publication #ff

Exploring the world through the lens of @victorcobophotography , published by @redhookeditions and designed by @zxnd.r .
Tritone offset printing with blacks and gray Pantone. This stunning photobook is featuring a swiss binding with exposed spine on @colorplan_papers Amethyst by @perrakispapers , silver foil, white ink and black edge painting.

#redhookeditions #victorcobo #futureformat #fineprinting #thefutureformat #photobook #printinglife #publication #ff

Exploring the world through the lens of @victorcobophotography , published by @redhookeditions and designed by @zxnd.r .
Tritone offset printing with blacks and gray Pantone. This stunning photobook is featuring a swiss binding with exposed spine on @colorplan_papers Amethyst by @perrakispapers , silver foil, white ink and black edge painting.

#redhookeditions #victorcobo #futureformat #fineprinting #thefutureformat #photobook #printinglife #publication #ff