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We’d like to announce a few artists we’re collaborating with. When will their books be published? Only Newton knows.
Sign up for the WAITLIST for each book to be the first to know and to access our early bird offers.

-

1. Elena Helfrecht
2. Francesco Gioia
3. João Linneu
4. Kristina Rozhkova
5. Marens van Leunen
6. Milan Gies
7. Rory King
8. Vic Bakin

-

Link to waitlist in bio

#photobook #independentpublishing #photo_void

We’d like to announce a few artists we’re collaborating with. When will their books be published? Only Newton knows.
Sign up for the WAITLIST for each book to be the first to know and to access our early bird offers.

-

1. Elena Helfrecht
2. Francesco Gioia
3. João Linneu
4. Kristina Rozhkova
5. Marens van Leunen
6. Milan Gies
7. Rory King
8. Vic Bakin

-

Link to waitlist in bio

#photobook #independentpublishing #photo_void

We’d like to announce a few artists we’re collaborating with. When will their books be published? Only Newton knows.
Sign up for the WAITLIST for each book to be the first to know and to access our early bird offers.

-

1. Elena Helfrecht
2. Francesco Gioia
3. João Linneu
4. Kristina Rozhkova
5. Marens van Leunen
6. Milan Gies
7. Rory King
8. Vic Bakin

-

Link to waitlist in bio

#photobook #independentpublishing #photo_void

We’d like to announce a few artists we’re collaborating with. When will their books be published? Only Newton knows.
Sign up for the WAITLIST for each book to be the first to know and to access our early bird offers.

-

1. Elena Helfrecht
2. Francesco Gioia
3. João Linneu
4. Kristina Rozhkova
5. Marens van Leunen
6. Milan Gies
7. Rory King
8. Vic Bakin

-

Link to waitlist in bio

#photobook #independentpublishing #photo_void

We’d like to announce a few artists we’re collaborating with. When will their books be published? Only Newton knows.
Sign up for the WAITLIST for each book to be the first to know and to access our early bird offers.

-

1. Elena Helfrecht
2. Francesco Gioia
3. João Linneu
4. Kristina Rozhkova
5. Marens van Leunen
6. Milan Gies
7. Rory King
8. Vic Bakin

-

Link to waitlist in bio

#photobook #independentpublishing #photo_void

We’d like to announce a few artists we’re collaborating with. When will their books be published? Only Newton knows.
Sign up for the WAITLIST for each book to be the first to know and to access our early bird offers.

-

1. Elena Helfrecht
2. Francesco Gioia
3. João Linneu
4. Kristina Rozhkova
5. Marens van Leunen
6. Milan Gies
7. Rory King
8. Vic Bakin

-

Link to waitlist in bio

#photobook #independentpublishing #photo_void

We’d like to announce a few artists we’re collaborating with. When will their books be published? Only Newton knows.
Sign up for the WAITLIST for each book to be the first to know and to access our early bird offers.

-

1. Elena Helfrecht
2. Francesco Gioia
3. João Linneu
4. Kristina Rozhkova
5. Marens van Leunen
6. Milan Gies
7. Rory King
8. Vic Bakin

-

Link to waitlist in bio

#photobook #independentpublishing #photo_void

We’d like to announce a few artists we’re collaborating with. When will their books be published? Only Newton knows.
Sign up for the WAITLIST for each book to be the first to know and to access our early bird offers.

-

1. Elena Helfrecht
2. Francesco Gioia
3. João Linneu
4. Kristina Rozhkova
5. Marens van Leunen
6. Milan Gies
7. Rory King
8. Vic Bakin

-

Link to waitlist in bio

#photobook #independentpublishing #photo_void

‘What if Jeff were a Butterfly?’ by Jeff Mermelstein, published by Void.

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“I've dug into my archive boxes to make a collage, a timeline that's not a line. Here's more of my story, including pictures and dangling words to help convey an urgent sense of searching for surprise. Family roots permeate and brighten the weave. New flower pictures hold the balance with beauty. My wish is that this book is not finished.” — Jeff Mermelstein

-

Link to store in bio

16,8 x 23 cm
224 pages
With many unseen and personal archives from Jeff
Screenprinted Hardcover

#jeffmermelstein #independentpublishing #photo_void

‘What if Jeff were a Butterfly?’ by Jeff Mermelstein, published by Void.

-

“I've dug into my archive boxes to make a collage, a timeline that's not a line. Here's more of my story, including pictures and dangling words to help convey an urgent sense of searching for surprise. Family roots permeate and brighten the weave. New flower pictures hold the balance with beauty. My wish is that this book is not finished.” — Jeff Mermelstein

-

Link to store in bio

16,8 x 23 cm
224 pages
With many unseen and personal archives from Jeff
Screenprinted Hardcover

#jeffmermelstein #independentpublishing #photo_void

‘What if Jeff were a Butterfly?’ by Jeff Mermelstein, published by Void.

-

“I've dug into my archive boxes to make a collage, a timeline that's not a line. Here's more of my story, including pictures and dangling words to help convey an urgent sense of searching for surprise. Family roots permeate and brighten the weave. New flower pictures hold the balance with beauty. My wish is that this book is not finished.” — Jeff Mermelstein

-

Link to store in bio

16,8 x 23 cm
224 pages
With many unseen and personal archives from Jeff
Screenprinted Hardcover

#jeffmermelstein #independentpublishing #photo_void

‘What if Jeff were a Butterfly?’ by Jeff Mermelstein, published by Void.

-

“I've dug into my archive boxes to make a collage, a timeline that's not a line. Here's more of my story, including pictures and dangling words to help convey an urgent sense of searching for surprise. Family roots permeate and brighten the weave. New flower pictures hold the balance with beauty. My wish is that this book is not finished.” — Jeff Mermelstein

-

Link to store in bio

16,8 x 23 cm
224 pages
With many unseen and personal archives from Jeff
Screenprinted Hardcover

#jeffmermelstein #independentpublishing #photo_void

‘What if Jeff were a Butterfly?’ by Jeff Mermelstein, published by Void.

-

“I've dug into my archive boxes to make a collage, a timeline that's not a line. Here's more of my story, including pictures and dangling words to help convey an urgent sense of searching for surprise. Family roots permeate and brighten the weave. New flower pictures hold the balance with beauty. My wish is that this book is not finished.” — Jeff Mermelstein

-

Link to store in bio

16,8 x 23 cm
224 pages
With many unseen and personal archives from Jeff
Screenprinted Hardcover

#jeffmermelstein #independentpublishing #photo_void

‘What if Jeff were a Butterfly?’ by Jeff Mermelstein, published by Void.

-

“I've dug into my archive boxes to make a collage, a timeline that's not a line. Here's more of my story, including pictures and dangling words to help convey an urgent sense of searching for surprise. Family roots permeate and brighten the weave. New flower pictures hold the balance with beauty. My wish is that this book is not finished.” — Jeff Mermelstein

-

Link to store in bio

16,8 x 23 cm
224 pages
With many unseen and personal archives from Jeff
Screenprinted Hardcover

#jeffmermelstein #independentpublishing #photo_void

‘What if Jeff were a Butterfly?’ by Jeff Mermelstein, published by Void.

-

“I've dug into my archive boxes to make a collage, a timeline that's not a line. Here's more of my story, including pictures and dangling words to help convey an urgent sense of searching for surprise. Family roots permeate and brighten the weave. New flower pictures hold the balance with beauty. My wish is that this book is not finished.” — Jeff Mermelstein

-

Link to store in bio

16,8 x 23 cm
224 pages
With many unseen and personal archives from Jeff
Screenprinted Hardcover

#jeffmermelstein #independentpublishing #photo_void

‘What if Jeff were a Butterfly?’ by Jeff Mermelstein, published by Void.

-

“I've dug into my archive boxes to make a collage, a timeline that's not a line. Here's more of my story, including pictures and dangling words to help convey an urgent sense of searching for surprise. Family roots permeate and brighten the weave. New flower pictures hold the balance with beauty. My wish is that this book is not finished.” — Jeff Mermelstein

-

Link to store in bio

16,8 x 23 cm
224 pages
With many unseen and personal archives from Jeff
Screenprinted Hardcover

#jeffmermelstein #independentpublishing #photo_void

‘What if Jeff were a Butterfly?’ by Jeff Mermelstein, published by Void.

-

“I've dug into my archive boxes to make a collage, a timeline that's not a line. Here's more of my story, including pictures and dangling words to help convey an urgent sense of searching for surprise. Family roots permeate and brighten the weave. New flower pictures hold the balance with beauty. My wish is that this book is not finished.” — Jeff Mermelstein

-

Link to store in bio

16,8 x 23 cm
224 pages
With many unseen and personal archives from Jeff
Screenprinted Hardcover

#jeffmermelstein #independentpublishing #photo_void

‘What if Jeff were a Butterfly?’ by Jeff Mermelstein, published by Void.

