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krawczyk_tom
Tom Krawczyk
Chicago/LA/Poland
Local 600 Unit Still Photographer
Director and cinematographer of @mydudusdoc now on @nytimes and @pbs
For the last two years, I don’t think a day went by when in some shape or form I didn’t think about this documentary; from the days of climbing trees in my parent’s backyard hoping to catch a special moment with Duduś to the final days of post-production, sitting inches away from the computer screen, teary-eyed from squinting while adjusting the subtitle font shadow opacity for the millionth time. It felt like there was always something.
And now, the film is done and it has a new home online. My brain almost feels a bit empty or maybe lonely is a better word. I always had the documentary to think about. And now, there’s this eerie calm silence. It’s very bittersweet though. The lingering question of “what’s next” is starting to make its rounds. What IS next?
For now, I find myself gazing out the window looking for birds and cheering on squirrels that chase each other up and down trees. Oh no, I think that’s just me getting older.
Playing this Saturday at the Music Box Theatre! Saturday, May 2, 2026 at 11:30am for the Shorts Program 1. If you’re around, come through. One of the coolest festivals in Chicago, in one of the most iconic theatres.
A few years back I was down in Florida working on @bouncybrothersdoc with @nicholasjsantore and @13ravo_. Hot and long days and a lot of figuring out things as we went. Constantly learning your instincts, trusting them, messing up, adjusting, and going again. Proud of what it became.
The doc film itself lives somewhere in that in-between space- brotherhood, second chances, chasing something that might not work out but doing it anyway. There’s a lot of heart in it. Really grateful for that time, the small but mighty crew, and everything it taught me <333
Director: @nicholasjsantore
Cinematography: 👋
Editor: Jordan Bracewell
Composer: Justin Lee Radford
Sound designer: @13ravo_
Music: @ashtontheterrible
Colorist: @shmowells
Playing this Saturday at the Music Box Theatre! Saturday, May 2, 2026 at 11:30am for the Shorts Program 1. If you’re around, come through. One of the coolest festivals in Chicago, in one of the most iconic theatres.
A few years back I was down in Florida working on @bouncybrothersdoc with @nicholasjsantore and @13ravo_. Hot and long days and a lot of figuring out things as we went. Constantly learning your instincts, trusting them, messing up, adjusting, and going again. Proud of what it became.
The doc film itself lives somewhere in that in-between space- brotherhood, second chances, chasing something that might not work out but doing it anyway. There’s a lot of heart in it. Really grateful for that time, the small but mighty crew, and everything it taught me <333
Director: @nicholasjsantore
Cinematography: 👋
Editor: Jordan Bracewell
Composer: Justin Lee Radford
Sound designer: @13ravo_
Music: @ashtontheterrible
Colorist: @shmowells
Playing this Saturday at the Music Box Theatre! Saturday, May 2, 2026 at 11:30am for the Shorts Program 1. If you’re around, come through. One of the coolest festivals in Chicago, in one of the most iconic theatres.
A few years back I was down in Florida working on @bouncybrothersdoc with @nicholasjsantore and @13ravo_. Hot and long days and a lot of figuring out things as we went. Constantly learning your instincts, trusting them, messing up, adjusting, and going again. Proud of what it became.
The doc film itself lives somewhere in that in-between space- brotherhood, second chances, chasing something that might not work out but doing it anyway. There’s a lot of heart in it. Really grateful for that time, the small but mighty crew, and everything it taught me <333
Director: @nicholasjsantore
Cinematography: 👋
Editor: Jordan Bracewell
Composer: Justin Lee Radford
Sound designer: @13ravo_
Music: @ashtontheterrible
Colorist: @shmowells
Playing this Saturday at the Music Box Theatre! Saturday, May 2, 2026 at 11:30am for the Shorts Program 1. If you’re around, come through. One of the coolest festivals in Chicago, in one of the most iconic theatres.
A few years back I was down in Florida working on @bouncybrothersdoc with @nicholasjsantore and @13ravo_. Hot and long days and a lot of figuring out things as we went. Constantly learning your instincts, trusting them, messing up, adjusting, and going again. Proud of what it became.
The doc film itself lives somewhere in that in-between space- brotherhood, second chances, chasing something that might not work out but doing it anyway. There’s a lot of heart in it. Really grateful for that time, the small but mighty crew, and everything it taught me <333
Director: @nicholasjsantore
Cinematography: 👋
Editor: Jordan Bracewell
Composer: Justin Lee Radford
Sound designer: @13ravo_
Music: @ashtontheterrible
Colorist: @shmowells
Playing this Saturday at the Music Box Theatre! Saturday, May 2, 2026 at 11:30am for the Shorts Program 1. If you’re around, come through. One of the coolest festivals in Chicago, in one of the most iconic theatres.
