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нєχ ѕтαтє ѕєяνєя
𝗗𝗲𝗮𝗰𝘁𝗶𝘃𝗮𝘁𝗶𝗼𝗻 𝗣𝗿𝗼𝘁𝗼𝗰𝗼𝗹 𝘄𝗶𝘁𝗵 𝗦𝗼𝗻𝗶𝗰 𝗢𝗳𝗳𝗶𝗰𝗲𝗿 (@sonicofficer)

9 May 2026 (SAT) |  5:55–6:30pm | 📍 @squarestreetgallery

The system is the last process running. Join us for the final system check and deactivation of HEX STATE SERVER, conducted by Sonic Officer’s (@sonicofficer) Manager, Andio (@andiosound).

INTERFACE level: System reboot via CRT monitor, experimental sequencers, and glitchy synthesis.

CODE level: Repair surveying in searchlight mode. The Officer excavates the PHANTOM INDEX timeline via a superimposed cypher, live-coding visual variants of letters, symbols, and alternate histories.

Drawing on Leibniz’s binary systems, the I Ching, and computational histories, the performance moves between human interface and digital substrate.

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

нєχ ѕтαтє ѕєяνєя
𝗗𝗲𝗮𝗰𝘁𝗶𝘃𝗮𝘁𝗶𝗼𝗻 𝗣𝗿𝗼𝘁𝗼𝗰𝗼𝗹 𝘄𝗶𝘁𝗵 𝗦𝗼𝗻𝗶𝗰 𝗢𝗳𝗳𝗶𝗰𝗲𝗿 (@sonicofficer)

9 May 2026 (SAT) |  5:55–6:30pm | 📍 @squarestreetgallery

The system is the last process running. Join us for the final system check and deactivation of HEX STATE SERVER, conducted by Sonic Officer’s (@sonicofficer) Manager, Andio (@andiosound).

INTERFACE level: System reboot via CRT monitor, experimental sequencers, and glitchy synthesis.

CODE level: Repair surveying in searchlight mode. The Officer excavates the PHANTOM INDEX timeline via a superimposed cypher, live-coding visual variants of letters, symbols, and alternate histories.

Drawing on Leibniz’s binary systems, the I Ching, and computational histories, the performance moves between human interface and digital substrate.

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

нєχ ѕтαтє ѕєяνєя
𝗗𝗲𝗮𝗰𝘁𝗶𝘃𝗮𝘁𝗶𝗼𝗻 𝗣𝗿𝗼𝘁𝗼𝗰𝗼𝗹 𝘄𝗶𝘁𝗵 𝗦𝗼𝗻𝗶𝗰 𝗢𝗳𝗳𝗶𝗰𝗲𝗿 (@sonicofficer)

9 May 2026 (SAT) |  5:55–6:30pm | 📍 @squarestreetgallery

The system is the last process running. Join us for the final system check and deactivation of HEX STATE SERVER, conducted by Sonic Officer’s (@sonicofficer) Manager, Andio (@andiosound).

INTERFACE level: System reboot via CRT monitor, experimental sequencers, and glitchy synthesis.

CODE level: Repair surveying in searchlight mode. The Officer excavates the PHANTOM INDEX timeline via a superimposed cypher, live-coding visual variants of letters, symbols, and alternate histories.

Drawing on Leibniz’s binary systems, the I Ching, and computational histories, the performance moves between human interface and digital substrate.

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

нєχ ѕтαтє ѕєяνєя
𝗗𝗲𝗮𝗰𝘁𝗶𝘃𝗮𝘁𝗶𝗼𝗻 𝗣𝗿𝗼𝘁𝗼𝗰𝗼𝗹 𝘄𝗶𝘁𝗵 𝗦𝗼𝗻𝗶𝗰 𝗢𝗳𝗳𝗶𝗰𝗲𝗿 (@sonicofficer)

9 May 2026 (SAT) |  5:55–6:30pm | 📍 @squarestreetgallery

The system is the last process running. Join us for the final system check and deactivation of HEX STATE SERVER, conducted by Sonic Officer’s (@sonicofficer) Manager, Andio (@andiosound).

INTERFACE level: System reboot via CRT monitor, experimental sequencers, and glitchy synthesis.

CODE level: Repair surveying in searchlight mode. The Officer excavates the PHANTOM INDEX timeline via a superimposed cypher, live-coding visual variants of letters, symbols, and alternate histories.

Drawing on Leibniz’s binary systems, the I Ching, and computational histories, the performance moves between human interface and digital substrate.

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

нєχ ѕтαтє ѕєяνєя
𝗗𝗲𝗮𝗰𝘁𝗶𝘃𝗮𝘁𝗶𝗼𝗻 𝗣𝗿𝗼𝘁𝗼𝗰𝗼𝗹 𝘄𝗶𝘁𝗵 𝗦𝗼𝗻𝗶𝗰 𝗢𝗳𝗳𝗶𝗰𝗲𝗿 (@sonicofficer)

9 May 2026 (SAT) |  5:55–6:30pm | 📍 @squarestreetgallery

The system is the last process running. Join us for the final system check and deactivation of HEX STATE SERVER, conducted by Sonic Officer’s (@sonicofficer) Manager, Andio (@andiosound).

INTERFACE level: System reboot via CRT monitor, experimental sequencers, and glitchy synthesis.

CODE level: Repair surveying in searchlight mode. The Officer excavates the PHANTOM INDEX timeline via a superimposed cypher, live-coding visual variants of letters, symbols, and alternate histories.

Drawing on Leibniz’s binary systems, the I Ching, and computational histories, the performance moves between human interface and digital substrate.

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

нєχ ѕтαтє ѕєяνєя
𝗗𝗲𝗮𝗰𝘁𝗶𝘃𝗮𝘁𝗶𝗼𝗻 𝗣𝗿𝗼𝘁𝗼𝗰𝗼𝗹 𝘄𝗶𝘁𝗵 𝗦𝗼𝗻𝗶𝗰 𝗢𝗳𝗳𝗶𝗰𝗲𝗿 (@sonicofficer)

9 May 2026 (SAT) |  5:55–6:30pm | 📍 @squarestreetgallery

The system is the last process running. Join us for the final system check and deactivation of HEX STATE SERVER, conducted by Sonic Officer’s (@sonicofficer) Manager, Andio (@andiosound).

INTERFACE level: System reboot via CRT monitor, experimental sequencers, and glitchy synthesis.

CODE level: Repair surveying in searchlight mode. The Officer excavates the PHANTOM INDEX timeline via a superimposed cypher, live-coding visual variants of letters, symbols, and alternate histories.

Drawing on Leibniz’s binary systems, the I Ching, and computational histories, the performance moves between human interface and digital substrate.

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Last LAST week to see Brandon Tay’s ‘HEX STATE SERVER’

Drop by for tours with the curator @niche.stitution :
TODAY Sat 2 May 13:30/ 16:30
Fri 8 May 18:00/ 19:00
Sat 9 May 14:30/ 16:30

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
20 March – 2 May, 2026

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

ιη ιтѕ тσтαℓιту: 𝘗𝘏𝘈𝘕𝘛𝘖𝘔 𝘐𝘕𝘋𝘌𝘟 LARP Activation last month designed and facilitated by Bea Xu @_fei__fei_ for Brandon Tay's @brozm HEX STATE SERVER exhibition at @squarestreetgallery

Documentation by Jonathan Tan @jonathantyl with bonus group shot with first session gang (swipe to end) 🪄

×

Terence McKenna’s Timewave Zero theory proposed that the I Ching’s 64 hexagrams contain a mathematical formula for calculating the end of time: a threshold singularity where everything changes.

Step inside Brandon Tay’s HEX STATE SERVER exhibition for 𝘐𝘯 𝘪𝘵𝘴 𝘛𝘰𝘵𝘢𝘭𝘪𝘵𝘺, an hour-long live-action roleplay where participants become computational agents navigating a speculative timeline. Using memory, speculation, and techniques from transpersonal psychotherapy, the agents collectively decode historical patterns, negotiate with infrastructural Daemons, and calibrate forecasts in the wake of a possible Contingency Event.

Designed and facilitated by Bea Xu, this LARP treats the exhibition as a site-specific domain for embodied meaning-making. Appeal to contingency or recursion. Consult the oracle. Conspire with fate.

×

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professional @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Key visuals by @okkazze

An ancient grammar of 64 states once compressed the world into tendencies: advancing, retreating, blocked, open. The same logic runs in every system that classifies before it acts. Name a state often enough and the state begins to behave. The reading becomes the environment.

Closes 2 May. Square Street Gallery, Hong Kong.

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
20 March – 2 May, 2026

𝑷𝑯𝑨𝑵𝑻𝑶𝑴 𝑰𝑵𝑫𝑬𝑿

A vinyl timeline mapping the I Ching as the world’s first binary modelling environment — a compressed abstraction of everything from state policy to personal fate, built on broken and unbroken lines. Six phases. Seven terminal conditions. Hidden captions, only legible under UV torches provided in the space, reframe each node in system language. The argument runs: we have always been inside a computational system. The hardware has simply been upgraded. The 64 world-states in the room are what happens when you run the archive live.

Graphic Design by Darius Ou @darius_ou

PHANTOM INDEX
2026
Vinyl wall installation
Dimensions variable

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
20 March – 2 May, 2026

Photo credit: Jonathan Tan @jonathantyl

𝑷𝑯𝑨𝑵𝑻𝑶𝑴 𝑰𝑵𝑫𝑬𝑿

A vinyl timeline mapping the I Ching as the world’s first binary modelling environment — a compressed abstraction of everything from state policy to personal fate, built on broken and unbroken lines. Six phases. Seven terminal conditions. Hidden captions, only legible under UV torches provided in the space, reframe each node in system language. The argument runs: we have always been inside a computational system. The hardware has simply been upgraded. The 64 world-states in the room are what happens when you run the archive live.

Graphic Design by Darius Ou @darius_ou

PHANTOM INDEX
2026
Vinyl wall installation
Dimensions variable

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
20 March – 2 May, 2026

Photo credit: Jonathan Tan @jonathantyl

𝑷𝑯𝑨𝑵𝑻𝑶𝑴 𝑰𝑵𝑫𝑬𝑿

A vinyl timeline mapping the I Ching as the world’s first binary modelling environment — a compressed abstraction of everything from state policy to personal fate, built on broken and unbroken lines. Six phases. Seven terminal conditions. Hidden captions, only legible under UV torches provided in the space, reframe each node in system language. The argument runs: we have always been inside a computational system. The hardware has simply been upgraded. The 64 world-states in the room are what happens when you run the archive live.

Graphic Design by Darius Ou @darius_ou

PHANTOM INDEX
2026
Vinyl wall installation
Dimensions variable

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
20 March – 2 May, 2026

Photo credit: Jonathan Tan @jonathantyl

𝑷𝑯𝑨𝑵𝑻𝑶𝑴 𝑰𝑵𝑫𝑬𝑿

A vinyl timeline mapping the I Ching as the world’s first binary modelling environment — a compressed abstraction of everything from state policy to personal fate, built on broken and unbroken lines. Six phases. Seven terminal conditions. Hidden captions, only legible under UV torches provided in the space, reframe each node in system language. The argument runs: we have always been inside a computational system. The hardware has simply been upgraded. The 64 world-states in the room are what happens when you run the archive live.

Graphic Design by Darius Ou @darius_ou

PHANTOM INDEX
2026
Vinyl wall installation
Dimensions variable

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
20 March – 2 May, 2026

Photo credit: Jonathan Tan @jonathantyl

𝑷𝑯𝑨𝑵𝑻𝑶𝑴 𝑰𝑵𝑫𝑬𝑿

A vinyl timeline mapping the I Ching as the world’s first binary modelling environment — a compressed abstraction of everything from state policy to personal fate, built on broken and unbroken lines. Six phases. Seven terminal conditions. Hidden captions, only legible under UV torches provided in the space, reframe each node in system language. The argument runs: we have always been inside a computational system. The hardware has simply been upgraded. The 64 world-states in the room are what happens when you run the archive live.

Graphic Design by Darius Ou @darius_ou

PHANTOM INDEX
2026
Vinyl wall installation
Dimensions variable

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
20 March – 2 May, 2026

Photo credit: Jonathan Tan @jonathantyl

𝑷𝑯𝑨𝑵𝑻𝑶𝑴 𝑰𝑵𝑫𝑬𝑿

A vinyl timeline mapping the I Ching as the world’s first binary modelling environment — a compressed abstraction of everything from state policy to personal fate, built on broken and unbroken lines. Six phases. Seven terminal conditions. Hidden captions, only legible under UV torches provided in the space, reframe each node in system language. The argument runs: we have always been inside a computational system. The hardware has simply been upgraded. The 64 world-states in the room are what happens when you run the archive live.

Graphic Design by Darius Ou @darius_ou

PHANTOM INDEX
2026
Vinyl wall installation
Dimensions variable

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
20 March – 2 May, 2026

Photo credit: Jonathan Tan @jonathantyl

Experts say we’re living in a Chinese (or Asian) century. Due to growth in China, India, and ASEAN countries, Asian nations are set to dominate global politics, economics, and culture.

It’s tempting to agree, especially as someone who lives in Asia. But speak to young people here worried about narrowing opportunities or economic precarity, and you might find their anxieties about the future are similar to their Western counterparts.

Ironically, the idea that we’re living in the “Asian century” is (and was) most often touted by Westerners. D.C. think-tank types and journalists at The Economist often championed the idea in the 2010s, but read any cyberpunk text or the most popular philosophers in Silicon Valley, and the future we imagine is always “Asian.”

But at a post-internet art party in Hong Kong, some artists are questioning this narrative.

I spent some of art week hanging out with artist @brozm and curators @rafiabdulla.apt and @angelaliuuu (of the @niche.stitution), talking about accelerationism, Lee Kuan Yew, Nick Land, and ideas of time in Daoist tradition. All of this comes together in “HEX STATE SERVER,” available to view at @squarestreetgallery until May 2nd.

There are widespread projections that the future is pre-determined—that one day, we will arrive at a global collapse, the Protestant Rapture, an AI singularity, or even a future where Asia reigns supreme. But for Brandon, Rafi, and Angela the future is never fixed, and what matters most is the world we want to create.

Experts say we’re living in a Chinese (or Asian) century. Due to growth in China, India, and ASEAN countries, Asian nations are set to dominate global politics, economics, and culture.

It’s tempting to agree, especially as someone who lives in Asia. But speak to young people here worried about narrowing opportunities or economic precarity, and you might find their anxieties about the future are similar to their Western counterparts.

Ironically, the idea that we’re living in the “Asian century” is (and was) most often touted by Westerners. D.C. think-tank types and journalists at The Economist often championed the idea in the 2010s, but read any cyberpunk text or the most popular philosophers in Silicon Valley, and the future we imagine is always “Asian.”

But at a post-internet art party in Hong Kong, some artists are questioning this narrative.

I spent some of art week hanging out with artist @brozm and curators @rafiabdulla.apt and @angelaliuuu (of the @niche.stitution), talking about accelerationism, Lee Kuan Yew, Nick Land, and ideas of time in Daoist tradition. All of this comes together in “HEX STATE SERVER,” available to view at @squarestreetgallery until May 2nd.

There are widespread projections that the future is pre-determined—that one day, we will arrive at a global collapse, the Protestant Rapture, an AI singularity, or even a future where Asia reigns supreme. But for Brandon, Rafi, and Angela the future is never fixed, and what matters most is the world we want to create.

Experts say we’re living in a Chinese (or Asian) century. Due to growth in China, India, and ASEAN countries, Asian nations are set to dominate global politics, economics, and culture.

It’s tempting to agree, especially as someone who lives in Asia. But speak to young people here worried about narrowing opportunities or economic precarity, and you might find their anxieties about the future are similar to their Western counterparts.

Ironically, the idea that we’re living in the “Asian century” is (and was) most often touted by Westerners. D.C. think-tank types and journalists at The Economist often championed the idea in the 2010s, but read any cyberpunk text or the most popular philosophers in Silicon Valley, and the future we imagine is always “Asian.”

But at a post-internet art party in Hong Kong, some artists are questioning this narrative.

I spent some of art week hanging out with artist @brozm and curators @rafiabdulla.apt and @angelaliuuu (of the @niche.stitution), talking about accelerationism, Lee Kuan Yew, Nick Land, and ideas of time in Daoist tradition. All of this comes together in “HEX STATE SERVER,” available to view at @squarestreetgallery until May 2nd.

There are widespread projections that the future is pre-determined—that one day, we will arrive at a global collapse, the Protestant Rapture, an AI singularity, or even a future where Asia reigns supreme. But for Brandon, Rafi, and Angela the future is never fixed, and what matters most is the world we want to create.

Experts say we’re living in a Chinese (or Asian) century. Due to growth in China, India, and ASEAN countries, Asian nations are set to dominate global politics, economics, and culture.

It’s tempting to agree, especially as someone who lives in Asia. But speak to young people here worried about narrowing opportunities or economic precarity, and you might find their anxieties about the future are similar to their Western counterparts.

Ironically, the idea that we’re living in the “Asian century” is (and was) most often touted by Westerners. D.C. think-tank types and journalists at The Economist often championed the idea in the 2010s, but read any cyberpunk text or the most popular philosophers in Silicon Valley, and the future we imagine is always “Asian.”

But at a post-internet art party in Hong Kong, some artists are questioning this narrative.

I spent some of art week hanging out with artist @brozm and curators @rafiabdulla.apt and @angelaliuuu (of the @niche.stitution), talking about accelerationism, Lee Kuan Yew, Nick Land, and ideas of time in Daoist tradition. All of this comes together in “HEX STATE SERVER,” available to view at @squarestreetgallery until May 2nd.

There are widespread projections that the future is pre-determined—that one day, we will arrive at a global collapse, the Protestant Rapture, an AI singularity, or even a future where Asia reigns supreme. But for Brandon, Rafi, and Angela the future is never fixed, and what matters most is the world we want to create.

Experts say we’re living in a Chinese (or Asian) century. Due to growth in China, India, and ASEAN countries, Asian nations are set to dominate global politics, economics, and culture.

It’s tempting to agree, especially as someone who lives in Asia. But speak to young people here worried about narrowing opportunities or economic precarity, and you might find their anxieties about the future are similar to their Western counterparts.

Ironically, the idea that we’re living in the “Asian century” is (and was) most often touted by Westerners. D.C. think-tank types and journalists at The Economist often championed the idea in the 2010s, but read any cyberpunk text or the most popular philosophers in Silicon Valley, and the future we imagine is always “Asian.”

But at a post-internet art party in Hong Kong, some artists are questioning this narrative.

I spent some of art week hanging out with artist @brozm and curators @rafiabdulla.apt and @angelaliuuu (of the @niche.stitution), talking about accelerationism, Lee Kuan Yew, Nick Land, and ideas of time in Daoist tradition. All of this comes together in “HEX STATE SERVER,” available to view at @squarestreetgallery until May 2nd.

There are widespread projections that the future is pre-determined—that one day, we will arrive at a global collapse, the Protestant Rapture, an AI singularity, or even a future where Asia reigns supreme. But for Brandon, Rafi, and Angela the future is never fixed, and what matters most is the world we want to create.

Experts say we’re living in a Chinese (or Asian) century. Due to growth in China, India, and ASEAN countries, Asian nations are set to dominate global politics, economics, and culture.

It’s tempting to agree, especially as someone who lives in Asia. But speak to young people here worried about narrowing opportunities or economic precarity, and you might find their anxieties about the future are similar to their Western counterparts.

Ironically, the idea that we’re living in the “Asian century” is (and was) most often touted by Westerners. D.C. think-tank types and journalists at The Economist often championed the idea in the 2010s, but read any cyberpunk text or the most popular philosophers in Silicon Valley, and the future we imagine is always “Asian.”

But at a post-internet art party in Hong Kong, some artists are questioning this narrative.

I spent some of art week hanging out with artist @brozm and curators @rafiabdulla.apt and @angelaliuuu (of the @niche.stitution), talking about accelerationism, Lee Kuan Yew, Nick Land, and ideas of time in Daoist tradition. All of this comes together in “HEX STATE SERVER,” available to view at @squarestreetgallery until May 2nd.

There are widespread projections that the future is pre-determined—that one day, we will arrive at a global collapse, the Protestant Rapture, an AI singularity, or even a future where Asia reigns supreme. But for Brandon, Rafi, and Angela the future is never fixed, and what matters most is the world we want to create.

Experts say we’re living in a Chinese (or Asian) century. Due to growth in China, India, and ASEAN countries, Asian nations are set to dominate global politics, economics, and culture.

It’s tempting to agree, especially as someone who lives in Asia. But speak to young people here worried about narrowing opportunities or economic precarity, and you might find their anxieties about the future are similar to their Western counterparts.

Ironically, the idea that we’re living in the “Asian century” is (and was) most often touted by Westerners. D.C. think-tank types and journalists at The Economist often championed the idea in the 2010s, but read any cyberpunk text or the most popular philosophers in Silicon Valley, and the future we imagine is always “Asian.”

But at a post-internet art party in Hong Kong, some artists are questioning this narrative.

I spent some of art week hanging out with artist @brozm and curators @rafiabdulla.apt and @angelaliuuu (of the @niche.stitution), talking about accelerationism, Lee Kuan Yew, Nick Land, and ideas of time in Daoist tradition. All of this comes together in “HEX STATE SERVER,” available to view at @squarestreetgallery until May 2nd.

There are widespread projections that the future is pre-determined—that one day, we will arrive at a global collapse, the Protestant Rapture, an AI singularity, or even a future where Asia reigns supreme. But for Brandon, Rafi, and Angela the future is never fixed, and what matters most is the world we want to create.

Experts say we’re living in a Chinese (or Asian) century. Due to growth in China, India, and ASEAN countries, Asian nations are set to dominate global politics, economics, and culture.

It’s tempting to agree, especially as someone who lives in Asia. But speak to young people here worried about narrowing opportunities or economic precarity, and you might find their anxieties about the future are similar to their Western counterparts.

Ironically, the idea that we’re living in the “Asian century” is (and was) most often touted by Westerners. D.C. think-tank types and journalists at The Economist often championed the idea in the 2010s, but read any cyberpunk text or the most popular philosophers in Silicon Valley, and the future we imagine is always “Asian.”

But at a post-internet art party in Hong Kong, some artists are questioning this narrative.

I spent some of art week hanging out with artist @brozm and curators @rafiabdulla.apt and @angelaliuuu (of the @niche.stitution), talking about accelerationism, Lee Kuan Yew, Nick Land, and ideas of time in Daoist tradition. All of this comes together in “HEX STATE SERVER,” available to view at @squarestreetgallery until May 2nd.

There are widespread projections that the future is pre-determined—that one day, we will arrive at a global collapse, the Protestant Rapture, an AI singularity, or even a future where Asia reigns supreme. But for Brandon, Rafi, and Angela the future is never fixed, and what matters most is the world we want to create.

Experts say we’re living in a Chinese (or Asian) century. Due to growth in China, India, and ASEAN countries, Asian nations are set to dominate global politics, economics, and culture.

It’s tempting to agree, especially as someone who lives in Asia. But speak to young people here worried about narrowing opportunities or economic precarity, and you might find their anxieties about the future are similar to their Western counterparts.

Ironically, the idea that we’re living in the “Asian century” is (and was) most often touted by Westerners. D.C. think-tank types and journalists at The Economist often championed the idea in the 2010s, but read any cyberpunk text or the most popular philosophers in Silicon Valley, and the future we imagine is always “Asian.”

But at a post-internet art party in Hong Kong, some artists are questioning this narrative.

I spent some of art week hanging out with artist @brozm and curators @rafiabdulla.apt and @angelaliuuu (of the @niche.stitution), talking about accelerationism, Lee Kuan Yew, Nick Land, and ideas of time in Daoist tradition. All of this comes together in “HEX STATE SERVER,” available to view at @squarestreetgallery until May 2nd.

There are widespread projections that the future is pre-determined—that one day, we will arrive at a global collapse, the Protestant Rapture, an AI singularity, or even a future where Asia reigns supreme. But for Brandon, Rafi, and Angela the future is never fixed, and what matters most is the world we want to create.

Experts say we’re living in a Chinese (or Asian) century. Due to growth in China, India, and ASEAN countries, Asian nations are set to dominate global politics, economics, and culture.

It’s tempting to agree, especially as someone who lives in Asia. But speak to young people here worried about narrowing opportunities or economic precarity, and you might find their anxieties about the future are similar to their Western counterparts.

Ironically, the idea that we’re living in the “Asian century” is (and was) most often touted by Westerners. D.C. think-tank types and journalists at The Economist often championed the idea in the 2010s, but read any cyberpunk text or the most popular philosophers in Silicon Valley, and the future we imagine is always “Asian.”

But at a post-internet art party in Hong Kong, some artists are questioning this narrative.

I spent some of art week hanging out with artist @brozm and curators @rafiabdulla.apt and @angelaliuuu (of the @niche.stitution), talking about accelerationism, Lee Kuan Yew, Nick Land, and ideas of time in Daoist tradition. All of this comes together in “HEX STATE SERVER,” available to view at @squarestreetgallery until May 2nd.

There are widespread projections that the future is pre-determined—that one day, we will arrive at a global collapse, the Protestant Rapture, an AI singularity, or even a future where Asia reigns supreme. But for Brandon, Rafi, and Angela the future is never fixed, and what matters most is the world we want to create.

нєχ ѕтαтє ѕєяνєя

HEX STATE SERVER consists of an interactive sculpture, a real-time game engine simulation, and a companion display operating as a single system. The sculpture is the input; the simulation is the process; the display names what the process has returned. Drawing upon the formal logic of the I Ching as it maps to existential cosmotechnical conditions, it functions as a server for 64 discrete states — microfictions and commentaries of worlds under administration: technological, ecological, political, and ontological conditions rendered as discrete states of existence.

***
HEX STATE SERVER
2026
3D-printed steel, acrylic, PLA, custom electronics, game engine simulation
64 × 40 × 40 cm(sculpture); dimensions variable (projection)

***
нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
20 March – 2 May, 2026

Photo credit: Felix SC Wong @asia_art_hopper

нєχ ѕтαтє ѕєяνєя

HEX STATE SERVER consists of an interactive sculpture, a real-time game engine simulation, and a companion display operating as a single system. The sculpture is the input; the simulation is the process; the display names what the process has returned. Drawing upon the formal logic of the I Ching as it maps to existential cosmotechnical conditions, it functions as a server for 64 discrete states — microfictions and commentaries of worlds under administration: technological, ecological, political, and ontological conditions rendered as discrete states of existence.

***
HEX STATE SERVER
2026
3D-printed steel, acrylic, PLA, custom electronics, game engine simulation
64 × 40 × 40 cm(sculpture); dimensions variable (projection)

***
нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
20 March – 2 May, 2026

Photo credit: Felix SC Wong @asia_art_hopper

нєχ ѕтαтє ѕєяνєя

HEX STATE SERVER consists of an interactive sculpture, a real-time game engine simulation, and a companion display operating as a single system. The sculpture is the input; the simulation is the process; the display names what the process has returned. Drawing upon the formal logic of the I Ching as it maps to existential cosmotechnical conditions, it functions as a server for 64 discrete states — microfictions and commentaries of worlds under administration: technological, ecological, political, and ontological conditions rendered as discrete states of existence.

***
HEX STATE SERVER
2026
3D-printed steel, acrylic, PLA, custom electronics, game engine simulation
64 × 40 × 40 cm(sculpture); dimensions variable (projection)

***
нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
20 March – 2 May, 2026

Photo credit: Felix SC Wong @asia_art_hopper

нєχ ѕтαтє ѕєяνєя

HEX STATE SERVER consists of an interactive sculpture, a real-time game engine simulation, and a companion display operating as a single system. The sculpture is the input; the simulation is the process; the display names what the process has returned. Drawing upon the formal logic of the I Ching as it maps to existential cosmotechnical conditions, it functions as a server for 64 discrete states — microfictions and commentaries of worlds under administration: technological, ecological, political, and ontological conditions rendered as discrete states of existence.