-

“I've dug into my archive boxes to make a collage, a timeline that's not a line. Here's more of my story, including pictures and dangling words to help convey an urgent sense of searching for surprise. Family roots permeate and brighten the weave. New flower pictures hold the balance with beauty. My wish is that this book is not finished.” — Jeff Mermelstein

-

Link to store in bio

16,8 x 23 cm
224 pages
With many unseen and personal archives from Jeff
Screenprinted Hardcover

#jeffmermelstein #independentpublishing #photo_void

Excited to present ‘JJ VFF VV’ by João Linneu. ⚡️ The first 50 preorders come with a limited edition Riso zine.

-

‘JJ VFF VV’ is an intimate documentation of the birth of Linneu’s first child and a raw study of the painful complications of pregnancy. This new book by Void co-founder João Linneu creates a sensitive visual language around an experience so often shrouded in silence. Photographs unfold chronologically, as Linneu and his partner navigate the private spaces of the bedroom and bathroom, the hospital ward, and the brutal buildings in the city of São Paulo, Brazil. A diaristic record of vulnerability, the work traces the physical and emotional thresholds of pregnancy and the creative potential of collective family experience.

-

Link to store in Void’s bio

16,1 × 23,8 cm
416 pages
Silkscreen Otabind Softcover

#joaolinneu #independentpublishing #photo_void

Excited to present ‘JJ VFF VV’ by João Linneu. ⚡️ The first 50 preorders come with a limited edition Riso zine.

-

‘JJ VFF VV’ is an intimate documentation of the birth of Linneu’s first child and a raw study of the painful complications of pregnancy. This new book by Void co-founder João Linneu creates a sensitive visual language around an experience so often shrouded in silence. Photographs unfold chronologically, as Linneu and his partner navigate the private spaces of the bedroom and bathroom, the hospital ward, and the brutal buildings in the city of São Paulo, Brazil. A diaristic record of vulnerability, the work traces the physical and emotional thresholds of pregnancy and the creative potential of collective family experience.

-

Link to store in Void’s bio

16,1 × 23,8 cm
416 pages
Silkscreen Otabind Softcover

#joaolinneu #independentpublishing #photo_void

Excited to present ‘JJ VFF VV’ by João Linneu. ⚡️ The first 50 preorders come with a limited edition Riso zine.

-

‘JJ VFF VV’ is an intimate documentation of the birth of Linneu’s first child and a raw study of the painful complications of pregnancy. This new book by Void co-founder João Linneu creates a sensitive visual language around an experience so often shrouded in silence. Photographs unfold chronologically, as Linneu and his partner navigate the private spaces of the bedroom and bathroom, the hospital ward, and the brutal buildings in the city of São Paulo, Brazil. A diaristic record of vulnerability, the work traces the physical and emotional thresholds of pregnancy and the creative potential of collective family experience.

-

Link to store in Void’s bio

16,1 × 23,8 cm
416 pages
Silkscreen Otabind Softcover

#joaolinneu #independentpublishing #photo_void

Excited to present ‘JJ VFF VV’ by João Linneu. ⚡️ The first 50 preorders come with a limited edition Riso zine.

-

‘JJ VFF VV’ is an intimate documentation of the birth of Linneu’s first child and a raw study of the painful complications of pregnancy. This new book by Void co-founder João Linneu creates a sensitive visual language around an experience so often shrouded in silence. Photographs unfold chronologically, as Linneu and his partner navigate the private spaces of the bedroom and bathroom, the hospital ward, and the brutal buildings in the city of São Paulo, Brazil. A diaristic record of vulnerability, the work traces the physical and emotional thresholds of pregnancy and the creative potential of collective family experience.

-

Link to store in Void’s bio

16,1 × 23,8 cm
416 pages
Silkscreen Otabind Softcover

#joaolinneu #independentpublishing #photo_void

Excited to present ‘JJ VFF VV’ by João Linneu. ⚡️ The first 50 preorders come with a limited edition Riso zine.

-

‘JJ VFF VV’ is an intimate documentation of the birth of Linneu’s first child and a raw study of the painful complications of pregnancy. This new book by Void co-founder João Linneu creates a sensitive visual language around an experience so often shrouded in silence. Photographs unfold chronologically, as Linneu and his partner navigate the private spaces of the bedroom and bathroom, the hospital ward, and the brutal buildings in the city of São Paulo, Brazil. A diaristic record of vulnerability, the work traces the physical and emotional thresholds of pregnancy and the creative potential of collective family experience.

-

Link to store in Void’s bio

16,1 × 23,8 cm
416 pages
Silkscreen Otabind Softcover

#joaolinneu #independentpublishing #photo_void

Excited to present ‘JJ VFF VV’ by João Linneu. ⚡️ The first 50 preorders come with a limited edition Riso zine.

-

‘JJ VFF VV’ is an intimate documentation of the birth of Linneu’s first child and a raw study of the painful complications of pregnancy. This new book by Void co-founder João Linneu creates a sensitive visual language around an experience so often shrouded in silence. Photographs unfold chronologically, as Linneu and his partner navigate the private spaces of the bedroom and bathroom, the hospital ward, and the brutal buildings in the city of São Paulo, Brazil. A diaristic record of vulnerability, the work traces the physical and emotional thresholds of pregnancy and the creative potential of collective family experience.

-

Link to store in Void’s bio

16,1 × 23,8 cm
416 pages
Silkscreen Otabind Softcover

#joaolinneu #independentpublishing #photo_void

Excited to present ‘JJ VFF VV’ by João Linneu. ⚡️ The first 50 preorders come with a limited edition Riso zine.

-

‘JJ VFF VV’ is an intimate documentation of the birth of Linneu’s first child and a raw study of the painful complications of pregnancy. This new book by Void co-founder João Linneu creates a sensitive visual language around an experience so often shrouded in silence. Photographs unfold chronologically, as Linneu and his partner navigate the private spaces of the bedroom and bathroom, the hospital ward, and the brutal buildings in the city of São Paulo, Brazil. A diaristic record of vulnerability, the work traces the physical and emotional thresholds of pregnancy and the creative potential of collective family experience.

-

Link to store in Void’s bio

16,1 × 23,8 cm
416 pages
Silkscreen Otabind Softcover

#joaolinneu #independentpublishing #photo_void

Excited to present ‘JJ VFF VV’ by João Linneu. ⚡️ The first 50 preorders come with a limited edition Riso zine.

-

‘JJ VFF VV’ is an intimate documentation of the birth of Linneu’s first child and a raw study of the painful complications of pregnancy. This new book by Void co-founder João Linneu creates a sensitive visual language around an experience so often shrouded in silence. Photographs unfold chronologically, as Linneu and his partner navigate the private spaces of the bedroom and bathroom, the hospital ward, and the brutal buildings in the city of São Paulo, Brazil. A diaristic record of vulnerability, the work traces the physical and emotional thresholds of pregnancy and the creative potential of collective family experience.

-

Link to store in Void’s bio

16,1 × 23,8 cm
416 pages
Silkscreen Otabind Softcover

#joaolinneu #independentpublishing #photo_void

‘Dimma Brume Mist’ Collector’s Edition by JH Engström, published by Void.

-

Framed vintage contact sheet, one-of-a-kind from the artist’s archive.

Collector’s Edition in a run of 10 + 3 APs.
+
Certificate of Authenticity
+
Riso Print Obi
+
Copy of ‘Dimma Brume Mist’

Contact Sheets edition: 1/1
Every collector’s edition comes with a different contact sheet.

Each Contact Sheet is about 24 × 30,5 cm
Framed without glass.
The framed contact sheets are a vintage piece from Engström’s archive, which were handled, scratched, punched and eventually torn previously.

-

Link to store in bio

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’ Collector’s Edition by JH Engström, published by Void.

-

Framed vintage contact sheet, one-of-a-kind from the artist’s archive.

Collector’s Edition in a run of 10 + 3 APs.
+
Certificate of Authenticity
+
Riso Print Obi
+
Copy of ‘Dimma Brume Mist’

Contact Sheets edition: 1/1
Every collector’s edition comes with a different contact sheet.

Each Contact Sheet is about 24 × 30,5 cm
Framed without glass.
The framed contact sheets are a vintage piece from Engström’s archive, which were handled, scratched, punched and eventually torn previously.

-

Link to store in bio

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’ Collector’s Edition by JH Engström, published by Void.

-

Framed vintage contact sheet, one-of-a-kind from the artist’s archive.

Collector’s Edition in a run of 10 + 3 APs.
+
Certificate of Authenticity
+
Riso Print Obi
+
Copy of ‘Dimma Brume Mist’

Contact Sheets edition: 1/1
Every collector’s edition comes with a different contact sheet.

Each Contact Sheet is about 24 × 30,5 cm
Framed without glass.
The framed contact sheets are a vintage piece from Engström’s archive, which were handled, scratched, punched and eventually torn previously.

-

Link to store in bio

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’ Collector’s Edition by JH Engström, published by Void.

-

Framed vintage contact sheet, one-of-a-kind from the artist’s archive.

Collector’s Edition in a run of 10 + 3 APs.
+
Certificate of Authenticity
+
Riso Print Obi
+
Copy of ‘Dimma Brume Mist’

Contact Sheets edition: 1/1
Every collector’s edition comes with a different contact sheet.

Each Contact Sheet is about 24 × 30,5 cm
Framed without glass.
The framed contact sheets are a vintage piece from Engström’s archive, which were handled, scratched, punched and eventually torn previously.

-

Link to store in bio

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’ Collector’s Edition by JH Engström, published by Void.

-

Framed vintage contact sheet, one-of-a-kind from the artist’s archive.

Collector’s Edition in a run of 10 + 3 APs.
+
Certificate of Authenticity
+
Riso Print Obi
+
Copy of ‘Dimma Brume Mist’

Contact Sheets edition: 1/1
Every collector’s edition comes with a different contact sheet.

Each Contact Sheet is about 24 × 30,5 cm
Framed without glass.
The framed contact sheets are a vintage piece from Engström’s archive, which were handled, scratched, punched and eventually torn previously.

-

Link to store in bio

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’ Collector’s Edition by JH Engström, published by Void.

-

Framed vintage contact sheet, one-of-a-kind from the artist’s archive.

Collector’s Edition in a run of 10 + 3 APs.
+
Certificate of Authenticity
+
Riso Print Obi
+
Copy of ‘Dimma Brume Mist’

Contact Sheets edition: 1/1
Every collector’s edition comes with a different contact sheet.

Each Contact Sheet is about 24 × 30,5 cm
Framed without glass.
The framed contact sheets are a vintage piece from Engström’s archive, which were handled, scratched, punched and eventually torn previously.

-

Link to store in bio

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’ Collector’s Edition by JH Engström, published by Void.

-

Framed vintage contact sheet, one-of-a-kind from the artist’s archive.

Collector’s Edition in a run of 10 + 3 APs.
+
Certificate of Authenticity
+
Riso Print Obi
+
Copy of ‘Dimma Brume Mist’

Contact Sheets edition: 1/1
Every collector’s edition comes with a different contact sheet.

Each Contact Sheet is about 24 × 30,5 cm
Framed without glass.
The framed contact sheets are a vintage piece from Engström’s archive, which were handled, scratched, punched and eventually torn previously.

-

Link to store in bio

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’ Collector’s Edition by JH Engström, published by Void.

-

Framed vintage contact sheet, one-of-a-kind from the artist’s archive.

Collector’s Edition in a run of 10 + 3 APs.
+
Certificate of Authenticity
+
Riso Print Obi
+
Copy of ‘Dimma Brume Mist’

Contact Sheets edition: 1/1
Every collector’s edition comes with a different contact sheet.

Each Contact Sheet is about 24 × 30,5 cm
Framed without glass.
The framed contact sheets are a vintage piece from Engström’s archive, which were handled, scratched, punched and eventually torn previously.

-

Link to store in bio

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’ Collector’s Edition by JH Engström, published by Void.

-

Framed vintage contact sheet, one-of-a-kind from the artist’s archive.

Collector’s Edition in a run of 10 + 3 APs.
+
Certificate of Authenticity
+
Riso Print Obi
+
Copy of ‘Dimma Brume Mist’

Contact Sheets edition: 1/1
Every collector’s edition comes with a different contact sheet.

Each Contact Sheet is about 24 × 30,5 cm
Framed without glass.
The framed contact sheets are a vintage piece from Engström’s archive, which were handled, scratched, punched and eventually torn previously.

-

Link to store in bio

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’ Collector’s Edition by JH Engström, published by Void.

-

Framed vintage contact sheet, one-of-a-kind from the artist’s archive.

Collector’s Edition in a run of 10 + 3 APs.
+
Certificate of Authenticity
+
Riso Print Obi
+
Copy of ‘Dimma Brume Mist’

Contact Sheets edition: 1/1
Every collector’s edition comes with a different contact sheet.

Each Contact Sheet is about 24 × 30,5 cm
Framed without glass.
The framed contact sheets are a vintage piece from Engström’s archive, which were handled, scratched, punched and eventually torn previously.

-

Link to store in bio

#jhengstrom #independentpublishing #photo_void

‘Sistermoon’ by Siri Kaur. Published by Void.

-

Artist Siri Kaur has been photographing her family for over 30 years, and her youngest sister, Simran, is the central focus of ‘Sistermoon’. Kaur’s photographs are combined with those from her family archive to create an unconventional album, illustrating the cycles of life and transformation, whilst questioning who observes, who is seen and who belongs.

Here, we highlight Siri’s family archive section of the book.

-

Link to store in bio

23,3 x 28,1 cm
160 pages
Hardcover with silkscreen

#photobook #independentpublishing #photo_void

‘Sistermoon’ by Siri Kaur. Published by Void.

-

Artist Siri Kaur has been photographing her family for over 30 years, and her youngest sister, Simran, is the central focus of ‘Sistermoon’. Kaur’s photographs are combined with those from her family archive to create an unconventional album, illustrating the cycles of life and transformation, whilst questioning who observes, who is seen and who belongs.

Here, we highlight Siri’s family archive section of the book.

-

Link to store in bio

23,3 x 28,1 cm
160 pages
Hardcover with silkscreen

#photobook #independentpublishing #photo_void

‘Sistermoon’ by Siri Kaur. Published by Void.

-

Artist Siri Kaur has been photographing her family for over 30 years, and her youngest sister, Simran, is the central focus of ‘Sistermoon’. Kaur’s photographs are combined with those from her family archive to create an unconventional album, illustrating the cycles of life and transformation, whilst questioning who observes, who is seen and who belongs.

Here, we highlight Siri’s family archive section of the book.

-

Link to store in bio

23,3 x 28,1 cm
160 pages
Hardcover with silkscreen

#photobook #independentpublishing #photo_void

‘Sistermoon’ by Siri Kaur. Published by Void.

-

Artist Siri Kaur has been photographing her family for over 30 years, and her youngest sister, Simran, is the central focus of ‘Sistermoon’. Kaur’s photographs are combined with those from her family archive to create an unconventional album, illustrating the cycles of life and transformation, whilst questioning who observes, who is seen and who belongs.

Here, we highlight Siri’s family archive section of the book.

-

Link to store in bio

23,3 x 28,1 cm
160 pages
Hardcover with silkscreen

#photobook #independentpublishing #photo_void

‘Sistermoon’ by Siri Kaur. Published by Void.

-

Artist Siri Kaur has been photographing her family for over 30 years, and her youngest sister, Simran, is the central focus of ‘Sistermoon’. Kaur’s photographs are combined with those from her family archive to create an unconventional album, illustrating the cycles of life and transformation, whilst questioning who observes, who is seen and who belongs.

Here, we highlight Siri’s family archive section of the book.

-

Link to store in bio

23,3 x 28,1 cm
160 pages
Hardcover with silkscreen

#photobook #independentpublishing #photo_void

‘Sistermoon’ by Siri Kaur. Published by Void.

-

Artist Siri Kaur has been photographing her family for over 30 years, and her youngest sister, Simran, is the central focus of ‘Sistermoon’. Kaur’s photographs are combined with those from her family archive to create an unconventional album, illustrating the cycles of life and transformation, whilst questioning who observes, who is seen and who belongs.

Here, we highlight Siri’s family archive section of the book.

-

Link to store in bio

23,3 x 28,1 cm
160 pages
Hardcover with silkscreen

#photobook #independentpublishing #photo_void

‘Sistermoon’ by Siri Kaur. Published by Void.

-

Artist Siri Kaur has been photographing her family for over 30 years, and her youngest sister, Simran, is the central focus of ‘Sistermoon’. Kaur’s photographs are combined with those from her family archive to create an unconventional album, illustrating the cycles of life and transformation, whilst questioning who observes, who is seen and who belongs.

Here, we highlight Siri’s family archive section of the book.

