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artengine
Artengine
A space for arts, research and technology located in Ottawa, Canada
We're excited to act as producer for Canadian media artist Sylvia Grace Borda as she takes her latest work to the 61st Venice Biennale 2026 ( @labiennale )
Sylvia has been selected as one of 10 artists to exhibit at the Republic of Nauru Climate Pavilion @nauru_biennale_venezia (AIM Inundated: Imagining Life After Land), curated by Khaled Ramadan. Her exhibition responds to this year's Biennale theme, In Minor Keys.
Drawing from the intertidal shorelines of Nanaimo, BC (traditional unceded territory of the Snuneymuxw First Nation), Sylvia's works make the argument that Nanaimo and Nauru are not distant opposites but two shores of the same imperilled ocean.
Her Venice presentation includes: Blanketed by Oceans, wearable textile installations that collapse the distance between the North and South Pacific; Shoreline Debris, camera-less photograms of decaying algae and seagrass, charting what climate warming is already erasing; and Intertidal Cantos, immersive real-time films of clams, starfish, and sea anemones living at the tidal edge.
Pavilion dates: May 9 – November 22, 2026 📍 Calle Bosello 3683, Castello, Venice
And the journey doesn't end in Venice: Sylvia's work returns to ArtEngine for exhibition in Summer 2027, with a phased residency to deepen these themes.
#VeniceBiennale2026 #SylviaGraceBorda #ArtEngine #ClimateArt #MediaArt #OceanArt #NauruPavilion #InMinorKeys #CanadianArt #Intertidal #BlanketeByOceans #ContemporaryArt
We're excited to act as producer for Canadian media artist Sylvia Grace Borda as she takes her latest work to the 61st Venice Biennale 2026 ( @labiennale )
Sylvia has been selected as one of 10 artists to exhibit at the Republic of Nauru Climate Pavilion @nauru_biennale_venezia (AIM Inundated: Imagining Life After Land), curated by Khaled Ramadan. Her exhibition responds to this year's Biennale theme, In Minor Keys.
Drawing from the intertidal shorelines of Nanaimo, BC (traditional unceded territory of the Snuneymuxw First Nation), Sylvia's works make the argument that Nanaimo and Nauru are not distant opposites but two shores of the same imperilled ocean.
Her Venice presentation includes: Blanketed by Oceans, wearable textile installations that collapse the distance between the North and South Pacific; Shoreline Debris, camera-less photograms of decaying algae and seagrass, charting what climate warming is already erasing; and Intertidal Cantos, immersive real-time films of clams, starfish, and sea anemones living at the tidal edge.
Pavilion dates: May 9 – November 22, 2026 📍 Calle Bosello 3683, Castello, Venice
And the journey doesn't end in Venice: Sylvia's work returns to ArtEngine for exhibition in Summer 2027, with a phased residency to deepen these themes.
#VeniceBiennale2026 #SylviaGraceBorda #ArtEngine #ClimateArt #MediaArt #OceanArt #NauruPavilion #InMinorKeys #CanadianArt #Intertidal #BlanketeByOceans #ContemporaryArt
We're excited to act as producer for Canadian media artist Sylvia Grace Borda as she takes her latest work to the 61st Venice Biennale 2026 ( @labiennale )
Sylvia has been selected as one of 10 artists to exhibit at the Republic of Nauru Climate Pavilion @nauru_biennale_venezia (AIM Inundated: Imagining Life After Land), curated by Khaled Ramadan. Her exhibition responds to this year's Biennale theme, In Minor Keys.
Drawing from the intertidal shorelines of Nanaimo, BC (traditional unceded territory of the Snuneymuxw First Nation), Sylvia's works make the argument that Nanaimo and Nauru are not distant opposites but two shores of the same imperilled ocean.
Her Venice presentation includes: Blanketed by Oceans, wearable textile installations that collapse the distance between the North and South Pacific; Shoreline Debris, camera-less photograms of decaying algae and seagrass, charting what climate warming is already erasing; and Intertidal Cantos, immersive real-time films of clams, starfish, and sea anemones living at the tidal edge.
Pavilion dates: May 9 – November 22, 2026 📍 Calle Bosello 3683, Castello, Venice
And the journey doesn't end in Venice: Sylvia's work returns to ArtEngine for exhibition in Summer 2027, with a phased residency to deepen these themes.
#VeniceBiennale2026 #SylviaGraceBorda #ArtEngine #ClimateArt #MediaArt #OceanArt #NauruPavilion #InMinorKeys #CanadianArt #Intertidal #BlanketeByOceans #ContemporaryArt
We're excited to act as producer for Canadian media artist Sylvia Grace Borda as she takes her latest work to the 61st Venice Biennale 2026 ( @labiennale )
Sylvia has been selected as one of 10 artists to exhibit at the Republic of Nauru Climate Pavilion @nauru_biennale_venezia (AIM Inundated: Imagining Life After Land), curated by Khaled Ramadan. Her exhibition responds to this year's Biennale theme, In Minor Keys.
Drawing from the intertidal shorelines of Nanaimo, BC (traditional unceded territory of the Snuneymuxw First Nation), Sylvia's works make the argument that Nanaimo and Nauru are not distant opposites but two shores of the same imperilled ocean.
Her Venice presentation includes: Blanketed by Oceans, wearable textile installations that collapse the distance between the North and South Pacific; Shoreline Debris, camera-less photograms of decaying algae and seagrass, charting what climate warming is already erasing; and Intertidal Cantos, immersive real-time films of clams, starfish, and sea anemones living at the tidal edge.
Pavilion dates: May 9 – November 22, 2026 📍 Calle Bosello 3683, Castello, Venice
And the journey doesn't end in Venice: Sylvia's work returns to ArtEngine for exhibition in Summer 2027, with a phased residency to deepen these themes.
#VeniceBiennale2026 #SylviaGraceBorda #ArtEngine #ClimateArt #MediaArt #OceanArt #NauruPavilion #InMinorKeys #CanadianArt #Intertidal #BlanketeByOceans #ContemporaryArt
We're excited to act as producer for Canadian media artist Sylvia Grace Borda as she takes her latest work to the 61st Venice Biennale 2026 ( @labiennale )
Sylvia has been selected as one of 10 artists to exhibit at the Republic of Nauru Climate Pavilion @nauru_biennale_venezia (AIM Inundated: Imagining Life After Land), curated by Khaled Ramadan. Her exhibition responds to this year's Biennale theme, In Minor Keys.
Drawing from the intertidal shorelines of Nanaimo, BC (traditional unceded territory of the Snuneymuxw First Nation), Sylvia's works make the argument that Nanaimo and Nauru are not distant opposites but two shores of the same imperilled ocean.
Her Venice presentation includes: Blanketed by Oceans, wearable textile installations that collapse the distance between the North and South Pacific; Shoreline Debris, camera-less photograms of decaying algae and seagrass, charting what climate warming is already erasing; and Intertidal Cantos, immersive real-time films of clams, starfish, and sea anemones living at the tidal edge.
Pavilion dates: May 9 – November 22, 2026 📍 Calle Bosello 3683, Castello, Venice
And the journey doesn't end in Venice: Sylvia's work returns to ArtEngine for exhibition in Summer 2027, with a phased residency to deepen these themes.
#VeniceBiennale2026 #SylviaGraceBorda #ArtEngine #ClimateArt #MediaArt #OceanArt #NauruPavilion #InMinorKeys #CanadianArt #Intertidal #BlanketeByOceans #ContemporaryArt
🏰 Apt613 has found an apartment with the coolest roommates!
🖨️ For the first time ever, Apt613 will have an actual office space, and it’s already one of our highlights of the year. We'll be the organization in residence, with @artengineat @artscourt, and we’re incredibly grateful and excited for this opportunity!
📫This next chapter gives us space to be closer to artists and collaborators, and to root ourselves more deeply in the arts community we serve. It also opens up new ways of working together, from storytelling to shared programming.
📍Find us at Artengine!
April 2026 – March 2027
We can’t wait to see you there!
📸: @remitheriault
🏰 Apt613 has found an apartment with the coolest roommates!
🖨️ For the first time ever, Apt613 will have an actual office space, and it’s already one of our highlights of the year. We'll be the organization in residence, with @artengineat @artscourt, and we’re incredibly grateful and excited for this opportunity!
📫This next chapter gives us space to be closer to artists and collaborators, and to root ourselves more deeply in the arts community we serve. It also opens up new ways of working together, from storytelling to shared programming.
📍Find us at Artengine!
April 2026 – March 2027
We can’t wait to see you there!
📸: @remitheriault
🏰 Apt613 has found an apartment with the coolest roommates!
🖨️ For the first time ever, Apt613 will have an actual office space, and it’s already one of our highlights of the year. We'll be the organization in residence, with @artengineat @artscourt, and we’re incredibly grateful and excited for this opportunity!
📫This next chapter gives us space to be closer to artists and collaborators, and to root ourselves more deeply in the arts community we serve. It also opens up new ways of working together, from storytelling to shared programming.
📍Find us at Artengine!
April 2026 – March 2027
We can’t wait to see you there!
📸: @remitheriault
🏰 Apt613 has found an apartment with the coolest roommates!
🖨️ For the first time ever, Apt613 will have an actual office space, and it’s already one of our highlights of the year. We'll be the organization in residence, with @artengineat @artscourt, and we’re incredibly grateful and excited for this opportunity!
📫This next chapter gives us space to be closer to artists and collaborators, and to root ourselves more deeply in the arts community we serve. It also opens up new ways of working together, from storytelling to shared programming.
📍Find us at Artengine!
April 2026 – March 2027
We can’t wait to see you there!
📸: @remitheriault
🏰 Apt613 has found an apartment with the coolest roommates!
🖨️ For the first time ever, Apt613 will have an actual office space, and it’s already one of our highlights of the year. We'll be the organization in residence, with @artengineat @artscourt, and we’re incredibly grateful and excited for this opportunity!
📫This next chapter gives us space to be closer to artists and collaborators, and to root ourselves more deeply in the arts community we serve. It also opens up new ways of working together, from storytelling to shared programming.
📍Find us at Artengine!
April 2026 – March 2027
We can’t wait to see you there!
📸: @remitheriault
SHAPE OF LIGHT is opening tonight 6-8pm at Artengine and tomorrow 2-8pm. This exhibition presents a series of table lamps developed by first year industrial design students at Carleton University. Each piece explores how light is shaped through material, structure and context. Please come and enjoy the incredible work!
SHAPE OF LIGHT is opening tonight 6-8pm at Artengine and tomorrow 2-8pm. This exhibition presents a series of table lamps developed by first year industrial design students at Carleton University. Each piece explores how light is shaped through material, structure and context. Please come and enjoy the incredible work!
March’s GBStudio meetup is here! This month it will be a Saturday afternoon, I hope to see you there! Bring your laptop to ArtEngine on the 28th for an afternoon of 8 bit fun. 👾👾👾 sign up link in bio.
🎮 Ottawa GB Studio Meetup returns!
Our monthly Game Boy dev hang is back: a cozy, artist-run 8-bit community to share, learn, and make Game Boy games together.
Hosted by @mckeybigg
First one sold out — limited spots. RSVP link in bio.
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
The future is not something we await. It is something we remember, refigure, and build together.
Join us for a curator tour of And I Have Come Upon This Place by Lost Ways, six artists charting new maps of identity, memory, and futurity.
Sunday, February 1 | 2pm | Free
Karsh-Masson Gallery
@xonorika @komiolaf @hey_adrienne @elehrah @kitekitekitekitekite @alishabwormsley @isabella_salas @mvbcreates @publicartottawa @elisajiro
#AndIHaveComeUponThisPlace #KarshMassonGallery #SpeculativeFutures #scifiart #OttawaArt
My interactive 8-bit art piece at the UPSTAIRS gallery show in November got a lot of interest and a lot of questions about how it was made.
Creating Gameboy-style games and art is more accessible than you might think - no coding required.
I’m hosting a creative get-together at Art Engine to share what I’ve learned using GB Studio, a free drag-and-drop tool for making interactive 8bit experiences.
📅 Jan 21, 6:30pm @ Art Engine
💻 Bring a laptop with GB Studio (download from itch.io)
✨ No experience necessary - we’ll cover the basics together
#ottawaevents #ottawaartist #gameboy #8bitart #ottawaontario
Hum’s Codex by Ben Globerman
An immersive, multi-hour performance-installation exploring the meeting point of mysticism, AI, and devotional practice through generative music and spatial audio.
Drawing on his background in Religious Studies, Ben invites us to consider technology as a space for mystic focus.
Sound: @ben.globerman / @celeryman0
Visuals: @hard_science / @tapewobble
Catch it as part of @debaser__ ’s PIQUE
📅 Saturday, Dec 13
⏰ 19:30–23:00
📍 Artengine Studio
Hum’s Codex by Ben Globerman
An immersive, multi-hour performance-installation exploring the meeting point of mysticism, AI, and devotional practice through generative music and spatial audio.
Drawing on his background in Religious Studies, Ben invites us to consider technology as a space for mystic focus.
Sound: @ben.globerman / @celeryman0
Visuals: @hard_science / @tapewobble
Catch it as part of @debaser__ ’s PIQUE
📅 Saturday, Dec 13
⏰ 19:30–23:00
📍 Artengine Studio
Hum’s Codex by Ben Globerman
An immersive, multi-hour performance-installation exploring the meeting point of mysticism, AI, and devotional practice through generative music and spatial audio.
Drawing on his background in Religious Studies, Ben invites us to consider technology as a space for mystic focus.
Sound: @ben.globerman / @celeryman0
Visuals: @hard_science / @tapewobble
Catch it as part of @debaser__ ’s PIQUE
📅 Saturday, Dec 13
⏰ 19:30–23:00
📍 Artengine Studio
Dear friends, thrilled to announce TENTACULAR DIVINE, my new moving-image piece commissioned by @publicartottawa x @artengine 🇨🇦 which premieres this Thursday at the City Hall Karsh-Masson Gallery, Anishinaabe land/ Ottawa. First time showing in Canada!
"And I Have Come Upon This Place by Lost Ways" is curated by Remco Volmer and features work by Rah Eleh, Kite with Alisha B. Wormsley, Adrienne Matheuszik, Komi Olafimihan, Isabella Salas and Kira Xonorika.
On view from November 13, 2025 through February 8, 2026.
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, AND KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways
Curator: Remco Volmer
November 13, 2025 to February 8, 2026
Opening: Thursday, November 13, 5:30 to 7:30 pm
Joint event with Natasha Mazurka at City Hall Art Gallery.
Event access is limited to the Laurier Avenue after-hours entrance.
Curator tour: Sunday, February 1, 2 pm
Presented in English.
Event access is limited to the Laurier Avenue entrance.
KARSH-MASSON GALLERY, 110 Laurier Ave. West
🔗 link in bio
#KarshMasson
RAH ELEH, KITE & ALISHA B WORMSLEY, ADRIENNE MATHEUSZIK, KOMI OLAFIMIHAN, ISABELLA SALAS, ET KIRA XONORIKA – And I Have Come Upon This Place by Lost Ways (J’ai trouvé cet endroit par des voies perdues)
Commissaire : Remco Volmer
Du 13 novembre 2025 au 8 février 2026
Vernissage : le jeudi 13 novembre, de 17 h 30 à 19 h 30
Évènement commun avec Natasha Mazurka à la Galerie d’art de l’hôtel de ville.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier utilisée en dehors des heures d’ouverture.
Visite guidée avec le commissaire : le dimanche 1er février, à 14 h
Présentation en anglais.
Vous ne pourrez accéder à l’événement qu’en empruntant l’entrée de l’avenue Laurier.
GALERIE KARSH-MASSON, 110, av. Laurier Ouest
🔗 lien dans la bio
📷 (left to right / de gauche à droite):
Rah Eleh, Celestial Throne (installation view / vue de l'installation), 2022
Kite and / et Alisha B Wormsley, The Cosmologyscape interface (website detail / renseignements d’un site Web), 2024
Adrienne Matheuszik, Deep Sleep (video still / plan fixe), 2024
Komi Olafimihan, Kainji (detail / détail), 2022
Isabella Salas and / et hexorcismos, Nelkotoni, Seed no. 97757, 2020
Kira Xonorika, Trickster (video still / plan fixe), 2025
courtesy of the artists / gracieuseté des artistes
Link in bio to register for TouchDesigner club! this is a good one if you want to achieve your VJ dreams. See you there!! reach out to madeleine@artengine.ca for any questions:) also big thank you to @nicholaspjm for the last slide who made this Audio reactive file. PJcreations is my favourite patreon creator.
Link in bio to register for TouchDesigner club! this is a good one if you want to achieve your VJ dreams. See you there!! reach out to madeleine@artengine.ca for any questions:) also big thank you to @nicholaspjm for the last slide who made this Audio reactive file. PJcreations is my favourite patreon creator.
Link in bio to register for TouchDesigner club! this is a good one if you want to achieve your VJ dreams. See you there!! reach out to madeleine@artengine.ca for any questions:) also big thank you to @nicholaspjm for the last slide who made this Audio reactive file. PJcreations is my favourite patreon creator.
Przeglądaj historie na Instagramie w tajemnicy
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Zalety Anonstories
Oglądaj IG Stories Prywatnie
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Prywatny Viewer na Instagramie
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
Bezpłatny Story Viewer
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Najczęściej zadawane pytania
Anonimowość
Anonstories pozwala użytkownikom oglądać historie na Instagramie bez informowania twórcy.
Kompatybilność z urządzeniami
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Bezpieczeństwo i Prywatność
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
Brak rejestracji
Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Obsługiwane formaty
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Koszt
Usługa jest bezpłatna.
Konta prywatne
Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
Użycie plików
Pliki są przeznaczone do użytku osobistego lub edukacyjnego i muszą być zgodne z przepisami dotyczącymi praw autorskich.
Jak to działa
Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis