Instagram Story Viewer
View Instagram Stories Anonymously
prsformusic
PRS for Music
Representing the rights of more than 190,000 songwriters, composers and music publishers worldwide.
As Sir David Attenborough turns 100, @georgefentonmusic, @elizabethparkercomposer and @segunakinolacomposer tell us about the honour of being among a select number of composers to have scored a natural history documentary by the broadcasting legend.
Watch the full mini documentary Composing for a Centurion on YouTube now. Link in bio.
#AttenboroughAt100 #DavidAttenborough100 #DavidAttenborough
With the PRS AGM just around the corner, it’s never been easier for eligible voting members to cast their votes on proposed changes to PRS. Advance voting means no matter where you are, you can get your voice heard at the PRS AGM.
Advanced voting closes today at 2:30pm.
#PRSAGM #PRSCommunity
Eurovision 2026 officially starts in Vienna this weekend. This year sees 16 PRS songwriters and producers credited across eleven entries with five of those being the performing artist.
🇬🇧 Eins, Zwei, Drei - @lookmumnocomputer - Co-written by PRS member Sam Battle (Look Mum No Computer) alongside Julie Aagaard (KODA), Lasse Nymann (TONO) and Thomas Stengaard (KODA).
🇲🇹 Bella - @itsaidanofficial - Co-written by PRS members AIDAN and @sarah.bonnici_ alongside @joep.vandenboom (BUMA).
🇨🇾 Jalla - @antigoni - Co-written by PRS members Antigoni, @mullallymusic, @iamclaydee, @paris_kalpos and @treyqua.
🇱🇺 Mother Nature - @evamarijaaa - Co-written by PRS member Eva Marija alongside Julie Aagaars (KODA), Marie Broberg (STIM) and Thomas Stengaard (KODA).
🇸🇲 Superstar - @senhitofficial feat @boygeorgeofficial - Co-written by PRS member Boy George alongside, Senhit Zadik (SIAE), Julie Aagaard (KODA), Thomas Stengaard (KODA), Anderz Wrethov (STIM) and John-Emil Johansson (STIM).
🇬🇷 Ferto - @akylas__ - Co-written by PRS member @teoteoteo.x3 alongside Akylas, Orfeas Nonis and Thomas Papathanasis (Autodia).
🇦🇺 Eclipse - @deltagoodrem - Co-written by PRS member @jonasmyrin alongside Delta Goodrem (APRA), Ferras Alqaisi (ASCAP) and Michael Fatkin (APRA).
🇧🇬 Bangaranga - @darnadude - Co-written by PRS member @dimitriskontopoulos alongside Dara (MUSICAUTOR), Anne Wik (TONO), Cristian Tarcea (UCMR-ADA).
🇱🇻 Ēnā - @atvara.liene - Co-written by PRS member @jjlushmusic alongside Liene Stūrmane (AKKA-LAA).
🇵🇱 Pray - @aliciaszemplinska - Co-written by PRS member @sinclairthemage alongside Alicja (Zaiks) and Weronika Gabryelczyk (Zaiks).
🇨🇭 Alice - @veronicafusaro - Co-written by PRS member @charliemccleanmusic alongside Veronica Fusaro (SUISA).
Right now, they're all in Vienna rehearsing and making final preparations ahead of next week. We wish all of the PRS community involved in this year's competition the best of luck.
#eurovision #eurovision2026 #basel #songwriters
Eurovision 2026 officially starts in Vienna this weekend. This year sees 16 PRS songwriters and producers credited across eleven entries with five of those being the performing artist.
🇬🇧 Eins, Zwei, Drei - @lookmumnocomputer - Co-written by PRS member Sam Battle (Look Mum No Computer) alongside Julie Aagaard (KODA), Lasse Nymann (TONO) and Thomas Stengaard (KODA).
🇲🇹 Bella - @itsaidanofficial - Co-written by PRS members AIDAN and @sarah.bonnici_ alongside @joep.vandenboom (BUMA).
🇨🇾 Jalla - @antigoni - Co-written by PRS members Antigoni, @mullallymusic, @iamclaydee, @paris_kalpos and @treyqua.
🇱🇺 Mother Nature - @evamarijaaa - Co-written by PRS member Eva Marija alongside Julie Aagaars (KODA), Marie Broberg (STIM) and Thomas Stengaard (KODA).
🇸🇲 Superstar - @senhitofficial feat @boygeorgeofficial - Co-written by PRS member Boy George alongside, Senhit Zadik (SIAE), Julie Aagaard (KODA), Thomas Stengaard (KODA), Anderz Wrethov (STIM) and John-Emil Johansson (STIM).
🇬🇷 Ferto - @akylas__ - Co-written by PRS member @teoteoteo.x3 alongside Akylas, Orfeas Nonis and Thomas Papathanasis (Autodia).
🇦🇺 Eclipse - @deltagoodrem - Co-written by PRS member @jonasmyrin alongside Delta Goodrem (APRA), Ferras Alqaisi (ASCAP) and Michael Fatkin (APRA).
🇧🇬 Bangaranga - @darnadude - Co-written by PRS member @dimitriskontopoulos alongside Dara (MUSICAUTOR), Anne Wik (TONO), Cristian Tarcea (UCMR-ADA).
🇱🇻 Ēnā - @atvara.liene - Co-written by PRS member @jjlushmusic alongside Liene Stūrmane (AKKA-LAA).
🇵🇱 Pray - @aliciaszemplinska - Co-written by PRS member @sinclairthemage alongside Alicja (Zaiks) and Weronika Gabryelczyk (Zaiks).
🇨🇭 Alice - @veronicafusaro - Co-written by PRS member @charliemccleanmusic alongside Veronica Fusaro (SUISA).
Right now, they're all in Vienna rehearsing and making final preparations ahead of next week. We wish all of the PRS community involved in this year's competition the best of luck.
#eurovision #eurovision2026 #basel #songwriters
Eurovision 2026 officially starts in Vienna this weekend. This year sees 16 PRS songwriters and producers credited across eleven entries with five of those being the performing artist.
🇬🇧 Eins, Zwei, Drei - @lookmumnocomputer - Co-written by PRS member Sam Battle (Look Mum No Computer) alongside Julie Aagaard (KODA), Lasse Nymann (TONO) and Thomas Stengaard (KODA).
🇲🇹 Bella - @itsaidanofficial - Co-written by PRS members AIDAN and @sarah.bonnici_ alongside @joep.vandenboom (BUMA).
🇨🇾 Jalla - @antigoni - Co-written by PRS members Antigoni, @mullallymusic, @iamclaydee, @paris_kalpos and @treyqua.
🇱🇺 Mother Nature - @evamarijaaa - Co-written by PRS member Eva Marija alongside Julie Aagaars (KODA), Marie Broberg (STIM) and Thomas Stengaard (KODA).
🇸🇲 Superstar - @senhitofficial feat @boygeorgeofficial - Co-written by PRS member Boy George alongside, Senhit Zadik (SIAE), Julie Aagaard (KODA), Thomas Stengaard (KODA), Anderz Wrethov (STIM) and John-Emil Johansson (STIM).
🇬🇷 Ferto - @akylas__ - Co-written by PRS member @teoteoteo.x3 alongside Akylas, Orfeas Nonis and Thomas Papathanasis (Autodia).
🇦🇺 Eclipse - @deltagoodrem - Co-written by PRS member @jonasmyrin alongside Delta Goodrem (APRA), Ferras Alqaisi (ASCAP) and Michael Fatkin (APRA).
🇧🇬 Bangaranga - @darnadude - Co-written by PRS member @dimitriskontopoulos alongside Dara (MUSICAUTOR), Anne Wik (TONO), Cristian Tarcea (UCMR-ADA).
🇱🇻 Ēnā - @atvara.liene - Co-written by PRS member @jjlushmusic alongside Liene Stūrmane (AKKA-LAA).
🇵🇱 Pray - @aliciaszemplinska - Co-written by PRS member @sinclairthemage alongside Alicja (Zaiks) and Weronika Gabryelczyk (Zaiks).
🇨🇭 Alice - @veronicafusaro - Co-written by PRS member @charliemccleanmusic alongside Veronica Fusaro (SUISA).
Right now, they're all in Vienna rehearsing and making final preparations ahead of next week. We wish all of the PRS community involved in this year's competition the best of luck.
#eurovision #eurovision2026 #basel #songwriters
Eurovision 2026 officially starts in Vienna this weekend. This year sees 16 PRS songwriters and producers credited across eleven entries with five of those being the performing artist.
🇬🇧 Eins, Zwei, Drei - @lookmumnocomputer - Co-written by PRS member Sam Battle (Look Mum No Computer) alongside Julie Aagaard (KODA), Lasse Nymann (TONO) and Thomas Stengaard (KODA).
🇲🇹 Bella - @itsaidanofficial - Co-written by PRS members AIDAN and @sarah.bonnici_ alongside @joep.vandenboom (BUMA).
🇨🇾 Jalla - @antigoni - Co-written by PRS members Antigoni, @mullallymusic, @iamclaydee, @paris_kalpos and @treyqua.
🇱🇺 Mother Nature - @evamarijaaa - Co-written by PRS member Eva Marija alongside Julie Aagaars (KODA), Marie Broberg (STIM) and Thomas Stengaard (KODA).
🇸🇲 Superstar - @senhitofficial feat @boygeorgeofficial - Co-written by PRS member Boy George alongside, Senhit Zadik (SIAE), Julie Aagaard (KODA), Thomas Stengaard (KODA), Anderz Wrethov (STIM) and John-Emil Johansson (STIM).
🇬🇷 Ferto - @akylas__ - Co-written by PRS member @teoteoteo.x3 alongside Akylas, Orfeas Nonis and Thomas Papathanasis (Autodia).
🇦🇺 Eclipse - @deltagoodrem - Co-written by PRS member @jonasmyrin alongside Delta Goodrem (APRA), Ferras Alqaisi (ASCAP) and Michael Fatkin (APRA).
🇧🇬 Bangaranga - @darnadude - Co-written by PRS member @dimitriskontopoulos alongside Dara (MUSICAUTOR), Anne Wik (TONO), Cristian Tarcea (UCMR-ADA).
🇱🇻 Ēnā - @atvara.liene - Co-written by PRS member @jjlushmusic alongside Liene Stūrmane (AKKA-LAA).
🇵🇱 Pray - @aliciaszemplinska - Co-written by PRS member @sinclairthemage alongside Alicja (Zaiks) and Weronika Gabryelczyk (Zaiks).
🇨🇭 Alice - @veronicafusaro - Co-written by PRS member @charliemccleanmusic alongside Veronica Fusaro (SUISA).
Right now, they're all in Vienna rehearsing and making final preparations ahead of next week. We wish all of the PRS community involved in this year's competition the best of luck.
#eurovision #eurovision2026 #basel #songwriters
Eurovision 2026 officially starts in Vienna this weekend. This year sees 16 PRS songwriters and producers credited across eleven entries with five of those being the performing artist.
🇬🇧 Eins, Zwei, Drei - @lookmumnocomputer - Co-written by PRS member Sam Battle (Look Mum No Computer) alongside Julie Aagaard (KODA), Lasse Nymann (TONO) and Thomas Stengaard (KODA).
🇲🇹 Bella - @itsaidanofficial - Co-written by PRS members AIDAN and @sarah.bonnici_ alongside @joep.vandenboom (BUMA).
🇨🇾 Jalla - @antigoni - Co-written by PRS members Antigoni, @mullallymusic, @iamclaydee, @paris_kalpos and @treyqua.
🇱🇺 Mother Nature - @evamarijaaa - Co-written by PRS member Eva Marija alongside Julie Aagaars (KODA), Marie Broberg (STIM) and Thomas Stengaard (KODA).
🇸🇲 Superstar - @senhitofficial feat @boygeorgeofficial - Co-written by PRS member Boy George alongside, Senhit Zadik (SIAE), Julie Aagaard (KODA), Thomas Stengaard (KODA), Anderz Wrethov (STIM) and John-Emil Johansson (STIM).
🇬🇷 Ferto - @akylas__ - Co-written by PRS member @teoteoteo.x3 alongside Akylas, Orfeas Nonis and Thomas Papathanasis (Autodia).
🇦🇺 Eclipse - @deltagoodrem - Co-written by PRS member @jonasmyrin alongside Delta Goodrem (APRA), Ferras Alqaisi (ASCAP) and Michael Fatkin (APRA).
🇧🇬 Bangaranga - @darnadude - Co-written by PRS member @dimitriskontopoulos alongside Dara (MUSICAUTOR), Anne Wik (TONO), Cristian Tarcea (UCMR-ADA).
🇱🇻 Ēnā - @atvara.liene - Co-written by PRS member @jjlushmusic alongside Liene Stūrmane (AKKA-LAA).
🇵🇱 Pray - @aliciaszemplinska - Co-written by PRS member @sinclairthemage alongside Alicja (Zaiks) and Weronika Gabryelczyk (Zaiks).
🇨🇭 Alice - @veronicafusaro - Co-written by PRS member @charliemccleanmusic alongside Veronica Fusaro (SUISA).
Right now, they're all in Vienna rehearsing and making final preparations ahead of next week. We wish all of the PRS community involved in this year's competition the best of luck.
#eurovision #eurovision2026 #basel #songwriters
Eurovision 2026 officially starts in Vienna this weekend. This year sees 16 PRS songwriters and producers credited across eleven entries with five of those being the performing artist.
🇬🇧 Eins, Zwei, Drei - @lookmumnocomputer - Co-written by PRS member Sam Battle (Look Mum No Computer) alongside Julie Aagaard (KODA), Lasse Nymann (TONO) and Thomas Stengaard (KODA).
🇲🇹 Bella - @itsaidanofficial - Co-written by PRS members AIDAN and @sarah.bonnici_ alongside @joep.vandenboom (BUMA).
🇨🇾 Jalla - @antigoni - Co-written by PRS members Antigoni, @mullallymusic, @iamclaydee, @paris_kalpos and @treyqua.
🇱🇺 Mother Nature - @evamarijaaa - Co-written by PRS member Eva Marija alongside Julie Aagaars (KODA), Marie Broberg (STIM) and Thomas Stengaard (KODA).
🇸🇲 Superstar - @senhitofficial feat @boygeorgeofficial - Co-written by PRS member Boy George alongside, Senhit Zadik (SIAE), Julie Aagaard (KODA), Thomas Stengaard (KODA), Anderz Wrethov (STIM) and John-Emil Johansson (STIM).
🇬🇷 Ferto - @akylas__ - Co-written by PRS member @teoteoteo.x3 alongside Akylas, Orfeas Nonis and Thomas Papathanasis (Autodia).
🇦🇺 Eclipse - @deltagoodrem - Co-written by PRS member @jonasmyrin alongside Delta Goodrem (APRA), Ferras Alqaisi (ASCAP) and Michael Fatkin (APRA).
🇧🇬 Bangaranga - @darnadude - Co-written by PRS member @dimitriskontopoulos alongside Dara (MUSICAUTOR), Anne Wik (TONO), Cristian Tarcea (UCMR-ADA).
🇱🇻 Ēnā - @atvara.liene - Co-written by PRS member @jjlushmusic alongside Liene Stūrmane (AKKA-LAA).
🇵🇱 Pray - @aliciaszemplinska - Co-written by PRS member @sinclairthemage alongside Alicja (Zaiks) and Weronika Gabryelczyk (Zaiks).
🇨🇭 Alice - @veronicafusaro - Co-written by PRS member @charliemccleanmusic alongside Veronica Fusaro (SUISA).
Right now, they're all in Vienna rehearsing and making final preparations ahead of next week. We wish all of the PRS community involved in this year's competition the best of luck.
#eurovision #eurovision2026 #basel #songwriters
Eurovision 2026 officially starts in Vienna this weekend. This year sees 16 PRS songwriters and producers credited across eleven entries with five of those being the performing artist.
🇬🇧 Eins, Zwei, Drei - @lookmumnocomputer - Co-written by PRS member Sam Battle (Look Mum No Computer) alongside Julie Aagaard (KODA), Lasse Nymann (TONO) and Thomas Stengaard (KODA).
🇲🇹 Bella - @itsaidanofficial - Co-written by PRS members AIDAN and @sarah.bonnici_ alongside @joep.vandenboom (BUMA).
🇨🇾 Jalla - @antigoni - Co-written by PRS members Antigoni, @mullallymusic, @iamclaydee, @paris_kalpos and @treyqua.
🇱🇺 Mother Nature - @evamarijaaa - Co-written by PRS member Eva Marija alongside Julie Aagaars (KODA), Marie Broberg (STIM) and Thomas Stengaard (KODA).
🇸🇲 Superstar - @senhitofficial feat @boygeorgeofficial - Co-written by PRS member Boy George alongside, Senhit Zadik (SIAE), Julie Aagaard (KODA), Thomas Stengaard (KODA), Anderz Wrethov (STIM) and John-Emil Johansson (STIM).
🇬🇷 Ferto - @akylas__ - Co-written by PRS member @teoteoteo.x3 alongside Akylas, Orfeas Nonis and Thomas Papathanasis (Autodia).
🇦🇺 Eclipse - @deltagoodrem - Co-written by PRS member @jonasmyrin alongside Delta Goodrem (APRA), Ferras Alqaisi (ASCAP) and Michael Fatkin (APRA).
🇧🇬 Bangaranga - @darnadude - Co-written by PRS member @dimitriskontopoulos alongside Dara (MUSICAUTOR), Anne Wik (TONO), Cristian Tarcea (UCMR-ADA).
🇱🇻 Ēnā - @atvara.liene - Co-written by PRS member @jjlushmusic alongside Liene Stūrmane (AKKA-LAA).
🇵🇱 Pray - @aliciaszemplinska - Co-written by PRS member @sinclairthemage alongside Alicja (Zaiks) and Weronika Gabryelczyk (Zaiks).
🇨🇭 Alice - @veronicafusaro - Co-written by PRS member @charliemccleanmusic alongside Veronica Fusaro (SUISA).
Right now, they're all in Vienna rehearsing and making final preparations ahead of next week. We wish all of the PRS community involved in this year's competition the best of luck.
#eurovision #eurovision2026 #basel #songwriters
Eurovision 2026 officially starts in Vienna this weekend. This year sees 16 PRS songwriters and producers credited across eleven entries with five of those being the performing artist.