A few years back I was down in Florida working on @bouncybrothersdoc with @nicholasjsantore and @13ravo_. Hot and long days and a lot of figuring out things as we went. Constantly learning your instincts, trusting them, messing up, adjusting, and going again. Proud of what it became.
The doc film itself lives somewhere in that in-between space- brotherhood, second chances, chasing something that might not work out but doing it anyway. There’s a lot of heart in it. Really grateful for that time, the small but mighty crew, and everything it taught me <333
Director: @nicholasjsantore
Cinematography: 👋
Editor: Jordan Bracewell
Composer: Justin Lee Radford
Sound designer: @13ravo_
Music: @ashtontheterrible
Colorist: @shmowells
Playing this Saturday at the Music Box Theatre! Saturday, May 2, 2026 at 11:30am for the Shorts Program 1. If you’re around, come through. One of the coolest festivals in Chicago, in one of the most iconic theatres.
A few years back I was down in Florida working on @bouncybrothersdoc with @nicholasjsantore and @13ravo_. Hot and long days and a lot of figuring out things as we went. Constantly learning your instincts, trusting them, messing up, adjusting, and going again. Proud of what it became.
The doc film itself lives somewhere in that in-between space- brotherhood, second chances, chasing something that might not work out but doing it anyway. There’s a lot of heart in it. Really grateful for that time, the small but mighty crew, and everything it taught me <333
Director: @nicholasjsantore
Cinematography: 👋
Editor: Jordan Bracewell
Composer: Justin Lee Radford
Sound designer: @13ravo_
Music: @ashtontheterrible
Colorist: @shmowells
Playing this Saturday at the Music Box Theatre! Saturday, May 2, 2026 at 11:30am for the Shorts Program 1. If you’re around, come through. One of the coolest festivals in Chicago, in one of the most iconic theatres.
A few years back I was down in Florida working on @bouncybrothersdoc with @nicholasjsantore and @13ravo_. Hot and long days and a lot of figuring out things as we went. Constantly learning your instincts, trusting them, messing up, adjusting, and going again. Proud of what it became.
The doc film itself lives somewhere in that in-between space- brotherhood, second chances, chasing something that might not work out but doing it anyway. There’s a lot of heart in it. Really grateful for that time, the small but mighty crew, and everything it taught me <333
Director: @nicholasjsantore
Cinematography: 👋
Editor: Jordan Bracewell
Composer: Justin Lee Radford
Sound designer: @13ravo_
Music: @ashtontheterrible
Colorist: @shmowells
Playing this Saturday at the Music Box Theatre! Saturday, May 2, 2026 at 11:30am for the Shorts Program 1. If you’re around, come through. One of the coolest festivals in Chicago, in one of the most iconic theatres.
A few years back I was down in Florida working on @bouncybrothersdoc with @nicholasjsantore and @13ravo_. Hot and long days and a lot of figuring out things as we went. Constantly learning your instincts, trusting them, messing up, adjusting, and going again. Proud of what it became.
The doc film itself lives somewhere in that in-between space- brotherhood, second chances, chasing something that might not work out but doing it anyway. There’s a lot of heart in it. Really grateful for that time, the small but mighty crew, and everything it taught me <333
Director: @nicholasjsantore
Cinematography: 👋
Editor: Jordan Bracewell
Composer: Justin Lee Radford
Sound designer: @13ravo_
Music: @ashtontheterrible
Colorist: @shmowells
Behind the scenes and in between moments on @heswatchingyoumovie
Dopest cinematography by the one and only @benjaminkitchens
Directed by @jordon_withano
Behind the scenes and in between moments on @heswatchingyoumovie
Dopest cinematography by the one and only @benjaminkitchens
Directed by @jordon_withano
Behind the scenes and in between moments on @heswatchingyoumovie
Dopest cinematography by the one and only @benjaminkitchens
Directed by @jordon_withano
Behind the scenes and in between moments on @heswatchingyoumovie
Dopest cinematography by the one and only @benjaminkitchens
Directed by @jordon_withano
Behind the scenes and in between moments on @heswatchingyoumovie
Dopest cinematography by the one and only @benjaminkitchens
Directed by @jordon_withano
Behind the scenes and in between moments on @heswatchingyoumovie
Dopest cinematography by the one and only @benjaminkitchens
Directed by @jordon_withano
Some more photos I took for @heswatchingyoumovie
Directed by @jordon_withano
Been into early 2000s techno/ eurodance hence the very fitting song
Some more photos I took for @heswatchingyoumovie
Directed by @jordon_withano
Been into early 2000s techno/ eurodance hence the very fitting song
Some more photos I took for @heswatchingyoumovie
Directed by @jordon_withano
Been into early 2000s techno/ eurodance hence the very fitting song
Two days before the shoot, I was asked if I could do the gallery portraits. The day of, I grabbed a backdrop from Samy’s, found a garage next to set, and borrowed a few Arri lights from the electric department.