-

Link to store in bio

23,3 x 28,1 cm
160 pages
Hardcover with silkscreen

#photobook #independentpublishing #photo_void

‘Sistermoon’ by Siri Kaur. Published by Void.

-

Artist Siri Kaur has been photographing her family for over 30 years, and her youngest sister, Simran, is the central focus of ‘Sistermoon’. Kaur’s photographs are combined with those from her family archive to create an unconventional album, illustrating the cycles of life and transformation, whilst questioning who observes, who is seen and who belongs.

Here, we highlight Siri’s family archive section of the book.

-

Link to store in bio

23,3 x 28,1 cm
160 pages
Hardcover with silkscreen

#photobook #independentpublishing #photo_void

‘Sistermoon’ by Siri Kaur. Published by Void.

-

Artist Siri Kaur has been photographing her family for over 30 years, and her youngest sister, Simran, is the central focus of ‘Sistermoon’. Kaur’s photographs are combined with those from her family archive to create an unconventional album, illustrating the cycles of life and transformation, whilst questioning who observes, who is seen and who belongs.

Here, we highlight Siri’s family archive section of the book.

-

Link to store in bio

23,3 x 28,1 cm
160 pages
Hardcover with silkscreen

#photobook #independentpublishing #photo_void

‘Sistermoon’ by Siri Kaur. Published by Void.

-

Artist Siri Kaur has been photographing her family for over 30 years, and her youngest sister, Simran, is the central focus of ‘Sistermoon’. Kaur’s photographs are combined with those from her family archive to create an unconventional album, illustrating the cycles of life and transformation, whilst questioning who observes, who is seen and who belongs.

Here, we highlight Siri’s family archive section of the book.

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Link to store in bio

23,3 x 28,1 cm
160 pages
Hardcover with silkscreen

#photobook #independentpublishing #photo_void

‘Genocídio do Yanomami’, by Claudia Andujar, considered one of the most significant voices in Brazilian photography.

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‘Genocídio do Yanomami’ (Yanomami Genocide) is a major monograph by Claudia Andujar, published by Void and developed in close collaboration with Galeria Vermelho (São Paulo, Brazil). It brings together an extensive body of previously unpublished photographs made between 1971 and 1989 among the Yanomami. Originally shot in black and white, Andujar rephotographed and re-illuminated these images in 1989, revealing new angles and distortions—reshaping their meaning and urgency for that moment and the years that followed. Alongside her artistic work, Andujar co-founded the Pro-Yanomami Commission in 1978 with Yanomami leader Davi Kopenawa, a 14-year effort that led to the demarcation of Yanomami Territory in 1992. Yet the struggle continues: illegal mining and state violence persist. This book bears witness to a people whose future has been continually threatened, and whose survival remains a fierce, ongoing resistance.

–

Link to store in bio

27,3 x 18 cm
176 pages
Hardcover with French folds

‘Genocídio do Yanomami’, by Claudia Andujar, considered one of the most significant voices in Brazilian photography.

–

‘Genocídio do Yanomami’ (Yanomami Genocide) is a major monograph by Claudia Andujar, published by Void and developed in close collaboration with Galeria Vermelho (São Paulo, Brazil). It brings together an extensive body of previously unpublished photographs made between 1971 and 1989 among the Yanomami. Originally shot in black and white, Andujar rephotographed and re-illuminated these images in 1989, revealing new angles and distortions—reshaping their meaning and urgency for that moment and the years that followed. Alongside her artistic work, Andujar co-founded the Pro-Yanomami Commission in 1978 with Yanomami leader Davi Kopenawa, a 14-year effort that led to the demarcation of Yanomami Territory in 1992. Yet the struggle continues: illegal mining and state violence persist. This book bears witness to a people whose future has been continually threatened, and whose survival remains a fierce, ongoing resistance.

–

Link to store in bio

27,3 x 18 cm
176 pages
Hardcover with French folds

‘Genocídio do Yanomami’, by Claudia Andujar, considered one of the most significant voices in Brazilian photography.

–

‘Genocídio do Yanomami’ (Yanomami Genocide) is a major monograph by Claudia Andujar, published by Void and developed in close collaboration with Galeria Vermelho (São Paulo, Brazil). It brings together an extensive body of previously unpublished photographs made between 1971 and 1989 among the Yanomami. Originally shot in black and white, Andujar rephotographed and re-illuminated these images in 1989, revealing new angles and distortions—reshaping their meaning and urgency for that moment and the years that followed. Alongside her artistic work, Andujar co-founded the Pro-Yanomami Commission in 1978 with Yanomami leader Davi Kopenawa, a 14-year effort that led to the demarcation of Yanomami Territory in 1992. Yet the struggle continues: illegal mining and state violence persist. This book bears witness to a people whose future has been continually threatened, and whose survival remains a fierce, ongoing resistance.

–

Link to store in bio

27,3 x 18 cm
176 pages
Hardcover with French folds

‘Genocídio do Yanomami’, by Claudia Andujar, considered one of the most significant voices in Brazilian photography.

–

‘Genocídio do Yanomami’ (Yanomami Genocide) is a major monograph by Claudia Andujar, published by Void and developed in close collaboration with Galeria Vermelho (São Paulo, Brazil). It brings together an extensive body of previously unpublished photographs made between 1971 and 1989 among the Yanomami. Originally shot in black and white, Andujar rephotographed and re-illuminated these images in 1989, revealing new angles and distortions—reshaping their meaning and urgency for that moment and the years that followed. Alongside her artistic work, Andujar co-founded the Pro-Yanomami Commission in 1978 with Yanomami leader Davi Kopenawa, a 14-year effort that led to the demarcation of Yanomami Territory in 1992. Yet the struggle continues: illegal mining and state violence persist. This book bears witness to a people whose future has been continually threatened, and whose survival remains a fierce, ongoing resistance.

–

Link to store in bio

27,3 x 18 cm
176 pages
Hardcover with French folds

‘Genocídio do Yanomami’, by Claudia Andujar, considered one of the most significant voices in Brazilian photography.

–

‘Genocídio do Yanomami’ (Yanomami Genocide) is a major monograph by Claudia Andujar, published by Void and developed in close collaboration with Galeria Vermelho (São Paulo, Brazil). It brings together an extensive body of previously unpublished photographs made between 1971 and 1989 among the Yanomami. Originally shot in black and white, Andujar rephotographed and re-illuminated these images in 1989, revealing new angles and distortions—reshaping their meaning and urgency for that moment and the years that followed. Alongside her artistic work, Andujar co-founded the Pro-Yanomami Commission in 1978 with Yanomami leader Davi Kopenawa, a 14-year effort that led to the demarcation of Yanomami Territory in 1992. Yet the struggle continues: illegal mining and state violence persist. This book bears witness to a people whose future has been continually threatened, and whose survival remains a fierce, ongoing resistance.

–

Link to store in bio

27,3 x 18 cm
176 pages
Hardcover with French folds

‘Genocídio do Yanomami’, by Claudia Andujar, considered one of the most significant voices in Brazilian photography.

–

‘Genocídio do Yanomami’ (Yanomami Genocide) is a major monograph by Claudia Andujar, published by Void and developed in close collaboration with Galeria Vermelho (São Paulo, Brazil). It brings together an extensive body of previously unpublished photographs made between 1971 and 1989 among the Yanomami. Originally shot in black and white, Andujar rephotographed and re-illuminated these images in 1989, revealing new angles and distortions—reshaping their meaning and urgency for that moment and the years that followed. Alongside her artistic work, Andujar co-founded the Pro-Yanomami Commission in 1978 with Yanomami leader Davi Kopenawa, a 14-year effort that led to the demarcation of Yanomami Territory in 1992. Yet the struggle continues: illegal mining and state violence persist. This book bears witness to a people whose future has been continually threatened, and whose survival remains a fierce, ongoing resistance.

–

Link to store in bio

27,3 x 18 cm
176 pages
Hardcover with French folds

‘Genocídio do Yanomami’, by Claudia Andujar, considered one of the most significant voices in Brazilian photography.

–

‘Genocídio do Yanomami’ (Yanomami Genocide) is a major monograph by Claudia Andujar, published by Void and developed in close collaboration with Galeria Vermelho (São Paulo, Brazil). It brings together an extensive body of previously unpublished photographs made between 1971 and 1989 among the Yanomami. Originally shot in black and white, Andujar rephotographed and re-illuminated these images in 1989, revealing new angles and distortions—reshaping their meaning and urgency for that moment and the years that followed. Alongside her artistic work, Andujar co-founded the Pro-Yanomami Commission in 1978 with Yanomami leader Davi Kopenawa, a 14-year effort that led to the demarcation of Yanomami Territory in 1992. Yet the struggle continues: illegal mining and state violence persist. This book bears witness to a people whose future has been continually threatened, and whose survival remains a fierce, ongoing resistance.

–

Link to store in bio

27,3 x 18 cm
176 pages
Hardcover with French folds

‘Genocídio do Yanomami’, by Claudia Andujar, considered one of the most significant voices in Brazilian photography.

–

‘Genocídio do Yanomami’ (Yanomami Genocide) is a major monograph by Claudia Andujar, published by Void and developed in close collaboration with Galeria Vermelho (São Paulo, Brazil). It brings together an extensive body of previously unpublished photographs made between 1971 and 1989 among the Yanomami. Originally shot in black and white, Andujar rephotographed and re-illuminated these images in 1989, revealing new angles and distortions—reshaping their meaning and urgency for that moment and the years that followed. Alongside her artistic work, Andujar co-founded the Pro-Yanomami Commission in 1978 with Yanomami leader Davi Kopenawa, a 14-year effort that led to the demarcation of Yanomami Territory in 1992. Yet the struggle continues: illegal mining and state violence persist. This book bears witness to a people whose future has been continually threatened, and whose survival remains a fierce, ongoing resistance.

–

Link to store in bio

27,3 x 18 cm
176 pages
Hardcover with French folds

‘Genocídio do Yanomami’, by Claudia Andujar, considered one of the most significant voices in Brazilian photography.

–

‘Genocídio do Yanomami’ (Yanomami Genocide) is a major monograph by Claudia Andujar, published by Void and developed in close collaboration with Galeria Vermelho (São Paulo, Brazil). It brings together an extensive body of previously unpublished photographs made between 1971 and 1989 among the Yanomami. Originally shot in black and white, Andujar rephotographed and re-illuminated these images in 1989, revealing new angles and distortions—reshaping their meaning and urgency for that moment and the years that followed. Alongside her artistic work, Andujar co-founded the Pro-Yanomami Commission in 1978 with Yanomami leader Davi Kopenawa, a 14-year effort that led to the demarcation of Yanomami Territory in 1992. Yet the struggle continues: illegal mining and state violence persist. This book bears witness to a people whose future has been continually threatened, and whose survival remains a fierce, ongoing resistance.

–

Link to store in bio

27,3 x 18 cm
176 pages
Hardcover with French folds

‘Genocídio do Yanomami’, by Claudia Andujar, considered one of the most significant voices in Brazilian photography.

–

‘Genocídio do Yanomami’ (Yanomami Genocide) is a major monograph by Claudia Andujar, published by Void and developed in close collaboration with Galeria Vermelho (São Paulo, Brazil). It brings together an extensive body of previously unpublished photographs made between 1971 and 1989 among the Yanomami. Originally shot in black and white, Andujar rephotographed and re-illuminated these images in 1989, revealing new angles and distortions—reshaping their meaning and urgency for that moment and the years that followed. Alongside her artistic work, Andujar co-founded the Pro-Yanomami Commission in 1978 with Yanomami leader Davi Kopenawa, a 14-year effort that led to the demarcation of Yanomami Territory in 1992. Yet the struggle continues: illegal mining and state violence persist. This book bears witness to a people whose future has been continually threatened, and whose survival remains a fierce, ongoing resistance.

–

Link to store in bio

27,3 x 18 cm
176 pages
Hardcover with French folds

‘Dimma Brume Mist’, a monumental new book by JH Engström.

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“This work is an overview of the main lines in my archive. It approaches the oscillation between rural and urban, and between opposing yet complementary elements, emotions and thoughts. Also, between the images and the words. My perspective is that of the observer rather than that of an active participant.
All the images in this book have been directly scanned from the contact sheets, and none of the images in the 672-page book has previously been published.” — JH Engström

-

Link to store in bio

20,2 x 25 cm
672 pages
Softcover

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’, a monumental new book by JH Engström.

-

“This work is an overview of the main lines in my archive. It approaches the oscillation between rural and urban, and between opposing yet complementary elements, emotions and thoughts. Also, between the images and the words. My perspective is that of the observer rather than that of an active participant.
All the images in this book have been directly scanned from the contact sheets, and none of the images in the 672-page book has previously been published.” — JH Engström

-

Link to store in bio

20,2 x 25 cm
672 pages
Softcover

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’, a monumental new book by JH Engström.

-

“This work is an overview of the main lines in my archive. It approaches the oscillation between rural and urban, and between opposing yet complementary elements, emotions and thoughts. Also, between the images and the words. My perspective is that of the observer rather than that of an active participant.
All the images in this book have been directly scanned from the contact sheets, and none of the images in the 672-page book has previously been published.” — JH Engström

-

Link to store in bio

20,2 x 25 cm
672 pages
Softcover

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’, a monumental new book by JH Engström.

-

“This work is an overview of the main lines in my archive. It approaches the oscillation between rural and urban, and between opposing yet complementary elements, emotions and thoughts. Also, between the images and the words. My perspective is that of the observer rather than that of an active participant.
All the images in this book have been directly scanned from the contact sheets, and none of the images in the 672-page book has previously been published.” — JH Engström

-

Link to store in bio

20,2 x 25 cm
672 pages
Softcover

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’, a monumental new book by JH Engström.

-

“This work is an overview of the main lines in my archive. It approaches the oscillation between rural and urban, and between opposing yet complementary elements, emotions and thoughts. Also, between the images and the words. My perspective is that of the observer rather than that of an active participant.
All the images in this book have been directly scanned from the contact sheets, and none of the images in the 672-page book has previously been published.” — JH Engström

-

Link to store in bio

20,2 x 25 cm
672 pages
Softcover

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’, a monumental new book by JH Engström.

-

“This work is an overview of the main lines in my archive. It approaches the oscillation between rural and urban, and between opposing yet complementary elements, emotions and thoughts. Also, between the images and the words. My perspective is that of the observer rather than that of an active participant.
All the images in this book have been directly scanned from the contact sheets, and none of the images in the 672-page book has previously been published.” — JH Engström

-

Link to store in bio

20,2 x 25 cm
672 pages
Softcover

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’, a monumental new book by JH Engström.

-

“This work is an overview of the main lines in my archive. It approaches the oscillation between rural and urban, and between opposing yet complementary elements, emotions and thoughts. Also, between the images and the words. My perspective is that of the observer rather than that of an active participant.
All the images in this book have been directly scanned from the contact sheets, and none of the images in the 672-page book has previously been published.” — JH Engström

-

Link to store in bio

20,2 x 25 cm
672 pages
Softcover

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’, a monumental new book by JH Engström.

-

“This work is an overview of the main lines in my archive. It approaches the oscillation between rural and urban, and between opposing yet complementary elements, emotions and thoughts. Also, between the images and the words. My perspective is that of the observer rather than that of an active participant.
All the images in this book have been directly scanned from the contact sheets, and none of the images in the 672-page book has previously been published.” — JH Engström

-

Link to store in bio

20,2 x 25 cm
672 pages
Softcover

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’, a monumental new book by JH Engström.

-

“This work is an overview of the main lines in my archive. It approaches the oscillation between rural and urban, and between opposing yet complementary elements, emotions and thoughts. Also, between the images and the words. My perspective is that of the observer rather than that of an active participant.
All the images in this book have been directly scanned from the contact sheets, and none of the images in the 672-page book has previously been published.” — JH Engström

-

Link to store in bio

20,2 x 25 cm
672 pages
Softcover

#jhengstrom #independentpublishing #photo_void

‘Dimma Brume Mist’, a monumental new book by JH Engström.

-

“This work is an overview of the main lines in my archive. It approaches the oscillation between rural and urban, and between opposing yet complementary elements, emotions and thoughts. Also, between the images and the words. My perspective is that of the observer rather than that of an active participant.
All the images in this book have been directly scanned from the contact sheets, and none of the images in the 672-page book has previously been published.” — JH Engström

-

Link to store in bio

20,2 x 25 cm
672 pages
Softcover

#jhengstrom #independentpublishing #photo_void

We are down to the last 10 copies of ‘The Color of Money and Trees’ by Tony Dočekal. Published by Void.

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“For six years, I returned to the American West, a region mythologised for its freedom and opportunity, meeting people who defy the norm. ‘The Color of Money and Trees’ became a journey of self-discovery, questioning who we are versus what others expect us to be.” — Tony Docekal

-

Link to store in bio

17,3 x 21,6 cm
96 pages
Silkscreened Cloth Hardcover

#photobook #independentpublishing #photo_void

We are down to the last 10 copies of ‘The Color of Money and Trees’ by Tony Dočekal. Published by Void.

-

“For six years, I returned to the American West, a region mythologised for its freedom and opportunity, meeting people who defy the norm. ‘The Color of Money and Trees’ became a journey of self-discovery, questioning who we are versus what others expect us to be.” — Tony Docekal

-

Link to store in bio

17,3 x 21,6 cm
96 pages
Silkscreened Cloth Hardcover

#photobook #independentpublishing #photo_void

We are down to the last 10 copies of ‘The Color of Money and Trees’ by Tony Dočekal. Published by Void.

-

“For six years, I returned to the American West, a region mythologised for its freedom and opportunity, meeting people who defy the norm. ‘The Color of Money and Trees’ became a journey of self-discovery, questioning who we are versus what others expect us to be.” — Tony Docekal

-

Link to store in bio

17,3 x 21,6 cm
96 pages
Silkscreened Cloth Hardcover

#photobook #independentpublishing #photo_void

We are down to the last 10 copies of ‘The Color of Money and Trees’ by Tony Dočekal. Published by Void.

-

“For six years, I returned to the American West, a region mythologised for its freedom and opportunity, meeting people who defy the norm. ‘The Color of Money and Trees’ became a journey of self-discovery, questioning who we are versus what others expect us to be.” — Tony Docekal

-

Link to store in bio

17,3 x 21,6 cm
96 pages
Silkscreened Cloth Hardcover

#photobook #independentpublishing #photo_void

We are down to the last 10 copies of ‘The Color of Money and Trees’ by Tony Dočekal. Published by Void.

-

“For six years, I returned to the American West, a region mythologised for its freedom and opportunity, meeting people who defy the norm. ‘The Color of Money and Trees’ became a journey of self-discovery, questioning who we are versus what others expect us to be.” — Tony Docekal

-

Link to store in bio

17,3 x 21,6 cm
96 pages
Silkscreened Cloth Hardcover

#photobook #independentpublishing #photo_void

We are down to the last 10 copies of ‘The Color of Money and Trees’ by Tony Dočekal. Published by Void.

-

“For six years, I returned to the American West, a region mythologised for its freedom and opportunity, meeting people who defy the norm. ‘The Color of Money and Trees’ became a journey of self-discovery, questioning who we are versus what others expect us to be.” — Tony Docekal

-

Link to store in bio

17,3 x 21,6 cm
96 pages
Silkscreened Cloth Hardcover

#photobook #independentpublishing #photo_void

We are down to the last 10 copies of ‘The Color of Money and Trees’ by Tony Dočekal. Published by Void.

-

“For six years, I returned to the American West, a region mythologised for its freedom and opportunity, meeting people who defy the norm. ‘The Color of Money and Trees’ became a journey of self-discovery, questioning who we are versus what others expect us to be.” — Tony Docekal

-

Link to store in bio

17,3 x 21,6 cm
96 pages
Silkscreened Cloth Hardcover

#photobook #independentpublishing #photo_void

We are down to the last 10 copies of ‘The Color of Money and Trees’ by Tony Dočekal. Published by Void.

-

“For six years, I returned to the American West, a region mythologised for its freedom and opportunity, meeting people who defy the norm. ‘The Color of Money and Trees’ became a journey of self-discovery, questioning who we are versus what others expect us to be.” — Tony Docekal

-

Link to store in bio

17,3 x 21,6 cm
96 pages
Silkscreened Cloth Hardcover

#photobook #independentpublishing #photo_void

We are down to the last 10 copies of ‘The Color of Money and Trees’ by Tony Dočekal. Published by Void.

-

“For six years, I returned to the American West, a region mythologised for its freedom and opportunity, meeting people who defy the norm. ‘The Color of Money and Trees’ became a journey of self-discovery, questioning who we are versus what others expect us to be.” — Tony Docekal

-

Link to store in bio

17,3 x 21,6 cm
96 pages
Silkscreened Cloth Hardcover

#photobook #independentpublishing #photo_void

We are down to the last 10 copies of ‘The Color of Money and Trees’ by Tony Dočekal. Published by Void.

-

“For six years, I returned to the American West, a region mythologised for its freedom and opportunity, meeting people who defy the norm. ‘The Color of Money and Trees’ became a journey of self-discovery, questioning who we are versus what others expect us to be.” — Tony Docekal

-

Link to store in bio

17,3 x 21,6 cm
96 pages
Silkscreened Cloth Hardcover

#photobook #independentpublishing #photo_void

📢🚨 Postponed until the 18th.

For the last six months, Void has been collaborating with the National Gallery (Alexandros Soutsos Museum) on the graphic design for Natasa Biza’s exhibition, ‘Changing Grounds – Stories Beyond The Record’ curated by Elpiniki Meintani. Having designed the show’s complete visual identity—from the initial leaflets to the final catalogue—we are pleased to invite you to the official launch of the exhibition catalogue.

-

The event will take place on April 1st at 19:00 at the National Gallery. If you are in Athens, please join the director, Syrago Tsiara, Natasa, Elpiniki, and Void to celebrate the publication.

📢🚨 Postponed until the 18th.

For the last six months, Void has been collaborating with the National Gallery (Alexandros Soutsos Museum) on the graphic design for Natasa Biza’s exhibition, ‘Changing Grounds – Stories Beyond The Record’ curated by Elpiniki Meintani. Having designed the show’s complete visual identity—from the initial leaflets to the final catalogue—we are pleased to invite you to the official launch of the exhibition catalogue.

-

The event will take place on April 1st at 19:00 at the National Gallery. If you are in Athens, please join the director, Syrago Tsiara, Natasa, Elpiniki, and Void to celebrate the publication.

📢🚨 Postponed until the 18th.

For the last six months, Void has been collaborating with the National Gallery (Alexandros Soutsos Museum) on the graphic design for Natasa Biza’s exhibition, ‘Changing Grounds – Stories Beyond The Record’ curated by Elpiniki Meintani. Having designed the show’s complete visual identity—from the initial leaflets to the final catalogue—we are pleased to invite you to the official launch of the exhibition catalogue.

-

The event will take place on April 1st at 19:00 at the National Gallery. If you are in Athens, please join the director, Syrago Tsiara, Natasa, Elpiniki, and Void to celebrate the publication.

📢🚨 Postponed until the 18th.

For the last six months, Void has been collaborating with the National Gallery (Alexandros Soutsos Museum) on the graphic design for Natasa Biza’s exhibition, ‘Changing Grounds – Stories Beyond The Record’ curated by Elpiniki Meintani. Having designed the show’s complete visual identity—from the initial leaflets to the final catalogue—we are pleased to invite you to the official launch of the exhibition catalogue.

-

The event will take place on April 1st at 19:00 at the National Gallery. If you are in Athens, please join the director, Syrago Tsiara, Natasa, Elpiniki, and Void to celebrate the publication.

‘As Long as the Sun Lasts’ by Joselito Verschaeve, published by Void.

–

In this post, the last pages of ‘As Long as the Sun Lasts’: a visual index of the publication’s contente, and a guide to different narratives and endings of the book.

“The title can be read very optimistically: to keep creating as long as time allows it. But at the same time, it carries a dystopian undertone—that things could end at any given time.” — Joselito Verschaeve

–

Link to store in Void’s bio

17,1 x 24,4 cm
144 pages
Hardcover with French folds

#photobook #independentpublishing #photo_void

‘As Long as the Sun Lasts’ by Joselito Verschaeve, published by Void.

–

In this post, the last pages of ‘As Long as the Sun Lasts’: a visual index of the publication’s contente, and a guide to different narratives and endings of the book.

“The title can be read very optimistically: to keep creating as long as time allows it. But at the same time, it carries a dystopian undertone—that things could end at any given time.” — Joselito Verschaeve

–

Link to store in Void’s bio

17,1 x 24,4 cm
144 pages
Hardcover with French folds

#photobook #independentpublishing #photo_void

‘As Long as the Sun Lasts’ by Joselito Verschaeve, published by Void.

–

In this post, the last pages of ‘As Long as the Sun Lasts’: a visual index of the publication’s contente, and a guide to different narratives and endings of the book.

“The title can be read very optimistically: to keep creating as long as time allows it. But at the same time, it carries a dystopian undertone—that things could end at any given time.” — Joselito Verschaeve

–

Link to store in Void’s bio

17,1 x 24,4 cm
144 pages
Hardcover with French folds

#photobook #independentpublishing #photo_void

‘As Long as the Sun Lasts’ by Joselito Verschaeve, published by Void.

–

In this post, the last pages of ‘As Long as the Sun Lasts’: a visual index of the publication’s contente, and a guide to different narratives and endings of the book.

