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WORKSHOPS 2026 | “Low-Tech Editions: Field Notes” with @xpatrickthomas

At Boisbuchet, where landscape and daily life offer a constant source of stimuli, printed matter becomes a tool for recording and translating these experiences into physical form.

In this workshop, participants will explore the relationship between observation and publication. Working within a walking radius of the Domaine, they will collect material from the site: notes, sketches, recordings, and other forms of field documentation. These observations will become the starting point for a series of small printed publications. Each participant will produce an edition of at least three publications, developed through a combination of analogue reproduction techniques.

Processes may include MiScreen™ silkscreen, cameraless photography, direct exposure, carbon transfer, Tetrapak intaglio, contact printing, kitchen lithography, and photogenic drawing. Participants are encouraged to adopt a fully analogue approach, allowing the physical properties of materials and processes to guide the outcome.

Note: Full description on our website (link in bio)

Patrick Thomas is a graphic artist, author and educator. He studied at Central Saint Martins and the Royal College of Art in London before relocating to Barcelona in 1991 where he founded the multidisciplinary studio laVista. Since 2011 he has been based in Berlin. He works between London, Barcelona and Stuttgart.

📅 DATES: August 9th – August 15th 2026
🔖 EARLY BIRD | Until April 30, 2026

Booking via link in bio

Curated by: Guillermo Gil @guillegilfernandez, Pablo Sevilla @sevillaisnotacity & Mathias Schwartz-Clauss

ABOUT US | Domaine de Boisbuchet is an international center for design and architecture in rural France, organising hands-on, interdisciplinary workshops since 1986.

WORKSHOPS 2026 | “Low-Tech Editions: Field Notes” with @xpatrickthomas

At Boisbuchet, where landscape and daily life offer a constant source of stimuli, printed matter becomes a tool for recording and translating these experiences into physical form.

In this workshop, participants will explore the relationship between observation and publication. Working within a walking radius of the Domaine, they will collect material from the site: notes, sketches, recordings, and other forms of field documentation. These observations will become the starting point for a series of small printed publications. Each participant will produce an edition of at least three publications, developed through a combination of analogue reproduction techniques.

Processes may include MiScreen™ silkscreen, cameraless photography, direct exposure, carbon transfer, Tetrapak intaglio, contact printing, kitchen lithography, and photogenic drawing. Participants are encouraged to adopt a fully analogue approach, allowing the physical properties of materials and processes to guide the outcome.

Note: Full description on our website (link in bio)

Patrick Thomas is a graphic artist, author and educator. He studied at Central Saint Martins and the Royal College of Art in London before relocating to Barcelona in 1991 where he founded the multidisciplinary studio laVista. Since 2011 he has been based in Berlin. He works between London, Barcelona and Stuttgart.

📅 DATES: August 9th – August 15th 2026
🔖 EARLY BIRD | Until April 30, 2026

Booking via link in bio

Curated by: Guillermo Gil @guillegilfernandez, Pablo Sevilla @sevillaisnotacity & Mathias Schwartz-Clauss

ABOUT US | Domaine de Boisbuchet is an international center for design and architecture in rural France, organising hands-on, interdisciplinary workshops since 1986.

WORKSHOPS 2026 | “Low-Tech Editions: Field Notes” with @xpatrickthomas

At Boisbuchet, where landscape and daily life offer a constant source of stimuli, printed matter becomes a tool for recording and translating these experiences into physical form.

In this workshop, participants will explore the relationship between observation and publication. Working within a walking radius of the Domaine, they will collect material from the site: notes, sketches, recordings, and other forms of field documentation. These observations will become the starting point for a series of small printed publications. Each participant will produce an edition of at least three publications, developed through a combination of analogue reproduction techniques.

Processes may include MiScreen™ silkscreen, cameraless photography, direct exposure, carbon transfer, Tetrapak intaglio, contact printing, kitchen lithography, and photogenic drawing. Participants are encouraged to adopt a fully analogue approach, allowing the physical properties of materials and processes to guide the outcome.

Note: Full description on our website (link in bio)

Patrick Thomas is a graphic artist, author and educator. He studied at Central Saint Martins and the Royal College of Art in London before relocating to Barcelona in 1991 where he founded the multidisciplinary studio laVista. Since 2011 he has been based in Berlin. He works between London, Barcelona and Stuttgart.

📅 DATES: August 9th – August 15th 2026
🔖 EARLY BIRD | Until April 30, 2026

Booking via link in bio

Curated by: Guillermo Gil @guillegilfernandez, Pablo Sevilla @sevillaisnotacity & Mathias Schwartz-Clauss

ABOUT US | Domaine de Boisbuchet is an international center for design and architecture in rural France, organising hands-on, interdisciplinary workshops since 1986.

WORKSHOPS 2026 | “Low-Tech Editions: Field Notes” with @xpatrickthomas

At Boisbuchet, where landscape and daily life offer a constant source of stimuli, printed matter becomes a tool for recording and translating these experiences into physical form.

In this workshop, participants will explore the relationship between observation and publication. Working within a walking radius of the Domaine, they will collect material from the site: notes, sketches, recordings, and other forms of field documentation. These observations will become the starting point for a series of small printed publications. Each participant will produce an edition of at least three publications, developed through a combination of analogue reproduction techniques.

Processes may include MiScreen™ silkscreen, cameraless photography, direct exposure, carbon transfer, Tetrapak intaglio, contact printing, kitchen lithography, and photogenic drawing. Participants are encouraged to adopt a fully analogue approach, allowing the physical properties of materials and processes to guide the outcome.

Note: Full description on our website (link in bio)

Patrick Thomas is a graphic artist, author and educator. He studied at Central Saint Martins and the Royal College of Art in London before relocating to Barcelona in 1991 where he founded the multidisciplinary studio laVista. Since 2011 he has been based in Berlin. He works between London, Barcelona and Stuttgart.

📅 DATES: August 9th – August 15th 2026
🔖 EARLY BIRD | Until April 30, 2026

Booking via link in bio

Curated by: Guillermo Gil @guillegilfernandez, Pablo Sevilla @sevillaisnotacity & Mathias Schwartz-Clauss

ABOUT US | Domaine de Boisbuchet is an international center for design and architecture in rural France, organising hands-on, interdisciplinary workshops since 1986.

WORKSHOPS 2026 | “Low-Tech Editions: Field Notes” with @xpatrickthomas

At Boisbuchet, where landscape and daily life offer a constant source of stimuli, printed matter becomes a tool for recording and translating these experiences into physical form.

In this workshop, participants will explore the relationship between observation and publication. Working within a walking radius of the Domaine, they will collect material from the site: notes, sketches, recordings, and other forms of field documentation. These observations will become the starting point for a series of small printed publications. Each participant will produce an edition of at least three publications, developed through a combination of analogue reproduction techniques.

Processes may include MiScreen™ silkscreen, cameraless photography, direct exposure, carbon transfer, Tetrapak intaglio, contact printing, kitchen lithography, and photogenic drawing. Participants are encouraged to adopt a fully analogue approach, allowing the physical properties of materials and processes to guide the outcome.

Note: Full description on our website (link in bio)

Patrick Thomas is a graphic artist, author and educator. He studied at Central Saint Martins and the Royal College of Art in London before relocating to Barcelona in 1991 where he founded the multidisciplinary studio laVista. Since 2011 he has been based in Berlin. He works between London, Barcelona and Stuttgart.

📅 DATES: August 9th – August 15th 2026
🔖 EARLY BIRD | Until April 30, 2026

Booking via link in bio

Curated by: Guillermo Gil @guillegilfernandez, Pablo Sevilla @sevillaisnotacity & Mathias Schwartz-Clauss

ABOUT US | Domaine de Boisbuchet is an international center for design and architecture in rural France, organising hands-on, interdisciplinary workshops since 1986.

WORKSHOPS 2026 | “Low-Tech Editions: Field Notes” with @xpatrickthomas

At Boisbuchet, where landscape and daily life offer a constant source of stimuli, printed matter becomes a tool for recording and translating these experiences into physical form.

In this workshop, participants will explore the relationship between observation and publication. Working within a walking radius of the Domaine, they will collect material from the site: notes, sketches, recordings, and other forms of field documentation. These observations will become the starting point for a series of small printed publications. Each participant will produce an edition of at least three publications, developed through a combination of analogue reproduction techniques.

Processes may include MiScreen™ silkscreen, cameraless photography, direct exposure, carbon transfer, Tetrapak intaglio, contact printing, kitchen lithography, and photogenic drawing. Participants are encouraged to adopt a fully analogue approach, allowing the physical properties of materials and processes to guide the outcome.

Note: Full description on our website (link in bio)

Patrick Thomas is a graphic artist, author and educator. He studied at Central Saint Martins and the Royal College of Art in London before relocating to Barcelona in 1991 where he founded the multidisciplinary studio laVista. Since 2011 he has been based in Berlin. He works between London, Barcelona and Stuttgart.

📅 DATES: August 9th – August 15th 2026
🔖 EARLY BIRD | Until April 30, 2026

Booking via link in bio

Curated by: Guillermo Gil @guillegilfernandez, Pablo Sevilla @sevillaisnotacity & Mathias Schwartz-Clauss

ABOUT US | Domaine de Boisbuchet is an international center for design and architecture in rural France, organising hands-on, interdisciplinary workshops since 1986.

WORKSHOPS 2026 | “Low-Tech Editions: Field Notes” with @xpatrickthomas

At Boisbuchet, where landscape and daily life offer a constant source of stimuli, printed matter becomes a tool for recording and translating these experiences into physical form.

In this workshop, participants will explore the relationship between observation and publication. Working within a walking radius of the Domaine, they will collect material from the site: notes, sketches, recordings, and other forms of field documentation. These observations will become the starting point for a series of small printed publications. Each participant will produce an edition of at least three publications, developed through a combination of analogue reproduction techniques.

Processes may include MiScreen™ silkscreen, cameraless photography, direct exposure, carbon transfer, Tetrapak intaglio, contact printing, kitchen lithography, and photogenic drawing. Participants are encouraged to adopt a fully analogue approach, allowing the physical properties of materials and processes to guide the outcome.

Note: Full description on our website (link in bio)

Patrick Thomas is a graphic artist, author and educator. He studied at Central Saint Martins and the Royal College of Art in London before relocating to Barcelona in 1991 where he founded the multidisciplinary studio laVista. Since 2011 he has been based in Berlin. He works between London, Barcelona and Stuttgart.

📅 DATES: August 9th – August 15th 2026
🔖 EARLY BIRD | Until April 30, 2026

Booking via link in bio

Curated by: Guillermo Gil @guillegilfernandez, Pablo Sevilla @sevillaisnotacity & Mathias Schwartz-Clauss

ABOUT US | Domaine de Boisbuchet is an international center for design and architecture in rural France, organising hands-on, interdisciplinary workshops since 1986.

WORKSHOPS 2026 | “Low-Tech Editions: Field Notes” with @xpatrickthomas

At Boisbuchet, where landscape and daily life offer a constant source of stimuli, printed matter becomes a tool for recording and translating these experiences into physical form.

In this workshop, participants will explore the relationship between observation and publication. Working within a walking radius of the Domaine, they will collect material from the site: notes, sketches, recordings, and other forms of field documentation. These observations will become the starting point for a series of small printed publications. Each participant will produce an edition of at least three publications, developed through a combination of analogue reproduction techniques.

Processes may include MiScreen™ silkscreen, cameraless photography, direct exposure, carbon transfer, Tetrapak intaglio, contact printing, kitchen lithography, and photogenic drawing. Participants are encouraged to adopt a fully analogue approach, allowing the physical properties of materials and processes to guide the outcome.

Note: Full description on our website (link in bio)

Patrick Thomas is a graphic artist, author and educator. He studied at Central Saint Martins and the Royal College of Art in London before relocating to Barcelona in 1991 where he founded the multidisciplinary studio laVista. Since 2011 he has been based in Berlin. He works between London, Barcelona and Stuttgart.

📅 DATES: August 9th – August 15th 2026
🔖 EARLY BIRD | Until April 30, 2026

Booking via link in bio

Curated by: Guillermo Gil @guillegilfernandez, Pablo Sevilla @sevillaisnotacity & Mathias Schwartz-Clauss

ABOUT US | Domaine de Boisbuchet is an international center for design and architecture in rural France, organising hands-on, interdisciplinary workshops since 1986.

WORKSHOPS 2026 | “Low-Tech Editions: Field Notes” with @xpatrickthomas

At Boisbuchet, where landscape and daily life offer a constant source of stimuli, printed matter becomes a tool for recording and translating these experiences into physical form.

In this workshop, participants will explore the relationship between observation and publication. Working within a walking radius of the Domaine, they will collect material from the site: notes, sketches, recordings, and other forms of field documentation. These observations will become the starting point for a series of small printed publications. Each participant will produce an edition of at least three publications, developed through a combination of analogue reproduction techniques.

Processes may include MiScreen™ silkscreen, cameraless photography, direct exposure, carbon transfer, Tetrapak intaglio, contact printing, kitchen lithography, and photogenic drawing. Participants are encouraged to adopt a fully analogue approach, allowing the physical properties of materials and processes to guide the outcome.

Note: Full description on our website (link in bio)

Patrick Thomas is a graphic artist, author and educator. He studied at Central Saint Martins and the Royal College of Art in London before relocating to Barcelona in 1991 where he founded the multidisciplinary studio laVista. Since 2011 he has been based in Berlin. He works between London, Barcelona and Stuttgart.

📅 DATES: August 9th – August 15th 2026
🔖 EARLY BIRD | Until April 30, 2026

Booking via link in bio

Curated by: Guillermo Gil @guillegilfernandez, Pablo Sevilla @sevillaisnotacity & Mathias Schwartz-Clauss

ABOUT US | Domaine de Boisbuchet is an international center for design and architecture in rural France, organising hands-on, interdisciplinary workshops since 1986.

WORKSHOPS 2026 | “Low-Tech Editions: Field Notes” with @xpatrickthomas

At Boisbuchet, where landscape and daily life offer a constant source of stimuli, printed matter becomes a tool for recording and translating these experiences into physical form.

In this workshop, participants will explore the relationship between observation and publication. Working within a walking radius of the Domaine, they will collect material from the site: notes, sketches, recordings, and other forms of field documentation. These observations will become the starting point for a series of small printed publications. Each participant will produce an edition of at least three publications, developed through a combination of analogue reproduction techniques.

Processes may include MiScreen™ silkscreen, cameraless photography, direct exposure, carbon transfer, Tetrapak intaglio, contact printing, kitchen lithography, and photogenic drawing. Participants are encouraged to adopt a fully analogue approach, allowing the physical properties of materials and processes to guide the outcome.

Note: Full description on our website (link in bio)

Patrick Thomas is a graphic artist, author and educator. He studied at Central Saint Martins and the Royal College of Art in London before relocating to Barcelona in 1991 where he founded the multidisciplinary studio laVista. Since 2011 he has been based in Berlin. He works between London, Barcelona and Stuttgart.

📅 DATES: August 9th – August 15th 2026
🔖 EARLY BIRD | Until April 30, 2026

Booking via link in bio

Curated by: Guillermo Gil @guillegilfernandez, Pablo Sevilla @sevillaisnotacity & Mathias Schwartz-Clauss

ABOUT US | Domaine de Boisbuchet is an international center for design and architecture in rural France, organising hands-on, interdisciplinary workshops since 1986.

@earthday.art A space for art/design students and educators around the world to share information about eco-actions and projects for Earth Day. We need your support and would love to hear from you.  
  
If you would like to find out more about how to get involved please contact us via: www.earthday.art  
  
Coordination:  
Patrick Thomas  
@xpatrickthomas
State Academy of Fine Arts Stuttgart  
@abkstuttgart
  
Earth Day is an annual event celebrated around the world on April 22 to raise awareness and promote action for protecting the environment and the planet.   
  
The next edition of Earth Day will take place on Wednesday 22nd April 2026  
  
earthday.art is designed to focus specifically on art and design institutions.

It is an honour for me to contribute this work to
‚Eulogy - Eduardo Chillida 100th Anniversary‘
an exhibition in Donostia / San Sebastián, Basque Country, commemorating the centenary of the birth of Eduardo Chillida, one of the most universal and influential artists of the C 20th.

It was important for me to avoid making a pastiche of Chillida’s work, yet at the same time I wanted it to directly reference his oeuvre through its materiality and form. Slide 4 is a scan of a small, perforated oxidised steel plate that gave me the idea for my piece. I found the discarded object (perhaps part of a machine from the early C20th?) rummaging around my friend Wolfgang’s metal workshop in Neukölln, Berlin.

The final piece works both as an abstract composition of positive/negative space (characteristic of the Basque artist’s work) which the viewer might also interpret as a „c“ representing „Chillida“ and „c“ (100 in Roman numerals) or „cien“ (100 in Spanish).

The typography is Neue Haas Grotesk Display 65 Medium.

Participants
@astridstavro @jetset_experimental @anthonyburrill @designbytoko @spin_studio@spasskyfischer @rejanedalbello @dia_studio @studiodotbuild @wearemucho @pfp_disseny @mariscaloficial @kulachek @marioeskenazi @montagueprojects @kurppa @oscarmarinebrandi @eikekoenig @heystudio @estudiohusmee @instagggramlich @principi.estudi @mouthwash.studio @folchstudio @daan_rietbergen @estudioprimo @iker.ayestaran.ilustration @camilagomgar @aitor_molina @pavelripley @alainvillastrigo

Eulogy Exhibition:
21 Nov — 08 Jan
Sala Okendo K.E
Donostia / San Sebastián.

Project created by @estudiohusmee
Photography: @_lopezdezubiria_

Support by @chillida100 @chillidaleku / @donostiakultura /
@agpograf_impressors

It is an honour for me to contribute this work to
‚Eulogy - Eduardo Chillida 100th Anniversary‘
an exhibition in Donostia / San Sebastián, Basque Country, commemorating the centenary of the birth of Eduardo Chillida, one of the most universal and influential artists of the C 20th.

It was important for me to avoid making a pastiche of Chillida’s work, yet at the same time I wanted it to directly reference his oeuvre through its materiality and form. Slide 4 is a scan of a small, perforated oxidised steel plate that gave me the idea for my piece. I found the discarded object (perhaps part of a machine from the early C20th?) rummaging around my friend Wolfgang’s metal workshop in Neukölln, Berlin.

The final piece works both as an abstract composition of positive/negative space (characteristic of the Basque artist’s work) which the viewer might also interpret as a „c“ representing „Chillida“ and „c“ (100 in Roman numerals) or „cien“ (100 in Spanish).

The typography is Neue Haas Grotesk Display 65 Medium.

Participants
@astridstavro @jetset_experimental @anthonyburrill @designbytoko @spin_studio@spasskyfischer @rejanedalbello @dia_studio @studiodotbuild @wearemucho @pfp_disseny @mariscaloficial @kulachek @marioeskenazi @montagueprojects @kurppa @oscarmarinebrandi @eikekoenig @heystudio @estudiohusmee @instagggramlich @principi.estudi @mouthwash.studio @folchstudio @daan_rietbergen @estudioprimo @iker.ayestaran.ilustration @camilagomgar @aitor_molina @pavelripley @alainvillastrigo

Eulogy Exhibition:
21 Nov — 08 Jan
Sala Okendo K.E
Donostia / San Sebastián.

Project created by @estudiohusmee
Photography: @_lopezdezubiria_

Support by @chillida100 @chillidaleku / @donostiakultura /
@agpograf_impressors

It is an honour for me to contribute this work to
‚Eulogy - Eduardo Chillida 100th Anniversary‘
an exhibition in Donostia / San Sebastián, Basque Country, commemorating the centenary of the birth of Eduardo Chillida, one of the most universal and influential artists of the C 20th.

It was important for me to avoid making a pastiche of Chillida’s work, yet at the same time I wanted it to directly reference his oeuvre through its materiality and form. Slide 4 is a scan of a small, perforated oxidised steel plate that gave me the idea for my piece. I found the discarded object (perhaps part of a machine from the early C20th?) rummaging around my friend Wolfgang’s metal workshop in Neukölln, Berlin.

The final piece works both as an abstract composition of positive/negative space (characteristic of the Basque artist’s work) which the viewer might also interpret as a „c“ representing „Chillida“ and „c“ (100 in Roman numerals) or „cien“ (100 in Spanish).

The typography is Neue Haas Grotesk Display 65 Medium.

Participants
@astridstavro @jetset_experimental @anthonyburrill @designbytoko @spin_studio@spasskyfischer @rejanedalbello @dia_studio @studiodotbuild @wearemucho @pfp_disseny @mariscaloficial @kulachek @marioeskenazi @montagueprojects @kurppa @oscarmarinebrandi @eikekoenig @heystudio @estudiohusmee @instagggramlich @principi.estudi @mouthwash.studio @folchstudio @daan_rietbergen @estudioprimo @iker.ayestaran.ilustration @camilagomgar @aitor_molina @pavelripley @alainvillastrigo

Eulogy Exhibition:
21 Nov — 08 Jan
Sala Okendo K.E
Donostia / San Sebastián.

Project created by @estudiohusmee
Photography: @_lopezdezubiria_

Support by @chillida100 @chillidaleku / @donostiakultura /
@agpograf_impressors

It is an honour for me to contribute this work to
‚Eulogy - Eduardo Chillida 100th Anniversary‘
an exhibition in Donostia / San Sebastián, Basque Country, commemorating the centenary of the birth of Eduardo Chillida, one of the most universal and influential artists of the C 20th.

It was important for me to avoid making a pastiche of Chillida’s work, yet at the same time I wanted it to directly reference his oeuvre through its materiality and form. Slide 4 is a scan of a small, perforated oxidised steel plate that gave me the idea for my piece. I found the discarded object (perhaps part of a machine from the early C20th?) rummaging around my friend Wolfgang’s metal workshop in Neukölln, Berlin.

The final piece works both as an abstract composition of positive/negative space (characteristic of the Basque artist’s work) which the viewer might also interpret as a „c“ representing „Chillida“ and „c“ (100 in Roman numerals) or „cien“ (100 in Spanish).

The typography is Neue Haas Grotesk Display 65 Medium.

Participants
@astridstavro @jetset_experimental @anthonyburrill @designbytoko @spin_studio@spasskyfischer @rejanedalbello @dia_studio @studiodotbuild @wearemucho @pfp_disseny @mariscaloficial @kulachek @marioeskenazi @montagueprojects @kurppa @oscarmarinebrandi @eikekoenig @heystudio @estudiohusmee @instagggramlich @principi.estudi @mouthwash.studio @folchstudio @daan_rietbergen @estudioprimo @iker.ayestaran.ilustration @camilagomgar @aitor_molina @pavelripley @alainvillastrigo

Eulogy Exhibition:
21 Nov — 08 Jan
Sala Okendo K.E
Donostia / San Sebastián.

Project created by @estudiohusmee
Photography: @_lopezdezubiria_

Support by @chillida100 @chillidaleku / @donostiakultura /
@agpograf_impressors

It is an honour for me to contribute this work to
‚Eulogy - Eduardo Chillida 100th Anniversary‘
an exhibition in Donostia / San Sebastián, Basque Country, commemorating the centenary of the birth of Eduardo Chillida, one of the most universal and influential artists of the C 20th.

It was important for me to avoid making a pastiche of Chillida’s work, yet at the same time I wanted it to directly reference his oeuvre through its materiality and form. Slide 4 is a scan of a small, perforated oxidised steel plate that gave me the idea for my piece. I found the discarded object (perhaps part of a machine from the early C20th?) rummaging around my friend Wolfgang’s metal workshop in Neukölln, Berlin.

The final piece works both as an abstract composition of positive/negative space (characteristic of the Basque artist’s work) which the viewer might also interpret as a „c“ representing „Chillida“ and „c“ (100 in Roman numerals) or „cien“ (100 in Spanish).

The typography is Neue Haas Grotesk Display 65 Medium.

Participants
@astridstavro @jetset_experimental @anthonyburrill @designbytoko @spin_studio@spasskyfischer @rejanedalbello @dia_studio @studiodotbuild @wearemucho @pfp_disseny @mariscaloficial @kulachek @marioeskenazi @montagueprojects @kurppa @oscarmarinebrandi @eikekoenig @heystudio @estudiohusmee @instagggramlich @principi.estudi @mouthwash.studio @folchstudio @daan_rietbergen @estudioprimo @iker.ayestaran.ilustration @camilagomgar @aitor_molina @pavelripley @alainvillastrigo

Eulogy Exhibition:
21 Nov — 08 Jan
Sala Okendo K.E
Donostia / San Sebastián.

Project created by @estudiohusmee
Photography: @_lopezdezubiria_

Support by @chillida100 @chillidaleku / @donostiakultura /
@agpograf_impressors

It is an honour for me to contribute this work to
‚Eulogy - Eduardo Chillida 100th Anniversary‘
an exhibition in Donostia / San Sebastián, Basque Country, commemorating the centenary of the birth of Eduardo Chillida, one of the most universal and influential artists of the C 20th.

It was important for me to avoid making a pastiche of Chillida’s work, yet at the same time I wanted it to directly reference his oeuvre through its materiality and form. Slide 4 is a scan of a small, perforated oxidised steel plate that gave me the idea for my piece. I found the discarded object (perhaps part of a machine from the early C20th?) rummaging around my friend Wolfgang’s metal workshop in Neukölln, Berlin.

The final piece works both as an abstract composition of positive/negative space (characteristic of the Basque artist’s work) which the viewer might also interpret as a „c“ representing „Chillida“ and „c“ (100 in Roman numerals) or „cien“ (100 in Spanish).

The typography is Neue Haas Grotesk Display 65 Medium.

Participants
@astridstavro @jetset_experimental @anthonyburrill @designbytoko @spin_studio@spasskyfischer @rejanedalbello @dia_studio @studiodotbuild @wearemucho @pfp_disseny @mariscaloficial @kulachek @marioeskenazi @montagueprojects @kurppa @oscarmarinebrandi @eikekoenig @heystudio @estudiohusmee @instagggramlich @principi.estudi @mouthwash.studio @folchstudio @daan_rietbergen @estudioprimo @iker.ayestaran.ilustration @camilagomgar @aitor_molina @pavelripley @alainvillastrigo

Eulogy Exhibition:
21 Nov — 08 Jan
Sala Okendo K.E
Donostia / San Sebastián.

Project created by @estudiohusmee
Photography: @_lopezdezubiria_

Support by @chillida100 @chillidaleku / @donostiakultura /
@agpograf_impressors

🇩🇪 We welcomed @xpatrickthomas and 25 of his design students from @abkstuttgart to The Home of Football yesterday!

We hope you enjoyed your visit and it’s just a shame we couldn’t get a result for you 👏

#TheWorldsFirst

🇩🇪 We welcomed @xpatrickthomas and 25 of his design students from @abkstuttgart to The Home of Football yesterday!

We hope you enjoyed your visit and it’s just a shame we couldn’t get a result for you 👏

#TheWorldsFirst

As a proud northerner I am super excited to be heading to the NORTHERN DESIGN FESTIVAL in Lancaster, UK 17—19th May. The event is a student-led initiative, bringing together northern creatives.

So much respect for Antonia Arbova (@toniarbova) 3rd year BA Hons Design student at Lancaster University and her amazing team for organising this wonderful initiative.

On Saturday 18.05 I will join a panel discussing ‘The Value of Design in the Fight for Climate Change’. There are many free events taking place over the weekend, but tickets are limited and disappearing fast…

If you are in the vicinity whether you are a student or a professional working within the field of design or just interested in trying to make the world a better place, place support this important event.

More info: @northerndesignfestival

Excited to be heading next week to GETXO, BILBAO in EUSKADI (Basque Country) to give a talk at @serifalaris Festival. Then on to BARCELONA via MADRID / then LANCASTER via MANCHESTER to participate in @northerndesignfestival a student-led initiative, bringing together northern creatives. Looking forward to bumping into some cool folk along the way…

20240501
Gouache, oil, acrylic, gesso, enamel, pencil on wood
200x300x10mm

20240428 Quadriptych
Oil, enamel, acrylic, gesso, pencil on wood
200x300x10mm

Just made this quick DIN A4 announcement for Earth Day: Cable gathering/swapping/recycling tomorrow at ABK Stuttgart where I teach.

If you are a teacher or student, why not spontaneously organise some Earth Day stuff tomorrow? For example: Clothes/Books/Wool+Yarn/etc. Swaps. Please DM me if you would like a link to what we have planned in Stuttgart, Germany.

When I had the idea to celebrate World Earth Day by setting up a day of action/reflection about the environment I had no idea if there would be any interest. Currently 85 activities will take place around our campus tomorrow. I have reserved all spaces again for 2025.

Thanks to all students and staff for their participation —gonna be a long night setting things up!

Lo-tech eco-poster wall outside my office at ABK Stuttgart for Earth Day on Monday. Big thank you to my students for their engagement with this and their wonderful work #risograph #silkscreen #thinksmall

EARTH DAY PREPARATIONS FOR MONDAY 22.04.2024 AT ABK STUTTGART WHERE I TEACH IN GERMANY. 24H STUDENT-LED ECO-ACTIONS/PROJECTS. CURRENTLY 80+ ACTIVITIES. KEEP AN EYE ON MY STORIES — MORE SOON (SHOWN: HAND-PAINTED INTERVENTION OF ACADEMY FLAGS)

EARTH DAY PREPARATIONS FOR MONDAY 22.04.2024 AT ABK STUTTGART WHERE I TEACH IN GERMANY. 24H STUDENT-LED ECO-ACTIONS/PROJECTS. CURRENTLY 80+ ACTIVITIES. KEEP AN EYE ON MY STORIES — MORE SOON (SHOWN: HAND-PAINTED INTERVENTION OF ACADEMY FLAGS)