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10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

10 years with you in my life ❤️

Jess, every day with you has been an adventure. The “big” events (weddings, trips, Archie, Beacon, our house) might serve as memorable life milestones, but you and I both know that it’s all those little moments in-between – the jokes, the songs, the hardships, the tick – that make our story so special. You’re one of the funniest, boldest, nicest, and most beautiful people I know, and I can’t imagine my life without you. You are truly my favorite person ever, and I’m honored that every day, for a full decade, we‘ve woken up and chose each other.

I’ll choose you for the rest of my life. Here’s to our first ten years; I love you always.

🔥 > 🧊

🔥 > 🧊

🔥 > 🧊

🔥 > 🧊

Home sweet home ❤️ 🫶 🏡

📍Beacon, NY

Home sweet home ❤️ 🫶 🏡

📍Beacon, NY

Home sweet home ❤️ 🫶 🏡

📍Beacon, NY

Home sweet home ❤️ 🫶 🏡

📍Beacon, NY

Home sweet home ❤️ 🫶 🏡

📍Beacon, NY

Home sweet home ❤️ 🫶 🏡

📍Beacon, NY

Home sweet home ❤️ 🫶 🏡

📍Beacon, NY

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie (@brotherbird_)
—
Brother Bird gives people-pleasing a room, a mirror, and a voice on “Chameleon,” a spellbinding indie folk reverie that channels shame, survival, and self-recognition into a soul-stirring first glimpse of her next chapter. In conversation with Atwood Magazine, Nashville singer/songwriter Caroline Glaser unpacks the freedom of writing through characters, the catharsis of this new era, and the long, complicated work of learning to conform a little less.
.
“My songs are the truest, most raw extension of myself. I really strive for authenticity in all facets of my life, but especially there. It’s been a steady mirror – whether I’m willing to look at it or not.”
.
“I started coming up with little characters each day as a writing exercise, then making up songs from their perspective. It always ended up being a good mix of fact and fiction…allowing me to say the ugly thing without fully claiming it as my own. ‘Chameleon’ leans into the shape-shifter / people- pleaser in me.”
.
“People-pleasing has been my default setting for as long as I can remember, and I’ve always felt a tremendous amount of shame around that. I’m actively in therapy working to combat it. Both the shape-shifting and the shame around it. It’s tricky, though… we all want to be liked.”
.
..
…
✍️ by @MitchMosk
📸 © @cbauerphoto
🔥⁠ link in bio 🔥
...
..
.
#BrotherBird
#Chameleon
#music
#interview
#premiere
@easydoesitrecords
@yourstruly.mrmartens
@obolewis
@okayfineandy

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ (@tiffanystringer)
—
Texan pop starlet Tiffany Stringer reveals the ache beneath the spotlight on “Damn Good Actress,” a soulful, sultry, and cinematic song that peels back the performance in a spellbinding reckoning with the masks we wear to survive being seen. Speaking with Atwood Magazine, she opens up about the Texas-meets-Hollywood world of her Atlantic Records debut ‘The Lone Starlet,’ a breathtakingly expressive EP that follows the fantasy of fame to its emotional breaking point – and finds release in the grace of coming home to herself.
.
“I always hope people will see themselves in what I create. I think music and all art, in general, is a mirror. I am lucky if my music reflects back a version of themselves they can come to know more intimately through listening my own self expression.”
.
“Growing up I was always performing as this ‘perfect version of myself’ in order to make people love me… Thankfully, now, I am certain in who I am and feel safe to be the girl who was hiding behind that performance.”
.
“This song captures the confusion I was facing that came after finally speaking my truth when I was not used to doing so.”
.
“We all have different faces we put on for people, and it can be disorienting. I tried to show the truth.”
.
“I hope it gives anyone who listens the space to feel the vulnerable parts of themselves that maybe they’ve been too afraid to acknowledge. Creating this EP sort of forced me to sit with emotions I did not want to deal with, and now that I have spent time with those parts, I have come to love them.”
.
..
…
✍️ by @MitchMosk
📸 © @raganhenderson
🔥⁠ link in bio 🔥
...
..
.
#TiffanyStringer
#TheLoneStarlet
#DamnGoodActress
#music
#interview
@atlanticrecords

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ (@tiffanystringer)
—
Texan pop starlet Tiffany Stringer reveals the ache beneath the spotlight on “Damn Good Actress,” a soulful, sultry, and cinematic song that peels back the performance in a spellbinding reckoning with the masks we wear to survive being seen. Speaking with Atwood Magazine, she opens up about the Texas-meets-Hollywood world of her Atlantic Records debut ‘The Lone Starlet,’ a breathtakingly expressive EP that follows the fantasy of fame to its emotional breaking point – and finds release in the grace of coming home to herself.
.
“I always hope people will see themselves in what I create. I think music and all art, in general, is a mirror. I am lucky if my music reflects back a version of themselves they can come to know more intimately through listening my own self expression.”
.
“Growing up I was always performing as this ‘perfect version of myself’ in order to make people love me… Thankfully, now, I am certain in who I am and feel safe to be the girl who was hiding behind that performance.”
.
“This song captures the confusion I was facing that came after finally speaking my truth when I was not used to doing so.”
.
“We all have different faces we put on for people, and it can be disorienting. I tried to show the truth.”
.
“I hope it gives anyone who listens the space to feel the vulnerable parts of themselves that maybe they’ve been too afraid to acknowledge. Creating this EP sort of forced me to sit with emotions I did not want to deal with, and now that I have spent time with those parts, I have come to love them.”
.
..
…
✍️ by @MitchMosk
📸 © @raganhenderson
🔥⁠ link in bio 🔥
...
..
.
#TiffanyStringer
#TheLoneStarlet
#DamnGoodActress
#music
#interview
@atlanticrecords

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ (@tiffanystringer)
—
Texan pop starlet Tiffany Stringer reveals the ache beneath the spotlight on “Damn Good Actress,” a soulful, sultry, and cinematic song that peels back the performance in a spellbinding reckoning with the masks we wear to survive being seen. Speaking with Atwood Magazine, she opens up about the Texas-meets-Hollywood world of her Atlantic Records debut ‘The Lone Starlet,’ a breathtakingly expressive EP that follows the fantasy of fame to its emotional breaking point – and finds release in the grace of coming home to herself.
.
“I always hope people will see themselves in what I create. I think music and all art, in general, is a mirror. I am lucky if my music reflects back a version of themselves they can come to know more intimately through listening my own self expression.”
.
“Growing up I was always performing as this ‘perfect version of myself’ in order to make people love me… Thankfully, now, I am certain in who I am and feel safe to be the girl who was hiding behind that performance.”
.
“This song captures the confusion I was facing that came after finally speaking my truth when I was not used to doing so.”
.
“We all have different faces we put on for people, and it can be disorienting. I tried to show the truth.”
.
“I hope it gives anyone who listens the space to feel the vulnerable parts of themselves that maybe they’ve been too afraid to acknowledge. Creating this EP sort of forced me to sit with emotions I did not want to deal with, and now that I have spent time with those parts, I have come to love them.”
.
..
…
✍️ by @MitchMosk
📸 © @raganhenderson
🔥⁠ link in bio 🔥
...
..
.
#TiffanyStringer
#TheLoneStarlet
#DamnGoodActress
#music
#interview
@atlanticrecords

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ (@tiffanystringer)
—
Texan pop starlet Tiffany Stringer reveals the ache beneath the spotlight on “Damn Good Actress,” a soulful, sultry, and cinematic song that peels back the performance in a spellbinding reckoning with the masks we wear to survive being seen. Speaking with Atwood Magazine, she opens up about the Texas-meets-Hollywood world of her Atlantic Records debut ‘The Lone Starlet,’ a breathtakingly expressive EP that follows the fantasy of fame to its emotional breaking point – and finds release in the grace of coming home to herself.
.
“I always hope people will see themselves in what I create. I think music and all art, in general, is a mirror. I am lucky if my music reflects back a version of themselves they can come to know more intimately through listening my own self expression.”
.
“Growing up I was always performing as this ‘perfect version of myself’ in order to make people love me… Thankfully, now, I am certain in who I am and feel safe to be the girl who was hiding behind that performance.”
.
“This song captures the confusion I was facing that came after finally speaking my truth when I was not used to doing so.”
.
“We all have different faces we put on for people, and it can be disorienting. I tried to show the truth.”
.
“I hope it gives anyone who listens the space to feel the vulnerable parts of themselves that maybe they’ve been too afraid to acknowledge. Creating this EP sort of forced me to sit with emotions I did not want to deal with, and now that I have spent time with those parts, I have come to love them.”
.
..
…
✍️ by @MitchMosk
📸 © @raganhenderson
🔥⁠ link in bio 🔥
...
..
.
#TiffanyStringer
#TheLoneStarlet
#DamnGoodActress
#music
#interview
@atlanticrecords

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ (@tiffanystringer)
—
Texan pop starlet Tiffany Stringer reveals the ache beneath the spotlight on “Damn Good Actress,” a soulful, sultry, and cinematic song that peels back the performance in a spellbinding reckoning with the masks we wear to survive being seen. Speaking with Atwood Magazine, she opens up about the Texas-meets-Hollywood world of her Atlantic Records debut ‘The Lone Starlet,’ a breathtakingly expressive EP that follows the fantasy of fame to its emotional breaking point – and finds release in the grace of coming home to herself.
.
“I always hope people will see themselves in what I create. I think music and all art, in general, is a mirror. I am lucky if my music reflects back a version of themselves they can come to know more intimately through listening my own self expression.”
.
“Growing up I was always performing as this ‘perfect version of myself’ in order to make people love me… Thankfully, now, I am certain in who I am and feel safe to be the girl who was hiding behind that performance.”
.
“This song captures the confusion I was facing that came after finally speaking my truth when I was not used to doing so.”
.
“We all have different faces we put on for people, and it can be disorienting. I tried to show the truth.”
.
“I hope it gives anyone who listens the space to feel the vulnerable parts of themselves that maybe they’ve been too afraid to acknowledge. Creating this EP sort of forced me to sit with emotions I did not want to deal with, and now that I have spent time with those parts, I have come to love them.”
.
..
…
✍️ by @MitchMosk
📸 © @raganhenderson
🔥⁠ link in bio 🔥
...
..
.
#TiffanyStringer
#TheLoneStarlet
#DamnGoodActress
#music
#interview
@atlanticrecords

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ (@tiffanystringer)
—
Texan pop starlet Tiffany Stringer reveals the ache beneath the spotlight on “Damn Good Actress,” a soulful, sultry, and cinematic song that peels back the performance in a spellbinding reckoning with the masks we wear to survive being seen. Speaking with Atwood Magazine, she opens up about the Texas-meets-Hollywood world of her Atlantic Records debut ‘The Lone Starlet,’ a breathtakingly expressive EP that follows the fantasy of fame to its emotional breaking point – and finds release in the grace of coming home to herself.
.
“I always hope people will see themselves in what I create. I think music and all art, in general, is a mirror. I am lucky if my music reflects back a version of themselves they can come to know more intimately through listening my own self expression.”
.
“Growing up I was always performing as this ‘perfect version of myself’ in order to make people love me… Thankfully, now, I am certain in who I am and feel safe to be the girl who was hiding behind that performance.”
.
“This song captures the confusion I was facing that came after finally speaking my truth when I was not used to doing so.”
.
“We all have different faces we put on for people, and it can be disorienting. I tried to show the truth.”
.
“I hope it gives anyone who listens the space to feel the vulnerable parts of themselves that maybe they’ve been too afraid to acknowledge. Creating this EP sort of forced me to sit with emotions I did not want to deal with, and now that I have spent time with those parts, I have come to love them.”
.
..
…
✍️ by @MitchMosk
📸 © @raganhenderson
🔥⁠ link in bio 🔥
...
..
.
#TiffanyStringer
#TheLoneStarlet
#DamnGoodActress
#music
#interview
@atlanticrecords

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ (@tiffanystringer)
—
Texan pop starlet Tiffany Stringer reveals the ache beneath the spotlight on “Damn Good Actress,” a soulful, sultry, and cinematic song that peels back the performance in a spellbinding reckoning with the masks we wear to survive being seen. Speaking with Atwood Magazine, she opens up about the Texas-meets-Hollywood world of her Atlantic Records debut ‘The Lone Starlet,’ a breathtakingly expressive EP that follows the fantasy of fame to its emotional breaking point – and finds release in the grace of coming home to herself.
.
“I always hope people will see themselves in what I create. I think music and all art, in general, is a mirror. I am lucky if my music reflects back a version of themselves they can come to know more intimately through listening my own self expression.”
.
“Growing up I was always performing as this ‘perfect version of myself’ in order to make people love me… Thankfully, now, I am certain in who I am and feel safe to be the girl who was hiding behind that performance.”
.
“This song captures the confusion I was facing that came after finally speaking my truth when I was not used to doing so.”
.
“We all have different faces we put on for people, and it can be disorienting. I tried to show the truth.”
.
“I hope it gives anyone who listens the space to feel the vulnerable parts of themselves that maybe they’ve been too afraid to acknowledge. Creating this EP sort of forced me to sit with emotions I did not want to deal with, and now that I have spent time with those parts, I have come to love them.”
.
..
…
✍️ by @MitchMosk
📸 © @raganhenderson
🔥⁠ link in bio 🔥
...
..
.
#TiffanyStringer
#TheLoneStarlet
#DamnGoodActress
#music
#interview
@atlanticrecords

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ (@tiffanystringer)
—
Texan pop starlet Tiffany Stringer reveals the ache beneath the spotlight on “Damn Good Actress,” a soulful, sultry, and cinematic song that peels back the performance in a spellbinding reckoning with the masks we wear to survive being seen. Speaking with Atwood Magazine, she opens up about the Texas-meets-Hollywood world of her Atlantic Records debut ‘The Lone Starlet,’ a breathtakingly expressive EP that follows the fantasy of fame to its emotional breaking point – and finds release in the grace of coming home to herself.
.
“I always hope people will see themselves in what I create. I think music and all art, in general, is a mirror. I am lucky if my music reflects back a version of themselves they can come to know more intimately through listening my own self expression.”
.
“Growing up I was always performing as this ‘perfect version of myself’ in order to make people love me… Thankfully, now, I am certain in who I am and feel safe to be the girl who was hiding behind that performance.”
.
“This song captures the confusion I was facing that came after finally speaking my truth when I was not used to doing so.”
.
“We all have different faces we put on for people, and it can be disorienting. I tried to show the truth.”
.
“I hope it gives anyone who listens the space to feel the vulnerable parts of themselves that maybe they’ve been too afraid to acknowledge. Creating this EP sort of forced me to sit with emotions I did not want to deal with, and now that I have spent time with those parts, I have come to love them.”
.
..
…
✍️ by @MitchMosk
📸 © @raganhenderson
🔥⁠ link in bio 🔥
...
..
.
#TiffanyStringer
#TheLoneStarlet
#DamnGoodActress
#music
#interview
@atlanticrecords

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ (@tiffanystringer)
—
Texan pop starlet Tiffany Stringer reveals the ache beneath the spotlight on “Damn Good Actress,” a soulful, sultry, and cinematic song that peels back the performance in a spellbinding reckoning with the masks we wear to survive being seen. Speaking with Atwood Magazine, she opens up about the Texas-meets-Hollywood world of her Atlantic Records debut ‘The Lone Starlet,’ a breathtakingly expressive EP that follows the fantasy of fame to its emotional breaking point – and finds release in the grace of coming home to herself.
.
“I always hope people will see themselves in what I create. I think music and all art, in general, is a mirror. I am lucky if my music reflects back a version of themselves they can come to know more intimately through listening my own self expression.”
.
“Growing up I was always performing as this ‘perfect version of myself’ in order to make people love me… Thankfully, now, I am certain in who I am and feel safe to be the girl who was hiding behind that performance.”
.
“This song captures the confusion I was facing that came after finally speaking my truth when I was not used to doing so.”
.
“We all have different faces we put on for people, and it can be disorienting. I tried to show the truth.”
.
“I hope it gives anyone who listens the space to feel the vulnerable parts of themselves that maybe they’ve been too afraid to acknowledge. Creating this EP sort of forced me to sit with emotions I did not want to deal with, and now that I have spent time with those parts, I have come to love them.”
.
..
…
✍️ by @MitchMosk
📸 © @raganhenderson
🔥⁠ link in bio 🔥
...
..
.
#TiffanyStringer
#TheLoneStarlet
#DamnGoodActress
#music
#interview
@atlanticrecords

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ (@tiffanystringer)
—
Texan pop starlet Tiffany Stringer reveals the ache beneath the spotlight on “Damn Good Actress,” a soulful, sultry, and cinematic song that peels back the performance in a spellbinding reckoning with the masks we wear to survive being seen. Speaking with Atwood Magazine, she opens up about the Texas-meets-Hollywood world of her Atlantic Records debut ‘The Lone Starlet,’ a breathtakingly expressive EP that follows the fantasy of fame to its emotional breaking point – and finds release in the grace of coming home to herself.
.
“I always hope people will see themselves in what I create. I think music and all art, in general, is a mirror. I am lucky if my music reflects back a version of themselves they can come to know more intimately through listening my own self expression.”
.
“Growing up I was always performing as this ‘perfect version of myself’ in order to make people love me… Thankfully, now, I am certain in who I am and feel safe to be the girl who was hiding behind that performance.”
.
“This song captures the confusion I was facing that came after finally speaking my truth when I was not used to doing so.”
.
“We all have different faces we put on for people, and it can be disorienting. I tried to show the truth.”
.
“I hope it gives anyone who listens the space to feel the vulnerable parts of themselves that maybe they’ve been too afraid to acknowledge. Creating this EP sort of forced me to sit with emotions I did not want to deal with, and now that I have spent time with those parts, I have come to love them.”
.
..
…
✍️ by @MitchMosk
📸 © @raganhenderson
🔥⁠ link in bio 🔥
...
..
.
#TiffanyStringer
#TheLoneStarlet
#DamnGoodActress
#music
#interview
@atlanticrecords

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ (@tiffanystringer)
—
Texan pop starlet Tiffany Stringer reveals the ache beneath the spotlight on “Damn Good Actress,” a soulful, sultry, and cinematic song that peels back the performance in a spellbinding reckoning with the masks we wear to survive being seen. Speaking with Atwood Magazine, she opens up about the Texas-meets-Hollywood world of her Atlantic Records debut ‘The Lone Starlet,’ a breathtakingly expressive EP that follows the fantasy of fame to its emotional breaking point – and finds release in the grace of coming home to herself.
.
“I always hope people will see themselves in what I create. I think music and all art, in general, is a mirror. I am lucky if my music reflects back a version of themselves they can come to know more intimately through listening my own self expression.”
.
“Growing up I was always performing as this ‘perfect version of myself’ in order to make people love me… Thankfully, now, I am certain in who I am and feel safe to be the girl who was hiding behind that performance.”
.
“This song captures the confusion I was facing that came after finally speaking my truth when I was not used to doing so.”
.
“We all have different faces we put on for people, and it can be disorienting. I tried to show the truth.”
.
“I hope it gives anyone who listens the space to feel the vulnerable parts of themselves that maybe they’ve been too afraid to acknowledge. Creating this EP sort of forced me to sit with emotions I did not want to deal with, and now that I have spent time with those parts, I have come to love them.”
.
..
…
✍️ by @MitchMosk
📸 © @raganhenderson
🔥⁠ link in bio 🔥
...
..
.
#TiffanyStringer
#TheLoneStarlet
#DamnGoodActress
#music
#interview
@atlanticrecords

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ (@tiffanystringer)
—
Texan pop starlet Tiffany Stringer reveals the ache beneath the spotlight on “Damn Good Actress,” a soulful, sultry, and cinematic song that peels back the performance in a spellbinding reckoning with the masks we wear to survive being seen. Speaking with Atwood Magazine, she opens up about the Texas-meets-Hollywood world of her Atlantic Records debut ‘The Lone Starlet,’ a breathtakingly expressive EP that follows the fantasy of fame to its emotional breaking point – and finds release in the grace of coming home to herself.
.
“I always hope people will see themselves in what I create. I think music and all art, in general, is a mirror. I am lucky if my music reflects back a version of themselves they can come to know more intimately through listening my own self expression.”
.
“Growing up I was always performing as this ‘perfect version of myself’ in order to make people love me… Thankfully, now, I am certain in who I am and feel safe to be the girl who was hiding behind that performance.”
.
“This song captures the confusion I was facing that came after finally speaking my truth when I was not used to doing so.”
.
“We all have different faces we put on for people, and it can be disorienting. I tried to show the truth.”
.
“I hope it gives anyone who listens the space to feel the vulnerable parts of themselves that maybe they’ve been too afraid to acknowledge. Creating this EP sort of forced me to sit with emotions I did not want to deal with, and now that I have spent time with those parts, I have come to love them.”
.
..
…
✍️ by @MitchMosk
📸 © @raganhenderson
🔥⁠ link in bio 🔥
...
..
.
#TiffanyStringer
#TheLoneStarlet
#DamnGoodActress
#music
#interview
@atlanticrecords

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ (@tiffanystringer)
—
Texan pop starlet Tiffany Stringer reveals the ache beneath the spotlight on “Damn Good Actress,” a soulful, sultry, and cinematic song that peels back the performance in a spellbinding reckoning with the masks we wear to survive being seen. Speaking with Atwood Magazine, she opens up about the Texas-meets-Hollywood world of her Atlantic Records debut ‘The Lone Starlet,’ a breathtakingly expressive EP that follows the fantasy of fame to its emotional breaking point – and finds release in the grace of coming home to herself.
.
“I always hope people will see themselves in what I create. I think music and all art, in general, is a mirror. I am lucky if my music reflects back a version of themselves they can come to know more intimately through listening my own self expression.”
.
“Growing up I was always performing as this ‘perfect version of myself’ in order to make people love me… Thankfully, now, I am certain in who I am and feel safe to be the girl who was hiding behind that performance.”
.
“This song captures the confusion I was facing that came after finally speaking my truth when I was not used to doing so.”
.
“We all have different faces we put on for people, and it can be disorienting. I tried to show the truth.”
.
“I hope it gives anyone who listens the space to feel the vulnerable parts of themselves that maybe they’ve been too afraid to acknowledge. Creating this EP sort of forced me to sit with emotions I did not want to deal with, and now that I have spent time with those parts, I have come to love them.”
.
..
…
✍️ by @MitchMosk
📸 © @raganhenderson
🔥⁠ link in bio 🔥
...
..
.
#TiffanyStringer
#TheLoneStarlet
#DamnGoodActress
#music
#interview
@atlanticrecords

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ (@tiffanystringer)
—
Texan pop starlet Tiffany Stringer reveals the ache beneath the spotlight on “Damn Good Actress,” a soulful, sultry, and cinematic song that peels back the performance in a spellbinding reckoning with the masks we wear to survive being seen. Speaking with Atwood Magazine, she opens up about the Texas-meets-Hollywood world of her Atlantic Records debut ‘The Lone Starlet,’ a breathtakingly expressive EP that follows the fantasy of fame to its emotional breaking point – and finds release in the grace of coming home to herself.
.
“I always hope people will see themselves in what I create. I think music and all art, in general, is a mirror. I am lucky if my music reflects back a version of themselves they can come to know more intimately through listening my own self expression.”
.
“Growing up I was always performing as this ‘perfect version of myself’ in order to make people love me… Thankfully, now, I am certain in who I am and feel safe to be the girl who was hiding behind that performance.”
.
“This song captures the confusion I was facing that came after finally speaking my truth when I was not used to doing so.”
.
“We all have different faces we put on for people, and it can be disorienting. I tried to show the truth.”
.
“I hope it gives anyone who listens the space to feel the vulnerable parts of themselves that maybe they’ve been too afraid to acknowledge. Creating this EP sort of forced me to sit with emotions I did not want to deal with, and now that I have spent time with those parts, I have come to love them.”
.
..
…
✍️ by @MitchMosk
📸 © @raganhenderson
🔥⁠ link in bio 🔥
...
..
.
#TiffanyStringer
#TheLoneStarlet
#DamnGoodActress
#music
#interview
@atlanticrecords

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ (@tiffanystringer)
—
Texan pop starlet Tiffany Stringer reveals the ache beneath the spotlight on “Damn Good Actress,” a soulful, sultry, and cinematic song that peels back the performance in a spellbinding reckoning with the masks we wear to survive being seen. Speaking with Atwood Magazine, she opens up about the Texas-meets-Hollywood world of her Atlantic Records debut ‘The Lone Starlet,’ a breathtakingly expressive EP that follows the fantasy of fame to its emotional breaking point – and finds release in the grace of coming home to herself.
.
“I always hope people will see themselves in what I create. I think music and all art, in general, is a mirror. I am lucky if my music reflects back a version of themselves they can come to know more intimately through listening my own self expression.”
.
“Growing up I was always performing as this ‘perfect version of myself’ in order to make people love me… Thankfully, now, I am certain in who I am and feel safe to be the girl who was hiding behind that performance.”
.
“This song captures the confusion I was facing that came after finally speaking my truth when I was not used to doing so.”
.
“We all have different faces we put on for people, and it can be disorienting. I tried to show the truth.”
.
“I hope it gives anyone who listens the space to feel the vulnerable parts of themselves that maybe they’ve been too afraid to acknowledge. Creating this EP sort of forced me to sit with emotions I did not want to deal with, and now that I have spent time with those parts, I have come to love them.”
.
..
…
✍️ by @MitchMosk
📸 © @raganhenderson
🔥⁠ link in bio 🔥
...
..
.
#TiffanyStringer
#TheLoneStarlet
#DamnGoodActress
#music
#interview
@atlanticrecords

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ (@tiffanystringer)
—
Texan pop starlet Tiffany Stringer reveals the ache beneath the spotlight on “Damn Good Actress,” a soulful, sultry, and cinematic song that peels back the performance in a spellbinding reckoning with the masks we wear to survive being seen. Speaking with Atwood Magazine, she opens up about the Texas-meets-Hollywood world of her Atlantic Records debut ‘The Lone Starlet,’ a breathtakingly expressive EP that follows the fantasy of fame to its emotional breaking point – and finds release in the grace of coming home to herself.
.
“I always hope people will see themselves in what I create. I think music and all art, in general, is a mirror. I am lucky if my music reflects back a version of themselves they can come to know more intimately through listening my own self expression.”
.
“Growing up I was always performing as this ‘perfect version of myself’ in order to make people love me… Thankfully, now, I am certain in who I am and feel safe to be the girl who was hiding behind that performance.”
.
“This song captures the confusion I was facing that came after finally speaking my truth when I was not used to doing so.”
.
“We all have different faces we put on for people, and it can be disorienting. I tried to show the truth.”
.
“I hope it gives anyone who listens the space to feel the vulnerable parts of themselves that maybe they’ve been too afraid to acknowledge. Creating this EP sort of forced me to sit with emotions I did not want to deal with, and now that I have spent time with those parts, I have come to love them.”
.
..
…
✍️ by @MitchMosk
📸 © @raganhenderson
🔥⁠ link in bio 🔥
...
..
.
#TiffanyStringer
#TheLoneStarlet
#DamnGoodActress
#music
#interview
@atlanticrecords

“You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret (@mount.st.helen)
—
Oxford’s Mount St. Helen channels the emotional limbo of being nineteen into a feverish, full-bodied indie rock eruption, capturing nostalgia, young romance, and the overwhelming rush of trying to hold onto who you were while becoming someone new. “Nineteen” arrives as the latest glimpse into his forthcoming debut EP ‘The Stillness, The Dancing’ – a five-track release that promises to expand Aris Sabetai’s cinematic world with even greater depth, drama, and feeling.
.
“Although frequently focusing on the themes of nostalgia, faithlessness and loser-dom, the music of Mount St. Helen is a celebration of difference, optimism and hope.”
.
“Nineteen is an age that feels like a twilight zone – not quite eighteen where you’ve officially made it as an adult, and not quite in your twenties either. It seems to be a strange intermediary age that looks both backwards and forwards.”
.
“I’ve always been a fan of triple-barrel band names – My Chemical Romance, Taking Back Sunday, Grand Funk Railroad – and I think I found its symmetry quite appealing. When also factoring in its general allusions to vastness, I found it fitting for the sound-world I was creating - in essence, the name sounds like the music.”
.
..
…
✍️ by @MitchMosk
📸 © @finfilmyates
🔥⁠ link in bio 🔥
...
..
.
#MountStHelen
#Nineteen
#music
#interview
#IndieRock

“You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret (@mount.st.helen)
—
Oxford’s Mount St. Helen channels the emotional limbo of being nineteen into a feverish, full-bodied indie rock eruption, capturing nostalgia, young romance, and the overwhelming rush of trying to hold onto who you were while becoming someone new. “Nineteen” arrives as the latest glimpse into his forthcoming debut EP ‘The Stillness, The Dancing’ – a five-track release that promises to expand Aris Sabetai’s cinematic world with even greater depth, drama, and feeling.
.
“Although frequently focusing on the themes of nostalgia, faithlessness and loser-dom, the music of Mount St. Helen is a celebration of difference, optimism and hope.”
.
“Nineteen is an age that feels like a twilight zone – not quite eighteen where you’ve officially made it as an adult, and not quite in your twenties either. It seems to be a strange intermediary age that looks both backwards and forwards.”
.
“I’ve always been a fan of triple-barrel band names – My Chemical Romance, Taking Back Sunday, Grand Funk Railroad – and I think I found its symmetry quite appealing. When also factoring in its general allusions to vastness, I found it fitting for the sound-world I was creating - in essence, the name sounds like the music.”
.
..
…
✍️ by @MitchMosk
📸 © @finfilmyates
🔥⁠ link in bio 🔥
...
..
.
#MountStHelen
#Nineteen
#music
#interview
#IndieRock

“You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret (@mount.st.helen)
—
Oxford’s Mount St. Helen channels the emotional limbo of being nineteen into a feverish, full-bodied indie rock eruption, capturing nostalgia, young romance, and the overwhelming rush of trying to hold onto who you were while becoming someone new. “Nineteen” arrives as the latest glimpse into his forthcoming debut EP ‘The Stillness, The Dancing’ – a five-track release that promises to expand Aris Sabetai’s cinematic world with even greater depth, drama, and feeling.
.
“Although frequently focusing on the themes of nostalgia, faithlessness and loser-dom, the music of Mount St. Helen is a celebration of difference, optimism and hope.”
.
“Nineteen is an age that feels like a twilight zone – not quite eighteen where you’ve officially made it as an adult, and not quite in your twenties either. It seems to be a strange intermediary age that looks both backwards and forwards.”
.
“I’ve always been a fan of triple-barrel band names – My Chemical Romance, Taking Back Sunday, Grand Funk Railroad – and I think I found its symmetry quite appealing. When also factoring in its general allusions to vastness, I found it fitting for the sound-world I was creating - in essence, the name sounds like the music.”
.
..
…
✍️ by @MitchMosk
📸 © @finfilmyates
🔥⁠ link in bio 🔥
...
..
.
#MountStHelen
#Nineteen
#music
#interview
#IndieRock

“You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret (@mount.st.helen)
—
Oxford’s Mount St. Helen channels the emotional limbo of being nineteen into a feverish, full-bodied indie rock eruption, capturing nostalgia, young romance, and the overwhelming rush of trying to hold onto who you were while becoming someone new. “Nineteen” arrives as the latest glimpse into his forthcoming debut EP ‘The Stillness, The Dancing’ – a five-track release that promises to expand Aris Sabetai’s cinematic world with even greater depth, drama, and feeling.
.
“Although frequently focusing on the themes of nostalgia, faithlessness and loser-dom, the music of Mount St. Helen is a celebration of difference, optimism and hope.”
.
“Nineteen is an age that feels like a twilight zone – not quite eighteen where you’ve officially made it as an adult, and not quite in your twenties either. It seems to be a strange intermediary age that looks both backwards and forwards.”
.
“I’ve always been a fan of triple-barrel band names – My Chemical Romance, Taking Back Sunday, Grand Funk Railroad – and I think I found its symmetry quite appealing. When also factoring in its general allusions to vastness, I found it fitting for the sound-world I was creating - in essence, the name sounds like the music.”
.
..
…
✍️ by @MitchMosk
📸 © @finfilmyates
🔥⁠ link in bio 🔥
...
..
.
#MountStHelen
#Nineteen
#music
#interview
#IndieRock

“You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret (@mount.st.helen)
—
Oxford’s Mount St. Helen channels the emotional limbo of being nineteen into a feverish, full-bodied indie rock eruption, capturing nostalgia, young romance, and the overwhelming rush of trying to hold onto who you were while becoming someone new. “Nineteen” arrives as the latest glimpse into his forthcoming debut EP ‘The Stillness, The Dancing’ – a five-track release that promises to expand Aris Sabetai’s cinematic world with even greater depth, drama, and feeling.
.
“Although frequently focusing on the themes of nostalgia, faithlessness and loser-dom, the music of Mount St. Helen is a celebration of difference, optimism and hope.”
.
“Nineteen is an age that feels like a twilight zone – not quite eighteen where you’ve officially made it as an adult, and not quite in your twenties either. It seems to be a strange intermediary age that looks both backwards and forwards.”
.
“I’ve always been a fan of triple-barrel band names – My Chemical Romance, Taking Back Sunday, Grand Funk Railroad – and I think I found its symmetry quite appealing. When also factoring in its general allusions to vastness, I found it fitting for the sound-world I was creating - in essence, the name sounds like the music.”
.
..
…
✍️ by @MitchMosk
📸 © @finfilmyates
🔥⁠ link in bio 🔥
...
..
.
#MountStHelen
#Nineteen
#music
#interview
#IndieRock

“You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret (@mount.st.helen)
—
Oxford’s Mount St. Helen channels the emotional limbo of being nineteen into a feverish, full-bodied indie rock eruption, capturing nostalgia, young romance, and the overwhelming rush of trying to hold onto who you were while becoming someone new. “Nineteen” arrives as the latest glimpse into his forthcoming debut EP ‘The Stillness, The Dancing’ – a five-track release that promises to expand Aris Sabetai’s cinematic world with even greater depth, drama, and feeling.
.
“Although frequently focusing on the themes of nostalgia, faithlessness and loser-dom, the music of Mount St. Helen is a celebration of difference, optimism and hope.”
.
“Nineteen is an age that feels like a twilight zone – not quite eighteen where you’ve officially made it as an adult, and not quite in your twenties either. It seems to be a strange intermediary age that looks both backwards and forwards.”
.
“I’ve always been a fan of triple-barrel band names – My Chemical Romance, Taking Back Sunday, Grand Funk Railroad – and I think I found its symmetry quite appealing. When also factoring in its general allusions to vastness, I found it fitting for the sound-world I was creating - in essence, the name sounds like the music.”
.
..
…
✍️ by @MitchMosk
📸 © @finfilmyates
🔥⁠ link in bio 🔥
...
..
.
#MountStHelen
#Nineteen
#music
#interview
#IndieRock

“You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret (@mount.st.helen)
—
Oxford’s Mount St. Helen channels the emotional limbo of being nineteen into a feverish, full-bodied indie rock eruption, capturing nostalgia, young romance, and the overwhelming rush of trying to hold onto who you were while becoming someone new. “Nineteen” arrives as the latest glimpse into his forthcoming debut EP ‘The Stillness, The Dancing’ – a five-track release that promises to expand Aris Sabetai’s cinematic world with even greater depth, drama, and feeling.
.
“Although frequently focusing on the themes of nostalgia, faithlessness and loser-dom, the music of Mount St. Helen is a celebration of difference, optimism and hope.”
.
“Nineteen is an age that feels like a twilight zone – not quite eighteen where you’ve officially made it as an adult, and not quite in your twenties either. It seems to be a strange intermediary age that looks both backwards and forwards.”
.
“I’ve always been a fan of triple-barrel band names – My Chemical Romance, Taking Back Sunday, Grand Funk Railroad – and I think I found its symmetry quite appealing. When also factoring in its general allusions to vastness, I found it fitting for the sound-world I was creating - in essence, the name sounds like the music.”
.
..
…
✍️ by @MitchMosk
📸 © @finfilmyates
🔥⁠ link in bio 🔥
...
..
.
#MountStHelen
#Nineteen
#music
#interview
#IndieRock

“You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret (@mount.st.helen)
—
Oxford’s Mount St. Helen channels the emotional limbo of being nineteen into a feverish, full-bodied indie rock eruption, capturing nostalgia, young romance, and the overwhelming rush of trying to hold onto who you were while becoming someone new. “Nineteen” arrives as the latest glimpse into his forthcoming debut EP ‘The Stillness, The Dancing’ – a five-track release that promises to expand Aris Sabetai’s cinematic world with even greater depth, drama, and feeling.
.
“Although frequently focusing on the themes of nostalgia, faithlessness and loser-dom, the music of Mount St. Helen is a celebration of difference, optimism and hope.”
.
“Nineteen is an age that feels like a twilight zone – not quite eighteen where you’ve officially made it as an adult, and not quite in your twenties either. It seems to be a strange intermediary age that looks both backwards and forwards.”
.
“I’ve always been a fan of triple-barrel band names – My Chemical Romance, Taking Back Sunday, Grand Funk Railroad – and I think I found its symmetry quite appealing. When also factoring in its general allusions to vastness, I found it fitting for the sound-world I was creating - in essence, the name sounds like the music.”
.
..
…
✍️ by @MitchMosk
📸 © @finfilmyates
🔥⁠ link in bio 🔥
...
..
.
#MountStHelen
#Nineteen
#music
#interview
#IndieRock

“You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret (@mount.st.helen)
—
Oxford’s Mount St. Helen channels the emotional limbo of being nineteen into a feverish, full-bodied indie rock eruption, capturing nostalgia, young romance, and the overwhelming rush of trying to hold onto who you were while becoming someone new. “Nineteen” arrives as the latest glimpse into his forthcoming debut EP ‘The Stillness, The Dancing’ – a five-track release that promises to expand Aris Sabetai’s cinematic world with even greater depth, drama, and feeling.
.
“Although frequently focusing on the themes of nostalgia, faithlessness and loser-dom, the music of Mount St. Helen is a celebration of difference, optimism and hope.”
.
“Nineteen is an age that feels like a twilight zone – not quite eighteen where you’ve officially made it as an adult, and not quite in your twenties either. It seems to be a strange intermediary age that looks both backwards and forwards.”
.
“I’ve always been a fan of triple-barrel band names – My Chemical Romance, Taking Back Sunday, Grand Funk Railroad – and I think I found its symmetry quite appealing. When also factoring in its general allusions to vastness, I found it fitting for the sound-world I was creating - in essence, the name sounds like the music.”
.
..
…
✍️ by @MitchMosk
📸 © @finfilmyates
🔥⁠ link in bio 🔥
...
..
.
#MountStHelen
#Nineteen
#music
#interview
#IndieRock

“You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret (@mount.st.helen)
—
Oxford’s Mount St. Helen channels the emotional limbo of being nineteen into a feverish, full-bodied indie rock eruption, capturing nostalgia, young romance, and the overwhelming rush of trying to hold onto who you were while becoming someone new. “Nineteen” arrives as the latest glimpse into his forthcoming debut EP ‘The Stillness, The Dancing’ – a five-track release that promises to expand Aris Sabetai’s cinematic world with even greater depth, drama, and feeling.
.
“Although frequently focusing on the themes of nostalgia, faithlessness and loser-dom, the music of Mount St. Helen is a celebration of difference, optimism and hope.”
.
“Nineteen is an age that feels like a twilight zone – not quite eighteen where you’ve officially made it as an adult, and not quite in your twenties either. It seems to be a strange intermediary age that looks both backwards and forwards.”
.
“I’ve always been a fan of triple-barrel band names – My Chemical Romance, Taking Back Sunday, Grand Funk Railroad – and I think I found its symmetry quite appealing. When also factoring in its general allusions to vastness, I found it fitting for the sound-world I was creating - in essence, the name sounds like the music.”
.
..
…
✍️ by @MitchMosk
📸 © @finfilmyates
🔥⁠ link in bio 🔥
...
..
.
#MountStHelen
#Nineteen
#music
#interview
#IndieRock

“You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret (@mount.st.helen)
—
Oxford’s Mount St. Helen channels the emotional limbo of being nineteen into a feverish, full-bodied indie rock eruption, capturing nostalgia, young romance, and the overwhelming rush of trying to hold onto who you were while becoming someone new. “Nineteen” arrives as the latest glimpse into his forthcoming debut EP ‘The Stillness, The Dancing’ – a five-track release that promises to expand Aris Sabetai’s cinematic world with even greater depth, drama, and feeling.
.
“Although frequently focusing on the themes of nostalgia, faithlessness and loser-dom, the music of Mount St. Helen is a celebration of difference, optimism and hope.”
.
“Nineteen is an age that feels like a twilight zone – not quite eighteen where you’ve officially made it as an adult, and not quite in your twenties either. It seems to be a strange intermediary age that looks both backwards and forwards.”
.
“I’ve always been a fan of triple-barrel band names – My Chemical Romance, Taking Back Sunday, Grand Funk Railroad – and I think I found its symmetry quite appealing. When also factoring in its general allusions to vastness, I found it fitting for the sound-world I was creating - in essence, the name sounds like the music.”
.
..
…
✍️ by @MitchMosk
📸 © @finfilmyates
🔥⁠ link in bio 🔥
...
..
.
#MountStHelen
#Nineteen
#music
#interview
#IndieRock

“No One’s Gonna Take What I’ve Found”: Walker Reinhardt Sends New Love Skyward on “Dreaming,” a Golden Pop Rush of Romance & Euphoria (@walkerreinhardt)
—
Nashville’s Walker Reinhardt sweeps listeners into the euphoric first blush of new love on “Dreaming,” a lush, sweetly spellbound reverie that makes romance feel weightless, radiant, and wholeheartedly alive.
.
“‘Dreaming’ is about falling in love and feeling like you’re floating on a cloud. It all feels like a dream and you feel some sort of rebirth. The world is suddenly full of new possibilities. At the same time, it can feel too good to be true, and if it is, you almost don’t want to know. You want to stay in that euphoric state for as long as possible.”
.
..
…
✍️ by @MitchMosk
📸 © @andrewfoss
🔥⁠ link in bio 🔥
...
..
.
@classichanson
#WalkerReinhardt
#Dreaming
#music
#premiere
#lovesongs
@teamportrait

“No One’s Gonna Take What I’ve Found”: Walker Reinhardt Sends New Love Skyward on “Dreaming,” a Golden Pop Rush of Romance & Euphoria (@walkerreinhardt)
—
Nashville’s Walker Reinhardt sweeps listeners into the euphoric first blush of new love on “Dreaming,” a lush, sweetly spellbound reverie that makes romance feel weightless, radiant, and wholeheartedly alive.
.
“‘Dreaming’ is about falling in love and feeling like you’re floating on a cloud. It all feels like a dream and you feel some sort of rebirth. The world is suddenly full of new possibilities. At the same time, it can feel too good to be true, and if it is, you almost don’t want to know. You want to stay in that euphoric state for as long as possible.”
.
..
…
✍️ by @MitchMosk
📸 © @andrewfoss
🔥⁠ link in bio 🔥
...
..
.
@classichanson
#WalkerReinhardt
#Dreaming
#music
#premiere
#lovesongs
@teamportrait

“No One’s Gonna Take What I’ve Found”: Walker Reinhardt Sends New Love Skyward on “Dreaming,” a Golden Pop Rush of Romance & Euphoria (@walkerreinhardt)
—
Nashville’s Walker Reinhardt sweeps listeners into the euphoric first blush of new love on “Dreaming,” a lush, sweetly spellbound reverie that makes romance feel weightless, radiant, and wholeheartedly alive.
.
“‘Dreaming’ is about falling in love and feeling like you’re floating on a cloud. It all feels like a dream and you feel some sort of rebirth. The world is suddenly full of new possibilities. At the same time, it can feel too good to be true, and if it is, you almost don’t want to know. You want to stay in that euphoric state for as long as possible.”
.
..
…
✍️ by @MitchMosk
📸 © @andrewfoss
🔥⁠ link in bio 🔥
...
..
.
@classichanson
#WalkerReinhardt
#Dreaming
#music
#premiere
#lovesongs
@teamportrait

“No One’s Gonna Take What I’ve Found”: Walker Reinhardt Sends New Love Skyward on “Dreaming,” a Golden Pop Rush of Romance & Euphoria (@walkerreinhardt)
—
Nashville’s Walker Reinhardt sweeps listeners into the euphoric first blush of new love on “Dreaming,” a lush, sweetly spellbound reverie that makes romance feel weightless, radiant, and wholeheartedly alive.
.
“‘Dreaming’ is about falling in love and feeling like you’re floating on a cloud. It all feels like a dream and you feel some sort of rebirth. The world is suddenly full of new possibilities. At the same time, it can feel too good to be true, and if it is, you almost don’t want to know. You want to stay in that euphoric state for as long as possible.”
.
..
…
✍️ by @MitchMosk
📸 © @andrewfoss
🔥⁠ link in bio 🔥
...
..
.
@classichanson
#WalkerReinhardt
#Dreaming
#music
#premiere
#lovesongs
@teamportrait

“No One’s Gonna Take What I’ve Found”: Walker Reinhardt Sends New Love Skyward on “Dreaming,” a Golden Pop Rush of Romance & Euphoria (@walkerreinhardt)
—
Nashville’s Walker Reinhardt sweeps listeners into the euphoric first blush of new love on “Dreaming,” a lush, sweetly spellbound reverie that makes romance feel weightless, radiant, and wholeheartedly alive.
.
“‘Dreaming’ is about falling in love and feeling like you’re floating on a cloud. It all feels like a dream and you feel some sort of rebirth. The world is suddenly full of new possibilities. At the same time, it can feel too good to be true, and if it is, you almost don’t want to know. You want to stay in that euphoric state for as long as possible.”
.
..
…
✍️ by @MitchMosk
📸 © @andrewfoss
🔥⁠ link in bio 🔥
...
..
.
@classichanson
#WalkerReinhardt
#Dreaming
#music
#premiere
#lovesongs
@teamportrait

“No One’s Gonna Take What I’ve Found”: Walker Reinhardt Sends New Love Skyward on “Dreaming,” a Golden Pop Rush of Romance & Euphoria (@walkerreinhardt)
—
Nashville’s Walker Reinhardt sweeps listeners into the euphoric first blush of new love on “Dreaming,” a lush, sweetly spellbound reverie that makes romance feel weightless, radiant, and wholeheartedly alive.
.
“‘Dreaming’ is about falling in love and feeling like you’re floating on a cloud. It all feels like a dream and you feel some sort of rebirth. The world is suddenly full of new possibilities. At the same time, it can feel too good to be true, and if it is, you almost don’t want to know. You want to stay in that euphoric state for as long as possible.”
.
..
…
✍️ by @MitchMosk
📸 © @andrewfoss
🔥⁠ link in bio 🔥
...
..
.
@classichanson
#WalkerReinhardt
#Dreaming
#music
#premiere
#lovesongs
@teamportrait

“No One’s Gonna Take What I’ve Found”: Walker Reinhardt Sends New Love Skyward on “Dreaming,” a Golden Pop Rush of Romance & Euphoria (@walkerreinhardt)
—
Nashville’s Walker Reinhardt sweeps listeners into the euphoric first blush of new love on “Dreaming,” a lush, sweetly spellbound reverie that makes romance feel weightless, radiant, and wholeheartedly alive.
.
“‘Dreaming’ is about falling in love and feeling like you’re floating on a cloud. It all feels like a dream and you feel some sort of rebirth. The world is suddenly full of new possibilities. At the same time, it can feel too good to be true, and if it is, you almost don’t want to know. You want to stay in that euphoric state for as long as possible.”
.
..
…
✍️ by @MitchMosk
📸 © @andrewfoss
🔥⁠ link in bio 🔥
...
..
.
@classichanson
#WalkerReinhardt
#Dreaming
#music
#premiere
#lovesongs
@teamportrait

“It Gets Harder to See Me the Closer You Try to Look”: Noah Kahan Turns Distance, Identity, & Time into His Most Defining Statement Yet on ‘The Great Divide’ (@noahkahanmusic)
—
Noah Kahan expands his sound and sharpens his perspective on ‘The Great Divide,’ a sweeping, soul-baring fourth album that reckons with identity, distance, and what it means to stay connected in the aftermath of everything changing. Across its sprawling landscape, the Vermont singer/songwriter captures the quiet reckonings, restless what-ifs, and hard-won moments of connection that define growing up and moving forward – unpacking life’s divides in a deeply human portrait of who we were, who we are, and who we’re still becoming.
.
“From a long silence forms a divide, a great expanse demanding attention. I stare across it. I see old friends, my father, my mother, my siblings, my younger self, the great state of Vermont. I want to scream these feelings, to gesticulate wildly at the figures on the other side, but my voice has grown hoarse and muted after years of climbing a ladder towards the wild, spiraling dreams that have materialized in front of me. Instead, I wrote them down…”
.
“The songs are the words I would say if I could. They are the fears I dance with in the moments before I drift off to sleep. The music here is my best attempt to delve deeper into the people, places, and feelings that have made me who I am. I am grateful for all of it.”
.
“The collision of fear and pressure and joy and luck and total love has left me wordless. I spent many months walking forward in complete darkness, hands out in front of me, desperate to touch something familiar that would show me I was near the light switch again. As lonely as it felt, and as unfamiliar as the world seemed in those moments, I was never really alone. I don’t think any of us ever truly are. I was guided through the wilderness by calm voices, by the stillness of my home state, by the steady and loving touch of my wife and family…”
.
..
…
✍️ by @MitchMosk
📸 © @patrick.mccormack
🔥⁠ link in bio 🔥
...
..
.
#NoahKahan
#TheGreatDivide
#music
#newmusic
#albumreview

“It Gets Harder to See Me the Closer You Try to Look”: Noah Kahan Turns Distance, Identity, & Time into His Most Defining Statement Yet on ‘The Great Divide’ (@noahkahanmusic)
—
Noah Kahan expands his sound and sharpens his perspective on ‘The Great Divide,’ a sweeping, soul-baring fourth album that reckons with identity, distance, and what it means to stay connected in the aftermath of everything changing. Across its sprawling landscape, the Vermont singer/songwriter captures the quiet reckonings, restless what-ifs, and hard-won moments of connection that define growing up and moving forward – unpacking life’s divides in a deeply human portrait of who we were, who we are, and who we’re still becoming.
.
“From a long silence forms a divide, a great expanse demanding attention. I stare across it. I see old friends, my father, my mother, my siblings, my younger self, the great state of Vermont. I want to scream these feelings, to gesticulate wildly at the figures on the other side, but my voice has grown hoarse and muted after years of climbing a ladder towards the wild, spiraling dreams that have materialized in front of me. Instead, I wrote them down…”
.
“The songs are the words I would say if I could. They are the fears I dance with in the moments before I drift off to sleep. The music here is my best attempt to delve deeper into the people, places, and feelings that have made me who I am. I am grateful for all of it.”
.
“The collision of fear and pressure and joy and luck and total love has left me wordless. I spent many months walking forward in complete darkness, hands out in front of me, desperate to touch something familiar that would show me I was near the light switch again. As lonely as it felt, and as unfamiliar as the world seemed in those moments, I was never really alone. I don’t think any of us ever truly are. I was guided through the wilderness by calm voices, by the stillness of my home state, by the steady and loving touch of my wife and family…”
.
..
…
✍️ by @MitchMosk
📸 © @patrick.mccormack
🔥⁠ link in bio 🔥
...
..
.
#NoahKahan
#TheGreatDivide
#music
#newmusic
#albumreview

“It Gets Harder to See Me the Closer You Try to Look”: Noah Kahan Turns Distance, Identity, & Time into His Most Defining Statement Yet on ‘The Great Divide’ (@noahkahanmusic)
—
Noah Kahan expands his sound and sharpens his perspective on ‘The Great Divide,’ a sweeping, soul-baring fourth album that reckons with identity, distance, and what it means to stay connected in the aftermath of everything changing. Across its sprawling landscape, the Vermont singer/songwriter captures the quiet reckonings, restless what-ifs, and hard-won moments of connection that define growing up and moving forward – unpacking life’s divides in a deeply human portrait of who we were, who we are, and who we’re still becoming.
.
“From a long silence forms a divide, a great expanse demanding attention. I stare across it. I see old friends, my father, my mother, my siblings, my younger self, the great state of Vermont. I want to scream these feelings, to gesticulate wildly at the figures on the other side, but my voice has grown hoarse and muted after years of climbing a ladder towards the wild, spiraling dreams that have materialized in front of me. Instead, I wrote them down…”
.
“The songs are the words I would say if I could. They are the fears I dance with in the moments before I drift off to sleep. The music here is my best attempt to delve deeper into the people, places, and feelings that have made me who I am. I am grateful for all of it.”
.
“The collision of fear and pressure and joy and luck and total love has left me wordless. I spent many months walking forward in complete darkness, hands out in front of me, desperate to touch something familiar that would show me I was near the light switch again. As lonely as it felt, and as unfamiliar as the world seemed in those moments, I was never really alone. I don’t think any of us ever truly are. I was guided through the wilderness by calm voices, by the stillness of my home state, by the steady and loving touch of my wife and family…”
.
..
…
✍️ by @MitchMosk
📸 © @patrick.mccormack
🔥⁠ link in bio 🔥
...
..
.
#NoahKahan
#TheGreatDivide
#music
#newmusic
#albumreview

“It Gets Harder to See Me the Closer You Try to Look”: Noah Kahan Turns Distance, Identity, & Time into His Most Defining Statement Yet on ‘The Great Divide’ (@noahkahanmusic)
—
Noah Kahan expands his sound and sharpens his perspective on ‘The Great Divide,’ a sweeping, soul-baring fourth album that reckons with identity, distance, and what it means to stay connected in the aftermath of everything changing. Across its sprawling landscape, the Vermont singer/songwriter captures the quiet reckonings, restless what-ifs, and hard-won moments of connection that define growing up and moving forward – unpacking life’s divides in a deeply human portrait of who we were, who we are, and who we’re still becoming.
.
“From a long silence forms a divide, a great expanse demanding attention. I stare across it. I see old friends, my father, my mother, my siblings, my younger self, the great state of Vermont. I want to scream these feelings, to gesticulate wildly at the figures on the other side, but my voice has grown hoarse and muted after years of climbing a ladder towards the wild, spiraling dreams that have materialized in front of me. Instead, I wrote them down…”
.
“The songs are the words I would say if I could. They are the fears I dance with in the moments before I drift off to sleep. The music here is my best attempt to delve deeper into the people, places, and feelings that have made me who I am. I am grateful for all of it.”
.
“The collision of fear and pressure and joy and luck and total love has left me wordless. I spent many months walking forward in complete darkness, hands out in front of me, desperate to touch something familiar that would show me I was near the light switch again. As lonely as it felt, and as unfamiliar as the world seemed in those moments, I was never really alone. I don’t think any of us ever truly are. I was guided through the wilderness by calm voices, by the stillness of my home state, by the steady and loving touch of my wife and family…”
.
..
…
✍️ by @MitchMosk
📸 © @patrick.mccormack
🔥⁠ link in bio 🔥
...
..
.
#NoahKahan
#TheGreatDivide
#music
#newmusic
#albumreview

“It Gets Harder to See Me the Closer You Try to Look”: Noah Kahan Turns Distance, Identity, & Time into His Most Defining Statement Yet on ‘The Great Divide’ (@noahkahanmusic)
—
Noah Kahan expands his sound and sharpens his perspective on ‘The Great Divide,’ a sweeping, soul-baring fourth album that reckons with identity, distance, and what it means to stay connected in the aftermath of everything changing. Across its sprawling landscape, the Vermont singer/songwriter captures the quiet reckonings, restless what-ifs, and hard-won moments of connection that define growing up and moving forward – unpacking life’s divides in a deeply human portrait of who we were, who we are, and who we’re still becoming.
.
“From a long silence forms a divide, a great expanse demanding attention. I stare across it. I see old friends, my father, my mother, my siblings, my younger self, the great state of Vermont. I want to scream these feelings, to gesticulate wildly at the figures on the other side, but my voice has grown hoarse and muted after years of climbing a ladder towards the wild, spiraling dreams that have materialized in front of me. Instead, I wrote them down…”
.
“The songs are the words I would say if I could. They are the fears I dance with in the moments before I drift off to sleep. The music here is my best attempt to delve deeper into the people, places, and feelings that have made me who I am. I am grateful for all of it.”
.
“The collision of fear and pressure and joy and luck and total love has left me wordless. I spent many months walking forward in complete darkness, hands out in front of me, desperate to touch something familiar that would show me I was near the light switch again. As lonely as it felt, and as unfamiliar as the world seemed in those moments, I was never really alone. I don’t think any of us ever truly are. I was guided through the wilderness by calm voices, by the stillness of my home state, by the steady and loving touch of my wife and family…”
.
..
…
✍️ by @MitchMosk
📸 © @patrick.mccormack
🔥⁠ link in bio 🔥
...
..
.
#NoahKahan
#TheGreatDivide
#music
#newmusic
#albumreview

“It Gets Harder to See Me the Closer You Try to Look”: Noah Kahan Turns Distance, Identity, & Time into His Most Defining Statement Yet on ‘The Great Divide’ (@noahkahanmusic)
—
Noah Kahan expands his sound and sharpens his perspective on ‘The Great Divide,’ a sweeping, soul-baring fourth album that reckons with identity, distance, and what it means to stay connected in the aftermath of everything changing. Across its sprawling landscape, the Vermont singer/songwriter captures the quiet reckonings, restless what-ifs, and hard-won moments of connection that define growing up and moving forward – unpacking life’s divides in a deeply human portrait of who we were, who we are, and who we’re still becoming.
.
“From a long silence forms a divide, a great expanse demanding attention. I stare across it. I see old friends, my father, my mother, my siblings, my younger self, the great state of Vermont. I want to scream these feelings, to gesticulate wildly at the figures on the other side, but my voice has grown hoarse and muted after years of climbing a ladder towards the wild, spiraling dreams that have materialized in front of me. Instead, I wrote them down…”
.
“The songs are the words I would say if I could. They are the fears I dance with in the moments before I drift off to sleep. The music here is my best attempt to delve deeper into the people, places, and feelings that have made me who I am. I am grateful for all of it.”
.
“The collision of fear and pressure and joy and luck and total love has left me wordless. I spent many months walking forward in complete darkness, hands out in front of me, desperate to touch something familiar that would show me I was near the light switch again. As lonely as it felt, and as unfamiliar as the world seemed in those moments, I was never really alone. I don’t think any of us ever truly are. I was guided through the wilderness by calm voices, by the stillness of my home state, by the steady and loving touch of my wife and family…”
.
..
…
✍️ by @MitchMosk
📸 © @patrick.mccormack
🔥⁠ link in bio 🔥
...
..
.
#NoahKahan
#TheGreatDivide
#music
#newmusic
#albumreview

“It Gets Harder to See Me the Closer You Try to Look”: Noah Kahan Turns Distance, Identity, & Time into His Most Defining Statement Yet on ‘The Great Divide’ (@noahkahanmusic)
—
Noah Kahan expands his sound and sharpens his perspective on ‘The Great Divide,’ a sweeping, soul-baring fourth album that reckons with identity, distance, and what it means to stay connected in the aftermath of everything changing. Across its sprawling landscape, the Vermont singer/songwriter captures the quiet reckonings, restless what-ifs, and hard-won moments of connection that define growing up and moving forward – unpacking life’s divides in a deeply human portrait of who we were, who we are, and who we’re still becoming.
.
“From a long silence forms a divide, a great expanse demanding attention. I stare across it. I see old friends, my father, my mother, my siblings, my younger self, the great state of Vermont. I want to scream these feelings, to gesticulate wildly at the figures on the other side, but my voice has grown hoarse and muted after years of climbing a ladder towards the wild, spiraling dreams that have materialized in front of me. Instead, I wrote them down…”
.
“The songs are the words I would say if I could. They are the fears I dance with in the moments before I drift off to sleep. The music here is my best attempt to delve deeper into the people, places, and feelings that have made me who I am. I am grateful for all of it.”
.
“The collision of fear and pressure and joy and luck and total love has left me wordless. I spent many months walking forward in complete darkness, hands out in front of me, desperate to touch something familiar that would show me I was near the light switch again. As lonely as it felt, and as unfamiliar as the world seemed in those moments, I was never really alone. I don’t think any of us ever truly are. I was guided through the wilderness by calm voices, by the stillness of my home state, by the steady and loving touch of my wife and family…”
.
..
…
✍️ by @MitchMosk
📸 © @patrick.mccormack
🔥⁠ link in bio 🔥
...
..
.
#NoahKahan
#TheGreatDivide
#music
#newmusic
#albumreview

“It Gets Harder to See Me the Closer You Try to Look”: Noah Kahan Turns Distance, Identity, & Time into His Most Defining Statement Yet on ‘The Great Divide’ (@noahkahanmusic)
—
Noah Kahan expands his sound and sharpens his perspective on ‘The Great Divide,’ a sweeping, soul-baring fourth album that reckons with identity, distance, and what it means to stay connected in the aftermath of everything changing. Across its sprawling landscape, the Vermont singer/songwriter captures the quiet reckonings, restless what-ifs, and hard-won moments of connection that define growing up and moving forward – unpacking life’s divides in a deeply human portrait of who we were, who we are, and who we’re still becoming.
.
“From a long silence forms a divide, a great expanse demanding attention. I stare across it. I see old friends, my father, my mother, my siblings, my younger self, the great state of Vermont. I want to scream these feelings, to gesticulate wildly at the figures on the other side, but my voice has grown hoarse and muted after years of climbing a ladder towards the wild, spiraling dreams that have materialized in front of me. Instead, I wrote them down…”
.
“The songs are the words I would say if I could. They are the fears I dance with in the moments before I drift off to sleep. The music here is my best attempt to delve deeper into the people, places, and feelings that have made me who I am. I am grateful for all of it.”
.
“The collision of fear and pressure and joy and luck and total love has left me wordless. I spent many months walking forward in complete darkness, hands out in front of me, desperate to touch something familiar that would show me I was near the light switch again. As lonely as it felt, and as unfamiliar as the world seemed in those moments, I was never really alone. I don’t think any of us ever truly are. I was guided through the wilderness by calm voices, by the stillness of my home state, by the steady and loving touch of my wife and family…”
.
..
…
✍️ by @MitchMosk
📸 © @patrick.mccormack
🔥⁠ link in bio 🔥
...
..
.
#NoahKahan
#TheGreatDivide
#music
#newmusic
#albumreview

“It Gets Harder to See Me the Closer You Try to Look”: Noah Kahan Turns Distance, Identity, & Time into His Most Defining Statement Yet on ‘The Great Divide’ (@noahkahanmusic)
—
Noah Kahan expands his sound and sharpens his perspective on ‘The Great Divide,’ a sweeping, soul-baring fourth album that reckons with identity, distance, and what it means to stay connected in the aftermath of everything changing. Across its sprawling landscape, the Vermont singer/songwriter captures the quiet reckonings, restless what-ifs, and hard-won moments of connection that define growing up and moving forward – unpacking life’s divides in a deeply human portrait of who we were, who we are, and who we’re still becoming.
.
“From a long silence forms a divide, a great expanse demanding attention. I stare across it. I see old friends, my father, my mother, my siblings, my younger self, the great state of Vermont. I want to scream these feelings, to gesticulate wildly at the figures on the other side, but my voice has grown hoarse and muted after years of climbing a ladder towards the wild, spiraling dreams that have materialized in front of me. Instead, I wrote them down…”
.
“The songs are the words I would say if I could. They are the fears I dance with in the moments before I drift off to sleep. The music here is my best attempt to delve deeper into the people, places, and feelings that have made me who I am. I am grateful for all of it.”
.
“The collision of fear and pressure and joy and luck and total love has left me wordless. I spent many months walking forward in complete darkness, hands out in front of me, desperate to touch something familiar that would show me I was near the light switch again. As lonely as it felt, and as unfamiliar as the world seemed in those moments, I was never really alone. I don’t think any of us ever truly are. I was guided through the wilderness by calm voices, by the stillness of my home state, by the steady and loving touch of my wife and family…”
.
..
…
✍️ by @MitchMosk
📸 © @patrick.mccormack
🔥⁠ link in bio 🔥
...
..
.
#NoahKahan
#TheGreatDivide
#music
#newmusic
#albumreview

“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song (@eugenemcguinnessofficial)
—
English singer/songwriter Eugene McGuinness takes us track-by-track through his resplendent new album ‘Eugene McGuinness Versus the Universe’ – a richly melodic, harmony-laced return that captures rediscovery, reflection, and the enduring pull of creativity through vivid, image-driven songwriting.
.
“The whole record is one giant animal – ideas are shared and exchanged between the tracks. There’s an osmosis to it all.”
.
“There is a fragility and intimacy to my voice that I was mindful of protecting, but I don’t really go into the studio with a plan. It’s a process of exploration – I try to capture something special and exciting whilst being mindful of being true to myself.”
.
“There’s a certain genetic code to my writing and singing that has always been in everything I do. I like to acknowledge the slipstream of where I’ve been whilst forever hurtling forward.”
.
“Making a record is like being possessed by some entity, which never happens immediately – it takes a lot of work to get to that state, and once you’ve experienced it, there is an understanding and respect for how rare and special those moments are. I think that this record is a collection of those moments, and I hope that some people can hear that in this thing.”
.
..
…
✍️ by @MitchMosk
📸 © @robinclewleyphotography
🔥⁠ link in bio 🔥
...
..
.
@docklandspeedshop
@mellowtoneclub
#EugeneMcGuinness
#music
#interview
#AlbumPremiere
#premiere

“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song (@eugenemcguinnessofficial)
—
English singer/songwriter Eugene McGuinness takes us track-by-track through his resplendent new album ‘Eugene McGuinness Versus the Universe’ – a richly melodic, harmony-laced return that captures rediscovery, reflection, and the enduring pull of creativity through vivid, image-driven songwriting.
.
“The whole record is one giant animal – ideas are shared and exchanged between the tracks. There’s an osmosis to it all.”
.
“There is a fragility and intimacy to my voice that I was mindful of protecting, but I don’t really go into the studio with a plan. It’s a process of exploration – I try to capture something special and exciting whilst being mindful of being true to myself.”
.
“There’s a certain genetic code to my writing and singing that has always been in everything I do. I like to acknowledge the slipstream of where I’ve been whilst forever hurtling forward.”
.
“Making a record is like being possessed by some entity, which never happens immediately – it takes a lot of work to get to that state, and once you’ve experienced it, there is an understanding and respect for how rare and special those moments are. I think that this record is a collection of those moments, and I hope that some people can hear that in this thing.”
.
..
…
✍️ by @MitchMosk
📸 © @robinclewleyphotography
🔥⁠ link in bio 🔥
...
..
.
@docklandspeedshop
@mellowtoneclub
#EugeneMcGuinness
#music
#interview
#AlbumPremiere
#premiere

“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song (@eugenemcguinnessofficial)
—
English singer/songwriter Eugene McGuinness takes us track-by-track through his resplendent new album ‘Eugene McGuinness Versus the Universe’ – a richly melodic, harmony-laced return that captures rediscovery, reflection, and the enduring pull of creativity through vivid, image-driven songwriting.
.
“The whole record is one giant animal – ideas are shared and exchanged between the tracks. There’s an osmosis to it all.”
.
“There is a fragility and intimacy to my voice that I was mindful of protecting, but I don’t really go into the studio with a plan. It’s a process of exploration – I try to capture something special and exciting whilst being mindful of being true to myself.”
.
“There’s a certain genetic code to my writing and singing that has always been in everything I do. I like to acknowledge the slipstream of where I’ve been whilst forever hurtling forward.”
.
“Making a record is like being possessed by some entity, which never happens immediately – it takes a lot of work to get to that state, and once you’ve experienced it, there is an understanding and respect for how rare and special those moments are. I think that this record is a collection of those moments, and I hope that some people can hear that in this thing.”
.
..
…
✍️ by @MitchMosk
📸 © @robinclewleyphotography
🔥⁠ link in bio 🔥
...
..
.
@docklandspeedshop
@mellowtoneclub
#EugeneMcGuinness
#music
#interview
#AlbumPremiere
#premiere

“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song (@eugenemcguinnessofficial)
—
English singer/songwriter Eugene McGuinness takes us track-by-track through his resplendent new album ‘Eugene McGuinness Versus the Universe’ – a richly melodic, harmony-laced return that captures rediscovery, reflection, and the enduring pull of creativity through vivid, image-driven songwriting.
.
“The whole record is one giant animal – ideas are shared and exchanged between the tracks. There’s an osmosis to it all.”
.
“There is a fragility and intimacy to my voice that I was mindful of protecting, but I don’t really go into the studio with a plan. It’s a process of exploration – I try to capture something special and exciting whilst being mindful of being true to myself.”
.
“There’s a certain genetic code to my writing and singing that has always been in everything I do. I like to acknowledge the slipstream of where I’ve been whilst forever hurtling forward.”
.
“Making a record is like being possessed by some entity, which never happens immediately – it takes a lot of work to get to that state, and once you’ve experienced it, there is an understanding and respect for how rare and special those moments are. I think that this record is a collection of those moments, and I hope that some people can hear that in this thing.”
.
..
…
✍️ by @MitchMosk
📸 © @robinclewleyphotography
🔥⁠ link in bio 🔥
...
..
.
@docklandspeedshop
@mellowtoneclub
#EugeneMcGuinness
#music
#interview
#AlbumPremiere
#premiere

“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song (@eugenemcguinnessofficial)
—
English singer/songwriter Eugene McGuinness takes us track-by-track through his resplendent new album ‘Eugene McGuinness Versus the Universe’ – a richly melodic, harmony-laced return that captures rediscovery, reflection, and the enduring pull of creativity through vivid, image-driven songwriting.
.
“The whole record is one giant animal – ideas are shared and exchanged between the tracks. There’s an osmosis to it all.”
.
“There is a fragility and intimacy to my voice that I was mindful of protecting, but I don’t really go into the studio with a plan. It’s a process of exploration – I try to capture something special and exciting whilst being mindful of being true to myself.”
.
“There’s a certain genetic code to my writing and singing that has always been in everything I do. I like to acknowledge the slipstream of where I’ve been whilst forever hurtling forward.”
.
“Making a record is like being possessed by some entity, which never happens immediately – it takes a lot of work to get to that state, and once you’ve experienced it, there is an understanding and respect for how rare and special those moments are. I think that this record is a collection of those moments, and I hope that some people can hear that in this thing.”
.
..
…
✍️ by @MitchMosk
📸 © @robinclewleyphotography
🔥⁠ link in bio 🔥
...
..
.
@docklandspeedshop
@mellowtoneclub
#EugeneMcGuinness
#music
#interview
#AlbumPremiere
#premiere

“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song (@eugenemcguinnessofficial)
—
English singer/songwriter Eugene McGuinness takes us track-by-track through his resplendent new album ‘Eugene McGuinness Versus the Universe’ – a richly melodic, harmony-laced return that captures rediscovery, reflection, and the enduring pull of creativity through vivid, image-driven songwriting.
.
“The whole record is one giant animal – ideas are shared and exchanged between the tracks. There’s an osmosis to it all.”
.
“There is a fragility and intimacy to my voice that I was mindful of protecting, but I don’t really go into the studio with a plan. It’s a process of exploration – I try to capture something special and exciting whilst being mindful of being true to myself.”
.
“There’s a certain genetic code to my writing and singing that has always been in everything I do. I like to acknowledge the slipstream of where I’ve been whilst forever hurtling forward.”
.
“Making a record is like being possessed by some entity, which never happens immediately – it takes a lot of work to get to that state, and once you’ve experienced it, there is an understanding and respect for how rare and special those moments are. I think that this record is a collection of those moments, and I hope that some people can hear that in this thing.”
.
..
…
✍️ by @MitchMosk
📸 © @robinclewleyphotography
🔥⁠ link in bio 🔥
...
..
.
@docklandspeedshop
@mellowtoneclub
#EugeneMcGuinness
#music
#interview
#AlbumPremiere
#premiere

“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song (@eugenemcguinnessofficial)
—
English singer/songwriter Eugene McGuinness takes us track-by-track through his resplendent new album ‘Eugene McGuinness Versus the Universe’ – a richly melodic, harmony-laced return that captures rediscovery, reflection, and the enduring pull of creativity through vivid, image-driven songwriting.
.
“The whole record is one giant animal – ideas are shared and exchanged between the tracks. There’s an osmosis to it all.”
.
“There is a fragility and intimacy to my voice that I was mindful of protecting, but I don’t really go into the studio with a plan. It’s a process of exploration – I try to capture something special and exciting whilst being mindful of being true to myself.”
.
“There’s a certain genetic code to my writing and singing that has always been in everything I do. I like to acknowledge the slipstream of where I’ve been whilst forever hurtling forward.”
.
“Making a record is like being possessed by some entity, which never happens immediately – it takes a lot of work to get to that state, and once you’ve experienced it, there is an understanding and respect for how rare and special those moments are. I think that this record is a collection of those moments, and I hope that some people can hear that in this thing.”
.
..
…
✍️ by @MitchMosk
📸 © @robinclewleyphotography
🔥⁠ link in bio 🔥
...
..
.
@docklandspeedshop
@mellowtoneclub
#EugeneMcGuinness
#music
#interview
#AlbumPremiere
#premiere

“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song (@eugenemcguinnessofficial)
—
English singer/songwriter Eugene McGuinness takes us track-by-track through his resplendent new album ‘Eugene McGuinness Versus the Universe’ – a richly melodic, harmony-laced return that captures rediscovery, reflection, and the enduring pull of creativity through vivid, image-driven songwriting.
.
“The whole record is one giant animal – ideas are shared and exchanged between the tracks. There’s an osmosis to it all.”
.
“There is a fragility and intimacy to my voice that I was mindful of protecting, but I don’t really go into the studio with a plan. It’s a process of exploration – I try to capture something special and exciting whilst being mindful of being true to myself.”
.
“There’s a certain genetic code to my writing and singing that has always been in everything I do. I like to acknowledge the slipstream of where I’ve been whilst forever hurtling forward.”
.
“Making a record is like being possessed by some entity, which never happens immediately – it takes a lot of work to get to that state, and once you’ve experienced it, there is an understanding and respect for how rare and special those moments are. I think that this record is a collection of those moments, and I hope that some people can hear that in this thing.”
.
..
…
✍️ by @MitchMosk
📸 © @robinclewleyphotography
🔥⁠ link in bio 🔥
...
..
.
@docklandspeedshop
@mellowtoneclub
#EugeneMcGuinness
#music
#interview
#AlbumPremiere
#premiere

“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song (@eugenemcguinnessofficial)
—
English singer/songwriter Eugene McGuinness takes us track-by-track through his resplendent new album ‘Eugene McGuinness Versus the Universe’ – a richly melodic, harmony-laced return that captures rediscovery, reflection, and the enduring pull of creativity through vivid, image-driven songwriting.
.
“The whole record is one giant animal – ideas are shared and exchanged between the tracks. There’s an osmosis to it all.”
.
“There is a fragility and intimacy to my voice that I was mindful of protecting, but I don’t really go into the studio with a plan. It’s a process of exploration – I try to capture something special and exciting whilst being mindful of being true to myself.”
.
“There’s a certain genetic code to my writing and singing that has always been in everything I do. I like to acknowledge the slipstream of where I’ve been whilst forever hurtling forward.”
.
“Making a record is like being possessed by some entity, which never happens immediately – it takes a lot of work to get to that state, and once you’ve experienced it, there is an understanding and respect for how rare and special those moments are. I think that this record is a collection of those moments, and I hope that some people can hear that in this thing.”
.
..
…
✍️ by @MitchMosk
📸 © @robinclewleyphotography
🔥⁠ link in bio 🔥
...
..
.
@docklandspeedshop
@mellowtoneclub
#EugeneMcGuinness
#music
#interview
#AlbumPremiere
#premiere

“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song (@eugenemcguinnessofficial)
—
English singer/songwriter Eugene McGuinness takes us track-by-track through his resplendent new album ‘Eugene McGuinness Versus the Universe’ – a richly melodic, harmony-laced return that captures rediscovery, reflection, and the enduring pull of creativity through vivid, image-driven songwriting.
.
“The whole record is one giant animal – ideas are shared and exchanged between the tracks. There’s an osmosis to it all.”
.
“There is a fragility and intimacy to my voice that I was mindful of protecting, but I don’t really go into the studio with a plan. It’s a process of exploration – I try to capture something special and exciting whilst being mindful of being true to myself.”
.
“There’s a certain genetic code to my writing and singing that has always been in everything I do. I like to acknowledge the slipstream of where I’ve been whilst forever hurtling forward.”
.
“Making a record is like being possessed by some entity, which never happens immediately – it takes a lot of work to get to that state, and once you’ve experienced it, there is an understanding and respect for how rare and special those moments are. I think that this record is a collection of those moments, and I hope that some people can hear that in this thing.”
.
..
…
✍️ by @MitchMosk
📸 © @robinclewleyphotography
🔥⁠ link in bio 🔥
...
..
.
@docklandspeedshop
@mellowtoneclub
#EugeneMcGuinness
#music
#interview
#AlbumPremiere
#premiere

“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song (@eugenemcguinnessofficial)
—
English singer/songwriter Eugene McGuinness takes us track-by-track through his resplendent new album ‘Eugene McGuinness Versus the Universe’ – a richly melodic, harmony-laced return that captures rediscovery, reflection, and the enduring pull of creativity through vivid, image-driven songwriting.
.
“The whole record is one giant animal – ideas are shared and exchanged between the tracks. There’s an osmosis to it all.”
.
“There is a fragility and intimacy to my voice that I was mindful of protecting, but I don’t really go into the studio with a plan. It’s a process of exploration – I try to capture something special and exciting whilst being mindful of being true to myself.”
.
“There’s a certain genetic code to my writing and singing that has always been in everything I do. I like to acknowledge the slipstream of where I’ve been whilst forever hurtling forward.”
.
“Making a record is like being possessed by some entity, which never happens immediately – it takes a lot of work to get to that state, and once you’ve experienced it, there is an understanding and respect for how rare and special those moments are. I think that this record is a collection of those moments, and I hope that some people can hear that in this thing.”
.
..
…
✍️ by @MitchMosk
📸 © @robinclewleyphotography
🔥⁠ link in bio 🔥
...
..
.
@docklandspeedshop
@mellowtoneclub
#EugeneMcGuinness
#music
#interview
#AlbumPremiere
#premiere

“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song (@eugenemcguinnessofficial)
—
English singer/songwriter Eugene McGuinness takes us track-by-track through his resplendent new album ‘Eugene McGuinness Versus the Universe’ – a richly melodic, harmony-laced return that captures rediscovery, reflection, and the enduring pull of creativity through vivid, image-driven songwriting.
.
“The whole record is one giant animal – ideas are shared and exchanged between the tracks. There’s an osmosis to it all.”
.
“There is a fragility and intimacy to my voice that I was mindful of protecting, but I don’t really go into the studio with a plan. It’s a process of exploration – I try to capture something special and exciting whilst being mindful of being true to myself.”
.
“There’s a certain genetic code to my writing and singing that has always been in everything I do. I like to acknowledge the slipstream of where I’ve been whilst forever hurtling forward.”
.
“Making a record is like being possessed by some entity, which never happens immediately – it takes a lot of work to get to that state, and once you’ve experienced it, there is an understanding and respect for how rare and special those moments are. I think that this record is a collection of those moments, and I hope that some people can hear that in this thing.”
.
..
…
✍️ by @MitchMosk
📸 © @robinclewleyphotography
🔥⁠ link in bio 🔥
...
..
.
@docklandspeedshop
@mellowtoneclub
#EugeneMcGuinness
#music
#interview
#AlbumPremiere
#premiere

“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song (@eugenemcguinnessofficial)
—
English singer/songwriter Eugene McGuinness takes us track-by-track through his resplendent new album ‘Eugene McGuinness Versus the Universe’ – a richly melodic, harmony-laced return that captures rediscovery, reflection, and the enduring pull of creativity through vivid, image-driven songwriting.
.
“The whole record is one giant animal – ideas are shared and exchanged between the tracks. There’s an osmosis to it all.”
.
“There is a fragility and intimacy to my voice that I was mindful of protecting, but I don’t really go into the studio with a plan. It’s a process of exploration – I try to capture something special and exciting whilst being mindful of being true to myself.”
.
“There’s a certain genetic code to my writing and singing that has always been in everything I do. I like to acknowledge the slipstream of where I’ve been whilst forever hurtling forward.”
.
“Making a record is like being possessed by some entity, which never happens immediately – it takes a lot of work to get to that state, and once you’ve experienced it, there is an understanding and respect for how rare and special those moments are. I think that this record is a collection of those moments, and I hope that some people can hear that in this thing.”
.
..
…
✍️ by @MitchMosk
📸 © @robinclewleyphotography
🔥⁠ link in bio 🔥
...
..
.
@docklandspeedshop
@mellowtoneclub
#EugeneMcGuinness
#music
#interview
#AlbumPremiere
#premiere

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness (@sundayclub.band)
—
Winnipeg indie pop duo sundayclub capture the ache of missed moments and modern self-awareness on “Camera Shy,” the radiant, dreamy lead single off their upcoming self-titled debut album – a shimmering, gut-punch rush that blurs the line between living and remembering in real time.
.
“We often describe ‘Camera Shy’ as being as the quintessential ‘sundayclub song’ and the blueprint for the record. It’s about a good night gone very wrong; one of those back and forth, hazy NYE nights bound for absolute disaster. The song references our obsession with the ‘moment’ and ever-present FOMO, but also introduces Court’s complicated feelings towards being photographed or ‘captured.’”
.
“A huge part of what we do requires us to frequently be seen and to have a lot of our lives documented, either in photos or videos, whether we’re feeling up to it or not. It can get really overwhelming and all-consuming when so much of your energy is put into your physical looks, especially when you just don’t feel like being in the spotlight or having that kind of attention on you.”
.
“We put a lot into our music and every minute detail is crafted and is there with a purpose. If you take your time with it, you’ll find something new every time you listen.”
.
“I remember Matty Healy saying that “If You’re Too Shy” is the kind of song they make when they all get together and don’t overthink it – it’s the ‘The 1975’ archetype – and that’s kind of what ‘Camera Shy’ is to us.”
.
..
…
✍️ by @MitchMosk
📸 © @evvvie.m
🔥⁠ link in bio 🔥
...
..
.
@paperbagrecords
#sundayclub
#CameraShy
#music
#premiere
#interview

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness (@sundayclub.band)
—
Winnipeg indie pop duo sundayclub capture the ache of missed moments and modern self-awareness on “Camera Shy,” the radiant, dreamy lead single off their upcoming self-titled debut album – a shimmering, gut-punch rush that blurs the line between living and remembering in real time.
.
“We often describe ‘Camera Shy’ as being as the quintessential ‘sundayclub song’ and the blueprint for the record. It’s about a good night gone very wrong; one of those back and forth, hazy NYE nights bound for absolute disaster. The song references our obsession with the ‘moment’ and ever-present FOMO, but also introduces Court’s complicated feelings towards being photographed or ‘captured.’”
.
“A huge part of what we do requires us to frequently be seen and to have a lot of our lives documented, either in photos or videos, whether we’re feeling up to it or not. It can get really overwhelming and all-consuming when so much of your energy is put into your physical looks, especially when you just don’t feel like being in the spotlight or having that kind of attention on you.”
.
“We put a lot into our music and every minute detail is crafted and is there with a purpose. If you take your time with it, you’ll find something new every time you listen.”
.
“I remember Matty Healy saying that “If You’re Too Shy” is the kind of song they make when they all get together and don’t overthink it – it’s the ‘The 1975’ archetype – and that’s kind of what ‘Camera Shy’ is to us.”
.
..
…
✍️ by @MitchMosk
📸 © @evvvie.m
🔥⁠ link in bio 🔥
...
..
.
@paperbagrecords
#sundayclub
#CameraShy
#music
#premiere
#interview

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness (@sundayclub.band)
—
Winnipeg indie pop duo sundayclub capture the ache of missed moments and modern self-awareness on “Camera Shy,” the radiant, dreamy lead single off their upcoming self-titled debut album – a shimmering, gut-punch rush that blurs the line between living and remembering in real time.
.
“We often describe ‘Camera Shy’ as being as the quintessential ‘sundayclub song’ and the blueprint for the record. It’s about a good night gone very wrong; one of those back and forth, hazy NYE nights bound for absolute disaster. The song references our obsession with the ‘moment’ and ever-present FOMO, but also introduces Court’s complicated feelings towards being photographed or ‘captured.’”
.
“A huge part of what we do requires us to frequently be seen and to have a lot of our lives documented, either in photos or videos, whether we’re feeling up to it or not. It can get really overwhelming and all-consuming when so much of your energy is put into your physical looks, especially when you just don’t feel like being in the spotlight or having that kind of attention on you.”
.
“We put a lot into our music and every minute detail is crafted and is there with a purpose. If you take your time with it, you’ll find something new every time you listen.”
.
“I remember Matty Healy saying that “If You’re Too Shy” is the kind of song they make when they all get together and don’t overthink it – it’s the ‘The 1975’ archetype – and that’s kind of what ‘Camera Shy’ is to us.”
.
..
…
✍️ by @MitchMosk
📸 © @evvvie.m
🔥⁠ link in bio 🔥
...
..
.
@paperbagrecords
#sundayclub
#CameraShy
#music
#premiere
#interview

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness (@sundayclub.band)
—
Winnipeg indie pop duo sundayclub capture the ache of missed moments and modern self-awareness on “Camera Shy,” the radiant, dreamy lead single off their upcoming self-titled debut album – a shimmering, gut-punch rush that blurs the line between living and remembering in real time.
.
“We often describe ‘Camera Shy’ as being as the quintessential ‘sundayclub song’ and the blueprint for the record. It’s about a good night gone very wrong; one of those back and forth, hazy NYE nights bound for absolute disaster. The song references our obsession with the ‘moment’ and ever-present FOMO, but also introduces Court’s complicated feelings towards being photographed or ‘captured.’”
.
“A huge part of what we do requires us to frequently be seen and to have a lot of our lives documented, either in photos or videos, whether we’re feeling up to it or not. It can get really overwhelming and all-consuming when so much of your energy is put into your physical looks, especially when you just don’t feel like being in the spotlight or having that kind of attention on you.”
.
“We put a lot into our music and every minute detail is crafted and is there with a purpose. If you take your time with it, you’ll find something new every time you listen.”
.
“I remember Matty Healy saying that “If You’re Too Shy” is the kind of song they make when they all get together and don’t overthink it – it’s the ‘The 1975’ archetype – and that’s kind of what ‘Camera Shy’ is to us.”
.
..
…
✍️ by @MitchMosk
📸 © @evvvie.m
🔥⁠ link in bio 🔥
...
..
.
@paperbagrecords
#sundayclub
#CameraShy
#music
#premiere
#interview

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness (@sundayclub.band)
—
Winnipeg indie pop duo sundayclub capture the ache of missed moments and modern self-awareness on “Camera Shy,” the radiant, dreamy lead single off their upcoming self-titled debut album – a shimmering, gut-punch rush that blurs the line between living and remembering in real time.
.
“We often describe ‘Camera Shy’ as being as the quintessential ‘sundayclub song’ and the blueprint for the record. It’s about a good night gone very wrong; one of those back and forth, hazy NYE nights bound for absolute disaster. The song references our obsession with the ‘moment’ and ever-present FOMO, but also introduces Court’s complicated feelings towards being photographed or ‘captured.’”
.
“A huge part of what we do requires us to frequently be seen and to have a lot of our lives documented, either in photos or videos, whether we’re feeling up to it or not. It can get really overwhelming and all-consuming when so much of your energy is put into your physical looks, especially when you just don’t feel like being in the spotlight or having that kind of attention on you.”
.
“We put a lot into our music and every minute detail is crafted and is there with a purpose. If you take your time with it, you’ll find something new every time you listen.”
.
“I remember Matty Healy saying that “If You’re Too Shy” is the kind of song they make when they all get together and don’t overthink it – it’s the ‘The 1975’ archetype – and that’s kind of what ‘Camera Shy’ is to us.”
.
..
…
✍️ by @MitchMosk
📸 © @evvvie.m
🔥⁠ link in bio 🔥
...
..
.
@paperbagrecords
#sundayclub
#CameraShy
#music
#premiere
#interview

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness (@sundayclub.band)
—
Winnipeg indie pop duo sundayclub capture the ache of missed moments and modern self-awareness on “Camera Shy,” the radiant, dreamy lead single off their upcoming self-titled debut album – a shimmering, gut-punch rush that blurs the line between living and remembering in real time.
.
“We often describe ‘Camera Shy’ as being as the quintessential ‘sundayclub song’ and the blueprint for the record. It’s about a good night gone very wrong; one of those back and forth, hazy NYE nights bound for absolute disaster. The song references our obsession with the ‘moment’ and ever-present FOMO, but also introduces Court’s complicated feelings towards being photographed or ‘captured.’”
.
“A huge part of what we do requires us to frequently be seen and to have a lot of our lives documented, either in photos or videos, whether we’re feeling up to it or not. It can get really overwhelming and all-consuming when so much of your energy is put into your physical looks, especially when you just don’t feel like being in the spotlight or having that kind of attention on you.”
.
“We put a lot into our music and every minute detail is crafted and is there with a purpose. If you take your time with it, you’ll find something new every time you listen.”
.
“I remember Matty Healy saying that “If You’re Too Shy” is the kind of song they make when they all get together and don’t overthink it – it’s the ‘The 1975’ archetype – and that’s kind of what ‘Camera Shy’ is to us.”
.
..
…
✍️ by @MitchMosk
📸 © @evvvie.m
🔥⁠ link in bio 🔥
...
..
.
@paperbagrecords
#sundayclub
#CameraShy
#music
#premiere
#interview

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness (@sundayclub.band)
—
Winnipeg indie pop duo sundayclub capture the ache of missed moments and modern self-awareness on “Camera Shy,” the radiant, dreamy lead single off their upcoming self-titled debut album – a shimmering, gut-punch rush that blurs the line between living and remembering in real time.
.
“We often describe ‘Camera Shy’ as being as the quintessential ‘sundayclub song’ and the blueprint for the record. It’s about a good night gone very wrong; one of those back and forth, hazy NYE nights bound for absolute disaster. The song references our obsession with the ‘moment’ and ever-present FOMO, but also introduces Court’s complicated feelings towards being photographed or ‘captured.’”
.
“A huge part of what we do requires us to frequently be seen and to have a lot of our lives documented, either in photos or videos, whether we’re feeling up to it or not. It can get really overwhelming and all-consuming when so much of your energy is put into your physical looks, especially when you just don’t feel like being in the spotlight or having that kind of attention on you.”
.
“We put a lot into our music and every minute detail is crafted and is there with a purpose. If you take your time with it, you’ll find something new every time you listen.”
.
“I remember Matty Healy saying that “If You’re Too Shy” is the kind of song they make when they all get together and don’t overthink it – it’s the ‘The 1975’ archetype – and that’s kind of what ‘Camera Shy’ is to us.”
.
..
…
✍️ by @MitchMosk
📸 © @evvvie.m
🔥⁠ link in bio 🔥
...
..
.
@paperbagrecords
#sundayclub
#CameraShy
#music
#premiere
#interview

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness (@sundayclub.band)
—
Winnipeg indie pop duo sundayclub capture the ache of missed moments and modern self-awareness on “Camera Shy,” the radiant, dreamy lead single off their upcoming self-titled debut album – a shimmering, gut-punch rush that blurs the line between living and remembering in real time.
.
“We often describe ‘Camera Shy’ as being as the quintessential ‘sundayclub song’ and the blueprint for the record. It’s about a good night gone very wrong; one of those back and forth, hazy NYE nights bound for absolute disaster. The song references our obsession with the ‘moment’ and ever-present FOMO, but also introduces Court’s complicated feelings towards being photographed or ‘captured.’”
.
“A huge part of what we do requires us to frequently be seen and to have a lot of our lives documented, either in photos or videos, whether we’re feeling up to it or not. It can get really overwhelming and all-consuming when so much of your energy is put into your physical looks, especially when you just don’t feel like being in the spotlight or having that kind of attention on you.”
.
“We put a lot into our music and every minute detail is crafted and is there with a purpose. If you take your time with it, you’ll find something new every time you listen.”
.
“I remember Matty Healy saying that “If You’re Too Shy” is the kind of song they make when they all get together and don’t overthink it – it’s the ‘The 1975’ archetype – and that’s kind of what ‘Camera Shy’ is to us.”
.
..
…
✍️ by @MitchMosk
📸 © @evvvie.m
🔥⁠ link in bio 🔥
...
..
.
@paperbagrecords
#sundayclub
#CameraShy
#music
#premiere
#interview

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness (@sundayclub.band)
—
Winnipeg indie pop duo sundayclub capture the ache of missed moments and modern self-awareness on “Camera Shy,” the radiant, dreamy lead single off their upcoming self-titled debut album – a shimmering, gut-punch rush that blurs the line between living and remembering in real time.
.
“We often describe ‘Camera Shy’ as being as the quintessential ‘sundayclub song’ and the blueprint for the record. It’s about a good night gone very wrong; one of those back and forth, hazy NYE nights bound for absolute disaster. The song references our obsession with the ‘moment’ and ever-present FOMO, but also introduces Court’s complicated feelings towards being photographed or ‘captured.’”
.
“A huge part of what we do requires us to frequently be seen and to have a lot of our lives documented, either in photos or videos, whether we’re feeling up to it or not. It can get really overwhelming and all-consuming when so much of your energy is put into your physical looks, especially when you just don’t feel like being in the spotlight or having that kind of attention on you.”
.
“We put a lot into our music and every minute detail is crafted and is there with a purpose. If you take your time with it, you’ll find something new every time you listen.”
.
“I remember Matty Healy saying that “If You’re Too Shy” is the kind of song they make when they all get together and don’t overthink it – it’s the ‘The 1975’ archetype – and that’s kind of what ‘Camera Shy’ is to us.”
.
..
…
✍️ by @MitchMosk
📸 © @evvvie.m
🔥⁠ link in bio 🔥
...
..
.
@paperbagrecords
#sundayclub
#CameraShy
#music
#premiere
#interview

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness (@sundayclub.band)
—
Winnipeg indie pop duo sundayclub capture the ache of missed moments and modern self-awareness on “Camera Shy,” the radiant, dreamy lead single off their upcoming self-titled debut album – a shimmering, gut-punch rush that blurs the line between living and remembering in real time.
.
“We often describe ‘Camera Shy’ as being as the quintessential ‘sundayclub song’ and the blueprint for the record. It’s about a good night gone very wrong; one of those back and forth, hazy NYE nights bound for absolute disaster. The song references our obsession with the ‘moment’ and ever-present FOMO, but also introduces Court’s complicated feelings towards being photographed or ‘captured.’”
.
“A huge part of what we do requires us to frequently be seen and to have a lot of our lives documented, either in photos or videos, whether we’re feeling up to it or not. It can get really overwhelming and all-consuming when so much of your energy is put into your physical looks, especially when you just don’t feel like being in the spotlight or having that kind of attention on you.”
.
“We put a lot into our music and every minute detail is crafted and is there with a purpose. If you take your time with it, you’ll find something new every time you listen.”
.
“I remember Matty Healy saying that “If You’re Too Shy” is the kind of song they make when they all get together and don’t overthink it – it’s the ‘The 1975’ archetype – and that’s kind of what ‘Camera Shy’ is to us.”
.
..
…
✍️ by @MitchMosk
📸 © @evvvie.m
🔥⁠ link in bio 🔥
...
..
.
@paperbagrecords
#sundayclub
#CameraShy
#music
#premiere
#interview

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness (@sundayclub.band)
—
Winnipeg indie pop duo sundayclub capture the ache of missed moments and modern self-awareness on “Camera Shy,” the radiant, dreamy lead single off their upcoming self-titled debut album – a shimmering, gut-punch rush that blurs the line between living and remembering in real time.
.
“We often describe ‘Camera Shy’ as being as the quintessential ‘sundayclub song’ and the blueprint for the record. It’s about a good night gone very wrong; one of those back and forth, hazy NYE nights bound for absolute disaster. The song references our obsession with the ‘moment’ and ever-present FOMO, but also introduces Court’s complicated feelings towards being photographed or ‘captured.’”
.
“A huge part of what we do requires us to frequently be seen and to have a lot of our lives documented, either in photos or videos, whether we’re feeling up to it or not. It can get really overwhelming and all-consuming when so much of your energy is put into your physical looks, especially when you just don’t feel like being in the spotlight or having that kind of attention on you.”
.
“We put a lot into our music and every minute detail is crafted and is there with a purpose. If you take your time with it, you’ll find something new every time you listen.”
.
“I remember Matty Healy saying that “If You’re Too Shy” is the kind of song they make when they all get together and don’t overthink it – it’s the ‘The 1975’ archetype – and that’s kind of what ‘Camera Shy’ is to us.”
.
..
…
✍️ by @MitchMosk
📸 © @evvvie.m
🔥⁠ link in bio 🔥
...
..
.
@paperbagrecords
#sundayclub
#CameraShy
#music
#premiere
#interview

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness (@sundayclub.band)
—
Winnipeg indie pop duo sundayclub capture the ache of missed moments and modern self-awareness on “Camera Shy,” the radiant, dreamy lead single off their upcoming self-titled debut album – a shimmering, gut-punch rush that blurs the line between living and remembering in real time.
.
“We often describe ‘Camera Shy’ as being as the quintessential ‘sundayclub song’ and the blueprint for the record. It’s about a good night gone very wrong; one of those back and forth, hazy NYE nights bound for absolute disaster. The song references our obsession with the ‘moment’ and ever-present FOMO, but also introduces Court’s complicated feelings towards being photographed or ‘captured.’”
.
“A huge part of what we do requires us to frequently be seen and to have a lot of our lives documented, either in photos or videos, whether we’re feeling up to it or not. It can get really overwhelming and all-consuming when so much of your energy is put into your physical looks, especially when you just don’t feel like being in the spotlight or having that kind of attention on you.”
.
“We put a lot into our music and every minute detail is crafted and is there with a purpose. If you take your time with it, you’ll find something new every time you listen.”
.
“I remember Matty Healy saying that “If You’re Too Shy” is the kind of song they make when they all get together and don’t overthink it – it’s the ‘The 1975’ archetype – and that’s kind of what ‘Camera Shy’ is to us.”
.
..
…
✍️ by @MitchMosk
📸 © @evvvie.m
🔥⁠ link in bio 🔥
...
..
.
@paperbagrecords
#sundayclub
#CameraShy
#music
#premiere
#interview

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness (@sundayclub.band)
—
Winnipeg indie pop duo sundayclub capture the ache of missed moments and modern self-awareness on “Camera Shy,” the radiant, dreamy lead single off their upcoming self-titled debut album – a shimmering, gut-punch rush that blurs the line between living and remembering in real time.
.
“We often describe ‘Camera Shy’ as being as the quintessential ‘sundayclub song’ and the blueprint for the record. It’s about a good night gone very wrong; one of those back and forth, hazy NYE nights bound for absolute disaster. The song references our obsession with the ‘moment’ and ever-present FOMO, but also introduces Court’s complicated feelings towards being photographed or ‘captured.’”
.
“A huge part of what we do requires us to frequently be seen and to have a lot of our lives documented, either in photos or videos, whether we’re feeling up to it or not. It can get really overwhelming and all-consuming when so much of your energy is put into your physical looks, especially when you just don’t feel like being in the spotlight or having that kind of attention on you.”
.
“We put a lot into our music and every minute detail is crafted and is there with a purpose. If you take your time with it, you’ll find something new every time you listen.”
.
“I remember Matty Healy saying that “If You’re Too Shy” is the kind of song they make when they all get together and don’t overthink it – it’s the ‘The 1975’ archetype – and that’s kind of what ‘Camera Shy’ is to us.”
.
..
…
✍️ by @MitchMosk
📸 © @evvvie.m
🔥⁠ link in bio 🔥
...
..
.
@paperbagrecords
#sundayclub
#CameraShy
#music
#premiere
#interview

“Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness (@sundayclub.band)
—
Winnipeg indie pop duo sundayclub capture the ache of missed moments and modern self-awareness on “Camera Shy,” the radiant, dreamy lead single off their upcoming self-titled debut album – a shimmering, gut-punch rush that blurs the line between living and remembering in real time.
.
“We often describe ‘Camera Shy’ as being as the quintessential ‘sundayclub song’ and the blueprint for the record. It’s about a good night gone very wrong; one of those back and forth, hazy NYE nights bound for absolute disaster. The song references our obsession with the ‘moment’ and ever-present FOMO, but also introduces Court’s complicated feelings towards being photographed or ‘captured.’”
.
“A huge part of what we do requires us to frequently be seen and to have a lot of our lives documented, either in photos or videos, whether we’re feeling up to it or not. It can get really overwhelming and all-consuming when so much of your energy is put into your physical looks, especially when you just don’t feel like being in the spotlight or having that kind of attention on you.”
.
“We put a lot into our music and every minute detail is crafted and is there with a purpose. If you take your time with it, you’ll find something new every time you listen.”
.
“I remember Matty Healy saying that “If You’re Too Shy” is the kind of song they make when they all get together and don’t overthink it – it’s the ‘The 1975’ archetype – and that’s kind of what ‘Camera Shy’ is to us.”
.
..
…
✍️ by @MitchMosk
📸 © @evvvie.m
🔥⁠ link in bio 🔥
...
..
.
@paperbagrecords
#sundayclub
#CameraShy
#music
#premiere
#interview

“It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom (@norakellyband)
—
Montreal’s Nora Kelly Band channel the hard-won grace of walking away into “Irish Goodbye,” a driving indie rock-laced alt-country anthem – and standout off their upcoming sophomore album ‘So Wrong for So Long’ – that transforms heartbreak, self-awareness, and letting go into a cathartic, windows-down release.
.
“‘Irish Goodbye’ is about the breakup between me and my ex-boyfriend who was also my bass player. Messy, I know. I wrote it just a few days before we were set to record the album. At first, I thought it was too last-minute and figured it would end up on the next record. But my band, along with our amazing producer Marcus Paquin encouraged me to workshop it in the studio. In the end, it became my favourite track on the album.”
.
“For me, ‘Irish Goodbye’ is about the quiet power of leaving a relationship with grace, accepting that things won’t turn out the way you hoped and choosing the high road. It’s like slipping out of the party that was your ‘good old days’ and beginning the process of moving on.”
.
“So Wrong for So Long is about discovering what strength really means. On the album cover, I’m portrayed as the ultimate stereotype of strength, a sailor covered in tattoos with comically oversized arms. But the songs themselves dig into complexities of the word. Sometimes, strength looks like softness in the face of difficulty. Sometimes, it’s about setting boundaries, saying no to unhealthy dynamics, and choosing to walk away. That’s where ‘Irish Goodbye’ fits in.”
.
..
…
✍️ by @MitchMosk
📸 © @sophiaperrass
🔥⁠ link in bio 🔥
...
..
.
@mintrecords
@rachelflorencesilv
@dylanskeating
@thehumancrumb
@wokefanatic
@jackrick101
#NoraKellyBand
#IrishGoodbye
#music
#premiere
#SoWrongForSoLong

“It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom (@norakellyband)
—
Montreal’s Nora Kelly Band channel the hard-won grace of walking away into “Irish Goodbye,” a driving indie rock-laced alt-country anthem – and standout off their upcoming sophomore album ‘So Wrong for So Long’ – that transforms heartbreak, self-awareness, and letting go into a cathartic, windows-down release.
.
“‘Irish Goodbye’ is about the breakup between me and my ex-boyfriend who was also my bass player. Messy, I know. I wrote it just a few days before we were set to record the album. At first, I thought it was too last-minute and figured it would end up on the next record. But my band, along with our amazing producer Marcus Paquin encouraged me to workshop it in the studio. In the end, it became my favourite track on the album.”
.
“For me, ‘Irish Goodbye’ is about the quiet power of leaving a relationship with grace, accepting that things won’t turn out the way you hoped and choosing the high road. It’s like slipping out of the party that was your ‘good old days’ and beginning the process of moving on.”
.
“So Wrong for So Long is about discovering what strength really means. On the album cover, I’m portrayed as the ultimate stereotype of strength, a sailor covered in tattoos with comically oversized arms. But the songs themselves dig into complexities of the word. Sometimes, strength looks like softness in the face of difficulty. Sometimes, it’s about setting boundaries, saying no to unhealthy dynamics, and choosing to walk away. That’s where ‘Irish Goodbye’ fits in.”
.
..
…
✍️ by @MitchMosk
📸 © @sophiaperrass
🔥⁠ link in bio 🔥
...
..
.
@mintrecords
@rachelflorencesilv
@dylanskeating
@thehumancrumb
@wokefanatic
@jackrick101
#NoraKellyBand
#IrishGoodbye
#music
#premiere
#SoWrongForSoLong

“It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom (@norakellyband)
—
Montreal’s Nora Kelly Band channel the hard-won grace of walking away into “Irish Goodbye,” a driving indie rock-laced alt-country anthem – and standout off their upcoming sophomore album ‘So Wrong for So Long’ – that transforms heartbreak, self-awareness, and letting go into a cathartic, windows-down release.
.
“‘Irish Goodbye’ is about the breakup between me and my ex-boyfriend who was also my bass player. Messy, I know. I wrote it just a few days before we were set to record the album. At first, I thought it was too last-minute and figured it would end up on the next record. But my band, along with our amazing producer Marcus Paquin encouraged me to workshop it in the studio. In the end, it became my favourite track on the album.”
.
“For me, ‘Irish Goodbye’ is about the quiet power of leaving a relationship with grace, accepting that things won’t turn out the way you hoped and choosing the high road. It’s like slipping out of the party that was your ‘good old days’ and beginning the process of moving on.”
.
“So Wrong for So Long is about discovering what strength really means. On the album cover, I’m portrayed as the ultimate stereotype of strength, a sailor covered in tattoos with comically oversized arms. But the songs themselves dig into complexities of the word. Sometimes, strength looks like softness in the face of difficulty. Sometimes, it’s about setting boundaries, saying no to unhealthy dynamics, and choosing to walk away. That’s where ‘Irish Goodbye’ fits in.”
.
..
…
✍️ by @MitchMosk
📸 © @sophiaperrass
🔥⁠ link in bio 🔥
...
..
.
@mintrecords
@rachelflorencesilv
@dylanskeating
@thehumancrumb
@wokefanatic
@jackrick101
#NoraKellyBand
#IrishGoodbye
#music
#premiere
#SoWrongForSoLong

“It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom (@norakellyband)
—
Montreal’s Nora Kelly Band channel the hard-won grace of walking away into “Irish Goodbye,” a driving indie rock-laced alt-country anthem – and standout off their upcoming sophomore album ‘So Wrong for So Long’ – that transforms heartbreak, self-awareness, and letting go into a cathartic, windows-down release.
.
“‘Irish Goodbye’ is about the breakup between me and my ex-boyfriend who was also my bass player. Messy, I know. I wrote it just a few days before we were set to record the album. At first, I thought it was too last-minute and figured it would end up on the next record. But my band, along with our amazing producer Marcus Paquin encouraged me to workshop it in the studio. In the end, it became my favourite track on the album.”
.
“For me, ‘Irish Goodbye’ is about the quiet power of leaving a relationship with grace, accepting that things won’t turn out the way you hoped and choosing the high road. It’s like slipping out of the party that was your ‘good old days’ and beginning the process of moving on.”
.
“So Wrong for So Long is about discovering what strength really means. On the album cover, I’m portrayed as the ultimate stereotype of strength, a sailor covered in tattoos with comically oversized arms. But the songs themselves dig into complexities of the word. Sometimes, strength looks like softness in the face of difficulty. Sometimes, it’s about setting boundaries, saying no to unhealthy dynamics, and choosing to walk away. That’s where ‘Irish Goodbye’ fits in.”
.
..
…
✍️ by @MitchMosk
📸 © @sophiaperrass
🔥⁠ link in bio 🔥
...
..
.
@mintrecords
@rachelflorencesilv
@dylanskeating
@thehumancrumb
@wokefanatic
@jackrick101
#NoraKellyBand
#IrishGoodbye
#music
#premiere
#SoWrongForSoLong

“It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom (@norakellyband)
—
Montreal’s Nora Kelly Band channel the hard-won grace of walking away into “Irish Goodbye,” a driving indie rock-laced alt-country anthem – and standout off their upcoming sophomore album ‘So Wrong for So Long’ – that transforms heartbreak, self-awareness, and letting go into a cathartic, windows-down release.
.
“‘Irish Goodbye’ is about the breakup between me and my ex-boyfriend who was also my bass player. Messy, I know. I wrote it just a few days before we were set to record the album. At first, I thought it was too last-minute and figured it would end up on the next record. But my band, along with our amazing producer Marcus Paquin encouraged me to workshop it in the studio. In the end, it became my favourite track on the album.”
.
“For me, ‘Irish Goodbye’ is about the quiet power of leaving a relationship with grace, accepting that things won’t turn out the way you hoped and choosing the high road. It’s like slipping out of the party that was your ‘good old days’ and beginning the process of moving on.”
.
“So Wrong for So Long is about discovering what strength really means. On the album cover, I’m portrayed as the ultimate stereotype of strength, a sailor covered in tattoos with comically oversized arms. But the songs themselves dig into complexities of the word. Sometimes, strength looks like softness in the face of difficulty. Sometimes, it’s about setting boundaries, saying no to unhealthy dynamics, and choosing to walk away. That’s where ‘Irish Goodbye’ fits in.”
.
..
…
✍️ by @MitchMosk
📸 © @sophiaperrass
🔥⁠ link in bio 🔥
...
..
.
@mintrecords
@rachelflorencesilv
@dylanskeating
@thehumancrumb
@wokefanatic
@jackrick101
#NoraKellyBand
#IrishGoodbye
#music
#premiere
#SoWrongForSoLong

“It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom (@norakellyband)
—
Montreal’s Nora Kelly Band channel the hard-won grace of walking away into “Irish Goodbye,” a driving indie rock-laced alt-country anthem – and standout off their upcoming sophomore album ‘So Wrong for So Long’ – that transforms heartbreak, self-awareness, and letting go into a cathartic, windows-down release.
.
“‘Irish Goodbye’ is about the breakup between me and my ex-boyfriend who was also my bass player. Messy, I know. I wrote it just a few days before we were set to record the album. At first, I thought it was too last-minute and figured it would end up on the next record. But my band, along with our amazing producer Marcus Paquin encouraged me to workshop it in the studio. In the end, it became my favourite track on the album.”
.
“For me, ‘Irish Goodbye’ is about the quiet power of leaving a relationship with grace, accepting that things won’t turn out the way you hoped and choosing the high road. It’s like slipping out of the party that was your ‘good old days’ and beginning the process of moving on.”
.
“So Wrong for So Long is about discovering what strength really means. On the album cover, I’m portrayed as the ultimate stereotype of strength, a sailor covered in tattoos with comically oversized arms. But the songs themselves dig into complexities of the word. Sometimes, strength looks like softness in the face of difficulty. Sometimes, it’s about setting boundaries, saying no to unhealthy dynamics, and choosing to walk away. That’s where ‘Irish Goodbye’ fits in.”
.
..
…
✍️ by @MitchMosk
📸 © @sophiaperrass
🔥⁠ link in bio 🔥
...
..
.
@mintrecords
@rachelflorencesilv
@dylanskeating
@thehumancrumb
@wokefanatic
@jackrick101
#NoraKellyBand
#IrishGoodbye
#music
#premiere
#SoWrongForSoLong

“It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom (@norakellyband)
—
Montreal’s Nora Kelly Band channel the hard-won grace of walking away into “Irish Goodbye,” a driving indie rock-laced alt-country anthem – and standout off their upcoming sophomore album ‘So Wrong for So Long’ – that transforms heartbreak, self-awareness, and letting go into a cathartic, windows-down release.
.
“‘Irish Goodbye’ is about the breakup between me and my ex-boyfriend who was also my bass player. Messy, I know. I wrote it just a few days before we were set to record the album. At first, I thought it was too last-minute and figured it would end up on the next record. But my band, along with our amazing producer Marcus Paquin encouraged me to workshop it in the studio. In the end, it became my favourite track on the album.”
.
“For me, ‘Irish Goodbye’ is about the quiet power of leaving a relationship with grace, accepting that things won’t turn out the way you hoped and choosing the high road. It’s like slipping out of the party that was your ‘good old days’ and beginning the process of moving on.”
.
“So Wrong for So Long is about discovering what strength really means. On the album cover, I’m portrayed as the ultimate stereotype of strength, a sailor covered in tattoos with comically oversized arms. But the songs themselves dig into complexities of the word. Sometimes, strength looks like softness in the face of difficulty. Sometimes, it’s about setting boundaries, saying no to unhealthy dynamics, and choosing to walk away. That’s where ‘Irish Goodbye’ fits in.”
.
..
…
✍️ by @MitchMosk
📸 © @sophiaperrass
🔥⁠ link in bio 🔥
...
..
.
@mintrecords
@rachelflorencesilv
@dylanskeating
@thehumancrumb
@wokefanatic
@jackrick101
#NoraKellyBand
#IrishGoodbye
#music
#premiere
#SoWrongForSoLong

“It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom (@norakellyband)
—
Montreal’s Nora Kelly Band channel the hard-won grace of walking away into “Irish Goodbye,” a driving indie rock-laced alt-country anthem – and standout off their upcoming sophomore album ‘So Wrong for So Long’ – that transforms heartbreak, self-awareness, and letting go into a cathartic, windows-down release.
.
“‘Irish Goodbye’ is about the breakup between me and my ex-boyfriend who was also my bass player. Messy, I know. I wrote it just a few days before we were set to record the album. At first, I thought it was too last-minute and figured it would end up on the next record. But my band, along with our amazing producer Marcus Paquin encouraged me to workshop it in the studio. In the end, it became my favourite track on the album.”
.
“For me, ‘Irish Goodbye’ is about the quiet power of leaving a relationship with grace, accepting that things won’t turn out the way you hoped and choosing the high road. It’s like slipping out of the party that was your ‘good old days’ and beginning the process of moving on.”
.
“So Wrong for So Long is about discovering what strength really means. On the album cover, I’m portrayed as the ultimate stereotype of strength, a sailor covered in tattoos with comically oversized arms. But the songs themselves dig into complexities of the word. Sometimes, strength looks like softness in the face of difficulty. Sometimes, it’s about setting boundaries, saying no to unhealthy dynamics, and choosing to walk away. That’s where ‘Irish Goodbye’ fits in.”
.
..
…
✍️ by @MitchMosk
📸 © @sophiaperrass
🔥⁠ link in bio 🔥
...
..
.
@mintrecords
@rachelflorencesilv
@dylanskeating
@thehumancrumb
@wokefanatic
@jackrick101
#NoraKellyBand
#IrishGoodbye
#music
#premiere
#SoWrongForSoLong

“It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom (@norakellyband)
—
Montreal’s Nora Kelly Band channel the hard-won grace of walking away into “Irish Goodbye,” a driving indie rock-laced alt-country anthem – and standout off their upcoming sophomore album ‘So Wrong for So Long’ – that transforms heartbreak, self-awareness, and letting go into a cathartic, windows-down release.
.
“‘Irish Goodbye’ is about the breakup between me and my ex-boyfriend who was also my bass player. Messy, I know. I wrote it just a few days before we were set to record the album. At first, I thought it was too last-minute and figured it would end up on the next record. But my band, along with our amazing producer Marcus Paquin encouraged me to workshop it in the studio. In the end, it became my favourite track on the album.”
.
“For me, ‘Irish Goodbye’ is about the quiet power of leaving a relationship with grace, accepting that things won’t turn out the way you hoped and choosing the high road. It’s like slipping out of the party that was your ‘good old days’ and beginning the process of moving on.”
.
“So Wrong for So Long is about discovering what strength really means. On the album cover, I’m portrayed as the ultimate stereotype of strength, a sailor covered in tattoos with comically oversized arms. But the songs themselves dig into complexities of the word. Sometimes, strength looks like softness in the face of difficulty. Sometimes, it’s about setting boundaries, saying no to unhealthy dynamics, and choosing to walk away. That’s where ‘Irish Goodbye’ fits in.”
.
..
…
✍️ by @MitchMosk
📸 © @sophiaperrass
🔥⁠ link in bio 🔥
...
..
.
@mintrecords
@rachelflorencesilv
@dylanskeating
@thehumancrumb
@wokefanatic
@jackrick101
#NoraKellyBand
#IrishGoodbye
#music
#premiere
#SoWrongForSoLong

“It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom (@norakellyband)
—
Montreal’s Nora Kelly Band channel the hard-won grace of walking away into “Irish Goodbye,” a driving indie rock-laced alt-country anthem – and standout off their upcoming sophomore album ‘So Wrong for So Long’ – that transforms heartbreak, self-awareness, and letting go into a cathartic, windows-down release.
.
“‘Irish Goodbye’ is about the breakup between me and my ex-boyfriend who was also my bass player. Messy, I know. I wrote it just a few days before we were set to record the album. At first, I thought it was too last-minute and figured it would end up on the next record. But my band, along with our amazing producer Marcus Paquin encouraged me to workshop it in the studio. In the end, it became my favourite track on the album.”
.
“For me, ‘Irish Goodbye’ is about the quiet power of leaving a relationship with grace, accepting that things won’t turn out the way you hoped and choosing the high road. It’s like slipping out of the party that was your ‘good old days’ and beginning the process of moving on.”
.
“So Wrong for So Long is about discovering what strength really means. On the album cover, I’m portrayed as the ultimate stereotype of strength, a sailor covered in tattoos with comically oversized arms. But the songs themselves dig into complexities of the word. Sometimes, strength looks like softness in the face of difficulty. Sometimes, it’s about setting boundaries, saying no to unhealthy dynamics, and choosing to walk away. That’s where ‘Irish Goodbye’ fits in.”
.
..
…
✍️ by @MitchMosk
📸 © @sophiaperrass
🔥⁠ link in bio 🔥
...
..
.
@mintrecords
@rachelflorencesilv
@dylanskeating
@thehumancrumb
@wokefanatic
@jackrick101
#NoraKellyBand
#IrishGoodbye
#music
#premiere
#SoWrongForSoLong

“I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral (@joshzboy)
—
CASTLEBEAT’s Josh Hwang captures the ache of unfinished love on “My Love,” a hypnotic dream-pop spiral and early glimpse into his seventh album ‘CASTLEBEAT II,’ where memory, distance, and longing blur into a deeply human reckoning that lingers long after the final note.
.
“‘My Love’ reads like fragments from a diary and a photo you can’t stop revisiting, while the chorus hits with a quiet crash: ‘I hit the floor and it’s breaking my heart.’ Minimal, hypnotic dream-pop with a repeatable hook designed for late-night listening, breakup playlists, and introspective indie pop.”
.
“I’ve always been drawn to low fidelity music - maybe because it feels more authentic and hand-made. The combination with an obsession with pop melody is what makes CASTLEBEAT.”
.
“Since learning and gaining more experience in music creation, I often find myself overthinking things that don’t really matter that much. It’s nice to go back to a more raw way of making music.”
.
..
…
✍️ by @MitchMosk
📸 © @soniagadhia
🔥⁠ link in bio 🔥
...
..
.
@spiritgoth
#CASTLEBEAT
#MyLove
#music
#interview
#SpiritGoth

“I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral (@joshzboy)
—
CASTLEBEAT’s Josh Hwang captures the ache of unfinished love on “My Love,” a hypnotic dream-pop spiral and early glimpse into his seventh album ‘CASTLEBEAT II,’ where memory, distance, and longing blur into a deeply human reckoning that lingers long after the final note.
.
“‘My Love’ reads like fragments from a diary and a photo you can’t stop revisiting, while the chorus hits with a quiet crash: ‘I hit the floor and it’s breaking my heart.’ Minimal, hypnotic dream-pop with a repeatable hook designed for late-night listening, breakup playlists, and introspective indie pop.”
.
“I’ve always been drawn to low fidelity music - maybe because it feels more authentic and hand-made. The combination with an obsession with pop melody is what makes CASTLEBEAT.”
.
“Since learning and gaining more experience in music creation, I often find myself overthinking things that don’t really matter that much. It’s nice to go back to a more raw way of making music.”
.
..
…
✍️ by @MitchMosk
📸 © @soniagadhia
🔥⁠ link in bio 🔥
...
..
.
@spiritgoth
#CASTLEBEAT
#MyLove
#music
#interview
#SpiritGoth

“I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral (@joshzboy)
—
CASTLEBEAT’s Josh Hwang captures the ache of unfinished love on “My Love,” a hypnotic dream-pop spiral and early glimpse into his seventh album ‘CASTLEBEAT II,’ where memory, distance, and longing blur into a deeply human reckoning that lingers long after the final note.
.
“‘My Love’ reads like fragments from a diary and a photo you can’t stop revisiting, while the chorus hits with a quiet crash: ‘I hit the floor and it’s breaking my heart.’ Minimal, hypnotic dream-pop with a repeatable hook designed for late-night listening, breakup playlists, and introspective indie pop.”
.
“I’ve always been drawn to low fidelity music - maybe because it feels more authentic and hand-made. The combination with an obsession with pop melody is what makes CASTLEBEAT.”
.
“Since learning and gaining more experience in music creation, I often find myself overthinking things that don’t really matter that much. It’s nice to go back to a more raw way of making music.”
.
..
…
✍️ by @MitchMosk
📸 © @soniagadhia
🔥⁠ link in bio 🔥
...
..
.
@spiritgoth
#CASTLEBEAT
#MyLove
#music
#interview
#SpiritGoth

“I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral (@joshzboy)
—
CASTLEBEAT’s Josh Hwang captures the ache of unfinished love on “My Love,” a hypnotic dream-pop spiral and early glimpse into his seventh album ‘CASTLEBEAT II,’ where memory, distance, and longing blur into a deeply human reckoning that lingers long after the final note.
.
“‘My Love’ reads like fragments from a diary and a photo you can’t stop revisiting, while the chorus hits with a quiet crash: ‘I hit the floor and it’s breaking my heart.’ Minimal, hypnotic dream-pop with a repeatable hook designed for late-night listening, breakup playlists, and introspective indie pop.”
.
“I’ve always been drawn to low fidelity music - maybe because it feels more authentic and hand-made. The combination with an obsession with pop melody is what makes CASTLEBEAT.”
.
“Since learning and gaining more experience in music creation, I often find myself overthinking things that don’t really matter that much. It’s nice to go back to a more raw way of making music.”
.
..
…
✍️ by @MitchMosk
📸 © @soniagadhia
🔥⁠ link in bio 🔥
...
..
.
@spiritgoth
#CASTLEBEAT
#MyLove
#music
#interview
#SpiritGoth

“I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral (@joshzboy)
—
CASTLEBEAT’s Josh Hwang captures the ache of unfinished love on “My Love,” a hypnotic dream-pop spiral and early glimpse into his seventh album ‘CASTLEBEAT II,’ where memory, distance, and longing blur into a deeply human reckoning that lingers long after the final note.
.
“‘My Love’ reads like fragments from a diary and a photo you can’t stop revisiting, while the chorus hits with a quiet crash: ‘I hit the floor and it’s breaking my heart.’ Minimal, hypnotic dream-pop with a repeatable hook designed for late-night listening, breakup playlists, and introspective indie pop.”
.
“I’ve always been drawn to low fidelity music - maybe because it feels more authentic and hand-made. The combination with an obsession with pop melody is what makes CASTLEBEAT.”
.
“Since learning and gaining more experience in music creation, I often find myself overthinking things that don’t really matter that much. It’s nice to go back to a more raw way of making music.”
.
..
…
✍️ by @MitchMosk
📸 © @soniagadhia
🔥⁠ link in bio 🔥
...
..
.
@spiritgoth
#CASTLEBEAT
#MyLove
#music
#interview
#SpiritGoth

“I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral (@joshzboy)
—
CASTLEBEAT’s Josh Hwang captures the ache of unfinished love on “My Love,” a hypnotic dream-pop spiral and early glimpse into his seventh album ‘CASTLEBEAT II,’ where memory, distance, and longing blur into a deeply human reckoning that lingers long after the final note.
.
“‘My Love’ reads like fragments from a diary and a photo you can’t stop revisiting, while the chorus hits with a quiet crash: ‘I hit the floor and it’s breaking my heart.’ Minimal, hypnotic dream-pop with a repeatable hook designed for late-night listening, breakup playlists, and introspective indie pop.”
.
“I’ve always been drawn to low fidelity music - maybe because it feels more authentic and hand-made. The combination with an obsession with pop melody is what makes CASTLEBEAT.”
.
“Since learning and gaining more experience in music creation, I often find myself overthinking things that don’t really matter that much. It’s nice to go back to a more raw way of making music.”
.
..
…
✍️ by @MitchMosk
📸 © @soniagadhia
🔥⁠ link in bio 🔥
...
..
.
@spiritgoth
#CASTLEBEAT
#MyLove
#music
#interview
#SpiritGoth

“I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral (@joshzboy)
—
CASTLEBEAT’s Josh Hwang captures the ache of unfinished love on “My Love,” a hypnotic dream-pop spiral and early glimpse into his seventh album ‘CASTLEBEAT II,’ where memory, distance, and longing blur into a deeply human reckoning that lingers long after the final note.
.
“‘My Love’ reads like fragments from a diary and a photo you can’t stop revisiting, while the chorus hits with a quiet crash: ‘I hit the floor and it’s breaking my heart.’ Minimal, hypnotic dream-pop with a repeatable hook designed for late-night listening, breakup playlists, and introspective indie pop.”
.
“I’ve always been drawn to low fidelity music - maybe because it feels more authentic and hand-made. The combination with an obsession with pop melody is what makes CASTLEBEAT.”
.
“Since learning and gaining more experience in music creation, I often find myself overthinking things that don’t really matter that much. It’s nice to go back to a more raw way of making music.”
.
..
…
✍️ by @MitchMosk
📸 © @soniagadhia
🔥⁠ link in bio 🔥
...
..
.
@spiritgoth
#CASTLEBEAT
#MyLove
#music
#interview
#SpiritGoth

“I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral (@joshzboy)
—
CASTLEBEAT’s Josh Hwang captures the ache of unfinished love on “My Love,” a hypnotic dream-pop spiral and early glimpse into his seventh album ‘CASTLEBEAT II,’ where memory, distance, and longing blur into a deeply human reckoning that lingers long after the final note.
.
“‘My Love’ reads like fragments from a diary and a photo you can’t stop revisiting, while the chorus hits with a quiet crash: ‘I hit the floor and it’s breaking my heart.’ Minimal, hypnotic dream-pop with a repeatable hook designed for late-night listening, breakup playlists, and introspective indie pop.”
.
“I’ve always been drawn to low fidelity music - maybe because it feels more authentic and hand-made. The combination with an obsession with pop melody is what makes CASTLEBEAT.”
.
“Since learning and gaining more experience in music creation, I often find myself overthinking things that don’t really matter that much. It’s nice to go back to a more raw way of making music.”
.
..
…
✍️ by @MitchMosk
📸 © @soniagadhia
🔥⁠ link in bio 🔥
...
..
.
@spiritgoth
#CASTLEBEAT
#MyLove
#music
#interview
#SpiritGoth

“I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral (@joshzboy)
—
CASTLEBEAT’s Josh Hwang captures the ache of unfinished love on “My Love,” a hypnotic dream-pop spiral and early glimpse into his seventh album ‘CASTLEBEAT II,’ where memory, distance, and longing blur into a deeply human reckoning that lingers long after the final note.
.
“‘My Love’ reads like fragments from a diary and a photo you can’t stop revisiting, while the chorus hits with a quiet crash: ‘I hit the floor and it’s breaking my heart.’ Minimal, hypnotic dream-pop with a repeatable hook designed for late-night listening, breakup playlists, and introspective indie pop.”
.
“I’ve always been drawn to low fidelity music - maybe because it feels more authentic and hand-made. The combination with an obsession with pop melody is what makes CASTLEBEAT.”
.
“Since learning and gaining more experience in music creation, I often find myself overthinking things that don’t really matter that much. It’s nice to go back to a more raw way of making music.”
.
..
…
✍️ by @MitchMosk
📸 © @soniagadhia
🔥⁠ link in bio 🔥
...
..
.
@spiritgoth
#CASTLEBEAT
#MyLove
#music
#interview
#SpiritGoth

“I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral (@joshzboy)
—
CASTLEBEAT’s Josh Hwang captures the ache of unfinished love on “My Love,” a hypnotic dream-pop spiral and early glimpse into his seventh album ‘CASTLEBEAT II,’ where memory, distance, and longing blur into a deeply human reckoning that lingers long after the final note.
.
“‘My Love’ reads like fragments from a diary and a photo you can’t stop revisiting, while the chorus hits with a quiet crash: ‘I hit the floor and it’s breaking my heart.’ Minimal, hypnotic dream-pop with a repeatable hook designed for late-night listening, breakup playlists, and introspective indie pop.”
.
“I’ve always been drawn to low fidelity music - maybe because it feels more authentic and hand-made. The combination with an obsession with pop melody is what makes CASTLEBEAT.”
.
“Since learning and gaining more experience in music creation, I often find myself overthinking things that don’t really matter that much. It’s nice to go back to a more raw way of making music.”
.
..
…
✍️ by @MitchMosk
📸 © @soniagadhia
🔥⁠ link in bio 🔥
...
..
.
@spiritgoth
#CASTLEBEAT
#MyLove
#music
#interview
#SpiritGoth

“I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral (@joshzboy)
—
CASTLEBEAT’s Josh Hwang captures the ache of unfinished love on “My Love,” a hypnotic dream-pop spiral and early glimpse into his seventh album ‘CASTLEBEAT II,’ where memory, distance, and longing blur into a deeply human reckoning that lingers long after the final note.
.
“‘My Love’ reads like fragments from a diary and a photo you can’t stop revisiting, while the chorus hits with a quiet crash: ‘I hit the floor and it’s breaking my heart.’ Minimal, hypnotic dream-pop with a repeatable hook designed for late-night listening, breakup playlists, and introspective indie pop.”
.
“I’ve always been drawn to low fidelity music - maybe because it feels more authentic and hand-made. The combination with an obsession with pop melody is what makes CASTLEBEAT.”
.
“Since learning and gaining more experience in music creation, I often find myself overthinking things that don’t really matter that much. It’s nice to go back to a more raw way of making music.”
.
..
…
✍️ by @MitchMosk
📸 © @soniagadhia
🔥⁠ link in bio 🔥
...
..
.
@spiritgoth
#CASTLEBEAT
#MyLove
#music
#interview
#SpiritGoth