Bits of process with @emmapoyer 📹🌀✨
#behindthescenes #dancefilm #movement #immersiveart

Channel - Walk - Stop - Turn - Channel - Walk - Stop - Turn - Channel - Walk - Stop - Turn
I read this somewhere. This is a research post.
Right now I feel more like a person and less like a machine.

Channel - Walk - Stop - Turn - Channel - Walk - Stop - Turn - Channel - Walk - Stop - Turn
I read this somewhere. This is a research post.
Right now I feel more like a person and less like a machine.

Channel - Walk - Stop - Turn - Channel - Walk - Stop - Turn - Channel - Walk - Stop - Turn
I read this somewhere. This is a research post.
Right now I feel more like a person and less like a machine.
Cycles (2025) an immersive 360° virtual reality dance film Ventcislava Nekova (@ventciii / @ventciful )as a part of MA Digital Direction (@rca_digitaldirection )
The bodies we bring into virtual environments, our physical, social, and present selves, carry with them the norms and rules of the material world, shaping how we move, interact, and perceive within immersive spaces. With Cycles, we explore how dance and immersive technology can reveal the invisible structures of control that shape movement and identity in a setting known by everyone: the dining table.
The project combines dance, projection, and sound to surface internalised power structures and reimagine digital space as a site of embodied resistance. Rooted in feminist theory, performance studies, and immersive tech, it questions how familiar domestic settings like the dining table become sites of discipline and repetition. Developed collaboratively with dancer Emma Poyer (@emmapoyer), Cycles invites audiences into an intimate, affective encounter with control, memory, and transformation.
This was made using Unity, Adobe Premiere Pro, After Effects, and Adobe Audition, filmed on a Black Magic 4K camera. Technical support by Rodrigo Canas, Kitty Choi, Charlotte Raymen, Kyle Ramsay, and Joe Hirst.
The work premiered on 2nd July 2025 at Frameless Gallery.
#VRArt #ImmersiveDance #360Film #EmbodiedResistance #DigitalPerformance #FeministArt #Biopolitics #CyclesVR #FramelessLondon #RCADigitalDirection #DegreeShow2025
Cycles (2025) an immersive 360° virtual reality dance film Ventcislava Nekova (@ventciii / @ventciful )as a part of MA Digital Direction (@rca_digitaldirection )
The bodies we bring into virtual environments, our physical, social, and present selves, carry with them the norms and rules of the material world, shaping how we move, interact, and perceive within immersive spaces. With Cycles, we explore how dance and immersive technology can reveal the invisible structures of control that shape movement and identity in a setting known by everyone: the dining table.
The project combines dance, projection, and sound to surface internalised power structures and reimagine digital space as a site of embodied resistance. Rooted in feminist theory, performance studies, and immersive tech, it questions how familiar domestic settings like the dining table become sites of discipline and repetition. Developed collaboratively with dancer Emma Poyer (@emmapoyer), Cycles invites audiences into an intimate, affective encounter with control, memory, and transformation.
This was made using Unity, Adobe Premiere Pro, After Effects, and Adobe Audition, filmed on a Black Magic 4K camera. Technical support by Rodrigo Canas, Kitty Choi, Charlotte Raymen, Kyle Ramsay, and Joe Hirst.
The work premiered on 2nd July 2025 at Frameless Gallery.
#VRArt #ImmersiveDance #360Film #EmbodiedResistance #DigitalPerformance #FeministArt #Biopolitics #CyclesVR #FramelessLondon #RCADigitalDirection #DegreeShow2025

