Stephen Roe
📸🎥 🛹 📍UK

It’s time, once again for my biennial post of @aultagram doing a backside lipslide in Sheffield with his aggressive, singular style… I was just lurking above the spot, drinking a beer and shot 2 frames. This one was good... At this point I retired from skateboard photography, 2-3 minutes after I started skateboard photography. Fujifilm Neopan 1600 +1 on a Canon T90 w/ 28mm f/2.8, and developed in my bathroom in xtol. (Dunno how I remember that)
Traipsing through the archives trying to find a 5 second clip from 20 years ago. No dice. I did find this little skatepark section from one million years ago, which wasn’t really seen. Filmed and edited by the late, great @blackpool_roll
Also, if anybody has the very, very first videos from the Scene Preston (also RIP) website, please lemme know.

@manutd Premier League winners parade fucking way too long ago. Next year though 👹🏆

@manutd Premier League winners parade fucking way too long ago. Next year though 👹🏆

@manutd Premier League winners parade fucking way too long ago. Next year though 👹🏆

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

followed some random bloke into a 2000 year old hole in the ground. Hand dug by Roman soldiers. Steep as hell, and seemingly endless… Nowt down there. Good job 👏. Jordan.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

PRINTS! PRINTS! PRINTS! We’re back in the giclee printing business!
Got some prints here for sale. The bigger ones are 13x19” (a3+) £50… and the smaller ones are 9x13” £35. (Can of Guinness for scale & inebriation)
(Plus £5 p&p in the UK & £15 international).
Printed on beautiful @fotospeed baryta 300gsm paper.

S’more arid shrubby desert-y regions. Azerbaijan, Death Valley CA, White Sands NM. All on @kodak Portra 400.
Haven’t shot colour film in years it appears 👀

S’more arid shrubby desert-y regions. Azerbaijan, Death Valley CA, White Sands NM. All on @kodak Portra 400.
Haven’t shot colour film in years it appears 👀

S’more arid shrubby desert-y regions. Azerbaijan, Death Valley CA, White Sands NM. All on @kodak Portra 400.
Haven’t shot colour film in years it appears 👀

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋

I’m gonna start sharing some frames from some films I’ve shot over the past years, because a spooky entity told me to in a dream.
This is from a lil’ un we made in Beijing for EA Sports (it’s in the game) and COPA90 a few years back. It follows the story of Nico Yannaris, of East London, who left the UK to become China's first nationalised international football player. I could lay out some wanky schpiel about creative decisions, like how the 4:3 aspect ratio (before it was cool), and tight edge-of-frame dynamics represents his feeling of being trapped back home, and how the 2x anamorphic represents a new freedom (square in the nose, that)... but we all have better things to do... I actually don't, but you might. 😊
Directed by @oikfilms, produced by @subliminal_prod, DP-ed by 🥴✋
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Anonstories pozwala użytkownikom oglądać historie na Instagramie bez informowania twórcy.
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Usługa jest bezpłatna.
Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
Pliki są przeznaczone do użytku osobistego lub edukacyjnego i muszą być zgodne z przepisami dotyczącymi praw autorskich.
Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis