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TRACING THOUGHT: ‘WHAT’S MY LINE?’ AT MIAMI BEACH REGIONAL LIBRARY
Written By Olga Garcia-Mayoral

“What’s My Line? Drawing as Experience” transforms a public civic space into an active conversation about what drawing can be. Curated by Dimitry Saïd Chamy and Charo Oquet and presented by Edge Zones, the group exhibition at the Miami Beach Regional Library on display through Thursday, July 16, features 16 artists whose practices move fluidly across sound, code, fiber, video, printmaking, painting, and installation. Rather than treating drawing as a preparatory medium or static image, the exhibition expands it into something experiential: a trace of thought, movement, memory, and interaction.

Read full article: https://www.artburstmiami.com/blog/edge-zones-reimagines-drawing-at-miami-beach-regional-library

WHAT: “What’s My Line? Drawing as Experience”

WHERE: Miami Beach Regional Library, 227 22nd St., Miami Beach

WHEN: 9:30 a.m. to 8 p.m., Monday through Saturday. Closed Sunday, Through Thursday, July 16.

COST: Free

INFORMATION: (305) 535-4219 and mdpls.org/branch-miami-beach-regional

TRACING THOUGHT: ‘WHAT’S MY LINE?’ AT MIAMI BEACH REGIONAL LIBRARY
Written By Olga Garcia-Mayoral

“What’s My Line? Drawing as Experience” transforms a public civic space into an active conversation about what drawing can be. Curated by Dimitry Saïd Chamy and Charo Oquet and presented by Edge Zones, the group exhibition at the Miami Beach Regional Library on display through Thursday, July 16, features 16 artists whose practices move fluidly across sound, code, fiber, video, printmaking, painting, and installation. Rather than treating drawing as a preparatory medium or static image, the exhibition expands it into something experiential: a trace of thought, movement, memory, and interaction.

Read full article: https://www.artburstmiami.com/blog/edge-zones-reimagines-drawing-at-miami-beach-regional-library

WHAT: “What’s My Line? Drawing as Experience”

WHERE: Miami Beach Regional Library, 227 22nd St., Miami Beach

WHEN: 9:30 a.m. to 8 p.m., Monday through Saturday. Closed Sunday, Through Thursday, July 16.

COST: Free

INFORMATION: (305) 535-4219 and mdpls.org/branch-miami-beach-regional

TRACING THOUGHT: ‘WHAT’S MY LINE?’ AT MIAMI BEACH REGIONAL LIBRARY
Written By Olga Garcia-Mayoral

“What’s My Line? Drawing as Experience” transforms a public civic space into an active conversation about what drawing can be. Curated by Dimitry Saïd Chamy and Charo Oquet and presented by Edge Zones, the group exhibition at the Miami Beach Regional Library on display through Thursday, July 16, features 16 artists whose practices move fluidly across sound, code, fiber, video, printmaking, painting, and installation. Rather than treating drawing as a preparatory medium or static image, the exhibition expands it into something experiential: a trace of thought, movement, memory, and interaction.

Read full article: https://www.artburstmiami.com/blog/edge-zones-reimagines-drawing-at-miami-beach-regional-library

WHAT: “What’s My Line? Drawing as Experience”

WHERE: Miami Beach Regional Library, 227 22nd St., Miami Beach

WHEN: 9:30 a.m. to 8 p.m., Monday through Saturday. Closed Sunday, Through Thursday, July 16.

COST: Free

INFORMATION: (305) 535-4219 and mdpls.org/branch-miami-beach-regional

🟢 We cordially invite you to Dimitry Saïd Chamy’s @2urn_ exhibition at the gallery in the Faculty of Design @aspwwarszawie. The show will be open starting May 14, but we invite you to the opening on Monday, May 18, from 4:00 to 6:00 p.m.

🟢 “Screensharing” is the first presentation of a project in which the performative gestures of an international group of artists create visual dialogues presented in video form. Dimitry Saïd Chamy’s project was conceived as a response to the experience of isolation and forced digital intimacy during the pandemic.

Dimitry Saïd Chamy
“Screensharing”
📌 Gallery at the Faculty of Design, 8 Myśliwiecka Street, Warsaw
📅 May 14–25, 2026
Opening: Monday, May 18, 2026, 4:00–6:00 p.m.
Curators: Dr. Antonina Konopelska @antoninakonopelska, Michelle Weinberg @mwpinkblue, Dimitry Saïd Chamy

#dimitrysaidchamy #antoninakonopelska #michelleweinberg

🟢 We cordially invite you to Dimitry Saïd Chamy’s @2urn_ exhibition at the gallery in the Faculty of Design @aspwwarszawie. The show will be open starting May 14, but we invite you to the opening on Monday, May 18, from 4:00 to 6:00 p.m.

🟢 “Screensharing” is the first presentation of a project in which the performative gestures of an international group of artists create visual dialogues presented in video form. Dimitry Saïd Chamy’s project was conceived as a response to the experience of isolation and forced digital intimacy during the pandemic.

Dimitry Saïd Chamy
“Screensharing”
📌 Gallery at the Faculty of Design, 8 Myśliwiecka Street, Warsaw
📅 May 14–25, 2026
Opening: Monday, May 18, 2026, 4:00–6:00 p.m.
Curators: Dr. Antonina Konopelska @antoninakonopelska, Michelle Weinberg @mwpinkblue, Dimitry Saïd Chamy

#dimitrysaidchamy #antoninakonopelska #michelleweinberg

🟢 We cordially invite you to Dimitry Saïd Chamy’s @2urn_ exhibition at the gallery in the Faculty of Design @aspwwarszawie. The show will be open starting May 14, but we invite you to the opening on Monday, May 18, from 4:00 to 6:00 p.m.

🟢 “Screensharing” is the first presentation of a project in which the performative gestures of an international group of artists create visual dialogues presented in video form. Dimitry Saïd Chamy’s project was conceived as a response to the experience of isolation and forced digital intimacy during the pandemic.

Dimitry Saïd Chamy
“Screensharing”
📌 Gallery at the Faculty of Design, 8 Myśliwiecka Street, Warsaw
📅 May 14–25, 2026
Opening: Monday, May 18, 2026, 4:00–6:00 p.m.
Curators: Dr. Antonina Konopelska @antoninakonopelska, Michelle Weinberg @mwpinkblue, Dimitry Saïd Chamy

#dimitrysaidchamy #antoninakonopelska #michelleweinberg

🟢 We cordially invite you to Dimitry Saïd Chamy’s @2urn_ exhibition at the gallery in the Faculty of Design @aspwwarszawie. The show will be open starting May 14, but we invite you to the opening on Monday, May 18, from 4:00 to 6:00 p.m.

🟢 “Screensharing” is the first presentation of a project in which the performative gestures of an international group of artists create visual dialogues presented in video form. Dimitry Saïd Chamy’s project was conceived as a response to the experience of isolation and forced digital intimacy during the pandemic.

Dimitry Saïd Chamy
“Screensharing”
📌 Gallery at the Faculty of Design, 8 Myśliwiecka Street, Warsaw
📅 May 14–25, 2026
Opening: Monday, May 18, 2026, 4:00–6:00 p.m.
Curators: Dr. Antonina Konopelska @antoninakonopelska, Michelle Weinberg @mwpinkblue, Dimitry Saïd Chamy

#dimitrysaidchamy #antoninakonopelska #michelleweinberg

🟢 We cordially invite you to Dimitry Saïd Chamy’s @2urn_ exhibition at the gallery in the Faculty of Design @aspwwarszawie. The show will be open starting May 14, but we invite you to the opening on Monday, May 18, from 4:00 to 6:00 p.m.

🟢 “Screensharing” is the first presentation of a project in which the performative gestures of an international group of artists create visual dialogues presented in video form. Dimitry Saïd Chamy’s project was conceived as a response to the experience of isolation and forced digital intimacy during the pandemic.

Dimitry Saïd Chamy
“Screensharing”
📌 Gallery at the Faculty of Design, 8 Myśliwiecka Street, Warsaw
📅 May 14–25, 2026
Opening: Monday, May 18, 2026, 4:00–6:00 p.m.
Curators: Dr. Antonina Konopelska @antoninakonopelska, Michelle Weinberg @mwpinkblue, Dimitry Saïd Chamy

#dimitrysaidchamy #antoninakonopelska #michelleweinberg

🟢 We cordially invite you to Dimitry Saïd Chamy’s @2urn_ exhibition at the gallery in the Faculty of Design @aspwwarszawie. The show will be open starting May 14, but we invite you to the opening on Monday, May 18, from 4:00 to 6:00 p.m.

🟢 “Screensharing” is the first presentation of a project in which the performative gestures of an international group of artists create visual dialogues presented in video form. Dimitry Saïd Chamy’s project was conceived as a response to the experience of isolation and forced digital intimacy during the pandemic.

Dimitry Saïd Chamy
“Screensharing”
📌 Gallery at the Faculty of Design, 8 Myśliwiecka Street, Warsaw
📅 May 14–25, 2026
Opening: Monday, May 18, 2026, 4:00–6:00 p.m.
Curators: Dr. Antonina Konopelska @antoninakonopelska, Michelle Weinberg @mwpinkblue, Dimitry Saïd Chamy

#dimitrysaidchamy #antoninakonopelska #michelleweinberg

🟢 We cordially invite you to Dimitry Saïd Chamy’s @2urn_ exhibition at the gallery in the Faculty of Design @aspwwarszawie. The show will be open starting May 14, but we invite you to the opening on Monday, May 18, from 4:00 to 6:00 p.m.

🟢 “Screensharing” is the first presentation of a project in which the performative gestures of an international group of artists create visual dialogues presented in video form. Dimitry Saïd Chamy’s project was conceived as a response to the experience of isolation and forced digital intimacy during the pandemic.

Dimitry Saïd Chamy
“Screensharing”
📌 Gallery at the Faculty of Design, 8 Myśliwiecka Street, Warsaw
📅 May 14–25, 2026
Opening: Monday, May 18, 2026, 4:00–6:00 p.m.
Curators: Dr. Antonina Konopelska @antoninakonopelska, Michelle Weinberg @mwpinkblue, Dimitry Saïd Chamy

#dimitrysaidchamy #antoninakonopelska #michelleweinberg

Opening reception:
2 – 4pm Saturday, May 2
Free and open to the public.

What’s My Line? Drawing as Experience opens April 24 presented by Edge Zones at the Miami Beach Regional Library — and runs through July 16, 2026.

Sixteen artists. One question: what does drawing trace when it follows experience itself?

From monumental chalk figures to harmonic motion photographs, from a line that never lifts off the wall to data rendered as kinetic self-portrait — this exhibition holds drawing as a living act, not a finished image.

Come see what a line can hold.​​​​​​​​​​​​​​​​

Curated by Dimitry Saïd Chamy
@2urn_ for @edgezones

Artists
@carolabravoart
@spence.r.chang
@chrisfriday.art
@garet_ny
@felicegrodin
@juraj.kojs
@pablo_matuteart
@anamosqueraduran
@owenribbit
judithrobertson.com
@sterlingrook
@laurencia.s
@albatrianastudio
@claudiavieira_studio
@extravirginpress
@mwpinkblue

Curatorial Assistants
@anai.fonte
@vbeelenstudio

Library & County
@miamidadepubliclibrary
@miamidadearts

Hashtags
#whatsmyline #drawing #fineart #artistsdrawing #alldrawing worksonpaper

What’s my Line?Drawing as Experience, curated by @2urn_organized by @edgezones

WHORL, Miami Beach (After Surrounded Islands).
A continuous, one-mile-long line unfolding as a durational mapping performance, ink and silver leaf on cotton, 10’x11’, 2026.
The work maps Miami Beach as an island condition, continuously in flux.
Surrounded by the Atlantic Ocean and Biscayne Bay, it exists in a state of exposure—geological, ecological, and political.
The island emerges as both infrastructure and environment, where opposing forces intersect.
A continuous line traces this territory, articulating a spatial condition of transformation, displacement and belonging—where the edge operates not as a boundary but as a field of experience—open, unstable, alive.
The exhibition is open until July 16th at Miami Beach Public Library (public garage building nextdoor)#experiencialdrawing #durationaldrawing #mapping #drawingperformance #edgezones

What’s my Line?Drawing as Experience, curated by @2urn_organized by @edgezones

WHORL, Miami Beach (After Surrounded Islands).
A continuous, one-mile-long line unfolding as a durational mapping performance, ink and silver leaf on cotton, 10’x11’, 2026.
The work maps Miami Beach as an island condition, continuously in flux.
Surrounded by the Atlantic Ocean and Biscayne Bay, it exists in a state of exposure—geological, ecological, and political.
The island emerges as both infrastructure and environment, where opposing forces intersect.
A continuous line traces this territory, articulating a spatial condition of transformation, displacement and belonging—where the edge operates not as a boundary but as a field of experience—open, unstable, alive.
The exhibition is open until July 16th at Miami Beach Public Library (public garage building nextdoor)#experiencialdrawing #durationaldrawing #mapping #drawingperformance #edgezones

What’s my Line?Drawing as Experience, curated by @2urn_organized by @edgezones

WHORL, Miami Beach (After Surrounded Islands).
A continuous, one-mile-long line unfolding as a durational mapping performance, ink and silver leaf on cotton, 10’x11’, 2026.
The work maps Miami Beach as an island condition, continuously in flux.
Surrounded by the Atlantic Ocean and Biscayne Bay, it exists in a state of exposure—geological, ecological, and political.
The island emerges as both infrastructure and environment, where opposing forces intersect.
A continuous line traces this territory, articulating a spatial condition of transformation, displacement and belonging—where the edge operates not as a boundary but as a field of experience—open, unstable, alive.
The exhibition is open until July 16th at Miami Beach Public Library (public garage building nextdoor)#experiencialdrawing #durationaldrawing #mapping #drawingperformance #edgezones

What’s my Line?Drawing as Experience, curated by @2urn_organized by @edgezones

WHORL, Miami Beach (After Surrounded Islands).
A continuous, one-mile-long line unfolding as a durational mapping performance, ink and silver leaf on cotton, 10’x11’, 2026.
The work maps Miami Beach as an island condition, continuously in flux.
Surrounded by the Atlantic Ocean and Biscayne Bay, it exists in a state of exposure—geological, ecological, and political.
The island emerges as both infrastructure and environment, where opposing forces intersect.
A continuous line traces this territory, articulating a spatial condition of transformation, displacement and belonging—where the edge operates not as a boundary but as a field of experience—open, unstable, alive.
The exhibition is open until July 16th at Miami Beach Public Library (public garage building nextdoor)#experiencialdrawing #durationaldrawing #mapping #drawingperformance #edgezones

What’s my Line?Drawing as Experience, curated by @2urn_organized by @edgezones

WHORL, Miami Beach (After Surrounded Islands).
A continuous, one-mile-long line unfolding as a durational mapping performance, ink and silver leaf on cotton, 10’x11’, 2026.
The work maps Miami Beach as an island condition, continuously in flux.
Surrounded by the Atlantic Ocean and Biscayne Bay, it exists in a state of exposure—geological, ecological, and political.
The island emerges as both infrastructure and environment, where opposing forces intersect.
A continuous line traces this territory, articulating a spatial condition of transformation, displacement and belonging—where the edge operates not as a boundary but as a field of experience—open, unstable, alive.
The exhibition is open until July 16th at Miami Beach Public Library (public garage building nextdoor)#experiencialdrawing #durationaldrawing #mapping #drawingperformance #edgezones

What’s my Line?Drawing as Experience, curated by @2urn_organized by @edgezones

WHORL, Miami Beach (After Surrounded Islands).
A continuous, one-mile-long line unfolding as a durational mapping performance, ink and silver leaf on cotton, 10’x11’, 2026.
The work maps Miami Beach as an island condition, continuously in flux.
Surrounded by the Atlantic Ocean and Biscayne Bay, it exists in a state of exposure—geological, ecological, and political.
The island emerges as both infrastructure and environment, where opposing forces intersect.
A continuous line traces this territory, articulating a spatial condition of transformation, displacement and belonging—where the edge operates not as a boundary but as a field of experience—open, unstable, alive.
The exhibition is open until July 16th at Miami Beach Public Library (public garage building nextdoor)#experiencialdrawing #durationaldrawing #mapping #drawingperformance #edgezones

What’s my Line?Drawing as Experience, curated by @2urn_organized by @edgezones

WHORL, Miami Beach (After Surrounded Islands).
A continuous, one-mile-long line unfolding as a durational mapping performance, ink and silver leaf on cotton, 10’x11’, 2026.
The work maps Miami Beach as an island condition, continuously in flux.
Surrounded by the Atlantic Ocean and Biscayne Bay, it exists in a state of exposure—geological, ecological, and political.
The island emerges as both infrastructure and environment, where opposing forces intersect.
A continuous line traces this territory, articulating a spatial condition of transformation, displacement and belonging—where the edge operates not as a boundary but as a field of experience—open, unstable, alive.
The exhibition is open until July 16th at Miami Beach Public Library (public garage building nextdoor)#experiencialdrawing #durationaldrawing #mapping #drawingperformance #edgezones

What’s my Line?Drawing as Experience, curated by @2urn_organized by @edgezones

WHORL, Miami Beach (After Surrounded Islands).
A continuous, one-mile-long line unfolding as a durational mapping performance, ink and silver leaf on cotton, 10’x11’, 2026.
The work maps Miami Beach as an island condition, continuously in flux.
Surrounded by the Atlantic Ocean and Biscayne Bay, it exists in a state of exposure—geological, ecological, and political.
The island emerges as both infrastructure and environment, where opposing forces intersect.
A continuous line traces this territory, articulating a spatial condition of transformation, displacement and belonging—where the edge operates not as a boundary but as a field of experience—open, unstable, alive.
The exhibition is open until July 16th at Miami Beach Public Library (public garage building nextdoor)#experiencialdrawing #durationaldrawing #mapping #drawingperformance #edgezones

What’s My Line?
Opening May 2nd, 2–4 PM at the Miami Beach Regional Library

Glint
2012
Moving Image Installation
By Richard Garet

“Glint is a moving image work that operates at the threshold of perception, where time, space, and structure begin to dissolve into signal.
The piece unfolds at an extremely reduced temporal register. Change is present, but resists immediate recognition. What appears stable is, in fact, continuously shifting—though often below the threshold of attention.
Drawing from the logic of the urban grid, Glint constructs a field of vertical and horizontal lines that emerge, intersect, and recede, forming transient architectures that never fully stabilize. These structures do not represent the city, but articulate its underlying condition: a constant process of transformation that exceeds perceptual awareness.” -Garet

Richard Garet’s practice treats sound as material—a generative force that shapes perceptual experience across time-based media, installation, and expanded audiovisual systems. His work engages transience, impermanence, and media decay, transforming sonic and luminous data into immersive environments that blur the boundaries between signal and noise.

Working across moving image, installation, and print, Garet investigates the materiality of technological abstraction, foregrounding processes of transmission, interference, and erosion. His practice constructs conditions where experience is filtered, unstable, and mediated—where sound, image, and time converge to unsettle fixed hierarchies of perception and open space for new ways of sensing and understanding.

What’s My Line?
Opening May 2nd, 2–4 PM at the Miami Beach Regional Library

Glint
2012
Moving Image Installation
By Richard Garet

“Glint is a moving image work that operates at the threshold of perception, where time, space, and structure begin to dissolve into signal.
The piece unfolds at an extremely reduced temporal register. Change is present, but resists immediate recognition. What appears stable is, in fact, continuously shifting—though often below the threshold of attention.
Drawing from the logic of the urban grid, Glint constructs a field of vertical and horizontal lines that emerge, intersect, and recede, forming transient architectures that never fully stabilize. These structures do not represent the city, but articulate its underlying condition: a constant process of transformation that exceeds perceptual awareness.” -Garet

Richard Garet’s practice treats sound as material—a generative force that shapes perceptual experience across time-based media, installation, and expanded audiovisual systems. His work engages transience, impermanence, and media decay, transforming sonic and luminous data into immersive environments that blur the boundaries between signal and noise.

Working across moving image, installation, and print, Garet investigates the materiality of technological abstraction, foregrounding processes of transmission, interference, and erosion. His practice constructs conditions where experience is filtered, unstable, and mediated—where sound, image, and time converge to unsettle fixed hierarchies of perception and open space for new ways of sensing and understanding.

What’s My Line?
Opening May 2nd, 2–4 PM at the Miami Beach Regional Library

Glint
2012
Moving Image Installation
By Richard Garet

“Glint is a moving image work that operates at the threshold of perception, where time, space, and structure begin to dissolve into signal.
The piece unfolds at an extremely reduced temporal register. Change is present, but resists immediate recognition. What appears stable is, in fact, continuously shifting—though often below the threshold of attention.
Drawing from the logic of the urban grid, Glint constructs a field of vertical and horizontal lines that emerge, intersect, and recede, forming transient architectures that never fully stabilize. These structures do not represent the city, but articulate its underlying condition: a constant process of transformation that exceeds perceptual awareness.” -Garet

Richard Garet’s practice treats sound as material—a generative force that shapes perceptual experience across time-based media, installation, and expanded audiovisual systems. His work engages transience, impermanence, and media decay, transforming sonic and luminous data into immersive environments that blur the boundaries between signal and noise.

Working across moving image, installation, and print, Garet investigates the materiality of technological abstraction, foregrounding processes of transmission, interference, and erosion. His practice constructs conditions where experience is filtered, unstable, and mediated—where sound, image, and time converge to unsettle fixed hierarchies of perception and open space for new ways of sensing and understanding.

Stratifications or Perspectives #2 (2026)

On view at
“What’s my Line”
Curated by @2urn_
@edgezones
Miami Beach Regional Library

Opening
Saturday, May 2, 2026
2-4pm

In Stratifications or Perspectives #2, drawing becomes an experience, one that unfolds through layers of perception, material, and space. It is no longer confined to representation but emerges as an embodied, immersive process that surrounds and engages the viewer from multiple vantage points.

Stratifications or Perspectives #2 is a video installation that expands drawing beyond the flat surface, unfolding it into space, time, and perception. The work presents a video showing a continuous act of drawing, the artist’s hands tracing lines, captured through multiple viewpoints: front, back, mirrored, intimate close-ups, and distant frames. These layered perspectives destabilize the singular gaze, inviting viewers to experience drawing as a shifting, multidimensional process rather than a fixed image.

Thank you @scalinata7 for the installation!

#carolabravoart #videoinstallation drawinginspace

Stratifications or Perspectives #2 (2026)

On view at
“What’s my Line”
Curated by @2urn_
@edgezones
Miami Beach Regional Library

Opening
Saturday, May 2, 2026
2-4pm

In Stratifications or Perspectives #2, drawing becomes an experience, one that unfolds through layers of perception, material, and space. It is no longer confined to representation but emerges as an embodied, immersive process that surrounds and engages the viewer from multiple vantage points.

Stratifications or Perspectives #2 is a video installation that expands drawing beyond the flat surface, unfolding it into space, time, and perception. The work presents a video showing a continuous act of drawing, the artist’s hands tracing lines, captured through multiple viewpoints: front, back, mirrored, intimate close-ups, and distant frames. These layered perspectives destabilize the singular gaze, inviting viewers to experience drawing as a shifting, multidimensional process rather than a fixed image.

Thank you @scalinata7 for the installation!

#carolabravoart #videoinstallation drawinginspace

Stratifications or Perspectives #2 (2026)

On view at
“What’s my Line”
Curated by @2urn_
@edgezones
Miami Beach Regional Library

Opening
Saturday, May 2, 2026
2-4pm

In Stratifications or Perspectives #2, drawing becomes an experience, one that unfolds through layers of perception, material, and space. It is no longer confined to representation but emerges as an embodied, immersive process that surrounds and engages the viewer from multiple vantage points.

Stratifications or Perspectives #2 is a video installation that expands drawing beyond the flat surface, unfolding it into space, time, and perception. The work presents a video showing a continuous act of drawing, the artist’s hands tracing lines, captured through multiple viewpoints: front, back, mirrored, intimate close-ups, and distant frames. These layered perspectives destabilize the singular gaze, inviting viewers to experience drawing as a shifting, multidimensional process rather than a fixed image.

Thank you @scalinata7 for the installation!

#carolabravoart #videoinstallation drawinginspace

Stratifications or Perspectives #2 (2026)

On view at
“What’s my Line”
Curated by @2urn_
@edgezones
Miami Beach Regional Library

Opening
Saturday, May 2, 2026
2-4pm

In Stratifications or Perspectives #2, drawing becomes an experience, one that unfolds through layers of perception, material, and space. It is no longer confined to representation but emerges as an embodied, immersive process that surrounds and engages the viewer from multiple vantage points.

Stratifications or Perspectives #2 is a video installation that expands drawing beyond the flat surface, unfolding it into space, time, and perception. The work presents a video showing a continuous act of drawing, the artist’s hands tracing lines, captured through multiple viewpoints: front, back, mirrored, intimate close-ups, and distant frames. These layered perspectives destabilize the singular gaze, inviting viewers to experience drawing as a shifting, multidimensional process rather than a fixed image.

Thank you @scalinata7 for the installation!

#carolabravoart #videoinstallation drawinginspace

Stratifications or Perspectives #2 (2026)

On view at
“What’s my Line”
Curated by @2urn_
@edgezones
Miami Beach Regional Library

Opening
Saturday, May 2, 2026
2-4pm

In Stratifications or Perspectives #2, drawing becomes an experience, one that unfolds through layers of perception, material, and space. It is no longer confined to representation but emerges as an embodied, immersive process that surrounds and engages the viewer from multiple vantage points.

Stratifications or Perspectives #2 is a video installation that expands drawing beyond the flat surface, unfolding it into space, time, and perception. The work presents a video showing a continuous act of drawing, the artist’s hands tracing lines, captured through multiple viewpoints: front, back, mirrored, intimate close-ups, and distant frames. These layered perspectives destabilize the singular gaze, inviting viewers to experience drawing as a shifting, multidimensional process rather than a fixed image.

Thank you @scalinata7 for the installation!

#carolabravoart #videoinstallation drawinginspace

Stratifications or Perspectives #2 (2026)

On view at
“What’s my Line”
Curated by @2urn_
@edgezones
Miami Beach Regional Library

Opening
Saturday, May 2, 2026
2-4pm

In Stratifications or Perspectives #2, drawing becomes an experience, one that unfolds through layers of perception, material, and space. It is no longer confined to representation but emerges as an embodied, immersive process that surrounds and engages the viewer from multiple vantage points.

Stratifications or Perspectives #2 is a video installation that expands drawing beyond the flat surface, unfolding it into space, time, and perception. The work presents a video showing a continuous act of drawing, the artist’s hands tracing lines, captured through multiple viewpoints: front, back, mirrored, intimate close-ups, and distant frames. These layered perspectives destabilize the singular gaze, inviting viewers to experience drawing as a shifting, multidimensional process rather than a fixed image.

Thank you @scalinata7 for the installation!

#carolabravoart #videoinstallation drawinginspace

Stratifications or Perspectives #2 (2026)

On view at
“What’s my Line”
Curated by @2urn_
@edgezones
Miami Beach Regional Library

Opening
Saturday, May 2, 2026
2-4pm

In Stratifications or Perspectives #2, drawing becomes an experience, one that unfolds through layers of perception, material, and space. It is no longer confined to representation but emerges as an embodied, immersive process that surrounds and engages the viewer from multiple vantage points.

Stratifications or Perspectives #2 is a video installation that expands drawing beyond the flat surface, unfolding it into space, time, and perception. The work presents a video showing a continuous act of drawing, the artist’s hands tracing lines, captured through multiple viewpoints: front, back, mirrored, intimate close-ups, and distant frames. These layered perspectives destabilize the singular gaze, inviting viewers to experience drawing as a shifting, multidimensional process rather than a fixed image.

Thank you @scalinata7 for the installation!

#carolabravoart #videoinstallation drawinginspace

Stratifications or Perspectives #2 (2026)

On view at
“What’s my Line”
Curated by @2urn_
@edgezones
Miami Beach Regional Library

Opening
Saturday, May 2, 2026
2-4pm

In Stratifications or Perspectives #2, drawing becomes an experience, one that unfolds through layers of perception, material, and space. It is no longer confined to representation but emerges as an embodied, immersive process that surrounds and engages the viewer from multiple vantage points.

Stratifications or Perspectives #2 is a video installation that expands drawing beyond the flat surface, unfolding it into space, time, and perception. The work presents a video showing a continuous act of drawing, the artist’s hands tracing lines, captured through multiple viewpoints: front, back, mirrored, intimate close-ups, and distant frames. These layered perspectives destabilize the singular gaze, inviting viewers to experience drawing as a shifting, multidimensional process rather than a fixed image.

Thank you @scalinata7 for the installation!

#carolabravoart #videoinstallation drawinginspace

Stratifications or Perspectives #2 (2026)

On view at
“What’s my Line”
Curated by @2urn_
@edgezones
Miami Beach Regional Library

Opening
Saturday, May 2, 2026
2-4pm

In Stratifications or Perspectives #2, drawing becomes an experience, one that unfolds through layers of perception, material, and space. It is no longer confined to representation but emerges as an embodied, immersive process that surrounds and engages the viewer from multiple vantage points.

Stratifications or Perspectives #2 is a video installation that expands drawing beyond the flat surface, unfolding it into space, time, and perception. The work presents a video showing a continuous act of drawing, the artist’s hands tracing lines, captured through multiple viewpoints: front, back, mirrored, intimate close-ups, and distant frames. These layered perspectives destabilize the singular gaze, inviting viewers to experience drawing as a shifting, multidimensional process rather than a fixed image.

Thank you @scalinata7 for the installation!

#carolabravoart #videoinstallation drawinginspace

Stratifications or Perspectives #2 (2026)

On view at
“What’s my Line”
Curated by @2urn_
@edgezones
Miami Beach Regional Library

Opening
Saturday, May 2, 2026
2-4pm

In Stratifications or Perspectives #2, drawing becomes an experience, one that unfolds through layers of perception, material, and space. It is no longer confined to representation but emerges as an embodied, immersive process that surrounds and engages the viewer from multiple vantage points.

Stratifications or Perspectives #2 is a video installation that expands drawing beyond the flat surface, unfolding it into space, time, and perception. The work presents a video showing a continuous act of drawing, the artist’s hands tracing lines, captured through multiple viewpoints: front, back, mirrored, intimate close-ups, and distant frames. These layered perspectives destabilize the singular gaze, inviting viewers to experience drawing as a shifting, multidimensional process rather than a fixed image.

Thank you @scalinata7 for the installation!

#carolabravoart #videoinstallation drawinginspace

What’s My Line?
Opening May 2, 2–4 PM at the Miami Beach Regional Library

A group exhibition curated by Dimitry Chamy that approaches drawing as an expanded field—where line becomes process, trace, and relation. Moving beyond the page, What’s My Line? considers how artists use line to register time, gesture, and the subtle exchanges between body, space, and material. Here, drawing unfolds as an experience—something lived, accumulated, and continually redefined.

Spencer Chang. An artist, engineer, and toy maker, Chang’s practice moves across internet spaces, interactive sculpture, and creative tools, exploring our relationships with technology. His work engages everyday digital habits to reflect on how identities are constructed online, while proposing more thoughtful, public-facing technological futures.

The piece is called “Self-Portrait (Internet): Cursor Studies”, 2026–ongoing, Custom software, browser extension, thousands of datapoints from daily internet browsing / Variable dimensions,

What’s My Line?
Opening May 2, 2–4 PM at the Miami Beach Regional Library

A group exhibition curated by Dimitry Chamy that approaches drawing as an expanded field—where line becomes process, trace, and relation. Moving beyond the page, What’s My Line? considers how artists use line to register time, gesture, and the subtle exchanges between body, space, and material. Here, drawing unfolds as an experience—something lived, accumulated, and continually redefined.

Spencer Chang. An artist, engineer, and toy maker, Chang’s practice moves across internet spaces, interactive sculpture, and creative tools, exploring our relationships with technology. His work engages everyday digital habits to reflect on how identities are constructed online, while proposing more thoughtful, public-facing technological futures.

The piece is called “Self-Portrait (Internet): Cursor Studies”, 2026–ongoing, Custom software, browser extension, thousands of datapoints from daily internet browsing / Variable dimensions,

What’s My Line?
Opening May 2, 2–4 PM at the Miami Beach Regional Library

A group exhibition curated by Dimitry Chamy that approaches drawing as an expanded field—where line becomes process, trace, and relation. Moving beyond the page, What’s My Line? considers how artists use line to register time, gesture, and the subtle exchanges between body, space, and material. Here, drawing unfolds as an experience—something lived, accumulated, and continually redefined.

Spencer Chang. An artist, engineer, and toy maker, Chang’s practice moves across internet spaces, interactive sculpture, and creative tools, exploring our relationships with technology. His work engages everyday digital habits to reflect on how identities are constructed online, while proposing more thoughtful, public-facing technological futures.

The piece is called “Self-Portrait (Internet): Cursor Studies”, 2026–ongoing, Custom software, browser extension, thousands of datapoints from daily internet browsing / Variable dimensions,

Please join us for a special online guest lecture by Dimitry Saïd Chamy @2urn_ ~ a transdisciplinary artist, designer, and cultural producer working at the intersection of collaboration, process, and generative systems. His practice explores gesture, flow, and the act of making as a form of dialogue - where drawing becomes meditation, and form emerges through interaction, chance, and shared space. Rooted in storytelling, nature, and diasporic experience, his work creates open structures for connection across distance.

We’re excited to welcome Dimitry to share his work and vision with our studio ✨

Hosted by the Interdisciplinary Art Practices Studio @art_at_ww and @pkbip | Faculty of Design, Academy of Fine Arts in Warsaw @wydzial.wzornictwa.asp.waw @aspwwarszawie in collaboration with @fiu_ratcliffe (online)

Wednesday, April 29
2:30-3:30pm GMT+2

Join via QR code ↑

Sunday April 26, at 4pm Maker Faire Miami

Creative Futures Art, Technology
and Al Interfaces
A panel about AI and the implications of emerging technology on contemporary visual arts and culture.

Andrew McLees - Moderator, Locust Projects
Marc Aptakin - MAD Arts
Dimitry Saïd Chamy - FIU Ratcliffe Art + Design Incubator
Nika Dotsenko - Chrolik
Marcelo Ertorteguy - FIU School of Architecture / Stereotank

Thank you, @awkward.js and @moonlightermiami, for the opportunity.

Don't miss it!

Sunday April 26, at 4pm Maker Faire Miami

Creative Futures Art, Technology
and Al Interfaces
A panel about AI and the implications of emerging technology on contemporary visual arts and culture.

Andrew McLees - Moderator, Locust Projects
Marc Aptakin - MAD Arts
Dimitry Saïd Chamy - FIU Ratcliffe Art + Design Incubator
Nika Dotsenko - Chrolik
Marcelo Ertorteguy - FIU School of Architecture / Stereotank

Thank you, @awkward.js and @moonlightermiami, for the opportunity.

Don't miss it!

Excited to moderate this @oolitearts 🥰

Oolite Arts Skills programming is back, focused on sustaining and propelling creative careers.

Join us on Tuesday, April 14, 6–8 p.m. at Oolite Arts for Skills: Intellectual Property in the Age of AI.

This talk brings together Somara Jacques, Esq. @thelattelawyer and Andrej Milic, Esq. @andrej_milic, moderated by Dimitry Saïd Chamy @2urn_, for a focused conversation about the legal foundations every creative should understand.

Miami’s creative economy continues to grow across design, fashion, digital fabrication, architecture, cultural production, and AI-assisted art. As this landscape expands, students require early exposure to intellectual property fundamentals.

This talk will demystify copyright, trademark, licensing, contract negotiation, and the legal dimensions of creative practice. Produced in collaboration with the FIU Ratcliffe Art + Design Incubator (RA+DI) @fiu_ratcliffe and Oolite Arts, the event aligns with a shared mission to support entrepreneurial development and advance student-driven innovation. Legal literacy empowers young creators to safeguard their work, advocate for themselves, and navigate the complexities of creative economies with confidence.

Learn more about our Skills workshops and stay in the loop on upcoming programs at the link in bio.

#OoliteArts #OoliteSkills #PublicArt #MiamiArts #AgeOfAI

Excited to moderate this @oolitearts 🥰

Oolite Arts Skills programming is back, focused on sustaining and propelling creative careers.

Join us on Tuesday, April 14, 6–8 p.m. at Oolite Arts for Skills: Intellectual Property in the Age of AI.

This talk brings together Somara Jacques, Esq. @thelattelawyer and Andrej Milic, Esq. @andrej_milic, moderated by Dimitry Saïd Chamy @2urn_, for a focused conversation about the legal foundations every creative should understand.

Miami’s creative economy continues to grow across design, fashion, digital fabrication, architecture, cultural production, and AI-assisted art. As this landscape expands, students require early exposure to intellectual property fundamentals.

This talk will demystify copyright, trademark, licensing, contract negotiation, and the legal dimensions of creative practice. Produced in collaboration with the FIU Ratcliffe Art + Design Incubator (RA+DI) @fiu_ratcliffe and Oolite Arts, the event aligns with a shared mission to support entrepreneurial development and advance student-driven innovation. Legal literacy empowers young creators to safeguard their work, advocate for themselves, and navigate the complexities of creative economies with confidence.

Learn more about our Skills workshops and stay in the loop on upcoming programs at the link in bio.

#OoliteArts #OoliteSkills #PublicArt #MiamiArts #AgeOfAI

Excited to moderate this @oolitearts 🥰

Oolite Arts Skills programming is back, focused on sustaining and propelling creative careers.

Join us on Tuesday, April 14, 6–8 p.m. at Oolite Arts for Skills: Intellectual Property in the Age of AI.

This talk brings together Somara Jacques, Esq. @thelattelawyer and Andrej Milic, Esq. @andrej_milic, moderated by Dimitry Saïd Chamy @2urn_, for a focused conversation about the legal foundations every creative should understand.

Miami’s creative economy continues to grow across design, fashion, digital fabrication, architecture, cultural production, and AI-assisted art. As this landscape expands, students require early exposure to intellectual property fundamentals.

This talk will demystify copyright, trademark, licensing, contract negotiation, and the legal dimensions of creative practice. Produced in collaboration with the FIU Ratcliffe Art + Design Incubator (RA+DI) @fiu_ratcliffe and Oolite Arts, the event aligns with a shared mission to support entrepreneurial development and advance student-driven innovation. Legal literacy empowers young creators to safeguard their work, advocate for themselves, and navigate the complexities of creative economies with confidence.

Learn more about our Skills workshops and stay in the loop on upcoming programs at the link in bio.

#OoliteArts #OoliteSkills #PublicArt #MiamiArts #AgeOfAI

Excited to moderate this @oolitearts 🥰

Oolite Arts Skills programming is back, focused on sustaining and propelling creative careers.

Join us on Tuesday, April 14, 6–8 p.m. at Oolite Arts for Skills: Intellectual Property in the Age of AI.

This talk brings together Somara Jacques, Esq. @thelattelawyer and Andrej Milic, Esq. @andrej_milic, moderated by Dimitry Saïd Chamy @2urn_, for a focused conversation about the legal foundations every creative should understand.

Miami’s creative economy continues to grow across design, fashion, digital fabrication, architecture, cultural production, and AI-assisted art. As this landscape expands, students require early exposure to intellectual property fundamentals.

This talk will demystify copyright, trademark, licensing, contract negotiation, and the legal dimensions of creative practice. Produced in collaboration with the FIU Ratcliffe Art + Design Incubator (RA+DI) @fiu_ratcliffe and Oolite Arts, the event aligns with a shared mission to support entrepreneurial development and advance student-driven innovation. Legal literacy empowers young creators to safeguard their work, advocate for themselves, and navigate the complexities of creative economies with confidence.

Learn more about our Skills workshops and stay in the loop on upcoming programs at the link in bio.

#OoliteArts #OoliteSkills #PublicArt #MiamiArts #AgeOfAI

Sine off…

Let’s take a ride…