Cycles (2025) an immersive 360° virtual reality dance film Ventcislava Nekova (@ventciii / @ventciful )as a part of MA Digital Direction (@rca_digitaldirection )
The bodies we bring into virtual environments, our physical, social, and present selves, carry with them the norms and rules of the material world, shaping how we move, interact, and perceive within immersive spaces. With Cycles, we explore how dance and immersive technology can reveal the invisible structures of control that shape movement and identity in a setting known by everyone: the dining table.
The project combines dance, projection, and sound to surface internalised power structures and reimagine digital space as a site of embodied resistance. Rooted in feminist theory, performance studies, and immersive tech, it questions how familiar domestic settings like the dining table become sites of discipline and repetition. Developed collaboratively with dancer Emma Poyer (@emmapoyer), Cycles invites audiences into an intimate, affective encounter with control, memory, and transformation.
This was made using Unity, Adobe Premiere Pro, After Effects, and Adobe Audition, filmed on a Black Magic 4K camera. Technical support by Rodrigo Canas, Kitty Choi, Charlotte Raymen, Kyle Ramsay, and Joe Hirst.
The work premiered on 2nd July 2025 at Frameless Gallery.
#VRArt #ImmersiveDance #360Film #EmbodiedResistance #DigitalPerformance #FeministArt #Biopolitics #CyclesVR #FramelessLondon #RCADigitalDirection #DegreeShow2025
Cycles (2025) an immersive 360° virtual reality dance film Ventcislava Nekova (@ventciii / @ventciful )as a part of MA Digital Direction (@rca_digitaldirection )
The bodies we bring into virtual environments, our physical, social, and present selves, carry with them the norms and rules of the material world, shaping how we move, interact, and perceive within immersive spaces. With Cycles, we explore how dance and immersive technology can reveal the invisible structures of control that shape movement and identity in a setting known by everyone: the dining table.
The project combines dance, projection, and sound to surface internalised power structures and reimagine digital space as a site of embodied resistance. Rooted in feminist theory, performance studies, and immersive tech, it questions how familiar domestic settings like the dining table become sites of discipline and repetition. Developed collaboratively with dancer Emma Poyer (@emmapoyer), Cycles invites audiences into an intimate, affective encounter with control, memory, and transformation.
This was made using Unity, Adobe Premiere Pro, After Effects, and Adobe Audition, filmed on a Black Magic 4K camera. Technical support by Rodrigo Canas, Kitty Choi, Charlotte Raymen, Kyle Ramsay, and Joe Hirst.
The work premiered on 2nd July 2025 at Frameless Gallery.
#VRArt #ImmersiveDance #360Film #EmbodiedResistance #DigitalPerformance #FeministArt #Biopolitics #CyclesVR #FramelessLondon #RCADigitalDirection #DegreeShow2025
Cycles (2025) an immersive 360° virtual reality dance film Ventcislava Nekova (@ventciii / @ventciful )as a part of MA Digital Direction (@rca_digitaldirection )
The bodies we bring into virtual environments, our physical, social, and present selves, carry with them the norms and rules of the material world, shaping how we move, interact, and perceive within immersive spaces. With Cycles, we explore how dance and immersive technology can reveal the invisible structures of control that shape movement and identity in a setting known by everyone: the dining table.
The project combines dance, projection, and sound to surface internalised power structures and reimagine digital space as a site of embodied resistance. Rooted in feminist theory, performance studies, and immersive tech, it questions how familiar domestic settings like the dining table become sites of discipline and repetition. Developed collaboratively with dancer Emma Poyer (@emmapoyer), Cycles invites audiences into an intimate, affective encounter with control, memory, and transformation.
This was made using Unity, Adobe Premiere Pro, After Effects, and Adobe Audition, filmed on a Black Magic 4K camera. Technical support by Rodrigo Canas, Kitty Choi, Charlotte Raymen, Kyle Ramsay, and Joe Hirst.
The work premiered on 2nd July 2025 at Frameless Gallery.
#VRArt #ImmersiveDance #360Film #EmbodiedResistance #DigitalPerformance #FeministArt #Biopolitics #CyclesVR #FramelessLondon #RCADigitalDirection #DegreeShow2025

Last week, Cycles premiered at @framelessldn ! Thank you to my absolutely unique friend, talent, performer, muse, supporter, angel of a person @emmapoyer for making this piece with me and bringing it to life. Thank you to @rca_digitaldirection for facilitating the event and for the amazing people it brought to me this year.
We presented the live performance of Cycles (there is also a VR version of it) tracing how habitual movements keep gendered power in motion, and how the bodies we carry into virtual worlds drag those same rules with them. The work asks new technologies not to replicate those internalised structures but to interrupt them so the cycle can finally break.
Stay tuned to witness the project and the processes unfold!

Last week, Cycles premiered at @framelessldn ! Thank you to my absolutely unique friend, talent, performer, muse, supporter, angel of a person @emmapoyer for making this piece with me and bringing it to life. Thank you to @rca_digitaldirection for facilitating the event and for the amazing people it brought to me this year.
We presented the live performance of Cycles (there is also a VR version of it) tracing how habitual movements keep gendered power in motion, and how the bodies we carry into virtual worlds drag those same rules with them. The work asks new technologies not to replicate those internalised structures but to interrupt them so the cycle can finally break.
Stay tuned to witness the project and the processes unfold!

Last week, Cycles premiered at @framelessldn ! Thank you to my absolutely unique friend, talent, performer, muse, supporter, angel of a person @emmapoyer for making this piece with me and bringing it to life. Thank you to @rca_digitaldirection for facilitating the event and for the amazing people it brought to me this year.
We presented the live performance of Cycles (there is also a VR version of it) tracing how habitual movements keep gendered power in motion, and how the bodies we carry into virtual worlds drag those same rules with them. The work asks new technologies not to replicate those internalised structures but to interrupt them so the cycle can finally break.
Stay tuned to witness the project and the processes unfold!

Last week, Cycles premiered at @framelessldn ! Thank you to my absolutely unique friend, talent, performer, muse, supporter, angel of a person @emmapoyer for making this piece with me and bringing it to life. Thank you to @rca_digitaldirection for facilitating the event and for the amazing people it brought to me this year.
We presented the live performance of Cycles (there is also a VR version of it) tracing how habitual movements keep gendered power in motion, and how the bodies we carry into virtual worlds drag those same rules with them. The work asks new technologies not to replicate those internalised structures but to interrupt them so the cycle can finally break.
Stay tuned to witness the project and the processes unfold!

Last week, Cycles premiered at @framelessldn ! Thank you to my absolutely unique friend, talent, performer, muse, supporter, angel of a person @emmapoyer for making this piece with me and bringing it to life. Thank you to @rca_digitaldirection for facilitating the event and for the amazing people it brought to me this year.
We presented the live performance of Cycles (there is also a VR version of it) tracing how habitual movements keep gendered power in motion, and how the bodies we carry into virtual worlds drag those same rules with them. The work asks new technologies not to replicate those internalised structures but to interrupt them so the cycle can finally break.
Stay tuned to witness the project and the processes unfold!

Last week, Cycles premiered at @framelessldn ! Thank you to my absolutely unique friend, talent, performer, muse, supporter, angel of a person @emmapoyer for making this piece with me and bringing it to life. Thank you to @rca_digitaldirection for facilitating the event and for the amazing people it brought to me this year.
We presented the live performance of Cycles (there is also a VR version of it) tracing how habitual movements keep gendered power in motion, and how the bodies we carry into virtual worlds drag those same rules with them. The work asks new technologies not to replicate those internalised structures but to interrupt them so the cycle can finally break.
Stay tuned to witness the project and the processes unfold!

Ventcislava Nekova is an artist and movement director working across dance, immersive technology, and digital storytelling. Her work explores how bodies absorb, internalise, and resist systems of control, particularly in digital and domestic spaces, using choreography as a language to expose what often goes unseen.
Currently completing her MA in Digital Direction at the Royal College of Art, Ventcislava also takes part in the Women@Dior & UNESCO mentorship programme. Her practice spans performance, installation, and moving image, often developed through close collaboration with dancers, technologists, sound designers, stylists, and other artists. Her work aims to create spaces where stories are physically felt.
Her approach is research-led and politically engaged, drawing from feminist theory, biopolitics, and embodied storytelling. She is particularly interested in how immersive tools like digital projection, 360° film and VR can both reinforce and challenge the systems that shape us.
In 2023, she presented her short film Echoes of Connection at Shoreditch Arts Centre and worked as a movement director on multiple theatre and dance-led productions. Her latest project Cycles, developed with choreographer @emmapoyer and Sound Designer @zlatamech , will be shown at Frameless London on 2nd of July as part of the RCA Festival of Communication. Set around a dining table, it invites viewers to reflect on how family dynamics, routine, and gendered habits shape our understanding of power, care, and identity.

Ventcislava Nekova is an artist and movement director working across dance, immersive technology, and digital storytelling. Her work explores how bodies absorb, internalise, and resist systems of control, particularly in digital and domestic spaces, using choreography as a language to expose what often goes unseen.
Currently completing her MA in Digital Direction at the Royal College of Art, Ventcislava also takes part in the Women@Dior & UNESCO mentorship programme. Her practice spans performance, installation, and moving image, often developed through close collaboration with dancers, technologists, sound designers, stylists, and other artists. Her work aims to create spaces where stories are physically felt.
Her approach is research-led and politically engaged, drawing from feminist theory, biopolitics, and embodied storytelling. She is particularly interested in how immersive tools like digital projection, 360° film and VR can both reinforce and challenge the systems that shape us.
In 2023, she presented her short film Echoes of Connection at Shoreditch Arts Centre and worked as a movement director on multiple theatre and dance-led productions. Her latest project Cycles, developed with choreographer @emmapoyer and Sound Designer @zlatamech , will be shown at Frameless London on 2nd of July as part of the RCA Festival of Communication. Set around a dining table, it invites viewers to reflect on how family dynamics, routine, and gendered habits shape our understanding of power, care, and identity.
Ventcislava Nekova is an artist and movement director working across dance, immersive technology, and digital storytelling. Her work explores how bodies absorb, internalise, and resist systems of control, particularly in digital and domestic spaces, using choreography as a language to expose what often goes unseen.
Currently completing her MA in Digital Direction at the Royal College of Art, Ventcislava also takes part in the Women@Dior & UNESCO mentorship programme. Her practice spans performance, installation, and moving image, often developed through close collaboration with dancers, technologists, sound designers, stylists, and other artists. Her work aims to create spaces where stories are physically felt.
Her approach is research-led and politically engaged, drawing from feminist theory, biopolitics, and embodied storytelling. She is particularly interested in how immersive tools like digital projection, 360° film and VR can both reinforce and challenge the systems that shape us.
In 2023, she presented her short film Echoes of Connection at Shoreditch Arts Centre and worked as a movement director on multiple theatre and dance-led productions. Her latest project Cycles, developed with choreographer @emmapoyer and Sound Designer @zlatamech , will be shown at Frameless London on 2nd of July as part of the RCA Festival of Communication. Set around a dining table, it invites viewers to reflect on how family dynamics, routine, and gendered habits shape our understanding of power, care, and identity.

Ventcislava Nekova is an artist and movement director working across dance, immersive technology, and digital storytelling. Her work explores how bodies absorb, internalise, and resist systems of control, particularly in digital and domestic spaces, using choreography as a language to expose what often goes unseen.
Currently completing her MA in Digital Direction at the Royal College of Art, Ventcislava also takes part in the Women@Dior & UNESCO mentorship programme. Her practice spans performance, installation, and moving image, often developed through close collaboration with dancers, technologists, sound designers, stylists, and other artists. Her work aims to create spaces where stories are physically felt.
Her approach is research-led and politically engaged, drawing from feminist theory, biopolitics, and embodied storytelling. She is particularly interested in how immersive tools like digital projection, 360° film and VR can both reinforce and challenge the systems that shape us.
In 2023, she presented her short film Echoes of Connection at Shoreditch Arts Centre and worked as a movement director on multiple theatre and dance-led productions. Her latest project Cycles, developed with choreographer @emmapoyer and Sound Designer @zlatamech , will be shown at Frameless London on 2nd of July as part of the RCA Festival of Communication. Set around a dining table, it invites viewers to reflect on how family dynamics, routine, and gendered habits shape our understanding of power, care, and identity.

Ventcislava Nekova is an artist and movement director working across dance, immersive technology, and digital storytelling. Her work explores how bodies absorb, internalise, and resist systems of control, particularly in digital and domestic spaces, using choreography as a language to expose what often goes unseen.
Currently completing her MA in Digital Direction at the Royal College of Art, Ventcislava also takes part in the Women@Dior & UNESCO mentorship programme. Her practice spans performance, installation, and moving image, often developed through close collaboration with dancers, technologists, sound designers, stylists, and other artists. Her work aims to create spaces where stories are physically felt.
Her approach is research-led and politically engaged, drawing from feminist theory, biopolitics, and embodied storytelling. She is particularly interested in how immersive tools like digital projection, 360° film and VR can both reinforce and challenge the systems that shape us.
In 2023, she presented her short film Echoes of Connection at Shoreditch Arts Centre and worked as a movement director on multiple theatre and dance-led productions. Her latest project Cycles, developed with choreographer @emmapoyer and Sound Designer @zlatamech , will be shown at Frameless London on 2nd of July as part of the RCA Festival of Communication. Set around a dining table, it invites viewers to reflect on how family dynamics, routine, and gendered habits shape our understanding of power, care, and identity.