“The title can be read very optimistically: to keep creating as long as time allows it. But at the same time, it carries a dystopian undertone—that things could end at any given time.” — Joselito Verschaeve

–

Link to store in Void’s bio

17,1 x 24,4 cm
144 pages
Hardcover with French folds

#photobook #independentpublishing #photo_void

‘As Long as the Sun Lasts’ by Joselito Verschaeve, published by Void.

–

In this post, the last pages of ‘As Long as the Sun Lasts’: a visual index of the publication’s contente, and a guide to different narratives and endings of the book.

“The title can be read very optimistically: to keep creating as long as time allows it. But at the same time, it carries a dystopian undertone—that things could end at any given time.” — Joselito Verschaeve

–

Link to store in Void’s bio

17,1 x 24,4 cm
144 pages
Hardcover with French folds

#photobook #independentpublishing #photo_void

‘As Long as the Sun Lasts’ by Joselito Verschaeve, published by Void.

–

In this post, the last pages of ‘As Long as the Sun Lasts’: a visual index of the publication’s contente, and a guide to different narratives and endings of the book.

“The title can be read very optimistically: to keep creating as long as time allows it. But at the same time, it carries a dystopian undertone—that things could end at any given time.” — Joselito Verschaeve

–

Link to store in Void’s bio

17,1 x 24,4 cm
144 pages
Hardcover with French folds

#photobook #independentpublishing #photo_void

‘As Long as the Sun Lasts’ by Joselito Verschaeve, published by Void.

–

In this post, the last pages of ‘As Long as the Sun Lasts’: a visual index of the publication’s contente, and a guide to different narratives and endings of the book.

“The title can be read very optimistically: to keep creating as long as time allows it. But at the same time, it carries a dystopian undertone—that things could end at any given time.” — Joselito Verschaeve

–

Link to store in Void’s bio

17,1 x 24,4 cm
144 pages
Hardcover with French folds

#photobook #independentpublishing #photo_void

‘As Long as the Sun Lasts’ by Joselito Verschaeve, published by Void.

–

In this post, the last pages of ‘As Long as the Sun Lasts’: a visual index of the publication’s contente, and a guide to different narratives and endings of the book.

“The title can be read very optimistically: to keep creating as long as time allows it. But at the same time, it carries a dystopian undertone—that things could end at any given time.” — Joselito Verschaeve

–

Link to store in Void’s bio

17,1 x 24,4 cm
144 pages
Hardcover with French folds

#photobook #independentpublishing #photo_void

‘As Long as the Sun Lasts’ by Joselito Verschaeve, published by Void.

–

In this post, the last pages of ‘As Long as the Sun Lasts’: a visual index of the publication’s contente, and a guide to different narratives and endings of the book.

“The title can be read very optimistically: to keep creating as long as time allows it. But at the same time, it carries a dystopian undertone—that things could end at any given time.” — Joselito Verschaeve

–

Link to store in Void’s bio

17,1 x 24,4 cm
144 pages
Hardcover with French folds

#photobook #independentpublishing #photo_void

‘As Long as the Sun Lasts’ by Joselito Verschaeve, published by Void.

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In this post, the last pages of ‘As Long as the Sun Lasts’: a visual index of the publication’s contente, and a guide to different narratives and endings of the book.

“The title can be read very optimistically: to keep creating as long as time allows it. But at the same time, it carries a dystopian undertone—that things could end at any given time.” — Joselito Verschaeve

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Link to store in Void’s bio

17,1 x 24,4 cm
144 pages
Hardcover with French folds

#photobook #independentpublishing #photo_void

From Void’s back catalogue: ‘Half-Light’ by Loïc Seguin.

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“The harsh flash is unapologetic and exposes all irregularities, thus echoing the unpolished faces that serve as metaphoric expression of their crude urban environment.” — GUP Magazine

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Link to store in bio

13 x 19,5 cm
176 pages
Tipped in photograph on hardcover

#loicseguin #independentpublishing #photo_void

Hey! This is @andrea.koesters and welcome to day 5 of sharing my favorite books with you all. This is Sistermoon by Siri Kaur. 🌟

Sistermoon feels less like a book you view and more like a world you enter. It’s an intimate and shifting space built from years of looking closely at one person, and ties to an entire family’s history. Siri’s photographs carry a vibrant tenderness, but also a sense of curiosity that never settles. Her sister Simran appears and reappears across time and we witness her transforming through the years. The blending of her family archive with Kaur’s own images creates a layered, nonlinear story. Here in these pages, past and present cave into each other and memory becomes something presently unfolding.

What stays with me most is the sense of trust embedded in the work. There’s a gentleness in how Siri navigates closeness. We see how the act of documenting becomes both a way of witnessing and of staying connected, even across distance or time. The presence of the landscape and other vivid, symbolic details gives the book a wonderful sense of magic. Sistermoon ultimately feels like a meditation on what it means to grow alongside someone, to see and be seen over time, and to hold onto that bond within an ever-changing world.

@sirikaur @photo_void

Hey! This is @andrea.koesters and welcome to day 5 of sharing my favorite books with you all. This is Sistermoon by Siri Kaur. 🌟

Sistermoon feels less like a book you view and more like a world you enter. It’s an intimate and shifting space built from years of looking closely at one person, and ties to an entire family’s history. Siri’s photographs carry a vibrant tenderness, but also a sense of curiosity that never settles. Her sister Simran appears and reappears across time and we witness her transforming through the years. The blending of her family archive with Kaur’s own images creates a layered, nonlinear story. Here in these pages, past and present cave into each other and memory becomes something presently unfolding.

What stays with me most is the sense of trust embedded in the work. There’s a gentleness in how Siri navigates closeness. We see how the act of documenting becomes both a way of witnessing and of staying connected, even across distance or time. The presence of the landscape and other vivid, symbolic details gives the book a wonderful sense of magic. Sistermoon ultimately feels like a meditation on what it means to grow alongside someone, to see and be seen over time, and to hold onto that bond within an ever-changing world.

@sirikaur @photo_void

Hey! This is @andrea.koesters and welcome to day 5 of sharing my favorite books with you all. This is Sistermoon by Siri Kaur. 🌟

Sistermoon feels less like a book you view and more like a world you enter. It’s an intimate and shifting space built from years of looking closely at one person, and ties to an entire family’s history. Siri’s photographs carry a vibrant tenderness, but also a sense of curiosity that never settles. Her sister Simran appears and reappears across time and we witness her transforming through the years. The blending of her family archive with Kaur’s own images creates a layered, nonlinear story. Here in these pages, past and present cave into each other and memory becomes something presently unfolding.

What stays with me most is the sense of trust embedded in the work. There’s a gentleness in how Siri navigates closeness. We see how the act of documenting becomes both a way of witnessing and of staying connected, even across distance or time. The presence of the landscape and other vivid, symbolic details gives the book a wonderful sense of magic. Sistermoon ultimately feels like a meditation on what it means to grow alongside someone, to see and be seen over time, and to hold onto that bond within an ever-changing world.

@sirikaur @photo_void

Hey! This is @andrea.koesters and welcome to day 5 of sharing my favorite books with you all. This is Sistermoon by Siri Kaur. 🌟

Sistermoon feels less like a book you view and more like a world you enter. It’s an intimate and shifting space built from years of looking closely at one person, and ties to an entire family’s history. Siri’s photographs carry a vibrant tenderness, but also a sense of curiosity that never settles. Her sister Simran appears and reappears across time and we witness her transforming through the years. The blending of her family archive with Kaur’s own images creates a layered, nonlinear story. Here in these pages, past and present cave into each other and memory becomes something presently unfolding.

What stays with me most is the sense of trust embedded in the work. There’s a gentleness in how Siri navigates closeness. We see how the act of documenting becomes both a way of witnessing and of staying connected, even across distance or time. The presence of the landscape and other vivid, symbolic details gives the book a wonderful sense of magic. Sistermoon ultimately feels like a meditation on what it means to grow alongside someone, to see and be seen over time, and to hold onto that bond within an ever-changing world.

@sirikaur @photo_void

Hey! This is @andrea.koesters and welcome to day 5 of sharing my favorite books with you all. This is Sistermoon by Siri Kaur. 🌟

Sistermoon feels less like a book you view and more like a world you enter. It’s an intimate and shifting space built from years of looking closely at one person, and ties to an entire family’s history. Siri’s photographs carry a vibrant tenderness, but also a sense of curiosity that never settles. Her sister Simran appears and reappears across time and we witness her transforming through the years. The blending of her family archive with Kaur’s own images creates a layered, nonlinear story. Here in these pages, past and present cave into each other and memory becomes something presently unfolding.

What stays with me most is the sense of trust embedded in the work. There’s a gentleness in how Siri navigates closeness. We see how the act of documenting becomes both a way of witnessing and of staying connected, even across distance or time. The presence of the landscape and other vivid, symbolic details gives the book a wonderful sense of magic. Sistermoon ultimately feels like a meditation on what it means to grow alongside someone, to see and be seen over time, and to hold onto that bond within an ever-changing world.

@sirikaur @photo_void

Hey! This is @andrea.koesters and welcome to day 5 of sharing my favorite books with you all. This is Sistermoon by Siri Kaur. 🌟

Sistermoon feels less like a book you view and more like a world you enter. It’s an intimate and shifting space built from years of looking closely at one person, and ties to an entire family’s history. Siri’s photographs carry a vibrant tenderness, but also a sense of curiosity that never settles. Her sister Simran appears and reappears across time and we witness her transforming through the years. The blending of her family archive with Kaur’s own images creates a layered, nonlinear story. Here in these pages, past and present cave into each other and memory becomes something presently unfolding.

What stays with me most is the sense of trust embedded in the work. There’s a gentleness in how Siri navigates closeness. We see how the act of documenting becomes both a way of witnessing and of staying connected, even across distance or time. The presence of the landscape and other vivid, symbolic details gives the book a wonderful sense of magic. Sistermoon ultimately feels like a meditation on what it means to grow alongside someone, to see and be seen over time, and to hold onto that bond within an ever-changing world.

@sirikaur @photo_void

Hey! This is @andrea.koesters and welcome to day 5 of sharing my favorite books with you all. This is Sistermoon by Siri Kaur. 🌟

Sistermoon feels less like a book you view and more like a world you enter. It’s an intimate and shifting space built from years of looking closely at one person, and ties to an entire family’s history. Siri’s photographs carry a vibrant tenderness, but also a sense of curiosity that never settles. Her sister Simran appears and reappears across time and we witness her transforming through the years. The blending of her family archive with Kaur’s own images creates a layered, nonlinear story. Here in these pages, past and present cave into each other and memory becomes something presently unfolding.

What stays with me most is the sense of trust embedded in the work. There’s a gentleness in how Siri navigates closeness. We see how the act of documenting becomes both a way of witnessing and of staying connected, even across distance or time. The presence of the landscape and other vivid, symbolic details gives the book a wonderful sense of magic. Sistermoon ultimately feels like a meditation on what it means to grow alongside someone, to see and be seen over time, and to hold onto that bond within an ever-changing world.

@sirikaur @photo_void

Hey! This is @andrea.koesters and welcome to day 5 of sharing my favorite books with you all. This is Sistermoon by Siri Kaur. 🌟

Sistermoon feels less like a book you view and more like a world you enter. It’s an intimate and shifting space built from years of looking closely at one person, and ties to an entire family’s history. Siri’s photographs carry a vibrant tenderness, but also a sense of curiosity that never settles. Her sister Simran appears and reappears across time and we witness her transforming through the years. The blending of her family archive with Kaur’s own images creates a layered, nonlinear story. Here in these pages, past and present cave into each other and memory becomes something presently unfolding.

What stays with me most is the sense of trust embedded in the work. There’s a gentleness in how Siri navigates closeness. We see how the act of documenting becomes both a way of witnessing and of staying connected, even across distance or time. The presence of the landscape and other vivid, symbolic details gives the book a wonderful sense of magic. Sistermoon ultimately feels like a meditation on what it means to grow alongside someone, to see and be seen over time, and to hold onto that bond within an ever-changing world.

@sirikaur @photo_void

Hey! This is @andrea.koesters and welcome to day 5 of sharing my favorite books with you all. This is Sistermoon by Siri Kaur. 🌟

Sistermoon feels less like a book you view and more like a world you enter. It’s an intimate and shifting space built from years of looking closely at one person, and ties to an entire family’s history. Siri’s photographs carry a vibrant tenderness, but also a sense of curiosity that never settles. Her sister Simran appears and reappears across time and we witness her transforming through the years. The blending of her family archive with Kaur’s own images creates a layered, nonlinear story. Here in these pages, past and present cave into each other and memory becomes something presently unfolding.

What stays with me most is the sense of trust embedded in the work. There’s a gentleness in how Siri navigates closeness. We see how the act of documenting becomes both a way of witnessing and of staying connected, even across distance or time. The presence of the landscape and other vivid, symbolic details gives the book a wonderful sense of magic. Sistermoon ultimately feels like a meditation on what it means to grow alongside someone, to see and be seen over time, and to hold onto that bond within an ever-changing world.

@sirikaur @photo_void

Hey! This is @andrea.koesters and welcome to day 5 of sharing my favorite books with you all. This is Sistermoon by Siri Kaur. 🌟

Sistermoon feels less like a book you view and more like a world you enter. It’s an intimate and shifting space built from years of looking closely at one person, and ties to an entire family’s history. Siri’s photographs carry a vibrant tenderness, but also a sense of curiosity that never settles. Her sister Simran appears and reappears across time and we witness her transforming through the years. The blending of her family archive with Kaur’s own images creates a layered, nonlinear story. Here in these pages, past and present cave into each other and memory becomes something presently unfolding.

What stays with me most is the sense of trust embedded in the work. There’s a gentleness in how Siri navigates closeness. We see how the act of documenting becomes both a way of witnessing and of staying connected, even across distance or time. The presence of the landscape and other vivid, symbolic details gives the book a wonderful sense of magic. Sistermoon ultimately feels like a meditation on what it means to grow alongside someone, to see and be seen over time, and to hold onto that bond within an ever-changing world.

@sirikaur @photo_void

Hey! This is @andrea.koesters and welcome to day 5 of sharing my favorite books with you all. This is Sistermoon by Siri Kaur. 🌟

Sistermoon feels less like a book you view and more like a world you enter. It’s an intimate and shifting space built from years of looking closely at one person, and ties to an entire family’s history. Siri’s photographs carry a vibrant tenderness, but also a sense of curiosity that never settles. Her sister Simran appears and reappears across time and we witness her transforming through the years. The blending of her family archive with Kaur’s own images creates a layered, nonlinear story. Here in these pages, past and present cave into each other and memory becomes something presently unfolding.

What stays with me most is the sense of trust embedded in the work. There’s a gentleness in how Siri navigates closeness. We see how the act of documenting becomes both a way of witnessing and of staying connected, even across distance or time. The presence of the landscape and other vivid, symbolic details gives the book a wonderful sense of magic. Sistermoon ultimately feels like a meditation on what it means to grow alongside someone, to see and be seen over time, and to hold onto that bond within an ever-changing world.

@sirikaur @photo_void

Hey! This is @andrea.koesters and welcome to day 5 of sharing my favorite books with you all. This is Sistermoon by Siri Kaur. 🌟

Sistermoon feels less like a book you view and more like a world you enter. It’s an intimate and shifting space built from years of looking closely at one person, and ties to an entire family’s history. Siri’s photographs carry a vibrant tenderness, but also a sense of curiosity that never settles. Her sister Simran appears and reappears across time and we witness her transforming through the years. The blending of her family archive with Kaur’s own images creates a layered, nonlinear story. Here in these pages, past and present cave into each other and memory becomes something presently unfolding.

What stays with me most is the sense of trust embedded in the work. There’s a gentleness in how Siri navigates closeness. We see how the act of documenting becomes both a way of witnessing and of staying connected, even across distance or time. The presence of the landscape and other vivid, symbolic details gives the book a wonderful sense of magic. Sistermoon ultimately feels like a meditation on what it means to grow alongside someone, to see and be seen over time, and to hold onto that bond within an ever-changing world.

@sirikaur @photo_void

Hey! This is @andrea.koesters and welcome to day 5 of sharing my favorite books with you all. This is Sistermoon by Siri Kaur. 🌟

Sistermoon feels less like a book you view and more like a world you enter. It’s an intimate and shifting space built from years of looking closely at one person, and ties to an entire family’s history. Siri’s photographs carry a vibrant tenderness, but also a sense of curiosity that never settles. Her sister Simran appears and reappears across time and we witness her transforming through the years. The blending of her family archive with Kaur’s own images creates a layered, nonlinear story. Here in these pages, past and present cave into each other and memory becomes something presently unfolding.

What stays with me most is the sense of trust embedded in the work. There’s a gentleness in how Siri navigates closeness. We see how the act of documenting becomes both a way of witnessing and of staying connected, even across distance or time. The presence of the landscape and other vivid, symbolic details gives the book a wonderful sense of magic. Sistermoon ultimately feels like a meditation on what it means to grow alongside someone, to see and be seen over time, and to hold onto that bond within an ever-changing world.

@sirikaur @photo_void