***
HEX STATE SERVER
2026
3D-printed steel, acrylic, PLA, custom electronics, game engine simulation
64 × 40 × 40 cm(sculpture); dimensions variable (projection)

***
нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
20 March – 2 May, 2026

Photo credit: Felix SC Wong @asia_art_hopper

Aaaaaand that’s a wrap! Thank you so much to everyone who stopped by Michelle Fung’s solo booth at Art Central 2026!

Square Street Gallery is delighted to present a solo booth at Art Central 2026 with Michelle Fung, showcasing her Northlandia series. This includes new works made during her Arctic residency in 2026.

Northlandia depicts one of the countries in Fung’s dystopian/ecotopian world of 2084, populated by the Ice Queen (a polar bear ice sculpture), seal soldiers, and other inhabitants. Within the world of 2084 populated by anthropomorphic animals, and darkly humorous absurd scenarios, Fung has woven a narrative tool for viewers to project contemporary fears and anxieties onto, drawing parallels with geopolitics and climate change. At the centre of Northlandia is the struggle between greed and the landscape, self-preservation, and resource distribution.

@michelleksfung @artcentralhk

Aaaaaand that’s a wrap! Thank you so much to everyone who stopped by Michelle Fung’s solo booth at Art Central 2026!

Square Street Gallery is delighted to present a solo booth at Art Central 2026 with Michelle Fung, showcasing her Northlandia series. This includes new works made during her Arctic residency in 2026.

Northlandia depicts one of the countries in Fung’s dystopian/ecotopian world of 2084, populated by the Ice Queen (a polar bear ice sculpture), seal soldiers, and other inhabitants. Within the world of 2084 populated by anthropomorphic animals, and darkly humorous absurd scenarios, Fung has woven a narrative tool for viewers to project contemporary fears and anxieties onto, drawing parallels with geopolitics and climate change. At the centre of Northlandia is the struggle between greed and the landscape, self-preservation, and resource distribution.

@michelleksfung @artcentralhk

Aaaaaand that’s a wrap! Thank you so much to everyone who stopped by Michelle Fung’s solo booth at Art Central 2026!

Square Street Gallery is delighted to present a solo booth at Art Central 2026 with Michelle Fung, showcasing her Northlandia series. This includes new works made during her Arctic residency in 2026.

Northlandia depicts one of the countries in Fung’s dystopian/ecotopian world of 2084, populated by the Ice Queen (a polar bear ice sculpture), seal soldiers, and other inhabitants. Within the world of 2084 populated by anthropomorphic animals, and darkly humorous absurd scenarios, Fung has woven a narrative tool for viewers to project contemporary fears and anxieties onto, drawing parallels with geopolitics and climate change. At the centre of Northlandia is the struggle between greed and the landscape, self-preservation, and resource distribution.

@michelleksfung @artcentralhk

Aaaaaand that’s a wrap! Thank you so much to everyone who stopped by Michelle Fung’s solo booth at Art Central 2026!

Square Street Gallery is delighted to present a solo booth at Art Central 2026 with Michelle Fung, showcasing her Northlandia series. This includes new works made during her Arctic residency in 2026.

Northlandia depicts one of the countries in Fung’s dystopian/ecotopian world of 2084, populated by the Ice Queen (a polar bear ice sculpture), seal soldiers, and other inhabitants. Within the world of 2084 populated by anthropomorphic animals, and darkly humorous absurd scenarios, Fung has woven a narrative tool for viewers to project contemporary fears and anxieties onto, drawing parallels with geopolitics and climate change. At the centre of Northlandia is the struggle between greed and the landscape, self-preservation, and resource distribution.

@michelleksfung @artcentralhk

Aaaaaand that’s a wrap! Thank you so much to everyone who stopped by Michelle Fung’s solo booth at Art Central 2026!

Square Street Gallery is delighted to present a solo booth at Art Central 2026 with Michelle Fung, showcasing her Northlandia series. This includes new works made during her Arctic residency in 2026.

Northlandia depicts one of the countries in Fung’s dystopian/ecotopian world of 2084, populated by the Ice Queen (a polar bear ice sculpture), seal soldiers, and other inhabitants. Within the world of 2084 populated by anthropomorphic animals, and darkly humorous absurd scenarios, Fung has woven a narrative tool for viewers to project contemporary fears and anxieties onto, drawing parallels with geopolitics and climate change. At the centre of Northlandia is the struggle between greed and the landscape, self-preservation, and resource distribution.

@michelleksfung @artcentralhk

Square Street Gallery is pleased to present ‘Found Faith’, a new commission by OrangeTerry for the Yi Tai sector at Art Central 2026. ‘Found Faith’ takes inspiration from a church pew gifted by a senior artist friend, which is used in OrangeTerry’s studio as an everyday object. A church pew is transformed into an ordinary, everyday bench for sitting when its context changes to an object in the studio.

The church pew at first glance acts as a reliable spiritual and physical anchor, and yet is destabilised by wheels which send it constantly spinning pointlessly in place when activated. This action mirrors the contemporary phenomenon of commodifying faith. The traditional concept of faith as unwavering has shifted, often becoming increasingly based on the possession of material objects rather than immaterial beliefs or goals (spiritual or otherwise).

In the case of ‘Found Faith,’ faith refers to what one holds onto to keep pushing forward in life, like a motivation or life goal, rather than religious faith. In the face of contemporary society and increasing uncertainty, faith becomes something that one stumbles upon, like a found object ready to be used. When our faith is easily influenced and disrupted by our environment and circumstance, are we ready to face the powerlessness that comes with constantly shifting faith? As opposed to the readymade ‘found faith’ governed by external influences around us, adrift according to trends, situations, and so on, it is only through the act of internal questioning and sorting through the answers that FAITH is FOUND.

@orangeterry @artcentralhk

Square Street Gallery is pleased to present ‘Found Faith’, a new commission by OrangeTerry for the Yi Tai sector at Art Central 2026. ‘Found Faith’ takes inspiration from a church pew gifted by a senior artist friend, which is used in OrangeTerry’s studio as an everyday object. A church pew is transformed into an ordinary, everyday bench for sitting when its context changes to an object in the studio.

The church pew at first glance acts as a reliable spiritual and physical anchor, and yet is destabilised by wheels which send it constantly spinning pointlessly in place when activated. This action mirrors the contemporary phenomenon of commodifying faith. The traditional concept of faith as unwavering has shifted, often becoming increasingly based on the possession of material objects rather than immaterial beliefs or goals (spiritual or otherwise).

In the case of ‘Found Faith,’ faith refers to what one holds onto to keep pushing forward in life, like a motivation or life goal, rather than religious faith. In the face of contemporary society and increasing uncertainty, faith becomes something that one stumbles upon, like a found object ready to be used. When our faith is easily influenced and disrupted by our environment and circumstance, are we ready to face the powerlessness that comes with constantly shifting faith? As opposed to the readymade ‘found faith’ governed by external influences around us, adrift according to trends, situations, and so on, it is only through the act of internal questioning and sorting through the answers that FAITH is FOUND.