Cast members kept knocking every few minutes. I’d pull them in, pose fast, keep it loose, and send them back out.
It was my first gallery shoot, terrifying and exhilarating, but seeing all of these photos come together to create the poster is something special.
Seeing fan art inspired by it afterward has been one of the coolest parts. @xakolev
Go watch @heswatchingyoumovie now streaming!
Two days before the shoot, I was asked if I could do the gallery portraits. The day of, I grabbed a backdrop from Samy’s, found a garage next to set, and borrowed a few Arri lights from the electric department.
Cast members kept knocking every few minutes. I’d pull them in, pose fast, keep it loose, and send them back out.
It was my first gallery shoot, terrifying and exhilarating, but seeing all of these photos come together to create the poster is something special.
Seeing fan art inspired by it afterward has been one of the coolest parts. @xakolev
Go watch @heswatchingyoumovie now streaming!
Two days before the shoot, I was asked if I could do the gallery portraits. The day of, I grabbed a backdrop from Samy’s, found a garage next to set, and borrowed a few Arri lights from the electric department.
Cast members kept knocking every few minutes. I’d pull them in, pose fast, keep it loose, and send them back out.
It was my first gallery shoot, terrifying and exhilarating, but seeing all of these photos come together to create the poster is something special.
Seeing fan art inspired by it afterward has been one of the coolest parts. @xakolev
Go watch @heswatchingyoumovie now streaming!
Two days before the shoot, I was asked if I could do the gallery portraits. The day of, I grabbed a backdrop from Samy’s, found a garage next to set, and borrowed a few Arri lights from the electric department.
Cast members kept knocking every few minutes. I’d pull them in, pose fast, keep it loose, and send them back out.
It was my first gallery shoot, terrifying and exhilarating, but seeing all of these photos come together to create the poster is something special.
Seeing fan art inspired by it afterward has been one of the coolest parts. @xakolev
Go watch @heswatchingyoumovie now streaming!
Two days before the shoot, I was asked if I could do the gallery portraits. The day of, I grabbed a backdrop from Samy’s, found a garage next to set, and borrowed a few Arri lights from the electric department.
Cast members kept knocking every few minutes. I’d pull them in, pose fast, keep it loose, and send them back out.
It was my first gallery shoot, terrifying and exhilarating, but seeing all of these photos come together to create the poster is something special.
Seeing fan art inspired by it afterward has been one of the coolest parts. @xakolev
Go watch @heswatchingyoumovie now streaming!
Two days before the shoot, I was asked if I could do the gallery portraits. The day of, I grabbed a backdrop from Samy’s, found a garage next to set, and borrowed a few Arri lights from the electric department.
Cast members kept knocking every few minutes. I’d pull them in, pose fast, keep it loose, and send them back out.
It was my first gallery shoot, terrifying and exhilarating, but seeing all of these photos come together to create the poster is something special.
Seeing fan art inspired by it afterward has been one of the coolest parts. @xakolev
Go watch @heswatchingyoumovie now streaming!
Two days before the shoot, I was asked if I could do the gallery portraits. The day of, I grabbed a backdrop from Samy’s, found a garage next to set, and borrowed a few Arri lights from the electric department.
Cast members kept knocking every few minutes. I’d pull them in, pose fast, keep it loose, and send them back out.
It was my first gallery shoot, terrifying and exhilarating, but seeing all of these photos come together to create the poster is something special.
Seeing fan art inspired by it afterward has been one of the coolest parts. @xakolev
Go watch @heswatchingyoumovie now streaming!
Photos from the first feature film I worked on as a unit still photographer in California, 2023. Learned a lot on this one, especially seeing how I far I can push my camera in low light. Horrors quickly became one of my favorites to photograph. Hire me @terrifierartclown
Respect to indie filmmaking <3
Go see @heswatchingyoumovie now in theaters and streaming!
