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@kimletgordon 𝙎𝙩𝙤𝙧𝙞𝙚𝙨 𝙛𝙤𝙧 𝙖 𝙗𝙤𝙙𝙮 opens at @collection_lambert Avignon on May 24⚡️
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At the Collection Lambert, Kim Gordon takes over all the basement rooms of the Hôtel de Montfaucon. There, she presents a wide selection of works from the past ten years, including several previously unseen pieces. Arranged as a total installation, the ensemble of paintings, watercolors, sculptures, and videos reflects on the place of individuals in a world driven by technological fetishism and the glorification of consumer goods, where the political and the intimate are inextricably intertwined, and where the performing body emerges as a powerful form of possible resistance.

The exhibition will be accompanied by a series of screenings and performances during the Festival d’Avignon 2026, in collaboration with choreographer and dancer Dimitri Chamblas, who has worked with the American artist on numerous occasions, notably at the Louvre Museum, the Museum of Contemporary Art (MOCA) in Los Angeles, and Chaillot – National Theatre of Dance.
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1.) Kim Gordon, Los Angeles June 6, 2019, 2019.
Video installation with one channel of video (color, sound), eight monitors
4.) The Promise of Originality, 2018. Acrylic on canvas

@kimletgordon 𝙎𝙩𝙤𝙧𝙞𝙚𝙨 𝙛𝙤𝙧 𝙖 𝙗𝙤𝙙𝙮 opens at @collection_lambert Avignon on May 24⚡️
—
At the Collection Lambert, Kim Gordon takes over all the basement rooms of the Hôtel de Montfaucon. There, she presents a wide selection of works from the past ten years, including several previously unseen pieces. Arranged as a total installation, the ensemble of paintings, watercolors, sculptures, and videos reflects on the place of individuals in a world driven by technological fetishism and the glorification of consumer goods, where the political and the intimate are inextricably intertwined, and where the performing body emerges as a powerful form of possible resistance.

The exhibition will be accompanied by a series of screenings and performances during the Festival d’Avignon 2026, in collaboration with choreographer and dancer Dimitri Chamblas, who has worked with the American artist on numerous occasions, notably at the Louvre Museum, the Museum of Contemporary Art (MOCA) in Los Angeles, and Chaillot – National Theatre of Dance.
—
1.) Kim Gordon, Los Angeles June 6, 2019, 2019.
Video installation with one channel of video (color, sound), eight monitors
4.) The Promise of Originality, 2018. Acrylic on canvas

@kimletgordon 𝙎𝙩𝙤𝙧𝙞𝙚𝙨 𝙛𝙤𝙧 𝙖 𝙗𝙤𝙙𝙮 opens at @collection_lambert Avignon on May 24⚡️
—
At the Collection Lambert, Kim Gordon takes over all the basement rooms of the Hôtel de Montfaucon. There, she presents a wide selection of works from the past ten years, including several previously unseen pieces. Arranged as a total installation, the ensemble of paintings, watercolors, sculptures, and videos reflects on the place of individuals in a world driven by technological fetishism and the glorification of consumer goods, where the political and the intimate are inextricably intertwined, and where the performing body emerges as a powerful form of possible resistance.

The exhibition will be accompanied by a series of screenings and performances during the Festival d’Avignon 2026, in collaboration with choreographer and dancer Dimitri Chamblas, who has worked with the American artist on numerous occasions, notably at the Louvre Museum, the Museum of Contemporary Art (MOCA) in Los Angeles, and Chaillot – National Theatre of Dance.
—
1.) Kim Gordon, Los Angeles June 6, 2019, 2019.
Video installation with one channel of video (color, sound), eight monitors
4.) The Promise of Originality, 2018. Acrylic on canvas

@kimletgordon 𝙎𝙩𝙤𝙧𝙞𝙚𝙨 𝙛𝙤𝙧 𝙖 𝙗𝙤𝙙𝙮 opens at @collection_lambert Avignon on May 24⚡️
—
At the Collection Lambert, Kim Gordon takes over all the basement rooms of the Hôtel de Montfaucon. There, she presents a wide selection of works from the past ten years, including several previously unseen pieces. Arranged as a total installation, the ensemble of paintings, watercolors, sculptures, and videos reflects on the place of individuals in a world driven by technological fetishism and the glorification of consumer goods, where the political and the intimate are inextricably intertwined, and where the performing body emerges as a powerful form of possible resistance.

The exhibition will be accompanied by a series of screenings and performances during the Festival d’Avignon 2026, in collaboration with choreographer and dancer Dimitri Chamblas, who has worked with the American artist on numerous occasions, notably at the Louvre Museum, the Museum of Contemporary Art (MOCA) in Los Angeles, and Chaillot – National Theatre of Dance.
—
1.) Kim Gordon, Los Angeles June 6, 2019, 2019.
Video installation with one channel of video (color, sound), eight monitors
4.) The Promise of Originality, 2018. Acrylic on canvas

Happy Birthday to @robpruitt5000 🎂🌅
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(1.) Spectral Painting 38, 2025
(2.) Spectral Painting 36, 2024
(3.) Spectral Painting (White No. 5), 2015
(4.) Spectral Painting 32, 2024

Happy Birthday to @robpruitt5000 🎂🌅
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(1.) Spectral Painting 38, 2025
(2.) Spectral Painting 36, 2024
(3.) Spectral Painting (White No. 5), 2015
(4.) Spectral Painting 32, 2024

Happy Birthday to @robpruitt5000 🎂🌅
—
(1.) Spectral Painting 38, 2025
(2.) Spectral Painting 36, 2024
(3.) Spectral Painting (White No. 5), 2015
(4.) Spectral Painting 32, 2024

Happy Birthday to @robpruitt5000 🎂🌅
—
(1.) Spectral Painting 38, 2025
(2.) Spectral Painting 36, 2024
(3.) Spectral Painting (White No. 5), 2015
(4.) Spectral Painting 32, 2024

𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
📍𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 through Sunday, May 17
—
[1,5,6] Installation view, 303 Gallery at @friezeofficial New York, 2026. Photo: Morgan Waltz
[2,3] @robpruitt5000A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames.
[4] @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen.
[7] Detail, Sue Williams, Where Good Friends Meet, 2026. Oil on canvas.

𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
📍𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 through Sunday, May 17
—
[1,5,6] Installation view, 303 Gallery at @friezeofficial New York, 2026. Photo: Morgan Waltz
[2,3] @robpruitt5000A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames.
[4] @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen.
[7] Detail, Sue Williams, Where Good Friends Meet, 2026. Oil on canvas.

𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
📍𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 through Sunday, May 17
—
[1,5,6] Installation view, 303 Gallery at @friezeofficial New York, 2026. Photo: Morgan Waltz
[2,3] @robpruitt5000A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames.
[4] @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen.
[7] Detail, Sue Williams, Where Good Friends Meet, 2026. Oil on canvas.

𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
📍𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 through Sunday, May 17
—
[1,5,6] Installation view, 303 Gallery at @friezeofficial New York, 2026. Photo: Morgan Waltz
[2,3] @robpruitt5000A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames.
[4] @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen.
[7] Detail, Sue Williams, Where Good Friends Meet, 2026. Oil on canvas.

𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
📍𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 through Sunday, May 17
—
[1,5,6] Installation view, 303 Gallery at @friezeofficial New York, 2026. Photo: Morgan Waltz
[2,3] @robpruitt5000A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames.
[4] @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen.
[7] Detail, Sue Williams, Where Good Friends Meet, 2026. Oil on canvas.

𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
📍𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 through Sunday, May 17
—
[1,5,6] Installation view, 303 Gallery at @friezeofficial New York, 2026. Photo: Morgan Waltz
[2,3] @robpruitt5000A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames.
[4] @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen.
[7] Detail, Sue Williams, Where Good Friends Meet, 2026. Oil on canvas.

𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
📍𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 through Sunday, May 17
—
[1,5,6] Installation view, 303 Gallery at @friezeofficial New York, 2026. Photo: Morgan Waltz
[2,3] @robpruitt5000A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames.
[4] @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen.
[7] Detail, Sue Williams, Where Good Friends Meet, 2026. Oil on canvas.

𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
📍𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 through Sunday, May 17
—
[1,5,6] Installation view, 303 Gallery at @friezeofficial New York, 2026. Photo: Morgan Waltz
[2,3] @robpruitt5000A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames.
[4] @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen.
[7] Detail, Sue Williams, Where Good Friends Meet, 2026. Oil on canvas.

Happening now! @SamFalls Artist Talk with @msgrauer at 303 Gallery. 🌿✨
—
Pictured:
Wanderer (At the Window), 2026.
Pigment on archival inkjet print on canvas

Detail, Geological Time, 2023. Fujifilm FP-100C45 instant film, glazed ceramic and glass.

Happening now! @SamFalls Artist Talk with @msgrauer at 303 Gallery. 🌿✨
—
Pictured:
Wanderer (At the Window), 2026.
Pigment on archival inkjet print on canvas

Detail, Geological Time, 2023. Fujifilm FP-100C45 instant film, glazed ceramic and glass.

Happening now! @SamFalls Artist Talk with @msgrauer at 303 Gallery. 🌿✨
—
Pictured:
Wanderer (At the Window), 2026.
Pigment on archival inkjet print on canvas

Detail, Geological Time, 2023. Fujifilm FP-100C45 instant film, glazed ceramic and glass.

Ever stop and wonder how many lives are unfolding parallel to your own?

“Doug Aitken: Lightscape” explores life in motion through a visual poem of interconnected stories, fleeting encounters, and landscapes charged with energy.

Get tickets today! On view starting June 25!

#theshedny #dougaitken #dougaitkenlightscape #nyc

Day 2 🎪 @Friezeofficial @theshed
Visit us at 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 through Sunday, May 17 to see new work by @dougaitkenworkshop 💎
—
Doug Aitken
Terra (camouflage 540-2705-4157C), 2026
Polished stainless steel, paint, archival SLA resin
46 x 46 x 5 1/4 inches (116.8 x 116.8 x 13.3 cm)
Photo: Morgan Waltz

Day 2 🎪 @Friezeofficial @theshed
Visit us at 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 through Sunday, May 17 to see new work by @dougaitkenworkshop 💎
—
Doug Aitken
Terra (camouflage 540-2705-4157C), 2026
Polished stainless steel, paint, archival SLA resin
46 x 46 x 5 1/4 inches (116.8 x 116.8 x 13.3 cm)
Photo: Morgan Waltz

Day 2 🎪 @Friezeofficial @theshed
Visit us at 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 through Sunday, May 17 to see new work by @dougaitkenworkshop 💎
—
Doug Aitken
Terra (camouflage 540-2705-4157C), 2026
Polished stainless steel, paint, archival SLA resin
46 x 46 x 5 1/4 inches (116.8 x 116.8 x 13.3 cm)
Photo: Morgan Waltz

Day 2 🎪 @Friezeofficial @theshed
Visit us at 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 through Sunday, May 17 to see new work by @dougaitkenworkshop 💎
—
Doug Aitken
Terra (camouflage 540-2705-4157C), 2026
Polished stainless steel, paint, archival SLA resin
46 x 46 x 5 1/4 inches (116.8 x 116.8 x 13.3 cm)
Photo: Morgan Waltz

Day 2 🎪 @Friezeofficial @theshed
Visit us at 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 through Sunday, May 17 to see new work by @dougaitkenworkshop 💎
—
Doug Aitken
Terra (camouflage 540-2705-4157C), 2026
Polished stainless steel, paint, archival SLA resin
46 x 46 x 5 1/4 inches (116.8 x 116.8 x 13.3 cm)
Photo: Morgan Waltz

Happy Birthday to @timgardner_art ! 🎉
Known for his masterful watercolors marking moments in time, Tim Gardner depicts scenes that collectively form a vivid portrait of contemporary life. Drawing primarily on an extensive personal image archive, he uses photography as a point of departure to elucidate the psychological realism of lived experiences.
—
Pictured here:
1.) Families at Zoo, 2024. Watercolor on paper
2.) Orange Batter, 2024. Watercolor on paper
3.) Skateboarder at Sunset with Approaching Smoke, 2024. Chalk pastel

Happy Birthday to @timgardner_art ! 🎉
Known for his masterful watercolors marking moments in time, Tim Gardner depicts scenes that collectively form a vivid portrait of contemporary life. Drawing primarily on an extensive personal image archive, he uses photography as a point of departure to elucidate the psychological realism of lived experiences.
—
Pictured here:
1.) Families at Zoo, 2024. Watercolor on paper
2.) Orange Batter, 2024. Watercolor on paper
3.) Skateboarder at Sunset with Approaching Smoke, 2024. Chalk pastel

Happy Birthday to @timgardner_art ! 🎉
Known for his masterful watercolors marking moments in time, Tim Gardner depicts scenes that collectively form a vivid portrait of contemporary life. Drawing primarily on an extensive personal image archive, he uses photography as a point of departure to elucidate the psychological realism of lived experiences.
—
Pictured here:
1.) Families at Zoo, 2024. Watercolor on paper
2.) Orange Batter, 2024. Watercolor on paper
3.) Skateboarder at Sunset with Approaching Smoke, 2024. Chalk pastel

NOW OPEN🌟𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny 📍Find us at 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 to see selection of works by Doug Aitken, Alicja Kwade, Sam Falls, Rob Pruitt, Jeppe Hein, Sue Williams, Kim Gordon, Mary Heilmann, Matt Johnson, Cassi Namoda, Tim Gardner, Florian Maier-Aichen, and Stephen Shore. @friezeofficial

NOW OPEN🌟𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny 📍Find us at 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 to see selection of works by Doug Aitken, Alicja Kwade, Sam Falls, Rob Pruitt, Jeppe Hein, Sue Williams, Kim Gordon, Mary Heilmann, Matt Johnson, Cassi Namoda, Tim Gardner, Florian Maier-Aichen, and Stephen Shore. @friezeofficial

NOW OPEN🌟𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny 📍Find us at 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 to see selection of works by Doug Aitken, Alicja Kwade, Sam Falls, Rob Pruitt, Jeppe Hein, Sue Williams, Kim Gordon, Mary Heilmann, Matt Johnson, Cassi Namoda, Tim Gardner, Florian Maier-Aichen, and Stephen Shore. @friezeofficial

NOW OPEN🌟𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny 📍Find us at 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 to see selection of works by Doug Aitken, Alicja Kwade, Sam Falls, Rob Pruitt, Jeppe Hein, Sue Williams, Kim Gordon, Mary Heilmann, Matt Johnson, Cassi Namoda, Tim Gardner, Florian Maier-Aichen, and Stephen Shore. @friezeofficial

NOW OPEN🌟𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny 📍Find us at 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 to see selection of works by Doug Aitken, Alicja Kwade, Sam Falls, Rob Pruitt, Jeppe Hein, Sue Williams, Kim Gordon, Mary Heilmann, Matt Johnson, Cassi Namoda, Tim Gardner, Florian Maier-Aichen, and Stephen Shore. @friezeofficial

NOW OPEN🌟𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny 📍Find us at 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 to see selection of works by Doug Aitken, Alicja Kwade, Sam Falls, Rob Pruitt, Jeppe Hein, Sue Williams, Kim Gordon, Mary Heilmann, Matt Johnson, Cassi Namoda, Tim Gardner, Florian Maier-Aichen, and Stephen Shore. @friezeofficial

NOW OPEN🌟𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny 📍Find us at 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 to see selection of works by Doug Aitken, Alicja Kwade, Sam Falls, Rob Pruitt, Jeppe Hein, Sue Williams, Kim Gordon, Mary Heilmann, Matt Johnson, Cassi Namoda, Tim Gardner, Florian Maier-Aichen, and Stephen Shore. @friezeofficial

Happy Birthday to @SamFalls 🌿🎊🌷

Sam Falls works intimately with the core precepts of photography –namely time, representation, and exposure – to create works that both bridge the gap between various artistic mediums and the divide between the artist, object, and viewer. Working symbiotically with nature and the elements, Falls’s artworks are engrained with a sense of place indexical to the unique environment of their creation while imbued with a universal sense of mortality. With a reverence toward art history, Falls empathetically blurs the lines between artistic genres and practices, from modern dance and minimalist painting to conceptual photography and land art, boiling it down to the fundamentals of nature and the transience of life that art best addresses.

1) Sam Falls. Photo: Erin Falls
2) Installation view, Sam Falls, Amongst the Living, 303 Gallery, 2026.
3) Return, Spirit, Feelings, 2026.
Glazed ceramic with glass and brass frame
4) Wanderer (At the Window), 2026.
Pigment on archival inkjet print on canvas
5) Installation view: Sam Falls, SIMOSE New Collection Exhibition, Simose Art Museum, Hirsohima, October 7, 2025 – February 1, 2026.

Happy Birthday to @SamFalls 🌿🎊🌷

Sam Falls works intimately with the core precepts of photography –namely time, representation, and exposure – to create works that both bridge the gap between various artistic mediums and the divide between the artist, object, and viewer. Working symbiotically with nature and the elements, Falls’s artworks are engrained with a sense of place indexical to the unique environment of their creation while imbued with a universal sense of mortality. With a reverence toward art history, Falls empathetically blurs the lines between artistic genres and practices, from modern dance and minimalist painting to conceptual photography and land art, boiling it down to the fundamentals of nature and the transience of life that art best addresses.

1) Sam Falls. Photo: Erin Falls
2) Installation view, Sam Falls, Amongst the Living, 303 Gallery, 2026.
3) Return, Spirit, Feelings, 2026.
Glazed ceramic with glass and brass frame
4) Wanderer (At the Window), 2026.
Pigment on archival inkjet print on canvas
5) Installation view: Sam Falls, SIMOSE New Collection Exhibition, Simose Art Museum, Hirsohima, October 7, 2025 – February 1, 2026.

Happy Birthday to @SamFalls 🌿🎊🌷

Sam Falls works intimately with the core precepts of photography –namely time, representation, and exposure – to create works that both bridge the gap between various artistic mediums and the divide between the artist, object, and viewer. Working symbiotically with nature and the elements, Falls’s artworks are engrained with a sense of place indexical to the unique environment of their creation while imbued with a universal sense of mortality. With a reverence toward art history, Falls empathetically blurs the lines between artistic genres and practices, from modern dance and minimalist painting to conceptual photography and land art, boiling it down to the fundamentals of nature and the transience of life that art best addresses.

1) Sam Falls. Photo: Erin Falls
2) Installation view, Sam Falls, Amongst the Living, 303 Gallery, 2026.
3) Return, Spirit, Feelings, 2026.
Glazed ceramic with glass and brass frame
4) Wanderer (At the Window), 2026.
Pigment on archival inkjet print on canvas
5) Installation view: Sam Falls, SIMOSE New Collection Exhibition, Simose Art Museum, Hirsohima, October 7, 2025 – February 1, 2026.

Happy Birthday to @SamFalls 🌿🎊🌷

Sam Falls works intimately with the core precepts of photography –namely time, representation, and exposure – to create works that both bridge the gap between various artistic mediums and the divide between the artist, object, and viewer. Working symbiotically with nature and the elements, Falls’s artworks are engrained with a sense of place indexical to the unique environment of their creation while imbued with a universal sense of mortality. With a reverence toward art history, Falls empathetically blurs the lines between artistic genres and practices, from modern dance and minimalist painting to conceptual photography and land art, boiling it down to the fundamentals of nature and the transience of life that art best addresses.

1) Sam Falls. Photo: Erin Falls
2) Installation view, Sam Falls, Amongst the Living, 303 Gallery, 2026.
3) Return, Spirit, Feelings, 2026.
Glazed ceramic with glass and brass frame
4) Wanderer (At the Window), 2026.
Pigment on archival inkjet print on canvas
5) Installation view: Sam Falls, SIMOSE New Collection Exhibition, Simose Art Museum, Hirsohima, October 7, 2025 – February 1, 2026.

Happy Birthday to @SamFalls 🌿🎊🌷

Sam Falls works intimately with the core precepts of photography –namely time, representation, and exposure – to create works that both bridge the gap between various artistic mediums and the divide between the artist, object, and viewer. Working symbiotically with nature and the elements, Falls’s artworks are engrained with a sense of place indexical to the unique environment of their creation while imbued with a universal sense of mortality. With a reverence toward art history, Falls empathetically blurs the lines between artistic genres and practices, from modern dance and minimalist painting to conceptual photography and land art, boiling it down to the fundamentals of nature and the transience of life that art best addresses.

1) Sam Falls. Photo: Erin Falls
2) Installation view, Sam Falls, Amongst the Living, 303 Gallery, 2026.
3) Return, Spirit, Feelings, 2026.
Glazed ceramic with glass and brass frame
4) Wanderer (At the Window), 2026.
Pigment on archival inkjet print on canvas
5) Installation view: Sam Falls, SIMOSE New Collection Exhibition, Simose Art Museum, Hirsohima, October 7, 2025 – February 1, 2026.

Happy Birthday to @SamFalls 🌿🎊🌷

Sam Falls works intimately with the core precepts of photography –namely time, representation, and exposure – to create works that both bridge the gap between various artistic mediums and the divide between the artist, object, and viewer. Working symbiotically with nature and the elements, Falls’s artworks are engrained with a sense of place indexical to the unique environment of their creation while imbued with a universal sense of mortality. With a reverence toward art history, Falls empathetically blurs the lines between artistic genres and practices, from modern dance and minimalist painting to conceptual photography and land art, boiling it down to the fundamentals of nature and the transience of life that art best addresses.

1) Sam Falls. Photo: Erin Falls
2) Installation view, Sam Falls, Amongst the Living, 303 Gallery, 2026.
3) Return, Spirit, Feelings, 2026.
Glazed ceramic with glass and brass frame
4) Wanderer (At the Window), 2026.
Pigment on archival inkjet print on canvas
5) Installation view: Sam Falls, SIMOSE New Collection Exhibition, Simose Art Museum, Hirsohima, October 7, 2025 – February 1, 2026.

Happy Birthday to @SamFalls 🌿🎊🌷

Sam Falls works intimately with the core precepts of photography –namely time, representation, and exposure – to create works that both bridge the gap between various artistic mediums and the divide between the artist, object, and viewer. Working symbiotically with nature and the elements, Falls’s artworks are engrained with a sense of place indexical to the unique environment of their creation while imbued with a universal sense of mortality. With a reverence toward art history, Falls empathetically blurs the lines between artistic genres and practices, from modern dance and minimalist painting to conceptual photography and land art, boiling it down to the fundamentals of nature and the transience of life that art best addresses.

1) Sam Falls. Photo: Erin Falls
2) Installation view, Sam Falls, Amongst the Living, 303 Gallery, 2026.
3) Return, Spirit, Feelings, 2026.
Glazed ceramic with glass and brass frame
4) Wanderer (At the Window), 2026.
Pigment on archival inkjet print on canvas
5) Installation view: Sam Falls, SIMOSE New Collection Exhibition, Simose Art Museum, Hirsohima, October 7, 2025 – February 1, 2026.

Happy Birthday to @SamFalls 🌿🎊🌷

Sam Falls works intimately with the core precepts of photography –namely time, representation, and exposure – to create works that both bridge the gap between various artistic mediums and the divide between the artist, object, and viewer. Working symbiotically with nature and the elements, Falls’s artworks are engrained with a sense of place indexical to the unique environment of their creation while imbued with a universal sense of mortality. With a reverence toward art history, Falls empathetically blurs the lines between artistic genres and practices, from modern dance and minimalist painting to conceptual photography and land art, boiling it down to the fundamentals of nature and the transience of life that art best addresses.

1) Sam Falls. Photo: Erin Falls
2) Installation view, Sam Falls, Amongst the Living, 303 Gallery, 2026.
3) Return, Spirit, Feelings, 2026.
Glazed ceramic with glass and brass frame
4) Wanderer (At the Window), 2026.
Pigment on archival inkjet print on canvas
5) Installation view: Sam Falls, SIMOSE New Collection Exhibition, Simose Art Museum, Hirsohima, October 7, 2025 – February 1, 2026.

Happy Mother’s Day from 303 Gallery! 💐💗
—
@kimletgordon Picture Window, 2022
Single-channel video (color, sound)

Sue Williams, Mother and Daughter Dresses, 1997
Oil and acrylic on canvas

Nina Canell, Mother of Dust (detail) 2023 Pearls, broom, modified conveyor belt

@evarothschild Shepherds (Day), 2025. Painted bronze

@talamadani Shitmom Ascends, 2025.
Single-channel video animation (color)

@chill_ko Untitled Erin, “Summer with Alesandra” (The Eyes)

@tanya_merrill If I Were Lotte, Pregnant, 2022
Oil and graphite on linen

@okigonster euqinimod & costumes, 2014. Installation view, 303 Gallery, New York, 2014

@cas_amandaa Brutal consciousness, 2025
Oil on linen

@alicjakwade with her The Roof Garden Commission: ParaPivot. The Metropolitan Museum of Art, 2019. Photo: Eileen Travell

@janeandlouisewilson Unfolding the Aryan Papers, 2009. 16mm film transfer. Installation view Skulpturenhalle Neuss / Thomas Schütte Stiftung Photo: Hanne Brandt

@pinsky_leisure_timeInstallation view: Circuit, Europalia Arts Festival, Brussels North Station, 2021

Happy Mother’s Day from 303 Gallery! 💐💗
—
@kimletgordon Picture Window, 2022
Single-channel video (color, sound)

Sue Williams, Mother and Daughter Dresses, 1997
Oil and acrylic on canvas

Nina Canell, Mother of Dust (detail) 2023 Pearls, broom, modified conveyor belt

@evarothschild Shepherds (Day), 2025. Painted bronze

@talamadani Shitmom Ascends, 2025.
Single-channel video animation (color)

@chill_ko Untitled Erin, “Summer with Alesandra” (The Eyes)

@tanya_merrill If I Were Lotte, Pregnant, 2022
Oil and graphite on linen

@okigonster euqinimod & costumes, 2014. Installation view, 303 Gallery, New York, 2014

@cas_amandaa Brutal consciousness, 2025
Oil on linen

@alicjakwade with her The Roof Garden Commission: ParaPivot. The Metropolitan Museum of Art, 2019. Photo: Eileen Travell

@janeandlouisewilson Unfolding the Aryan Papers, 2009. 16mm film transfer. Installation view Skulpturenhalle Neuss / Thomas Schütte Stiftung Photo: Hanne Brandt

@pinsky_leisure_timeInstallation view: Circuit, Europalia Arts Festival, Brussels North Station, 2021

Happy Mother’s Day from 303 Gallery! 💐💗
—
@kimletgordon Picture Window, 2022
Single-channel video (color, sound)

Sue Williams, Mother and Daughter Dresses, 1997
Oil and acrylic on canvas

Nina Canell, Mother of Dust (detail) 2023 Pearls, broom, modified conveyor belt

@evarothschild Shepherds (Day), 2025. Painted bronze

@talamadani Shitmom Ascends, 2025.
Single-channel video animation (color)

@chill_ko Untitled Erin, “Summer with Alesandra” (The Eyes)

@tanya_merrill If I Were Lotte, Pregnant, 2022
Oil and graphite on linen

@okigonster euqinimod & costumes, 2014. Installation view, 303 Gallery, New York, 2014

@cas_amandaa Brutal consciousness, 2025
Oil on linen

@alicjakwade with her The Roof Garden Commission: ParaPivot. The Metropolitan Museum of Art, 2019. Photo: Eileen Travell

@janeandlouisewilson Unfolding the Aryan Papers, 2009. 16mm film transfer. Installation view Skulpturenhalle Neuss / Thomas Schütte Stiftung Photo: Hanne Brandt

@pinsky_leisure_timeInstallation view: Circuit, Europalia Arts Festival, Brussels North Station, 2021

Happy Mother’s Day from 303 Gallery! 💐💗
—
@kimletgordon Picture Window, 2022
Single-channel video (color, sound)

Sue Williams, Mother and Daughter Dresses, 1997
Oil and acrylic on canvas

Nina Canell, Mother of Dust (detail) 2023 Pearls, broom, modified conveyor belt

@evarothschild Shepherds (Day), 2025. Painted bronze

@talamadani Shitmom Ascends, 2025.
Single-channel video animation (color)

@chill_ko Untitled Erin, “Summer with Alesandra” (The Eyes)

@tanya_merrill If I Were Lotte, Pregnant, 2022
Oil and graphite on linen

@okigonster euqinimod & costumes, 2014. Installation view, 303 Gallery, New York, 2014

@cas_amandaa Brutal consciousness, 2025
Oil on linen

@alicjakwade with her The Roof Garden Commission: ParaPivot. The Metropolitan Museum of Art, 2019. Photo: Eileen Travell

@janeandlouisewilson Unfolding the Aryan Papers, 2009. 16mm film transfer. Installation view Skulpturenhalle Neuss / Thomas Schütte Stiftung Photo: Hanne Brandt

@pinsky_leisure_timeInstallation view: Circuit, Europalia Arts Festival, Brussels North Station, 2021

Happy Mother’s Day from 303 Gallery! 💐💗
—
@kimletgordon Picture Window, 2022
Single-channel video (color, sound)

Sue Williams, Mother and Daughter Dresses, 1997
Oil and acrylic on canvas

Nina Canell, Mother of Dust (detail) 2023 Pearls, broom, modified conveyor belt

@evarothschild Shepherds (Day), 2025. Painted bronze

@talamadani Shitmom Ascends, 2025.
Single-channel video animation (color)

@chill_ko Untitled Erin, “Summer with Alesandra” (The Eyes)

@tanya_merrill If I Were Lotte, Pregnant, 2022
Oil and graphite on linen

@okigonster euqinimod & costumes, 2014. Installation view, 303 Gallery, New York, 2014

@cas_amandaa Brutal consciousness, 2025
Oil on linen

@alicjakwade with her The Roof Garden Commission: ParaPivot. The Metropolitan Museum of Art, 2019. Photo: Eileen Travell

@janeandlouisewilson Unfolding the Aryan Papers, 2009. 16mm film transfer. Installation view Skulpturenhalle Neuss / Thomas Schütte Stiftung Photo: Hanne Brandt

@pinsky_leisure_timeInstallation view: Circuit, Europalia Arts Festival, Brussels North Station, 2021

Happy Mother’s Day from 303 Gallery! 💐💗
—
@kimletgordon Picture Window, 2022
Single-channel video (color, sound)

Sue Williams, Mother and Daughter Dresses, 1997
Oil and acrylic on canvas

Nina Canell, Mother of Dust (detail) 2023 Pearls, broom, modified conveyor belt

@evarothschild Shepherds (Day), 2025. Painted bronze

@talamadani Shitmom Ascends, 2025.
Single-channel video animation (color)

@chill_ko Untitled Erin, “Summer with Alesandra” (The Eyes)

@tanya_merrill If I Were Lotte, Pregnant, 2022
Oil and graphite on linen

@okigonster euqinimod & costumes, 2014. Installation view, 303 Gallery, New York, 2014

@cas_amandaa Brutal consciousness, 2025
Oil on linen

@alicjakwade with her The Roof Garden Commission: ParaPivot. The Metropolitan Museum of Art, 2019. Photo: Eileen Travell

@janeandlouisewilson Unfolding the Aryan Papers, 2009. 16mm film transfer. Installation view Skulpturenhalle Neuss / Thomas Schütte Stiftung Photo: Hanne Brandt

@pinsky_leisure_timeInstallation view: Circuit, Europalia Arts Festival, Brussels North Station, 2021

Happy Mother’s Day from 303 Gallery! 💐💗
—
@kimletgordon Picture Window, 2022
Single-channel video (color, sound)

Sue Williams, Mother and Daughter Dresses, 1997
Oil and acrylic on canvas

Nina Canell, Mother of Dust (detail) 2023 Pearls, broom, modified conveyor belt

@evarothschild Shepherds (Day), 2025. Painted bronze

@talamadani Shitmom Ascends, 2025.
Single-channel video animation (color)

@chill_ko Untitled Erin, “Summer with Alesandra” (The Eyes)

@tanya_merrill If I Were Lotte, Pregnant, 2022
Oil and graphite on linen

@okigonster euqinimod & costumes, 2014. Installation view, 303 Gallery, New York, 2014

@cas_amandaa Brutal consciousness, 2025
Oil on linen

@alicjakwade with her The Roof Garden Commission: ParaPivot. The Metropolitan Museum of Art, 2019. Photo: Eileen Travell

@janeandlouisewilson Unfolding the Aryan Papers, 2009. 16mm film transfer. Installation view Skulpturenhalle Neuss / Thomas Schütte Stiftung Photo: Hanne Brandt

@pinsky_leisure_timeInstallation view: Circuit, Europalia Arts Festival, Brussels North Station, 2021

Happy Mother’s Day from 303 Gallery! 💐💗
—
@kimletgordon Picture Window, 2022
Single-channel video (color, sound)

Sue Williams, Mother and Daughter Dresses, 1997
Oil and acrylic on canvas

Nina Canell, Mother of Dust (detail) 2023 Pearls, broom, modified conveyor belt

@evarothschild Shepherds (Day), 2025. Painted bronze

@talamadani Shitmom Ascends, 2025.
Single-channel video animation (color)

@chill_ko Untitled Erin, “Summer with Alesandra” (The Eyes)

@tanya_merrill If I Were Lotte, Pregnant, 2022
Oil and graphite on linen

@okigonster euqinimod & costumes, 2014. Installation view, 303 Gallery, New York, 2014

@cas_amandaa Brutal consciousness, 2025
Oil on linen

@alicjakwade with her The Roof Garden Commission: ParaPivot. The Metropolitan Museum of Art, 2019. Photo: Eileen Travell

@janeandlouisewilson Unfolding the Aryan Papers, 2009. 16mm film transfer. Installation view Skulpturenhalle Neuss / Thomas Schütte Stiftung Photo: Hanne Brandt

@pinsky_leisure_timeInstallation view: Circuit, Europalia Arts Festival, Brussels North Station, 2021

Happy Mother’s Day from 303 Gallery! 💐💗
—
@kimletgordon Picture Window, 2022
Single-channel video (color, sound)

Sue Williams, Mother and Daughter Dresses, 1997
Oil and acrylic on canvas

Nina Canell, Mother of Dust (detail) 2023 Pearls, broom, modified conveyor belt

@evarothschild Shepherds (Day), 2025. Painted bronze

@talamadani Shitmom Ascends, 2025.
Single-channel video animation (color)

@chill_ko Untitled Erin, “Summer with Alesandra” (The Eyes)

@tanya_merrill If I Were Lotte, Pregnant, 2022
Oil and graphite on linen

@okigonster euqinimod & costumes, 2014. Installation view, 303 Gallery, New York, 2014

@cas_amandaa Brutal consciousness, 2025
Oil on linen

@alicjakwade with her The Roof Garden Commission: ParaPivot. The Metropolitan Museum of Art, 2019. Photo: Eileen Travell

@janeandlouisewilson Unfolding the Aryan Papers, 2009. 16mm film transfer. Installation view Skulpturenhalle Neuss / Thomas Schütte Stiftung Photo: Hanne Brandt

@pinsky_leisure_timeInstallation view: Circuit, Europalia Arts Festival, Brussels North Station, 2021

Happy Mother’s Day from 303 Gallery! 💐💗
—
@kimletgordon Picture Window, 2022
Single-channel video (color, sound)

Sue Williams, Mother and Daughter Dresses, 1997
Oil and acrylic on canvas

Nina Canell, Mother of Dust (detail) 2023 Pearls, broom, modified conveyor belt

@evarothschild Shepherds (Day), 2025. Painted bronze

@talamadani Shitmom Ascends, 2025.
Single-channel video animation (color)

@chill_ko Untitled Erin, “Summer with Alesandra” (The Eyes)

@tanya_merrill If I Were Lotte, Pregnant, 2022
Oil and graphite on linen

@okigonster euqinimod & costumes, 2014. Installation view, 303 Gallery, New York, 2014

@cas_amandaa Brutal consciousness, 2025
Oil on linen

@alicjakwade with her The Roof Garden Commission: ParaPivot. The Metropolitan Museum of Art, 2019. Photo: Eileen Travell

@janeandlouisewilson Unfolding the Aryan Papers, 2009. 16mm film transfer. Installation view Skulpturenhalle Neuss / Thomas Schütte Stiftung Photo: Hanne Brandt

@pinsky_leisure_timeInstallation view: Circuit, Europalia Arts Festival, Brussels North Station, 2021

Happy Mother’s Day from 303 Gallery! 💐💗
—
@kimletgordon Picture Window, 2022
Single-channel video (color, sound)

Sue Williams, Mother and Daughter Dresses, 1997
Oil and acrylic on canvas

Nina Canell, Mother of Dust (detail) 2023 Pearls, broom, modified conveyor belt

@evarothschild Shepherds (Day), 2025. Painted bronze

@talamadani Shitmom Ascends, 2025.
Single-channel video animation (color)

@chill_ko Untitled Erin, “Summer with Alesandra” (The Eyes)

@tanya_merrill If I Were Lotte, Pregnant, 2022
Oil and graphite on linen

@okigonster euqinimod & costumes, 2014. Installation view, 303 Gallery, New York, 2014

@cas_amandaa Brutal consciousness, 2025
Oil on linen

@alicjakwade with her The Roof Garden Commission: ParaPivot. The Metropolitan Museum of Art, 2019. Photo: Eileen Travell

@janeandlouisewilson Unfolding the Aryan Papers, 2009. 16mm film transfer. Installation view Skulpturenhalle Neuss / Thomas Schütte Stiftung Photo: Hanne Brandt

@pinsky_leisure_timeInstallation view: Circuit, Europalia Arts Festival, Brussels North Station, 2021

Happy Mother’s Day from 303 Gallery! 💐💗
—
@kimletgordon Picture Window, 2022
Single-channel video (color, sound)

Sue Williams, Mother and Daughter Dresses, 1997
Oil and acrylic on canvas

Nina Canell, Mother of Dust (detail) 2023 Pearls, broom, modified conveyor belt

@evarothschild Shepherds (Day), 2025. Painted bronze

@talamadani Shitmom Ascends, 2025.
Single-channel video animation (color)

@chill_ko Untitled Erin, “Summer with Alesandra” (The Eyes)

@tanya_merrill If I Were Lotte, Pregnant, 2022
Oil and graphite on linen

@okigonster euqinimod & costumes, 2014. Installation view, 303 Gallery, New York, 2014

@cas_amandaa Brutal consciousness, 2025
Oil on linen

@alicjakwade with her The Roof Garden Commission: ParaPivot. The Metropolitan Museum of Art, 2019. Photo: Eileen Travell

@janeandlouisewilson Unfolding the Aryan Papers, 2009. 16mm film transfer. Installation view Skulpturenhalle Neuss / Thomas Schütte Stiftung Photo: Hanne Brandt

@pinsky_leisure_timeInstallation view: Circuit, Europalia Arts Festival, Brussels North Station, 2021

Happy Mother’s Day from 303 Gallery! 💐💗
—
@kimletgordon Picture Window, 2022
Single-channel video (color, sound)

Sue Williams, Mother and Daughter Dresses, 1997
Oil and acrylic on canvas

Nina Canell, Mother of Dust (detail) 2023 Pearls, broom, modified conveyor belt

@evarothschild Shepherds (Day), 2025. Painted bronze

@talamadani Shitmom Ascends, 2025.
Single-channel video animation (color)

@chill_ko Untitled Erin, “Summer with Alesandra” (The Eyes)

@tanya_merrill If I Were Lotte, Pregnant, 2022
Oil and graphite on linen

@okigonster euqinimod & costumes, 2014. Installation view, 303 Gallery, New York, 2014

@cas_amandaa Brutal consciousness, 2025
Oil on linen

@alicjakwade with her The Roof Garden Commission: ParaPivot. The Metropolitan Museum of Art, 2019. Photo: Eileen Travell

@janeandlouisewilson Unfolding the Aryan Papers, 2009. 16mm film transfer. Installation view Skulpturenhalle Neuss / Thomas Schütte Stiftung Photo: Hanne Brandt

@pinsky_leisure_timeInstallation view: Circuit, Europalia Arts Festival, Brussels North Station, 2021

Happy Mother’s Day from 303 Gallery! 💐💗
—
@kimletgordon Picture Window, 2022
Single-channel video (color, sound)

Sue Williams, Mother and Daughter Dresses, 1997
Oil and acrylic on canvas

Nina Canell, Mother of Dust (detail) 2023 Pearls, broom, modified conveyor belt

@evarothschild Shepherds (Day), 2025. Painted bronze

@talamadani Shitmom Ascends, 2025.
Single-channel video animation (color)

@chill_ko Untitled Erin, “Summer with Alesandra” (The Eyes)

@tanya_merrill If I Were Lotte, Pregnant, 2022
Oil and graphite on linen

@okigonster euqinimod & costumes, 2014. Installation view, 303 Gallery, New York, 2014

@cas_amandaa Brutal consciousness, 2025
Oil on linen

@alicjakwade with her The Roof Garden Commission: ParaPivot. The Metropolitan Museum of Art, 2019. Photo: Eileen Travell

@janeandlouisewilson Unfolding the Aryan Papers, 2009. 16mm film transfer. Installation view Skulpturenhalle Neuss / Thomas Schütte Stiftung Photo: Hanne Brandt

@pinsky_leisure_timeInstallation view: Circuit, Europalia Arts Festival, Brussels North Station, 2021

Next Week 💎 𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
May 13 — 17 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 📍 @friezeofficial

(1) @dougaitkenworkshop Terra (camouflage 540-2705-4157C), 2026. Polished stainless steel, paint, printed form

(2) @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen

(3) @alicjakwade Mono Monde, 2026. Painted bronze, Carrara marble

(4) @lottyfox Phantoms (Soft), 2023. Oil on canvas

(5) @mtatjhnoson 500 Million Year Old Water Bottle, 2026. Brazilian quartz

(6) @samfalls One Rainy Wish, 2025. Pigment on canvas

(7) @maryheilmannstudio Little Fall, 2023. Glazed ceramic

(8) @robpruitt5000 A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames

(9) @jeppehein Together we will touch the sky (stone grey, purple, light blue, green, dark blue), 2025. High polished steel, PVD coating (purple, light blue, green, dark blue), fieldstone

(10) @stephen.shore Golden Nugget, 1st Street and Fremont Street, Las Vegas, Nevada, June 27, 1978

(11) Sue Williams, Where Good Friends Meet, 2026. Oil on canvas

Next Week 💎 𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
May 13 — 17 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 📍 @friezeofficial

(1) @dougaitkenworkshop Terra (camouflage 540-2705-4157C), 2026. Polished stainless steel, paint, printed form

(2) @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen

(3) @alicjakwade Mono Monde, 2026. Painted bronze, Carrara marble

(4) @lottyfox Phantoms (Soft), 2023. Oil on canvas

(5) @mtatjhnoson 500 Million Year Old Water Bottle, 2026. Brazilian quartz

(6) @samfalls One Rainy Wish, 2025. Pigment on canvas

(7) @maryheilmannstudio Little Fall, 2023. Glazed ceramic

(8) @robpruitt5000 A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames

(9) @jeppehein Together we will touch the sky (stone grey, purple, light blue, green, dark blue), 2025. High polished steel, PVD coating (purple, light blue, green, dark blue), fieldstone

(10) @stephen.shore Golden Nugget, 1st Street and Fremont Street, Las Vegas, Nevada, June 27, 1978

(11) Sue Williams, Where Good Friends Meet, 2026. Oil on canvas

Next Week 💎 𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
May 13 — 17 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 📍 @friezeofficial

(1) @dougaitkenworkshop Terra (camouflage 540-2705-4157C), 2026. Polished stainless steel, paint, printed form

(2) @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen

(3) @alicjakwade Mono Monde, 2026. Painted bronze, Carrara marble

(4) @lottyfox Phantoms (Soft), 2023. Oil on canvas

(5) @mtatjhnoson 500 Million Year Old Water Bottle, 2026. Brazilian quartz

(6) @samfalls One Rainy Wish, 2025. Pigment on canvas

(7) @maryheilmannstudio Little Fall, 2023. Glazed ceramic

(8) @robpruitt5000 A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames

(9) @jeppehein Together we will touch the sky (stone grey, purple, light blue, green, dark blue), 2025. High polished steel, PVD coating (purple, light blue, green, dark blue), fieldstone

(10) @stephen.shore Golden Nugget, 1st Street and Fremont Street, Las Vegas, Nevada, June 27, 1978

(11) Sue Williams, Where Good Friends Meet, 2026. Oil on canvas

Next Week 💎 𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
May 13 — 17 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 📍 @friezeofficial

(1) @dougaitkenworkshop Terra (camouflage 540-2705-4157C), 2026. Polished stainless steel, paint, printed form

(2) @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen

(3) @alicjakwade Mono Monde, 2026. Painted bronze, Carrara marble

(4) @lottyfox Phantoms (Soft), 2023. Oil on canvas

(5) @mtatjhnoson 500 Million Year Old Water Bottle, 2026. Brazilian quartz

(6) @samfalls One Rainy Wish, 2025. Pigment on canvas

(7) @maryheilmannstudio Little Fall, 2023. Glazed ceramic

(8) @robpruitt5000 A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames

(9) @jeppehein Together we will touch the sky (stone grey, purple, light blue, green, dark blue), 2025. High polished steel, PVD coating (purple, light blue, green, dark blue), fieldstone

(10) @stephen.shore Golden Nugget, 1st Street and Fremont Street, Las Vegas, Nevada, June 27, 1978

(11) Sue Williams, Where Good Friends Meet, 2026. Oil on canvas

Next Week 💎 𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
May 13 — 17 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 📍 @friezeofficial

(1) @dougaitkenworkshop Terra (camouflage 540-2705-4157C), 2026. Polished stainless steel, paint, printed form

(2) @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen

(3) @alicjakwade Mono Monde, 2026. Painted bronze, Carrara marble

(4) @lottyfox Phantoms (Soft), 2023. Oil on canvas

(5) @mtatjhnoson 500 Million Year Old Water Bottle, 2026. Brazilian quartz

(6) @samfalls One Rainy Wish, 2025. Pigment on canvas

(7) @maryheilmannstudio Little Fall, 2023. Glazed ceramic

(8) @robpruitt5000 A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames

(9) @jeppehein Together we will touch the sky (stone grey, purple, light blue, green, dark blue), 2025. High polished steel, PVD coating (purple, light blue, green, dark blue), fieldstone

(10) @stephen.shore Golden Nugget, 1st Street and Fremont Street, Las Vegas, Nevada, June 27, 1978

(11) Sue Williams, Where Good Friends Meet, 2026. Oil on canvas

Next Week 💎 𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
May 13 — 17 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 📍 @friezeofficial

(1) @dougaitkenworkshop Terra (camouflage 540-2705-4157C), 2026. Polished stainless steel, paint, printed form

(2) @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen

(3) @alicjakwade Mono Monde, 2026. Painted bronze, Carrara marble

(4) @lottyfox Phantoms (Soft), 2023. Oil on canvas

(5) @mtatjhnoson 500 Million Year Old Water Bottle, 2026. Brazilian quartz

(6) @samfalls One Rainy Wish, 2025. Pigment on canvas

(7) @maryheilmannstudio Little Fall, 2023. Glazed ceramic

(8) @robpruitt5000 A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames

(9) @jeppehein Together we will touch the sky (stone grey, purple, light blue, green, dark blue), 2025. High polished steel, PVD coating (purple, light blue, green, dark blue), fieldstone

(10) @stephen.shore Golden Nugget, 1st Street and Fremont Street, Las Vegas, Nevada, June 27, 1978

(11) Sue Williams, Where Good Friends Meet, 2026. Oil on canvas

Next Week 💎 𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
May 13 — 17 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 📍 @friezeofficial

(1) @dougaitkenworkshop Terra (camouflage 540-2705-4157C), 2026. Polished stainless steel, paint, printed form

(2) @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen

(3) @alicjakwade Mono Monde, 2026. Painted bronze, Carrara marble

(4) @lottyfox Phantoms (Soft), 2023. Oil on canvas

(5) @mtatjhnoson 500 Million Year Old Water Bottle, 2026. Brazilian quartz

(6) @samfalls One Rainy Wish, 2025. Pigment on canvas

(7) @maryheilmannstudio Little Fall, 2023. Glazed ceramic

(8) @robpruitt5000 A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames

(9) @jeppehein Together we will touch the sky (stone grey, purple, light blue, green, dark blue), 2025. High polished steel, PVD coating (purple, light blue, green, dark blue), fieldstone

(10) @stephen.shore Golden Nugget, 1st Street and Fremont Street, Las Vegas, Nevada, June 27, 1978

(11) Sue Williams, Where Good Friends Meet, 2026. Oil on canvas

Next Week 💎 𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
May 13 — 17 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 📍 @friezeofficial

(1) @dougaitkenworkshop Terra (camouflage 540-2705-4157C), 2026. Polished stainless steel, paint, printed form

(2) @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen

(3) @alicjakwade Mono Monde, 2026. Painted bronze, Carrara marble

(4) @lottyfox Phantoms (Soft), 2023. Oil on canvas

(5) @mtatjhnoson 500 Million Year Old Water Bottle, 2026. Brazilian quartz

(6) @samfalls One Rainy Wish, 2025. Pigment on canvas

(7) @maryheilmannstudio Little Fall, 2023. Glazed ceramic

(8) @robpruitt5000 A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames

(9) @jeppehein Together we will touch the sky (stone grey, purple, light blue, green, dark blue), 2025. High polished steel, PVD coating (purple, light blue, green, dark blue), fieldstone

(10) @stephen.shore Golden Nugget, 1st Street and Fremont Street, Las Vegas, Nevada, June 27, 1978

(11) Sue Williams, Where Good Friends Meet, 2026. Oil on canvas

Next Week 💎 𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
May 13 — 17 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 📍 @friezeofficial

(1) @dougaitkenworkshop Terra (camouflage 540-2705-4157C), 2026. Polished stainless steel, paint, printed form

(2) @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen

(3) @alicjakwade Mono Monde, 2026. Painted bronze, Carrara marble

(4) @lottyfox Phantoms (Soft), 2023. Oil on canvas

(5) @mtatjhnoson 500 Million Year Old Water Bottle, 2026. Brazilian quartz

(6) @samfalls One Rainy Wish, 2025. Pigment on canvas

(7) @maryheilmannstudio Little Fall, 2023. Glazed ceramic

(8) @robpruitt5000 A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames

(9) @jeppehein Together we will touch the sky (stone grey, purple, light blue, green, dark blue), 2025. High polished steel, PVD coating (purple, light blue, green, dark blue), fieldstone

(10) @stephen.shore Golden Nugget, 1st Street and Fremont Street, Las Vegas, Nevada, June 27, 1978

(11) Sue Williams, Where Good Friends Meet, 2026. Oil on canvas

Next Week 💎 𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
May 13 — 17 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 📍 @friezeofficial

(1) @dougaitkenworkshop Terra (camouflage 540-2705-4157C), 2026. Polished stainless steel, paint, printed form

(2) @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen

(3) @alicjakwade Mono Monde, 2026. Painted bronze, Carrara marble

(4) @lottyfox Phantoms (Soft), 2023. Oil on canvas

(5) @mtatjhnoson 500 Million Year Old Water Bottle, 2026. Brazilian quartz

(6) @samfalls One Rainy Wish, 2025. Pigment on canvas

(7) @maryheilmannstudio Little Fall, 2023. Glazed ceramic

(8) @robpruitt5000 A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames

(9) @jeppehein Together we will touch the sky (stone grey, purple, light blue, green, dark blue), 2025. High polished steel, PVD coating (purple, light blue, green, dark blue), fieldstone

(10) @stephen.shore Golden Nugget, 1st Street and Fremont Street, Las Vegas, Nevada, June 27, 1978

(11) Sue Williams, Where Good Friends Meet, 2026. Oil on canvas

Next Week 💎 𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
May 13 — 17 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 📍 @friezeofficial

(1) @dougaitkenworkshop Terra (camouflage 540-2705-4157C), 2026. Polished stainless steel, paint, printed form

(2) @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen

(3) @alicjakwade Mono Monde, 2026. Painted bronze, Carrara marble

(4) @lottyfox Phantoms (Soft), 2023. Oil on canvas

(5) @mtatjhnoson 500 Million Year Old Water Bottle, 2026. Brazilian quartz

(6) @samfalls One Rainy Wish, 2025. Pigment on canvas

(7) @maryheilmannstudio Little Fall, 2023. Glazed ceramic

(8) @robpruitt5000 A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames

(9) @jeppehein Together we will touch the sky (stone grey, purple, light blue, green, dark blue), 2025. High polished steel, PVD coating (purple, light blue, green, dark blue), fieldstone

(10) @stephen.shore Golden Nugget, 1st Street and Fremont Street, Las Vegas, Nevada, June 27, 1978

(11) Sue Williams, Where Good Friends Meet, 2026. Oil on canvas

Next Week 💎 𝗙𝗿𝗶𝗲𝘇𝗲 𝗡𝗲𝘄 𝗬𝗼𝗿𝗸 @theshedny
May 13 — 17 𝗕𝗼𝗼𝘁𝗵 𝗔𝟭𝟬 📍 @friezeofficial

(1) @dougaitkenworkshop Terra (camouflage 540-2705-4157C), 2026. Polished stainless steel, paint, printed form

(2) @cas_amandaa The existential break of Maria’s self destruction, 2025. Oil on linen

(3) @alicjakwade Mono Monde, 2026. Painted bronze, Carrara marble

(4) @lottyfox Phantoms (Soft), 2023. Oil on canvas

(5) @mtatjhnoson 500 Million Year Old Water Bottle, 2026. Brazilian quartz

(6) @samfalls One Rainy Wish, 2025. Pigment on canvas

(7) @maryheilmannstudio Little Fall, 2023. Glazed ceramic

(8) @robpruitt5000 A Month of Sunrises Over Oyster Pond (March 2026), 2026. Acrylic on canvas in hand-painted artist frames

(9) @jeppehein Together we will touch the sky (stone grey, purple, light blue, green, dark blue), 2025. High polished steel, PVD coating (purple, light blue, green, dark blue), fieldstone

(10) @stephen.shore Golden Nugget, 1st Street and Fremont Street, Las Vegas, Nevada, June 27, 1978

(11) Sue Williams, Where Good Friends Meet, 2026. Oil on canvas

Support @White_columns ! Works by @RobPruitt5000 @SamFalls @ErinFalls included in White Columns 2026 Benefit Auction alongside over 100 artworks generously donated by artists and their galleries. The Benefit Exhibition will be on view at the gallery from May 12th through 27th.

White Columns is New York’s oldest alternative art space, and the Benefit auction is the organization’s core annual fundraiser. To view all the donated artworks, register to bid and purchase tickets to the live auction on May 27, visit whitecolumns.org

Support @White_columns ! Works by @RobPruitt5000 @SamFalls @ErinFalls included in White Columns 2026 Benefit Auction alongside over 100 artworks generously donated by artists and their galleries. The Benefit Exhibition will be on view at the gallery from May 12th through 27th.

White Columns is New York’s oldest alternative art space, and the Benefit auction is the organization’s core annual fundraiser. To view all the donated artworks, register to bid and purchase tickets to the live auction on May 27, visit whitecolumns.org

Support @White_columns ! Works by @RobPruitt5000 @SamFalls @ErinFalls included in White Columns 2026 Benefit Auction alongside over 100 artworks generously donated by artists and their galleries. The Benefit Exhibition will be on view at the gallery from May 12th through 27th.

White Columns is New York’s oldest alternative art space, and the Benefit auction is the organization’s core annual fundraiser. To view all the donated artworks, register to bid and purchase tickets to the live auction on May 27, visit whitecolumns.org

Support @White_columns ! Works by @RobPruitt5000 @SamFalls @ErinFalls included in White Columns 2026 Benefit Auction alongside over 100 artworks generously donated by artists and their galleries. The Benefit Exhibition will be on view at the gallery from May 12th through 27th.

White Columns is New York’s oldest alternative art space, and the Benefit auction is the organization’s core annual fundraiser. To view all the donated artworks, register to bid and purchase tickets to the live auction on May 27, visit whitecolumns.org

Support @White_columns ! Works by @RobPruitt5000 @SamFalls @ErinFalls included in White Columns 2026 Benefit Auction alongside over 100 artworks generously donated by artists and their galleries. The Benefit Exhibition will be on view at the gallery from May 12th through 27th.

White Columns is New York’s oldest alternative art space, and the Benefit auction is the organization’s core annual fundraiser. To view all the donated artworks, register to bid and purchase tickets to the live auction on May 27, visit whitecolumns.org

Support @White_columns ! Works by @RobPruitt5000 @SamFalls @ErinFalls included in White Columns 2026 Benefit Auction alongside over 100 artworks generously donated by artists and their galleries. The Benefit Exhibition will be on view at the gallery from May 12th through 27th.

White Columns is New York’s oldest alternative art space, and the Benefit auction is the organization’s core annual fundraiser. To view all the donated artworks, register to bid and purchase tickets to the live auction on May 27, visit whitecolumns.org

Support @White_columns ! Works by @RobPruitt5000 @SamFalls @ErinFalls included in White Columns 2026 Benefit Auction alongside over 100 artworks generously donated by artists and their galleries. The Benefit Exhibition will be on view at the gallery from May 12th through 27th.

White Columns is New York’s oldest alternative art space, and the Benefit auction is the organization’s core annual fundraiser. To view all the donated artworks, register to bid and purchase tickets to the live auction on May 27, visit whitecolumns.org