🇬🇧 Eins, Zwei, Drei - @lookmumnocomputer - Co-written by PRS member Sam Battle (Look Mum No Computer) alongside Julie Aagaard (KODA), Lasse Nymann (TONO) and Thomas Stengaard (KODA).
🇲🇹 Bella - @itsaidanofficial - Co-written by PRS members AIDAN and @sarah.bonnici_ alongside @joep.vandenboom (BUMA).
🇨🇾 Jalla - @antigoni - Co-written by PRS members Antigoni, @mullallymusic, @iamclaydee, @paris_kalpos and @treyqua.
🇱🇺 Mother Nature - @evamarijaaa - Co-written by PRS member Eva Marija alongside Julie Aagaars (KODA), Marie Broberg (STIM) and Thomas Stengaard (KODA).
🇸🇲 Superstar - @senhitofficial feat @boygeorgeofficial - Co-written by PRS member Boy George alongside, Senhit Zadik (SIAE), Julie Aagaard (KODA), Thomas Stengaard (KODA), Anderz Wrethov (STIM) and John-Emil Johansson (STIM).
🇬🇷 Ferto - @akylas__ - Co-written by PRS member @teoteoteo.x3 alongside Akylas, Orfeas Nonis and Thomas Papathanasis (Autodia).
🇦🇺 Eclipse - @deltagoodrem - Co-written by PRS member @jonasmyrin alongside Delta Goodrem (APRA), Ferras Alqaisi (ASCAP) and Michael Fatkin (APRA).
🇧🇬 Bangaranga - @darnadude - Co-written by PRS member @dimitriskontopoulos alongside Dara (MUSICAUTOR), Anne Wik (TONO), Cristian Tarcea (UCMR-ADA).
🇱🇻 Ēnā - @atvara.liene - Co-written by PRS member @jjlushmusic alongside Liene Stūrmane (AKKA-LAA).
🇵🇱 Pray - @aliciaszemplinska - Co-written by PRS member @sinclairthemage alongside Alicja (Zaiks) and Weronika Gabryelczyk (Zaiks).
🇨🇭 Alice - @veronicafusaro - Co-written by PRS member @charliemccleanmusic alongside Veronica Fusaro (SUISA).
Right now, they're all in Vienna rehearsing and making final preparations ahead of next week. We wish all of the PRS community involved in this year's competition the best of luck.
#eurovision #eurovision2026 #basel #songwriters
Eurovision 2026 officially starts in Vienna this weekend. This year sees 16 PRS songwriters and producers credited across eleven entries with five of those being the performing artist.
🇬🇧 Eins, Zwei, Drei - @lookmumnocomputer - Co-written by PRS member Sam Battle (Look Mum No Computer) alongside Julie Aagaard (KODA), Lasse Nymann (TONO) and Thomas Stengaard (KODA).
🇲🇹 Bella - @itsaidanofficial - Co-written by PRS members AIDAN and @sarah.bonnici_ alongside @joep.vandenboom (BUMA).
🇨🇾 Jalla - @antigoni - Co-written by PRS members Antigoni, @mullallymusic, @iamclaydee, @paris_kalpos and @treyqua.
🇱🇺 Mother Nature - @evamarijaaa - Co-written by PRS member Eva Marija alongside Julie Aagaars (KODA), Marie Broberg (STIM) and Thomas Stengaard (KODA).
🇸🇲 Superstar - @senhitofficial feat @boygeorgeofficial - Co-written by PRS member Boy George alongside, Senhit Zadik (SIAE), Julie Aagaard (KODA), Thomas Stengaard (KODA), Anderz Wrethov (STIM) and John-Emil Johansson (STIM).
🇬🇷 Ferto - @akylas__ - Co-written by PRS member @teoteoteo.x3 alongside Akylas, Orfeas Nonis and Thomas Papathanasis (Autodia).
🇦🇺 Eclipse - @deltagoodrem - Co-written by PRS member @jonasmyrin alongside Delta Goodrem (APRA), Ferras Alqaisi (ASCAP) and Michael Fatkin (APRA).
🇧🇬 Bangaranga - @darnadude - Co-written by PRS member @dimitriskontopoulos alongside Dara (MUSICAUTOR), Anne Wik (TONO), Cristian Tarcea (UCMR-ADA).
🇱🇻 Ēnā - @atvara.liene - Co-written by PRS member @jjlushmusic alongside Liene Stūrmane (AKKA-LAA).
🇵🇱 Pray - @aliciaszemplinska - Co-written by PRS member @sinclairthemage alongside Alicja (Zaiks) and Weronika Gabryelczyk (Zaiks).
🇨🇭 Alice - @veronicafusaro - Co-written by PRS member @charliemccleanmusic alongside Veronica Fusaro (SUISA).
Right now, they're all in Vienna rehearsing and making final preparations ahead of next week. We wish all of the PRS community involved in this year's competition the best of luck.
#eurovision #eurovision2026 #basel #songwriters
Eurovision 2026 officially starts in Vienna this weekend. This year sees 16 PRS songwriters and producers credited across eleven entries with five of those being the performing artist.
🇬🇧 Eins, Zwei, Drei - @lookmumnocomputer - Co-written by PRS member Sam Battle (Look Mum No Computer) alongside Julie Aagaard (KODA), Lasse Nymann (TONO) and Thomas Stengaard (KODA).
🇲🇹 Bella - @itsaidanofficial - Co-written by PRS members AIDAN and @sarah.bonnici_ alongside @joep.vandenboom (BUMA).
🇨🇾 Jalla - @antigoni - Co-written by PRS members Antigoni, @mullallymusic, @iamclaydee, @paris_kalpos and @treyqua.
🇱🇺 Mother Nature - @evamarijaaa - Co-written by PRS member Eva Marija alongside Julie Aagaars (KODA), Marie Broberg (STIM) and Thomas Stengaard (KODA).
🇸🇲 Superstar - @senhitofficial feat @boygeorgeofficial - Co-written by PRS member Boy George alongside, Senhit Zadik (SIAE), Julie Aagaard (KODA), Thomas Stengaard (KODA), Anderz Wrethov (STIM) and John-Emil Johansson (STIM).
🇬🇷 Ferto - @akylas__ - Co-written by PRS member @teoteoteo.x3 alongside Akylas, Orfeas Nonis and Thomas Papathanasis (Autodia).
🇦🇺 Eclipse - @deltagoodrem - Co-written by PRS member @jonasmyrin alongside Delta Goodrem (APRA), Ferras Alqaisi (ASCAP) and Michael Fatkin (APRA).
🇧🇬 Bangaranga - @darnadude - Co-written by PRS member @dimitriskontopoulos alongside Dara (MUSICAUTOR), Anne Wik (TONO), Cristian Tarcea (UCMR-ADA).
🇱🇻 Ēnā - @atvara.liene - Co-written by PRS member @jjlushmusic alongside Liene Stūrmane (AKKA-LAA).
🇵🇱 Pray - @aliciaszemplinska - Co-written by PRS member @sinclairthemage alongside Alicja (Zaiks) and Weronika Gabryelczyk (Zaiks).
🇨🇭 Alice - @veronicafusaro - Co-written by PRS member @charliemccleanmusic alongside Veronica Fusaro (SUISA).
Right now, they're all in Vienna rehearsing and making final preparations ahead of next week. We wish all of the PRS community involved in this year's competition the best of luck.
#eurovision #eurovision2026 #basel #songwriters
Eurovision 2026 officially starts in Vienna this weekend. This year sees 16 PRS songwriters and producers credited across eleven entries with five of those being the performing artist.
🇬🇧 Eins, Zwei, Drei - @lookmumnocomputer - Co-written by PRS member Sam Battle (Look Mum No Computer) alongside Julie Aagaard (KODA), Lasse Nymann (TONO) and Thomas Stengaard (KODA).
🇲🇹 Bella - @itsaidanofficial - Co-written by PRS members AIDAN and @sarah.bonnici_ alongside @joep.vandenboom (BUMA).
🇨🇾 Jalla - @antigoni - Co-written by PRS members Antigoni, @mullallymusic, @iamclaydee, @paris_kalpos and @treyqua.
🇱🇺 Mother Nature - @evamarijaaa - Co-written by PRS member Eva Marija alongside Julie Aagaars (KODA), Marie Broberg (STIM) and Thomas Stengaard (KODA).
🇸🇲 Superstar - @senhitofficial feat @boygeorgeofficial - Co-written by PRS member Boy George alongside, Senhit Zadik (SIAE), Julie Aagaard (KODA), Thomas Stengaard (KODA), Anderz Wrethov (STIM) and John-Emil Johansson (STIM).
🇬🇷 Ferto - @akylas__ - Co-written by PRS member @teoteoteo.x3 alongside Akylas, Orfeas Nonis and Thomas Papathanasis (Autodia).
🇦🇺 Eclipse - @deltagoodrem - Co-written by PRS member @jonasmyrin alongside Delta Goodrem (APRA), Ferras Alqaisi (ASCAP) and Michael Fatkin (APRA).
🇧🇬 Bangaranga - @darnadude - Co-written by PRS member @dimitriskontopoulos alongside Dara (MUSICAUTOR), Anne Wik (TONO), Cristian Tarcea (UCMR-ADA).
🇱🇻 Ēnā - @atvara.liene - Co-written by PRS member @jjlushmusic alongside Liene Stūrmane (AKKA-LAA).
🇵🇱 Pray - @aliciaszemplinska - Co-written by PRS member @sinclairthemage alongside Alicja (Zaiks) and Weronika Gabryelczyk (Zaiks).
🇨🇭 Alice - @veronicafusaro - Co-written by PRS member @charliemccleanmusic alongside Veronica Fusaro (SUISA).
Right now, they're all in Vienna rehearsing and making final preparations ahead of next week. We wish all of the PRS community involved in this year's competition the best of luck.
#eurovision #eurovision2026 #basel #songwriters
Eurovision 2026 officially starts in Vienna this weekend. This year sees 16 PRS songwriters and producers credited across eleven entries with five of those being the performing artist.
🇬🇧 Eins, Zwei, Drei - @lookmumnocomputer - Co-written by PRS member Sam Battle (Look Mum No Computer) alongside Julie Aagaard (KODA), Lasse Nymann (TONO) and Thomas Stengaard (KODA).
🇲🇹 Bella - @itsaidanofficial - Co-written by PRS members AIDAN and @sarah.bonnici_ alongside @joep.vandenboom (BUMA).
🇨🇾 Jalla - @antigoni - Co-written by PRS members Antigoni, @mullallymusic, @iamclaydee, @paris_kalpos and @treyqua.
🇱🇺 Mother Nature - @evamarijaaa - Co-written by PRS member Eva Marija alongside Julie Aagaars (KODA), Marie Broberg (STIM) and Thomas Stengaard (KODA).
🇸🇲 Superstar - @senhitofficial feat @boygeorgeofficial - Co-written by PRS member Boy George alongside, Senhit Zadik (SIAE), Julie Aagaard (KODA), Thomas Stengaard (KODA), Anderz Wrethov (STIM) and John-Emil Johansson (STIM).
🇬🇷 Ferto - @akylas__ - Co-written by PRS member @teoteoteo.x3 alongside Akylas, Orfeas Nonis and Thomas Papathanasis (Autodia).
🇦🇺 Eclipse - @deltagoodrem - Co-written by PRS member @jonasmyrin alongside Delta Goodrem (APRA), Ferras Alqaisi (ASCAP) and Michael Fatkin (APRA).
🇧🇬 Bangaranga - @darnadude - Co-written by PRS member @dimitriskontopoulos alongside Dara (MUSICAUTOR), Anne Wik (TONO), Cristian Tarcea (UCMR-ADA).
🇱🇻 Ēnā - @atvara.liene - Co-written by PRS member @jjlushmusic alongside Liene Stūrmane (AKKA-LAA).
🇵🇱 Pray - @aliciaszemplinska - Co-written by PRS member @sinclairthemage alongside Alicja (Zaiks) and Weronika Gabryelczyk (Zaiks).
🇨🇭 Alice - @veronicafusaro - Co-written by PRS member @charliemccleanmusic alongside Veronica Fusaro (SUISA).
Right now, they're all in Vienna rehearsing and making final preparations ahead of next week. We wish all of the PRS community involved in this year's competition the best of luck.
#eurovision #eurovision2026 #basel #songwriters
'Playing live is about making sure our set takes people on a journey.'
Gearing up to release their debut album in the summer, rising five-piece @theguestlist.band are definite ones to watch — and plenty of people already are, given the high number of sold-out dates on their last UK tour.
For the latest instalment of our On the Road series, frontman Cai Alty tells us about life on the road as an up-and-coming band, sustaining that early momentum and winning over even the most laidback of crowds.
Link in bio to read the full story.
📸: Ewan Ogden @ogden.ewan
#ontheroad #livemusic #PRSCommunity
'Playing live is about making sure our set takes people on a journey.'
Gearing up to release their debut album in the summer, rising five-piece @theguestlist.band are definite ones to watch — and plenty of people already are, given the high number of sold-out dates on their last UK tour.
For the latest instalment of our On the Road series, frontman Cai Alty tells us about life on the road as an up-and-coming band, sustaining that early momentum and winning over even the most laidback of crowds.
Link in bio to read the full story.
📸: Ewan Ogden @ogden.ewan
#ontheroad #livemusic #PRSCommunity
'Playing live is about making sure our set takes people on a journey.'
Gearing up to release their debut album in the summer, rising five-piece @theguestlist.band are definite ones to watch — and plenty of people already are, given the high number of sold-out dates on their last UK tour.
For the latest instalment of our On the Road series, frontman Cai Alty tells us about life on the road as an up-and-coming band, sustaining that early momentum and winning over even the most laidback of crowds.
Link in bio to read the full story.
📸: Ewan Ogden @ogden.ewan
#ontheroad #livemusic #PRSCommunity
'Playing live is about making sure our set takes people on a journey.'
Gearing up to release their debut album in the summer, rising five-piece @theguestlist.band are definite ones to watch — and plenty of people already are, given the high number of sold-out dates on their last UK tour.
For the latest instalment of our On the Road series, frontman Cai Alty tells us about life on the road as an up-and-coming band, sustaining that early momentum and winning over even the most laidback of crowds.
Link in bio to read the full story.
📸: Ewan Ogden @ogden.ewan
#ontheroad #livemusic #PRSCommunity
'Playing live is about making sure our set takes people on a journey.'
Gearing up to release their debut album in the summer, rising five-piece @theguestlist.band are definite ones to watch — and plenty of people already are, given the high number of sold-out dates on their last UK tour.
For the latest instalment of our On the Road series, frontman Cai Alty tells us about life on the road as an up-and-coming band, sustaining that early momentum and winning over even the most laidback of crowds.
Link in bio to read the full story.
📸: Ewan Ogden @ogden.ewan
#ontheroad #livemusic #PRSCommunity
'Playing live is about making sure our set takes people on a journey.'
Gearing up to release their debut album in the summer, rising five-piece @theguestlist.band are definite ones to watch — and plenty of people already are, given the high number of sold-out dates on their last UK tour.
For the latest instalment of our On the Road series, frontman Cai Alty tells us about life on the road as an up-and-coming band, sustaining that early momentum and winning over even the most laidback of crowds.
Link in bio to read the full story.
📸: Ewan Ogden @ogden.ewan
#ontheroad #livemusic #PRSCommunity
'Playing live is about making sure our set takes people on a journey.'
Gearing up to release their debut album in the summer, rising five-piece @theguestlist.band are definite ones to watch — and plenty of people already are, given the high number of sold-out dates on their last UK tour.
For the latest instalment of our On the Road series, frontman Cai Alty tells us about life on the road as an up-and-coming band, sustaining that early momentum and winning over even the most laidback of crowds.
Link in bio to read the full story.
📸: Ewan Ogden @ogden.ewan
#ontheroad #livemusic #PRSCommunity
📣 Opportunities for songwriters May 2026 edition 🎶
Check out five of the best openings for music creators this month.
Comment MAYOPS for details in your inbox or see the full article at the link in our bio.
#Songwriting #MusicCreators #MusicIndustry #MusicOpportunities
📣 Opportunities for songwriters May 2026 edition 🎶
Check out five of the best openings for music creators this month.
Comment MAYOPS for details in your inbox or see the full article at the link in our bio.
#Songwriting #MusicCreators #MusicIndustry #MusicOpportunities
📣 Opportunities for songwriters May 2026 edition 🎶
Check out five of the best openings for music creators this month.
Comment MAYOPS for details in your inbox or see the full article at the link in our bio.
#Songwriting #MusicCreators #MusicIndustry #MusicOpportunities
📣 Opportunities for songwriters May 2026 edition 🎶
Check out five of the best openings for music creators this month.
Comment MAYOPS for details in your inbox or see the full article at the link in our bio.
#Songwriting #MusicCreators #MusicIndustry #MusicOpportunities
📣 Opportunities for songwriters May 2026 edition 🎶
Check out five of the best openings for music creators this month.
Comment MAYOPS for details in your inbox or see the full article at the link in our bio.
#Songwriting #MusicCreators #MusicIndustry #MusicOpportunities
📣 Opportunities for songwriters May 2026 edition 🎶
Check out five of the best openings for music creators this month.
Comment MAYOPS for details in your inbox or see the full article at the link in our bio.
#Songwriting #MusicCreators #MusicIndustry #MusicOpportunities
📣 Opportunities for songwriters May 2026 edition 🎶
Check out five of the best openings for music creators this month.
Comment MAYOPS for details in your inbox or see the full article at the link in our bio.
#Songwriting #MusicCreators #MusicIndustry #MusicOpportunities
🎸 From Cardiff to Austin: Ben Ellis at SXSW 2026! 🇺🇸
"We’ve been so lucky to have PRS help us... otherwise we wouldn't be here, basically."
We caught up with PRS member Ben Ellis in the heart of Austin to talk about his journey to SXSW 2026. Thanks to the @PRSFoundation International Showcase Fund, Ben was able to take his music stateside, hitting New York for The New Colossus before bringing his energy to Texas.
Supporting emerging talent to reach global stages is what it’s all about. 🌍✨
🏴 Next Stop: FOCUS Wales
The conversation doesn't stop in Austin! We’re heading to Wrexham next week for FOCUS Wales, and Ben will be joining us for an essential dive into the business of music.
Panel: PRS for Music presents – Sign Your Work: Maximise Your Royalties
Whether you're a songwriter, producer, or composer, "signing your work" through proper metadata is the first step toward reclaiming value for your music. We’ll be discussing:
- The power of metadata on digital platforms.
- Reporting setlists to ensure you get paid for live performances.
- How descriptors and trends help production music stand out in libraries.
🎤 The Lineup:
CHAIR: Crispin Hunt (PRS for Music)
John Hywel Morris (PRS for Music)
Ben Ellis
Owen Gurry
Nina Condron (Radio Wigwam)
🎶 Be sure to catch Ben as he head's out on a headline tour later this year with shows in the UK, Germany, Belgium, Netherlands and France. Tickets are on sale now for TIME SLOWS ON TOUR 2026.
#BenEllis #SXSW2026 #FocusWales #FundedByPRSF #Songwriters #MusicMetadata
2025 - More music, more creators, more paid.
▶️ £1.07 billion paid
▶️ Over 86,000 PRS members paid
▶️ Live royalties tops £100 million
▶️ 231,000 live performance setlists were collected
In 2025, we paid out against 7.8 million unique works, an increase of 41% (2.3m) since 2020, delivering record distributions to songwriters, composers and publishers around the world.
For the first time in PRS’s 112-year history, revenue collected from Live music generated more than one hundred million pounds (£101.4m), up by 13.2% (£11.9m) in 2024. Overall revenues from public performance, music played or performed in public (i.e., shops, restaurants, bars etc.) represented a 9.1% (£26.1m) year-on-year increase to £313.4m.
Streaming continues to dominate discovery and access to music, contributing £351.4m of royalties collected, up 11.8% (£37.1m). Video-on-Demand revenue also saw a year-on-year increase, up by 20.1% (£12.9m) to £77.2m. Collectively, PRS collected £447.2m of online royalties, up by 9.6% (£39.3m).
Andrea Czapary Martin, CEO, PRS for Music said:
“We’ve delivered another year of strong growth, with revenues up 7% and for the second consecutive year paying over £1 billion to songwriters, composers and publishers. In just 10 years PRS has doubled the value flowing back to rightsholders, £621m in 2016 to £1.24bn in 2025, by accelerating licensing in new markets and securing new terms with major existing customers.
I believe success for a society shouldn’t be measured by the money collected. It must be measured by how quickly, fairly and accurately the songwriters and composers receive the royalties they are due.
In 2025, we saw particularly strong growth in live with more creators earning from performances than ever before, including many being paid for the first time. We moved to monthly payments for online streaming, giving creators faster access to the money they’ve earned and the insights they need to understand how their music is performing, all with the aim of continuing to deliver a world-leading royalty distribution service in a rapidly evolving music landscape.”
See the full story behind the numbers via the link in bio.
2025 - More music, more creators, more paid.
▶️ £1.07 billion paid
▶️ Over 86,000 PRS members paid
▶️ Live royalties tops £100 million
▶️ 231,000 live performance setlists were collected
In 2025, we paid out against 7.8 million unique works, an increase of 41% (2.3m) since 2020, delivering record distributions to songwriters, composers and publishers around the world.
For the first time in PRS’s 112-year history, revenue collected from Live music generated more than one hundred million pounds (£101.4m), up by 13.2% (£11.9m) in 2024. Overall revenues from public performance, music played or performed in public (i.e., shops, restaurants, bars etc.) represented a 9.1% (£26.1m) year-on-year increase to £313.4m.
Streaming continues to dominate discovery and access to music, contributing £351.4m of royalties collected, up 11.8% (£37.1m). Video-on-Demand revenue also saw a year-on-year increase, up by 20.1% (£12.9m) to £77.2m. Collectively, PRS collected £447.2m of online royalties, up by 9.6% (£39.3m).
Andrea Czapary Martin, CEO, PRS for Music said:
“We’ve delivered another year of strong growth, with revenues up 7% and for the second consecutive year paying over £1 billion to songwriters, composers and publishers. In just 10 years PRS has doubled the value flowing back to rightsholders, £621m in 2016 to £1.24bn in 2025, by accelerating licensing in new markets and securing new terms with major existing customers.
I believe success for a society shouldn’t be measured by the money collected. It must be measured by how quickly, fairly and accurately the songwriters and composers receive the royalties they are due.
In 2025, we saw particularly strong growth in live with more creators earning from performances than ever before, including many being paid for the first time. We moved to monthly payments for online streaming, giving creators faster access to the money they’ve earned and the insights they need to understand how their music is performing, all with the aim of continuing to deliver a world-leading royalty distribution service in a rapidly evolving music landscape.”
See the full story behind the numbers via the link in bio.
2025 - More music, more creators, more paid.
▶️ £1.07 billion paid
▶️ Over 86,000 PRS members paid
▶️ Live royalties tops £100 million
▶️ 231,000 live performance setlists were collected
In 2025, we paid out against 7.8 million unique works, an increase of 41% (2.3m) since 2020, delivering record distributions to songwriters, composers and publishers around the world.
For the first time in PRS’s 112-year history, revenue collected from Live music generated more than one hundred million pounds (£101.4m), up by 13.2% (£11.9m) in 2024. Overall revenues from public performance, music played or performed in public (i.e., shops, restaurants, bars etc.) represented a 9.1% (£26.1m) year-on-year increase to £313.4m.
Streaming continues to dominate discovery and access to music, contributing £351.4m of royalties collected, up 11.8% (£37.1m). Video-on-Demand revenue also saw a year-on-year increase, up by 20.1% (£12.9m) to £77.2m. Collectively, PRS collected £447.2m of online royalties, up by 9.6% (£39.3m).
Andrea Czapary Martin, CEO, PRS for Music said:
“We’ve delivered another year of strong growth, with revenues up 7% and for the second consecutive year paying over £1 billion to songwriters, composers and publishers. In just 10 years PRS has doubled the value flowing back to rightsholders, £621m in 2016 to £1.24bn in 2025, by accelerating licensing in new markets and securing new terms with major existing customers.
I believe success for a society shouldn’t be measured by the money collected. It must be measured by how quickly, fairly and accurately the songwriters and composers receive the royalties they are due.
In 2025, we saw particularly strong growth in live with more creators earning from performances than ever before, including many being paid for the first time. We moved to monthly payments for online streaming, giving creators faster access to the money they’ve earned and the insights they need to understand how their music is performing, all with the aim of continuing to deliver a world-leading royalty distribution service in a rapidly evolving music landscape.”
See the full story behind the numbers via the link in bio.
2025 - More music, more creators, more paid.
▶️ £1.07 billion paid
▶️ Over 86,000 PRS members paid
▶️ Live royalties tops £100 million
▶️ 231,000 live performance setlists were collected
In 2025, we paid out against 7.8 million unique works, an increase of 41% (2.3m) since 2020, delivering record distributions to songwriters, composers and publishers around the world.
For the first time in PRS’s 112-year history, revenue collected from Live music generated more than one hundred million pounds (£101.4m), up by 13.2% (£11.9m) in 2024. Overall revenues from public performance, music played or performed in public (i.e., shops, restaurants, bars etc.) represented a 9.1% (£26.1m) year-on-year increase to £313.4m.
Streaming continues to dominate discovery and access to music, contributing £351.4m of royalties collected, up 11.8% (£37.1m). Video-on-Demand revenue also saw a year-on-year increase, up by 20.1% (£12.9m) to £77.2m. Collectively, PRS collected £447.2m of online royalties, up by 9.6% (£39.3m).
Andrea Czapary Martin, CEO, PRS for Music said:
“We’ve delivered another year of strong growth, with revenues up 7% and for the second consecutive year paying over £1 billion to songwriters, composers and publishers. In just 10 years PRS has doubled the value flowing back to rightsholders, £621m in 2016 to £1.24bn in 2025, by accelerating licensing in new markets and securing new terms with major existing customers.
I believe success for a society shouldn’t be measured by the money collected. It must be measured by how quickly, fairly and accurately the songwriters and composers receive the royalties they are due.
In 2025, we saw particularly strong growth in live with more creators earning from performances than ever before, including many being paid for the first time. We moved to monthly payments for online streaming, giving creators faster access to the money they’ve earned and the insights they need to understand how their music is performing, all with the aim of continuing to deliver a world-leading royalty distribution service in a rapidly evolving music landscape.”
See the full story behind the numbers via the link in bio.
2025 - More music, more creators, more paid.
▶️ £1.07 billion paid
▶️ Over 86,000 PRS members paid
▶️ Live royalties tops £100 million
▶️ 231,000 live performance setlists were collected
In 2025, we paid out against 7.8 million unique works, an increase of 41% (2.3m) since 2020, delivering record distributions to songwriters, composers and publishers around the world.
For the first time in PRS’s 112-year history, revenue collected from Live music generated more than one hundred million pounds (£101.4m), up by 13.2% (£11.9m) in 2024. Overall revenues from public performance, music played or performed in public (i.e., shops, restaurants, bars etc.) represented a 9.1% (£26.1m) year-on-year increase to £313.4m.
Streaming continues to dominate discovery and access to music, contributing £351.4m of royalties collected, up 11.8% (£37.1m). Video-on-Demand revenue also saw a year-on-year increase, up by 20.1% (£12.9m) to £77.2m. Collectively, PRS collected £447.2m of online royalties, up by 9.6% (£39.3m).
Andrea Czapary Martin, CEO, PRS for Music said:
“We’ve delivered another year of strong growth, with revenues up 7% and for the second consecutive year paying over £1 billion to songwriters, composers and publishers. In just 10 years PRS has doubled the value flowing back to rightsholders, £621m in 2016 to £1.24bn in 2025, by accelerating licensing in new markets and securing new terms with major existing customers.
I believe success for a society shouldn’t be measured by the money collected. It must be measured by how quickly, fairly and accurately the songwriters and composers receive the royalties they are due.
In 2025, we saw particularly strong growth in live with more creators earning from performances than ever before, including many being paid for the first time. We moved to monthly payments for online streaming, giving creators faster access to the money they’ve earned and the insights they need to understand how their music is performing, all with the aim of continuing to deliver a world-leading royalty distribution service in a rapidly evolving music landscape.”
See the full story behind the numbers via the link in bio.
2025 - More music, more creators, more paid.
▶️ £1.07 billion paid
▶️ Over 86,000 PRS members paid
▶️ Live royalties tops £100 million
▶️ 231,000 live performance setlists were collected
In 2025, we paid out against 7.8 million unique works, an increase of 41% (2.3m) since 2020, delivering record distributions to songwriters, composers and publishers around the world.
For the first time in PRS’s 112-year history, revenue collected from Live music generated more than one hundred million pounds (£101.4m), up by 13.2% (£11.9m) in 2024. Overall revenues from public performance, music played or performed in public (i.e., shops, restaurants, bars etc.) represented a 9.1% (£26.1m) year-on-year increase to £313.4m.
Streaming continues to dominate discovery and access to music, contributing £351.4m of royalties collected, up 11.8% (£37.1m). Video-on-Demand revenue also saw a year-on-year increase, up by 20.1% (£12.9m) to £77.2m. Collectively, PRS collected £447.2m of online royalties, up by 9.6% (£39.3m).
Andrea Czapary Martin, CEO, PRS for Music said:
“We’ve delivered another year of strong growth, with revenues up 7% and for the second consecutive year paying over £1 billion to songwriters, composers and publishers. In just 10 years PRS has doubled the value flowing back to rightsholders, £621m in 2016 to £1.24bn in 2025, by accelerating licensing in new markets and securing new terms with major existing customers.
I believe success for a society shouldn’t be measured by the money collected. It must be measured by how quickly, fairly and accurately the songwriters and composers receive the royalties they are due.
In 2025, we saw particularly strong growth in live with more creators earning from performances than ever before, including many being paid for the first time. We moved to monthly payments for online streaming, giving creators faster access to the money they’ve earned and the insights they need to understand how their music is performing, all with the aim of continuing to deliver a world-leading royalty distribution service in a rapidly evolving music landscape.”
See the full story behind the numbers via the link in bio.
2025 - More music, more creators, more paid.
▶️ £1.07 billion paid
▶️ Over 86,000 PRS members paid
▶️ Live royalties tops £100 million
▶️ 231,000 live performance setlists were collected
In 2025, we paid out against 7.8 million unique works, an increase of 41% (2.3m) since 2020, delivering record distributions to songwriters, composers and publishers around the world.
For the first time in PRS’s 112-year history, revenue collected from Live music generated more than one hundred million pounds (£101.4m), up by 13.2% (£11.9m) in 2024. Overall revenues from public performance, music played or performed in public (i.e., shops, restaurants, bars etc.) represented a 9.1% (£26.1m) year-on-year increase to £313.4m.
Streaming continues to dominate discovery and access to music, contributing £351.4m of royalties collected, up 11.8% (£37.1m). Video-on-Demand revenue also saw a year-on-year increase, up by 20.1% (£12.9m) to £77.2m. Collectively, PRS collected £447.2m of online royalties, up by 9.6% (£39.3m).
Andrea Czapary Martin, CEO, PRS for Music said:
“We’ve delivered another year of strong growth, with revenues up 7% and for the second consecutive year paying over £1 billion to songwriters, composers and publishers. In just 10 years PRS has doubled the value flowing back to rightsholders, £621m in 2016 to £1.24bn in 2025, by accelerating licensing in new markets and securing new terms with major existing customers.
I believe success for a society shouldn’t be measured by the money collected. It must be measured by how quickly, fairly and accurately the songwriters and composers receive the royalties they are due.
In 2025, we saw particularly strong growth in live with more creators earning from performances than ever before, including many being paid for the first time. We moved to monthly payments for online streaming, giving creators faster access to the money they’ve earned and the insights they need to understand how their music is performing, all with the aim of continuing to deliver a world-leading royalty distribution service in a rapidly evolving music landscape.”
See the full story behind the numbers via the link in bio.
2025 - More music, more creators, more paid.
▶️ £1.07 billion paid
▶️ Over 86,000 PRS members paid
▶️ Live royalties tops £100 million
▶️ 231,000 live performance setlists were collected
In 2025, we paid out against 7.8 million unique works, an increase of 41% (2.3m) since 2020, delivering record distributions to songwriters, composers and publishers around the world.
For the first time in PRS’s 112-year history, revenue collected from Live music generated more than one hundred million pounds (£101.4m), up by 13.2% (£11.9m) in 2024. Overall revenues from public performance, music played or performed in public (i.e., shops, restaurants, bars etc.) represented a 9.1% (£26.1m) year-on-year increase to £313.4m.
Streaming continues to dominate discovery and access to music, contributing £351.4m of royalties collected, up 11.8% (£37.1m). Video-on-Demand revenue also saw a year-on-year increase, up by 20.1% (£12.9m) to £77.2m. Collectively, PRS collected £447.2m of online royalties, up by 9.6% (£39.3m).
Andrea Czapary Martin, CEO, PRS for Music said:
“We’ve delivered another year of strong growth, with revenues up 7% and for the second consecutive year paying over £1 billion to songwriters, composers and publishers. In just 10 years PRS has doubled the value flowing back to rightsholders, £621m in 2016 to £1.24bn in 2025, by accelerating licensing in new markets and securing new terms with major existing customers.
I believe success for a society shouldn’t be measured by the money collected. It must be measured by how quickly, fairly and accurately the songwriters and composers receive the royalties they are due.
In 2025, we saw particularly strong growth in live with more creators earning from performances than ever before, including many being paid for the first time. We moved to monthly payments for online streaming, giving creators faster access to the money they’ve earned and the insights they need to understand how their music is performing, all with the aim of continuing to deliver a world-leading royalty distribution service in a rapidly evolving music landscape.”
See the full story behind the numbers via the link in bio.
2025 - More music, more creators, more paid.
▶️ £1.07 billion paid
▶️ Over 86,000 PRS members paid
▶️ Live royalties tops £100 million
▶️ 231,000 live performance setlists were collected
In 2025, we paid out against 7.8 million unique works, an increase of 41% (2.3m) since 2020, delivering record distributions to songwriters, composers and publishers around the world.
For the first time in PRS’s 112-year history, revenue collected from Live music generated more than one hundred million pounds (£101.4m), up by 13.2% (£11.9m) in 2024. Overall revenues from public performance, music played or performed in public (i.e., shops, restaurants, bars etc.) represented a 9.1% (£26.1m) year-on-year increase to £313.4m.
Streaming continues to dominate discovery and access to music, contributing £351.4m of royalties collected, up 11.8% (£37.1m). Video-on-Demand revenue also saw a year-on-year increase, up by 20.1% (£12.9m) to £77.2m. Collectively, PRS collected £447.2m of online royalties, up by 9.6% (£39.3m).
Andrea Czapary Martin, CEO, PRS for Music said:
“We’ve delivered another year of strong growth, with revenues up 7% and for the second consecutive year paying over £1 billion to songwriters, composers and publishers. In just 10 years PRS has doubled the value flowing back to rightsholders, £621m in 2016 to £1.24bn in 2025, by accelerating licensing in new markets and securing new terms with major existing customers.
I believe success for a society shouldn’t be measured by the money collected. It must be measured by how quickly, fairly and accurately the songwriters and composers receive the royalties they are due.
In 2025, we saw particularly strong growth in live with more creators earning from performances than ever before, including many being paid for the first time. We moved to monthly payments for online streaming, giving creators faster access to the money they’ve earned and the insights they need to understand how their music is performing, all with the aim of continuing to deliver a world-leading royalty distribution service in a rapidly evolving music landscape.”
See the full story behind the numbers via the link in bio.
2025 - More music, more creators, more paid.
▶️ £1.07 billion paid
▶️ Over 86,000 PRS members paid
▶️ Live royalties tops £100 million
▶️ 231,000 live performance setlists were collected
In 2025, we paid out against 7.8 million unique works, an increase of 41% (2.3m) since 2020, delivering record distributions to songwriters, composers and publishers around the world.
For the first time in PRS’s 112-year history, revenue collected from Live music generated more than one hundred million pounds (£101.4m), up by 13.2% (£11.9m) in 2024. Overall revenues from public performance, music played or performed in public (i.e., shops, restaurants, bars etc.) represented a 9.1% (£26.1m) year-on-year increase to £313.4m.
Streaming continues to dominate discovery and access to music, contributing £351.4m of royalties collected, up 11.8% (£37.1m). Video-on-Demand revenue also saw a year-on-year increase, up by 20.1% (£12.9m) to £77.2m. Collectively, PRS collected £447.2m of online royalties, up by 9.6% (£39.3m).
Andrea Czapary Martin, CEO, PRS for Music said:
“We’ve delivered another year of strong growth, with revenues up 7% and for the second consecutive year paying over £1 billion to songwriters, composers and publishers. In just 10 years PRS has doubled the value flowing back to rightsholders, £621m in 2016 to £1.24bn in 2025, by accelerating licensing in new markets and securing new terms with major existing customers.
I believe success for a society shouldn’t be measured by the money collected. It must be measured by how quickly, fairly and accurately the songwriters and composers receive the royalties they are due.
In 2025, we saw particularly strong growth in live with more creators earning from performances than ever before, including many being paid for the first time. We moved to monthly payments for online streaming, giving creators faster access to the money they’ve earned and the insights they need to understand how their music is performing, all with the aim of continuing to deliver a world-leading royalty distribution service in a rapidly evolving music landscape.”
See the full story behind the numbers via the link in bio.
25 years ago, @sclub were one of pop music's big-hitters — powered by smash hits like 'Don't Stop Movin''.
Co-written by @simonellismusic and Shep Solomon, the song hit number one in the UK in April 2001 and later went on to win a BRIT Award for British Single.
'All the stars aligned for that record,' Simon tells us about its writing. 'I look back fondly on it, but also remember how important a role luck plays in everything, so you avoid messing it up.’
Read @jimio666's full interview with Simon at the link in the bio.
#sclub #iwrotethat #behindthesong
25 years ago, @sclub were one of pop music's big-hitters — powered by smash hits like 'Don't Stop Movin''.
Co-written by @simonellismusic and Shep Solomon, the song hit number one in the UK in April 2001 and later went on to win a BRIT Award for British Single.
'All the stars aligned for that record,' Simon tells us about its writing. 'I look back fondly on it, but also remember how important a role luck plays in everything, so you avoid messing it up.’
Read @jimio666's full interview with Simon at the link in the bio.
#sclub #iwrotethat #behindthesong
25 years ago, @sclub were one of pop music's big-hitters — powered by smash hits like 'Don't Stop Movin''.
Co-written by @simonellismusic and Shep Solomon, the song hit number one in the UK in April 2001 and later went on to win a BRIT Award for British Single.
'All the stars aligned for that record,' Simon tells us about its writing. 'I look back fondly on it, but also remember how important a role luck plays in everything, so you avoid messing it up.’
Read @jimio666's full interview with Simon at the link in the bio.
#sclub #iwrotethat #behindthesong
25 years ago, @sclub were one of pop music's big-hitters — powered by smash hits like 'Don't Stop Movin''.
Co-written by @simonellismusic and Shep Solomon, the song hit number one in the UK in April 2001 and later went on to win a BRIT Award for British Single.
'All the stars aligned for that record,' Simon tells us about its writing. 'I look back fondly on it, but also remember how important a role luck plays in everything, so you avoid messing it up.’
Read @jimio666's full interview with Simon at the link in the bio.
#sclub #iwrotethat #behindthesong
25 years ago, @sclub were one of pop music's big-hitters — powered by smash hits like 'Don't Stop Movin''.
Co-written by @simonellismusic and Shep Solomon, the song hit number one in the UK in April 2001 and later went on to win a BRIT Award for British Single.
'All the stars aligned for that record,' Simon tells us about its writing. 'I look back fondly on it, but also remember how important a role luck plays in everything, so you avoid messing it up.’
Read @jimio666's full interview with Simon at the link in the bio.
#sclub #iwrotethat #behindthesong
25 years ago, @sclub were one of pop music's big-hitters — powered by smash hits like 'Don't Stop Movin''.
Co-written by @simonellismusic and Shep Solomon, the song hit number one in the UK in April 2001 and later went on to win a BRIT Award for British Single.
'All the stars aligned for that record,' Simon tells us about its writing. 'I look back fondly on it, but also remember how important a role luck plays in everything, so you avoid messing it up.’
Read @jimio666's full interview with Simon at the link in the bio.
#sclub #iwrotethat #behindthesong
Are you making the most out of your music? 🎶
@PRSforMusic and @PPL_UK are heading to @liverpoolsoundcity to bring essential industry insights to the 2026 conference! 🚀
Join us for our panel, “Get Played, Get Paid! Making Money From Your Music,” where we’ll dive deep into how creators can navigate the industry and maximise their earnings.
Expert insights from our panelists:
✨ Hannah Merrick (@kinghannahmusic)
✨ Michael Aldag (@michael.aldag)
✨ Dan Jones
✨ Leo O’Brien
📍 Where: Kazimier Stockroom, Liverpool City Centre
🕒 When: Friday 1st May @ 15:50
Don’t miss out on the tools you need to fuel your career. See you in Liverpool! 🎸✨
#SoundCity26 #PRSforMusic #PPL #MusicIndustry #GetPlayedGetPaid
Are you making the most out of your music? 🎶
@PRSforMusic and @PPL_UK are heading to @liverpoolsoundcity to bring essential industry insights to the 2026 conference! 🚀
Join us for our panel, “Get Played, Get Paid! Making Money From Your Music,” where we’ll dive deep into how creators can navigate the industry and maximise their earnings.
Expert insights from our panelists:
✨ Hannah Merrick (@kinghannahmusic)
✨ Michael Aldag (@michael.aldag)
✨ Dan Jones
✨ Leo O’Brien
📍 Where: Kazimier Stockroom, Liverpool City Centre
🕒 When: Friday 1st May @ 15:50
Don’t miss out on the tools you need to fuel your career. See you in Liverpool! 🎸✨
#SoundCity26 #PRSforMusic #PPL #MusicIndustry #GetPlayedGetPaid
Are you making the most out of your music? 🎶
@PRSforMusic and @PPL_UK are heading to @liverpoolsoundcity to bring essential industry insights to the 2026 conference! 🚀
Join us for our panel, “Get Played, Get Paid! Making Money From Your Music,” where we’ll dive deep into how creators can navigate the industry and maximise their earnings.
Expert insights from our panelists:
✨ Hannah Merrick (@kinghannahmusic)
✨ Michael Aldag (@michael.aldag)
✨ Dan Jones
✨ Leo O’Brien
📍 Where: Kazimier Stockroom, Liverpool City Centre
🕒 When: Friday 1st May @ 15:50
Don’t miss out on the tools you need to fuel your career. See you in Liverpool! 🎸✨
#SoundCity26 #PRSforMusic #PPL #MusicIndustry #GetPlayedGetPaid
Are you making the most out of your music? 🎶
@PRSforMusic and @PPL_UK are heading to @liverpoolsoundcity to bring essential industry insights to the 2026 conference! 🚀
Join us for our panel, “Get Played, Get Paid! Making Money From Your Music,” where we’ll dive deep into how creators can navigate the industry and maximise their earnings.
Expert insights from our panelists:
✨ Hannah Merrick (@kinghannahmusic)
✨ Michael Aldag (@michael.aldag)
✨ Dan Jones
✨ Leo O’Brien
📍 Where: Kazimier Stockroom, Liverpool City Centre
🕒 When: Friday 1st May @ 15:50
Don’t miss out on the tools you need to fuel your career. See you in Liverpool! 🎸✨
#SoundCity26 #PRSforMusic #PPL #MusicIndustry #GetPlayedGetPaid
Think it’s not worth reporting your small gig to PRS? Think again!
As part of our Livelihood campaign, we’re setting the record straight on some common myths around reporting live performances with this Mythbuster. From backdating claims to international shows and the truth about cover songs, we’ve rounded up some of the most asked questions we hear from creators around live, setlisting and much more.
Comment LIVELIHOOD for more resources on live royalties and let us know what other educational resources you want to see.
#livemusic #royalties #songwriters
Think it’s not worth reporting your small gig to PRS? Think again!
As part of our Livelihood campaign, we’re setting the record straight on some common myths around reporting live performances with this Mythbuster. From backdating claims to international shows and the truth about cover songs, we’ve rounded up some of the most asked questions we hear from creators around live, setlisting and much more.
Comment LIVELIHOOD for more resources on live royalties and let us know what other educational resources you want to see.
#livemusic #royalties #songwriters
Think it’s not worth reporting your small gig to PRS? Think again!
As part of our Livelihood campaign, we’re setting the record straight on some common myths around reporting live performances with this Mythbuster. From backdating claims to international shows and the truth about cover songs, we’ve rounded up some of the most asked questions we hear from creators around live, setlisting and much more.
Comment LIVELIHOOD for more resources on live royalties and let us know what other educational resources you want to see.
#livemusic #royalties #songwriters
Think it’s not worth reporting your small gig to PRS? Think again!
As part of our Livelihood campaign, we’re setting the record straight on some common myths around reporting live performances with this Mythbuster. From backdating claims to international shows and the truth about cover songs, we’ve rounded up some of the most asked questions we hear from creators around live, setlisting and much more.
Comment LIVELIHOOD for more resources on live royalties and let us know what other educational resources you want to see.
#livemusic #royalties #songwriters
Think it’s not worth reporting your small gig to PRS? Think again!
As part of our Livelihood campaign, we’re setting the record straight on some common myths around reporting live performances with this Mythbuster. From backdating claims to international shows and the truth about cover songs, we’ve rounded up some of the most asked questions we hear from creators around live, setlisting and much more.
Comment LIVELIHOOD for more resources on live royalties and let us know what other educational resources you want to see.
#livemusic #royalties #songwriters
Think it’s not worth reporting your small gig to PRS? Think again!
As part of our Livelihood campaign, we’re setting the record straight on some common myths around reporting live performances with this Mythbuster. From backdating claims to international shows and the truth about cover songs, we’ve rounded up some of the most asked questions we hear from creators around live, setlisting and much more.
Comment LIVELIHOOD for more resources on live royalties and let us know what other educational resources you want to see.
#livemusic #royalties #songwriters
Think it’s not worth reporting your small gig to PRS? Think again!
As part of our Livelihood campaign, we’re setting the record straight on some common myths around reporting live performances with this Mythbuster. From backdating claims to international shows and the truth about cover songs, we’ve rounded up some of the most asked questions we hear from creators around live, setlisting and much more.
Comment LIVELIHOOD for more resources on live royalties and let us know what other educational resources you want to see.
#livemusic #royalties #songwriters
Think it’s not worth reporting your small gig to PRS? Think again!
As part of our Livelihood campaign, we’re setting the record straight on some common myths around reporting live performances with this Mythbuster. From backdating claims to international shows and the truth about cover songs, we’ve rounded up some of the most asked questions we hear from creators around live, setlisting and much more.
Comment LIVELIHOOD for more resources on live royalties and let us know what other educational resources you want to see.
#livemusic #royalties #songwriters
Think it’s not worth reporting your small gig to PRS? Think again!
As part of our Livelihood campaign, we’re setting the record straight on some common myths around reporting live performances with this Mythbuster. From backdating claims to international shows and the truth about cover songs, we’ve rounded up some of the most asked questions we hear from creators around live, setlisting and much more.
Comment LIVELIHOOD for more resources on live royalties and let us know what other educational resources you want to see.
#livemusic #royalties #songwriters
Think it’s not worth reporting your small gig to PRS? Think again!
As part of our Livelihood campaign, we’re setting the record straight on some common myths around reporting live performances with this Mythbuster. From backdating claims to international shows and the truth about cover songs, we’ve rounded up some of the most asked questions we hear from creators around live, setlisting and much more.
Comment LIVELIHOOD for more resources on live royalties and let us know what other educational resources you want to see.
#livemusic #royalties #songwriters
Think it’s not worth reporting your small gig to PRS? Think again!
As part of our Livelihood campaign, we’re setting the record straight on some common myths around reporting live performances with this Mythbuster. From backdating claims to international shows and the truth about cover songs, we’ve rounded up some of the most asked questions we hear from creators around live, setlisting and much more.
Comment LIVELIHOOD for more resources on live royalties and let us know what other educational resources you want to see.
#livemusic #royalties #songwriters
Think it’s not worth reporting your small gig to PRS? Think again!
As part of our Livelihood campaign, we’re setting the record straight on some common myths around reporting live performances with this Mythbuster. From backdating claims to international shows and the truth about cover songs, we’ve rounded up some of the most asked questions we hear from creators around live, setlisting and much more.
Comment LIVELIHOOD for more resources on live royalties and let us know what other educational resources you want to see.
#livemusic #royalties #songwriters
Think it’s not worth reporting your small gig to PRS? Think again!
As part of our Livelihood campaign, we’re setting the record straight on some common myths around reporting live performances with this Mythbuster. From backdating claims to international shows and the truth about cover songs, we’ve rounded up some of the most asked questions we hear from creators around live, setlisting and much more.
Comment LIVELIHOOD for more resources on live royalties and let us know what other educational resources you want to see.
#livemusic #royalties #songwriters
Think it’s not worth reporting your small gig to PRS? Think again!
As part of our Livelihood campaign, we’re setting the record straight on some common myths around reporting live performances with this Mythbuster. From backdating claims to international shows and the truth about cover songs, we’ve rounded up some of the most asked questions we hear from creators around live, setlisting and much more.
Comment LIVELIHOOD for more resources on live royalties and let us know what other educational resources you want to see.
#livemusic #royalties #songwriters
Think it’s not worth reporting your small gig to PRS? Think again!
As part of our Livelihood campaign, we’re setting the record straight on some common myths around reporting live performances with this Mythbuster. From backdating claims to international shows and the truth about cover songs, we’ve rounded up some of the most asked questions we hear from creators around live, setlisting and much more.
Comment LIVELIHOOD for more resources on live royalties and let us know what other educational resources you want to see.
#livemusic #royalties #songwriters
Currently out on the road in support of their latest album 'The Grown-Ups Are Talking', Demob Happy are excited to be in control of their own destiny when it comes to their live shows.
‘We've talked a lot about jumping in and taking more risks, such as going to play at a strange, far-flung festival,' drummer Tom Armstrong tell us. ‘As an independent band, there's a little more flexibility.’
For the latest edition of our ‘On The Road’ series, Demob Happy discuss their changing relationship with touring, the 'privilege' of playing live and the impact PRS royalties and @PRSFoundation funding have had on their ambitions as a band.
Link in bio to read the full story.
📸 Credit: @laurarakauskaite
#prscommunity #livemusic
Currently out on the road in support of their latest album 'The Grown-Ups Are Talking', Demob Happy are excited to be in control of their own destiny when it comes to their live shows.
‘We've talked a lot about jumping in and taking more risks, such as going to play at a strange, far-flung festival,' drummer Tom Armstrong tell us. ‘As an independent band, there's a little more flexibility.’
For the latest edition of our ‘On The Road’ series, Demob Happy discuss their changing relationship with touring, the 'privilege' of playing live and the impact PRS royalties and @PRSFoundation funding have had on their ambitions as a band.
Link in bio to read the full story.
📸 Credit: @laurarakauskaite
#prscommunity #livemusic
Currently out on the road in support of their latest album 'The Grown-Ups Are Talking', Demob Happy are excited to be in control of their own destiny when it comes to their live shows.
‘We've talked a lot about jumping in and taking more risks, such as going to play at a strange, far-flung festival,' drummer Tom Armstrong tell us. ‘As an independent band, there's a little more flexibility.’
For the latest edition of our ‘On The Road’ series, Demob Happy discuss their changing relationship with touring, the 'privilege' of playing live and the impact PRS royalties and @PRSFoundation funding have had on their ambitions as a band.
Link in bio to read the full story.
📸 Credit: @laurarakauskaite
#prscommunity #livemusic
Currently out on the road in support of their latest album 'The Grown-Ups Are Talking', Demob Happy are excited to be in control of their own destiny when it comes to their live shows.
‘We've talked a lot about jumping in and taking more risks, such as going to play at a strange, far-flung festival,' drummer Tom Armstrong tell us. ‘As an independent band, there's a little more flexibility.’
For the latest edition of our ‘On The Road’ series, Demob Happy discuss their changing relationship with touring, the 'privilege' of playing live and the impact PRS royalties and @PRSFoundation funding have had on their ambitions as a band.
Link in bio to read the full story.
📸 Credit: @laurarakauskaite
#prscommunity #livemusic
Currently out on the road in support of their latest album 'The Grown-Ups Are Talking', Demob Happy are excited to be in control of their own destiny when it comes to their live shows.
‘We've talked a lot about jumping in and taking more risks, such as going to play at a strange, far-flung festival,' drummer Tom Armstrong tell us. ‘As an independent band, there's a little more flexibility.’
For the latest edition of our ‘On The Road’ series, Demob Happy discuss their changing relationship with touring, the 'privilege' of playing live and the impact PRS royalties and @PRSFoundation funding have had on their ambitions as a band.
Link in bio to read the full story.
📸 Credit: @laurarakauskaite
#prscommunity #livemusic
Currently out on the road in support of their latest album 'The Grown-Ups Are Talking', Demob Happy are excited to be in control of their own destiny when it comes to their live shows.
‘We've talked a lot about jumping in and taking more risks, such as going to play at a strange, far-flung festival,' drummer Tom Armstrong tell us. ‘As an independent band, there's a little more flexibility.’
For the latest edition of our ‘On The Road’ series, Demob Happy discuss their changing relationship with touring, the 'privilege' of playing live and the impact PRS royalties and @PRSFoundation funding have had on their ambitions as a band.
Link in bio to read the full story.
📸 Credit: @laurarakauskaite
#prscommunity #livemusic
Currently out on the road in support of their latest album 'The Grown-Ups Are Talking', Demob Happy are excited to be in control of their own destiny when it comes to their live shows.
‘We've talked a lot about jumping in and taking more risks, such as going to play at a strange, far-flung festival,' drummer Tom Armstrong tell us. ‘As an independent band, there's a little more flexibility.’
For the latest edition of our ‘On The Road’ series, Demob Happy discuss their changing relationship with touring, the 'privilege' of playing live and the impact PRS royalties and @PRSFoundation funding have had on their ambitions as a band.
Link in bio to read the full story.
📸 Credit: @laurarakauskaite
#prscommunity #livemusic
We’re thrilled to be back in Brighton once again for our fifth annual mixer, this time supported by PRS for Music.
Free entry, and a great opportunity to network, reconnect with old friends, meet new ones, and soak up the TGE buzz.
📅 Thursday 14th May
🕣 18:15 - 20:30
📍 No.32, 32 Duke St, Brighton, BN1 1AG
Please note - this event is not part of the official programme at The Great Escape.
Sign up via link in bio.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.