Ventcislava Nekova is an artist and movement director working across dance, immersive technology, and digital storytelling. Her work explores how bodies absorb, internalise, and resist systems of control, particularly in digital and domestic spaces, using choreography as a language to expose what often goes unseen.
Currently completing her MA in Digital Direction at the Royal College of Art, Ventcislava also takes part in the Women@Dior & UNESCO mentorship programme. Her practice spans performance, installation, and moving image, often developed through close collaboration with dancers, technologists, sound designers, stylists, and other artists. Her work aims to create spaces where stories are physically felt.
Her approach is research-led and politically engaged, drawing from feminist theory, biopolitics, and embodied storytelling. She is particularly interested in how immersive tools like digital projection, 360° film and VR can both reinforce and challenge the systems that shape us.
In 2023, she presented her short film Echoes of Connection at Shoreditch Arts Centre and worked as a movement director on multiple theatre and dance-led productions. Her latest project Cycles, developed with choreographer @emmapoyer and Sound Designer @zlatamech , will be shown at Frameless London on 2nd of July as part of the RCA Festival of Communication. Set around a dining table, it invites viewers to reflect on how family dynamics, routine, and gendered habits shape our understanding of power, care, and identity.

Hello! I’m crowdfunding the production of my performance project Cycles. It’s a piece about the conventions, rules, systems we internalise, the power of the dynamics we have around while growing up and how we resist them.
Through dance and immersive technology, Cycles explores these themes and invites reflection.
If you can give £1, it really helps! (more if you want)
Link in bio. Thank you and I really appreciate your help!
On the poster: my lovely and talended collaboratorperformer and choreographer @emmapoyer
#contemporarydancer #digitalperformance #womeninart #danceandtechnology #performanceart #bodypolitics #immersiveart #emergingartists

An exploration of bodies, spaces, being digital and what connection could be.
Our project “Rewiring Intimacy” will be exhibited on the 10 & 11 of April at the RCA Battersea Hangar space. After months of researching, experimenting, prototyping and iterating, I’m so grateful and proud of the work we have done!
You are the best:
1.3.0 : @benalexroe @b_ernice @justjmina @yamariichi
Performers: @emmapoyer @makkorda

An exploration of bodies, spaces, being digital and what connection could be.
Our project “Rewiring Intimacy” will be exhibited on the 10 & 11 of April at the RCA Battersea Hangar space. After months of researching, experimenting, prototyping and iterating, I’m so grateful and proud of the work we have done!
You are the best:
1.3.0 : @benalexroe @b_ernice @justjmina @yamariichi
Performers: @emmapoyer @makkorda

An exploration of bodies, spaces, being digital and what connection could be.
Our project “Rewiring Intimacy” will be exhibited on the 10 & 11 of April at the RCA Battersea Hangar space. After months of researching, experimenting, prototyping and iterating, I’m so grateful and proud of the work we have done!
You are the best:
1.3.0 : @benalexroe @b_ernice @justjmina @yamariichi
Performers: @emmapoyer @makkorda

An exploration of bodies, spaces, being digital and what connection could be.
Our project “Rewiring Intimacy” will be exhibited on the 10 & 11 of April at the RCA Battersea Hangar space. After months of researching, experimenting, prototyping and iterating, I’m so grateful and proud of the work we have done!
You are the best:
1.3.0 : @benalexroe @b_ernice @justjmina @yamariichi
Performers: @emmapoyer @makkorda

In our Ethereal Maison recap, we are so happy to showcase the amazing works of our first exhibition "Éter Space"
In this post we have the works by
@martha_bealey_art in a nook with the matching Lamp
@summermorrison and her animation
@ventciii with her ceramic workshop
@marina.com.m with her tiny pieces in the library about her past
And @_madamelala 's reverses love story as Polaroids inside the table glass
Photos by @yvanr0d and @nunajal

In our Ethereal Maison recap, we are so happy to showcase the amazing works of our first exhibition "Éter Space"
In this post we have the works by
@martha_bealey_art in a nook with the matching Lamp
@summermorrison and her animation
@ventciii with her ceramic workshop
@marina.com.m with her tiny pieces in the library about her past
And @_madamelala 's reverses love story as Polaroids inside the table glass
Photos by @yvanr0d and @nunajal

In our Ethereal Maison recap, we are so happy to showcase the amazing works of our first exhibition "Éter Space"
In this post we have the works by
@martha_bealey_art in a nook with the matching Lamp
@summermorrison and her animation
@ventciii with her ceramic workshop
@marina.com.m with her tiny pieces in the library about her past
And @_madamelala 's reverses love story as Polaroids inside the table glass
Photos by @yvanr0d and @nunajal

In our Ethereal Maison recap, we are so happy to showcase the amazing works of our first exhibition "Éter Space"
In this post we have the works by
@martha_bealey_art in a nook with the matching Lamp
@summermorrison and her animation
@ventciii with her ceramic workshop
@marina.com.m with her tiny pieces in the library about her past
And @_madamelala 's reverses love story as Polaroids inside the table glass
Photos by @yvanr0d and @nunajal

In our Ethereal Maison recap, we are so happy to showcase the amazing works of our first exhibition "Éter Space"
In this post we have the works by
@martha_bealey_art in a nook with the matching Lamp
@summermorrison and her animation
@ventciii with her ceramic workshop
@marina.com.m with her tiny pieces in the library about her past
And @_madamelala 's reverses love story as Polaroids inside the table glass
Photos by @yvanr0d and @nunajal

In our Ethereal Maison recap, we are so happy to showcase the amazing works of our first exhibition "Éter Space"
In this post we have the works by
@martha_bealey_art in a nook with the matching Lamp
@summermorrison and her animation
@ventciii with her ceramic workshop
@marina.com.m with her tiny pieces in the library about her past
And @_madamelala 's reverses love story as Polaroids inside the table glass
Photos by @yvanr0d and @nunajal

We are so happy to host @ventciful @ventciii specially since her work on this exhibition wilk experiment with other different media than she is used to, clay.
Ventci’s work usually revolves around the theme of body/mind connection and the creation of community. She motion tracks her own movement and applies it to digitally created 3D avatars of peers. By offering this visualisation, she aims to encourage them to engage in the physical activities she executes. When transferring the dance digitally, she offers a new experience of our perception of ourselves and our surroundings.
🌪️🥞🌿
We are so happy to host @ventciful @ventciii specially since her work on this exhibition wilk experiment with other different media than she is used to, clay.
Ventci’s work usually revolves around the theme of body/mind connection and the creation of community. She motion tracks her own movement and applies it to digitally created 3D avatars of peers. By offering this visualisation, she aims to encourage them to engage in the physical activities she executes. When transferring the dance digitally, she offers a new experience of our perception of ourselves and our surroundings.
🌪️🥞🌿
We are so happy to host @ventciful @ventciii specially since her work on this exhibition wilk experiment with other different media than she is used to, clay.
Ventci’s work usually revolves around the theme of body/mind connection and the creation of community. She motion tracks her own movement and applies it to digitally created 3D avatars of peers. By offering this visualisation, she aims to encourage them to engage in the physical activities she executes. When transferring the dance digitally, she offers a new experience of our perception of ourselves and our surroundings.
🌪️🥞🌿

We are delighted to have out tenth artist @ventciii @ventciful work with us on Èter Spaces. 🌿🌪️🥞
Ventcislava Nekova is a research-based,
kinaesthetic communication designer.
Believing that movement is essential to
our society, she incorporates physical
movement and bodily experiences
as a means of visual communication.
Her practice explores moving-image,
performance and user-experience design
in order to translate the link between our
bodies and our environment. Ventcislava
collaborates with professional dancers and
various designers in the creation of her
work.
Looking forward to her participatory pieces during our exhibition.

We are delighted to have out tenth artist @ventciii @ventciful work with us on Èter Spaces. 🌿🌪️🥞
Ventcislava Nekova is a research-based,
kinaesthetic communication designer.
Believing that movement is essential to
our society, she incorporates physical
movement and bodily experiences
as a means of visual communication.
Her practice explores moving-image,
performance and user-experience design
in order to translate the link between our
bodies and our environment. Ventcislava
collaborates with professional dancers and
various designers in the creation of her
work.
Looking forward to her participatory pieces during our exhibition.

We are delighted to have out tenth artist @ventciii @ventciful work with us on Èter Spaces. 🌿🌪️🥞
Ventcislava Nekova is a research-based,
kinaesthetic communication designer.
Believing that movement is essential to
our society, she incorporates physical
movement and bodily experiences
as a means of visual communication.
Her practice explores moving-image,
performance and user-experience design
in order to translate the link between our
bodies and our environment. Ventcislava
collaborates with professional dancers and
various designers in the creation of her
work.
Looking forward to her participatory pieces during our exhibition.

We are delighted to have out tenth artist @ventciii @ventciful work with us on Èter Spaces. 🌿🌪️🥞
Ventcislava Nekova is a research-based,
kinaesthetic communication designer.
Believing that movement is essential to
our society, she incorporates physical
movement and bodily experiences
as a means of visual communication.
Her practice explores moving-image,
performance and user-experience design
in order to translate the link between our
bodies and our environment. Ventcislava
collaborates with professional dancers and
various designers in the creation of her
work.
Looking forward to her participatory pieces during our exhibition.

We are delighted to have out tenth artist @ventciii @ventciful work with us on Èter Spaces. 🌿🌪️🥞
Ventcislava Nekova is a research-based,
kinaesthetic communication designer.
Believing that movement is essential to
our society, she incorporates physical
movement and bodily experiences
as a means of visual communication.
Her practice explores moving-image,
performance and user-experience design
in order to translate the link between our
bodies and our environment. Ventcislava
collaborates with professional dancers and
various designers in the creation of her
work.
Looking forward to her participatory pieces during our exhibition.

We are presenting our tenth artist @ventciful @ventciii
For this first exhibition of Ethereal Maison she is going toto turn her space for the exhibition into a communal space, where both herself, the viewers and the other artists participating in the project are invited to mould from clay objects and extensions. The project aims to provide a meditative experience, a sensory and playful environment for unscripted performance.
She works with body, movement and experimentations is processes. The last pictures are snippets of her amazing dissertation.
We are very happy to host her participatory pieces at Èter Spaces in Ethereal Maison. 🥞🌪️🌿
First photo by the amazing @annitoyah

We are presenting our tenth artist @ventciful @ventciii
For this first exhibition of Ethereal Maison she is going toto turn her space for the exhibition into a communal space, where both herself, the viewers and the other artists participating in the project are invited to mould from clay objects and extensions. The project aims to provide a meditative experience, a sensory and playful environment for unscripted performance.
She works with body, movement and experimentations is processes. The last pictures are snippets of her amazing dissertation.
We are very happy to host her participatory pieces at Èter Spaces in Ethereal Maison. 🥞🌪️🌿
First photo by the amazing @annitoyah

We are presenting our tenth artist @ventciful @ventciii
For this first exhibition of Ethereal Maison she is going toto turn her space for the exhibition into a communal space, where both herself, the viewers and the other artists participating in the project are invited to mould from clay objects and extensions. The project aims to provide a meditative experience, a sensory and playful environment for unscripted performance.
She works with body, movement and experimentations is processes. The last pictures are snippets of her amazing dissertation.
We are very happy to host her participatory pieces at Èter Spaces in Ethereal Maison. 🥞🌪️🌿
First photo by the amazing @annitoyah
We are presenting our tenth artist @ventciful @ventciii
For this first exhibition of Ethereal Maison she is going toto turn her space for the exhibition into a communal space, where both herself, the viewers and the other artists participating in the project are invited to mould from clay objects and extensions. The project aims to provide a meditative experience, a sensory and playful environment for unscripted performance.
She works with body, movement and experimentations is processes. The last pictures are snippets of her amazing dissertation.
We are very happy to host her participatory pieces at Èter Spaces in Ethereal Maison. 🥞🌪️🌿
First photo by the amazing @annitoyah

We are presenting our tenth artist @ventciful @ventciii
For this first exhibition of Ethereal Maison she is going toto turn her space for the exhibition into a communal space, where both herself, the viewers and the other artists participating in the project are invited to mould from clay objects and extensions. The project aims to provide a meditative experience, a sensory and playful environment for unscripted performance.
She works with body, movement and experimentations is processes. The last pictures are snippets of her amazing dissertation.
We are very happy to host her participatory pieces at Èter Spaces in Ethereal Maison. 🥞🌪️🌿
First photo by the amazing @annitoyah

We are presenting our tenth artist @ventciful @ventciii
For this first exhibition of Ethereal Maison she is going toto turn her space for the exhibition into a communal space, where both herself, the viewers and the other artists participating in the project are invited to mould from clay objects and extensions. The project aims to provide a meditative experience, a sensory and playful environment for unscripted performance.
She works with body, movement and experimentations is processes. The last pictures are snippets of her amazing dissertation.
We are very happy to host her participatory pieces at Èter Spaces in Ethereal Maison. 🥞🌪️🌿
First photo by the amazing @annitoyah
인스타그램 스토리 뷰어는 인스타그램 스토리, 비디오, 사진 또는 IGTV를 비밀리에 보고 저장할 수 있는 간단한 도구입니다. 이 서비스를 통해 콘텐츠를 다운로드하고 언제든지 오프라인으로 즐길 수 있습니다. 인스타그램에서 나중에 확인하고 싶은 흥미로운 콘텐츠를 찾거나 익명으로 스토리를 보고 싶다면, 우리 뷰어가 적합합니다. Anonstories는 신원을 숨길 수 있는 훌륭한 솔루션을 제공합니다. 인스타그램은 2023년 8월에 스토리 기능을 출시했으며, 이 기능은 흥미롭고 시간에 민감한 형식으로 빠르게 다른 플랫폼에 채택되었습니다. 스토리는 사용자가 텍스트, 이모지 또는 필터로 보강된 사진, 비디오 또는 셀카를 공유할 수 있게 해주며, 24시간 동안만 표시됩니다. 이 제한된 시간 동안 높은 참여를 유도하며 일반 게시물보다 더 많은 반응을 얻을 수 있습니다. 오늘날 스토리는 소셜 미디어에서 연결하고 소통하는 가장 인기 있는 방법 중 하나입니다. 그러나 스토리를 볼 때, 제작자는 자신의 뷰어 목록에서 당신의 이름을 볼 수 있으며, 이는 개인 정보 보호에 대한 우려를 일으킬 수 있습니다. 만약 스토리를 아무도 모르게 탐색하고 싶다면? 그때 Anonstories가 유용해집니다. 이 도구는 신원을 드러내지 않고 공개된 인스타그램 콘텐츠를 볼 수 있게 해줍니다. 관심 있는 프로필의 사용자명을 입력하면 해당 프로필의 최신 스토리를 확인할 수 있습니다. Anonstories 뷰어의 특징: - 익명 브라우징: 뷰어 목록에 나타나지 않고 스토리를 볼 수 있습니다. - 계정 필요 없음: 인스타그램 계정에 가입하지 않고 공개 콘텐츠를 볼 수 있습니다. - 콘텐츠 다운로드: 스토리 콘텐츠를 직접 다운로드하여 오프라인에서 사용할 수 있습니다. - 하이라이트 보기: 24시간 제한을 넘어서 인스타그램 하이라이트를 볼 수 있습니다. - 리포스트 모니터링: 개인 프로필의 스토리 리포스트나 참여도를 추적할 수 있습니다. 제한 사항: - 이 도구는 공개 계정에서만 작동하며, 개인 계정은 접근할 수 없습니다. 장점: - 개인 정보 보호 친화적: 인스타그램 콘텐츠를 보면서도 눈에 띄지 않습니다. - 간단하고 쉬움: 앱 설치나 등록이 필요 없습니다. - 독점 도구: 인스타그램에서 제공하지 않는 방식으로 콘텐츠를 다운로드하고 관리할 수 있습니다.
인스타그램 업데이트를 비밀리에 추적하고 개인 정보를 보호하며 익명으로 남을 수 있습니다.
개인 프로필 뷰어를 사용하여 쉽게 프로필과 사진을 익명으로 볼 수 있습니다.
이 무료 도구는 인스타그램 스토리를 익명으로 볼 수 있게 해주며, 스토리 업로더에게 활동을 숨길 수 있습니다.
Anonstories는 사용자가 인스타그램 스토리를 볼 때 제작자에게 알림을 보내지 않도록 합니다.
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로그인 정보 없이 안전하고 익명으로 브라우징할 수 있습니다.
사용자는 간단히 사용자명을 입력하여 공개된 스토리를 볼 수 있습니다. 계정이 필요하지 않습니다.
사진(JPEG)과 비디오(MP4)를 쉽게 다운로드합니다.
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파일은 개인적 또는 교육적 용도로만 사용 가능하며 저작권 규정을 준수해야 합니다.
공개된 사용자명을 입력하여 스토리를 보거나 다운로드할 수 있습니다. 서비스는 콘텐츠를 로컬에 저장할 수 있는 직접 링크를 생성합니다.