@orangeterry @artcentralhk

Square Street Gallery is pleased to present ‘Found Faith’, a new commission by OrangeTerry for the Yi Tai sector at Art Central 2026. ‘Found Faith’ takes inspiration from a church pew gifted by a senior artist friend, which is used in OrangeTerry’s studio as an everyday object. A church pew is transformed into an ordinary, everyday bench for sitting when its context changes to an object in the studio.

The church pew at first glance acts as a reliable spiritual and physical anchor, and yet is destabilised by wheels which send it constantly spinning pointlessly in place when activated. This action mirrors the contemporary phenomenon of commodifying faith. The traditional concept of faith as unwavering has shifted, often becoming increasingly based on the possession of material objects rather than immaterial beliefs or goals (spiritual or otherwise).

In the case of ‘Found Faith,’ faith refers to what one holds onto to keep pushing forward in life, like a motivation or life goal, rather than religious faith. In the face of contemporary society and increasing uncertainty, faith becomes something that one stumbles upon, like a found object ready to be used. When our faith is easily influenced and disrupted by our environment and circumstance, are we ready to face the powerlessness that comes with constantly shifting faith? As opposed to the readymade ‘found faith’ governed by external influences around us, adrift according to trends, situations, and so on, it is only through the act of internal questioning and sorting through the answers that FAITH is FOUND.

@orangeterry @artcentralhk

Square Street Gallery is pleased to present ‘Found Faith’, a new commission by OrangeTerry for the Yi Tai sector at Art Central 2026. ‘Found Faith’ takes inspiration from a church pew gifted by a senior artist friend, which is used in OrangeTerry’s studio as an everyday object. A church pew is transformed into an ordinary, everyday bench for sitting when its context changes to an object in the studio.

The church pew at first glance acts as a reliable spiritual and physical anchor, and yet is destabilised by wheels which send it constantly spinning pointlessly in place when activated. This action mirrors the contemporary phenomenon of commodifying faith. The traditional concept of faith as unwavering has shifted, often becoming increasingly based on the possession of material objects rather than immaterial beliefs or goals (spiritual or otherwise).

In the case of ‘Found Faith,’ faith refers to what one holds onto to keep pushing forward in life, like a motivation or life goal, rather than religious faith. In the face of contemporary society and increasing uncertainty, faith becomes something that one stumbles upon, like a found object ready to be used. When our faith is easily influenced and disrupted by our environment and circumstance, are we ready to face the powerlessness that comes with constantly shifting faith? As opposed to the readymade ‘found faith’ governed by external influences around us, adrift according to trends, situations, and so on, it is only through the act of internal questioning and sorting through the answers that FAITH is FOUND.

@orangeterry @artcentralhk

Thank you to everyone who came out for нєχ ѕтαтє ѕєяνєя opening night!

Special thanks to @welainej for the beautiful ambient performance, @twentyalpha @detach_hindsight @egodeafff for technical support 🤍

Stay tuned for our upcoming satellite events!

Photography by Helen Leung and Tze Long @tze.long

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Thank you to everyone who came out for нєχ ѕтαтє ѕєяνєя opening night!

Special thanks to @welainej for the beautiful ambient performance, @twentyalpha @detach_hindsight @egodeafff for technical support 🤍

Stay tuned for our upcoming satellite events!

Photography by Helen Leung and Tze Long @tze.long

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Thank you to everyone who came out for нєχ ѕтαтє ѕєяνєя opening night!

Special thanks to @welainej for the beautiful ambient performance, @twentyalpha @detach_hindsight @egodeafff for technical support 🤍

Stay tuned for our upcoming satellite events!

Photography by Helen Leung and Tze Long @tze.long

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Thank you to everyone who came out for нєχ ѕтαтє ѕєяνєя opening night!

Special thanks to @welainej for the beautiful ambient performance, @twentyalpha @detach_hindsight @egodeafff for technical support 🤍

Stay tuned for our upcoming satellite events!

Photography by Helen Leung and Tze Long @tze.long

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Thank you to everyone who came out for нєχ ѕтαтє ѕєяνєя opening night!

Special thanks to @welainej for the beautiful ambient performance, @twentyalpha @detach_hindsight @egodeafff for technical support 🤍

Stay tuned for our upcoming satellite events!

Photography by Helen Leung and Tze Long @tze.long

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Thank you to everyone who came out for нєχ ѕтαтє ѕєяνєя opening night!

Special thanks to @welainej for the beautiful ambient performance, @twentyalpha @detach_hindsight @egodeafff for technical support 🤍

Stay tuned for our upcoming satellite events!

Photography by Helen Leung and Tze Long @tze.long

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Thank you to everyone who came out for нєχ ѕтαтє ѕєяνєя opening night!

Special thanks to @welainej for the beautiful ambient performance, @twentyalpha @detach_hindsight @egodeafff for technical support 🤍

Stay tuned for our upcoming satellite events!

Photography by Helen Leung and Tze Long @tze.long

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Thank you to everyone who came out for нєχ ѕтαтє ѕєяνєя opening night!

Special thanks to @welainej for the beautiful ambient performance, @twentyalpha @detach_hindsight @egodeafff for technical support 🤍

Stay tuned for our upcoming satellite events!

Photography by Helen Leung and Tze Long @tze.long

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Thank you to everyone who came out for нєχ ѕтαтє ѕєяνєя opening night!

Special thanks to @welainej for the beautiful ambient performance, @twentyalpha @detach_hindsight @egodeafff for technical support 🤍

Stay tuned for our upcoming satellite events!

Photography by Helen Leung and Tze Long @tze.long

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Thank you to everyone who came out for нєχ ѕтαтє ѕєяνєя opening night!

Special thanks to @welainej for the beautiful ambient performance, @twentyalpha @detach_hindsight @egodeafff for technical support 🤍

Stay tuned for our upcoming satellite events!

Photography by Helen Leung and Tze Long @tze.long

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Thank you to everyone who came out for нєχ ѕтαтє ѕєяνєя opening night!

Special thanks to @welainej for the beautiful ambient performance, @twentyalpha @detach_hindsight @egodeafff for technical support 🤍

Stay tuned for our upcoming satellite events!

Photography by Helen Leung and Tze Long @tze.long

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Thank you to everyone who came out for нєχ ѕтαтє ѕєяνєя opening night!

Special thanks to @welainej for the beautiful ambient performance, @twentyalpha @detach_hindsight @egodeafff for technical support 🤍

Stay tuned for our upcoming satellite events!

Photography by Helen Leung and Tze Long @tze.long

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Thank you to everyone who came out for нєχ ѕтαтє ѕєяνєя opening night!

Special thanks to @welainej for the beautiful ambient performance, @twentyalpha @detach_hindsight @egodeafff for technical support 🤍

Stay tuned for our upcoming satellite events!

Photography by Helen Leung and Tze Long @tze.long

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Thank you to everyone who came out for нєχ ѕтαтє ѕєяνєя opening night!

Special thanks to @welainej for the beautiful ambient performance, @twentyalpha @detach_hindsight @egodeafff for technical support 🤍

Stay tuned for our upcoming satellite events!

Photography by Helen Leung and Tze Long @tze.long

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Thank you to everyone who came out for нєχ ѕтαтє ѕєяνєя opening night!

Special thanks to @welainej for the beautiful ambient performance, @twentyalpha @detach_hindsight @egodeafff for technical support 🤍

Stay tuned for our upcoming satellite events!

Photography by Helen Leung and Tze Long @tze.long

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

Thank you to everyone who came out for нєχ ѕтαтє ѕєяνєя opening night!

Special thanks to @welainej for the beautiful ambient performance, @twentyalpha @detach_hindsight @egodeafff for technical support 🤍

Stay tuned for our upcoming satellite events!

Photography by Helen Leung and Tze Long @tze.long

нєχ ѕтαтє ѕєяνєя
Brandon Tay @brozm
Curated by Institution of Niche & Rafi Abdullah @niche.stitution @rafiabdullah.apt
Exhibition design by Amirul Nazree @maatchaagreenteaa
Graphic design by Darius Ou @darius_ou
Music by YS @y_systems @l_professionel @born_slip_e
Presented by Square Street Gallery, in collaboration with Yeo Workshop @squarestreetgallery @yeoworkshop
March 19 – May 2, 2026

“Look at my Icicles!” “Hey sis, Don’t be so Proud!” “The Treasures in this Country of Ice have gotta be enough for us G4 Countries!” (The Ice Queen + Princess Sadna + Lone Wolf)

「看我下的冰晶！」 「姐，你別得意！」「這塊雪地埋藏的寶藏，夠我們四個國家揮霍了！」（冰雪女皇+剎那公主+孤狼）

Acrylic, acrylic markers, colour pencils, Chinese ink and carving on wood
240x180cm
2025
Currently on display at @artcentralhk
Enquire with @squarestreetgallery

A larger-than-life quadriptych that serves as a narrative panel introducing the key characters of the Northlandia chapter: The Ice Queen, a gigantic polar bear ice sculpture and Empress of Northlandia; her diplomatic narwhal-horned sister Princess Sadna; and the undercover foreign spy Lone Wolf, with many eyes on his back.

As could be seen across several panels in the booth, Northlandia is engaged in a nationwide effort to come up with outlandish solutions to combat vanishing glaciers caused by global warming, spearheaded by the Ice Queen herself.

“Look at my Icicles!” “Hey sis, Don’t be so Proud!” “The Treasures in this Country of Ice have gotta be enough for us G4 Countries!” (The Ice Queen + Princess Sadna + Lone Wolf)

「看我下的冰晶！」 「姐，你別得意！」「這塊雪地埋藏的寶藏，夠我們四個國家揮霍了！」（冰雪女皇+剎那公主+孤狼）

Acrylic, acrylic markers, colour pencils, Chinese ink and carving on wood
240x180cm
2025
Currently on display at @artcentralhk
Enquire with @squarestreetgallery

A larger-than-life quadriptych that serves as a narrative panel introducing the key characters of the Northlandia chapter: The Ice Queen, a gigantic polar bear ice sculpture and Empress of Northlandia; her diplomatic narwhal-horned sister Princess Sadna; and the undercover foreign spy Lone Wolf, with many eyes on his back.

As could be seen across several panels in the booth, Northlandia is engaged in a nationwide effort to come up with outlandish solutions to combat vanishing glaciers caused by global warming, spearheaded by the Ice Queen herself.

“Look at my Icicles!” “Hey sis, Don’t be so Proud!” “The Treasures in this Country of Ice have gotta be enough for us G4 Countries!” (The Ice Queen + Princess Sadna + Lone Wolf)

「看我下的冰晶！」 「姐，你別得意！」「這塊雪地埋藏的寶藏，夠我們四個國家揮霍了！」（冰雪女皇+剎那公主+孤狼）

Acrylic, acrylic markers, colour pencils, Chinese ink and carving on wood
240x180cm
2025
Currently on display at @artcentralhk
Enquire with @squarestreetgallery

A larger-than-life quadriptych that serves as a narrative panel introducing the key characters of the Northlandia chapter: The Ice Queen, a gigantic polar bear ice sculpture and Empress of Northlandia; her diplomatic narwhal-horned sister Princess Sadna; and the undercover foreign spy Lone Wolf, with many eyes on his back.

As could be seen across several panels in the booth, Northlandia is engaged in a nationwide effort to come up with outlandish solutions to combat vanishing glaciers caused by global warming, spearheaded by the Ice Queen herself.

“Look at my Icicles!” “Hey sis, Don’t be so Proud!” “The Treasures in this Country of Ice have gotta be enough for us G4 Countries!” (The Ice Queen + Princess Sadna + Lone Wolf)

「看我下的冰晶！」 「姐，你別得意！」「這塊雪地埋藏的寶藏，夠我們四個國家揮霍了！」（冰雪女皇+剎那公主+孤狼）

Acrylic, acrylic markers, colour pencils, Chinese ink and carving on wood
240x180cm
2025
Currently on display at @artcentralhk
Enquire with @squarestreetgallery

A larger-than-life quadriptych that serves as a narrative panel introducing the key characters of the Northlandia chapter: The Ice Queen, a gigantic polar bear ice sculpture and Empress of Northlandia; her diplomatic narwhal-horned sister Princess Sadna; and the undercover foreign spy Lone Wolf, with many eyes on his back.

As could be seen across several panels in the booth, Northlandia is engaged in a nationwide effort to come up with outlandish solutions to combat vanishing glaciers caused by global warming, spearheaded by the Ice Queen herself.

“Look at my Icicles!” “Hey sis, Don’t be so Proud!” “The Treasures in this Country of Ice have gotta be enough for us G4 Countries!” (The Ice Queen + Princess Sadna + Lone Wolf)

「看我下的冰晶！」 「姐，你別得意！」「這塊雪地埋藏的寶藏，夠我們四個國家揮霍了！」（冰雪女皇+剎那公主+孤狼）

Acrylic, acrylic markers, colour pencils, Chinese ink and carving on wood
240x180cm
2025
Currently on display at @artcentralhk
Enquire with @squarestreetgallery

A larger-than-life quadriptych that serves as a narrative panel introducing the key characters of the Northlandia chapter: The Ice Queen, a gigantic polar bear ice sculpture and Empress of Northlandia; her diplomatic narwhal-horned sister Princess Sadna; and the undercover foreign spy Lone Wolf, with many eyes on his back.

As could be seen across several panels in the booth, Northlandia is engaged in a nationwide effort to come up with outlandish solutions to combat vanishing glaciers caused by global warming, spearheaded by the Ice Queen herself.

“Look at my Icicles!” “Hey sis, Don’t be so Proud!” “The Treasures in this Country of Ice have gotta be enough for us G4 Countries!” (The Ice Queen + Princess Sadna + Lone Wolf)

「看我下的冰晶！」 「姐，你別得意！」「這塊雪地埋藏的寶藏，夠我們四個國家揮霍了！」（冰雪女皇+剎那公主+孤狼）

Acrylic, acrylic markers, colour pencils, Chinese ink and carving on wood
240x180cm
2025
Currently on display at @artcentralhk
Enquire with @squarestreetgallery

A larger-than-life quadriptych that serves as a narrative panel introducing the key characters of the Northlandia chapter: The Ice Queen, a gigantic polar bear ice sculpture and Empress of Northlandia; her diplomatic narwhal-horned sister Princess Sadna; and the undercover foreign spy Lone Wolf, with many eyes on his back.

As could be seen across several panels in the booth, Northlandia is engaged in a nationwide effort to come up with outlandish solutions to combat vanishing glaciers caused by global warming, spearheaded by the Ice Queen herself.

“Look at my Icicles!” “Hey sis, Don’t be so Proud!” “The Treasures in this Country of Ice have gotta be enough for us G4 Countries!” (The Ice Queen + Princess Sadna + Lone Wolf)

「看我下的冰晶！」 「姐，你別得意！」「這塊雪地埋藏的寶藏，夠我們四個國家揮霍了！」（冰雪女皇+剎那公主+孤狼）

Acrylic, acrylic markers, colour pencils, Chinese ink and carving on wood
240x180cm
2025
Currently on display at @artcentralhk
Enquire with @squarestreetgallery

A larger-than-life quadriptych that serves as a narrative panel introducing the key characters of the Northlandia chapter: The Ice Queen, a gigantic polar bear ice sculpture and Empress of Northlandia; her diplomatic narwhal-horned sister Princess Sadna; and the undercover foreign spy Lone Wolf, with many eyes on his back.

As could be seen across several panels in the booth, Northlandia is engaged in a nationwide effort to come up with outlandish solutions to combat vanishing glaciers caused by global warming, spearheaded by the Ice Queen herself.

“Look at my Icicles!” “Hey sis, Don’t be so Proud!” “The Treasures in this Country of Ice have gotta be enough for us G4 Countries!” (The Ice Queen + Princess Sadna + Lone Wolf)

「看我下的冰晶！」 「姐，你別得意！」「這塊雪地埋藏的寶藏，夠我們四個國家揮霍了！」（冰雪女皇+剎那公主+孤狼）

Acrylic, acrylic markers, colour pencils, Chinese ink and carving on wood
240x180cm
2025
Currently on display at @artcentralhk
Enquire with @squarestreetgallery

A larger-than-life quadriptych that serves as a narrative panel introducing the key characters of the Northlandia chapter: The Ice Queen, a gigantic polar bear ice sculpture and Empress of Northlandia; her diplomatic narwhal-horned sister Princess Sadna; and the undercover foreign spy Lone Wolf, with many eyes on his back.

As could be seen across several panels in the booth, Northlandia is engaged in a nationwide effort to come up with outlandish solutions to combat vanishing glaciers caused by global warming, spearheaded by the Ice Queen herself.

“Look at my Icicles!” “Hey sis, Don’t be so Proud!” “The Treasures in this Country of Ice have gotta be enough for us G4 Countries!” (The Ice Queen + Princess Sadna + Lone Wolf)

「看我下的冰晶！」 「姐，你別得意！」「這塊雪地埋藏的寶藏，夠我們四個國家揮霍了！」（冰雪女皇+剎那公主+孤狼）

Acrylic, acrylic markers, colour pencils, Chinese ink and carving on wood
240x180cm
2025
Currently on display at @artcentralhk
Enquire with @squarestreetgallery

A larger-than-life quadriptych that serves as a narrative panel introducing the key characters of the Northlandia chapter: The Ice Queen, a gigantic polar bear ice sculpture and Empress of Northlandia; her diplomatic narwhal-horned sister Princess Sadna; and the undercover foreign spy Lone Wolf, with many eyes on his back.

As could be seen across several panels in the booth, Northlandia is engaged in a nationwide effort to come up with outlandish solutions to combat vanishing glaciers caused by global warming, spearheaded by the Ice Queen herself.

“Look at my Icicles!” “Hey sis, Don’t be so Proud!” “The Treasures in this Country of Ice have gotta be enough for us G4 Countries!” (The Ice Queen + Princess Sadna + Lone Wolf)

「看我下的冰晶！」 「姐，你別得意！」「這塊雪地埋藏的寶藏，夠我們四個國家揮霍了！」（冰雪女皇+剎那公主+孤狼）

Acrylic, acrylic markers, colour pencils, Chinese ink and carving on wood
240x180cm
2025
Currently on display at @artcentralhk
Enquire with @squarestreetgallery

A larger-than-life quadriptych that serves as a narrative panel introducing the key characters of the Northlandia chapter: The Ice Queen, a gigantic polar bear ice sculpture and Empress of Northlandia; her diplomatic narwhal-horned sister Princess Sadna; and the undercover foreign spy Lone Wolf, with many eyes on his back.

As could be seen across several panels in the booth, Northlandia is engaged in a nationwide effort to come up with outlandish solutions to combat vanishing glaciers caused by global warming, spearheaded by the Ice Queen herself.

“Look at my Icicles!” “Hey sis, Don’t be so Proud!” “The Treasures in this Country of Ice have gotta be enough for us G4 Countries!” (The Ice Queen + Princess Sadna + Lone Wolf)

「看我下的冰晶！」 「姐，你別得意！」「這塊雪地埋藏的寶藏，夠我們四個國家揮霍了！」（冰雪女皇+剎那公主+孤狼）

Acrylic, acrylic markers, colour pencils, Chinese ink and carving on wood
240x180cm
2025
Currently on display at @artcentralhk
Enquire with @squarestreetgallery

A larger-than-life quadriptych that serves as a narrative panel introducing the key characters of the Northlandia chapter: The Ice Queen, a gigantic polar bear ice sculpture and Empress of Northlandia; her diplomatic narwhal-horned sister Princess Sadna; and the undercover foreign spy Lone Wolf, with many eyes on his back.

As could be seen across several panels in the booth, Northlandia is engaged in a nationwide effort to come up with outlandish solutions to combat vanishing glaciers caused by global warming, spearheaded by the Ice Queen herself.

Thank you for the amazing and exhausting first day.

I’ll be at booth B19 until 9pm tonight and 5-7pm on Saturday.

Art Central
24-29 March 2026
Central Harbourfront Event Space, 9 Lung Wo Road, Central, Hong Kong

Thank you for the amazing and exhausting first day.

I’ll be at booth B19 until 9pm tonight and 5-7pm on Saturday.

Art Central
24-29 March 2026
Central Harbourfront Event Space, 9 Lung Wo Road, Central, Hong Kong

Thank you for the amazing and exhausting first day.

I’ll be at booth B19 until 9pm tonight and 5-7pm on Saturday.

Art Central
24-29 March 2026
Central Harbourfront Event Space, 9 Lung Wo Road, Central, Hong Kong

Thank you for the amazing and exhausting first day.

I’ll be at booth B19 until 9pm tonight and 5-7pm on Saturday.

Art Central
24-29 March 2026
Central Harbourfront Event Space, 9 Lung Wo Road, Central, Hong Kong

Thank you for the amazing and exhausting first day.

I’ll be at booth B19 until 9pm tonight and 5-7pm on Saturday.

Art Central
24-29 March 2026
Central Harbourfront Event Space, 9 Lung Wo Road, Central, Hong Kong

Thank you for the amazing and exhausting first day.

I’ll be at booth B19 until 9pm tonight and 5-7pm on Saturday.

Art Central
24-29 March 2026
Central Harbourfront Event Space, 9 Lung Wo Road, Central, Hong Kong