Photos from the first feature film I worked on as a unit still photographer in California, 2023. Learned a lot on this one, especially seeing how I far I can push my camera in low light. Horrors quickly became one of my favorites to photograph. Hire me @terrifierartclown
Respect to indie filmmaking <3
Go see @heswatchingyoumovie now in theaters and streaming!
Photos from the first feature film I worked on as a unit still photographer in California, 2023. Learned a lot on this one, especially seeing how I far I can push my camera in low light. Horrors quickly became one of my favorites to photograph. Hire me @terrifierartclown
Respect to indie filmmaking <3
Go see @heswatchingyoumovie now in theaters and streaming!
It’s happening.
The Pill is real.
He’s Watching You available today on @primevideo @appletv and @fandango
My first feature film I worked on as unit still photographer a few years ago in California :) What a blast <3 Stay tuned for more photos
It’s happening.
The Pill is real.
He’s Watching You available today on @primevideo @appletv and @fandango
My first feature film I worked on as unit still photographer a few years ago in California :) What a blast <3 Stay tuned for more photos
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
Fun phone notes:
Chasing the kind of quiet you only find out here,
where the sky hangs low
and time hums softly through the fields.
Cheese curds and Miller Lites,
a boy with flowers rehearsing forever,
another with a scooter chasing the wind.
Somewhere, a cigarette burns slow,
and the Midwest keeps its secrets.
Fun phone notes:
Chasing the kind of quiet you only find out here,
where the sky hangs low
and time hums softly through the fields.
Cheese curds and Miller Lites,
a boy with flowers rehearsing forever,
another with a scooter chasing the wind.
Somewhere, a cigarette burns slow,
and the Midwest keeps its secrets.
Fun phone notes:
Chasing the kind of quiet you only find out here,
where the sky hangs low
and time hums softly through the fields.
Cheese curds and Miller Lites,
a boy with flowers rehearsing forever,
another with a scooter chasing the wind.
Somewhere, a cigarette burns slow,
and the Midwest keeps its secrets.
Fun phone notes:
Chasing the kind of quiet you only find out here,
where the sky hangs low
and time hums softly through the fields.
Cheese curds and Miller Lites,
a boy with flowers rehearsing forever,
another with a scooter chasing the wind.
Somewhere, a cigarette burns slow,
and the Midwest keeps its secrets.
Fun phone notes:
Chasing the kind of quiet you only find out here,
where the sky hangs low
and time hums softly through the fields.
Cheese curds and Miller Lites,
a boy with flowers rehearsing forever,
another with a scooter chasing the wind.
Somewhere, a cigarette burns slow,
and the Midwest keeps its secrets.
Fun phone notes:
Chasing the kind of quiet you only find out here,
where the sky hangs low
and time hums softly through the fields.
Cheese curds and Miller Lites,
a boy with flowers rehearsing forever,
another with a scooter chasing the wind.
Somewhere, a cigarette burns slow,
and the Midwest keeps its secrets.
The lineup for #hsdff34 just dropped on @deadline!
@bouncybrothersdoc will be screening October 15th at 3:30PM at the Academy Qualifying @hsdff.
We are incredibly honored to be a part of this historic documentary festival and can’t wait to see everyone there!
The lineup for #hsdff34 just dropped on @deadline!
@bouncybrothersdoc will be screening October 15th at 3:30PM at the Academy Qualifying @hsdff.
We are incredibly honored to be a part of this historic documentary festival and can’t wait to see everyone there!
The lineup for #hsdff34 just dropped on @deadline!
@bouncybrothersdoc will be screening October 15th at 3:30PM at the Academy Qualifying @hsdff.
We are incredibly honored to be a part of this historic documentary festival and can’t wait to see everyone there!
Przeglądaj historie na Instagramie w tajemnicy
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Zalety Anonstories
Oglądaj IG Stories Prywatnie
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Prywatny Viewer na Instagramie
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
Bezpłatny Story Viewer
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Najczęściej zadawane pytania
Anonimowość
Anonstories pozwala użytkownikom oglądać historie na Instagramie bez informowania twórcy.
Kompatybilność z urządzeniami
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Bezpieczeństwo i Prywatność
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
Brak rejestracji
Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Obsługiwane formaty
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Koszt
Usługa jest bezpłatna.
Konta prywatne
Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
Użycie plików
Pliki są przeznaczone do użytku osobistego lub edukacyjnego i muszą być zgodne z przepisami dotyczącymi praw autorskich.
Jak to działa
Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis